#and yes i have things i need to fix in this sketch

[whispersleo]

MY TASTE IN MEN

This was supposed to be a warm-up meme sketch, but I started writing the comparisons seriously, so here’s the post...

Astarion and Illario

They become "villains"/bad guys as a response to trauma.

They use their beauty and body to deceive and objectify themselves to get what they believe they want.

They have suffered physical, verbal, and emotional abuse that would break anyone.

They don't want to see themselves as victims, nor show—they hate feeling—weakness. They want to be stronger and crave power at any cost.

They display superiority toward others when their entire lives they have been beneath or in someone's shadow.

They have become so accustomed to lying and manipulating that I doubt they even know their true selves.

They approach someone who welcomes them with open arms, all the while thinking about how to use that person.

They fall to pieces if you show them genuine affection and love, what it’s truly meant to be.

They would kill for you.

They are my wet rats; they have no body hair.

I think, after all, they do enjoy sex—it probably involves unconventional things.

What they want and what they need are VERY different things.

I can fix them.

They have a strange relationship with blood.

They would betray you if it meant saving their own lives.

Showing vulnerability is the last thing they want, and strangely, it's what would save both of them from becoming monsters.

I have a weakness for men who try to kill me. You're screaming for me to fix you babe.

This could end very badly or very well.

They are charming and it is easy to fall for their lies instead of seeing beyond that mask.

People see them as "dumb" when they are tremendously intelligent. They may not be textbook smart, but they know how to read people, ask the right questions at the right time, they wait for the opportunity and always analyze the situations they find themselves in. People call them "dumb" because it's easier to accept it instead of the complex idea that a character can be smart but a moron at the same time.

They won't be jerks to you, but they'll probably treat the waitress on the date poorly if she fucks up something.

They are the kind of person who is worth being romantically with, but to get there you have to take off their mask and that in itself is a great effort.

They definitely want to be someone's first choice, for once in their lives.

Deep down, all they want is adoration, love and respect.

I want to hold them and tell them that they deserve to be loved without any ties or conditions to that love.

Gale, Emmrich and Lucanis

They are sweet by nature, kind souls despite all the pain they've been through.

Showing kindness is what makes them strong.

Once they fall in love with you, they are lost.

They have enormous insecurities.

They feel the weight of the world on their shoulders all the time.

Great facial and body hair.

They have a strange relationship with death.

They have a huge heart that yearns to love.

I would feel very proud to introduce them as my partner. Like yes this good man loves me, isn't that amazing?

They have self-destructive tendencies.

It makes me blush to hear them laugh because it’s the most precious sound in the world.

I would feel safe with them around.

They would die for you.

Gale and Emmrich

They are professors, and I DEFINITELY don't feel an incredible attraction toward men who can teach me interesting and unknown subjects in depth (of course, that DOESN'T turn me on).

They are the smartest and kindest in this room.

They love to show and share their studies and knowledge with anyone willing to listen.

They are patient.

They know how to listen.

They offer their opinion when you clearly didn't ask for it.

Too many times they want to help or give advice without being asked.

They've had many partners, but they love you a lot, and that willingness to learn how to love again is one of their most beautiful qualities.

In some strange way, they know how to fight when I think they're meant to be treated with care and delicacy or they'll break (just kidding).

Oh, and by the way, both of them are mages—guess it's sexy that you can do a bunch of magical things...

They are nerds even when it comes to sex and I love that. Of course I don't know anything about anatomy, do you want to explain that to me, professor?

Astarion, Illario and Lucanis

They have killed more people than I should feel comfortable with.

"The hands that cradled your face and tilted it upwards to kiss your forehead are soaked in unfathomable quantities of blood." But they cradled me, yes?

They are trained assassins, and that raises some questions about my own morals.

Why do we kill?

What does it feel like to take a life?

What does it feel like to hold the weapon with which you snatch away the last moments of someone who was as human as you and me, who had desires, fears, aspirations, who didn’t want to die?

What kind of superiority do you think you have to do that and see your target as nothing more than a simple cockroach?

How can you sleep at night?

Do those thoughts torment you, or are your dreams sweet as if you hadn’t done anything wrong?

How do you decide that someone deserves to die, my love?

Would you kill me like you've killed so many if, in some way, you believe I deserve it?

Don’t you think the sins you see in others, in those you kill, are also your own?

I LOVE characters with complex morals, it's so sexy. Yes, baby, kill a few more, let's bathe in the blood of our enemies or anyone who opposes us, let's dance with their corpses, I love you.

I know they are flexible.

Astarion and Emmrich

A date in a cemetery? Sure! Wait, why am I excited to do it on a grave? Ugh, I hope this doesn’t awaken another weird fetish in me...

I can't stop thinking about blood and corpses in a way that's too pleasant.

Their sense of fashion is superior.

They always carry a brush with them, in case they get a little messy in the middle of a fight.

I think both of them can sew pretty well.

They have a strange desire to become some kind of superior being, and that could end very well or very badly.

There’s some strange necromancy here.

They love to read, and that's very cute.

Gale, Illario and Lucanis

Their long hair gives me years of life, I want to run my fingers through it, caress it, comb it, pull it, I love it.

Maybe I like their hair because it's like mine, but either way.

I love drawing them.

Thinking about them makes my brain jump in my skull.

I just want to take away all your pain.

They have been emotionally abused but they cannot recognize themselves as victims, because they feel love for their abuser and the abuser loves them in a horrible way, the way only a mother's love could twist you.

DEFINITELY MOMMY ISSUES.

(This becomes more complex thinking about the relationship between Mystra and Gale / Zara and Illario and Caterina but that needs a whole power point presentation).

Gale and Lucanis

Canonically, they are THE wife material.

They are soft and loving once you’re with them.

They know how to cook and do any domestic task you can think of.

The house/camp is always in perfect condition thanks to them.

They look at you like you are the most precious person in the world.

I want to get them pregnant.

They have the saddest, most puppy-like brown eyes that make you love them instantly.

Their face screams for kisses and affection.

I know that between your arms is the warmest place in the world and that I could fall asleep to the sound of your beautiful heart.

I would distract myself by running my hand through their beards and remove any white hairs I found (without them asking me to).

Lucanis wins points for speaking spanish but Gale also wins points because let's remember that he is a professor.

Astarion, Gale, Illario and Emmrich

Absolutely freaks in bed BUT they can be vanilla if you ask them pretty please.

Lucanis

This man is virgin and demisexual like me so I think I would feel extremely comfortable knowing that there is no pressure to do "it" and that he is a man who values ​​company beyond pleasure, calming one of my biggest insecurities.

Not saying the others here can't value company is just... Yeah just sex isn't for me now. And that has ruined many of my relationships. So it gives me more peace of mind to think that my lover can also be a virgin like me and none of us have that expectation.

I'm not saying that the others here would pressure me to do it either. I don't think any of them would. But I know that they can see it as something important in the relationship and there's nothing wrong with that.

Mph-mph.

Gale

He is MY wife.

I have his name tattooed on my arm like branded cattle and I love it.

I have 500 hours on Baldurs and I always start a game again just to hear him breathe.

His relationship with his ex wouldn't create insecurities in me because I already have them so nothing new.

I fear that this man has taken my expectations to a place that cannot be reached by "real" men and I will die alone bUT happy to have met a fictional character written as beautifully as him.

I want to fall asleep while he reads me a book.

He has a cat that talks and has wings, I love her.

I love men who just can't shut the fuck up.

I'm sure his mom would like me and you have no idea how important that is to me HAHAHA my mother-in-laws (except one) always hated me so I would like to feel welcomed in a home for one damn time.

I love him.

I can always like other characters but none as incredible as you, Gale.

[corvidmellow]

do a secret santa, they said

it’ll be fun, they said

the prompt was literally “do whatever the fuck you want as long as there’s something vaguely christmas about it” so i chose to do a christmas party with all of my skeletal(ish) ocs

except requiem, fuck that guy

[nomaishuttle]

comparison (new on left old on right)

[soyoursoulisgreen]

7, 24, 27!

7. Is there a character or ship you’d love to write for, but haven’t yet?

I honestly can't believe I've gone this long without actually writing anything solid for The Stanley Parable - I have ideas, and headcanons that I think would be really interesting to explore, they've just been relegated to drawings, almost completely! I've have a fix-it fic in mind for Ace Attorney for too long that I'd honestly like to make into a fancase lol, an Adventure Time comic, a Coraline/Camp Camp fic, there's like no Nova/Hikaru in the Magic Knight Rayearth fandom somehow and I'd love to fix that, some original work...

If I had to pick one, it'd probably be Nova and Hikaru, since they're just so sparse. They're also kind of a dead giveaway on the next question lol

24. What are some of your favourite tropes?

Clones/duplicates/souls split into two people are a big big big one for me - YuGiOh was a huge influence on that, Jekyll and Hyde, Kingdom Hearts, Hermitcraft to a lesser extent, MKR as mentioned lol, Vargas of course <3 And most recently In Stars and Time! I'm a huge sucker for This Guy But Twice haha ♪ In a similar vein I also really like possession (demonic, parasite, etc.) - any time there's two individuals hanging out in one body it's interesting to me :) What does personhood look like! What does individuality look like! What does free will look like! Bonus points for partial control of the body ♥ I may have a Stanley Parable and Law Abiding Citizen double feature with that particular trope sketched out in the backlog cough

27. Does anyone you know in real life know you write fanfiction?

Yes! I tend to share That I've written with my family, not necessarily What tho lol. I'll sometimes read snippets out loud if I think it's particularly clever or funny, but I rarely subject them to more than a line or two haha. My mom has read the intro to Inside and Out and yes I'm okay with that lol - she stopped when it was too much for her and I respect that deeply haha

[blue-jisungs]

ancient runes and sea creatures

summary. leehan ends up in his worst nightmare - getting the perfect student into trouble

au. hogwarts!!!! ravenclaw!reader x hufflepuff!leehan

word count. 4722 (got a lil too carried away... )

warnings , extras. leehan is intimidated by reader ?? but in a like. impressed way?? also reader is a head girl prefect!!. a slightly suggestive implication at one point but like, its misinterpreted ++ a bunch of hogwart lingo and lore (?). use od leehans real name. mention of a creature that eats humans

author's note. a biiig thank u to @slytherinshua and @gluion for pushing me out of my writers block w this one!!! and esp moni, who tbh came up w this plot!!! i hhope u like it!!! it kinda took a self-indulent route for me (ancient runes as chinese characters haha... haha... and leehan being a mid student w niche hobbies vs the perfect student yn who! shocker! likes! studying... hahah....ha.....) ANYWHO. also love u to death @l3visbby for proofreading!! where would i be w/o u atp....

also i wanted to post one last thing in 2024!!! so i hope u enjoy it and get ready bc ive been cooking <3

leehan fixed his glasses, fingers brushing against the coarse pages of his favorite book. then, he glanced at his notebook. filled from top to bottom with neat, medium sized, handwritten text. here and there were loose sketches and photographs attached with fish shaped paper clips.

the hufflepuff boy looked up at his gryffindor friends - jaehyun and woonhak. they were chatting about something loudly, the sound of their voices blending in with the noise in the corridor. 

sunlight peeked from behind the windows leehan was leaning against, making him feel even more indulged in his own world. 

“we’ll keep going. don’t wanna be late for potions!” jaehyun suddenly announced in his ear and ruffled his hair “see you, donghyun!” 

he just smiled in return, woonhak having goodbye. 

before returning to his book, he let out a small sigh and started looking at the students passing him by. a lot of friends giggling and talking, some people studying or snacking on colorful candy. 

then, as if a lightning struck him, he tensed upon noticing you. 

you were walking with fast pace yet not hurried one. the navy and grey colored tie rustled on the wind, your hair waving gently. a small frown was painting on your graceful features.

“what do you mean sungho is not showing up? i need everyone there” you asked, glancing at your ravenclaw friend for explanation. however, they did not have any. 

“no idea, y/n! he just told me to tell you and wandered off… you have to–” they started. 

“i don’t have to do anything. we have to cooperate if we want everything work out” with a scoff, you turned your gaze away and locked eyes with leehan for a mere moment. 

he felt blood rushing to his cheeks, quickly glancing down at his book. you looked scary. no, intimidating. 

“this thing isn’t here by accident” you gently tapped your head girl badge with pride. “let’s go to class now. i’ll catch sungho later” 

leehan didn’t even realize he was holding in a breath - only when the sound of your voice faded away, he released it. 

he tilted his head and smiled softly, flipped through the pages. he only stopped when he saw a detailed print of a basilisk. quite terrifying yet devilishly smart creature. 

leehan closed the book and packed his belongings, slowly going towards his classroom. 

“oh come on, don’t be such a loner!” riwoo’s whines reached nearby standing student’s ears, causing them to look over at the hufflepuffs. leehan cleared his throat and let out a sigh of defeat.

“fine. who else is going? you know i don’t enjoy crowded places in particular…” he started but his friend already started pushing him towards the exit.

“well you, me, jaehyun, woonhak… and, drumroll please! yes, you guessed it! two infamous slytherins, park sungho and han taesan!” riwoo grinned. leehan nodded, satisfied. that’s a perfect amount of people. “and hanbin”

“just hanbin?” leehan frowned, suspicious. riwoo smiled awkwardly, forcing his friend to move faster.

“and sohee!” riwoo hesitated. 

“and…?” leehan grunted, halting in place.

“that’s all! i promise!” sanghyeok put his hand over his heart “hufflepuff’s honor!”

leehan just scoffed and followed his friend to three broomsticks. it was weekend, after all. going out with more than two people once in a while won’t hurt him, surely. 

it was warm inside, the smell of delicious food hitting his nostrils. donghyun was quick to spot his friends (and their friends). lately jaehyun was detachable from sohee and hanbin. 

eight butterbeers were already waiting on the table, sticking to the wood. 

“you made it, woah! you have my respect!” woonhak, the youngest, joked. sungho patted the seat next to him and leehan sat down, smiling awkwardly. 

“and you? shouldn’t you be on the prefect meeting or whatever?” taesan asked suddenly, sungho rolling his eyes. 

“i should. but if i skip one, nothing will happen” he shrugged, reaching for his butterbeer. 

“y/n seemed pretty upset about it” the words slipped out of leehan’s lips before he could realize it. everyone looked at him, a bit shocked, so he quickly added: “i heard it when she was passing me by. nothing crazy, it’s not like i talk to her or something” 

the mere thought of standing near you terrified him, not to mention talking. donghyun didn’t know how sungho –  or anyone, really – was doing that. 

“she’s being dramatic. miss perfect… she decided to be in charge of organizing almost everything this year, at least it feels like it” sungho mumbled. 

“yeah, it’s crazy how she manages to do it all. well, let’s just hope she won’t cast melfors jinx on you” jaehyun teased 

“his head is as big as a pumpkin already, though” taesan snickered and was met with sungho’s fist on his shoulder. 

you were sitting on the grass, crossing out the ideas that seemed foolish. the weather was cold, yet snow hasn’t fallen yet. even though it was november, you were in charge of organising events for students that are going to stay at hogwarts during christmas. you being one of them. 

well, it wasn’t fully your responsibility - other prefects were supposed to help. 

“stupid sungho…” you mumbled, wrapping your scarf tighter around your neck. 

you looked up and adored the view in front of you. the last of leaves falling off trees, being swept by wind. here and there you could see some students but during this cold season, majority preferred to stay inside. then, you noticed a particular silhouette. 

someone was squatting dangerously close to the lake. 

you stood up, packing your belongings in a rush. 

as you approached the reckless student, you noticed the yellow and black colors of hufflepuff. of course. you opened your mouth to scold their behavior but you heard a quiet murmur. 

“hm? how did you get here, little one? you belong to the island. you couldn’t have possibly swam over here” 

you leaned a bit forward and peeked over the hufflepuff student’s shoulder. he was gently reaching his pointer finger out to a bowtruckle.

the small, green creature was staring at the stranger, big brown eyes blinking slowly. it slowly meet half-way with the person’s finger. 

“you’re not as shy as you friends” a low chuckle made you smile “i should get you back there… but how?” 

the person rose their head up and looked around. the bowtruckle pointed at you. 

“oh?” the student tilted their head and looked through their shoulder, meeting your curious gaze. you gasped, getting caught. 

the guy’s eyes widened, lips tightening. 

“oh” he mumbled. you frowned, his features looking somehow similar. 

the hufflepuff boy stood up, acting as if he did not just hid the small creature in his pocket. he tried to walk away but you stopped him. 

“hey! it’s dangerous to be out here” you cleared your throat. the guy stopped in his tracks, back facing you “do you have an idea what kind of beasts are there?”

a soft smile cracked on his lips, eyes trained on the ground. 

“kelpies, grindylows, selkies… and oh, the giant squid. man, they are so…” he whispered and you were certain he thought his words didn’t reach you. yet, they did. you smiled, realizing he was probably another creature-obsessed student.

“anyway, i do appreciate your care towards this little fella. however, it would be better if hagrid took care of him” you looked at him with a straight face. the hufflepuff boy kept avoiding eye contact and failed to notice the silly bowtruckle escaping from his pocket. 

the green creature ran down his pants and started making circles around you. 

“i, uh… i don’t know how to hold him” you scoffed, trying to catch it. 

“like this. make sure not to tug the leaf on its head…” he breathed out and caught the bowtruckle, holding it in two hands. 

awkward silence fell between you two, the boy stubbornly keeping his head low. 

“i’ll keep going” he mumbled and wandered off to hagrid’s hut, leaving you puzzled and somehow intrigued.

“hey, chill out” sungho nudged your shoulder, casing your fountain pen to jerk and leave a crooked line. you glared at him.

“i would if someone helped me. i still have to come up with ideas for the three last days and i need to turn them in to mcgonagall by friday” you huffed and tossed your notebook aside. 

sungho puffed his cheeks and looked over at taesan for help. he just shrugged, carelessly tucking his hands into his pockets.

“don’t look at me. i’m not even a prefect” his cat-alike smirk made you even more frustrated.

“okay, well… maybe try asking some students what would they want to do?” sungho proposed, scanning your face to gauge your reaction. you let out a small huff.

“see, here we go. thanks. now i just have to ask around who’s staying…” you groaned and noted down the idea, closing your notebook. “but i’ll do that later. now i’ll go, i promised professor snape to help him clean the classroom. a reckless student just… caused a mess, so to say” 

the exchanged amused looks and you raised your eyebrows. 

“what?” 

“nothing. have fun” sungho snorted. his gaze suddenly snapped up to someone else and he waved. you noticed three people walking up. 

one of them looking similar.

“hey, myungjae, do you happen to know someone who’s staying at hogwarts during christmas?” sungho asked, leaning on the table. your fingers twitched at the sight of him almost spilling a cup of juice with his elbow.

“well, uh… our leehan and ricky, i think. and zhanghao. and hanbin, he promised to stay with them so they wouldn’t feel lonely” a boy in gryffindor uniform answered and looked at you, a wide smile painting on his lips.

“you’re staying?” taesan asked. you looked at the only hufflepuff boy in the group. so that was leehan?

“yeah” he answered shortly, purposefully averting his gaze from you. 

“why–?” taesan kept asking and you just sighed. 

“is there anything you would like to do? during the break. i need to organize events for students so i figured it would be the best idea to ask them personally” you crossed your arms. 

everyone looked at the guy, his head tilted down and eyes glued to his shoes. 

“what’s up with him?” the other gryffindor student whispered. 

you waited for a moment before shaking your head. that seemed to work on the boy - he finally looked at you, shyly. 

“it’s a hard question, i know. just… hit me up once you figure it out” you sent him a soft smile and went your way. 

“what’s up with you? is the potion blowing up in your  face still on your mind?” jaehyun laughed and nudged leehan’s shoulder. 

“so that was him after all” taesan snickered. 

“chill out, donghyun. y/n is really cool, don’t need to be all tensed up around her” sungho teased. leehan looked around, scanning the great hall. some people were looking their way - but that was probably nothing serious, right? just a bunch of losers, a prefect and the head girl prefect that’s an all a student.

“earth to leehan! why are you staying here?” jaehyun asked, waving his hand before the hufflepuff boy’s eyes. 

a playful smile painted on leehan’s lips before he explained his reasons to his friends. 

rushing through the dark hallway, you pressed your textbook closer to your chest. it was way past the curfew and you hoped flich was done with his late patrols on this side of the castle. you just happened to get too focused on ancient runes and–

“oof-!”

you felt the impact of bumping into something and almost landed on the ground when a strong hand prevented you from falling. you squeezed your eyes, the darkness not allowing you fully to recognize the stranger.

“y/n…?” his soft voice rang familiar and you glanced at his uniform. the yellow badge with a proud badger adorned his chest.

“leehan, right?” you scoffed and he helped you regain balance, taking a step back. that way, the moonlight sneaking through the windows fell on his face, highlighting his features. 

he fixed his glasses, brows slightly furrowed.

“what are you doing here?” you whispered, blinking slowly. even though your prefect instincts kicked in, you were genuinely curious. 

this boy had just a mysterious aura to him. always so aloof, almost distant. nowadays, you caught yourself noticing him, usually alone reading a book or doing something. something, indeed. just like when you saw him near the lake. he always seemed to be looking for some kind of creatures. you couldn’t help but wonder what he was up to.

“i… uh, i was researching” he smiled gently. his gaze was fixed on you - unlike other times. maybe he didn’t feel so shy now that the midnight darkness was surrounding you two. you thought it was cute. “and, uh… you?”

“ancient runes. they are quite relaxing to me, it’s just… i write them all over to remember how they look. once i nail that i feel like i can read them properly. but just the writing itself… is, yeah. time consuming but fun” you smiled and nudged his arm gently “let’s go together, our dorms are in the same direction”

he nodded and followed you, the quiet sound of footsteps echoing through the corridor.

“did you think about the question? it’s okay if you haven’t, i was just curious” you asked, glancing at him.

“personally, strolling around hogwarts at such hour is nice. i wouldn’t mind it if i was able to do it without the possibility of getting in trouble” he answered. you agreed.

“i haven’t thought about that. hm. maybe it’ll be possible since there’s gonna be less students. i’ll talk to mcgonagall about it” you hummed “thanks” 

“and, uh, did you get it all done? like, the events” his voice was quiet. he wasn’t shy but more so, he was cautiously picking his words. 

“yes but there’s not going to be much. people i asked didn’t seem interested” you sighed.

“it’s a shame, you’ve been working hard to come up with anything” leehan sent you a reassuring smile. a strange glint sparkled in his eye, some kind of sadness. 

“what can i do? i guess they want to be alone, apparently” you scoffed.

“meow”

you two froze, feet glued to the floor. leehan looked at you, wide eyed. 

before you could realize, he was pulling you to hide behind a column. with your head squished against his chest, you could hear his heart pounding as if it was about to rip out of his ribcage. 

his hand naturally rested on your head, the soft fanning of his breath against your hair. 

the sound of footsteps was coming closer and closer as you tried to think of something. 

a sudden beam of light caused leehan to squint his eyes, pulling you slightly closer. 

“what an absurd! not only it is after curfew, you are also… doing things that should be kept private! this place is coming to an end! who would have thought, students… of opposite-!”

“what? no! it’t not like that!” you choked out, turning around on your heel. 

“mrs l/n?!” filch gasped, and mrs norris’ loud meow was almost soul ripping “out of all people! you?”

“no, it’s not like that! we just…” leehan’s voice was quiet, almost stuttering. 

“yes? explain your red faces then! someone who was caught wouldn’t be such a blushing mess! dear merlin, what is going on with those youngsters nowadays!” the caretaker whined.

“we weren’t doing anything, mr filch! we just- we tried to hide! from you, it is. not from you as in… we didn’t-” you tried to explain. when you turned around to check up on the ravenclaw boy, he was indeed as red as the gryffindor representative color. his eyes were glued to the ground and you could swear you saw sweat dripping down his temple.

“detention!”

his eyes snapped up, wide as two prophecy orbs. panic written all over his face, fingers fiddling. 

“it’s my fault. let’s not bring y/n into this” he spoke up, swallowing hard. 

“how so? i see you two. not just you, boy” mr filch said with an attitude, picking up mrs norris. “i’m not repeating myself. detention. madam pince needs help in the library, so it’s just perfect” 

“but-” leehan tried to cut in but the cat interrupted him with an aggressive hiss. 

“now go! before i take points from your houses!” the caretaker tsked and you ran off, grabbing his hand. you could only hear distant murmurs “the head girl… youngsters are getting worse and worse each year…”

once out of his reach, almost at the ravenclaw dormitory, you realized you’re still holding his hand. leehan halted, gasping.

“i’m so sorry, y/n! i don’t know what’s gotten into him but i’ll do it myself. please, don’t bother–” the hufflepuff boy started rambling, avoiding your gaze. was he scared you’re angry at him?

you gently put your hand on his arm.

“hey” 

leehan slowly looked into your eyes; however, just for a split second. his breath was heavy in the silence. 

“it’s alright. i can handle one detention. in the library? it sounds like a pleasure to me” you huffed, trying to cheer him up. poor boy, he must’ve really felt guilty. “he got so pissed because he has never felt the touch of a woman. mr filch got jealous, that’s all” 

you chuckled but leehan remained quiet. well, maybe that was a failed attempt at trying to cheer him up. 

“i, uh. anyway, i’m sorry too. don’t beat yourself about it, okay?” you whispered, patting his arm. leehan’s small nod made you content. “sleep well, leehan” 

he felt your hand slip off his shoulder. 

maybe if he wasn’t too ashamed to look up, he would’ve noticed the way you looked back at him before entering the dormitory.

leehan was standing between the bookshelves, enjoying the smell of books. the library was quiet, thanks to the majority of students having left already. even madam pince wandered off to somewhere. 

“hi”

he turned his head to the side and was shocked to see you. out of your ravenclaw uniform, at that.

“hi” he whispered and quickly returned his gaze to the book he was holding. he gulped nervously, his adam’s apple bobbing.

it was his worst nightmare, actually. bringing the all-star student into detention with him. even though the fault was technically on both sides, he couldn’t help but feel guilty. you should be resting and not… 

“how’s it going?” you asked quietly, standing next to him. your back faced the bookshelf he was facing, side profiles matching. 

“it’s quite pleasant, to be frank” he mumbled in response “you didn’t have to come here”

you scoffed and scanned all the books, laying in messy piles. they really needed reorganizing.

“would i really be able to call myself a student without getting in trouble even once?” you snickered, tucking a strand of your hair behind your ear. “i told you not to worry about it, leehan”

silence fell between you two, only the sound of him flipping the pages bringing warm comfort.

“it’s donghyun, actually” he said softly with a twinge of happiness. you cocked your head and glanced at him, grabbing a random book. “leehan is a nickname that just… stayed. donghyun is my real name”

“it’s pretty” it slipped out of your lips before you could realize, so you just hung your head low and decided to think of a strategy on how to resort the books. leehan smirked and put the book he was holding on one of the shelves. to break the awkward tension you accidentally created, you cleared your throat “uh, did you take care of that bowtruckle back then?”

“bowtruckles aren’t really my thing so i took it to hagrid. he promised me to get it back to its home tree” he hummed, reaching for another book. he ran his fingers over the navy colored cover, the remaining letters of a handwritten title barely there anymore.

“so what is, then?” you asked. 

even though you didn’t have to be quiet, you two kept talking softly. you couldn’t put your finger on it but maybe it was the overall atmosphere of the library. alas, you wouldn’t say you minded. it was comforting.

“sea creatures” donghyun answered with a soft sigh. did you irritate him? 

“sorry. you don’t have to talk about it if you don’t want to. i’m just curious about you” you mumbled. 

your shoulders were touching and you felt his arm move now and then whenever he reached out to put away a book. 

leehan hummed in deep thought, far away with his thoughts - hence, he didn’t hear you.

he never would have thought that he would be conversing with you. you were just so out of his league and intimidated him. good grades, friends with everyone… but deep down it was your organization skills. you just had it all together. despite all those side things you took care of, you still managed to find time to study. heck, you even liked it? he recalled your conversation from the hallway. what did you say about ancient runes…?

“they are quite relaxing to me, it’s just… i write them all over to remember how they look. once i nail that i feel like i can read them properly. but just the writing itself… is, yeah. time consuming but fun.” 

how can one find thousands of new icons to learn, memorise and remember… relaxing. he was a bit jealous that you did it so effortlessly. 

and sure, he heard you complaining about tests and exams. but you still passed with ease. unlike him, who no matter how much he studied, still barely passed. 

“ouch!”

a soft thump of a book falling brought him back to life. 

he leaned down to pick it up but only bumped against your forehead. 

blood rushed to his cheeks out of embarrassment. but you just giggled and took the book, putting it back. 

he must have been zoned out for a while because he noticed you did one of the shelves already. 

you grabbed another book. it had a black cover and no title whatsoever. you started flipping pages to check what even it’s about. leehan, who was peeking through your shoulder, saw a glimpse of an interesting drawing.

“the giant squid” he placed his finger before you closed the book. you were startled a bit and looked around to meet his face quite close to yours. 

yet, his brown eyes were fixated on the creature.

“do you know it’s semi-domesticated? on the chocolate frog cards its described as “the bane” of hogwarts’ students who wanted to go for a “dip in the lake”. it’s so dumb. first of all, it lives very deep in the lake, so even a small dip wouldn’t hurt. and secondly, it’s harmless. it…” he hesitated and a shy smile formed on his lips. you couldn't help but smile as well “it even allows students to feed it bread”

“really?” you asked in disbelief, turning your gaze to look at the drawing of a giant squid. donghyun’s low hum of confirmation made shivers ran down your spine.

“toast to be specific” he added and you felt a movement.

leehan stepped closer and you could feel his body almost pressing against yours, his breath softly fanning over your cheek. the hufflepuff leaned closer to read the information. right, of course.

“but you know, it must be because its magical. true giant squids, architeuthis i think, wouldn’t be able to stand our lake’s lack of salinity. and normally, it wouldn’t digest food” donghyun shrugged. you didn’t know what was happening to you - you couldn’t prevent your smile from growing. listening to him rambling about his niche sea creature interest really warmed your heart.

oh, this boy got you whipped.

“i think it’s a subspecies. like kneazles and mundane cats” leehan added, his finger tracing the black inked illustration of the squid’s tentacles.

your breath hitched. you wanted to reply, to throw a comment. but you realized you had no knowledge in this discipline, making you even more intrigued with donghyun.

“i really want to see it one day. maybe in summer. sometimes it plays with students, you know? lays out its tentacles out of the lake and just… lets the students mess with it” he tsked “hopefully…” 

“i’d like to see that” you giggled. you heard a faint gasp and glanced at him. his eyes snapped back at you, as if he just realized he’s been rambling. 

“i’ll take you with me, then. i planned on going at the end of the year, just before leaving for summer break” he shot you a soft smile, small crinkles forming around his eyes (and you swore your knees just went weak). 

“i’m in” you grinned and gently moved his finger out of the book. then, you closed it and stood on your tiptoes to put it on the higher shelf.

however, you couldn’t reach.

“let me help you” donghyun’s tender voice once again rang from behind you. 

soon enough, you felt his warm hand on your hip as he took the book from your hand and placed it for you. for a mere moment you could feel his chest pressing against your back, the smell of his cologne invading your senses like a swarm of butterflies whirling around you.

you didn't even realize when the hufflepuff boy was back in his position, putting back the rest of the books. and further on ramling about sea creatures.

“there was also a case of the giant squid helping a student that had fallen into the lake…”

sitting on a nearby bench, you were writing the ancient runes to form a sentence. actually, you were writing in your journal about today’s date with donghyun. his own notebook was laying next to you - he was afraid to get it wet. 

“ah, y/n, quick! a grindylow!” he yelped and you shot to your feet, dropping your journal onto the bench. with snow crunching underneath your feet, you sprinted towards the hufflepuff boy. he had his scarf and hat on, pink nose peeking from the layers. 

“how did it come here?” you asked curiously, quickly joining his side. 

leehan's  gloved hand grabbed yours and pointed at the quickly swimming creature. it was barely visible due to its dark color blending with the green shade of the lake but you could see its outline. 

“my bet is looking for food. they like fish. or maybe it was bored. or…” donghyun hesitated, looking over at you. you shifted your gaze at him, looking at his big brown eyes hidden behind his glasses. “or… it came here for its prey!”

donghyun suddenly wrapped his arms around you, lifting you off the ground and spinning around. you squealed, taken by a surprise. 

“they don’t eat humans!” you whined when he put you down.

“uh… sure…” he chuckled and reached to the pocket of his puffy jacket. he grabbed some dried algae and threw it into the water. you moved closer to him, suddenly scared. interlocking arms with his, you snuggled onto his side.

“it eats people?” you asked quietly as you saw the creature swimming closer to the food. its head poked out of the water surface, small, black, shiny eyes looking at you before taking a bite of the algae.

leehan snickered and grabbed your chin, eyes locking with you.

“only cuties like you” he grinned and moved his yellow and black scarf out of his face. then, he leaned closer and kissed you softly. even though his lips were cold, you felt warmth spreading through your body. you smiled into the kiss and pulled him even closer by the scarf. 

who would have thought that two days after the detention you’d gain the courage to ask him out. 

he pulled back slightly, first looking at your lips with a smirk and then back in your eyes.

“and humans. but only the grown grindylows and that one is still a baby” he grinned. and before you could even roll your eyes, he pulled your ravenclaw-colored hat down and covered half of your face. with a giggle, he pulled you closer.

masterlist <3

taglist. @slytherinshua ,, @weird-bookworm

[erika-xero]

Beware, the long post incoming. Pro tips for artists who work on commissions!

DISCLAIMER: I do not have, like, a HUGE online following and can’t be called a popular or viral artist, but I do have some experience and I’ve been working as a freelance artist for more that five years, so I could share a few tips on how to work with clients with my fellow artists. Scroll down for the short summary!

First of all, you always need to have your Terms of Service written down in a document that is accessible for your potential clients. And by terms of service I don’t mean a set of rules like “I don’t draw mecha, anthro and N/S/F/W”. There is much more into it, than you may think when you first start drawing commissions.

You’ll need to understand how copyright law/author’s rights in your country works (for example, US copyright or Russian author’s rights, be sure to check your local resources). There are a bunch of sites where you can actually read some legal documents (. I know it might be boring, but TRUST me, you WILL need this knowledge if you choose this career path.

Russia, for example, is plagued with shops selling anime merchandise. The merchandise is usually printed somewhere in the basement of the shop and the shop owners literally rip off other people’s intellectual property. If the artist ask them to remove their IP from the shop the owners usually try to fool them with lies about how the IP works. They will tell you, that you have to register copyright on every single drawing and if you don’t do it anyone can reproduce and sell your artwork. In reality, copyright law in most countries simply doesn’t work this way. Once you create an original work and fix it, take a photograph, write a song or blog entry, paint an artwork, you already are the author and the owner. Yes, there are certain procedures of copyright registration, which is only a step to enhance the protection, but you become an author the very moment you create a piece of art, and no one have a right to take your creation from you. Knowing your rights is essential.

Some of your commissioners may try to scam you too, but most of them might simply not be aware of how copyright law works. I literally had people asking me questions whether or not the character I am commissioned to draw becomes MY intellectual property. I literally had to convince the person (who was legit scared, since the commissioned piece was going to be a first image of his character ever created) otherwise. If you have an idea of the character written down or fixed in any other form such as a collage, a sketch, or a concept art -- the character is yours. Artist may have rights to the image they create, but not the character itself. Your potential commissioner must acknowledge that their characters, settings and etc. is still theirs, while your artwork is yours, if your contract doesn’t state otherwise. You can sell the property rights on your artwork to your commissioner if you want, but it is unnecessary for non-commercial commissions. And I strongly advice you to distinguish the non-commercial commissions from commercial ones and set the different pricing for them. Even if you sell ownership of your artwork to your commissioner, you can not sell the authorship. You will always remain an author of your artwork, thus you still have all the author’s rights stated in the legal documents.

Another thing that is absolutely necessary to be stated in your terms of service is information whether (and when) it is possible to get a refund from you. You absolutely have to write it down: no. refunds. for finished. artworks.

You have already invested time and effort to finish an artwork. The job is done and the money is yours. I’ve heard stories of commissioners demanding refund a few months later after the commission was finished and approved by the commissioners, because, quote “I do not want it anymore”. Commissioning an artist doesn’t work this way, artwork is not an item purchased on shein or aliexpress that can be sent back to the seller. It is not a mass production. It is a unique piece of art. Example: My friend once drew a non-commercial commission for a client who tried to use it commercially later on. She contacted him and reminded of the Terms of Service he agreed with, offering him to pay a fee for commercializing the piece instead of taking him to the court or starting a drama. He declined and suddenly demanded a full refund for that commission via Paypal services. My friend contacted the supports and showed them the entire correspondence with that client. She also stated that the invoice he paid included a link to the Terms and Service he had to agree with if he pays that invoid. The money were returned to her.

However, partial refund can be possible at the certain stage of work. For example, the sketch is done, but something goes horribly wrong. Either the client appeared to be a toxic person, or an artist does not have a required skill to finish the job. I suggest you keep the money for the sketch, but refund the rest of the sum. It might be 50/50 like I suggested to my clients before (when I still could work with Paypal), but it really depends on your choise. I suggest not doing a full refund though for many reasons: not only you make yourself vulnerable, but you also might normalize a practice harmful to other artists this way.

The main reason why full refund when the sketch/line-art are done must not be an option is that some clients may commission other artists with lower prices to finish the job. This brings us to the next important point: you absolutely need to forbid your clients from altering, coloring or overpainting your creation or commission other artists to do so. This also protects your artwork from being cropped, changed with Instagram filters or even being edited into a N/S/F/W image. Speaking of which. If you create adult content, you absolutely need to state that to request such a commission, your commissioner must at least be 18/21 years old (depending on your country). And as for the SFW commissions you also have to state that if someone underage commissions an artwork from you it is automatically supposed that they have a parental concern.

There is also a popular way to scam artist via some payment systems, called I-did-not-receive-a-package. Most of the payment systems automatically suppose that you sell goods which have to be physically delivered via postal services. This is why it is important to state (both in the Terms of Service and the payment invoice itself) that what commissioner is about to receive is a digital good.

And the last, but not the least: don’t forget about alterations and changes the commissioner might want to make on the way. Some people do not understand how difficult it may be to make a major change in the artwork when it is almost finished. Always let your commissioners know that all the major changes are only acceptable at early stages: sketch, line-art, basic coloring. Later on, it is only possible to make the minor ones. I prefer to give my commissioner’s this info in private emails along with the WIPs I send, but you can totally state it in your Terms of Service. I do not limit the changes to five or three per commission, but I really do appreciate it when I get all the necessary feedback in time.

To sum this post up, the info essential for your Terms of Service doc is:

- The information on whether or not your commissions are commercial or non-commercial. If they are non-commercial, is there a way to commercialize them? At what cost?

- The information on author’s and commissioner’s rights;

- The information on whether (and when) refunds are possible;

- The prohibition of coloring, cropping, overpainting and other alterations;

- The information on whether or not you provide the commissioner with some physical goods or with digital goods only;

- Don’t forget about your commissioner’s age! If you work with client who is a minor, a parental consern is required. And no n/s/f/w for underage people!

- You may also want to include that you can refuse to work on the commission without explanation in case you encounter a toxic client or feel like it might be some sort of scam.

- I also strongly suggest you work with prepay, either full or 50% of total sum, it usually scares off the scammers. I take my prepay after me and my client agree on a rough doodle of an overall composition.

- I also include the black list of the themes: everyting offensive imaginable (sexism, homophobia, transfobia, racism, for N/S/F/W artists it also might be some certain fetishes and etc). Keep your reputation clean!

- Ban N/F/T and blacklist the commissioners who turn your artworks into them anywayss, don’t be shy <3

These are the things that are absolutely necessary but are so rarely seen in artists’ Terms of Service that it makes me sad. Some of these tips really helped me to avoid scams and misunderstandings. I really hope it helps you all!

[13thdoodle]

[ EctoberHaunt 2024 Banner ]

Hi hiii~ I get to draw the banner again for @ectoberhaunt this year~ It was a lot of fun :DD

I wasn't sure how to incorporate the gold and silver at first but I think it turn out pretty good

Also thank you to Enn for helping me with the flats I would've pewished ksjadnaksj Sketches and some ramblings under cut

Here's the initial sketch for the banner. I tried my best to keep it close to the sketch or at least have the same energy (hopefully qwq)

As you can see, I drew Sam and Tucker riding a scooter bike originally. But the banner, I try to get as close to canon design as possible. I could not for the live of me remember what episode has the scooter bike. And.. turns out I might've just misremembered the scooter as a motor bike? so I just draw the scooter lol

(This is from the Killer Garage Sale episode btw. I couldn't find the scooter's pict on the wiki so I gotta screenshot it from the episode)

Also speaking of couldn't find reference pictures in the fandom wiki,

I couldn't find pictures of the college trio full body screenshots there. Only the Vlad leaning into the portal while Maddie and Jack looked away. Very useful references, yes.

I used to think that Jack was the worst one here about lab safety (considering he was the main reason the portal exploded on Vlad's face), but Maddie is no better after watching the episode again. Girlie wear big round earrings and leg warmers in the lab. Pretty sure that's... not very safety. Vlad is not better since he does lean very close into the radiation portal so... lol

Anyway, I tried to incorporate their dynamics in the banner. Jack the very excited one and leading the ghost hunt, Maddie following along with more ghost gears, and Vlad... well, I was thinking Vlad could be the 'rational' of the trio and like brings stuffs the other two wouldn't have thought to bring out of excitement (i.e. flashlights in case they need to go through pitch black tunnel so they don't fall off etc etc)

But... you know, that's giving Vlad too many points than he deserves lol. So, I draw Vlad still bringing the bag of extra stuffs, but it's not fully closed so some stuffs fell off on their trails. They all should share braincells and Vlad does not get a turn lol

Also changed Maddie's clothes and give her the teal suit to match Jack and also looks better when she's running

There's not much I can say about the main trio process? I mostly just want Sam to be the one driving the scooter while Tucker handles the navigations or sth. They get to ride scooters to catch up with Danny~

Danny and Tucker's colors a bit ashy bc I color picked them from low res screenshots askjdnaksj I fixed em on the final tho so yea

O yeah, I don't know if it's visible on the final art, but I initially try to give the kids warm shadings and cold lighting (Silver), and the college trio cold shadows and warm lighting (Gold) to fit the themes.

Also the light source.. sorta? The adults has the light source from behind them bc they are in past/past the age in the drawings? And the kids has their light source from in front of them, going into the future and the many things ahead of them kajsdnaksd

[libraford]

Multi-paper junk mini journal tutorial (low spoons version)

Last night, I mentioned that I like my blank books to have a combination of different papers: colored paper for sketching, blank paper for writing, dotted paper for lists, graph paper for schematics and maps, but there arent many manufacturers that make this. So I just make them myself.

And yall wanna know how to do that.

GREAT!

Here's the easy version. This is for:

-I want this for me, NOW, and I don't care what it looks like because I'm gonna cover it in stickers, and it's only going to be a few pages long. If it lasts a week, I'm happy.

You will need:

- desired papers, 8.5x11 inch regular ass sizes

- a piece of card stock or a thicker paper.

- stapler

- washi tape (optional)

- probably scissors

STEP 1

Take a piece of paper. Fold it in half. Tear or cut the paper along the fold line so you have two half sheets of paper.

If you want a larger book, you can just fold it in half and the book will be 8.5×5 instead of 5x3.25.

STEP 2

Fold the half sheets in half and crease them. Repeat this for every sheet you intend on using for the inside of your journal.* Try not to do more than 8 papers because it'll put stress on the stapler. The papers should now fit inside of each other.

*you could, if pressed, fold them all together in one big group. This is faster, however- if you've ever had a handmade zine that doesn't close cleanly it's likely that they stapled it together without creasing. To each their own. I don't run your life.

If there is excess on the ends that makes the book uneven, feel free to chop it off at this point.

STEP 3

Repeat step 2, but with the thicker paper, which is now your book cover.

STEP 4

Find the centerfold- which is the middle piece of paper. Lay it flat and make sure all the papers and the cover line up.

TIME TO MAKE FRIENDS WITH STAPLER!

Ah, yes- the zine-stitch. Three staples to hold it all together, one in the center and 2 an inch from the top and bottom. If you are doing a larger size, you may need more staples.

You can staple from the inside or you can flip it over and staple it from the spine. Stapling from the spine will make it smoother on the outside so if you're carrying it in your pocket it won't catch threads.

But sometimes stapling from the inside is the only method that works. I've got a fix for you at the end.

Stapling is easy because it's a fast fix, but you may find yourself wasting staples because they don't go all the way through. This can be that the paper is too thick or that there's too many papers. I have a more complicated version of this that's suited to this situation, which I'll write later.

Other, more obvious solution: better staples, better stapler. But I don't have that.

You can call yourself done now, or...

OPTIONAL STEP 5

If you stapled from the centerfold or if you plain don't like the way your spine looks, we're gonna use some washi tape.**

Gently find an unstapled flap in the cover and separate it so you can get some washing tape to adhere to the inside.

Run it along the spine with the book flattened.

Adhere it to the inside of the cover at the bottom and then fold.

**an advanced technique for this when you don't have washi tape: cut a strip of contrasting paper at least 1 inch thick and 2 inches longer than the spine (so in this case it would be 1 inch by 7 inches.) Coat the back of this paper with glue and then use in the same way the washi is shown. This will require extra curing time and you will want to put something heavy on top as it dries. Washi is just easier.

Now slap a sticker on it.

Nice!

And now you've got a little journal. Does it look great? Who cares? You don't have to look all over for a piece of graph paper when you wanna draw a map of something while you're out doing stuff.

It took me longer to write the tutorial than it did to make the thing. The hardest part was getting the staples to behave.

I have a higher spoons version that I will write up later, but this is the punkass way of doing something for yourself.

UPDATE: The tutorial for the nicer version is available here!

[bullet-prooflove]

Rigs: Tyler Owens x Reader

Tagging: @kmc1989 @hunterthecharmer @heylookwhoitis

Companion piece to:

The Mechanic

Tyler lies on his back in a field in the middle of nowhere, there’s a picnic blanket spread out underneath him as he stares up at the sky watching the clouds drift overhead. He comes out here when he wants to take a breather, when he wants to get away from the cameras, the attention, his crew. He’s mad at every single one of them right now because they all knew that Boone was going to call you, in fact they encouraged it.

“We needed a mechanic.” Dani had told him after he’d sent you away. “You know she’s the best around, the work she did back then, we ain’t never had anything like it since.”

Yea, he knows that all too well. He’s been paying out the nose for his repairs ever since you left, jerry rigging shit together because none of them know how to weld the way you do.

He remembers the first day the two of you met inside that pokey little garage Lawton, he’d come to you with a sketch for his truck because every other mechanic this side of Oklahoma had told him he was absolutely crazy.

“It’s doable.” You’d told him as you reviewed the drawing he’d made. “But it’s going to cost.”

He’d used the last of his savings from his work at the rodeo to pay you to outfit his rig and when it was done, it was far better than he ever could have imagined.

“All that’s left is to test it out.” You’d said as your hand smoothed over the glossy paintwork.

“You actually wanna come along for that ride?” He’d asked you half serious.

Imagine his surprise when you had said yes.

“Looks like you’ve got a bit of wrangler in you after all.” He’d remarked as you’d climbed into the passenger seat beside him.

You’d become the go to girl for rigs like his after that. Any storm chasers that needed something special or a fix up, you were the one to go to. You still are even after the injury, you may have given up the chasing but making sure that the people that were still doing it stay safe is your top priority.

That’s the worst part he thinks is that you still have love for the community, hell you still probably have love for him but it can’t work between the two of you because you broke the cardinal rule, you did the one thing you promised you wouldn’t.

You asked him to stop.

“You know I can’t.” He’d told you, his thumb running along the line of your jaw, over the stitches that held your skin together.

“And you know I can’t keep doing this.” You’d responded before you’d packed your things and returned to that garage in Lawton.

He stays away after that, gets his repairs elsewhere. He’d hoped that you’d become a distant memory but the truth is you’re never far from his thoughts, it’s why he hasn’t looked at another woman in years.

The problem is Boone and the others are right, they do need you. If they want Kate’s project to be successful, to prove to the government that this is something they should be rolling out across the country then they need it to be foolproof and that means getting a professional mechanic onboard to make sure the rigs are up to standard to take on what’s to come. It’s the only way to make sure his crew stays safe and you’re the only one that can do that.

“Fuck.” He says as he stares up at the sky because despite what he said a few hours ago he does need you.

Truthfully he always has.

Love Tyler? Don’t miss any of his stories by joining the taglist here.

Like My Work? - Why Not Buy Me A Coffee

[itsnevercasual]

Uptown Girl

pairing: fashion designer!harry x younger!fashion designer!reader

summary: you’re working in a designer boutique, and just so happen to have a late entrance when world-renowned designer harry styles visits for a collaboration. he seems to take a liking to you, and you aren’t sure if that makes you relieved or more anxious

warnings: some cursing, not edited as usual

-

harry styles was a well-known name. ceo and founder of pleasing, a nail polish and perfume company. he also owned many other companies, but really, there were too many to keep track of. he was also, most importantly, one of the biggest fashion icons.

you were very familiar with him— had saved up every penny when you were younger to buy a pleasing perfume and now owned a very small collection of their nail polishes.

so, of course, you lost your shit when you found out he’d be coming into your job.

you were a fashion design major at nyu, and had gotten a job at a very esteemed designer (not one of the name brands, but still). although you did expect the job to have more opportunities to.. actually design fashion, you were still grateful nonetheless.

it was just your luck that the day that harry styles was coming in, you were late. it wasn’t your fault! really, it wasn’t! you were always on time because you got anxious at the mere thought of being late.

by the time you parked, you practically ran to the store, silently praying you wouldn’t break a leg as you were running in heels.

“i’m not late am i?” you ask breathlessly as you finally enter the store, fixing your hair and outfit.

you had curled your hair the night before, so they were still pretty much intact. your outfit consisted of black heels, brown dress pants, and a black, tight-fitting turtleneck.

“yes, y/n. you are late,” your boss gave you a look, and you knew you’d be in trouble. “mr. styles, i am so sorry. our employs are.. usually punctual.”

your head snaps over to look in the direction she was talking, and your heart drops when you make eye contact with harry styles.

great.

“mr. styles, i am so sorry,” you apologize.

“it’s perfectly alright,” he gives a kind smile.

that makes you feel a bit better.

“y/n, a word in my office please.”

you deflate as you look back to your boss and follow her to her office

the second the door is closed, she’s chewing you out.

“how unprofessional can you be? i know you are in college, but jesus christ!”

“i’m sorry! there was so much traffic, and my car is so old it stops working if i go faster than 50, and—“

“i don’t need excuses,” she cuts you off. “i need you to be more professional.”

you inhale, “i am sorry, but it was not my fault. i have never once been late before, and you know that. it was a one-time mistake.”

“it better be.”

she walks out and slams the door to the office, leaving you alone in there.

you look up to the ceiling as you bite your lip and try not to cry.

after taking a few minutes to collect yourself, you walk back out into the otherwise empty store and slap a smile on your face.

you do your usual tasks of tidying the store and fixing the mannequins.

mr. styles, his team, and your boss (her name was diane but she was more like satan) were all working on sketching designs and throwing some fabrics onto the mannequins to get a rough idea of what they wanted.

“i don’t know if i like it,” mr. styles murmurs, staring at the mannequin. you glace over at it and have to force yourself to not make a face.

no shit, he didn’t like it. it was bad.

the sketch was good, but the color combination was all wrong and the whole thing was too.. chunky. in the way that everything was flowy and baggy, so it had no shape.

“well, what do you not like about it?” diane asks.

“i’m not sure. it doesn’t look quite right.”

“you have to fix the shape,” you say to yourself as you fix the files of custom orders to be done.

“what was that?”

your head snaps up, and you realize he heard you.

“oh. uh.. i was just—“

“talking to herself,” diane interrupts, glaring at you. “she’s an intern. don’t mind her.”

“no, i’d like to hear what she has to say. might have the answer to our issue. let’s hear it— what was your name again?”

“y/n l/n,” you squeak out.

“well, y/n, what do you think is wrong?”

you hesitantly walk over, “well.. i can see the idea. but it’s just not.. executed well. the whole thing is too flowy.”

“isn’t the point for it to flow?” he asks, raising a brow.”

“it is,” you answer quickly, “but.. there has to be something that isn’t as.. baggy, i suppose. something has to be tight-fitting. it doesn’t have any shape. it just kinda.. looks like a box.”

he stares at you for a moment, and diane clears her throat.

“y/n, this is time for the professionals. get back to—“

“no, diane. she is.. she’s right. it does need shape.”

at his words, the people around him begin to pin it differently.

“and the colors,” you rush out. “the colors don’t.. it’s supposed to be a statement piece, right?”

“that’s the goal,” he nods.

“well.. the colors are too.. light. they’re more pastel, which is fine, but for it to really be a statement, it’s better to use brighter ones. or at least make one of them brighter. i would.. i think make the base the brighter one.”

diane looks ready to kill you.

mr. styles laughs, “well, don’t you know a lot? diane, where did you find her? wish my interns knew half as much as her.”

your face grows hot.

“she’s a student,” diane sighs.

“a student?” he asks.

“i… uh.. i study fashion at nyu. fashion design— i’m in my last year.”

he seems to sense that you're damn near about to shit your pants, because he grins at you (slightly patronizing, but also kind), before turning back to diane.

"i'd like her to be with me for the rest of the project. y/n, darling, how much are y'makin' here?"

your stutter, "uh--... $15 an hour."

he tuts his tongue like that's horrible, "i'll pay.. ten times that while y'workin' with me."

your eyes widen, "wh-- that's not-- you don't have to--"

"nonsense. it's what most people i work with start with. i'll up it if needed, of course. and you obviously don't have to, but i'd love your insight."

"i-- no, i-- i'd love to, i.."

"great," he grins, and you're extremely dizzy. what the hell was going on?

"uh.. mr. styles, if i may give my opinion," diane pipes up.

"you may," he eyes her skeptically.

"y/n is a student. she's still learning, and she's never worked on anything here. it's very risky to--"

he cuts her off by asking you a question, "have you designed things? sketched 'em out and all that?"

you nod.

"i'd hope you've also done the whole... actually sewing things together and really making them?"

you nod again.

he turns back to diane, "seems like she's got experience," he looks back to you, "do y'have photos of any of those?"

"yeah-- they're.. i think i left them in my car. i have photos on my phone."

"we'll meet later to look at all that, then. i'll give you my number later. for now.. i'd like your input on our other ideas."

-

for the rest of the day, you follow harry around, and you sort of feel like a lost puppy just following him around and answering when he asks something of you.

after a while, you got more comfortable giving your input without being prompted, but you always tiptoed around what you were really trying to get at in fear that you'd anger him.

at the end of day, he put your number in his phone with the promise that he'd text you later about more details.

-

the text came three days later.

From: (Maybe): Harry

Hello, Y/N. This is Harry. Would you be free to meet tomorrow at noon to discuss the details of the project? Please bring your sketches and any photos of designs you've done, and anything else you feel necessary.

To: Harry Styles

Hi! I should be free tomorrow, yeah. Where do you want to go?

From: Harry Styles

I'll let you decide.

To: Harry Styles

There is this one coffee shop named Maman?

Sent Location: 239 Centre St, New York, NY

From: Harry Styles

Alright. I'll see you tomorrow, Y/N. Have a nice rest of your day.

To: Harry Styles

You too!

-

you spend the rest of your night fretting about what to wear. you were stuck in between classy but not too fancy, but also not too casual. comfy, but not so comfy that you looked like you didn't give a shit. but also not so uncomfortable that you were, well, uncomfortable, and looked like you were trying too hard.

you'd eventually settled for something simple. long, light-wash denim skirt, a plain black top, and some mary janes. you tied some of your hair back with a white ribbon, did some natural makeup, and called it a day.

you got to the coffee shop at 11:45 and ordered your drink, as well as a chocolate croissant.

harry walked in at exactly 12:00, and grinned when he saw you sitting at a table, scrolling on your phone with a manilla folder and sketchbook beside you.

-

really, you can't blame him! you were pretty, he'd have to be blind to not know that. and really, you weren't that much younger than him.

he's 29, and you're 23. he's not a stalker, he just did a background check like any good business person would do.

so what he finds you cute? the relationship would be strictly professional. besides, you deserved a break from your horrible boss. contrary to what diane thought, the walls were not soundproof, and he could hear her chewing you out.

sure, he'd done that to one of his employees once or twice, but it was always deserved, and never on the first time of being late. that was ridiculous.

"good morning, y/n," he greets. your head snaps up to make eye contact and he has to force himself to not laugh. he wasn't laughing at you, per se. it was more so the fact that he found it amusing how jumpy you seemed around him.

"good morning. did you order?"

"not yet. never been here, so i've got no clue what's good."

you open your mouth to respond, but the barista calls out, "large iced honey lavender latte with a pain au chocolat for y/n!"

you give a sheepish smile and run up to retrieve your food and drink. when you come back, you take a sip of your drink and set what looks to be a chocolate croissant down on the table.

"well, i'm more of an iced coffee girl. and i also don't really like the taste of coffee, so i've got a bunch of sugar in mine. what do you usually drink?"

"'m more of a black coffee, to be honest. iced is fine, but hot's better."

you wrinkle your nose, "i don't know how you stand the taste of coffee. it's so bitter."

"better than what you've got!" he laughs, "might as well just down a sugar packet."

you giggle at his teasing, "only psychos drink plain black coffee. this," you hold up your drink, "is so much better."

"oh, is it now?"

"yes, it is," you cross your arms proudly.

"lemme have a taste."

you hand over the drink, and he takes a small sip before coughing, "christ, y/n! that cannot be good for your health!"

"hey, i'm still alive, aren't i?" you shrug.

“that you are.”

“well… just ask for an americano, i guess. the rest of their drinks are kinda sugary and fun.”

he got his drink, and once the both of you were sat down, he got to business.

“so, how long have you been designing?”

“i’ve been doing it since middle school. i.. uh.. i saw that one american girl doll movie. where she was a designer. and i just got obsessed. obviously they weren’t good, but…”

“so you’ve got a lot of experience then?”

you nod. he grins.

“may i see the sketches?”

you grab the folder off the top of the sketchbook and pass it over to him.

he flips through it in silence for a few minutes, and you anxiously nibble at the skin around your fingernails.

“..so?” you ask.

“they’re great. really, you’ve got talent. i can’t draw for shit, so you’ve got me beat,” he laughs.

you laugh with him, “most of those are just ideas, i’ve never made them. but i have photos of the ones i have made. i printed them so it’s easier.”

you pass over the manilla folder, and he opens it to look at all the photos you’d printed out. there was around fifty— those were just the ones you actually liked and were confident showing.

he holds one up, and your cheeks flush. “why’s this the only one where you’re the model?” he asks.

“that was.. uh.. that’s my senior prom dress.”

his eyes widen, giving you an impressed look, “you made your own prom dress?”

you nod, “i just wanted something very specific, so.. i figured i’d just make it myself.”

“y’look great— the dress looks great,” he coughs. “you’re very talented.”

“thank you,” you blush.

“so tell me why someone as talented as you is working in diane’s shop not designing a single thing?”

“i didn’t realize that was the job. i just got excited when my professor told me they were interested in my work, so i took the job. i thought i’d at least do a little designing, but.. it pays.. decent, though.”

he scoffs, “darling, 15 bucks an hour is not decent pay. that’s what you make being a hostess. you’re an artist. someone would pay thousands of dollars for just your sketches.”

“i don’t think i’m that good—“

“you are,” he’s firm. resolute. there is no room for argument with him. “i think you’ll be a great asset to the project. i could use your… talent. i’ll send you an email with the nitty gritty details. i’ll see you soon, y/n.”

and with that, he stands and leaves, leaving you to sit there, dumbfounded, confused, and grinning.

-

a/n: guys i have too many series going on 😭😭

[kaciebello]

No need for mail

Masterlist Badger express ★ Lorenzo Berkshire x Hufflepuff! reader (fem) Summary: While doing a school project, Lorenzo tries his luck. With the help of the wind and the sun, he falls harder and harder.  Warnings: no use of y/n,  Authors note: Haiya! This is a sequel series to the whole delivery one. This one is gonna focus on the boys separately! hope you enjoy it! English is not my first language, so I apologize for any mistakes beforehand. Proofread by me and me only (Ｔ▽Ｔ) And just so you know, it always has been him. ˚ʚ♡ɞ˚ ( and yes I know he's a slut, not here tho, maybe next time.) word count: 1.1k Song: Married In Vegas - The Vamps

Light breeze messes with his hair. He does not care as much as his attention is on the mooncalf nest that rests below the cliff. The girl next to him is doing the same. Her hair is held together in a braid with a yellow ribbon wrapped into it. They are both lying down at the edge of the cliff, one wrong move and they would be rolling down. He turns his face to her.

“Why are we doing this?” He whispers, yes whispered as he has already been scolded once for speaking at his normal volume. Apparently, it would scare the weird animal away and that is not what they want.

“It's a school project, I told you that.” She says, her gaze not moving away from the big-eyed cows.

“I don't think Hagrid would care if we pulled everything out of a book.” He argues back but knows there is no way out of this. He's finally being let in on a Hufflepuff sacred. No wonder they always get the best marks in ‘care for magical beasts’. They simply just vibe with them. The girl just shook her head at him.

The girl scooted a little bit more over the edge. Lorenzo's hand flew over to her and grabbed the back of her shirt. For a witch, she does not have even an ounce of self-preservation in her body.  A small rock fell from their shuffling and landed near the nest. Scaring all the mooncalf, making them run and hide.

“look what you did!” the girl says and, with the help of Lorenzo, sits up.

“Me? I'm not the one trying to throw myself off the cliff!” he says, now too, sitting.

The girl scoffs and gets up to make her way over to the blanket where they set their stuff. He makes his way to her and sits down right next to her. Their knees touching. They both pulled out their notebook, he wrote down his observations and she finished her sketch of the animal.

Silence falls upon them as they both do their own thing. Lorenzo's eyes shift to see her sketch, only to see a familiar face. He does not know if he should call her out or not. But since he considered himself her best friend, a fact she constantly denies, he decided to do the first option.

“AYO, is that me!” Startled, the girl closes the notebook so fast it makes a thud so loud that he's certain the mooncalf all hid again. He tried to take the notebook from her, but she threw it on the other side of the blanket. She restraints one of his hands and the other one lands by her back.

When Lorenzo noticed how close they were, a smile crept on his face.  She noticed too, as his legs curled a little. She turns her body to face him more and places her other hand near his, probably so she can quickly grab it if he tries something.

He noticed her eyes were scanning his face. A breeze messes with his hair again. The girl blinks and lets his arm go, going to fix it for him. He places his, now free, arm on her thighs, squeezing them to make sure his arm lands where he wants it to without actually looking.

The two friends stay silent. Not an awkward one, but a comfortable one they always seem to find themself when they are together. 

“You're so pretty, I wish I could get you pregnant.” She breaks the silence. Lorenco can do nothing but chuckle. He buried his face in the crook of her neck. His arms now sneaking around her waist. Pulling her closer to his body.

“Ditto” He murmurs. He can feel her shake with laughter. She was now playing with his hair, something he could let her do all day if he could.  That's why he peels himself off of her. She just looked at him confused. Lorenzo just shakes his head and moves a little, before ploping his head down on her lap. He makes sure to grab her arms and slam it on his head for good measure.

She looks at him with a shocked expression before sighing. Nonetheless, she does what he wishes for and plays with his hair. He flashes her a smile full of pearly whites. 

“You're annoying.” She says looking down at him. he pokes her side making her squirm a bit.

“But you still love me.” he sings back to her. She does not answer to him. They fall into silence again. The girl is not looking at him. Something in the distance caught her attention. He did not mind, as if she were to look down on him, she would see a fool in love.

A sun framed her head and made it look like a halo. He was smitten.

“So you know how you just wanna be friends?” He says making her give him attention. Looking down at him her arm came to a stop.

“Yeah?”

“That's cool and all, but I'm like in love with you.” 

“Same” The girl just breaths out. Lorenzo did not expect her to say that. In a second he has decided he is not letting her change her mind.

He shoots up and cages her with one of his arms while the other one goes to her neck and pulls her closer. He does not give her a chance to register what is going on.

Their lips met, softly than someone would expect with how fast Lorenzo was with his moves. She took a few seconds before kissing him back, her arms cradling his face.

The kiss was sweet and slow, a fairytale-like.

Soon they ran out of breath, the girl gently pushing Lorenzo away as he tried to chase her into another kiss. Still, with closed eyes, he lends his forehead to hers.

“That was-” A low whistle cuts him off. Cursing under his breath, Lorenzo opened his eyes and straightened out. there stood four of his friends. A whine leaves him.

“AYO I DID NOT KNOW YOU HAVE A GAME LIKE THAT.” Draco makes sure that he can be heard all the way back to Hogwarts. Multiple praises and hollers sound on the little cliff they found themself on.

All the boys make their way to Lorenzo, lifting him up and repeatedly tossing him in the air. All he could do was catch a glimpse of the girl with a yellow ribbon in her hair laughing. Not even noticing the love note falling out of his pocket and getting lost in the wind.

tag list: @daisiesformylove , @klimovatereza-blog , @lafrone ,@enfppuff , @rafegfs , @frogtape , @lovelyygirl8 , @catiwinky, @anyam444 , @leeleecats , @ghostgardn , @reverse-soe , @ultramarinetovelvet , @iwishigotswallowed , @jazz-berry , @justatadbonkers , @partnerincrime0 , @schaebickel , @bunnyhopsstuff , @deluluassapocalypse

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find.

im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial!

(this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals.

it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically:

contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark.

BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights

mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer!

the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only),

i absolutely encourage you to play around and experiment with gradient maps.

there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects

you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way.

you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes.

don't be afraid to change things you don't like or change your mind about certain aspects way later on

that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared.

like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different.

on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art.

rendering is a process that's both very perfectionist yet also very careless.

find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment.

particularly, the sleeves changed A LOT (because i really didn't like them)

but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker.

it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it

i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[lunarriviera]

uts meta: two cops eating pizza cause they're not gay (The Drawing, part 2)

[spoilers for s2 in general and ep 17 in specific, and i really hope you've already watched it because, wow. it deserves to be seen.] this whole scene is off the chain but perhaps what's wildest about it is that this has happened once already! shen yi already gave du cheng a drawing! and now he's doing it again! either he wants a marriage proposal or to be [redacted], and honey, you're absolutely gonna get [redacted] tonight. even though you messed up dinner.

when our scene begins, beijiang's finest are about to dine in shen yi's concrete bdsm dungeon new house. but wait, shen yi's a terrible cook, you say? never fear—product placement is here!

glowing, radiant, suffused with light. in the troubled city of beijiang, pizza hut™ shines forth like a beacon of edible hope and justice. even if they do keep putting pineapple on top of it.

(all of s2 we've been subjected to such heavy-handed sponsorship as the team drinking exclusively some kind of fruity (?) tea (?); du cheng barking orders at xiaomi, his new car's shipboard computer while shen yi theatrically changes the cabin temperature; shen yi treating everyone to invisible air coffee (because no property person has ever figured out all you need to do is put some water in the cup); and jiang feng popping up like a prairie dog clutching a green box of cold medicine whenever anyone sniffles. but pizza hut has been the most egregious of all, truly the wolong nuts of uts2. if only dragon city had a pizza hut™! then shen wei wouldn't have had to wear zhu yilong's clothes.)

unfortunately, actors can't actually eat human food, plus shen yi's supposed to be a vegetarian, so here is tan jianci consuming the smallest molecule of pizza possible while pretending to enjoy it. pretty sure tjc last had a junk carb in the hu jintao administration.

after this brief token simulation of eating, shen yi and du cheng have a Serious Conversation about the late captain lei. pls note their blocking here, as it's the only time in s2 you will EVER see tan jianci looking DOWN at jin shijia, who is of course a giraffe.

then shen yi whips out this little baby, and hands it to his partner.

(let's hope our sketch artist had the foresight to spray some fixative on what looks like conté or pastel, before du cheng started smearing pizza grease all over it.) du cheng is, of course, touched. why are they drawn in red? not entirely sure, though it's a color shen yi seems to default to when he's very emotional and/or inarticulate about things.

anyway shen yi mentions that the piece needs a title and he hasn't thought of one yet, so du cheng volunteers a suggestion.

(at this point i started screencapping in chinese, reasons unclear.) du cheng offers 改变我人生的人, "the person who changed my life."

it's a dumb title for an artwork but GUESS WHAT, he's no longer talking about lei-dui. if you thought you might question this, jin shijia is going to make sure you don't, because of the sickeningly transparent infatuated look on his face. but wait, it gets worse!

确实是改变了我人生的人, shen yi responds; indeed, this person really did change my life. HE'S ALSO NOT TALKING ABOUT CAPTAIN LEI.

tjc doesn't want you to feel any confusion about that, so he deploys his patented shen yi gaze. here, you need to see this to believe it.

jianci has developed this little trick as shen yi of speaking with his eyes lowered, and then when he finally lifts them, it's like he's setting off a BOMB. he's fine-tuned this to the point where it's weaponized.

and honestly he's making it so obvious they're talking about each other i don't even know how to say it in human language. those two took these innocent respectable lines about a past case and made them indecent. they did that. all by themselves. no one made them.

at the end of the scene, though, it's this look. this one right here.

the absolutely unbearable tenderness. "yes, you did change it. you changed everything. nothing will ever be the same again, because of you." in conclusion: pls bury me with this, because i suspect it's the most in-love it's possible for a human being to look, outside of a wong kar-wai film BYEEEEEEEEEEEEEEE [runs away sobbing hysterically]

[hybbart]

This is perhaps a strange question, but do you have the sketch/lineart/framework/whatever the heck it's called that you use when you draw Tango? I decided I want to learn to draw, and my thought process was, "Ah yes, the easiest way is to try and copy my favourite Tangos cause I know how they look," and it is going... poorly xD.

Alternatively, do you have any advice on how to learn and develop a style, or how to get/keep going?

A reference sheet? I have a couple various ones, though at this point i don't really use a reference unless I need to sample colours, and I'm currently working on a colour reference for myself. Besides the point I suppose... I'll put them at the very bottom of the cut so scroll right past my ramblings if you want to.

As for advice. My advice is do not try developing a style if you are just starting out. style is the last thing that should be on your mind if you're just starting out. Style is something that happens naturally as you grow and learn what you like and get used to your tools, and being able to intentionally create a style is an advanced skill that requires the skill to draw in various styles, strong basics, self-awareness, and proper self-critique.

The rest of this is going to be very incoherent and long winded and backwards so I apologize.

The most important thing to improving is to get over yourself. You need to look at someone else's art and be able to admit it's better than yours or has a quality you wish yours had without that being a statement of self-deprecation. You need to be able to look at your own art and pick out what it is you don't like about it without using it to beat yourself up. You can't improve if you get demotivated by the information required to adjust your course.

If you must, find something in each drawing that you like and focus on learning how to recreate that. If you find yourself with a drawing that you genuinely find nothing you like about it you stop drawing and restart, because that drawing is worthless to you once you recognize that. Analyze why you don't like it, figure out what's causing you to draw that way, ask what you might prefer instead and what the difference between them is, and figure out how to draw what you want instead. The important thing is that when you examine your art and other's art you're using as inspiration you don't instead use it as a tool to put yourself down.

My shadows are flat and poorly angled, and I draw everything lopsides, and I can say those things as simple facts of my art. These are things I still do, and I use tools to fix them, like turning my tablet or using editing tools, or looking up references. If I want to know a certain technique I reach out to other artists I see using said technique and asking, or I research it myself. In the meantime I experiment and accept this flaw in my art. There's other things to like. The important thing is you don't allow your lack of knowledge to demotivate you from correcting that lack of knowledge.

The best thing you can do is ask yourself what you like about art, and what you want to do. It's a bit difficult for me to help with this sort of thing because I've literally always drawn my whole life, so helping someone who is actively choosing to take up drawing isn't my realm of expertise. But art is communication and connection and self-expression. What do you want to express through your art and what medium is that expression best done in, what do you want to convey, what do you want to share that you simply cannot without art.

It's a bit daunting, those sound like profound questions, but honestly they're not. When I draw fanart usually what I wanna communicate is "I like these characters when they do this", and more often than not it's "I really liked this line/palette".

These incomplete character sketches have sat in my main D&D folder and I think about him at least once a month entirely because I was so happy with his proportions and the concept of a dewclaw heel. I ended up reusing the heel in these Jimmy designs.

It can be anything and changes with each piece. Drawing let's me express what I love and emphasize what I love about it or show it from my perspective. I'll use this raau page as an example.

This is actually based on a shop that I've gone to since I was a child, so it's a space that I've seen and thought about many times. Though it's changed, for ease of drawing and to fit into the setting of raau and for the sake of composition, but the things that are important to me are still here. The ceiling that feels slightly claustrophobically low, the rainbow coordinated shirts, the club covers shaped like animals, every inch of the shop being utilized for merchandise until you can barely see the walls, the nook shape of the section, the fluorescent lights with this specific covering that's very "soulless office job" but to me is also the playroom at my grandma's house and how both have no windows.

I wanted to preserve particular qualities of the atmosphere of the place, in order to express that in this image. That vibe that I could not describe in words to anyone who hasn't experienced it themselves so the best I could normally do is describe it and hope it sparks a similar enough memory. But with visual art I can use lightning, context, and composition to simply express it better. I can create the experience for someone else.

Sometimes writing is better at it than words, and sometimes both are needed, so I learned both. Sometimes music is better than either and I'm screwed because I can't do music. That's besides the point though.

When you're starting out you can have a hard time grasping what about a piece compels you. That's why you need to learn to critique art as you learn to draw, and that's also why tracing and copying is good.

Here's an example of me trying out @lunarcrown's art style. I made a collage and traced my favourite frame's shapes to "get my hands on it", if you will, before trying it out on my own, starting with similar poses usually. What I learned from this is I really like how Lunar does hair, actually even though this was a study of Tango I took notes on how she does Jimmy's hair and applied it to my Scar, Impulse, and Skizz, because I'm awful at short men's hairstyles.

I also cemented one of the reasons I love her art is because it does have some qualities that I already incorporate into mine, like the streamlining between flushed materials such as her Tango's skin and skin-tight shirt, or my Tango's sleeves and gloves.

If you know what you like about something it's easier to work towards incorporating it into your own art without simply copying someone else's. And starting out by copying as a way to play around with someone's art the same way an engineer pulls something apart is helpful in doing so.

Which leads me further back into simply go somewhere and draw what you see. The drawing does not have to be good, but being able to just take a sketchbook and see something that scratches your brain and mimic it is important to developing the above skills. Being able to translate reality into an image is important to developing your skills and understanding the fundamentals of breaking things down. Being able to look at something moving or possibly far away and look down and draw it anyways by breaking down its shapes is important in developing your ability to use references.

Drawing is also mostly muscle memory. So it's important to draw things over and over again. You can do this how you want, you're always going to hit a wall where you end up having to sit there and draw circles 50 times on a page to remember how to draw circles like you're trying to get a dry pen to work. You will do this before almost every serious picture. Find a way for you to enjoy this process.

The biggest most important rule about art, though, is that there is not rules. Go about things however you want for whatever reason you want. If you enjoy doing something a certain way do it that way, if you hate a particular process eliminate it. Sometimes the result outweighs a miserable process, if having something look a certain way is more important then suck it up and do so. If you care more about enjoying a motion than what the end result is then do so. You have to ask yourself what you care about in art.

For now, though, if you're just starting out. The best thing you can do is draw a lot of circles and cubes and fruit. It's an unfortunate truth that the best foundation is learning realism, because it's just going to teach your the fundamentals the best, and all abstraction is... well, an abstraction.

Of course, as just said, there is no rules, and if you genuinely do not enjoy drawing those things like me, then you can simply not. It helps improvement the fastest but if it makes you miserable in a way that isn't backed by passion then that's counterproductive. Forcing yourself only really works if you're passionate enough about what you're doing to overcome the temporary discomfort of learning, so if you're satisfied with just being able to mimic something more abstract in the beginning do exactly that and explore what would make you passionate enough to be willing to draw things you aren't stoked about for an end result. You might never be, but that's also fine, you don't have to strive to be the world's greatest artist to justify drawing.

Also accept that you're absolutely going to change your mind on things. What felt like a great line to draw you're going to hate the next day. It's up to you if you leave it be or fix it, neither's the right answer. I tend to lean towards leaving it personally, even when it drive some up a wall, simply because I have very momentary inspiration and don't like returning to old pieces once I'm done with them. Some people will return to a picture over and over again fixing it every time they think of something. Whatever floats your boat.

tl;dr figure out what you enjoy doing with art and just do that as much as you like. Improve by finding new things you want to do with art. Combine as you see fit to create art.

...

okay time for references:

I try to keep my designs simple because the style I developed for mcyt art was intended for animations. I've drifted a bit but in general I keep to simple shape-defined designs with long lines, flat colours, and minimal wrinkles. It's intentionally flat in many ways in order to create more satisfying lines, like the collar of his shirt or the way his hands ' gradient is done with the line art.

Tango is both round and angular, basically he's an almond. His shape is ambiguous in much of his clothing, with very understated joints. This gives him a move cartoony elastic sort of vibe, like he's just a pipe cleaner that can bend any which way, or a piece of rubber that might stretch.

I avoid bogging him down with logic for that reason, his hair is styled like hair but it has the appearance and moves like fire. Which is it? Who knows. Where are his organs? I haven't drawn them so they don't exist.

[alextydaisuda123]

«WARNING! Lots of text»

I've been wanting to talk about how everyone in Echo sees Pizzahead in their dreams. I think many have noticed that Pizzahead's appearance is different for everyone. This is an interesting detail for me that I want to clarify. Each appearance is connected to either their memories, their characteristics, or their general feelings. For example:

Pepperman sees him as a blurry and crooked sketch that can change its features as he wants (yes, in his dream PH was originally like this, but let's think that he can change in style too, from a crooked sketch to a real figure, I just want to justify how he sees him).

This is due to his creativity and simply the fact that for Phil, Pizzahead was an ambiguous person. From the very beginning, they were like good friends, because PH did not really show himself, worming his way into his trust, and PM was frivolous, trusted him and did not think about who he really was, and only with each year of life in the tower, he gradually began to see rotten sides in him, until he finally became who he sees him now.

Vigilante sees him as a corpse, covered in the remains of those cheese slugs that "died because of him."

He continues to blame himself for how he was trusting of someone who was truly his enemy, he just couldn't disobey someone who was higher in rank than him. He also blames himself for the deaths of those he couldn't save, because his position as sheriff weighed on him with responsibility for them all. His image of PH from the dream refers a little to an insignificant, but deeply rooted memory, which acquired its features and meaning precisely because of the feeling of guilt.

Noise sees him as a clot of blood, meat and intestines.

He initially had a not very good idea of ​​Pizzahead, to some extent, he saw him as a simple clown, but there was some hope for the future, since all Noise wanted was to earn a lot and film his own shows, as well as fulfill Noisette's dream with her cafe. Partly, everything happened like that, but Pizzahead eventually limited him and left him in the role of an ordinary mascot who does not like pizza. It would seem that he could object to him and change everything for himself, but ... then threats against him worked, which he did not expect at all. What was at stake was what he valued most: no, not money, it's Noisette. And now, his "role" has become a kind of curse and a fixed image to which he is accustomed, and without which no one would recognize him. And Noise also has an opinion that PH has a rotten inside, which is ironic, the same as Noise. Which played into the image of PH from the dream. And Noise is a pure horror lover, so here it is.

Bruno's situation is much more interesting, because the image of Pizzahead in his dream has hardly changed. The change affected only the face, namely his soulless look.

Bruno initially, when he was created, thought that PH was reliable and good, but this turned out to be a lie. Bruno was given the task of being like the original, according to which he was created, that is, to be like Peppino. But he could not cope with this and Pizzahead was unhappy with him. And when he began to better understand the emotions and feelings of others, all that Bruno remembered about Pizzahead was his look, full of disappointment and soullessness. And since for PH, Fake Peppino was nothing more than a toy and a soulless thing, he could mock him as he liked, watching the reaction. A vivid reaction turned out to be fear.

Peppino doesn't have any scary image of Pizzahead, it remained the way he remembered it.

No, not because I couldn't come up with it for him. Because he doesn't need it, their meeting was enough for him to remember his image and make him scary due to his simplicity. He is rather frightened by Pizzahead's abilities, which is why the image fades in comparison. In the end, he not only lured him out of the restaurant with a threat, but also prepared various tests for him that made him remember his old trauma after the war. And all for what? For the sake of fucking fun that ended in tragedy!

[harmonictechnicality]

*no rest for the wicked*

my teensy contribution to @thefreakandthehair's spicy six summer collection 💖 | word count: 3k | rating: T | ao3 link | also, this wouldn't exist if @chocoarts didn't send me a sketch that immediately set off sparklers in my brain so bless youuu ✨

Twenty-six hours. That’s how long Eddie has been up. Twenty-six hours and twelve minutes. The heaviness hanging in his eyes is medieval-level torturous, and the cramp in his left calf is probably permanent by now. 

A sane person who enjoys sleeping might be asking, ‘Why? Why put yourself through this when there’s a perfectly decent bed down the hall?’ And Eddie would be forced to reply back with two, simple words:

Concert. Tickets.

That’s right, Eddie is actively murdering his own brain cells to win two vip tickets on the radio. Twenty-seven hours ago, it seemed like a grand idea. Genius, even. It’s free and minimal effort - he just has to call the station every hour on the dot. No biggie, right?

Ha, sure. Tell that to the muscles in his eyelids.

“How much longer do you have?” Chrissy asks, snagging a magazine from the stack on the couch.

Eddie checks his watch. Huffs out a laugh. “Let’s just say, I could watch the entire Star Wars trilogy including the credits for each one.”

“Translating to...?”

“Seven-ish hours.” Robin quickly chimes. She pops out of her bedroom and joins Chrissy’s side, instantly threading their hands together. They share a look, one that makes Eddie believe in nice things, even in his state of misery. It’s their superpower, injecting their optimistic outlook into the atmosphere. Infectious in the best way. 

“I always forget that you speak fluent nerd.” Chrissy snorts.

“Ouch.” Robin gasps and pulls away, stomping off to their room. Too dramatic to be believable. “Get back to bed before I actually feel offended by that.”

Normally, Eddie is charmed by how hopelessly in love his roommates are with each other. But right now, they are his mortal enemies (well, tied with The Clock), because they get to sleep and he gets to stare at the lightbulb in the ceiling fan. Every now and then, it flickers, which never fails to startle him. 

Good. He desperately needs the extra alertness. 

Another forty-five minutes go by before anything noteworthy happens. Eddie’s other roommate gets off his night shift around one in the morning. The front door squeals as it opens, crackling all the adrenaline leftover in Eddie’s body. 

“Scared the shit out of me, man.” Which could’ve been a literal statement if Eddie hadn’t just taken a bathroom break.

“Gotta get this door fixed.” Steve says. That’s what he always says when it creaks. The reaction never changes, always skating his fingers over the door hinges, mouth twisting to the side. Hands on his hips in disapproval. Eddie has to look away before Steve breaks out his insufferably cute ‘foot tap’ routine. “Hey - why are you still up?”

Ah, yes. Just what Eddie needed. A reminder that it’s fucking late. He finds the energy (or common decency, who knows) to point at the phone. Then to the radio.

“You’re still doing that, huh?”

Eddie nods twice.

“Damn, I’ve never heard you this quiet.” Steve sounds genuinely surprised. A little too smug for Eddie’s liking. “Didn’t know your mouth could stay in a straight line for this long.”

There it is. The rich boy smartassery that will never die. Always lurking in the depths of his genetic makeup.

Eddie claps, total deadpan.

The conversation lulls while Steve messes around in the kitchen for a bit. He’s noisily opening cabinets and clanking dishes around in the sink. Eventually, he walks back into the living room with two beers. 

Both for him apparently. “Well, listen,” he starts out. Kicks his feet up on the coffee table. “I’m pretty wired after work, so if you need some company-”

“Six… hours… left.” Eddie musters out.

“Okay well, I doubt I’ll last that long. But I can give it a shot.”

Eddie smirks, raises both eyebrows. “There’s a dirty joke somewhere in there. Too tired to find it though.”

“Good to know the horny part of your mind is still awake.” Steve gives Eddie a small pat on the head. 

“Oh? That’s a good thing?”

“Depends on who you ask.”

“I’m asking you.” It’s too direct, Eddie hears it. And now it’s just Out There - his inability to flirt in a subtle way. And yeah, he could blame it on sleep deprivation, but he’s never been known for his mastery of ambiguity so…

The pause goes on long enough for the light to flicker again, the room growing darker with it. Steve takes a swig of his drink and smiles. “It’s good to know, Ed.”

The light flickers even darker.

Eddie is fully awake after that. Which could’ve been part of Steve’s plan - stimulate his brain with flirty comments and keep him up with those melty smiles. It’s no secret that Eddie turns into a hair-twirling loser around this guy. 

Even after living together for a year and seeing one another’s most disgusting habits, he still feels this way. Tight throat, stomach flips. Purely smitten in a way that would nauseate deadbeat poets.

In this moment, however, it’s a wonderful remedy to staying awake throughout the rest of the night. Much more effective than energy drinks and Tootsie Rolls.

Steve ends up on the floor, leaning against the edge of the couch. He sips another beer, recounting some bullshit that happened during his shift at the hotel. Eddie does his best impression of Listening to Steve’s stories, but the words are just buzzing around the glow of Steve’s hair and the shine on his lips. Nodding at seemingly appropriate times is all Eddie currently can offer.

“Sleeping with your eyes open, Munson?”

Eddie blinks hard. “Huh?”

“Creepy, but impressive.” Steve laughs, tapping his hand against Eddie’s leg. “You should add that to the Special Skills column on your resumé.”

“Bold of you to assume I have a resumé.”

They spend the next hour doing just that - adding useless skills to Eddie’s nonexistent resumé. It keeps them busy. Content. Steve smacks Eddie’s knee anytime he laughs, leaves his hand longer every time. Maybe that’s all in Eddie’s semi-dormant mind, especially since Steve shows casual affection to all of his friends. But the warmth of his palm is real enough to have Eddie fully committed to making Steve laugh as much as possible.

“What about… Expert Paper Clip Chain-Maker?” Steve suggests. 

Eddie stares at the chain in his hand, the one he was oblivious to creating. He whips it around like a lasso and then shrugs. “A bit wordy.”

“So you’re saying length matters?”

“Christ on toast, Harrington. You’re awfully quick to jump to that conclusion, aren’t you?”

Steve doesn’t answer, just starts laughing again. Eddie didn’t even need to tell a shitty joke this time. 

And when Steve’s hand hits his knee, sliding slightly up his thigh, Eddie laughs along with him. It’s the only way to cover up the heat rushing to his face.

Eddie enters the realm of delirium with three hours left in his challenge. He slumps onto the floor next to Steve, nudging his shoulder, staring into his sleep-heavy eyes. It’s four in the morning, inhibitions be damned.

“Do you think if you ever visit Europe, they’d call you Harring-metric-ton?” Eddie picks a piece of lint off Steve’s sleeve. Perfect excuse to reach out, move in closer.

Steve groans. “Yikes. But yes, that question keeps me up at night.”

“So that’s why you’re still awake. See, I knew it wasn’t because of my silly little concert tickets.” 

As soon as the words leave his lips, Eddie convinces himself that it’s the truth. Which is so dumb, so stupid. But this seed of insecurity keeps him going, fully projecting his assumptions onto Steve’s harmless comment. Somewhere deep down, buried underneath his exhaustion, Eddie knows it was a joke. But he can’t seem to shut up anymore.

“The riddle has been solved, folks! We finally know why Stevie here is still awake.” Eddie exclaims, flinging his arms out to the side. “Alert Scooby and the gang at once! Mystery Incorporated can finally pack up their magnifying glasses and pursue careers with better health insurance. Ones that covers vision costs this time. It’s what dear, ol' Velma deser-”

“Eddie.” Steve places a hand on Eddie’s arm, holding him still. Was he moving? Oh god, was he shaking? 

Fucking mortifying.

Steve’s thumb swipes across Eddie’s skin, tracing diagonal lines back and forth. “You’re rambling.”

“And you’re…” Eddie loses focus. He looks down at the hypnotic patterns that Steve is making. “There. Doing that.”

Steve stops briefly to flip Eddie’s hand over, starts tracing the lines in his palm instead. The pressure makes Eddie’s heart lurch up into his throat. He can feel it thumping in his neck, faster with every stroke of Steve’s fingers. All he wants to do is close his hand around them, keep Steve there for the rest of the night. Longer if he’d let him.

“I can stop if it’s weird.” Steve’s voice is so much quieter than it was earlier. 

Don’t stop. Eddie thinks. Can’t say it like that because gross. Humiliating and gross. “It’s not weird.”

Steve keeps his focus on the motion, Eddie does the same. They stay like this for a while, just watching. Intently staring over the invisible lines like pages in a novel. Eddie is pretty sure he’s breathing too loud, can hear it above the whistle in the air conditioner. Wonders if Steve can hear it too. 

Probably.

“That’s not why I’m staying awake.” Steve says, never breaking the pattern.

“No?”

“It’s who I’m staying awake for.”

Steve finally stops, right in the center of Eddie’s hand. The air in the room goes dense, weighted with acknowledgment. Something has changed and Eddie can feel it everywhere. 

He tilts forward, pulling his gaze away from his hand and up at Steve’s lips. If he weren’t stuck between half-awake and total-delirium, Eddie would just do it. Kiss Steve the way he’s always wanted to. Syrupy slow and deep. Savoring every second.

He could do it right now, right this second. But his focus starts drifting as he closes his eyes. “Did Chrissy tell you?” Eddie grumbles, almost unintelligible. 

“Tell me what?”

Eddie’s head falls, landing somewhere on Steve’s chest. He inhales the scent of laundry detergent (because Steve and Chrissy are the only avid laundry-doers in the apartment). It’s so soothing, drawing him further into a dreamlike place.

“Tell me what, Ed?”

“That I…” Eddie is nearly asleep before he can finish the thought. The confession:

‘That I’m crazy about you.’

Sunlight hits Eddie first, startles him so much that he jolts upward. Fully awake. It takes a few seconds of furiously rubbing his eyes before the dread kicks in. 

Morning.

It’s morning.

“Shit.”

Eddie fell asleep.

Steve fell asleep.

“Shitshitshit. So many shits!” He fumbles through the labyrinth of blankets and pillows around him, snatching his watch from the coffee table:

10:24 a.m.

“Goddamnit!”

Eddie sinks back down to the floor, clutching the phone that serves him no purpose anymore. All of those hours of waiting and calling for nothing. Even if general admission wasn’t already sold out, it’s not like Eddie could afford tickets on his own. He can barely keep up with his share of the rent. Chrissy had to cover for his grocery run last week and he still hasn’t paid her back.

It’s just so expected too - for him to fuck up like this. Always letting opportunities slip through the cracks, making careless mistakes. No one will be surprised that he failed at such a simple task like calling a fucking radio station.

Eddie sets the phone back on the table and cleans up the living room in a daze. Every now and then, he mutters under his breath about being a total moron. He stays relatively quiet for the most part though. No use in throwing a bitchfest while Steve is blissfully conked out three feet away.

Of course he looks good sleeping too, even in the midst of Eddie’s breakdown. Unfair.

Just before heading back to his room, Eddie hears that familiar door creak. Same one that always sets off Steve’s inner handyman tendencies. 

He looks back to see Chrissy padding towards him with a blanket wrapped around her. For someone who hasn’t had their mood-altering cup of coffee yet, she looks extremely pleased to see him. Maybe she knows about the fate of the concert tickets. Maybe this is an early-risers pity party.

Fucking yay.

“Chris, please don’t try to-”

His words are muffled by Chrissy throwing her arms (and blanket cape) around him. She’s so bouncy, the way she always gets with Robin whenever their favorite song comes on at the karaoke bar. He pats her on the back and clears his throat, still trying to piece together what this exchange could be about. However, Eddie is functioning on a few hours of sleep, so his cognitive skills are groggy at best.

She gives him one more squeeze and then looks up, positively gleaming. “I knew it! I knew it would finally happen!”

“That I’d screw up for the umpteenth time in my life? Gee thanks, Chris.” Eddie says.

“What are you talking about?”

“What are you talking about?”

“I’m talking about you and Steve!” She whisper-yells back.

Was she snooping on them last night? He wouldn’t put it past her, snoopiness is the foundation of their friendship. Well, whatever Chrissy thought she saw, she’s wrong. Sure, Steve and Eddie flirted, both letting some potentially mutual feelings slip out.

But it was all cut short by Eddie passing out mid-flirt. God knows how Steve took that reaction. Probably assumed Eddie was so bored that he would rather sleep than makeout with him. Or worse, that Eddie was pretending to sleep to let him down easy.

Christ, he doesn’t wanna think about that right now. Not while he’s still mourning the loss of his precious tickets.

“Hate to break it to you, honeyjam, but nothing happened.” Eddie shakes his head, gesturing to Steve who hasn’t budged from the recliner. “It’s just me over here and Steve over there. No conjunction connecting us together in that way.”

He can already tell Chrissy isn’t buying it. She’s getting that little forehead wrinkle right above her eyebrows, just like an angry cartoon character. Her best attempt at intimidation. “You didn’t see what I saw.” 

“Gay desperation?”

“No, you jackass. Come here!”

Chrissy yanks Eddie into his bedroom, demanding for him to lock the door. He listens, mainly because the intimidation is starting to work a little. They sit at the edge of the bed and she begins to explain everything she saw:

Steve constructing a wall of blankets and pillows around Eddie to ensure he slept comfortably. Steve waiting by the phone, tapping his foot in that insufferably cute way that Eddie loves so much. Steve scoring the tickets, celebrating quietly to himself.

“How long were you standing at the door, weirdo?” Eddie teases her to avoid the way his stomach is twisting around her words. 

Chrissy shushes him and squeals. “And he kissed your cheek!”

“Liar.”

“He did, I swear! He kissed you on the cheek or the chin or the nose. I don't know which one for sure because my view was obstructed by all of your hair.”

Eddie instinctively combs his fingers through a few strands, undoing the knotted pieces. Not all of them, but enough to keep his hands busy while he thinks through this. Processing. “And you’re sure it wasn’t a dream?”

“Positive.”

“What about a hallucination? Didn’t Byers make a batch of those infamous brownies again?”

Chrissy gives a deep sigh. “Whatever. You’re hopeless.” She shrugs the blanket back over her arms and heads toward the door. More than a fair assessment, Eddie can’t argue even if he wanted to (he always does). 

He stares at the line of posters along his wall, letting Chrissy’s words replay over and over. Imagining what it might have felt like. If Steve’s breath was warm or if his lips were soft. Eddie wonders how it looked to have Steve dipping down to his level. Staying so quiet, so careful not to disturb him. The visuals swarm his head until there’s nothing left but Steve. 

Him and Steve. Connecting them together in that way after all.

So, Eddie gets up and walks back into the living room. He takes in the view of Steve curled up in the recliner, mouth slightly parted open. Chest falling with every sniffle, not quite a snore.

There’s so many emotions while looking at him. Eddie can’t just pin one down to fully comprehend what's going on. All he can do is repeat the scene that’s occupying his mind, settling in his bones.

“Here,” he whispers, placing another blanket across Steve’s lap. It’s feathery gentle, more than he intends for it to be. So gentle that Steve doesn’t shift or stir. 

Eddie takes a deep breath and bends down, close enough to notice all the little details. The ones he’s been too sheepish to indulge in before last night. 

The tiny hairs on Steve’s forearm. The creases in his t-shirt. The bit of dried toothpaste on his chin. None of it should make his cheeks feel this flushed, but they do.

He lets the rush of bravery wash through him as he kisses Steve on the tip of his nose. Just the way Steve must’ve done to him. It’s swift, lighter than he means for it to be. Barely touching. But it’s enough to switch his heart rate up a few notches, pulsing jumping in his wrist.

Eddie steps away, waiting to see if Steve wakes up. Not entirely sure if he wants that or if he’d rather keep this memory to himself. 

“Thanks… by the way.” Eddie adds, brushing the tips of his fingers over Steve’s hand. Wishing he could trace the lines in his palm. Rewind back to last night and pause it there indefinitely. “I’ll tell you again when you’re up, but yeah.”

“Thank you, Steve Harrington.”