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bacchicly · 10 months ago

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A few imperfect thoughts about writing fat characters respectfully

By me :

A short (5'2"), fat (approx 300 pounds), middle aged (turning 42 thank god), married to not a fat man, mother of a pre-teen, white, CIS, Anglo, Canadian, upper-middle class woman who writes fic (including smut) about a character who is fat by TV and Hollywood standards (Penelope Garcia)

Note: fat hate or debates about whether being fat is healthy or not will not be tolerated on this post. That is not what this post is about. This is about giving some insight into what writers may want to consider when trying to respectfully include more fat characters in their work and generally moving towards writing doing less harm to fat people.

This post started with me wanting to respond to someone honnestly asking "how do I write good descriptions of fat people" because they wanted to write more fat characters and write them authentically (and I assume in a way that would be respectful to fat people) which is an awesome! ...Or maybe it started a few months ago when a writer friend asked about whether a fat character in a fic borrowing a shirt or hoody from her fit boyfriend made sense. ...Or maybe it started way back when I started writing my first fan fic featuring Penelope Garcia partly in response to being irritated about how so many writers wrote her as a young woman and were often silent on her size or spent a lot of time on her insecurities about her body... anyhoo that's where I come from... doesn't make me an expert except maybe on my own unique experience with a fat body...rather more a fellow muddler / fat character writer enthusiast.

THE BASICS

This first part is a quick list of basics you'll read in other posts about writing characters in general - but we'd better get them out of the way because they apply:

Every character is unique and they way they act and think and feel tends to be a product of some mix of what they look like, how their body works or doesn't, how their brain works and doesn't, their "personality", what they were taught, their unique experiences, and the situation/society they are currently in. There are patterns (which is why we get tropes) but the fun thing is that small things can make big differences. So to write an authentic character, it helps to have a fairly clear sense of at least some of those elements and do some imagining about how all of that would funnel into the moment your writing.

The amount to which you describe character bodies and the style which you use to describe them tends to depend on genre, what the heck is going on in your story, the pov you're writing from, the reason you're writing etc. So their are no hard or fast rules. There may be norms for certain styles of fiction, but then it's up to you to decide if it's stronger for you to lean into those norms or to write "against" them at a particular moment.

In order to be more respectful and less harmful to fat people (especially if you see value in actively challenging the anti-fat status quo), you may have to change how you describe all bodies in your work, as well the attitudes both fat people and non fat people have about bodies in general.

Now that that's out of the way... let's get specifically to my thoughts on writing fat characters. I'm going to divide this part into tips for DESCRIBING FAT BODIES, FAT BODIES IN SPACE, and THINKING AND FEELING IN A FAT BODY.

TIPS FOR DESCRIBING FAT (OR OTHER) BODIES

I would say that both consistency and diversity across the work is important, by this I mean :

Consistently describe bodies in about the same amount of detail across your work for the same type of character regardless of body type. So protagonists should get about the same depth and breath of body descriptions as each other regardless of body type. Same goes for vilalns, supporting characters etc. Sometimes people are mute about the look and shape of "strait sized" character bodies (because what's to describe - they are just "normal") but then spend a bunch of time on "other sized" bodies or vice versa (in this case, the fat body is erased usually because of some form of internalised fat hate or phobia paired with "if you can't say anything nice" don't say anything at all.) If you're doing either of these things, I'm not saying it's wrong and has to be fixed- I'm just saying it's a flag that you may want to think about why you are writing differently about different body types and what your work is saying about what bodies have value and which don't.

Diversity Bodies in the real world come in a lot of different shapes and sizes (I know I know obvious woman strikes again) but if you are writing stories with fairly large casts and everyone has the same body type - there better be a good reason for it within the narrative. Truthfully there are cases where this does make sense to some degree... if you're writing about a group where there are physical requirements and standards for the folks in that world (ballet dancers, fire fighters, cops, soldiers, fbi agents) there may or may not be less diversity in body type and more homogeneous attitudes to body norms within the group - and certainly those who are outside of the norm may be commented on or feel like they are "other". But if you are in a more free setting - if you write without a diversity of body types - especially in settings where there is diversity - that is probably a clue that you're not thinking enough about what your various characters look like and may be "normalizing" one type of body over others. Similarly, if you are writing about a real time and place where there is evidence that there were fat bodies and you have none...that's another flag to ask yourself why.

The magical tools in your toolkit for describing fat and other bodies: Body neutrality and POV

Body neutrality is about not loving bodies and not hating bodies just accepting bodies as they are....or in this case describing them as they are. No poetic language. No judgement. Just this is what this character looks like. If you're struggling to do this, I suggest doing a body map for at least two characters with different body types - possibly one that you find easy to think of positively (in this case likely someone thin or at least fit) and one that you find more difficult to describe positively (in this case someone fat).

Describe them head to toe, naked and then clothed, in detail - acurately but not poetically. Start with their feet and then work up bit by bit. Pay attention to things like hair, scars, shape of joints, acne, tightness or looseness of skin, colour of skin, nails, fat, lack of fat, muscle tone, where do they hold their stress, what's in the bowels, how well they do or don't work, do they have their appendix, what they ate last, proportions (is their torso long or short compared to their legs), lungs - how much do they hold, are they healthy? - now describe their throat, shoulders, hands, hair, then end with face.

The only rule is no positive or negative connotations to anything. it's neither good nor bad that they have stretch marks - they just do and they have faded to silver. Now that you "see them' clearly - now look at them through the eyes of someone who loves them in a familial way...what do they see most? what words do they use? now through someone who is attracted to them sexually and love them and aren't ashamed...what do they see most? what words do they use? Now through the eyes of someone who hates them or wants to change them? or a child? or a dog? Now... how does your character feel about these descriptions? Now you have a variety of words you can draw on to describe the body and you also should have a fairly good idea of what is a more skewed view of the body and a more realistic view.

Also...it can be helpful to remember there are no consistently good or bad words to describe bodies - it depends on context and who is using the words. It's a lot like how sick can be used to describe something negatively or positively depending on the agreed upon meaning of the word by a group.

DESCRIBING BODIES IN SPACE/MOTION

Ok here's the thing - for every activity you can think of - there is a fat body that does it well and a fat body that can't do it easily or at all and there are a lot of reasons for both. Often it has to do with the fact that a lot of equipment is built for people who are 250lbs or less; and anything for bigger people tends to cost a premium. Also, if it's not an easy new skill to acquire with the body you've got...it may take longer and more bravery to keep pushing through to achieve mastery. People may try to discourage you from pursuing things. Sometimes out of prejudice, sometimes out of impatience, sometimes out of caring.

So deciding what your character's body can do easily and what it can't and why is more important than me giving you a list of words for how to describe fat movements.

My suggestion is: do your research. What sorts of body types have done the activity in the real world? What are the exceptions? What changes? So for example if a fat person is climbing a mountain - do they need more help? Different equipment? A different route?

Things to consider:

- equipment / things that can have weight limits: bunk beds, roller coasters, scooters, waterslides, camping chairs, elevators, trampolines, some bikes, life jackets (finding one that fit was a nightmare), exercise balls, airline seats (learning to ask for the seatbelt extender without second thought or shame was a lifesaver)

- not all fat people have pain, those who do will move taking into account the specifics of the pain - same as a lean person

- when I was pregnant I just got more cylindrical and did not get a classic belly. I moved well and easily all the way through my pregnancy, I had none of the back pain or ankle pain some people get. I stood for a lot of my labour. I gave birth on my hands and knees. Other fat people will have had different experiences of pregnancy...but that was mine.

- clothing can have a huge impact on what bounces or jiggles and what doesn't

- most (but not all) fat people I know are particularly sensitive to appearing sweaty or smelling bad

- how winded someone gets is not directly correlated to body size, neither is heart rate or breathing style; I have theatre training and grew up swimming - I breath very slowly and very deeply normally - so when I talk a slow deep breath...it is very slow and deep indeed. I have always been fat but can swim forever - I have always gotten winded and kind of dizzy running... Other fat people may be opposite.

- people do not "see fat" consistently. People regularly underestimate how fat I am (by 100+ pounds or many clothing sizes) because I am short, well spoken, proportioned in a way that is seen as fairly typical, and very mobile and very light on my feet. Someone who weighs less than me but is slower moving, dull witted, in a sour mood, is illl, or poorly dressed may be perceived as much heavier than than someone the same weight or heavier who is behaving/clothed differently (which can change how much fat hate someone experiences) and definately heavier than they are. Height also changes how people perceive weight.

- many stores still don't carry plus sized clothing, but eventually i sort of got used to it - although some days it makes me angry and other days sad

- chairs with arms or the occasional booth can be uncomfortable or just plain impossible to sit in, it's probably partly my ADHD but I often forget this until it happens; for taller and fatter people than me this can be a much more regular occurrence.

- once (if) a character figures out how to dress/move their body in a way that feels comfortable and meets general standards (or at least theirs) of respectability - they may not think that much about their body...or at least until something external draws attention to it

- I don't like feeling like I'm squishing people, so I will make myself small and still on buses or at the theatre, I also don't like sitting on laps or being lifted or carried.

- I often feel much taller than I actually am - except when I am standing right beside someone taller or am trying to reach something on a high shelf. The same principle applies - I feel larger next to smaller people and smaller next to larger ones.

- clothing and what I'm carrying also changes how I move (just like my lean counterparts)

- I don't lounge, my car seat is set almost straight but I sit further back than my brother in law who has a similar height and weight - he leans the seat back but pulls closer. I don't nap. My leaner husband both lounges and naps.

- some fat folks eat, walk, and move quickly - some slowly; figuring out which your character does, when they behave "out of character", and why these are their preferences will go a long way to creating an authentic feeling fat character

- acne is a thing and learning to accept ones rolls and tummy aprons (and thus take care of them properly) is a common challenge; although many do it naturally without thinking much of it. You lift your breasts and wash underneath - you lift you belly and wash underneath.

- fat bodies have the same reactions as everyone else: they tingle, burn, get numb, get goose bumps, like to be touched in certain places and in certain ways, feel the breeze, get hot, get cold, shiver, stretch, relax, get aroused, feel release, hold tension, feel capable and strong, feel weak...no matter who you are sitting in a chair that's too small for you will put pressure on your body and feel uncomfortable or safe ..you can explore what that is like. Sometimes it is a reassuring sensation. Sometimes it is uncomfortable. This is the same for fat bodies. It just may happen more frequently and depending on your character's context and experience the emotional reaction / thoughts that are generated may be a bit different.

THINKING AND FEELING IN A FAT BODY.

I think I touched on some of this in some of the earlier sections...but here I want to talk a bit about my experience of being fat and my thoughts about it - your fat characters may or may not feel similarly...but my hope is that you at least think about options as opposed to only writing one or two types of fat character.

I mainly "feel" fat in moments when it is pointed out to me or I am limited in what I can do because of it

I quite like my body, it is my home and I feel very connected to it's features. In my experience this is unusual for many people in North American society regardless of actual body shape or weight. Sometimes I feel guilty for not hating my body the way "I am supposed to" and wonder vaguely if my body would be different if I could hate it more (although as I get older I doubt it).

I do feel some pressure to be a cheerful "good" fat person as a way to stay safe and survive.

Nothing makes people more uncomfortable than me calling myself fat without judgement or asking for accomodation matter of factly. It took me a long time to feel comfortable doing so, but I do it now all the time and it makes my life better.

I felt some pressure to be the fun friend who people feel comfortable eating whatever they wanted with and I often felt like I was depended on to order dessert so they could too. This may have been all in my mind though.

Fat bellies can be very intimate places.

Not all fat people have dieted, but many have. I was lucky enough to never be forced into a diet. I did try keto once but it was a bit intense and nuts so I stopped. I learned a bunch doing it though.

Medical people not treating you appropriately when your fat is 100% a thing.

Internalised fat hate and fat phobia is a thing for many fat people and it pops up at weird moments.

I don 't.give a damn about being in a bathing suit. As long as it fits and my boobs and butt.aren't.falling out - I am happy and feel very attractive. In fact I am probably at my most comfortable in a bathing suit or naked. My body is mine in both those instances.

To reach the "healthy weight" for my height - I would have to lose half of my body mass. That is a lot of me to loose. Embarking on something like that would be totally different than loosing 5 or 10 pounds. Trying to navigate the various medical opinions about whether being fat is bad or not is exhausting.

For me, being fat and older is easier than being fat and younger. This could easily be the opposite for someone else.

Some fat people are into sex, some are not . Some folks are into sex with fat people and some are not. Some are nice about it. Some are not. Some want nice. Some do not.

Fat people are all around you living their best life or their worst life or somewhere in between. We know we are fat. We sometimes care and sometimes don't.

Ok that's it. I don't know if it will help anyone or if it's just a collection of rambles - but at the end of the day...fat people are just people. We are not going to go away. We are all sorts. We are the heroes of our own stories. We are people who are loved, depended on, hated, ignored, and/or spotlighted.

Some fat people think about being fat all the time. Some rarely. Just please don't erase us or other us.

Just by taking the step to interrogate your own biases and any feelings / assumptions you have about fatness/thinness is a huge step and will help limit the harm you could unintentionally do to fat people...actually to all people. Like all forms of hate and intelorance - Fat hate hurts EVERYONE. I would argue it privileges a few...but even that can be excruciating for the individuals who strive to retain that priviledge. We need to dismantle it.

#writing #writing fat characters #fat phobia #fat hate #long post #personal #body neutrality #body posititivity #writing about bodies

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astrstqr · 4 months ago

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☆˙˖ DESIRED REALITY !

things i script for my modern dr. lmk if you want more

⬭ racism, homophobia, ableism, transphobia, islamophobia, anti semitism, misogyny, global warming, climate change, overconsumption, overpopulation, deforestation, habitat destruction etc., used to exist, however they currently do not and will never suffer from them again.

⬭ everyone is treated equal

⬭ no “pro-life”

⬭ people are allowed to have abortions no matter what age they are

⬭ women products are free such as pads/tampons and birth control

⬭ everyone is educated on problems happening around the world

⬭ health care is free

⬭ natives are seen as the founders of America

⬭ south, west, southeast, & central Asians are seen too + people know Asia is not just the east

⬭ having guns are illegal unless your job requires you to have one and there is no other way to get a gun

⬭ periods last a day and are very light

⬭ covid-19 doesn’t exist

⬭ plastic surgery is normalized , isnt look down on but people rarely gets it unless necessary

⬭ children of any age are not sexualized in any form or shape

⬭ in public bathrooms the toilet is always clean, people don't knock on the stall you are in, there is always toilet paper, always soap and a hand dryer

⬭ the Chinese government isn't so harsh & gives the citizens freedom

⬭ people of color’s cultures are RESPECTED, & not appropriated

⬭ foster care takes treats kids nicely

⬭ nobody harms animals and kill shelters are not a thing

⬭ all country leaders are good and honest people

⬭ human trafficking does not exist

⬭ the government never watches you through your phone

⬭ trump never ran for president

⬭ no world hungers

⬭ no one is homeless, and everyone has a home

⬭ world peace

⬭ women and men are equal

⬭ it’s easy for people to make money

⬭ all sickness has a cure

⬭ bullying does not exist

⬭ black history and pride month still exist

⬭ the government isn't greedy and take care of their people

⬭ every country has money, food, isnt poor, etc. etc.

⬭ no toxic parenting

⬭ the Sewol ferry never had an accident

⬭ school shooting doesn’t exist

⬭ minimum wage is $15-$20 an hour

⬭ crimes are punished with justice in mind

⬭ history is recorded correctly

⬭ people can start driving at 15

⬭ Korea is not conservative

⬭ Korea doesn’t have an unrealistic beauty standard

⬭ Korea never divided, it is united and free. But south of korea is like the city part and the north is like rural part

⬭ pollution does not exist

⬭ earth air is clean and easy to breathe no matter where you are

⬭ no acid rain, urban sprawl, ozone layer depletion

⬭ allergies do not exist

⬭ the world is more colorful and not dull looking

⬭ coral reef still has it color

⬭ no water in unwanted places

⬭ grass is always green

⬭ if the population increases the planet gets bigger to produce resources to accommodate the growing population. it doesnt effect the mass of the earth or the gravitational pull

⬭ global warming doesn't exist

⬭ humidity doesn't ruin hair

⬭ the library of alexandria was never destroyed

⬭ apple pencils work on iPhone

⬭ everything is wireless, and nothing needs a cord

⬭ line is always short in stores and restaurants

⬭ buildings and renovating don’t take longer than a wee

⬭ you can book a hotel with being 18 or older

⬭ traffic is always fine

⬭ netflix have more of a large selection of things and dont remove shows/add shows no one wants

⬭ spotify is free

⬭ the switch have a web browser

⬭ tv companies still make tv shows similar to the 2000s and early 2010s , just updated to keep up with the times

⬭ the sims franchise lore is linear throughout the series

the open world features from sims 3 is still present in sims 4

sims 4 is like an updated and better version of sims 3 keeping all the features from the sims 3 (still including everything that is already in sims 4)

non of the games have bugs

every expansion pack etc is just added to the game as an update and no one has to pay for it

⬭ cheap jewelry doesnt tarnish

⬭ washer/dryer cycles are 15 mins

⬭ in the show dancing dolls everyone was treated equally and was never fake to each other.

⬭ people actually do the theme for the met gala and it’s always unique

୨୧⠀˙⠀⠀˖⠀ world aesthetic & vibe

#𓏸𓈒 — YANA #★ DA BRAT DRS #scripting ideas #script #reality shifting #shifting #desired reality #manifesation #things to script #shifting script #shifting community #shiftblr #shifters #shifting motivation #shifting realities

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mostlysignssomeportents · 8 months ago

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The unexpected upside of global monopoly capitalism

I'm touring my new, nationally bestselling novel The Bezzle! Catch me TODAY (Apr 10) at UCLA, then Chicago (Apr 17), Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

Here's a silver lining to global monopoly capitalism: it means we're all fighting the same enemy, who is using the same tactics everywhere. The same coordination tools that allow corporations to extend their tendrils to every corner of the Earth allows regulators and labor organizers to coordinate their resistance.

That's a lesson Mercedes is learning. In 2023, Germany's Supply Chain Act went into effect, which bans large corporations with a German presence from using child labor, violating health and safety standards, and (critically) interfering with union organizers:

https://www.bafa.de/EN/Supply_Chain_Act/Overview/overview_node.html

Across the ocean, in the USA, Mercedes has a preference for building its cars in the American South, the so-called "right to work" states where US labor law is routinely flouted and unions are thin on the ground. As The American Prospect's Harold Meyerson writes, the only non-union Mercedes factories in the world are in the US:

https://prospect.org/labor/2024-04-08-american-workers-german-law-uaw-unions/

But American workers – especially southern workers – are on an organizing tear, unionizing their workplaces at a rate not seen in generations. Their unprecedented success is down to their commitment, solidarity and shrewd tactics – all buoyed by a refreshingly pro-worker NLRB, who have workers' backs in ways also not seen since the Carter administration:

https://pluralistic.net/2023/09/14/prop-22-never-again/#norms-code-laws-markets

Workers at Mercedes' factory in Vance, Alabama are trying to join the UAW, and Mercedes is playing dirty, using the tried-and-true union-busting tactics that have held workplace democracy at bay for decades. The UAW has lodged a complaint with the NLRB, naturally:

https://www.commondreams.org/news/alabama-mercedes-benz

But the UAW has also filed a complaint with BAFA, the German regulator in charge of the Supply Chain Act, seeking penalties against Mercedes-Benz Group AG:

https://uaw.org/uaw-files-charges-in-germany-against-mercedes-benz-companys-anti-union-campaign-against-u-s-autoworkers-violates-new-german-law-on-global-supply-chain-practices/

That's a huge deal, because the German Supply Chain Act goes hard. If Mercedes is convicted of union-busting in Alabama, its German parent-company faces a fine of 2% of its global total revenue, and will no longer be eligible to sell products to the German government. Chomp.

Now, the German Supply Chain Act is new, and this is the first petition filed by a non-German union with BAFA, so it's not a slam dunk. But supermajorities of Mercedes workers at the Alabama factory have signed UAW cards, and the election is going to happen in May or June. And the UAW – under new leadership, thanks to a revolution that overthrew the corrupt old guard – has its sights set on all the auto-makers in the American south.

As Meyerson writes, the south is America's onshore offshore, a regulatory haven where corporations pay minimal or no tax and are free to abuse their workers, pollute, and corrupt local governments with a free hand (no wonder American industry is flocking to these states). Meyerson: "The economic impact of unionizing the South, in other words, could almost be placed in the same category as reshoring work that had gone to China."

The German Supply Chain Act was passed with the help of Germany's powerful labor unions, in an act of solidarity with workers employed by German companies all over the world. This is that unexpected benefit to globalism: the fact that Mercedes has extrusions into both the American and German political spheres means that both American and German workers can collaborate to bring it to heel.

The same is true for antitrust regulators. The multinational corporations that are in regulators' crosshairs in the US, the EU, the UK, Australia, Japan, South Korea and beyond use the same playbook in every country. That's doubly true of Big Tech companies, who literally run the same code – embodying the same illegal practices – on servers in every country.

The UK's Competition and Markets Authority has led the pack on convening summits where antitrust enforcers from all over the world gather to compare notes and collaborate on enforcement strategies:

https://www.eventbrite.co.uk/e/cma-data-technology-and-analytics-conference-2022-registration-308678625077

And the CMA's Digital Markets Unit – which boasts the the largest tech staff of any competition regulator in the world – produces detailed market studies that turn out to be roadmaps for other territories' enforces to follow – like this mobile market study:

https://assets.publishing.service.gov.uk/media/63f61bc0d3bf7f62e8c34a02/Mobile_Ecosystems_Final_Report_amended_2.pdf

Which was extensively referenced in the EU during the planning of the Digital Markets Act, and in the US Congress for similar legislation:

https://www.congress.gov/bill/117th-congress/senate-bill/2710

It also helped enforcers in Japan:

https://asia.nikkei.com/Business/Technology/Japan-to-crack-down-on-Apple-and-Google-app-store-monopolies

And South Korea:

https://www.reuters.com/technology/skorea-considers-505-mln-fine-against-google-apple-over-app-market-practices-2023-10-06/

Just as Mercedes workers in Germany and the USA share a common enemy, allowing for coordinated action that takes advantage of vulnerable flanks wherever they are found, anti-monopoly enforcers are sharing notes, evidence, and tactics to strike at multinationals that are bigger than most countries – but not when those countries combine.

This is an unexpected upside to global monopolies: when we all share a common enemy, we've got endless opportunities for coordinated offenses and devastating pincer maneuvers.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/10/an-injury-to-one/#is-an-injury-to-all

#pluralistic #monopoly #labor #nlrb #germany #harold meyerson #supply chain act #right to work #onshore offshore #uaw #vance alabama #vance #alabama #bafa #mercedes #antitrust #trustbusting

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alpha-mag-media · 1 year ago

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24 Affordable Anti-Ageing Skincare Products That Truly Work | In Trend Today

24 Affordable Anti-Ageing Skincare Products That Truly Work Read Full Text or Full Article on MAG NEWS

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#24 Affordable Anti-Ageing Skincare Products That Truly Work #Celebrities #Money #Motors #Politics #ShowBiz #Sport #Tech #Trends #UK #US #World

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ur-mag · 1 year ago

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24 Affordable Anti-Ageing Skincare Products That Truly Work | In Trend Today

24 Affordable Anti-Ageing Skincare Products That Truly Work Read Full Text or Full Article on MAG NEWS

View On WordPress

#24 Affordable Anti-Ageing Skincare Products That Truly Work #Celebrities #Money #Motors #Politics #ShowBiz #Sport #Tech #UK #US #World

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xx-slug-xx · 3 months ago

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If antis are going to start calling anime fanfiction “pedo propaganda”, then I cannot stress enough how important it is to actually learn what real propaganda looks like.

Great example: if your in the US, turn on any service that gives you ads. Sure this works in other countries too though! YouTube, Hulu, or anything else, doesn’t really matter. There’s a pattern I want y’all to look for, it’s the depiction of the upper class. It might look like upper middle class, but that is not where the upper middle class is really at right now considering everyone is constantly struggling financially. In every advertisement I’ve seen, every commercial that try’s to make you buy their product or sign up for something, it’s always depictions of “nice” upper class people. Never the lower class. The actors are always attractive for their age range, their homes are always spotless, and they can afford to live. It depicts the life that most everyday Americans want, and it’s just at the price of buying something. This is the most prominent form of propaganda, and it’s everywhere. Capitalism at the stage it’s at now, in the point of our society where we’re at now, is spreading propaganda in every corner so that we can buy things to be poorer. It’s propaganda because it’s spreading the idea that most Americans belong to the upper class, when most people are lower to lower middle class where the economy is at currently. Even the upper middle class isn’t doing all that great.

If antis are going to complain about propaganda, they need to learn what it looks like. Because it’s not in the form of a stupid fanfic some 14 year old wrote. It’s not in the form of lolisho. It’s not even in the form of a giant flyer on the side of a building that says “racism is good actually!” because that’s way too obvious to convince the general public!Propaganda doesn’t even need to be about spreading something bad either. Ever wonder why queer topics are so big in the US current government right now? Why the Democratic Party really pushes for equality for minorities (not just queer people). It’s bc they are using our own kindness as a way to convince us that “hey the government is your friend actually! Look how much we love you people who belong to minorities!”. They are using a GOOD message against us to gain our trust, never trust the government! They always have alternative motives behind EVERYTHING. That’s propaganda!

“You are not immune to propaganda” exists for a reason, and it means that it hides in every corner of your everyday life. It means that it’s designed to be unnoticeable by the average person. Learn what propaganda looks like, learn how to avoid listening to it the best you can.

#proship #profic #anti anti #profiction #anti censorship #anti harassment #propaganda #government #sals #ship and let ship #kink tomato #ykinmkato #comship #proshipper #proshipping

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throwaway-yandere · 11 months ago

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𝖘𝖈𝖆𝖗𝖇𝖔𝖗𝖔𝖚𝖌𝖍 𝖋𝖆𝖎𝖗/𝖈𝖆𝖓𝖙𝖎𝖈𝖑𝖊 [Yandere Prince!Scaramouche/Reader]

A/n: After reading so many tyrant otome isekai manhwas, I thought I should give writing one a try... This story ended up being a bit more “real”(?) than OI. And I forgot the isekai part LOL. Love this fic a lot because the (L/n) family says the most banger lines. They spitting facts. Anyways, welcome to another throwaway-thursday, enjoy this one, @vennnnn-diagram because... lol.

Unreliable Synopsis: Exiled in Watatsumi island after publishing two anti-colonial novels outside their homeland, the famous reformist writer and physician (L/n) (Y/n) faces several familial deaths— and it all leads back to one man...

Content Warnings/Tags: Yandere themes, mentions of miscarriage (note: this is because this is very loosely based on a real life hero's biography), "lovers" to enemies, angst, character deaths, church corruption, politics, etc. Prioritize your mental health. The fic is meant to be a bit dark. You can listen to this song for the vibes 💖

"Are you going to Watatsumi Fair, Niwa?"

"Well, of course! The Lector works hard to make sure it's grander each year."

"Our Lector… I hope (L/n) is doing alright. It must be incredibly heartbreaking to lose a newborn son under three hours…"

"Indeed…"

It’s the 19th century and the streets chatter on about the upcoming festival. Seri, mitsuba, yomogi, and shiso— murmurs of food and spices exchanged at the Watatsumi Fair circulated. However, these four wonderful things wouldn't be there without a certain exile transforming the island into a thriving island: Lector (Y/n) (L/n).

Prince Kunikuzushi's most esteemed “rival”.

You were an exemplary philosopher and ophthalmologist who published two novels abroad that reflected Inazuma's social issues and military abuses. Of course, you were born in a noble clan. Only the wealthy can study outside Ritou and attain higher education beyond the basic arithmetic and religion Inazuman Colonizers gatekept your people with. You were slaves.

But these colonizers feared educated colonies would demand rights; hence, after publishing those eye-opening novels, you became Public Enemy #1. Charges against you were not absolved, but Inazumans could not execute you upon arrival. You were not a revolutionary, but a pacifist reformist. You made the government and clergy's behavior known worldwide, hence the military banished you to Watatsumi— another Inazuman colony and barren land.

Assured that you've done nothing wrong, you stayed in Watatsumi. With nothing but your firm beliefs, your days of exile were your most productive. Using your skills as a physician and some wits on land surveying, you've improved Watatsumi’s quality of life in under 6 months.

You're far from home with little spare change, yet you provided medicina gratis. With you, you’ve helped open the people’s eyes.

You lived under the scrutinizing eyes of the Queen, yet you erected streetlights in each dark street. With you, you’ve helped the people see in this dark age.

And most importantly, you have established Watatsumi's first school.

With you, the people understood the truth of their situation: they had been living under a tyrant’s rule for the past few decades.

And all you asked in return was for the people to help you in your ventures to improve the island's agriculture and spices.

How can the people of Watatsumi not love you for this martyrdom?

“(L/n) is organizing a secret rebellion association planning to overthrow the government”. That was the Queen’s grounds for exile, including false testimonial and documentary evidence. It was obvious that your books were in strong opposition to the current Inazuman Government.

Hence, Archbishop Sangonomiya Umiko was incredibly fond of you.

"I still believe I am innocent of the crime of rebellion, illegal association, and sedition. All I did was publish two novels!" You hummed. "When the Shogun calls for my execution— and she will— do immediately ask for my body. They will likely throw it wherever they please. Worse, Kunikuzushi might use me as his doormat."

The Archbishop laughed. "I can see that. His Highness does fit that character."

You and Umiko sat far from the festivities. Sangonomiya Umiko was neither friend nor foe. She is the current leader of Watatsumi Island, but she is restricted by the commands of the Queen and her children. Umiko cannot even preach about her true faith, hiding her birthright as the Divine Priestess and instead donning the title foreign title of Archbishop. Even with friendly demeanors, there’s an unmistakable grim air on both your faces.

No passerby would mistake this meeting as a romantic date. You have a wonderful spouse waiting home, appearing as crest-fallen as you do now.

… But "Spouse" is a rather loose term. You and your partner were forbidden to have a wedding. Prince Kunikuzushi would not allow an exile to marry and no priest would disobey him. Hence, you and your lover decided to merely promise to the God you believe in that you'll remain loyal to one another. That faith and loyalty brought about a prematurely birthed child— who only had three hours to live until his breath was cruelly stripped away…

And historians would attribute your son’s death as a cause for your morbid obsession with your own future execution.

"Kunikuzushi is a personification of what's wrong with the Inazuman Empire," you said casually. "He will be the core of what causes the revolution, not I."

Umiko did not miss the way you addressed the Prince. You spoke without honorifics, an aspect in both Watatsumi and Inazuma's language that is evident in everyday conversations. Most revolutionists emphasize his high station with hatred. You emit those titles and call him by name.

As though it was a habit.

As though you were once friends and more.

"Lector (Y/n), do watch your tongue," she shook her head. "The walls have ears."

"And what if the walls have eyes and ears? They shall see and hear my innocence." You sipped your tea before you snapped your fingers with a grin. "Oh, and do me one last favor. When they'll let me face my executioners, armed with polished guns and a shoveled ground:"

"Only the guilty are shot in the back. Let me face the firing squad and spare my head so that I may die facing the heavens."

A glimpse of (h/c) hair ran past in the streets of Inazuma City, carrying a child in his arms. The child was injured but otherwise “fine”— as fine as children could be amidst the rains of ashy woods and turbulent fires. The city capital reeked of gunpowder and a nauseating metallic scent. The (h/c) haired man may not have any blood relations to the person whom they’re protecting, nor does he know her name, but he held onto the 8-year-old dearly.

Despite the chaos that surrounded him, your older brother cannot help but think of one hopeful thought:

With the recent loss of (Y/n)’s son, maybe they’d be willing to adopt this little girl as my new niece?

But all that ended abruptly when a loud voice resonated throughout the streets.

“DON’T LET A SINGLE ONE OF THEM ESCAPE. NO SURVIVORS!”

Prince Kunikuzushi stood proud in the middle of it all. With calm finesse, he ordered the generals to order their soldiers to kill without a hint of remorse. His eyes were dull. All he knew was that his mother wished for the death of revolutionaries hiding in the capital. Whether these rumors were falsehoods or not, the Queen did not care. Fear is the family’s greatest weapon, bloodshed is nothing to them.

Death is nothing for a mother's puppet like him.

The Prince truly didn't have any care for this war. He's only following orders under the reward that he'll be able to have you. It was the Queen's promise, and she had always been relentless in any pursuit of honor and glory.

In return for his familial services, Queen Ei might consider his proposal. The royal family dreaded the death of their former matriarch, Makoto, and the prince showed no attraction to any of his valid consorts. Should he show loyalty to the end, the Queen will allow him to marry anyone to his liking.

That's why he's putting up with this.

He looked at the horizon, seeing nothing but fire instead of the deep ocean.

Why did Watatsumi have to be so far away?

Why did you have to be a sea away?

As fate would have it, a young soldier spotted the two. A hunt between two red-tagged innocent civilians and a greenhorn murderer commenced. Limping slightly, your brother attempted to push down restaurant chairs and other outside furniture in hopes he’d lose track of them.

The soldier did not know that the person he was tracking was your older brother.

Had he known, he would’ve left him alone.

And as much as fortune favors the bold, it was not on your sibling’s side.

The soldier fired his first reckless shot and hit its target.

Your brother stumbled, holding his stomach. He gasped, coughing as he subconsciously let the child go. But he did not fear for his life, but hers. He knew that the child was asleep on a park bench when the horns rang for danger. She was homeless with nothing but bedclothes and a short makeshift blanket, and now she’ll be forced to witness a traumatizing scene.

Poor child… You must be frightened…

I hope…

Your brother remains adamant that the child must live, even as the barrel of the enemy's rifle is pointed at his chest. A look of stern determination, mixed with fear, can be seen in his eyes as he stands his ground despite the threat of death.

That (Y/n) will raise you right…

“S-Scaramouche’s crown's resplendent band shows no natural light. The ocean's glimmer elucidates more hope than your vile scarlet battalions could ever hope for!!!” Your older brother yelled, weakly hiding the child behind him.

The soldier cocked the barrel against his forehead.

“There is no emprise to plundering, to murder and genocide—” he continued, coughing blood at the corner of his lips. “You will all be remembered in history as those who had foolishly paraded without genius. Death has a more ambrosial scent than a life of servitude under your heels.”

SHOT!!!

…

“M-Mister?... M-Mister?! MISTER!!!”

The child screamed as your brother fell to the ground. With the remaining humanity the young soldier clung to, he turned a blind eye towards the little one crying silvery tears. Truth be told, the new soldier himself had forgotten what it was he was fighting for. What was the point in this death, this pain, if not to harm both sides? But a good soldier does not question his orders and he leaves the child without a word.

She did not know his name. She did not know his status as a (L/n). She did not know he was the older brother of the famous physician (Y/n) (L/n). She did not know he was a martyr way before his true death.

But she still held his corpse with abandon. His body heat was slowly growing cold. Though her stature was short and small, her tears were heavier than her heart could manage.

(L/n)s may meet horrid ends, but Fate grants you all one last wish.

You all have the privilege of dying whilst facing the heavens, and that is the final honor your brother can carry with him in his passing.

“My dear, a letter arrived,” your spouse spoke. “It came from your mother…”

It was deep into the night and you had just fixed yourself up for bed, but you’re not one to turn down letters. Perhaps your old friend from Opera Epiclese had sent you a reply? Igniting the nearby lamp, you lovingly kissed their hand before taking the letter.

“Thank you, love,” you cooed. “I’ll surely be writing a letter back, so why don’t you rest before me? I shall accompany you later.”

Leaving them with a blush, you shut the door behind you. Despite the struggles in your relationship, your love for your gorgeous spouse will never disappear over the unplanned loss of your first child.

Unlike Kunikuzushi’s…

You entered the living room and closed the door behind you. A wise decision, given the contents that were about to crush the little mental stability you had left.

“My Dearest (Y/n), It is with a heavy heart and trembling hand that I take quill to convey news that no mother should ever have to write down. As I write these words, tears splotch the paper, and each stroke of the pen is a painful reminder of the sorrow that has befallen our clan. My dearest child, it grieves me beyond measure to inform you that your beloved older brother, (B/n), has departed from this world. The weight of this solemn news rests heavily upon my shoulders, and the burden is almost too much to bear. The tragedy unfolded in the heart of the capital, where (B/n), in an act of unparalleled heroics, sacrificed his own life to save that of a young girl during a merciless ambush. His valor shone through, but the cost is another pain you must bear after the death of your own child. Oh, my (Y/n), the pain is unbearable. I wish I could shield you from this heart-wrenching truth, but I believe in your resilience. The thought that you are in exile, far from my comforting embrace, only adds bitterness to my heart. The cruel hand of fate has robbed you of the chance to bid a final farewell to your dear brother, to stand beside his resting place and pay tribute to his funeral. The distance that separates Ritou and Watatsumi feels insurmountable, and I ache at the thought of your solitary grief. I hope your spouse shall accompany you in these troubled times. In these dark hours, know that you are not alone in grief. Though separated, we mourn the loss of a beloved son and brother, the heir of the (L/n) clan. May time and the tender embrace of cherished memories bring some measure of peace to your soul. With all the love a grieving heart can muster, Mother”

As the ink on your mother's heartbreaking letter crumpled with sorrow in your heavy trembling grip, a weighted silence filled the room. The words she penned— each a painful jab to your psyche— threatened to spill tears you've fought so desperately to hold back for weeks since you didn’t want your spouse to worry.

Before you can succumb to weeping on the floor with a contorted expression and writhing body, the door opens, disrupting your peace.

Prince Kunikuzushi, adorned with his mother’s feather and opulent regalia, strode into your humble abode with an irritating aura of entitlement. His presence, a stark contrast to the mourning atmosphere, successfully transformed your grief into weaponized spite.

"Still holding another Watatsumi Fair, are we?" he sneered, disdain dripping in every word. The callousness in his eyes and “indifference” to your mourning made the air all the more sharper.

“Why are you here, Your Highness?” You spat out. “Had your clow— soldiers failed to entertain you?”

“They are nearly as boring as your spouse in bed.” He snarled. “And I wager that their lives last longer than they do.”

You bit your tongue. Your spouse had made an effort to teach you not to reply to any insult he had towards them, and you had done decently enough to honor their wishes by merely scowling at the royal instead of equipping any nearby blunt weapon.

“Allow me to ask again,” you forced yourself to be cordial. “What are you doing here, Kunikuzushi?”

The prince clicked his tongue.

“Do I not have the authority to visit you?”

“You do,” you said. “But you do not have the right to barge in as you please, much like how Lord Hiroshi shouldn’t have decided to conquer my homeland Ritou and decide to claim it as Inazuman property for your mother’s ever-so-eternal happiness.”

“He was only claiming what is rightfully ours.”

Prince Kunikuzushi looked over at your bedroom door. You took large steps forward, blocking his way. You won’t allow him to disturb your lover’s good night’s rest.

He frowned.

"You should have been mine," he muttered softly.

You hated this about Kunikuzushi the most. He speaks with audacity that knows no bounds as he criticizes your spouse, but would sound the most pure when addressing his own emotions. “You should’ve said yes. You should’ve ruled these nations with me, and more. But you threw it all away and for what? Fragile patriotism? You are defending an island that will suffer the same fate as your beloved Ritou.”

In the eye of this tempest, your mother’s burning words fuels a fire that burns brighter than any royal decree.

"You speak of love and marriages," you seethed, voice cutting through the tension, "but you know nothing of the bonds that truly matter."

…

As the realization dawns upon him, his arrogance wavered.

He had not realized early on that news about your brother’s death had reached you already.

"An accident," he stammered, attempting to deflect blame. "If I knew, I would have spared him in that ambush. I’m not an All-Knowing God, so it’s genuinely just an accident."

With a chilling calmness, you locked eyes with him. "That wasn't an accident— our previous affairs were an accident. What you've done was murder."

Your words hung in the air, leaving no room for denial.

“I love you,” the prince spoke in near-whisper. “You know better than anyone that I would never do anything to hurt you this bad. You know that I am the voice that called for your exile instead of execution. I never would’ve asked for his death.”

His claim was also true.

You knew you were the only person who he had fallen for his whole life. You knew because when you were studying abroad, you had strange chance encounters with him. You knew because he was mildly stalking you and would’ve for a long time had you not offered a seat in the library. You knew because he had been a difficult person to court, always bottling his own emotions and lashing out in retorts you had dubbed “adorable” at a time. You knew because he had told you himself years ago that…

"You are insufferable. And yet, I find myself inexplicably drawn to your company. It's horridly vexing. Your presence lingers in my thoughts long after you've departed, like an annoying insect. I must confess, despite my best efforts, I find myself rather fond of you too— ridiculously enough."

... But what you didn’t know during your studies in Fontaine was that Kunikuzushi was the son of the Queen you despised and wrote articles against in editorial jobs to earn not only spare cash but the enlightenment of your people back home. What you didn’t know was that the prince had been sent by his mother to monitor your actions.

What you did not know came to haunt you on your way back home.

So you rid yourself of these memories and cornered him into a wall, a hand just behind his head. The sound of your hand slamming made the intimidating prince flinch, and he trembled at the dullness of your eyes.

“And yet whose orders was it? Whose order was it to ensure there would be no survivors in that location? WHOSE WAS IT, KUNIKUZUSHI?! ANSWER ME!!!”

Your spouse called your name from the other room. “(Y/n), is everything alright?”

With their voice, your anger faded slightly, yet your breathing remains loud and manic. “I’m alright! Do not leave the room, dear!”

“Scaramouche” took that as an opportunity to digress.

“I saved you from death before. Do not forget that.” His face hardened. “In case you've forgotten, I'm no saint. Many people will want to seek me out and settle the grudges they've built against me, and what better way to avoid that than to route those future seeds of rebellion?”

The prince took your hand off the wall.

“Mother had enough, she sees no reason to hold back against those who rebel and she had filed an order to reopen your case. And if my blood and hers are the same, I guarantee you that she will only provide you with the worst defense attorney possible. You will surely receive the death sentence.”

He placed your hand on his chest, gripping it so desperately tight to the point of it hurting.

“So choose me,” Kunikuzushi mumbled. “Choose me, and save yourself. Do not follow your brother’s path. Choose me. I’m your only option.”

And heavens above, does he take delight in that.

You met his gaze with a resolute determination.

"I appreciate your offer," you replied, your voice steady, "but I refuse. My brother's legacy, as tarnished as it may be, deserves justice, and so do I."

A flicker of frustration passed across Kunikuzushi's face.

"You're being naive," he retorted, the desperation in his voice taking a sharper edge. "An arraignment is on its way. The military court will not deliver justice. It will devour you. I’m offering you a fucking lifeline, a chance to escape the inevitable."

“I won't tarnish my brother's memory by succumbing to the same shadows that claimed him."

Kunikuzushi's eyes, once filled with a glimmer of hope, darkened with frustration. "You're condemning yourself—" he argued, "—for an idealistic notion of justice that doesn't exist. You're a fool."

"Perhaps I am a fool," you admitted, "But I am a fool who is sure of their innocence. I am not a revolutionary, I only spoke and wrote of the truth. I will not compromise my integrity for the sake of expedience."

As you spoke, the defeat in Kunikuzushi's eyes began to settle.

"You're determined," he snarled. "So stubbornly determined to die!"

"Perhaps," you acknowledged, "Choosing you would be an escape, but it would also be a betrayal of everything I stand for. And I…"

You smiled.

“I love my spouse,” you said. “And the child we made that was taken from me all so suddenly. Hence, I do not need your love, Prince Scaramouche.”

Kunikuzushi tensed up.

Your child was baptized by the Inazuman priests.

And Inazuman priests serve the royal family and their constituents.

History’s eyes will speculate that Prince Kunikuzushi was the reason your child had died, that he had ordered your son's immediate poison upon birth.

And Kunikuzushi knows it to be true.

But you will never know that.

You will never know the full extent of what this man had taken from you.

With those words, you turned away from Kunikuzushi, leaving him and his offer behind. You opened the door and gestured for him to leave. Neither of you knew at the time that this would be the last night you’d spend in the comfort of your own home.

Before you knew it, you were writing your final farewells.

(Y/n) (L/n) was subjected by the military court on ████████ ██, ████ and was sentenced to death at six in the morning.

The people saw no justice for their hero, and your body was buried in Inazuma City. If it were not for all you and your clan had given, there would be no freedom in Watatsumi Island and Ritou. Had your brother not saved the young girl, she would not become the matriarch of the Yuna Clan, who led the first Navy in the revolution.

And had you not died in Inazuma City, there would be no Resistance.

But that was centuries ago.

Divine Priestess Sangonomiya Kokomi sat on her desk, examining previous preliminary investigations. She racked her brain over the testimonies of the seven members of the military court, the judge advocate, the defense counsel, and the prosecuting attorney. The prince was right when he stated the trial would not be fair for you were forced to employ a Lt. Arataki as your defense. It was a prejudged trial. Despite the obvious assertion of innocence, you were still acquitted of your allegations of treachery.

It never fails to make the current Head Priestess feel sour over a 5 centuries-year-old case.

"In their last moments, (L/n) penned Watatsumi Fair and Canticle, two sonnets kept hidden in an alcohol burner." Kokomi murmured as she read. "Although the prince barred their spouse entry, several other family members and friends came to visit (L/n) with the Orobashi coral statue provided by the townsfolk. The sculpture was created for them during the aforementioned fair."

Are you going to Watatsumi Fair?

"In their Fontainian black suit, hat, shoes, and white vest, (L/n) walked calmly outside their prison cell to the execution site in Inazuma City. They've even checked (L/n)'s pulse and felt no irregularities. (L/n) were tied elbow-to-elbow despite their visible acceptance of fate."

"It was speculated that Prince Kunikuzushi was the last person whom they talked to, looking rather somberly with disdain. He spoke in a foreign language so only (L/n) and he knew of their conversation."

Seri, mitsuba, yomogi, shiso.

"But Archbishop Sangonomiya Umiko understood what he had said. Je t'aime, mon grand amour… ma première trahison. Roughly translated as I love you, my grand love… my first betrayal."

"Lector (Y/n) (L/n) was commanded to face the ground when the firing squad pulled the trigger, but they still tried to face their executioners. They fell to the shoveled ground, looking at the gray morning skies. They were buried at seven."

“From then on, the name Kunikuzushi changed its meaning to Country Destroyer— for he had successfully demolished the Inazuman Empire upon sitting on the throne through violent means. When asked about this, the King responded with:”

Remember me to one who lives there.

“I didn't desire the Empire that took away my (Y/n). I didn't crave any of it. As soon as I was coronated, my heart stopped beating. And so, I enticed the neighboring King Morax to crumble the very essence of the Inazuman Empire. What purpose do these soldiers have in life, when all they've done is obediently follow ruthless commands and snuff out the ones who hold my heart?

When it’s said and done, I will be empty— a blank slate, destined to wander the desolate corridors of a nation bygone.

Only to honor these filthy human emotions called “love” that never came to be.”

He once was a true love of mine.

Taglist (pls notify if you wish to be on the taglist <3): @pix-stuff @sagekun @vennnnn-diagram , @dilucragnidvr @tnsophiaonly @lsleepysimpl @kitkareen

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