the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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noel and identity loss...
trying to articulate why it feels wrong to call him charlie, because thats still him but at the same time not.
he's changed and things cant go back to the way they were, noel took up a new name one to remember but also to move on
i don't think noel is a fake name to him more so just a new identity he's taken up as an extension of himself. or at least someone he's rebuilt himself as after the dreamlands. i don't think he's discarded charlie as an identity but that he just has two names that are both very real to him, however just one of them is more in the forefront than the other so he'd be unused to his old name being used.
but i also think that he'd feel extremely disconnected to his old life and name that it would be uncomfortable and feel wrong for him, might feel that his past is catching up to him or maybe he'd be afraid that if he stops using noels name he'd be abandoning him in some way
or just using the name as an escape from the king in yellow who likely would've called him by his original name
i recognise this is like probably nothing at all but it is rotating in my brain and i need to get it out, i love saying shit and being completely incoherent
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i think that we often do forget that the black brothers were not inherently good people; they were more or less morally grey, more or less leaning towards the good/bad side. it's hard to fully unlearn beliefs of your family (and i think that many people resonate with this statement, whether we are talking about fictional characters or real, fully-fledged people), and i think that morally grey characters are far more interesting than people who are inherently good or evil.
sirius black
many people (including myself) would say that sirius is leaning more towards the lighter end of the spectrum, given the fact that he actively tried to unlearn his family's beliefs, he ran away from home at the age of sixteen and decided to move in with people who were recognized in the wizarding society as good people, he joined the order as soon as he finished hogwarts, and, even after the unfortunate ending of the first war, he decided to join the order again and stay inside a house that was never a home for him, to ensure the safety of himself, the order, and harry, too. his last act was the attack at the ministry where he found himself, despite the fact that he was supposed to stay inside grimmauld place, and where he died.
however, we cannot deny that sirius, too, had slip-ups. one of them was the prank (to review what happened, essentially, he told snape how to get past the whomping willow, therefore revealing remus' secret to him). in this situation, sirius shows recklessness and a lack of thought towards the consequences that his actions could have towards not only himself, but severus snape and remus, too. his behavior showed a lack of altruism, and a lack of consideration for the people around him, being willing to put them in danger for whatever may have been the reason.
another one would be swm (snape's worst memory), where james is a part of the action too, but the tormenting of snape was unjustified (j&s started the fight, and snape responded) and ended badly. now, i am in no way a defender of severus snape's, but both j&s and him were acting based on either boredom (the aforementioned) and a need for revenge caused by the actions that had happened against him (the latter).
in canon, we are also shown that he does not exactly think the words he says, and the effect they have on people. (“You're less like your father than I thought.” — GoF). i think that sirius had no right to say this to harry, who was just trying to make sure that sirius would be safe. what we need to remember is that, by the time of the action of GoF took place, sirius was still on the run, and the ministry was still looking for him; it would have been dangerous for both him and harry (and whoever might have joined them) to go out of hiding and go meet up somewhere near hogwarts (hogsmeade). harry's response to sirius' request was logical, and sirius' response was reckless and not well-thought.
regulus black
we do not have enough information on regulus to fully state on which side of the spectrum he finds himself on. however, he was known to have held the same beliefs that his parents did and to be an open voldemort supporter (The Slytherin colours of emerald and silver were everywhere, draping the bed, the walls and the windows. The Black Family crest was painstakingly painted over the bed, along with its motto Toujours Pur. Beneath this was a collection of yellow newspaper cuttings (of voldemort), all stuck together to make a ragged collage.)
therefore, to some extent, we can safely assume that he held the same beliefs as him (and, implicitly, his parents). the voldemort collage might have been on the wall for either research purposes or an act of devotion (this interesting perspective has been added by @/werewolfenthusiast) we cannot be sure; however, i am inclined to think that it might have been a mixture of both.
furthermore, i think the fact that regulus only started actively betraying and going against voldemort only after voldemort's actions had direct consequences on him and the ones he loved — kreacher, and this is shown in two acts; (wording taken off the hp wiki)
After becoming a Death Eater, Regulus began to consider abandoning Lord Voldemort, partly because his master mistreated and intended to kill the Black family's loyal house-elf Kreacher whilst setting up the security measures for one of his Horcruxes.
One day, Voldemort asked Regulus for the use of his house-elf, Kreacher and Regulus eagerly accepted as he wanted to please his master. Voldemort used Kreacher to test the defences around his locket Horcrux, leaving him to die afterwards. Kreacher was able to escape using house-elf magic and told Regulus of what had happened. Regulus worked out that the locket was a Horcrux and was the reason behind Voldemort's immortality. This was the deciding factor in Regulus's defection.
therefore, regulus has been shown to feel remorse and to start to realize the lenghts lord voldemort would go through only when his family (implicitly, his house-elf) were targeted. however, by researching horcruxes and trying to destroy one of them, regulus (un)willingly helped the wizarding world towards voldemort's fall.
all in all, the black brothers are two complex characters who, to some extent, held their family's beliefs and values. whether they had actively tried to unlearn them (sirius) or their betrayal was slow and silent (regulus), and neither of them can be fit in the category of inherently good or bad people.
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btw if your stance on transphobia at all incorporates the sentiment that trans men (or, let's be real, you want a nicer way to say "afab trans people" but don't want to be directly called out) are treated with "less" transphobia or that they "have it better" than other trans people, you are a small bug beneath the heel of my boot and im going to repeatedly squash you until you get off my page.
reinventing bioessentialism and then using it for your own cause is still. just. reusing terf rhetoric. you can say that different trans people experience transphobia differently without diminishing the very real oppression we as trans men face for being trans men.
and if me saying this makes you uncomfortable or makes you want to tell me what my experiences with transphobia are, then block me immediately. invisibility is not a privilege
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why do you see bkg as trans?
i've had this ask sitting in my drafts since like august BECAUSE i knew if i did the question justice it was gonna get VERY long and pretty personal - if i'm gonna talk about it then i gotta talk about it in all earnest. and you've given me the floor to talk about it. so!!
at first i had these typed out as two separate points but i think they go a lot more hand-in-hand than that, so to start - when i think about my own gender and why i can't bring myself to identify fully with womanhood a lot of it is because there's something that feels so free about masculinity. mostly just like because of womanhood on a societal level a lot of my experience as a girl forever has been "you need to think about how your existence makes other people feel. you really need to present yourself in a way that's pleasant for other people. the way you look, the way you talk, the way you conduct yourself - people are entitled to having a say in all that. and if any of that isn't living up to the way it's supposed to be, then that's a fault of yours." here's a vent post i made when i was 17:
which is mostly really superficial examples of the suffocating expectation of girlhood but it's also so blatantly about bkg. in the moment my thought process was more like "i'm so deeply unsatisfied with so many parts of being a girl, it sounds like there'd be so many less people to answer to if i were a boy" but it's funny reading back on it bc it's like "dude are you just talking about bkg". but then who's a better example of choosing to stomp through life exactly as loud and rude as he wants to be without answering to anyone than bakugou katsuki!! honest about his thoughts in any case!! free to speak as bluntly and rudely as he wants!! never putting up with shit that makes him feel unlike himself!! walks with big wide steps and wears stupid baggy clothes and doesn't care what people have to say about it and doesn't feel worse if they do disagree. grins crazy blasting himself through the air. fights with big windup swings and shouts all the while. huge huge presence and so unafraid to assert it. named himself great・explosion・murder・god dynamight. i think i project a big sense of defiance onto bkg's character because everything he is just feels so defiant to me. there's just a lot that i admire about boyhood and bkg feels like the embodiment of it to me
and then you've got bkg himself, who like- isn't even fulfilling the "doesn't feel worse about himself if he is genuinely not the greatest or kindest" part of it!! bkg's character is so centered around figuring out who he is and like navigating through the mortifying ordeal of existing and not actually liking the person you are and trying to figure out where to go from there- he really thinks he has so much to prove...both in the sense that he DOES want to project this big image and also that he really can't cut himself a break. and then he freaks out when he's not becoming the person he wants to be and picks a fight with deku over it and totally breaks down and picks himself back up and forces himself to seriously rewire the entire view of himself and others that he's had his entire life - he's 16 - and goes to all this teeth-clenching effort to be a better person and has highs and lows and wears himself raw and then comes back to life. well the quality of the later part of his arc is very debatable. but his character is so about just figuring out who he is and kind of failing at it a lot of the time. and then eventually figuring it out and getting confident and stable in it. he makes friends who rib on him because they know he's got a good heart under it all, and moreover he lets them. he gets good at shouting something back and carrying on. you see the amount of conscious thinking it takes him to take some of those steps - rethinking his relationship with deku, the god am i really fucking doing this scoff before he gives kirishima back the money - but a lot of it is just steady growth. growing up. genuinely getting more comfortable and more okay with himself over time. but there's also all these little failures along the way because he's just a kid figuring it out, and also genuinely this anger towards the world for not understanding it when he does assert himself (sports festival....where deku also specifically notes that he knows he's not as confident as he wants to be!)
i haven't really closely reread bnha in a sec so a lot of this is probably a lot of projecting (i know it's undeniably influenced by the picture of bkg i have in my head) and i probably also didn't really clarify anything, because in the end everything bakugou is feels very trans to me. "the image you have of bkg katsuki in your head can actually be so personal" etc. digging into my archives i found this post from years back where i described basically the same stuff about bkg being a teen figuring himself out and saying "so yeah he's trans" without being able to hit it more on the head. kirishima is my favorite most special boy of all time, and i love him in so many ways, but bkg is my cringefail stinky teen boy in w the unshatterable determination to actually go MAKE himself the person he wants to be, no matter how many missteps he makes on the way there. it brings me a lot of comfort to imagine him being a self-made man as a part of the because gender is so confusing and questioning can be so intense. i'm 23 and i'm typing all this about an anime boy so i hope it's evident what a soul-bearingly honest answer this is bc otherwise oh haha embarrassing. but yeah i love that kid. i hope every little victory and day where his voice sounds good to him and glance of his top scars in the mirror feels like one of the high points on the journey
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