#and you draw dynamic poses so well???

[a-yuu-in-the-yuuniverse]

they should kiss

pirate au quartzul where azul is on the run from the sea bc of her crimes and scams and she ends up with a pirate to escape

[mattodore]

birthday boy 🎂

[sysig]

can i requeeeessstt edgar rescuing scriabin from something |D

Day 6 - There are consequences out here

Bonus, of what he was doing to get stickers in his hair:

[kiruamon]

merMoon

Me: I will draw a colored version of Moon as well. Just something nice and simple like Sun's version. Also me: *throwing the whole plan of keeping things simple out of the window and creating this instead*

[mel-loly]

-Softboots/Pusskitty!✨

Thanks to @nysnextd00r for answering me and “helping” me with this post <3

[bigkickguy]

zeta doodle !!

[chiropteracupola]

no, they cannot catch me now we will escape, somehow, somehow...

[flintlock fortress is, as always, a collaboration with @dxppercxdxver]

[valictini]

« BONK. » [Deals massive paper damage to all enemies and stuns them, resetting their action bar]

Been meaning to draw Nille more, trying to really figure out her design, and then I wanted to give her a cool battle pose suddenly and now I have a special skill battle sprite for her hehehe

I made the executive decision to give her paper craft because the Pose is Cooler this way. I know paper craft is more like, casting ranged spells and not really about physically hitting things… but see! Paper craft is also known as Creative Craft!! And Nille is being SO creative there by bringing a hammer to the table!! And if you think about it, as @staraste so eloquently put it, « What is a hammer if not a book on a stick ? » Flawless logic.

And when I finished drawing her… well, I wanted to try my hand at drawing my human Loop in a more dynamic pose as well!

« BRIGHT BRIGHT BRIGHT ! » [Makes all ennemies miss 1 to 3 attacks during the next turns]

Resident fallen star makes up a new hand sign to direct some of the craft that’s burning in their chest! Is it Wish craft? Star craft?? Them craft??? Who knows! I just wanted to give them that dramatic pose :3 For the skill itself, I didn’t want them to do actual attacks because I feel like there IS some wish craft involved and the last thing they want is to like, kill people by accidentally wishing them to lose or something. So distraction it is! Get blinded, idiots!

Also bonus Nille without the FX because I was really happy with how her hair turned out:

[mangostarjam]

silent reading time — kaiju no. 8, hoshina soshiro x reader, use of foods as nicknames, childhood best friends dynamic, biting, 1.4k words

Hoshina Soshiro is staring at your thighs.

... you think.

It's hard to tell, since you aren't looking at him. Quick, fleeting glances out of the corner of your eye aren't enough to discern the true aim of his line of sight, but it really kinda looks like... he's looking at your thighs.

Why, though?

It's just a typical weekday night. You dropped by his room the way you have for the past twenty-odd years, holding a paperback book with a purple pen tucked behind your ear, ready to indulge in your favorite pastime of silent reading in your best friend's company. Soshiro has his own paperback in hand, green pen spinning around his fingers. The two of you jot little notes as you read, and once you finish you swap books. Later, you'll go to one of your favorite cafes together to talk about them. Soshiro's neat scrawl is as familiar to you as the back of your own hand.

For a brief moment you debate calling him out on his staring. But — nah, it's probably nothing. Maybe your pajama shorts are a little worn and he's just appalled you're wearing something so flimsy.

"What's up, beansprout?"

You glance up from the words you haven't been reading and meet your best friend's gaze. "Huh?"

Soshiro closes his book but keeps his finger tucked to hold his place. His green pen spins in a blur. "You've been starin' at that page for ages. You sleepy or somethin'?"

"Nooo..." you draw out the word as you think of something to say. "Just wondering if I should get new pajamas."

Well — you didn't call him a creep, but now he's blatantly staring at your thighs and maybe this is... worse? You can feel a flush rising up your body at his scrutiny.

"What's wrong with these?"

"... Nothing?"

Soshiro gives you a doubtful look and before you have a chance to retreat, he's caught you against the bed, pinning you down with his elbows on either side of your shoulders. Your books and pens go flying across the mattress, landing with a thunk and a clatter as the room settles back to stillness. The sudden proximity of him looming above you takes your breath away. You squirm a little at the abrupt weight. Soshiro chuckles, his breath warm by your ear as his legs press yours into the mattress.

"Tell me, egg tart."

He's close enough that the strands of his purple hair tickle your forehead. You know you have no chance of getting away from the Vice Captain of the Third Division in close quarters, but you wiggle half-heartedly anyway. "Get off of me, you big oaf!"

"Oh? That's not very nice," Soshiro's grin is playful. He eyes you for a second, and then he pouts. "I just wanna know what's runnin' through that pretty lil head."

Well that's just unfair. He knows you're weak to him when he makes that face. You scrunch your nose at him and giggle when he mimics you. He's steady, hovering above you, as if it's nothing for him to basically hold a modified plank pose on the soft surface of his mattress. Something about that makes you feel... a little warm.

But he's your best friend. You've known him since you were toddlers, training in swordsmanship together at the Hoshina estate, following him into the Defense Force until you hit a wall and pivoted to research instead — you know Hoshina Soshiro, and he does not make you feel warm like this.

You gather your wits about you slowly, like your braincells are moving through molasses. Soshiro seems content to hold his position, familiar grin still firmly in place. You can feel the warmth radiating from him, the careful way he keeps from squishing you entirely, even though he's stopping you from running away from the question.

"It's really nothing, promise," you say, "I just thought maybe you kept looking at my pajamas because they're so old."

There's a moment of silence as Soshiro digests this. You listen to him breathing above you, the thick fabric of his sweats warm where his legs press into your bare skin, the overhead light haloing his purple strands and casting his carefully blank expression in a faint shadow.

"Dontcha think you're a lil too comfy 'round me?" His voice comes out low, almost missed beneath the sound of your rapidly accelerating heartbeat. "I'm a man, too, y'know."

You blink. Soshiro's now wearing the vaguely amused smile he always seems to have on when you're around, but there's something lingering along the edges that sends a shiver up your spine.

Forget molasses. Your brain shuts down entirely, bluescreening as you frantically try to reconcile his words and his meaning and why is he looking at you like that? Like he wants to — to eat you, to swallow you whole — and why does he keep glancing at your lips? Do you have something between your teeth?

But, no, wait — Soshiro is a man. You know this. You've known this for ages. It's impossible to train with the strongest close quarters combatant in the entire Defense Force and not realize this simple fact. You've seen Soshiro take down more miniature and mid-sized kaiju than you can count, and he's a brilliant leader of his platoon and division. Everyone respects him and works hard to live up to his expectations, though you know he works three times as hard in the shadows.

Your childhood friend is certainly not a child any longer. One glance at the densely packed muscle on Soshiro's body is enough proof of that. You peek at his biceps tensing as he shifts above you and gulp.

Yeah, he's definitely a man.

But what does that have to do with anything...?

"Of course I'm comfy with you, Soshiro-kun," you say. Why does your voice sound like that? All... breathy and soft? You clear your throat and try to inject some normalcy in your tone. "You're my best friend! You'd tell me if my pajamas are too worn out, right?"

Soshiro just looks at you blankly. This is where he's supposed to crack a joke, this is where he flicks your forehead and calls you 'sugarplum' and rolls off of you, this is not where he suddenly leans down close enough that you can feel his breaths puff against your ear before everything narrows down to the singular point on your neck where he bites you.

"S-Soshiro-kun, what the hell?!"

"What's wrong? We're best friends, ain't we?"

"Yeah, but why'd you bite me?"

Soshiro's laugh is pressed into your neck like honey dripping from the comb. He's not... He hasn't moved away. You haven't moved away.

You could. He's left you room to move.

But you don't.

It's warm. His legs are still pressing against yours. The faintly woodsy smell of him is all around you, seeping into your skin as you shift amidst his blankets. "No reason," he says airily, lips brushing your temple as he brings himself to hover above you again. "Just takin' advantage of my best friend privileges."

"By... biting me?"

"By showin' ya I'm comfy 'round you, too."

The tension pops. You can't help but laugh, something like relief and the bittersweet tinge of regret flushing through your bloodstream. "What are you, an animal? Who the heck bites people and calls it comfortable?"

"Are ya uncomfy?"

"Well, no, but—"

"I've always wanted to bite you," Soshiro says. You can read the truth in the curve of his smile as his purple strands waver above you. "Ya look like you'd taste good, chestnut."

"That's it," you wrinkle your nose at him. "You've gotta come up with other nicknames for me, or else you'll keep thinking of me as food!"

Soshiro hums in thought. You can feel the sting and the faint imprint of teeth along the sensitive skin of your neck. Something about it makes you feel fuzzy inside, like a tv antenna struggling to search for a signal. You shift anxiously as the silence stretches, yearning for something unknown.

"No can do," he says brightly. His red eyes gleam as he leans down again. "But we're comfy with each other, yeah? Want me to inspect these old pjs for ya?"

The blush blooms beneath your skin with a force that startles you. "Uh, what—? No, Soshiro-kun, definitely not—"

He grins and it's bright, but a little strained. You reach up unthinkingly to cup his face in your hands, smoothing your thumbs along his jawline and cheekbones and smiling when he leans into the touch. The knot in your chest loosens. The two of you bask in the comfort of each other for a moment.

"You should really tell me off," he breathes, tilting his head. "You should tell me ta quit messin' around."

"Are you messing around?" you ask.

Soshiro laughs, a quiet sound in the stillness of the room. "I'm never messin' around when it comes to you."

[tawnysoup]

I ADORE your art and how well you match the ISAT artstyle. I've been being alot of studies to try replicate the style and draw characters 3d but stylised. Are there any tutorials that have helped you, studies you do, or things you keep in mind whilst drawing to make the characters look so 3d?

Oooaaahh thank you!!! This is a really good question. I say that because I feel like I "2D cheat" ISAT art a lot. It's very comfy to draw bc my normal art is like that too, with angles that shouldn't be able to exist but look right bc it's 2D so your brain forgives it. Design of the art > accuracy of the anatomy, y'kno?

The hair kind of gives it away in most cases. It's meant to be such a specific shape, it kind of stops looking like the character if it gets too 3D? But drawing it more 3D has huge utility too, especially for animation n stuff. It's just something I've noticed about the style! It's very designed for 2D. It's very "the shape of the lines" > "the shape of the 3D object"

It's helpful to remember that ISAT characters are all made up of really simple shapes. Like Siffrin's head is just a ball from nearly any angle but the side. Their body is a cylinder but one end is wider than the other. Odile's face is a ball but the bottom is long, like an oval. Isa's is a ball but his chin is square, it has soft corners. Even Bonnie's face is a ball you just add a cheek bump. Etc etc.

^Notice how i can't simplify the hat down into a consistent 3D shape bc otherwise it just. kind of. doesn't look like Siffrin's hat LOL

If you have the simple 3D shapes down then the rest of it is all 2D cheating and focussing on details! Having character refs nearby at all times especially when ur tryna figure out how to draw the character is KEY so you can keep looking at it and comparing. Try to pay attention to the little quirks of the art style that differ from yours and try to mimic them. But don't be afraid to let your style infect it a bit if it helps you to create something more dynamic looking.

It helps that i've been drawing for ages. I know 'practice' is the age old advice but here's my spin on it: just draw, keep drawing what u want no matter if it looks bad or if some professional artist tells you you're doing it wrong. So long as you keep drawing you are learning. Indulge and draw what you want so you get to keep all the motivation and keep going.

oh and PUSH YOUR POSES/EXPRESSIONS!!! By this I mean, draw it once, and then lower the opacity and draw it again on top but pushing everything a little bit further. If a pose feels stiff this tends to fix it.

uhmmm i rambled on for ages but i hoped it helped u Tea (or anyone else reading)! thank u for the excuse to draw a bunch of funny isat doodlies :D keep going you have GOT THIS!!! THERE IS NO WRONG WAY TO MAKE OR ENJOY ART! YAY

[sysig]

Bitter breakup rivalry (Patreon)

[time-woods]

Hi there!

I'm looking to try and do some art studies and loosen up my art a bit more as well as develop my style a bit.

I was wondering if it would be okay to use some of your adventure time style art in my studies? I love how loose and dynamic you draw them even when they're just standing sometimes ^^

If so do you have any of those drawings that you think would help more than others?

Thank you!

hihi ! and yes i can try to find some !

here are a few that im really proud of the flow on ! contrasting biig swoopy shapes with sharp angles has gotta be one of my fave things to draw,

(the fionna one is a bit older- i did it when fionna and cake got a release date- but i still really like the shapes and pose^^))

[bloodygyaruuu]

The Sworn Partners for God's Sake

i am SOOOO ecstatic w/ how this came out! i decided to participate in @das-a-kirby-blog 's DTIYS since i needed some fun artistic challenge in my life. i will put all my thoughts below the cut because i need to yap but please look at this image for atleast 5 seconds since i spent like 25 hours on it <3

sketching this alone took some thought since i had to adjust the canvas multiple times to make sure everything fit properly. i've never drawn alot of these characters ngl, so i was a bit nervous going in so suddenly. i wanted to make all the past villians more, well, villainous looking so i just added some crazed expression and dynamic poses. i especially like how i did susie ngl. like shes giggling so wickedly i love. i gave kirby a more confused expression while bandee is in his usual worried state of mind. i also decided to make meta and dedede make sexual eye contact as lovers sworn partners. however... i decided to take dark crafter and yinyarn out back before telling them to close their eyes because, tbh, i really dont give a fuck about either of them. marx and magolor felt like much more fitting choices in the section of past kirby antagonist as i would consider them far more impactful (and fun to draw) than the ladder pair. also added blade knight cuz sword knight was there and he wasnt?? smh. oh and vul is smoking lmao.

the hardest thing in this entire piece was the line art. originally i did all my lines in black just because it's easier on the eyes when crafting all the pieces together before i layer a blue merge layer on top. i questioned whether or not to use the lineart as both eye-black and metal highlight/shadow but im incredibly happy with the result.

coloring became a tricky subject since my art utilizes very bright, vibrant colors with high chroma. i wanted to stay true to the og by only using the base colors but just... tweaking them a lil bit. i cant resist a good highlight in my art. when it came to nightmare and meta's cape, i am a longtime subscriber to the hc that meta is like his "son" in a way so i wanted to make a nod to that by making the gradient and star-design pattern of their cloaks the same.

to be honest, this was so much fun. but holy SHIT my back is on fire. shoutout to anyone who actually read this monstrosity of an artist's explanation, ur a real one. thank you guys so much for ur support and ill see yall eventually with another dumb kirby post <3.

[velnna]

I'm curious to know how you mastered anatomy? I mean, look at the subtle shadows around Roy's shoulder or the details along Staeve's arms or even the ups and creases on Astarion's face, I am truly amazed and see it and it makes your art style so good but I can't understand how you do that...

I know I lack that specific little details in my own art style but idk how to comprehend it, so did you actually study anatomy? Or did you like, vibe around? Or try to feel and visualize while drawing what the body feels like?

Amazing amazing artist you are mate, love you for sharing this with us!

It's honestly just been a matter of actively trying/learning to recognise muscle groups and joints over the years (plus a lot of my biggest artstyle inspirations are HEAVY on anatomical lines and accuracy). Also, as I've mentioned a bunch of times, I've always been involved or interested in high performance sports, acrobatics in particular, which made me pay a lot of attention to people's bodies from very early on (in a purely artistic way lmao)

These days a lot of it comes intuitively, but if I'm ever struggling or need a fullbody/more dynamic pose my first step is to outline the muscles in the sketch to see if anything's out of place. To aid me in this I sometimes have écorché (skinless) references either as pictures or in 3D. This sort of thing:

There's a lot of online resources for this as well! I personally love this one

In my head things get converted to a puzzle of sorts, kinda like what these study notes look like (not mine, artist handle in the pictures):

And then it's a matter of weighing in how thick a character's skin is (indicator of a bunch of things including age) and what the fat-muscle ratio looks like, to decide which structural lines stay and which ones go or become less prominent.

And yes this also explains why I have so many fit/lean characters. I get a kick out of drawing muscle groups lmao

All that being said! I'm still very far from my anatomy goals haha it's a work in process for all of us. Hope this helps!

[reds-skull]

The frames of the video from the comic in the previous post. I experimented a lot with this, it was really fun to work with this chunky brush I found. Also the first time I draw the Reaper of Destruction as it was before Lumity!

More comments under the cut+a frame I ended up scrapping!

I'll go by order of appearance, because it's basically a chronological retelling of the events of part 1.

So the first frame is the least fancy because it was the first and I didn't nail down a style for this yet lol. It shows Ghost and Soap's first true meeting, in chapter 1, where Ghost helps Soap when he gets impaled by a rebar.

The second frame jumps to chapter 8, when Ghost first put Soap in Limbo. The triangle around them was a later addition, taken from the next frame. I love this scene, it's so fun to see it drawn out now :)

The third frame was the most important one to nail the style. I painted a whole frame, only to come back to it the next day and restart from almost 0.

This is the original third frame

They both show the same event - chapter 21, the second time Soap is thrown into Limbo. The difference is, one shows a more literal image of what happened, and the other is more symbolic.

And by now I think you know how much I love symbolism lol

What also bothered me with the scraped painting is that the composition isn't central, and the entire pose, while more dynamic, isn't fitting the mural feel the rest has.

There's an even earlier version of the scrapped painting, with Soap's face, but nowhere else there are faces in these series, so I went wild with it and covered it with flames. He had them behind him already, as the description of this scene in the fic says Soap had a helo of fire behind him.

(also hated how Limbo's victims looked in the scrapped version like... ew lol)

There wasn't a real reason to add the circles around Soap. I just wanted to lean more heavily into the mural style. But I took that circle motif to the end, after that, and added it to Ghost as well, hence the triangle.

Soap has one skeletal hand, and one palm. That one is on purpose, to show he's hanging in between life and death.

The fourth frame is pretty self-explanatory, it shows the part in chapter 21 where Soap gets the dark marks on his forearm. If the colors look weird in that one, it's because I messed with them so much I couldn't tell if they look good anymore on not

The fifth frame shows another favorite moment of mine, the moment Ghost gets his marks, the white tear tracks, when he finally notices Soap fighting in the void.

The sixth frame is my favorite of the bunch. Soap and Ghost, the triangle and circle combined. The moment they killed Graves, Ghost in full control of his subjects, Soap with his sword of white fire and army of burning moths. They look so scary in this one I love them

The seventh frame shows Void and Destruction. Void was straight forward, I've drawn it a few times before, but I had to make a more detailed design for Destruction, and I only had the very first sketches I made for Revenant AU to go off of, as well as Lumity's design. Idk why I designed Lumity before Destruction, but that's how it is. I wanted Destruction melting, like it can't handle its own heat.

The eighth frame is of Void and Destruction combining. In the fic they had in-between states, it didn't look like this, but for the sake of the video I thought it'd be nicer to have a clear frame of them combining.

The ninth and last frame is of our beloved Lumity. Their design is a little more detailed than the drawing I made a while back. This frame is also the only one that interacts with the foreground, aka Makarov. I think he was jump-scared, don't know how much that comes across.

Damn I had a lot to write. Well, when given the opportunity to ramble...

[abby-howard]

i don't know if you've ever been asked this, but which game do you like drawing for the most? Scarlet Hollow or Slay The Princess?

I'm absolutely in love with your STP designs, and I've been studying it for weeks :3

Aw, thank you!! I had sooo much fun designing Princess forms, I could gladly do it all day honestly. It's like designing digivolutions...

As for which is my favorite, I love all my children equally. They both bring different things to the table, and I found I usually missed working on one while working on the other!

Scarlet Hollow has:

• Characters and backgrounds that are rooted in reality, so I can do my favorite thing of adding 10,000 little details to backgrounds and outfits to help reveal more about who they are, as well as adding easter eggs for Hollow-heads to hunt for. It's so satisfying when they find one of the little clues I hid for them :3c

• I feel very connected to the characters, who are like my friends.

• It's all in pen and ink, which is my favorite medium by a country mile. Pencils are fun and fast, but are a little stressful considering the smudging that can happen. It also gets my hands covered in graphite, so I'm constantly washing my hands, which get all dry and crackly as a result. I don't like to get messy... I do not like to use messy tools....

While Slay the Princess has:

• More opportunities for dynamic art, which is the really big exciting one for me. The player and Princess are constantly doing things, interacting, changing position, which leads to really interesting comic-style posing and blocking.

• More opportunities for drawing horrific things, since the player can die. This was the other major fun bit of working on Slay the Princess. I could really go ham on the body horror! Which ties into the other major difference/benefit to StP:

• I can draw the player character interacting with the world, which was a big relief compared to the un-bodied player in Scarlet Hollow. It is definitely tricky to draw a lot of things from a first-person PoV, but at least I didn't have to juggle that AND work around the fact that you can never see your body.