#and with the spinoffs i feel like i barely see it at all

[phantomknights]

animanga fanfic writers/readers:

[devotedlystrangewizard]

totk really is one of those games that make me go "ok thanks for the characters, setting, and general plot, but ill take it from here <3" because the entire historical timeline had so much potential for interesting and nuanced story telling but they just went with the old zelda story formula and YES thats how theyve always done it but botw was such a reset in terms of gameplay that they couldve overhauled how they handle story in totk. but they didnt

[writingwolverina]

Damn, this imposter syndrome's got HANDS

[wildestdreamsblog]

Latibule Spinoff: Kim Taehyung

Pairing: Actor!Kim Taehyung x Journalist!Reader

A/N: This came to me when I watched the chicken shop date between Amelia and Andrew...gurl I was smiling the whole episode hehehuhu. The chemistry was off the charts

Latibule Universe Masterlist

Sticking to your script, you pressed on, and to your surprise, he did too. The banter flowed smoothly, and you found yourself navigating the questions with a surprising ease, the audience hanging on every word. You were almost at the end of the show, your cue to ask one last thing that had been requested by his fans.

“Now, Taehyung, as you know, the show conducted a survey online about what your fans want to know the most,” you began, your smile brightening as the moment approached. “And surprise, surprise! Most, if not all of them, wanted to know more about your love life. So, Taehyung, how is your love life?”

You flashed a knowing smile at the camera before turning back to him, eager for a response so you could wrap up the show and finally escape this whirlwind of situation. But instead of a quick answer, he leaned back, his signature tata smile beaming as he playfully looked at the audience and then back to you.

You could almost feel the anticipation ripple through the studio. The audience was captivated, their murmurs growing louder, eager for his reply.

“I never speak about my lovelife…” he began, drawing it our for effect. He knew how to modulate his voice enough to tease the audience. “But since this is a special episode, and you are a special dear host to me, I’ll only speak about this here.”

The audience erupted into cheers and laughter, completely enraptured by his charm. You could barely hide your annoyance, though a part of you couldn’t deny the magnetic energy he brought to the stage. This was the moment he thrived in, the very reason he was a star.

Your heart skipped a beat. It was like in the beginning, you knew a trainwreck was coming your way and it did keep you on your toes. You didn’t know when it was coming, nor when Taehyung would struck. But now, you could see how close the train was.

And it was coming for you.

“For the first time in my life, I genuinely like this person,” he shared, a hint of practiced shyness mingling with an undeniable sincerity. The way he said it sent a ripple of excitement through the crowd. “But she wouldn’t give me the time of day.”

The audience gasped collectively, a chorus of “aww” filling the studio as some dramatically clutched their hearts, enraptured by his words. If only they knew how persistent and annoyingly so he had been! He had railroaded your life, manipulating every situation, bending reality to fit his whims, and now he was

Out of the corner of your eye, you noticed the showrunner gesturing urgently for you to follow up, but you felt frozen, your mind racing. What he was saying left you dumbfounded, and the idea of stepping on a landmine—an active one—terrified you.

“B-But who would say no to Kim Taehyung?” you asked with a faux chuckle, attempting to defuse the tension. The audience nodded in agreement, their laughter mingling with the buzz of excitement.

But then, just as you thought you could shift gears and end the show gracefully, Taehyung leaned closer. His body turned toward you, that familiar smirk playing at the corners of his mouth. You felt a rush of heat flood your cheeks, knowing this was the moment you had been praying wouldn’t come.

“But Y/N, you said no to me,” he said, his voice low and teasing, yet carrying an edge that sent your heart racing.

Read the whole scene in Kofi

[hairmetal666]

au where Steve is a famous Disney kid and Eddie is a teenaged singer-songwriter. They get pushed together at events because they're close in age, but they just quietly dislike each other.

Steve's got a new show starting, a spinoff of the one that made him a household name. They hire a newcomer, Robin Buckley, to play his best friend and the two quickly become BFF in real life.

The show runs for two seasons but when it comes time to renegotiate contracts, neither star is interested. They're older now, ready to live life on their terms and not the company's, or in Steve's case, his parents.

As soon as the finale airs, Robin and Steve celebrate by going to a gay club. A few weeks later, an interview is released where Steve comes out as bi and talks about how his parents mistreated him; how they worked with the network to pressure him to be a perfect "all-American" kid even off screen.

Meanwhile, Eddie's an impossible level of famous. He's had number-one hits, won a Grammy, headlined an arena tour, achieved every dream he had for himself as a kid growing up in a trailer park in Indiana. He's not shocked by the news that Steve is leaving Hollywood, but he's flabbergasted that the guy isn't straight. When Eddie reads the interview, he gets this weird pang in his chest, almost like regret. But he never even liked Steve.

Steve isn't in the news again and Eddie doesn't think of him for a long time.

Steve goes to college. He loves it. Not because he's great in his classes, or anything, but because he's free to be himself for the first time. He makes friends and goes to parties and relaxes. He and Robin share an apartment.

After a few semesters, Steve decides to take a couple of theater classes, and is quickly cast in campus productions. In the vague anonymity of college theater he rediscovers his love of acting. No one has expectations of him, no one forces him to perform. He graduates and slowly starts appearing in small roles in Indie films, gathering critical acclaim. He feels good. Happy. Hopeful.

Eddie is blissfully unaware of Steve's career resurgence, experiencing his own musical highpoints, until the day where he's scrolling Twitter, sees a Variety headline that's getting a bunch of attention, "Steve Harrington in talks to star in Max Mayfield's first film." Eddie's livid.

"Maxine, what the fuck?" He growls when she answers his call.

They grew up together in the same Indiana trailer park. When she moved to Hollywood to start a career as a screenwriter, Eddie was by her side. And when her first script wound up on the Black List, his involvement on the soundtrack and original songs sealed her production deal.

She gives a long suffering sigh. "Munson," she grumbles. "I know you have a weird history with this guy, but I swear he's the right choice."

"He's a stuck up rich boy who's never been in trouble in his life."

"He's changed."

"Doubtful," Eddie sneers.

"Look. I'll set-up a meeting. Come hang out and you'll see what I mean." Before she hangs up she adds, "Call me Maxine again and I'll end you."

They invite Harrington to Eddie's recording studio. His hopes are not high for this meeting, so he's already a little thrown when Steve Harrington walks in, all grown up. He's in a crimson sweater, tight jeans, hair grown long so that it flops around his face in tousled waves that actually look genuine, windswept and golden. Eddie's eyes instinctively trace the scatter of moles on Harrington's face and neck, a pang of something hitting deep in his gut. Fuck, this dude is beautiful.

"Harrington," he greets, sticks out his hand. Eddie barely hears the answering, "Munson," because instead of a handshake, Harrington pulls Eddie in for a hug. Muscles bunch under the sleeves of the sweater, against Eddie's chest, and he's assaulted by the scent of cedar and sunshine and Steve. Eddie's not prepared for any of this.

They make small talk, Harrington sharing about going to college, falling in love with theater, Robin Buckley who he calls his soulmate. Eddie's head rings with how wrong he was about this guy; the pretty kid he grew up alongside who seemed to have the world in his hands. Max was right, he's perfect. Except.

"Let's get down to it, Harrington," Eddie says. Can't bring himself to call him Steve yet, feels that will somehow change everything and he's not ready. "I'll admit that Mayfield had the right idea about you, but can you sing? Play guitar? You have to perform my music, dude. That's not a small ask."

Harrington smirks, asks for a guitar. He gets it settled across his lap before he speaks. "I started taking piano lessons when I was 4. Voice and guitar at 7."

Eddie belatedly recalls that Harrington's parents were the worst kind of stage-parents, pushing their cute kid to perform even as he sobbed about wanting to play soccer with his friends instead of going to auditions. He has a moment of shame that he forgets as the other man begins to play. It's one of Eddie's biggest hits, a ballad about a teenaged broken heart from a kid whose name he can't even remember.

Harrington's hair flops in a swoop over his forehead, his fingers move across the strings with ease, skill. His voice is a rasp, close mimic to Eddie's own, but not quite deep enough. Goosebumps spread across Eddie's arms, his neck, and warmth pools low in his gut.

Steve finishes the song, looks up, cheeks glowing pink, honey eyes bright. Eddie's fucking gone for this guy. He wants so badly he might choke on it.

"Good?" Steve asks.

Eddie's embarrassed suddenly. Unsure. He tugs at his hair. "Yeah," he laughs. "Good."

He reaches out to take the guitar, the one Steve's already handing to him, and their hands brush. Eddie flushes. Their eyes meet and Steve smiles. Eddie's thoughts are consumed with the desire to kiss his plush pink mouth.

"You wanna get dinner? Just you and me?" Steve asks.

"Yeah, Steve," he laughs. "I'd love to."

🎬🎸🎬🎸

Fifteen Months Later

"Former Teen Heartthrobs Make Love Connection?"

Fans of musician Eddie Munson and former child star, Steve Harrington, were in for the surprise of their lives last night as the men arrived together for the premier of Harrington's new movie, Small Town Sins, written by up-and-coming screenwriter Max Mayfield, featuring original music by Munson. While Harrington's performance and the movie itself are garnering quite a bit of positive buzz, it's being overshadowed by gossip about Harrington and Munson's budding romance. They walked the red carpet together, pausing for photos as a duo, holding hands and flirting. When asked for confirmation of their relationship, Munson answered, 'we're bros,' before winking and pulling Harrington close.

There's a TikTok video embedded below the article, showing the men being interviewed on the red carpet. Their arms are loosely around each others' waists, and when their eyes meet they catch and hang for a beat.

"So, longtime fans of both of yours are going feral online right now because of the rumors that you two used to hate each other. Is there any truth to that?" An off-camera voice asks.

The men laugh. "We've always been great friends," Eddie answers.

"Eddie thought I was stuck up," Steve giggles.

"I did not." Eddie slaps at Steve, who gives him an affectionate smile.

"Liar," Steve answers.

Eddie leans into the camera like he's telling a secret. "Harrington here was afraid of me."

"Fuck off, I was not." They wrestle around for a couple of seconds.

Steve shrugs Eddie off, straightening his suit jacket. "Okay, maybe I was a little intimidated back then, but then this morning you found a pretty rock and cried about it."

Eddie shrieks, swatting at Steve until someone in a black suit and name tag shoos them down the red carpet.

Eddie walks off first, so he misses Steve withdrawing a hand from his pocket and saying, "Still have the rock, though." He flashes the red, grey, blue striped stone at the camera.

His gaze drifts away, landing somewhere in the distance, hazel eyes soft and heart-wrenchingly fond.

[fangirl-dot-com]

Oscar Piastri and Lando Norris - It's not Orange, It's Papaya

Welcome to the second instalment of my spinoff series – Besties for the Resties! I really thought that I could maybe have made a single chapter for each driver, BUT I feel like Oscar and reader would be too introverted together and the story would be a bunch of lines about silence and them staring at each other. They really needed Lando to be able to get talking and to banter. 

I myself am very introverted and I freeze up around people that I don’t know. But when I’m with my extroverted friends, I have a completely different side! I don’t explicitly say this but I do base the reader off of myself most of the time. I am a Virgo, I am from Texas, and I just turned 20, so many of the lines I give the reader are things that I have said or would say. That being, do you think that the reader is a bit all over the place or is she a good solid character who acts in very realistic ways?

I hope you enjoy and please don’t forget to comment! I love reading everything that you all have to say about the story! It makes me happy to see that you’re enjoying it! (Also comment if you want to be added to the tag list!) Much love – author! 

Of course the elevator had to be broken, on today of all days. You sludged up the stairs, leaving puddles to follow where you stepped. Once you hauled yourself to the top of the stairs, you stomped over to your apartment door. Why Christian wanted you to come to London for an extra training session during rainiest week of the break, you didn’t know. 

You were supposed to be at Max’s house right now, eating dinner with his family. But noooooo. Max didn’t even have to come either. Something about how your test time was deleted, or something like that. You could barely hear Christian over the ocean when he called you in the middle of a beach day. 

Your hand dug through your pocket, searching for the keys as you approached your door. But, your fingers never came into contact with the smooth metal piece. You flipped your pocket inside out, and all that fell from it was lint. 

“Great. Just perfect,” you muttered as you looked at your door. You turned your head. Maybe Logan was here. You shuffled over and knocked. Tiredly, you rested your head against the nice wood. 

After a few moments, you didn’t hear anything, which brought out another sigh. Of course he wouldn’t be here. He was probably back in the states for the break. 

You were definitely making a statement by dripping all over the floor. Maybe you should lay down, floor time always helped. As you were about to lift your head, the door suddenly opened up. 

You didn’t have enough time to react and found yourself sprawled in between Logan’s flat and the door frame. 

“Logan am I so glad that you’re…You’re not Logan,” you looked up and were met with the sight of none other than Oscar Piastri. 

He looked down at you, “Good to see you too Y/n.” He put out a hand for you to take. You gently placed your hand in his and he hauled you up. There was now a massive you-shaped puddle on the ground. 

You looked down at it, “Sorry for the mess.” Oscar crossed his arms. 

“Why are you knocking on Logan’s door at,” he looked over at the clock on the wall, “5 p.m.?” 

You sheepishly grinned, “Well, I may or may not have forgotten my keys back at Milton.” Your hand scratched your head. 

Oscar just stared at you. You stared back. 

“Why are you here?” you quizzed. You knew that Logan and Oscar were best of friends, but didn’t realize that Oscar had a key to the flat. 

He sighed, “Lando invited me to be in the Quadrant Christmas video and the filming is this week.” He ushered you to come more into the room so that he could close the door. “But Lando graciously forgot that Max Fewtrell only has one extra bed. So Lando took it and I called Logan to see if I could stay here.” 

“Ah,” you nodded and looked down at yourself. 

Oscar suddenly sputtered, “I will go get you a towel and then see if Logan has something in his drawers.” He quickly left, but then turned back around. You raised an eyebrow. 

“Yes?” 

“Do you know where everything is? I guess you’d be over here more than me.” You gave him a reassuring smile and walked deeper into the house. You had taken your shoes off before stepping on the carpet as to try to not drench everything. 

In the bathroom, you found some towels. “Here,” you handed one to Oscar. “Could you wipe the puddle I left at the front while I change?” He nodded and disappeared down the hallway. You closed the door behind him and peeled of your soaked outfit. 

You took some sweats and a random t-shirt from a drawer and put them on. You bundled your wet clothes and threw them in the wash as you walked towards the living space. It seemed like Oscar had already cleaned everything up since the towel was now hanging on the back on a chair. You ran another towel over your hair, drying it to the best of your abilities. 

Oscar walked back in. The two of you stood in silence before you fished out your phone. You pressed on the uber app, but a notification told you that the roads were flooded and you’d have to wait until the morning. You sighed, which peaked Oscar’s interest. 

“Everything ok?” he asked, Australian accent filled with concern. 

You showed him the screen. “Everything is flooded. I can’t get back to get my keys.” Oscar looked deep in thought. 

“You could always stay here?” It came out more like a question. 

“I don’t want to trouble you,” you fiddled with your fingers. Before now, you had never said more than ten words to the Aussie. Sure, he was Logan’s friend, but he wasn’t your friend. You were about to say something, when a knock resonated in the small entrance. The two of you whipped to look at it. You both waited in silence before another knock sounded. 

You raised an eyebrow and mouthed, “Are you expecting anyone?” Oscar shook his head. He quickly moved you behind him before looking out the peephole. He groaned before opening the door. 

There, standing in the doorway, was a soaked Lando Norris. You wanted to laugh. 

So you did. 

The two boys looked at you while you tried to calm yourself down. Lando brushed past Oscar and made his way into the flat. 

“By all means, welcome in,” Oscar sarcastically said. He locked the door and turned to look at him. You had finally been able to calm yourself down. 

“Hi Lando,” you greeted before turning around to enter the kitchen. 

“Uh, hi?” 

Oscar hit the back of his head, “What happened to you staying at Max’s?” 

Lando shrugged. “His girlfriend was over and I wasn’t about to watch them suck faces.” You snorted. 

“Aha, felt.” The three of you kind of just watched each other. You were the first one to talk. “Lando, do you want a towel?” 

He breathed a sigh of relief before answering, “Yes please.” 

You turned and headed back into the direction of Logan’s bedroom. Thankfully there was one more towel. You also grabbed another pair of sweats and a t-shit. You reemerged from the hallway and handed the items to Lando. 

“Bathroom is down the hallway to the left.” Your head jerked in the direction. Lando went around you and disappeared. You looked back at Oscar. 

“So. Sleepover?” A smirk grew on your face, before your cheeks got hot and you panicked. “Unless you’d rather me go see if I can find the landlord to get another key. I wouldn’t want to make you or Lando uncomfortable?” You continued to ramble until Oscar lightly hit your face. That shut you up. 

He rubbed his face. “No, Y/n it’s fine. Besides it’s getting late and I don’t think Logan would like it if I told you to leave.” You nodded as Lando finally came back, clothes in a heaping wet mess in his arms. You told him to put them next to the washer and that you’d start his clothes when yours were done. 

Lando clapped his hands. “What’s the plan?” 

You went to respond but Oscar beat you to it, “Sleepover.” You watched as Lando’s lips turned upwards. 

“Hold on!” you yelled and watched Oscar and Lando jump in their place. 

The two boys watched as you made your way to the kitchen. You leaned down to look what was in the fridge. “Jackpot. Bless you and you Americanness Logan.” You brought out three dark red cans and handed them to each boy.  

They looked at the cans with the white font. 

“What is this?” Lando asked, popping the can. 

You gawked at them and smacked you head. “You’re telling me. You’ve been friends with Logan and he hasn’t given you Dr. Pepper!” They both shook their heads. “Well, it’s about time you tried it.” Two more pops sounded as you and Oscar opened your cans. 

“Is it alcoholic?” Oscar asked, taking a sip of the sweet drink. 

You looked at the both of them, “Guys, I’m twenty. And where I’m from, you have to be at least 21 to partake in such adultish things such as drinking alcohol.” You took a sip and closed your eyes. You could feel the freedom seep into your veins. 

The boys looked at you strangely before Lando spoke in a childish voice, ‘Aw so you’re just a baby.” 

“Says the one who acts like a 5-year-old,” you quipped. Oscar choked on his drink while Lando stared at you. Oscar quickly wiped his face. “Do you like it?” 

Lando nodded, “It’s very sweet.” 

“That’s the taste of freedom boys.” 

“Y/n, none of us are under communism,” Oscar pointed out. 

“But you both have a monarchy who makes all the decisions.” 

“That’s Parliament,” Lando coughed, a smirk adorning his face. 

“Tomato, tomato.” You waved your hand. “I think Logan has a severe addition to frozen pizzas. I could make one real fast?” Their stomachs answered for them. 

You got to work by preheating the oven. When that was done, you carefully took off the plastic (not wanting to melt it onto the pizza), and placed the circle on a baking sheet. By now, the two McLaren drivers had moved to the couch. After setting the timer, you also joined them, but sat on the floor. 

You looked them up and down at you sipped. “It’s weird seeing the two of you not in orange.” 

Oscar slapped his face. “Here we go.” 

Lando looked like you had insulted him, his whole family, and his cow. He sat up straighter and crossed his legs. 

“It’s not orange, it’s papaya,” he emphasized the syllables. 

“It falls into the orange category of colors,” you bit back. 

“Then it would be called orange then. Oh wait, it’s not.” 

“Aren’t you a sassy little dude,” you peered at him. “It’s giving Scorpio.” Lando lit up like a Christmas tree. Oscar again, face palmed. 

“Please let’s not start this,” Oscar groaned. However, you and Lando didn’t listen to him. The two of you began to discuss star signs and what characteristics came with them. He was surprised when you told him that you were a Virgo. 

“Aren’t they shy?” 

You looked down at your fingers, “I’m shy until I get comfortable. Believe me, when I first saw you guys, I was shaking like a leaf. I still do. And if you put me into a room full of strangers I will find a way out so help me.” 

Lando dramatically brought you into a hug, his face pressed against yours. His hand came up to pat your head as you shot help-me-eyes at Oscar. “It’s ok little introvert, your extrovert is here to protect you.” You shoved him off when you heard the oven beep. The pizza had turned out perfectly. 

Not wanting to do dishes, you three ate off of paper towels. You picked up the remote as you ate a bite. “What movie should we watch? Logan has Disney Plus.” 

Oscar rolled his eyes, “Yeah I know. You two finished Cars without me.” 

“It’s not like we can’t start it over.” You turned to Lando. “Have you seen Cars 2?” 

Lando scoffed, “Of course I’ve seen Cars 2.”  

You held up your hands in mock defeated as you turned the movie on, “You seem uncultured.” You missed the look that Lando gave you. 

Like it always is, Cars 2 was fabulous. Lando was the first one to speak during the movie. His finger was pointed at the large TV. 

“Look its Charles.”

You thought he was pointing at Lightning McQueen, but Francesco. You and Oscar wheezed at the revelation. 

“But Charles is Lightning though,” your hands now pointed at the flashy red car now on screen. 

Oscar took a sip from his Dr. Pepper, “Lando would be the Volkswagen.” 

You gasped, “You’re right. He’s such a Filmore. Logan would be Sarge.” The two boys laughed out loud. 

The three of you screamed as you saw Lewis’s car come up. Lando quickly took a picture and promised to send it him. 

The movie continued before Lando spoke again, “Yeah, Max is definitely Mater.” 

“I know right,” you said, munching on another slice of pizza. “What car is Oscar though, none of them really fit him.” Oscar gave you an offended look. 

“He’d be Axelrod.” 

“I beg your pardon,” Oscar whipped his head around to look at Lando. 

“Well you would. I swear, if you were planning our demise, no one would think it’d be you.” 

You jumped in, “Either him or the Professor.” Oscar grimaced and shook his head. 

“I’ll take Axelrod.” 

“Y/n you’d be McMissile.” You fist pumped. 

“Why does she get to be the cool character?”  

“Because I’m better than you?” That earned you a scoff from the Aussie. 

“Sure. Just because you’re going to be driving a rocket ship doesn’t mean you’re better.” 

“Ladies, ladies, ladies, can we quiet down, the movie is still going on,” the Brit complained. You and Oscar leaned back and continued to watch the movie. You’re pretty sure that Lando was in tears at the end, and you and Oscar couldn’t help but tease. You went to change the movie to another one, when yet another knock sounded on the door. 

The three of you froze and slowly turned to look at the door, as if it would move. The knock sounded again. You and Oscar pushed Lando closer to the entrance. He gave you both a stink eye before looking opening the door wide open. 

“Christian!” you squealed and ran over to the older man. He was smart enough to have brought a rain coat and jacket. 

He held out your keys, “I think you forgot something.” He looked over your shoulder and stared at the two McLaren drivers. “Giving our secrets away Y/n?” 

You looked over a smirked, “As if they could use them properly in their tractor.” The two boys rolled their eyes in sync. Christian bid you goodbye and closed the door behind them. You noticed a sad look on the guys’ faces. 

You shrugged and sank down into the couch once again, a blanket over your lap. You looked at them as they continued to stand. With your eyebrow raised, you questioned, “Why are you two still standing there?” 

They shrugged and joined you. 

Lando looked at you, “I think we thought that you’d want to go to your flat now.” 

“Well boys, I was promised a sleepover. And a sleep over I will get. Now, what movie are we going to watch? I say Spider-man Homecoming. Lando is it true that Tom Holland is going to play you in a movie?” 

“My lips are sealed.” 

“That’s ok. He’s not called the Spoiler King for nothing!”    

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So we have met the tag list maximum of 50 people - does anyone know how I could add more??

[thankskenpenders]

IDW's Fang the Hunter miniseries! All four issues are out now! I don't have as much to say about it as I did with the Knuckles show, but I do have some thoughts.

So! This is a pretty fun miniseries. I liked it.

It's fun to see Ian get to write a four-issue arc starring the Hooligans, his precious boys, with a B-plot showing Sonic and Tails' perspective on this little adventure. As always, Ian captures the characters' voices well. In particular, I really liked Bean in this, who despite being a slapstick screwball is actually a pretty perceptive guy. He often acts as sort of a voice of reason for Fang, seeing right through his sweet talking and pointing out how badly all of their schemes go but sticking around nonetheless just for funsies. And the art (illustrated this time by Mauro Fonseca for the first issue and Thomas Rothlisberger for the rest) is as good as we've come to expect from IDW's Classic Sonic output. Overall, this is a fun little romp that captures the vibes of the Classic era very well.

...But...

Well, as I've said before with the Amy and Tails anniversary specials, I feel like we're kind of seeing diminishing returns with these Classic spinoffs. They're fun, sure, and very nice to look at, but their writing always leave me wanting more.

A big part of this is just that there's just less to work with compared to the Modern universe. The Classic cast is much smaller, and within that cast there are a bunch of characters currently going unused, some of which are currently off-limits. Aside from the appearance of the Witchcarters in Tails' special, we've pretty much just stuck with the cast of Sonic Mania and the Hooligans, as established in the first special. No Chaotix, no Battle Bird Armada, barely any Honey. (Classic Vector was able to get a tiny cameo in the Amy special only because he was so obscured that it gave the IDW team plausible deniability to say it was actually a different character if Sega complained.) It's a very small box, and Ian's recent Classic comics haven't particularly expanded the boundaries of that box. They're just excuses to play the hits for old times' sake. And that was a lot of fun the first time around, but the novelty is starting to wear off for me.

I will admit, sure, the tighter focus on a specific set of characters from the games is a big part of the appeal of these Classic comics. They're simpler. They're nostalgic. They're shining the spotlight on characters that can't be used in the main series. They're the slavishly faithful old school Sonic comics that we could never get in the '90s, because the comics we did get diverged into their own continuities with tons of new characters. I get all that.

But the thing is, the Sonic comics have always added all those new characters because you can just do so much more with them. The game cast is great! But they're corporate mascots Sega keeps on a tight leash. You can do so much with a character like Sally or Surge that you could never do with any of the game characters, and by pushing into new territory with these new characters you can also bring out interesting new sides of the game cast. Maybe Sonic himself can't have some crazy complex character arc, but you can see how he'll respond to the things going on with these other characters, and how these other characters' arcs are informed by their relationships with Sonic.

So I look at the Fang miniseries, and I'm like. This was pretty fun. But by the end, what was the point of the story? What did we learn about the Hooligans as characters that we didn't already know? Is the point just to depict an adventure where things go off the rails a little and Bean and Bark end up a little miffed, explaining why they weren't with Fang in Superstars? There's potential for an arc there about the dissolution of the group, but it really does come off more as the type of spat these three probably get into all the time before coming back together for the next job. It's neither super dramatic nor super funny, feeling more like it ends on a fairly matter-of-fact note where Fang's like "welp, time to go do the events of Sonic Superstars" at the end, not particularly plussed by anything that happened in this arc. What we're left with is four issues of the Hooligans encountering recognizable characters and visiting recognizable locations from the Classic games, with little that really feels new or fresh here.

Ironically, the most interesting story element to me here (aside from Bean's characterization) is its tie to the main comics, something previous specials couldn't do since Sega had yet to reunify the Classic and Modern timelines. The plot of this comic revolves around Fang following the myth of the "eighth Chaos Emerald," riffing on both old playground rumors and Sonic the Fighters. What they actually end up finding isn't an extra Emerald, but rather the Warp Topaz that would eventually end up in Starline's possession in the Modern era, having apparently been found by the Hard-Boiled Heavies in the cave seen in the 900th Adventure special.

That's kinda neat, and the abilities of the Warp Topaz are used in fun ways. But this isn't exactly something to write home about for people who aren't lore nerds like me. There isn't a particularly meaningful connection between Fang and Starline's arcs here due to the presence of the Warp Topaz, it's just a thing for the wiki. Again, Ian's in his connect the dots mode a little more than I'd like here.

(...So wait, if Starline didn't find the Warp Topaz himself, did he track down the cave where the Heavies found it to leave that "greatness began here" graffiti? Eh, I guess that sounds like something he'd do. He's known for nothing if not his obsessiveness.)

So, again. This was a pretty good miniseries. This all makes it sound like I hated it, but I did like it overall. I particularly liked seeing the Hooligans fight the Hard-Boiled Heavies. But it leaves me feeling less fulfilled than something like Scrapnik Island or Tangle & Whisper or Imposter Syndrome. I get that, by the very definition of the word, Classic Sonic is always going to remain trapped in amber to some extent. This isn't the version of the franchise that's supposed to grow and change. That's what Modern Sonic does. Classic Sonic will always be trapped in the early '90s. I'm not asking for them to add a dozen new characters with complex dramatic arcs to the Classic comics, since that's not what Classic Sonic is about. But I think the other Classic Sonic stories not written by Ian - i.e. the driving school story by the McElroys and the two stories about Amy by Gale Galligan - show that you can tell fresh new Classic Sonic stories that aren't just about remixing the hits from the games.

If we're going to continue getting Classic Sonic comics from Ian (and I hope we do!), then I just hope he's able to find a better balance between familiar and new ideas, like he and Evan do so consistently with their Modern Sonic output.

[golden-earcuffs]

I just want to reflect how much the Loki show ruined Loki as a character for me and how much disheartened I was with it.

I had always wanted a spinoff on him, which explored him more. And the Loki show did anything but that.

Do you guys remember how Loki was in Infinity War for like 5 minutes, yet Tom Hiddleston was at almost every media interaction the cast had? The same thing happened in the show as well. They used him to market the show, then sidelined him in his own show. I think that was unacceptable, because they used Loki as a bait to promote a character that I held no emotions for.

Sylvie.

The argument that one does not like Sylvie because they “hate a strong female character/a character with complex arcs” is so pathetic. I don’t think I would’ve liked Sylvie even if she had the most elaborate arc in the MCU (which she doesn’t) because it just wasn’t meant to be about her.

I wanted to see Loki’s story, his journey, and if you take this moment to interject with the statement that “she’s Loki too, just different”, then I say that I wanted to see our Loki, the one who was broken when he found out that he was the monster parents told their children about at night, the one who had plethora of iconic dialogues while fighting the avengers, who was killed only for us to realize that he wasn’t.

Everytime I said that we needed a Loki spinoff before it was announced was not because I wanted new characters, it was because I wanted to see more of the character that was already there, very much beloved by the fans. I wanted them to explore his character in a deeper sense and maybe dip a little into mythology as well.

I think Loki was one of those characters that neither needed a love interest nor was ready for one. I don’t ship him with either Sylvie or Mobius, because it feels like neither of them genuinely like Loki for who he is.

Loki had far more compelling things they could have explored like his jotun heritage, his trauma from the time with Thanos and his magic that is the only memory he has of Frigga instead of his love life.

The whole show felt like it was written by someone who wasn’t the least bit interested in Loki and barely looked into him before creating his female counterpart.

It feels like a disrespect for the fans who were connected to Loki on an emotional level.

Why am I saying this now, after like 2 years since the show came out?

I don’t know, after hearing the news about season 2 releasing in October, I just feel so upset. Tired. I hate this show much because it made Loki so irrelevant to me. A sidepiece in his own show. He went around in ugly costumes and all the regal vibes I had from him just disappeared.

I still remember a time when Loki was on the top of my favorite characters, and I loved him so much. I still do, but I’m not sure if I’ll watch the 2nd season and my 13 y/o self would hate me for this.

I’ve gotten detached from his character and I hate myself for it because Loki was someone whom I adored more than anything else in the fandom world.

Loki is that one character who is loved by the fanon but absolutely despised by the canon.

[theodoraflowerday]

ok so im seeing quite a bit of upset people over the changes to the ferris wheel scene, and while i understand why people are upset (because like, duh, we all want ace tori and pan michael), i think from the show's perspective it makes a LOT of sense and i liked the change:

one, because it gave good closure to tori's storyline of the season: she is allowed to have close relationships with people who aren't her brother. I think she'd been so worried about charlie that she needed him to remind her that she's her own person and she doesn't have to neglect her own life for his sake. and also I think because she was SO focused on charlie she genuinely thought the lack of "feelings" she was experiencing were entirely because of her stress over the charlie situation and now that he's finally given her the "out" (as a manner of speaking) she can actually think about her life and her feelings for michael for what they are instead of through the lens of a worried sister. so I think it was necessary for her character development.

two, because the events of solitaire did not happen in the show while in the comics michael is already an established character and we know him, in the show he's been there for approximately 5 scenes. so of course he's not going to show up as a fully realized character. remember in the comics how tori is like "surprised neither you nor nick have noticed, bro's kinda obnoxious (affectionate) about it"? yeah well he's interacted with nick once and charlie like three times on screen. and also, he and tori just MET on the show. and this season was also a little busy with darcy, isaac and imogen going on their own sexuality and gender journeys so in my opinion, dropping a michael reveal in the ferris wheel scene would've felt kinda shoehorned (especially because it wouldn't even be michael saying that to charlie, and that tracks in the comics because of their background and bc tori assumed charlie knew, but not in the show bc they barely know each other and tori would essentially be outing him)

i hope hope HOPE we get a season 4 because tori and michael need and deserve a little more breathing room (and again, that's not a failure of this season at ALL, but solitaire not existing in tv verse DOES inform the way their joint storyline was written), and I want nothing more than a full season where they get to know each other better, learn about themselves and each other, and come out to the important people in their lives in their own terms ((and also I just honestly want a sprolden spinoff because I will always be first and foremost a sprolden shooter))

[dapper-lil-arts]

what do you think of the pillars? I always thought they were so fascinating

criminally underutilized, somewhat poorly placed on occasion, but individually very very fun characters. My favorite is Somnambula because she's just cute as hell, design is great and voice is adorable (I used the element of hope for Sunset Shimmer in one of my fics lmao) I apreciated getting to see the MLP gandalf even if it wasn't strictly necessary; He does turn out to be fun as hell; Though damn he barely appears.

All the others are pretty fun! (Why is flash here?! Why there 2 flashes lol)

I apreciate how they mirror (some) of the mane 6 better than others (I see little to no combination with Pinkie and Sonnambula) And how their backstories do feel like legendary tales (I think Mistmane's is awfully nice, giving up on a thing you're known for just to help a friend, even if the whole conception of 'beauty' could be interpreted as skewed. after all she and became a gilf lol)

I think that each of the Mane 6 could have used episodes partnering up with their counterparts, or even episodes where the pillars lead (Hell, an entire spinoff show set on the ancient time of the pillars coulda been pretty sick. Younger Celestia and Luna, and a fun group with dudes that aren't one dimensional in it) AND you get a rethread of Rarijack but old people flavor. nice.

Also its so dumb that they all just lose pathetically in the finale LMAO they literally help with nothing, thanks for nothing tirek

[retiredkat]

DEN OF GEEK article

The Walking Dead Daryl Dixon Season 3 Needs to Decide on Daryl and Carol’s Relationship

Will they or won't they? Daryl Dixon season 3 really needs to make a decision about Caryl once and for all...

By Jeanette WhiteNovember 6, 2024

This Walking Dead article has spoilers for Daryl Dixon.

The desire to see a romantic relationship between Carol and Daryl isn’t anything new, but it has ramped up. Across The Walking Dead and Daryl Dixon spinoff, fans have witnessed friendship bracelets, “I love yous,” and plenty of face-caressing reunions between the two. Carol crossed an ocean to find Daryl in France, and he assured her that he never stopped trying to get home to her. Cute, right? Well, that all depends on who you’re talking to. According to David Zabel, The Walking Dead: Daryl Dixon – The Book of Carol showrunner, there’s nothing romantic about it.

When asked about the nature of Carol and Daryl’s relationship in an interview with Collider, Zabel said, “I don’t think it’s romantic,” seemingly attributing the duo’s chemistry to whatever magic exists between Melissa McBride and Norman Reedus behind the camera. This, of course, isn’t the first time Zabel’s spoken against romance. When talking to SFX magazine, he said turning Daryl and Carol into a couple would be a “mistake.”

For “Caryl” shippers, it’s disheartening news. More importantly, it makes The Book of Carol’s romance hints feel a bit like gaslighting. For the series to succeed, it needs to decide what’s going on between Carol and Daryl because, right now, it’s sending mixed messages.

Daryl Dixon’s First Season Made Season 2 Messy

AMC originally conceived Daryl Dixon as a Daryl and Carol spinoff before overseas shooting made Melissa McBride’s inclusion “logistically untenable” for her. While a new direction was necessary, season 1 goes a step further by ignoring Daryl’s past almost entirely. Unlike The Ones Who Live, which delves into Rick and Michonne’s feelings about being separated from each other and their family, Daryl Dixon’s first season establishes Daryl’s bond with Laurent and Isabelle in France. Daryl doesn’t do much lamenting about the gang back home. In fact, he barely mentions them. When Laurent asks about the people Daryl left behind, he responds, “There’s Judith. There’s RJ. There’s a lady named Carol.” We all know Daryl’s tight-lipped, but “a lady named Carol” feels like a pretty big brush-off for someone he said “I love you” to just two months prior.

Watching Daryl choose between the people he just met in France and returning to his found family in the US is painful. The Daryl we know wouldn’t hesitate to return home. Yet, the big choice season 1 desperately pushes for doesn’t matter anyway. Once Daryl and Carol reunite, The Book of Carol kills off Isabelle, making Daryl’s “choice” a whole lot easier. Maybe the series didn’t want to steer into soap opera territory, but it sends a bizarre message nonetheless: Why can’t two women occupy space in Daryl’s life at the same time? The write-off feels like an all too convenient way of pushing Carol and Daryl back into the spotlight, but then, what was the point of season 1? Watching Daryl play reluctant guardian once again didn’t do much in terms of character development. Judith and RJ still exist, after all.

The Book of Carol Sends Mixed Messages

The Book of Carol includes plenty of Caryl moments that aren’t just fantasies of hopeful shippers. The fact that Daryl never returns Isabelle’s “I love you” after telling Carol that he loved her in TWD’s finale practically begs audiences to question his feelings for Carol. Strangers compare them to an “old married couple” and hint at the spark between them. When you toss in the playful banter, the hugging, and all those looks, you get something that feels a lot like romantic foreshadowing. If Zabel is so against romance, why bother including these moments at all? Yes, straight men and women friendships lack representation in entertainment, but the solution to that isn’t depicting a relationship wobbling on the edge of romance. That’s not authentic, either. In fact, it’s harmful.

The best will they/won’t they relationships work because, at some point, the “will they” becomes “they want to, they just haven’t.” This is where Carol and Daryl drip with slow burn potential. Taking the romance route suggests feeling realizations are underway. However, following Zabel’s path of friendship, ironically, makes things a lot more complicated if the spinoff keeps dolling out interactions like this.

Right now, season 3 plans for Carol and Daryl aren’t clear. Perhaps Zabel thinks people will keep tuning in if their relationship stays the same, but there’s too much history between them for that. Romance or not, Daryl Dixon would be wise to choose a side because playing is alienating shippers and non-shippers alike.

[wenellyb]

Random thoughts on Bucktommy and Buddie

Please bare in mind that I'm only sharing my personal opinion and that I'm always open to discuss.

The discussions I've had over the past couples of weeks have been very interesting and I wanted to add my 2 cents.

Before season 7 episode:

I'm a causal viewer of 911 and I'm also on Tumblr so of course, I know Buddie, but I've never really shipped it... I can understand the appeal and I think the ship has potential but I never felt like the writers ever intended to go there. And I'm not a big fan of non-canon ships.

If they had gotten together, however, I think that I would have enjoyed it.

What has always bothered me was the behavior of some Buddie shippers who would complain about queerbaiting on the show, when there were already several Queers characters in it and one character (Hen), who's part of the main cast. I always got a weird feeling that those shippers didn't care about Queer characters if they weren't White. There is also a spinoff of the show, 911 Lone star with Queer characters who are also part of the main cast.

To me, the fact that Buck and Eddie never got together was a writing decision, not queerbaiting or anything like that... the writers had decided this wasn't the way to go for Buck and Eddie's chatacters, because if they had wanted to write a storyline between them, they could have.

I've seen a lot of people being happy about Buck being confirmed as Bi, and I get it. But to me, it was confirmed he was bi in the 911/911 Lone Star crossover when TK told Buck he had a boyfriend after Buck asked him out. I was just waiting for a storyline to confirm it. Obviously, I always thought the storyline would involve Eddie, but I was wrong.

After Season 7 Episode 4:

I follow some 911 accounts so I knew something was happening before the episode aired and I saw a preview of Buck seemingly being jealous of Eddie leaving with Tommy and I thought... this is it, this is where the writers are going to confirm Buddie. Buck will realize his jealous and realize he has feeling for Eddie or something like that.

I was very curious so I tuned in for that episode and imagine my surprise when I realized at the end, that the jealousy wasn't about who we thought and all this time the writers had been planning a storyline with Tommy.

So to me, it doesn't look like the writers are planning a Buddie storyline. Otherwise they would have prepared it gradually after the Buck and TK's discussion.

That doesn't mean it won't change in the future, writers and showrunners can change but I have never noticed them introducing a storyline that could lead to a Buddie relationship.

Everytime I see a post "proving" Buddie, it's always showing something friends or best friends do (hugging, being affectionnate), even Eddie making Buck Chris' legal guardian is something a best friend could do.

I'm not saying that they couldn't be romantic in another context, but there hasn't been any indication that the writers are planning a romantic plot for Buck and Eddie.

The writers decided to go there with Buck and Tommy. They're treating their story like a romcom, with the kiss, the hearteyes and everything. Buck is obviously into Tommy and being ready to tell the world about him.

That's the storyline the writers have decided to give us and it's a very nice one.

I know a lot of people are expecting Tommy and Buck to be temporary but to me that's wishful thinking. It wouldn't make sense to have Buck invite Tommy to his sister's wedding just for them to break up a few episodes later. If a breakup is what the writers had in mind, they would just set up another normal date.

Shipping goggles are ok, I have other ships for which I have shipping goggles on and for which I'm not very objective.

What's not ok is trying to ruin the fun of Bucktommy shippers who are trying to enjoy this beautiful storyline but can't go in the tags without seeing a post about the ship's impeding break up.

[mikeellee]

You know? I think the whole "All Might is Midoriya father figure" is almost entirely made up by the fandom rather than what the actual story tell us, and that is speaking of the main manga or what Horikoshi writes himself not spinoff and derived canon media.

Because is there a single time in which All Might and Deku show the kind of intimacy and love a father should have for his son and vice versa?

I can't think of something like that outside maybe the dark deku arc when A.M gives him the bento boxes, and even that count as the bare minumum considering most people are obssesed with the idea of A.M being a father figure.

Also they really don't interact that much (or at all) outside anything related to OFA or hero stuff. At least to me they should have some kind of casual interaction as Izuku and Yagi rather than just A.M and Deku.

Combine all this with the fact Midoriya never in the whole series express any feeling about the lack of a father figure in his life and how awkward A.M is for interact with him, it's difficult to take seriously the idea of "Dad Might".

Hi @nyc3

You hit the nail here, have you noticed how regardless of the story the fans will designated characters to be the mom or dad of the group? And it's sad people create this fanon where AM is big dad for Izu when...in canon...if we haven't got his thoughts we wouldn't even believe he likes Izu.

I do think thanks to what canon shows...Izu got the quirk by a mix of AM being too stubborn (and stupid, sorry am fans this man IS stupid) and nighteye's creepiness. There's nothing that justify why give a quirk to Izu...and I say this as someone who likes Izu and hate the bashing he gets.

Izu has no real relationship, none whatsover and we aren't meant to see that nor really care. His pain is a gag.

The whole AM and Gran relationship is a gag and it hurts the characters. "What you mean?" Think this way, am has a big quirk ans gave to this QUIRKLESS boy who has no support and his quirk HURT him majorly ...am knows someone else who can help Izu...his response? Be silent until Izu has no internship offer and then you mentioned your mentor...you mention your mentor as this cruel monster who will torture you for lols.

Gran torino is not like that (not saying he is perfect, but we didn't see anything that would justify AM be afraid of him. "Could have change" possible, but this also make AM look bad, Gran changed and is willing to help Izu...what has AM done?)

We also don't know how Gran trainer AM, keep in mind how the man was also sent to the US.

Am has little relationship, he has one with Naomasa but it's funny as he suggested Izu to be a cop and sort, unitentally, talk trash about the job. Which makes me wonder if AM sees Naomasa's job as less....maybe not intentionally.

Izu knows nothing about the man. He knows his name thanks to Gran....keep in mind he was trained with AM to gain muscles for 10 months! (I have issues with that training montage. I can now say how it represent how Izu will be treated in this story. He cleans a beach, no one gives a fuck- he see fans being all over am and no one cares about the teen cleaning the beach- and gets no reward...the whole "heroes don't do things to get reward IS bull and rich coming from a man that is mega famous and rich as AM)

At times, I get the am bashing (but loathe as they chose to make Aizawa or afo better. Like AM is just an idiot...Aizawa and Afo are malicious)

I find sad bc Izu really has no one. His mother is.....Inko. His father is dead and Mia for all we know, friends? Hahahahajahahahaaha not in canon. shig? Never even attempt to know smth about Izu...

Hori shows to you...Izu is a loser, later makes him saying that. And we aren't meant to conclude Hori hates his own mc ? (Don't worry, hori hates Shig too)

[eliotquillon]

i actually really like the snappy pacing of s4 (even if i’m not overly crazy about the whole Fellow Finding Reality Show arc) and i honestly think it benefited from the shortened episode count BUT that said. so curious about what s4 might have been like if the writers strike hadn’t necessitated cutting it short. i think the overall shape of it would’ve been the same (house’s head/wilson’s heart are just too good) but here’s a list of stuff i think we would’ve seen/i would’ve liked to have seen if s4 had had a full 24 episodes:

-i think we probably would’ve gotten a lot more chase and cameron (and specifically Chameron Relationship Moments). this is based on the fact that a) we do get more of those in s5, when the episode count goes back to normal, b) we got so much build-up with them in the second half of s3 (i am not immune to punching the air when cameron shows up at chase's apartment in the s3 finale) that it does feel a bit weird that we barely see them together, and c) cameron especially does get a few moments of trying to prove she's the Best House Whisperer this season combined with the documentary episode of her making chase watch her chant 'i am not in love with house :)' in the mirror and i think there would've been more made of that if there'd been more episodes

-AMBER. i think we would've gotten a hell of a lot more amber + that her and wilson would've been together longer. i also think we would've seen a lot more of house and amber which imo is the main downside of this season being so short - house's head seems to allude to him having a crush on her by the time of the crash? or like. at least respecting her as a person which is more than you can say for most people. and i think a longer episode count would've allowed us to see more of that and/or let that simmer and fester for longer. anyway. amber in any capacity. send tweet.

-call me crazy but i think we would've seen more cole. i know we already get a disproportionate amount of focus/info on him given that he's never heard from or mentioned again after house fires him but part of me wonders if this is because he was supposed to have come back in another guest role at the tail end of the season and then that got cut but the rest of his stuff remained. would've been cool to lock him and cameron in a room together since she essentially goaded him into violence and all. maybe i just have too much faith in the writers for this one

-call me crazy again but a part of me wonders if this might have been The Huddy season. both because i read somewhere that lisa edelstein apparently had a sign saying that shippers should support the strike if they wanted more huddy (#based, always support a picket line) but also because like. the huddy slowburn is ridiculously long. by the time they got together i wasn’t even rooting for them anymore i was just ready for the arc to be over (and to be clear: i really like huddy). this is really speculative territory because obviously it wouldve had a massive knock on effect on later seasons (most of s5 and s6 gets knocked over by this) but like at the very least i think they probably would’ve kissed by the end of a full-length s4.

-i think it would’ve taken a bit longer for foreman to rejoin the team/he would’ve been a bit more of a stinker about it. emphasis on ‘bit’; i actually like how quick it is he regresses back to the fellowship/how fast he immediately resorts to malpractice at mercy (now there’s a spinoff title) but i think he probably would’ve stuck it out for another episode longer. maybe one and a half.

-absolutely we would’ve had a comedic subplot in some random episode about people trying to guess thirteen’s real name/their reaction to it. iirc the first time we heard her Actual name said Out Loud is with cuddy yelling at her over air bubble guy in house’s head. if there’d been time i just know there would’ve been a moment about this. that said i do find the canon reveal really fucking funny because for a moment when i first watched that episode i was like ‘who the FUCK is dr hadley’ which was probably the intended experience lmfaooo

-i think we might have gotten a few more sown seeds about house’s worsening addiction / mental health problems that obviously end up coming to a head in the final episodes of s5. nothing super big, but just a hint or two that something is Brewing.

-old fraud (henry) probably would’ve come back for an episode as house’s PA. or he gets hired as cuddy’s assistant (we know she runs through them like water) and house feels betrayed and there’s a silly prank war about it or whatever. hey for someone who doesn’t like the finding fellows arc i keep mentioning the discarded fellows a lot

-i know chase’s sister is a crazy s8 retcon (compels me tho) but can you guys please hold my hand where i imagine a world where there’s a subplot with him and cameron having a blowout argument where he reveals her existence to her and cameron tries to force him to reconcile with her. Ok you can stop holding it now i recognise that this is pure copium and never would’ve happened since we don’t find out about this sister until 4 fucking seasons later but it was a nice idea right

-this would’ve been a great season for a requisite Musical Episode. we get a lot of fun one-offs in s5 and 6 (lucas’s failed spinoff launch, 5 to 9, wilson) and this is the season with the documentary episode (that doubles as both the Meta Episode and the Noir Episode) so like. the writers were already armed and ready with their long-running cable show special episode notebooks. there probably would’ve been a ‘you can’t always get what you want’ fakeout. i’m not a fan of musical episodes and so would’ve hated every moment of it but i am a person of the people.

[emeryhiro]

Hi! Thanks so much for your epsiode breakdowns of the book of carol! I had a couple of questions for you about episode 1. No worries if you can't answer though!

1 - after watching, do you feel more or less confident about caryl going canon? Or about the same?

2- if you had to use three words to describe the ep, what would they be?

3- if you had to use three emojis to describe your fave scene, what would they be?

4- was there anything you didn't like about the ep?

5- do you think ep 6 is going to be the best episode of walking dead anything ever?

Thanks so much!!

Hey Anon!

You're so welcome 🩵 and thank you for the interesting questions 😊 I apologise in advance because my response for Q1 is going to be a little long and slightly ranty.

1 - When I compare how I felt about it in the last 10+ years to how I feel about it now after watching episode 1, I would say I definitely feel more confident that we're heading for Caryl canon. AMC indeed had plenty of opportunities to give us canon before (but obviously never did); however, the setup now is the best it's ever been. From a storytelling perspective, I believe the way Episode 1 set up Carol on her journey to find Daryl is the perfect lead-up for canon. And S02EP1 made 3 things very evident to me:

Finding Daryl is Carol's number one priority, and she'd do anything to get him back

Daryl would never be truly happy without her, and he can't stop thinking about her and how she's doing without him.

The longer they're apart, the more mentally and emotionally unstable they become.

I'm aware there are some people who think that after watching episode 1, the new season's story is not going to be the one we want for Caryl. To those people, I want to ask: Did we watch the same episode?🤣 'Cause I didn't see a single anti-Caryl thing in the episode I watched.

I'll dive into my opinion on the timing of canon a little more as well:

If Caryl had gone canon on the main show, I'm sure we would have all been so happy, but it's all going to be so much more rewarding after the tension that has now been built with Daryl after season one and Carol in season 2 (so far). With all the time they've spent apart, they have started to experience the real fear of never seeing each other again or knowing if the other is even alive.

I think this was the plan all along. The initial spin-off idea was for Carol and Daryl to leave the group and join everyone again later in the show. That opportunity to leave the group and what they experienced in that time away would have been their plan to get to that level of tension where canon was the most satisfying.

When it was decided that the TWD would end with s11, they knew they had to hold off on canon until the spinoff because there was no way they had enough screen time left to get through the character development they needed for Caryl or the opportunity to build tension the way they envisioned it.

I'm happy they waited because getting a rushed canon would've been led up to by moments that we've already seen and experienced by the characters many times before (and never previously led to canon) would not have done Caryl justice.

Unfortunately, the pattern that we consistently saw in the flagship show was that as soon the group settled somewhere (Prison, Alexandira, Commonwealth) and got into some sense of normalcy, Daryl and Carol were automatically pulled apart by circumstances and responsibilities, and barely end up getting any time together. Carol even spoke to Maggie about this in S11EP21. That's who Daryl and Carol are; they never put themselves or their wants/needs first. So, for canon to happen and to make sense, they needed to be taken away from everyone else, given their own journey and time together, without the distraction of their obligations to others.

Carol and Daryl are my favourite characters in all of fiction. I ultimately want them to be cared for and get the happiness they deserve. Some might strongly disagree with me on this, but I think if, after this point, they still don't give us canon, then it'd be because Norman and Melissa didn't want it. I'll stand by my previous comments on this; Norman and Melissa are being heard by the writers, and to me, their character arcs have their input written all over them. If they want Caryl to be canon (which I strongly believe they do), then it will be, and if they don't, then it won't be, because I don't think there's anything else holding that back anymore.

2 - EMOTIONAL, unhinged, and nostalgic

3 - 💥🛩️🌅 - I'm curious to know how you interpret these and if the people I attended the premiere with would agree ( @celtic-crossbow @maggie-atwood )

4 - I strongly disliked how the people at the nest (i.e. Isabelle & Losang) treated Daryl. We saw them constantly emotionally manipulate him in season 1, and I was still seeing that in S02EP1; however, what made it a little better this time was that Daryl was clearly sick of it all. He looked ready to wrap things up, resolve the Nest's conflicts as soon as possible, and start heading home.

5 - Idk... someone should ask Norman. I wish he'd share his thoughts on episode 6 🤣 (Yes, I do! To me, the whole season is gonna be the best season of twd anything ever because it's all about Carol and Daryl)

Thanks again for the interesting questions; they were a lot of fun for me to answer, and I hope I've answered them well. Please feel free to lmk if you have any others ♡♡♡

[bookdragonideas]

The thing that bugs me about Dragons: The Nine Realms, (ya know, besides literally everything else) is that it completely kills the last message/theme of the original movies and even the original books.

Whether you love Hidden World or hate it you have to admit that the last scene is very close to the last scene in the books as far as tone goes.

The books end with telling us that the Dragons were real and now they're gone. But that someday the Dragons will return and the world will need a Hero and the Hero could be you.

Hidden World ends by telling us that the Dragons are hidden and gone. But the secret is kept and someday the Dragons will return when humanity is ready for them.

Both end with a bittersweet hopefullness. An admittance that the Dragons aren't real anymore, they're hidden and gone and never to be found. But. But someday they'll return. Someday Dragons will be real again. Someday the world will be full of adventures and heros once again. And maybe, just maybe, it could start with you.

And both end with a subtle nudge to do better. Humanity should get better so that someday Dragons can live in peace with us again. You should get better so that someday you can be the hero the world needs.

And nine realms takes the bittersweet hopefullness and that subtle nudge to do better and spits on both and the audiences face as well.

Nine realms says that the Dragons came back, and whoops! You aren't the hero! These random brats are! Nine Realms says the Dragons came back and, Whoops! The world's still not ready for them!

Both books and movies ended in the perfect way. They ended with a promise to the audience. A promise for the audience. The ending made it feel real. Like this could have happened in our world. Like this could happen to us. Like maybe the next time you're in the woods you might find a dragon!

The ending added a sense of realism that made the fantasy more believable. It took a fictional story and made it feel more like a piece of forgotten history. It aided the suspension of disbelief.

Nine Realms rips that apart and reminds you in the worse and harshest terms that this is all fake. It gives a lousy, poorly designed story, with weak characters and cheap animation, and offers nothing narratively.

And the worse thing is... They have no excuse. Other spinoffs could have worked! Other sequels could have worked!

There's a kiddie spinoff show called Rescue Riders and it doesn't insult the source like this. (In fact they had the kids able to speak the Dragons language, so if anything it honors the original books that way)

The Christmas special managed to dodge hurting the narrative by having the dragons barely interact with the people and only coming back for one Viking equivalent Christmas.

A great idea for a Dragons show would be a book adaptation that focuses on Hiccup 1 and Hiccup 2! I would love to see that!

They could do a reboot of the whole thing and stick closer to the books this time.

They could do a show placed inbetween the second and third movie, covering Hiccups first year as chief!

There are so many things they could have done with this franchise. But nope! They chose the WORSE possible option.

And that's why I hate big media.

Anyways, read the original books. They're so good.