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crabsnpersimmons · 8 months

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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

#fnaf moon #fnaf dca #dca fandom #so this idea had me by the throat ever since I heard this song again #I've never done an animatic before but I wanted to give it a shot #the opening lyrics already reminded me of moon right off the bat #but then i kept listening and started thumbnailing some frames #it was actually the frames with moon receiving the head pat and turning his faceplate that convinced me i had to do this lol #the sweetest images resulted in this work of angst #thank you if you read all this!#i promise to post something cute soon to balance things out #and no promises but i will say the second verse of the song is PERFECT for sun #“morning will come and I'll do what's right just give me 'till then to give up this fight” /lyrics #hahaha it hurts :')#crab art #traditional art #digital art #traditionally inked and digitally coloured #animatic

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gearbroth · 2 years

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hey there’s that memory from hollow mind :)

Part 2

#owl house #toh fanart #philip wittebane #caleb wittebane #emperor belos #hollowmind #myart #seemed like a good idea to post this after *that* episode sdfjhfsdkj #doodled it on new years lol #angst #ask to tag

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tubbytarchia · 7 months

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Oh, I'll bow my head, I'll clip my wings I was never gonna make it anyway (x)

#haha whats this doing here I dont remember drawing this #jimmy solidarity #jimmy solidarity fanart #trafficblr #thank you to the person who introduced me to this song among others in the Jimmy brainrot #you know who you are #it was Bree #tubby art #Im not going to expand on ideas here lol but fuck yeah Jimmy clipped wing symbolism #sorry to anyone whos annoyed by the constant canary theme etc but dude its way too good symbolism and imagery sorry #I dont make the rules #this is why his character is so cool and compelling and makes me wanna rip my hair out #Jimmy is a very good and capable man. I hope the angst art etc doesnt make people think that I think otherwise #you can be cool and capable and still suffer baby!!!

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starry-bi-sky · 6 months

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my body's aching like a knock-down drag-out

and my poor heart is an open wound A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident. CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.

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What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it.

Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.

He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats.

Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.”

Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.

He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died.

Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream.

He’s dead. He’s dead. He’s dead.

He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.

He has no mouth, but he must scream.

Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood.

Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.

With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off.

Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts.

Scrappy is just not enough.

He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all.

Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash.

But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane.

With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings.

Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice.

He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail.

Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.

Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it.

Being dead is agony.

Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow.

His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever.

In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be.

Being dead hurts.

#tw mild gore #cw mild blood #cw mentioned violence #dpxdc #dp x dc #danny fenton is not the ghost king #dpxdc crossover #dpdc #dp x dc crossover #dead on main #dp x dc au #dp x dc fanfic #cfau #cfau danny #obsessed with the fact that danny just has the WORST fucking time after jason dies and baby i can make it worse #*kills you and makes you a banshee and puts you in an irrevocable state of grief*#delicious angst. danny is having the wORSt time ever lol. lmao even #was originally meant to explore the idea that danny can survive lethal injuries as phantom. which briefly got mentioned.#but i got away from myself. leaning reaaal heavy into the fact that danny's a banshee. At 19 he's got a pretty good handle of himself #but imagine being a fresh out the gate banshee. usually they get time to themselves in the zone to cry until their heart's content.#sorry danny. you have school tomorrow and family sleeping in the bedroom next door #kinda proud of myself. you can kinda see how Rath would've occurred here.#danny is going through it rn #was gonna add a snippet about the city's thoughts on phantom but couldnt fit it in

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magicpiano · 2 months

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I have seen a few DCxMarvel dimension travel fics, and quite a few of them are of them are Peter Parker post-blip. Which gives me a crack fic idea: everyone who got snapped ended up in the DC universe. Yes, all of them.

The current world population is around eight billion, so half of that would be 4 billion... Yeah that would cause so so so many problems. But the DC universe is used to crazy shit.

Obviously there would be a sudden influx of "new" heroes and villains but with absolutely no context it is hard to figure out who is who.

Batman immediately trying to make contingency plans for all these new heroes and villains as well as figure out their civilian identities but this is very difficult because literally no records exist yet.

Magic users from both worlds team up, but I think they were still unable to fix it, the infinity stones were just too powerful. Also I think Dr. Strange and Constantine can't stand each other.

While I am at it, Wonder Woman and Loki would probably hate each other too. DC is more Greek but it has had their own version of Norse mythology, so maybe they are the same and have beef?

They would struggle to feed and house that many new people, but getting them jobs and integrating them into society would be hard too. And good luck proving anything anyone says. "You swear you have a law degree from Harvard? Okay I guess."

Do doubles exist? Yeah a lot of people probably don't have an alternate universe double, but it stands to reason some do. How do you deal with having a new kind-of twin? Or a dead friend or relative coming back, but different? Or even someone you never knew/doesn't exist in this world insisting they are family.

Some au double ideas I have seen people toss around are: Dick Grayson as Richard Parker, Kara Danvers as Carol Danvers, Steve Trevor as Steve Rogers, and Slade Wilson as/being somehow related to Wade Wilson, but I am sure there are other fun ideas out there too.

The snap didn't just affect humans/earth! So other planets are having the same problems.

Then randomly, five years later, just when people were getting used to the change, they all disappear again without warning. This causes as many problems as the original appearance did.

#dc #dc comics #marvel #dc x marvel #marvel x dc #marvel dc crossover #dc marvel crossover #dc universe #marvel cinematic universe #dimension travel #batman #the snap #the blip #spiderman #dick grayson #wonder woman #loki #i confess i have a soft spot for dick as Peter's dad ever since i first saw the idea #i want matt and foggy to be one of the snapped purely so foggy can make a joke about batman and Matt's own batlike abilities #alternatively maybe the dc team up actually does manage to fix things early and Thanos is like 'the fuck???'#there is a lot of potential here for both angst and comedy depending on how you want to do it #i mostly imagine this as a comedy but honestly it would be a good drama #but tbh i am more interested in the ways these characters can be forced to interact for comedy purposes #do you understand my vision Internet?#you can tell i have no idea what to tag this as #i just love these types of fics and think this would be a fun crack au #does something similar exist yet? obviously lots of crossovers exist but usually it is just a few characters.#i want q bunch of them being forced to interact for an extended period of time #if such a fic exists please let me know lol

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sandushengshou · 1 year

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barbie from my shows <3

#theuntamededit #theuntameddaily #wei wuxian #cdramaedit #userkareena #asiandramanet #cdramasource #mdzs #cdrama #the untamed #*#my original idea for the dressing up gif was too complicated and i gave up before i even started it lol #but it's fine because i just wanted to finish this so i can move on to my angst era #what shoes would you choose for him? i know which ones i'd choose #scheduling this for the middle of the night so it's out there and i can forget about pink for a while #if barbie girl ends up on my spotify wrapped i won't even be surprised #q

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dulcewrites · 11 months

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ewan in the saltburn trailer is j sooo giving private school filthy rich aemond i love it

AND YES HE NEEDS HIS POC GF

I have been feeling…. less than inspired lately about hotd tbh but hopefully this will spark something. I know no one asked for this lol. This was inspired by Beyoncé’s Upgrade U. Honestly, I don't think Aemond would be much of a loser in a modern setting. He would be far too elusive and people would find him interesting simply based on that. But I am combining/changing some lore here so he is a #loser in this like I am assuming Ewan's character is Saltburn is.

Upgrade You

Pairing: Aemond Targaryen x rich!reader (wc: 2k)

Summary: You have always enjoyed having a project to build or fix up and Aemond Targaryen is no different

You flick a spoolie brush over your brows as you finished up your makeup. The lights from your vanity mirror illuminating you as you put the last touches on your face.

"I don't get it," Melanie sighed as she hugged one of your pillows to her chest. She sat crossed legged on your California king bed. "You're like the smartest person I know. Why do you need to be tutored?"

"Everyone can improve themselves, no matter what someone's specialty may be. Remember that."

Melanie nodded enthusiastically. Sweet girl, you think. A little daft at times but nothing some time under your guidance cannot fix.

She tilts her head curiously. "You are pretty dressed up for a library meeting too."

"Another lesson," you fluff your curls then turn from the mirror to her. "Do not let anyone tell you that you are overdressed. Does the library have a dress code?"

Melanie shakes her head slowly.

"So, who is going to tell me to change?"

"... No one?"

"Exactly."

Melanie chews on her lip in thought as if she is taking mental notes in her head. Though she is not wrong you are quite dressed up just to be studying. But your advice was also not wrong; any moment to be noticed should be taken and made the most of. If are to come into contact with any of your peers, why not make the best impression possible. You also do not have in it in you to tell your new pupil about the real reason as to why you were making this little trip. Best move through life with your cards close to your chest as your mother tells you. You can only imagine how wide Melanie's hazel eyes would get if you told her what you had up your sleeve.

Much like how you help the girls around you cultivate their futures, you must look out for your own as well. Your phone dings, and you smile when you check the notification.

Aemond Targaryen.

Archaic, some would say. Sending the feminist movement back 50 years, many could argue. Being realistic is more how you would put it. You have money, sure. Your parents have afforded you all the opportunities they wanted you to have, and for that you are grateful. But you are not naive; this is still very much a man's world. No matter how much money you have, there will be people who will look at you and hate you for having the gall to want more. For having ideas and wanting to express them. For looking the way, you do - for using the way you look against them.

You may not be able to have a seat at the table... but you can have someone build another for you.

Your family may have resources and money. But they do not have 'my father can use company family buy his way into politics; my mom has ancestry that traces back to French royalty' reach.

Luckily for you, there is someone who does have that access.

A little rough around the edges, but nothing some TLC cannot fix. It was one of your best traits: finding the diamonds in the rough and polishing them off so they shine brighter than before.

You go over to your closet and open the double doors. As your eyes search over the different handbags, you call out back to Melanie.

"Watercolor Dior saddle or creme Bottega Jodie?"

"Dior," she calls back.

You check yourself in the mirror before existing the closet.

"Well," you twirl for Melanie. You run hand over your midi turtleneck dress. You knee length boots clanked around as you moved in a circle.

"Perfect," she beams.

She sees you out to your car. With the window rolled down, she waves you off like a mother seeing their child off for kindergarten.

"Happy studying!"

Sweet and simple, just how you like em.

———

You always thought the best thing about Oxford was how it looked in the fall. The leaves begun to change, sprite green to a blend of red, orange, purple, and brown. Made the most picturesque background. But it seemed like how gently the leaves fell from the trees was the only thing that was coming easily.

Maybe it was naivety on your part, but you thought when you showed up in four-inch patent leather Aquazzura heels and literally no books, Aemond would have got the hint. And yet, here you were talking about the components of stockholder’s equity, as if you cared.

"So," you interrupt him mid rant. "Any fun plans for Winter break? I know it is a while away, but everyone is already taking about what they are doing."

He wrinkles his nose, his glasses being pushes up in the process. "Probably just dinner with the family."

Right. The compound. At least that is what the Targaryen main home looks like. You of course needed to your research.

"Well, there is this crazy Christmas that happens before everyone leaves," you shuffle closer to him, and you hope he gets a whiff of your perfume. "Maybe we can go together?"

Aemond snorts and looks down bit sheepishly. "Highly doubt, I am invited."

You fight the urge to sigh wistfully. Cute, smart, wealthy as fuck... and apparently awfully insecure. Everyone throwing the party should be falling at their knees to have him around. But you have since understood during your time at Oxford that many students here do not understand the opportunities in front of them.

If Aemond had any real confidence, he'd say fuck it because he could buy everyone going if he wanted to. They ignore him because he allows them to. And then you realize he is one of those people; the delusional 'I want to get by on my merit not my name' kind of people.

Oh sweet, silly boy.

"That doesn't matter," you wave him off. "Besides, if anyone says anything, you can just say you're with me. Consider it a thank you for doing this for me."

You let your hand slip on his thigh and squeeze slightly.

"Better yet, let's call it a date."

Rhaenyra would think for the amount of money her family has; they would be able to afford stronger liquor. But she has a feeling that it has nothing to do with money, and more about the 'champagne only' rule Alicent liked.

The expansive backyard was decorated impeccably, as it always is for the annual holiday party that they throw. Twinkly lights in the trees, red and green everywhere, and even a frankly nouveau riche ice sculpture. The affair was black tie, and Rhaenyra could feel the eyes of some guess when she showed up in a red fitted suit. Taking small sips from her glass, she looks around the area. She swears the more years go on, the less she recognizes who is invited to things like this.

"Don't tell me step-mommy has put you in timeout."

She rolls her eyes when she hears a familiar voice. Daemon comes to stand next to her, with a small glass in his hand.

"No, you fucker," Rhaenyra then frowns. "Where did you get the scotch?"

"Why do you think I am in timeout?"

Her uncle always found a way around the rules. Rhaenyra blows air out of her cheeks in annoyance. She looks down at her watch; another rule is that they were required to stay at 2 hours. Only 45 minutes has passed since she arrived.

"Heard you are going to the company retreat this year," Daemon downs the rest of the drink and winces at the burning.

"Someone has to represent the family with dad," she shrugs, a small amount of smugness seeping into her tone. "He asked me to go."

"Hmmm," Daemon smirks at her smugness. "You and Aemond."

Rhaenyra blinks confused. "What?"

"Yup," he leans against the wall. "I suppose Viserys found a new muse."

Rhaenyra snorts at his words but then licks her lips nervously. It sounds cruel to think, but it was never something she ever really worried about - her father preferring her siblings over her. At least not something she worried about in her adulthood. Sure, as a girl, newly off the passing of her mother, seeing her father marry a woman only six years her senior rattled her. Aegon being born shortly after only made things more tense. But, and to his own detriment really, Viserys had made sure she came first.

"I did not know Aemond had an interest in the company in the first place."

"He didn't," Daemon's mouth pinches a little. "Not until... recently."

Rhaenyra follows her uncle's gaze out to where Aemond was standing. He always managed to look more grow up than his sibling, more than Helaena and Aegon. A mimicry that Rhaenyra thinks he picked up from his mother, but something seemed different now.

New haircut, no glasses, new suit. Armani? No, Tom Ford. With a Cartier tie clip and sparking cuff links to match. He is surrounded by some of the lawyers that work at the company.

"Looks like university has done him well," Rhaenyra tries to sound as even keeled as possible. "Good for him."

"No," Daemon sounds bored with her strained pleasantries. "That is what pussy does someone who has never got any before."

Rhaenyra blanches. The last thing she wants to think about is her younger brother having sex. She sets her champagne down in disgust.

"Don't be gross."

Daemon huffs before directing his attention towards the other side of the courtyard. His eyes zero in on Alicent, who tosses her auburn hair over her shoulder as she laughs with a young woman. A pretty young woman.

"Only met this semester and managed to get a holiday party invite, and a seat next to mother dearest. She must some charmer."

"You know," Rhaenyra starts. "Not every woman that is around this family is some sort of ruthless social climber."

"Of course, not every woman. Only the smart ones."

She sighs. That was not just pointed at the girl, but at Alicent too. Even though Alicent grew up with an even cushier life than they did. A type of old money that even the Targaryens had to give credence to. Strangely enough, Daemon seemed to take Viserys remarrying worse than Rhaenyra did. Even Rhaenyra over the years has grown to accept the fate that is their blended family. Accepted it enough to be cordial, albeit sometimes still awkward, with Alicent. They have forever been bonded in having to deal with the moods that come with Viserys Targaryen. But Daemon... it seems like he has never forgiven his brother for the act of moving on. He seemed to only grow more jaded since the divorce from Laena.

"How do you even know this?"

"Aemond told Aegon who told Helaena who told Rhaena who told Baela who told me."

Rhaenyra breaks her gaze from the two women. "Keeping tabs on your nephew that you barely speak to?"

Daemon gave her an empty smile. Almost a little cruel like he would crush her like a bug if it would not so pitiful. "You naive little thing. When you figure things out, let me know."

Rhaenyra wants to ask him what he means by that, but Daemon pushes himself off the wall he was leaning against to leave Rhaenyra alone.

Alone was a feeling she was used to. Rhaenyra often found solace in the loneliness that she found herself stuck in. If she did not find comfort in it, it would swallow her whole. Jaw unhinged and bloodthirsty.

Her eyes went back to the where Alicent and the girl were sitting, but Helaena seemed to replace the girl's place to speak with her mother. Instead of getting chummy with Alicent, the mystery woman had gone over to Aemond. Rhaenyra felt a little queasy watching them. Like watching two little dolls or those silly little cake toppers people get. Picture perfect like the stock photos that came in picture frames.

She shook her head at herself with an internal laugh. Here she was picking apart her baby brother's seemingly first real relationship; she was no better than Daemon if she did that. It was she told herself when she watched one of the wives of the company's lawyers come up to the girl and give her kiss on the cheek. Like they were old family friends.

Rhaenyra suddenly finds herself straightening out her jacket and her heels moving across the outdoor area. Might as well introduce herself... as a kind sister figure, of course.

She has a funny feeling she will be seeing this girl around more often.

#a reader fic? yeah I know lol #this is short but I got this idea #aemond getting the pretty woman treatment lmaoooo #aemond targaryen imagine #aemond targaryen x reader #aemond x reader #aemond targaryen fanfic #aemond targaryen #aemond x you #aemond x fem!reader #hotd fic #hotd angst #black!reader

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