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hellomynameisbisexual · 3 years ago

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Since the very conception of the motion picture, the LGBT community have been represented on-screen in some form. An early example is Algie the Miner (1912), a short silent film which follows the effeminate Algie (Billy Quirk), who enjoys kissing cowboys. In order to marry someone’s daughter, he heads west to prove that he’s a man. While this is quite an outdated stereotype of being gay, the portrayals have varied greatly over time. Only recently is LGBT representation becoming more positive and common. However, when it comes to portraying bisexuality on-screen, it still seems to be a difficult task.

Many narrative tropes have been birthed through filmmakers trying to show sexuality on-screen and most of them contribute directly to the overall erasure of bisexuality in cinema – usually with ambiguous portrayals, negative stereotyping and characters needing to pick a side. Not all instances are problematic, but their prevalence isn’t helping to combat the stigma that bisexual people face. There are three main tropes when it comes to depicting bisexuality, which is infidelity, picking a side, and the horrible husband. They’re usually found together in a common narrative that erases bisexuality, whether intentional or not.

Infidelity

There’s a long-standing stereotype that bisexual people are more likely to cheat on their partners and are incapable of commitment. This is a trope that is heavily carried in some of the most well-known depictions of bisexuality. Typically, a female protagonist is engaged or married to a man, but she meets a lesbian woman and they become involved sexually and romantically, leaving the protagonist torn between two lovers. This happens in Imagine Me & You (2005) when Rachel (Piper Perabo) falls in love with lesbian flower shop owner Luce (Lena Headey), who provided the flowers for her wedding to Hector (Matthew Goode). It’s a fairly average film that could’ve been amazing had it acknowledged Rachel’s bisexuality, but it’s still one of the better ones considering Perabo and Headey have amazing chemistry.

For some reason, bisexual characters are often in serious relationships when they’re suddenly sexually awakened. This happened to Rachel right after her wedding because she happened to meet the right woman. While this type of experience does happen in real life, it’s always the go-to narrative for films about women realizing they’re not one-hundred-percent straight. In these instances, the same-sex love affair acts as the conflict within the narrative – this can create good drama when done right, but it gets boring and bisexual characters deserve better than constantly being portrayed as cheaters. People are not more promiscuous or likely to cheat on their partners because of their sexuality, but these tropes are constantly telling people otherwise.

We deserve to see bisexual characters whose sexuality isn’t the main narrative focus or who at least explore their sexuality outside of a relationship. Appropriate Behaviour (2014) is a good example of this as Shirin (Desiree Akhavan, who is also the film’s writer and director) is a bisexual Persian American woman who is keeping her sexuality a secret from her judgemental family, while also attempting to rebuild her life after breaking up with her girlfriend. Seeing bisexuality portrayed on-screen is another place where people pick up more stigma or acceptance, and with bisexuality it, unfortunately, seems to be the former. This is why bisexual filmmakers like Akhavan are better suited to portraying the experiences of bisexual men and women than others.

Picking A Side

When the protagonist is in conflict with her sexuality, the people around her usually wonder if she’s a lesbian now – despite them being engaged or married to a man. This can be seen in Below Her Mouth (2010) where Jasmine (Natalie Krill) begins having an affair with Dallas (Erika Linder). When her husband finds out, he tells her “You’re a lesbian” but she tells him that she loves him and nothing has changed between them. It seems impossible to grasp that a person could be attracted to both men and women. Bisexuality is erased.

Some films insinuate that the protagonist isn’t necessarily bisexual or even a lesbian, it’s just that they’re attracted to this one woman only and no others – they’re an exception! This is the kind of impression you get from Below Her Mouth, but also from other films such as Imagine Me & You and Elena Undone (2010), which isn’t particularly helpful for lesbian representation either. In Imagine Me & You, Rachel tells Hector “You are my best friend. That was enough before, and it will be enough again.” This implies that Rachel was never truly attracted to him in a romantic sense, thus implying that she’s a lesbian. While this could be a case of compulsory heteronormativity, it seems problematic as it’s never discussed or explained. Avoiding discussions about sexuality – as most of these films do – are what contribute to this trope massively and result in misinterpretation and erasure.

Films as new as Netflix’s Alex Strangelove (2018) also feed into the idea that bisexuality is a stepping stone to picking a side. Alex (Daniel Doheny) prepares to lose his virginity to his girlfriend but finds his plans derailed when he’s attracted to another boy. He spends most of the film questioning his sexuality and at one point thinks he’s bisexual. The film does highlight biphobia which brings attention to this problem, so it’s disheartening at the end when Alex realizes he is gay and not bisexual after all. The set up for Alex Strangelove was perfect for a bisexual love story and, while it’s still positive LGBT representation, it’s a shame it didn’t stick with that. It’s even rarer to see bisexual men portrayed on-screen, so it would’ve been really rewarding.

It’s important to acknowledge that bisexuality is a comfortable place for some people to be while they’re trying to accept that they are gay – and there’s nothing wrong with that. However, there still seems to be some widespread discomfort when it comes to sexuality being fluid. For bisexual people, there isn’t any side to pick – they’re not torn between polar opposites, nor are they confused. They aren’t on the fence, they’re on both sides of the fence. Nevertheless, films continue to portray bisexuality as a personal conflict that needs resolving, and it does this by putting bisexual characters in a situation where they’re having affairs. This makes their sexuality the narrative conflict, which is wholly problematic in itself.

The Horrible Husband

The protagonist’s fiancé or husband is usually abusive or passive in the relationship, and thus portrayed as the antagonist. She is then drawn to a lesbian woman who treats her so much better and gives her the attention she deserves. Sometimes it’s as though these films are saying that lesbianism is the cure for a dissatisfying heterosexual relationship. This contributes to bisexual erasure by suggesting that bisexual women can only be happy with women and never with a man because they’re horrible or not good enough. It also perpetuates the idea of picking a side – almost telling bisexuals that they should just be lesbians instead.

This trope is found in films like Elena Undone, where Elena (Necar Zadegan) meets Peyton (Traci Dinwiddie) who is a famous lesbian writer. Elena’s husband Barry (Gary Weeks), however, is a homophobic pastor. Elena Undone is actually loosely based on director Nicole Conn’s real-life romance with Marina Rice Bader, but the film itself isn’t great. It’s also shown in The World Unseen (2007) as Miriam (Lisa Ray) quietly follows the customs of 1950s South Africa, alongside dealing with her abusive husband Omar (Parvin Dabas). Miriam becomes empowered to change her circumstances when she meets and falls in love with free-spirited cafe owner Amina (Sheetal Sheth).

A much better film that deals with this trope is Bound (1996). Lesbian ex-con Corky (Gina Gershon) arrives at an apartment building to start work as a painter and plumber. She soon finds herself being seduced by Violet (Jennifer Tilly) who lives next door with her boyfriend Caesar (Joe Pantoliano). Violet explains that they’ve been together for five years and he’s a money launderer for the mafia. She wants to escape and make a new life for herself, so she and Corky plan to steal $2 million of Mafia money and blame it on Caesar. The horrible husband trope actually works well in this film because the women plan to screw Caesar over and it doesn’t use Violet’s infidelity as the main narrative conflict – it’s a lot more original, which isn’t surprising as the first directorial feature film from the Wachowski Sisters. Bound would’ve been much less effective if Caesar was just a regular guy who Violet hated, but she has a better motive with the drama surrounding his violent mafia connections.

These three tropes are collectively the entire plot of Imagine Me & You, Elena Undone, The World Unseen, I Can’t Think Straight (2008), Kiss Me (2011) and more. It’s a shame that there isn’t always a huge focus on the actual relationship between the two women in these films. It’s more about them hiding their relationship and because they officially get together at the end, we never get to see much of what their life is like as a couple. They all feature very similar themes, meaning that when it comes to telling the stories of bisexual characters, the narrative is rarely diverse. Romantic comedies in general always follow the same beats which is fine, but these tropes for bisexual characters either erase their sexuality and/or display it as a problem.

These tropes can still work well (like with Bound) depending on certain aspects of the narrative. Infidelity works well in Carol (2015) due to the 1950s setting. Carol (Cate Blanchett), who is in the process of divorcing her horrible husband, and Therese (Rooney Mara) have to hide their relationship due to homosexuality not being accepted during this time. This adds an extra layer to the narrative, giving actual depth to why things are happening the way that they are. There’s also Disobedience (2017) where it works well due to the Orthodox Jewish culture. Ronit (Rachel Weisz), who is considered bisexual, returns to the community for her father’s funeral to find her childhood friend Esti (Rachel McAdams) married to a man. Esti describes herself as a lesbian woman in a relationship with a man, which is disheartening but works in the film’s world. Disobedience also plays through the infidelity trope very differently to other films, allowing it to be more effective.

The Erasure

In films with bisexual characters, it’s rare that the word “bisexual” actually comes up. It’s mostly ambiguous, implied or erased completely by the protagonist seemingly picking a side. It’s constantly reinforced by narrative tropes that are set up for dramatic entertainment, with no real intention of representing sexuality with genuine care. Erasure also happens due to words like “gay” being used as an umbrella term when referring back to certain films. Brokeback Mountain (2005) and Call Me By Your Name (2017), for example, are often referred to as gay films on social media due to the gay relationships portrayed, However, the characters are portrayed to be sexually fluid/bisexual due to the nature of their relationships with women. It also happens with films like Blue Is the Warmest Colour (2014) which is always painted as a lesbian love story when Adèle (Adèle Exarchopoulos) is clearly bisexual. It’s not necessarily bad to use gay and lesbian as umbrella terms, but it, unfortunately, does contribute to bisexual erasure. We should be bringing more attention to bisexuality on-screen and pointing it out specifically when we see it.

One of the biggest erasures is the portrayal of bisexual men. They appear much less frequently than bisexual women. The most recent example that comes to mind is Jake Gyllenhaal’s character in Velvet Buzzsaw (2019), but the word bisexual was never used and he was portrayed as being promiscuous, which fits into the negative stereotype (although the film is satire so perhaps it can be excused). Some better, or at least more interesting, depictions of bisexual men are still out there and can be found in films such as Velvet Goldmine (1998), Kaboom (2010), The Comedian (2012), The Lobster (2015) and Moonlight (2016).

If anything, bisexual characters are usually left out of the bury your gays/dead lesbian syndrome trope. It’s very common both in film and television for gay men and lesbian women to be killed off in some dramatic way, such as in Brokeback Mountain, The Fox (1967), Les Biches (1968), Lost and Delirious (2001) and A Single Man (2009). Bisexual women have been killed off quite a bit in television – like Marissa Cooper (Mischa Barton) in The O.C. – but they’re relatively safe in film and hopefully, it’ll stay that way.

Acknowledging Bisexuality

It is disheartening that bisexual representation on-screen isn’t as good or as frequent as gay and lesbian representation. We’re also at a time where it could be massively improved, but now we face the barrier of “queer” as another umbrella term. It’s wholly unhelpful when not everyone identifies with it and when we want bisexual characters to say the word bisexual on-screen. We want to be acknowledged. Bisexual actress Stephanie Beatriz made sure her bisexual character in Brooklyn Nine-Nine got to say it earlier this year, because that word means something to certain people and the impact is great. Hopefully this will start to happen more in film going forward.

There are definitely films out there where the word bisexual is actually said, like in Appropriate Behaviour, Kiss Me, Velvet Goldmine and Margarita with a Straw (2014). It’s rare that we hear it so when we do it’s pretty exciting. In addition to these, other films that feature positive and/or complex portrayals of bisexual characters in general (and not the previously discussed tropes) are: Cabaret (1972), Chasing Amy (1997), Black Swan (2010), Atomic Blonde (2017) and Tully (2018).

There have been many positive and negative depictions of bisexuality, but the majority of them aren’t great or feed into the biphobia and the erasure of the identity. Filmmakers need to do better when it comes to portraying bisexual characters and their stories. It’s always helpful when bisexual people themselves get a voice, whether as writers, directors or actors. For some reason, although there are exceptions, most straight male and lesbian filmmakers have trouble portraying bisexuality both positively and accurately. They essentially give the message that bisexuality doesn’t exist or is an inner conflict that needs to be resolved. We must do better because one day someone will be watching a film where a character says “bisexual” and their life will suddenly fall into place.

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tessadiscordia · 3 months ago

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A must-read for anyone who played Girls' Monachopsis. I fear this visual novel will be mostly overlooked due to its short runtime but it will burrow its way into your mind and your heart and nest there if you allow it

In watching the discourse around Girls' Monachopsis unfold I made the observation that there seem to be two categories of reviews for the game:

Camp A: mostly trans women who almost immediately became evangelical about the game and rushed to social media to tell everyone about it

Camp B: a small amount of critics who complained about the writing style, story pacing, and the "romanticization of abuse" in the game

I find it interesting that both camps came to wildly different conclusions about the same elements of the game. Camp A views the writing style as a convention that adds to the story's immersion, while Camp B writes it off as laziness. Camp B thinks the ending left too much unresolved, Camp A appreciates the uncertainty for its familiarity.

It is just another case of a piece of art steeped in layers of cultural context breaching containment. We've seen this happen before with other cultures and niche communities in the past, this isn't really new. I do think there is one thing worth lingering on, though.

I read a post that basically called Monachopsis a game for "white trans femcels" and I honestly cackled a little bit considering that a black trans woman was heavily involved in the making of the game. It feels like "white trans femcels" or some other variant is just something people say when they mean "mentally ill trans women." This is already getting pretty long so I won't waste time explaining the problem here. There's the implication there that "media made for mentally ill trans women has less (if any) value," which is a self-indicting belief when you put it next to the overwhelmingly positive reception the visual novel has received from that very demographic who clearly is not used to seeing themselves represented in media in such a raw and unsanitized way. I think it is wholly unfair to say that any demographic does not deserve to feel seen in media or have media made specifically for them. We all deserve to feel seen, we all deserve to feel understood, and I think it's fairly obvious how the game's themes are relevant here.

The alternative option is alienation, and alienation is always a recipe for disaster. Generally speaking, no one isolated has ever come to any optimistic or generally positive conclusions about the answers to life's many questions. Social alienation tends to bring out the worst in people, and often when it does many of us like to pretend that such a thing could never happen to us. Many of us might like to believe that we are immune to the socially and morally stunting effects of prolonged social isolation, and more importantly that we ourselves are incapable of doing harm.

I think this piece is especially important because it highlights an uncomfortable truth for the average person. Olivia never fully reckoning with the gravity of her actions, combined with Thistle forgiving her way too easily, is a disturbingly accurate portrayal of abuse that may slip under the radar because most people hold a very specific mental image of what abuse looks like. Some people can use this mental image to justify the "subtle" ways that they may engage in abusive behavior, but most people just use it as a way to distance themselves from any perceived capacity to do harm and thus absolve themselves of any need for self-reflection. I think the mantra "anyone is capable of doing harm, even me," is a hard thing to internalize for many people. I think it's even harder to add "even someone they care about. ESPECIALLY someone they care about." We don't want to think about it, but keeping the truth out of sight and out of mind doesn't prevent harm from being done.

Lastly, ostracizing and demonizing groups of people for traits that are out of their control is bound to create more problems in the long run. If we fail to think critically, those problems can look like a vindication of the decision to isolate those people. I can use the stigmatization of neurodivergent people (and I don't just mean autism, I'm talking about BPD and other personality disorders) as an example of this. Queer people who are "too weird," people who find enjoyment in taboo kinks whether as a way of coping with trauma or whatever other reason. It shouldn't have to be justified either way. If two adults lay down clear boundaries and communicate effectively, the activities they consent to is no one else's business besides any other parties they decide to include. Two consenting adult lesbians calling one another "sister" should not make people as rabid as it does. However, when we ostracize queer and neurodivergent people who do not fit our sanitized view of what those things mean, we run the risk of banishing them into spaces that are actually abusive. Sometimes the institutions that we create for ourselves in response to a society that has largely abandoned us can be just as poisonous as the very society we're trying to shelter ourselves from. Your queer community, if left without the tools to facilitate healthy dynamics, can be exploitative. It can be self-sabotaging. It can be just as toxic as the outside world. Sometimes our own institutions fail us too. I feel like this idea is expressed brilliantly in Malcatras' Maiden in addition to Monachopsis. Oftentimes they fail us while trying to do their very best to give us what we need. On an interpersonal level, our partners can do the same. We can also fail our partners while trying to do our very best. Anyone who thinks otherwise is more dangerous than anyone who works to keep that in mind. It is that very line of thinking, "I am incapable of doing harm, I don't have to worry about hurting anyone because I am not a bad person," that increases the possibility of someone getting hurt.

Wrote down some thoughts about Girls' Monachopsis development. Sincere thank you to weird freaks for enjoying this game. https://lunaticker.itch.io/girls-monachopsis/devlog/809599/girls-monachopsis-developer-ramblings

#girls' monachopsis #lunaticker #beastgoddk #cw sa mention #sa mention #rambles of eris

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amor-immortalem · 3 years ago

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Everything Undesired

Genre: angst, hurt/comfort

Warnings: dead dove: do not eat, heavily implied rape, gross misuse of a pact, dissociation victim blaming

Summary: not all pact masters use their pacts judiciously or in a positive way. What happens when a pact is misused in one of the worst ways possible?

A/N: so a while back I did a comic by the name of ‘Meet Me Under the Azaleas’ I’m no longer happy with the writing I put into it originally so I wanted to rewrite it using the same plot line and adding some extra scenes that weren’t in the original comic which I’ll be taking down tonight. It should work better as a fic anyway.

Chapter 1

“You are ours. We own you.”

Those words rang in his head over and over as he stumbled his way into his room, overstimulated, exhausted- a mess. He knew it was a mistake to answer the call of those witches tonight. The thoughts of what they did, how their hands ran over his body, what they had taken away. It made his stomach churn and tie itself in knots with guilt and shame. It burned just the same as the rope marks on his wrists and ankles- wounds that would heal within the hour.

“You won’t breathe a word of this to anyone- this we command of you, Avatar of Greed.”

Those women -no, they were monsters- abused the innate trust that comes with a demon who enters a pact with a human, multiple in this case. They had violated the boundaries he’d put in place the day he started dating his human. Oh God, what would she think if word ever got out? He had no way of speaking out- to scream the truth until his voice was raw.

He needed to shower, to get the stench of sex and sweat off of him. He had to get their scent off of him. As he entered the bathroom, Mammon tore off his clothes as he started the water. The lights remained off as he couldn’t bare to look at himself after what happened. Not after how he just let them use him like that.

He stepped under the boiling water and just let it run against him. The falling water did nothing to drown out the deafening voices running rampant in his mind.

“Disgusting!” They roared, “Useless! Pathetic! Weak! Whore! ….. Scum!”

He falls to the floor of his shower, hands gripping at his hair as he let out a whimper that eventually turned into quiet sobs. The steamy air making it harder to breathe. Why didn’t he fight against them harder- against their orders. No, he just laid there and took it.

He grabbed the soap and a wash rag and scrubbed his body until every bit of him was raw and even then he wouldn’t stop. It was only when he saw the blood swirling around the drain that Mammon realized what he was doing to himself- how bad the water burned the exposed skin. It felt like hellfire raining down upon him.

He felt horrible as he reached up and switched the water off. He could still hear it in his head as he reached for a towel- all the crying, screaming, begging for them to stop.

He was a pathetic, sorry excuse of a demon, he thinks as he wraps the towel around his waist and travels down the his stairs quietly. It’s early morning now. There was only a few hours left before he would have wake up for school. He contemplated just skipping the entire day. There would be know way he’d be able to function. He could always say he feels sick- its not that far from the truth. He would decide in a few hours, he thought as he crawled into bed. It didn’t take long for her to move closer to him. His naturally warmer body temperature was what drew her to him. His body involuntarily tensing as she nuzzled into his chest, arms slipping around his body. He would only tuck her head under his chin and drape and arm over her side as he let the scent of her shampoo relax him enough to fall into a light sleep.

After a short while, someone's alarm blared among the sheets- whether it his or Arella's, he couldn't be sure. Mammon patted around for the offending phone, just wanting to get five more minutes of shut eye. He eventually succeeded but not without waking his partner.

"Morning, Love," Arella sighed, her voice still laced with the grogginess of sleep.

"Mornin', Treasure," The demon yawns as he curls back up, pulling her closer to his chest. "Sleep well?"

"I did. What time you get back last night?" Arella's voice is soft as her hand slides under his shirt, rubbing gently along his side.

"5 this mornin'." He says as he tries to hide the way his body recoils from her touch, a pang of guilt strikes his heart as she notices. "Sorry... 'm not really feelin' all that great right now..."

"No, that's alright." She removes her hand from his side, choosing instead to rest it against his cheek as she readjusts herself so she's eye-level with him on the pillow. "How selfish of those witches to keep you out so late on a school night..." Its at this point she notices the puffiness and how red his eyes are. "You look like you've been crying... Is everything alright?"

He just shakes his head. Mammon wants so badly to tell her what happened to him the night before- the real reason he got home so late, but unsurprisingly, no words come out. He just closes his eyes, letting himself relax under her gentle touch. "I'm jus' really tired s'all."

"I believe it. You only got a hour and a half's worth of sleep. Would you like to just stay home all day, just the two of us?" Arella moves him so he's resting with his head on her chest.

"That's sounds.... nice," he hums quietly, so close to falling back into the clutches of sleep.

"Alright then. Go on and go back to sleep," She kisses the top of his head, carding her fingers through the soft, fluffy locks the other hand rubbing small circles in the center of his back. "I've got you."

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This carried on for months. The witches would summon him and as long as he complied with their wishes, they would hold his secret. By the third time, he would check out- let his mind escape to anywhere but the present until it was over. It became a vicious cycle. They would call, he would go to them, and then he would crawl into his bed for maybe an hour or two before forcing himself to get up for classes that he often fell asleep in. After the tenth, once they had finished with him, he asked why they were doing this and they told him.

“We desire something to bind you to us for the rest of our lives.”

“A child.”

The demon’s eyes widened at that. Never in his life had he been so opposed to the idea of having children. In fact, just before all of this happened he had been daydreaming about what his children with Arella would look like if they were ever so fortunate to have any but a child with one of the witches? It made him sick. A half-demon born from a demon of his status had a high probability of killing its mother- one who he would then have to raise. How could he explain that to his brothers- to Arella? The very thought filled him with dread. How could he ever bring himself to care for a child conceived from a crime? A child that would always be nothing but a constant reminder of the worst nights of his life. They didn’t deserve a life like that.

And so Mammon did the only thing he could think to do: he fled. He ran back to the Devildom, back to House of Lamentation as fast a his legs would carry him. He crashed through the doors of the house. Never had he been so greatful to be the first one home. As he climbed the steps up to his room he vowed to himself never again. He wouldn’t give them what they wanted, consequences be damned.

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It had been six months since his last encounter with the witches. There was nothing on their end- absolute radio silence. Part of Mammon wondered if they'd gotten what they wanted from him after all. Everyday was filled with the anxiety of not knowing. His nightmares had gotten worse. Most of them were based around those nights he'd spent with them, others involved everyone finding out a one-sided version of what had happened, all spun in the favor of the witches. He dreamed of Arella leaving him, heart-broken from the implication that he would stray from her and running into the arms of one of his brothers. The worst ones- the ones he would wake up from covered in a cold sweat in the dead of night- consisted of him standing in the witches' home, the sounds of screaming, the smell of blood, the piercing first cries somewhere between the call of a demon and the screams of a human baby infecting his senses. It all felt too real. It felt like a crushing weight on his chest.

Over this time, Mammon had grown distant from both his brothers and Arella, hardly spending anytime with them. He fell apart. The grades he worked so hard to pull up had taken a nose dive, he was hardly eating- choosing only to consume just barely enough to sustain himself. He no longer slept for fear of the nightmares and he instead threw himself into side jobs that would keep him out of the house well passed curfew as well as earn him plentiful amounts of grimm. He couldn't go on like this much longer.

Everyone was worried for him. None of them had ever seen the Avatar of Greed in this manner and the gradual change in his demeanor alarmed them. Despite everyone’s best attempts, Mammon hardly smiled anymore. He just simply didn't seem to enjoy all of the things he once did. They all knew something was wrong but when asked the white haired demon would shrug it off, say he was fine when he very obviously was not. Everything came to a head the night Mammon collapsed, finally falling victim to exhaustion and hunger.

It was after this that Lucifer called the family to a meeting while Arella sat with Mammon in his room as he slept fitfully.

"What do we do, Lucifer?" Asmo seemed distraught with fear. "Our brother is suffering from something and we don't even know where to start in trying to help him."

"We have to get him to talk somehow," Satan quipped, "Perhaps Arella can-"

"If this were any other situation, I would suggest it but right now, I don't think that's a very wise move. If she forces him to talk it could very well damage the bond they share." For the first time in thousands of years, Lucifer didn't know what to do. Whatever was causing this shift in personality was eating away at Mammon. "We'll try to think of a way to fix this- to find out what happened to our dear brother. So let's start at the beginning of all of this. What do we know about what he was doing before this happened?"

"Well, Levi started, "He was getting called up by those witch sisters with more and more frequently. I heard him come home super late- like early morning hours late..."

"And after that is when he practically stopped eating." Beel chimed in.

"And he was having nightmares almost nightly, afterwards." Belphie nodded. "I did my best with my powers to look into them but there were so many mental blocks that he subconsciously put up, I couldn't see or hear anything very well and what I could see didn't make a whole lot of sense. They weren't very clear, but they had something to do with the witches... and I felt an overwhelming sense of guilt associated with them."

"Then obviously something happened while he was with them," Satan said, brow furrowed. "But what that may be, we won't know until he talks."

"Asmo, I see the look on your face." Lucifer called out to the Avatar of Lust. "Is there something, you'd like share with the group?"

Everyone's eyes were locked onto Asmodeus as the demon sat with a contemplative look on his face. He was very slowly starting to piece together what had been going on.

"Not yet, but I may have a hunch." He finally said. "Mammon has a pact with these women, correct?"

Masterlist 2

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turnaroundroundround · 3 years ago

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Opera References in Musical Yuukoku no Moriarty Op. 2

Some thoughts of mine after re-watching Morimyu Op. 2, regarding Irene's arc A Scandal in British Empire, about all the opera references and some random thoughts that come to mind during this arc. Obviously there's a lot more to Morimyu Op. 2, for instance The Two M's and Mycroft's solo (which I often refer to as "the Mycroft Anthem" lol), the entire Baskerville arc, and the train arc, and so on. And there's a whole lot of other things I'd like to discuss about them as well, but maybe just save it for another time. I don't know if anyone has discussed these references before, and I am not entirely a pro in music either. All I have is some basic knowledge on opera and harmony, so these are just some personal impression that came to mind when I watched this arc, so please keep it in mind.

A SCANDAL IN BRITISH EMPIRE

Okay, so the biggest motivation for this post is, obviously, the music throughout the entire Scandal arc. It is heavily influenced by opera, partly because Irene herself is an opera singer, partly also because the masquerade ball itself is also a perfect stage for an opera to be shown. And the opera was not simply brought in to make the music sound good, but also utilising the plot of the opera itself to create more depth and color to the musical. About Opera during the 19th Century Some side notes. Opera has originated and developed from various different kinds of stage ever since the Greek and Romans. I'm not going into details but anyway, by the 19th Century, it's still somewhat of a luxury that is mostly meant for nobles and people with high status. There are millions of stories about nobles coming to the theatre only to enjoy the music and not the play itself, or not really watching anything but waiting to see their favourite opera singer. Like when the other things in the play are going on, they stay in there box or hang out with other nobles, playing cards and all, and when their favourite singer makes her debut, they come to the front of the box and watch her. Then they return to their games when she exits. All the luxuries. Opera is really something that is meant for nobles and those with nothing but time and money on their hand back then. And another thing is (with an image that I quickly searched on Google just now lol) back them before any stages there is always a pit for the orchestra to be in. They are just below the stage so that the music can still reach the audience as equally, but also low enough that they aren't in the way of the audience's view.

By the way, the role of the conductor and stage director back then was somewhat a blur (if I remember it correctly), as the music writer would very often himself direct the entire stage and become the conductor on the performance day. In case something goes wrong, such as actors need more time to adlib, then he knows how to direct the orchestra to play accordingly. It's quite a small detail, but in Op. 3 Liam also refers to himself (yes this is still about Yuumori lol) as the maestro, somewhat very similar to the role of the conductor himself. This reference, as we can see, shows Liam's role behind the scene conducting all the plots and instructions. It's quite a small detail I think, but also quite interesting

By the way, the leading singer, or Prima Donna (as they call Irene), are always sopranos. And the same goes for Irene Adler, all of her songs were written to highlight her soprano voice, like in 大作戦ーDaisakusen or her song with Ms. Hudson

An example from a song that I was reminded of when listening to Cecile!Irene. Of course there are many other songs we can talk about, this is just one of the examples.

Obviously, Irene's song aren't entirely like classical opera songs. They were all arranged to both highlight the opera feature, but also to suit the form of the musical and all the while showing Irene's elegant and gracious manners of a prima donna, and also showing her playful side especially during her duet with Sherlock.

YAMI NO OPERA - DON GIOVANNI BEHIND THE CURTAIN

To understand Don Giovanni references, it's essential to understand the story behind the original opera by Mozart. That being said, the actual plot of the story is quite long and contains so many details it's almost impossible to fit all of them into one post while also comparing them with the one in Morimyu, so this is a link to a more detailed synopsis of the opera. Or you can also read more on wiki. I'll just give some basic details that are referenced and discussed in this post. Overall impression: This opera revolves around a playboy that flirts with women, but lacking in loyalty and commitment to keep any of his promises to them. By the end of the play, after all the sin he has committed, Don Giovanni is engulfed in hell's fire, and punished for his sin. It is very much similar to the story in Morimyu, nobles relying on their wealth and status and have the freedom to do anything as they want, without having to worry about having to bear the consequence. Because of the difference in power and status, it is almost impossible to punish all of them, therefore having a need of a "demon" to punish them with powers that no human have - the role of Moriarty gang within the play.

In this arc, Liam is "directing" a play that is inspired by Don Giovanni. His audience is Irene Adler (and of course us who is watching the entire thing), and the main character is Lorinson who ends up being punished for his crime. Mozart's Don Giovanni is being performed on stage, but at the same time Liam's "Don Giovanni" happens, in the back stage. What we are watching as the main stage is actually the "back stage" of the real story.

In the original play, Don Giovanni was a playboy that flirts with many women. At the beginning of the play, he flirts with a woman called Donna Anna, and her father tried to defend his daughter. They got involved in a duel and Don Giovanni killed the man. Donna Anna mourns and wish to avenger her father.

In Morimyu, the story of Lord Lorinson (pardon me for not knowing both the translation of his title and his name) is added in spite of the original plot in the manga. As far as my Japanese comprehension goes, the story is that Lord Lorinson is also one that uses his status to abduct other women to his pleasure, and ends up treating them poorly.

At one point, a woman came to the Lord of Crime, saying that her daughter has been murdered by the noble and mourns her. She wishes for revenge, and Liam proceed to do so.

Don Giovanni - Act I Finale

During Moran and Louis' fight with Raymond(?), in the section behind the stage we can see the opera theatre with the Finale song going on. The ensemble is still singing as the fight goes on behind them.

youtube

In the Finale of Act 1 here, the section that was insert into Morimyu was rather short, and was meant for a dramatic effect than actually showing what's happening in the original opera anyway. But anyway, we can see that as the fight proceeds, the curtain behind also slowly closes, ending the first Act of the opera.

It's clearer here. We can see that as they are fighting there is an entire opera going on at the back. The fact that the ensemble has their back to the audience emphasises how everything we're seeing are all in the backstage, but at the same time it proceeds alongside with all the events in the "mainstage". It's quite a powerful image.

At one point in the opera, Don Giovanni attends a party where he met one of his previous lovers that he betrayed. Then there's some talking and such and more betrayal, and somehow he then decides that he would also flirt with his ex's maid.

There isn't much that I have to say with this reference in the play, only that it is actually Fred disguising as a maid for the purpose of carrying out the plan and scared the sh*t out of Lorinson lol

I couldn't catch all the details from their conversation, but apparently Fred did some kind of stand-in again as the victim who was murdered by Lorinson, also to provoke him and lead him into Liam's trap?

At the end of the opera, Don Giovanni was cornered by the 'devil', drowning him in the flames of hell. However before that happens, the women that Don Giovanni once flirted with (as well as Donna Anna whose father was murdered by Don Giovanni) gathered, chasing after Leporello - Don Giovanni's servant - who exposed him of his guilts and sins.

The song that the women sung in this scene is "Ah, dov'e il perfido?", and there is a very small section at the end of the song that was kind of re-arranged and added to Morimyu. In Morimyu, this is the scene when Lorinson is exposed of what he is done, after that being "punished" by the devil. There is also a scene in the play when Liam mentions 地獄の炎 - Jigoku no Hono (The Flames of Hell) which is a direct reference from the original Don Giovanni. In fact, what he has been telling Lorinson is the story of Don Giovanni and how he ends up being punished - only that when Lorinson realised that, it's already too late.

(A reference from the song in the original play, the section that is used in Morimyu is actually quite short, only starting from around 5:40 within the song in this video)

youtube

In Yami no Opera, the song is arranged with Liam's part of the melody above the entire harmony. So it is indeed a proper opera that "Liam" has based on re-arranged to carry out his plan.

While Don Giovanni is happening on stage, there is also another "Don Giovanni" being punished by the devil - Lorinson. We hear part of the original song from the ensemble in the background, and also Liam's version of the punishment along with Lorinson's struggle. And at the same time the ensemble does seem to be focusing on "Don Giovanni" - all of them looking towards Liam's and Lorinson's position. A really impressive scene.

And after that very short section, the play goes on, returning their focus back to Irene Adler and Albert's conversation. There is no "Flames of Hell" erupting in any ways except for Liam's really strong section of the Yami no Opera song. And there's no need for it, I think, as Lorinson has never been the real protagonist like Don Giovanni. Liam only made him a temporary "protagonist" and not solely for the purpose of exposing him, but only as a mean to show Irene the true identity of the Lord of Crime. So there is no point making it more dramatic than it already is.

So...

That's pretty much all that I have to say about Don Giovanni and opera's reference, I think?

Well another thing, maybe, is how much I love the instrumental arrangement for violin and piano in Morimyu. They don't have the privilege of having an entire orchestra, but instead they did as much as they could for the instruments so that they recreate the original opera vibe as well as they possibly can. And the result is, just, extraordinary.

Anyhow, I've heard many of my friends comparing the songs from Op. 2 and Op. 3, seeing that Op. 3 has more of a "flow" in between the songs as all of them were written with harmony such that they have a certain connection to each other.

Not that Op. 2 doesn't do the same thing. However the second Opus does feel more separated, I think, since the music in the 3 different arcs are much more different. For instance the Baskerville arc has a "hunting" vibe to it, describing Moriarty gang's plan to bring down the nobles' game of hurting children, while the final Scandal arc revolves around an opera singer and mostly happens within a masquerade ball. So there is a big difference between the scenes, and obviously a big difference in the music brought to them as well.

Aaaand, that's pretty much all the details I've picked up (and remembered lol) up to this point.

Anyway, I've been watching and re-watching all 3 Opus of Morimyu many times, each time firguring out something else that I haven't noticed before. So if I end up realising some other details within this arc, maybe I'll come back and add to this post.

Thank you for reading ヽ(・∀・)ﾉ

Also, thank you @rikaaki for these beautiful gifs(☆▽☆)

#musical yuukoku no moriarty #yuukoku no moriarty #william james moriarty #morimyu #yuumori #Youtube

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wispforever · 3 years ago

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if youre still doing the character thing, how about spirit or marie?

I sure am. How about Spirit And Marie? Both wonderful characters. I’ll do Marie first, then Spirit. Thanks for the excuse to infodump, really. You people are too kind.

Marie Mjolnir

My first impression of Marie was the same impression I get of most female characters in anime. It’s either “why do their clothes have to look like that” or “oh god here comes the obligatory sexist heteronormative romance”. For Marie, it was more of the second. They mention in the same episode she’s introduced that Stein is her “first love”, which told me that if she had a large place in the plot, her assigned male counterpart around which to orbit would be him. Though I’ve never read the Soul Eater manga, I believe they do end up getting together there (I could be wrong). Whatever the case, I was relieved that Marie’s and Stein’s relationship (though heavily implied to be romantic, at least on Marie’s side) was left open to interpretation in the anime. I’m just very sick of cool badass female characters like Marie being reduced to the man they pine after. So, I guess my first impression of Marie and my impression of her now are largely the same. While I appreciate the moments we get to see her strengths and ability to operate on her own, I do think that her character really suffers because of the whole sexist “oh gosh all I want is to find a husband and retire” “oh my I have to take care of Stein” like okay, I had enough at the cat girl smothering Soul with her humungo-tits. I had enough at sexualizing underage girls and women in general. I had enough at making sexual harassment a punchline. That being said, when we push all of the shitty writing to the side, I admire Marie for her strength and how she interacts with the children, Crona in particular. Which leads me to my favorite moment(s).

The relationship Crona and Marie have interests me the most, since I’m really drawn to the parallels between Marie and Medusa. As parental figures (and as characters), they’re about as different as you can get. As Crona’s mother, Medusa is obviously abusive. Along with being negligent, she abuses Crona mentally, emotionally, and physically. In general, Medusa is a person who doesn’t appear to value interpersonal relationships, putting it nicely. She instead is more focused on her own interests, often to the detriment of those around her. Crona is Medusa’s only immediate family (besides Arachne who she is estranged from), and so they suffer the most from her refusal to show even a shred of human decency or warmth. They suffer especially because they are her child, meaning they’re stuck with her essentially, and repetivie abuse between family members like a mother and child often becomes complex because of the necessity of having a parental figure in your life to support you as you grow up. Medusa teaches Crona that their boundaries don’t matter and that they are only good as long as they are useful and do as they’re told. This is what makes Marie’s influence on Crona so cool to watch. Marie is caring by nature, loving and nurturing by nature. Her very wavelegnth is healing. She is kind and does what’s right reflexively. Marie is the exact embodiment of what Crona always needed but what, even upon being rescued by the academy, still felt so foreign to them: unconditional love. Crona struggles to understand why the other kids helped them, why Maka felt the inclination to stop their battle and save Crona instead by trying to understand them, why the kids are still so kind to them even after everything. They do not understand that love is not a bargaining chip. It isn’t leverage in an argument. It’s not a tool for emotional manipulation. Love is caring for the people close to you, just because. Love for the sake of love. The other kids and teachers at the academy are the ones who are able to pull Crona out of all Medusa’s lies, and Marie is a Huge part of that. Even though I have greivances with this being the largest part of her character and what that implies for female characters in general, it doesn’t stop being so beautiful to me that she could help Crona heal in this way. Marie = best mom for the win

Most of the story ideas I have for Marie involve her relationship with Crona or Stein. Say, this covers my unpopular opinion too. I don’t like Stein and Marie as a couple, but I really enjoy writing them as friends, because even though I don’t really jive with them being together romantically, I think their dynamic is an interesting one to explore because they Are so different.

Getting into that a little bit more, I’d like to start by saying I don’t care if other people like Stein and Marie being a couple. That’s great doods, keep doing you. The fanart’s adorable, the meta’s fantastic. Whoever you are, SteinMarie shippers, ffs keep kicking ASS. This is just my preference and opinion. Zero shade in this house. That said, because of my frustrations about Marie’s character I discussed in the first paragraph, I don’t like the idea of her and Stein being together romantically. It’s really a classic sexist trope: the troubled man and his sweet nurse. I’m also just fed up in general with the hetero-nonsense, so there. However, they are both wonderful characters that I enjoy very much seperately. Also, I think it’s worth mentioning that I’ve only seen the anime, so I can’t speak for the manga as far as their relationship or Marie’s character in general.

Oh shit I accidentally already talked about this one lmao [see the second paragraph]

One headcanon I like to think about when I’m writing Marie is that she likes women (in addition to men or not) and she struggles with comphet. Just something interesting I like to think about. It’s really fun for me to take characters who have been written as pining or had 10 million failed relationships and be like “say what if they can’t find a husband cuz really what they really need is a wife”. I’ll talk about that more with Spirit inevitably.

Spirit Albarn

My first impression of Spirit, obviously him being a cheater, really came with a lot of distaste. I come from a family that was torn apart by infidelity, among other things, so it really rubs me the wrong way. However, his saving grace for me was that he genuinely loves his daughter. It appears that, whether it’s played for laughs or not, he just can’t find fulfillment in his romantic relationships. The reason is left up to the veiwers. Spirit, ultimately, is not just a shitty person, which is how most cheaters are protrayed in media. “Well, they cheated because they don’t care if they hurt people”, “they cheated because they are shit and that’s it”. That’s a fine explanation if you plan to do nothing with whatever character you’re describing, but Spirit is relatively recurring and is shown to be neither mean-spirited or emotionally unintelligent. It bothers me that his cheating and routine sexist behaviour isn’t taken seriously enough to be a subject that Soul Eater tackles and deals with. But that’s fine. I’ll just do it myself. At any rate, I still feel that same way about Spirit’s character, but I find it intriguing that he seems to genuinely want to become a better father and is actually a pretty good dad when it comes to his interactions with Maka. If Soul Eater had been brave enough to develop him more, maybe delve into the reasoning behind his impulsive romantic affairs, I think Spirit as a character could have been done more justice. It seems to me that he could be suffering from some of that wonderful compulsory heterosexuality that I mentioned before, then becoming confused when the woman he claims to love leaves him feeling empty. Rattling my gay little cage

When I think of my favorite moments with Spirit, I think of his moments with Maka, but I’m gonna hold off on that until I get to favorite relationship(s). In reference to what I talked about in the first paragraph, one moment I find really interesting when I’m thinking about my interpretation of Spirit’s character is the scene where he and Maka are on the roof talking. Maka asks Spirit why he cheated on her mother if he did, in fact, love her. He doesn’t appear to know the answer, and he doesn’t really understand how to effectively communicate that, though he was shitty husband, what he really wants now is to try and be a better dad. We hear his inner monologue, and he says something like “I love you [Maka] and your mama. That’s the truth. That’s the truth. That’s the truth.” Every time he says “its the truth” it sounds more like he’s forcing it. This is actually something that is SO strange to me. Even if I didn’t project a queer narrative on to the characters I love, I would look at this and be like “huh that is a Weird thing to say in that specific way”. Why does he say it like that? Why does he have to say it more than once? He’s only talking to HIMSELF. It isn’t like he’s trying to convince Maka. Why does he have to convince himself?? Could it possibly be because he’s reached a conclusion about his romantic/sexual orientation that he’s been trying to swallow his Entire Life??? makes ya wonder, doesn’t it, queers?

Just like I said when I talked about Stein, most of the stories I have in mind with Spirit center around that sweet gayness. But also, I like to think of ways Spirit could come to terms with his sexuality, how it might have affected him when he was young, his relationship with all these women, with his wife. I love to think about him being a dad at 18 and trying his best, but how much responsibility that must have been. Lots of great ideas when it comes to Spirit.

Um? unpopular opinion would be all the standard like I said with Stein lmao. “Oh no!” scream the heteros, “that they/them on tumblr is making Soul Eater queer we canst not allow that in our church!!!111!” But besides that, maybe even the fact that I think he’s redeemable?? Idk most everyone I’ve met thinks Spirit is funny at least and just calls him a dumbass and a slut (affectionate). Doesn’t mean anybody thinks cheating on your wife 56 times is okay so. I like this fandom, it’s chill here. My favorite is when I see my art tagged like “aw the stupid man and his crazy bf” like YOU ARE RIGHT

My favorite relationship when it comes to Spirit (besides Stein cuz if I start talking about them again I’ll never finish this ask) is the one he has with Maka. If you can call it a relationship lol. I guess I just find Spirit’s approach to Maka as a parent really refreshing. Not that the parents in other shows don’t love their kids or whatever, it’s just that the loving parent always seems to be paired with some other trope that makes their character hard to approach. especially in anime. Like the perfect mother who dies in the first episode, and we spend the rest of the show mourning her. Or the father whose love is somehow everlasting even though he’s never home. It’s really the fact that Spirit is even THERE that I love. He knows what Maka is up to. He talks about her. He’s invested in her life, and he loves her. All he wants is to spend time with her, and though he’s sad when she turns him down, he doesn’t push her. god dammit I just like a dad who actually loves his kids without all the usual strings attached like. oh my kids are a huge pain in my ass, but I love them in spite of it. oh i’m a man so can’t relate to my children in a meaningful way but i try. Get the fuck outta here with that shit. I want all the dads to get so happy when their daughters wanna hang with them that they throw up like Spirit. Give me the guy who loves his daughter so naturally, whose daughter is such a huge part of his life, that it doesn’t even occur to him stop trying even if she literally wants to murder him. That’s Spirit. jfc

To end with a cute little headcanon, I really love to think that when Spirit gets older and starts losing the color in his hair, instead of getting white or grey, his hair turns a pale pink color cuz he’s such an aggressive redhead. Wouldn’t that just be adorable? late 30′s, early 40′s, Spirit starts getting little pink streaks in his hair and then bam. Little pink old man Spirit XD

There ya have it. Thanks for the ask, and feel free to send more.

#Soul Eater #Ask #Ask game #anon #Marie Mjolnir #Spirit Albarn #this is wisp

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sineala · 4 years ago

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Is 616 Tony a Democrat or Republican or neither? I’ve seen posts comparing him to Trump (barf!)

Wow. Geez. You don't ask easy questions, do you, anon?

First off, I am going to assume that whoever was comparing 616 Tony to Trump was trying to slander Tony. And I will tell you that we do in fact have 616 Tony's canonical opinion of Trump -- yes, Donald Trump exists on Earth-616 and has been referenced in several comics -- and he doesn't seem to like him much. I mean, this is back when Trump was primarily being known for being a New York businessman. They canonically ran in the same circles and Tony canonically knows him. He doesn't like him.

Here's Tony in Iron Man v1 #227 complaining that Trump bought him out of a building:

And here's Tony again in Iron Man v3 #37 being not especially thrilled when he thinks that the person he is about to meet is Trump:

(The person he is actually meeting is Tiberius Stone, which is also a very bad idea.)

I am also going to point out that due to the way Marvel likes to handle politics in its comics, I don't think we can say anything about the canonical political affiliation of most characters, because Marvel deliberately leaves that undefined. So to the best of my knowledge, we don't have a canonical statement about Tony's political affiliation and we probably won't ever get one.

But we can speculate based on canonical evidence, can't we?

My very long answer is under the Read More.

Your question is sort of framed as "tell me if Tony is a good or a bad person," and I would like to suggest that this is not really a useful framing for several reasons: (1) what the political parties currently stand for is pretty recent, actually, and Tony as a character predates a lot of the modern conceptions of the two parties; (2) the history of the Democratic Party specifically in New York, where Tony is from, is, let's just say, not 100% pure and unproblematic; and (3), when we're talking about someone with the amount of money, connections, and influence that Tony has, party affiliation generally doesn't mean the same thing it would mean for us ordinary mortals. What I mean by that last point is that there is a big, big difference between every one of the following list of statements: "I would vote for Republicans," "I am a registered Republican," "I would give very large amounts of money to Republicans," and "I would accept a political appointment in a Republican administration." For most of us, the last two of those points aren't ever going to be something that comes up in our lives, but they are going to be things that matter very much for someone like Tony Stark. And we have a canonical answer for at least one of those things. We can theorize about at least some of the rest of them.

I'm saying all that because I suspect you're really not going to like my answer.

I think that there is a very, very high chance that 616 Tony is a Republican.

I mean, I don't think he'd be a Republican right now at this exact moment in time, are you kidding me, but I feel like he has definitely been a Republican at some point in the past. Say, before Trump. One of those socially-liberal fiscally-conservative types. With a conscience. Sort of like Mitt Romney. Picture the kind of Republican Massachusetts likes to keep electing as their governor.

Yes, is possible that, since Tony is from New York, he's a lifelong Democrat. It is definitely possible. New York is heavily Democratic in our world, and barring contradictory evidence, that is probably also the case on Earth-616. But I think that, specifically because of the rest of Tony's background and the ways that Tony has interacted with the world of politics in 616, he is most likely to be a Republican. It doesn't mean he couldn't be a Democrat! I have no proof either way! In terms of several elements of his characterization -- say, his commitment to social justice and fighting inequity -- I would say he definitely leans Democrat, because these days that sort of thing is mostly the province of the Democrats, although I suspect that back when Tony was created it wouldn't have been out of character for a lot of Republicans. I'm just saying that Republican seems more likely. If you gotta pick one. I think you could definitely argue for either. He doesn't fit completely into either but his canon interactions with politics push me toward thinking he's a Republican, because he does several specific things that I think it would be unlikely that anyone other than a Republican would be given the opportunity to do at the specific time that he does them.

Yeah. I know.

Right. Okay. Tony is extremely, extremely rich, and even though I know that he is basically the fantasy of The One Good Ethical Billionaire (more on this in a sec), it's probably worth thinking about what actual real-life rich people do with their money in ways that intersect with politics. And the answer to that is, well, generally they give money to politicians who are favorable to, say, helping them continue to have money. Now, yes, as far as I know there is no evidence of Tony doing this in canon -- this is where all the conjecture comes in. So we ask ourselves, okay, if Tony were to endorse particular politicians because of this, what party would he give money to? Who would he want to get in good with? In most parts of the country, that would probably be the Republican party. But, specifically in New York, it's the Democrats.

So, yeah, one of the big points in favor of him being a Democrat is that, well, Democrats traditionally run New York. The class of old-money New York elites are pretty stereotypically Democrats. And that would include Tony. Which is not to say that he couldn't be a Republican, but if he wants to get anywhere with New York politicians, and I suspect he probably does because he is trying to run a series of very large businesses and he owns a fair amount of real estate including several buildings whose permitting processes I can only imagine fall into the category of “probably highly irregular" -- I mean, he has multiple jets that he regularly lands on his house and secret underwater tunnels for a submarine -- he has to cozy up to Democrats. If he gives money to anyone involved in politics, that's who he gives money to. Making superhero bases probably took a lot of money. A massive amount of money. The city planners probably cry when they see him coming.

(At one point I believe they did ban him from keeping the Quinjets in his house. That was when the Avengers had the Hydrobase.)

I tend to assume most people know something about the history of the Democrats in New York, or at least the history of US political parties in general, but the tl;dr version is that the parties haven't always stood for the same things that they do now. They also weren't always the same parties. And historically, in New York, the political machine gives you Democrats. That's just the way it is. The Democratic Party of the past was not really, um, devoted to all the same causes as the current Democratic Party. And it was very hard to get anywhere in New York and not be a Democrat. It still is. If you haven't read up on Tammany Hall, maybe you should. There was a lot of corruption. I mean, yeah, it's not currently a thing, but the Democrats remained in power in New York; it dissolved probably around about the time the Republican Party explicitly decided that the way to win the South was to appeal to the racism of white voters ("the Southern strategy"). Because, yes, before that a lot of white, conservative Southerners were traditionally Democrats. And then the Democrats split about civil rights, and, uh, the Republicans took in the racists.

Anyway! US political history is sure a land of contrasts! Rich New Yorkers are traditionally Democrats! That is a point for Tony possibly being a Democrat, yes. Moving on!

But Tony is not just a random old-money New Yorker. He inherited Howard Stark's money and Howard Stark's company. And Howard was, well, a defense contractor. And so was Tony, until he stopped making weapons. And, uh, being a defense contractor is, um, one of those things that is extremely, extremely Republican. No, I don't have stats to back this up. Just trust me. So, yeah, he's a rich New Yorker -- but he's also a defense contractor from a family of defense contractors. I would be amazed if Howard Stark were anything other than a Republican. Which is not to say that Tony could not be a Democrat anyway, but the job does come with a certain predisposition.

(Incidentally, one of the other things Tony inherited from Howard was his membership in the Hellfire Club, which is one of those things I keep forgetting about until canon smacks me in the face with it every few years.)

We all know that the conception of Tony, as a character, is basically the fantasy of the Ethical Billionaire. He is The Best At Capitalism. He has money and he is not corrupted by it. He has money and he uses it to do the maximum amount of good in the world because that is what he really, deeply wants to do. He supports a large number of philanthropic causes! He has a foundation named after his mother! He funds programs for low-income youth! He runs a homeless shelter for women! Throughout his history, he has been consistently portrayed as a deeply, deeply kind human being, who wants to help people. A lot of people! People who aren't like him! People who might not even like him! That is just... who he is, as a person.

And these days we tend to associate that kind of push for systemic change and caring about social issues and remedying inequity with Democrats, but that wasn't always the case. I think it still would have been believable coming from a Republican, oh, around about the time Tony came into existence. He was created back when you could be an elected Republican and, uh, push social policies that I think these days we would consider progressive. I mean, Eisenhower was the one who started integrating schools, right? The Republicans are the party of Lincoln! It's not like Republicans are prevented from doing good things. And I think we need to keep in mind that Tony dates from the early 60s when socially-progressive was still a thing Republicans could conceivably be.

So, yes, Tony is very kind. It's nice. We all like that about him. But also many of the ways in which he is kind to people are very much Republican fantasies. Like, yes, he's a great boss. He's close to his employees. They're like family. If any of his employees have problems, he helps them out on a personal, individual level -- and that, as an ideal, seems very Republican to me. I mean, he's a CEO, right? He's owned a lot of companies. Are any of them unionized? Combing through Wiki, I find one reference to a union in ToS 63, which is really, really early -- you know, back when unions were more popular. I can't find anything after that. And nothing is coming to mind. So, I mean, yes, we have now established his employees were at one point unionized, but he's certainly not known for, say, running a union shop. Part of the fantasy of the Ethical Billionaire is the idea that Tony's employees don't need unions because Tony is so kind and so generous and so personally selflessly good that he takes care of everyone who works for him. And the thing is, Tony actually does do this. He is fictional and therefore capable of achieving perfection.

Okay. He's a fictional character. Let's step back a little and think about fictional characters, and specifically the way Marvel Comics depicts fictional characters interacting with well-known real people. Many real people from our Earth do seem to exist in 616. Earth-616 is not our Earth in a vast number of ways, but one thing it shares with our Earth is presidents. Whoever is the real-life president when a comic comes out is pretty much generally president on Earth-616 at the time. Yes, I'm going somewhere with this.

Now, for whatever reason, Marvel often does not canonically refer to presidents by their names in dialogue, but the artists pretty much draw whoever is president at the time when someone in canon needs to meet the president. (Captain America seems to get to meet the president a lot. I'm sure you're shocked.)

There are a couple exceptions to "everyone who looks like the president is the president,” namely that Marvel says that the villain who was Number One of the Secret Empire in Captain America v1 #175, who attempted to conspire with aliens to take over the Earth, whom Steve watched commit suicide -- anyway, the official Marvel word is, I believe, that this guy is not Richard Nixon, but Steve Englehart, who wrote the comic, says it absolutely was:

And, yes, this is the incident that causes Steve to lose faith in America and become Nomad. You can kind of see why that would be traumatic. Marvel clearly had some feelings about Watergate they needed to process.

Anyway, I just wanted to put in a picture of that time Ronald Reagan was turned into a snake person. It's Captain America v1 #344:

I love comics.

More recent presidents still make appearances in the comics, and they are the president who was the real-life president at the time. For example, the president who pardons Steve for all his SHRA-related crimes in Who Will Wield The Shield is definitely Obama:

And that means that I must also unfortunately inform you that Hydra Steve also received a presidential pardon:

Though the issue in question (Captain America v9 #8) does not specifically name the president, following the "whoever is the actual president is the 616 president" rule, the president who canonically pardoned Hydra Steve is... Donald Trump.

Let's just pause here to contemplate this. Take as long as you need.

(I was today years old when I learned that Hydra Steve has been dead in comics for over a year. Since the issue in which he was pardoned, actually. Which is an issue I am sure I read the day it came out, but somehow I missed the four entire pages where Hydra Steve is set on fire and burns to death while hailing Hydra with his last breath. I guess it wasn't memorable! I mention because I am pretty sure I am not the only one who missed this.)

Anyway. I do have a point to make here, and my point is this: Tony has received political appointments. Two of them, in fact. In the 2003-2004 Iron Man arc "The Best Defense," Tony becomes Secretary of Defense. He does get Senate confirmation; it's not a deputy appointment. He actually gets unanimous confirmation. And I know that Tony had this job is a fact that everyone knows about Tony, but I feel like a lot of people may not be totally conscious of the timeframe involved here, and by that I mean that he is absolutely, positively, the Secretary of Defense for Earth-616's George W. Bush. Yes, I am sure of this.

Here is Tony with the president in Iron Man v3 #78, being told he got the job:

Yeah. That’s George W. Bush.

Can a Cabinet appointment cross party lines? I mean, sure, it's possible. I am not the kind of giant politics nerd who has this memorized, but there is in fact, a Wikipedia page for US political appointments across party lines. And it looks like there have been five cross-party Secretaries of Defense and five Secretaries of War. So, I mean, yes, it's happened, but it's fairly rare. None of the cross-party Secretaries of Defense (deputy secretaries excluded, since they weren't confirmed, obviously) were ever Democrats appointed by Republicans. And since we're looking at Dubya's administration specifically, it looks like only one of his Cabinet appointees (Transportation) was cross-party. So it looks like he in particular would not have been especially likely to appoint a Democrat to his Cabinet, since in real life he only had the one.

So to me it seems that the most likely party affiliation for Tony has to be Republican, because of this. Sure, the appointment could have crossed party lines. But I feel like it's just... not likely. Being a Republican Secretary of Defense in a Republican administration just seems way, way more possible.

(Also I'd like everyone to remember that Tony is replacing the previous Secretary of Defense because the previous Secretary of Defense was secretly the Red Skull and released an engineered flesh-eating virus at Mount Rushmore. Just, y'know, to set the mood.)

What's more, Tony gets a second political appointment from the Bush administration. It's not a Cabinet position, but he does become the Director of SHIELD in 2007. Here Tony is with the president, slightly earlier, in Civil War #1:

This is not really as good a likeness of Bush as the previous and I guess you could argue that the artist was drawing A Generic Politician but I feel like, y'know, it's probably still meant to be Bush. And Tony may not have wanted this particular job -- we know he definitely didn't -- but he absolutely wanted to be Secretary of Defense. So we know that he is definitely fine with serving in a Republican administration.

So, yeah, that's my argument: odds are pretty good that Tony has, at some point in his life, been a Republican. Maybe not right now. But probably in the past.

Having said that, given the way Marvel handles politics, I don't think it's likely to ever be much of an issue in canon; the Avengers mostly just tend to get to get along with whoever the president is at the time and I can't recall really anything about partisan issues. However, you're never going to convince me 616 Steve was anything other than a New Deal Democrat -- even though I know that in Cap #250 he turns down both the Democrats and the Republicans when they ask him to run for president -- because, I mean, come on. I assume that he and Tony probably try not to discuss politics ever anymore, because we all know how the SHRA went. They probably mostly agree, but when they disagree, people have a tendency to end up dead.

That was probably more than you ever wanted to know about my thoughts on this topic.

#Anonymous #replies

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ectonurites · 4 years ago

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heyyy can you talk about kons dating history or atleast with older women? ive seen a few posts but im not sure but thats so ://///

Ahhh yes. Kon’s dating history, I've finally now finished reading all his solo comics (and had already gone through his team books a while back) so it’s a perfect time to delve into this. I’m kinda broadening it to his love interests in general, as not all of them put an official ‘dating’ label on things, but are still worth bringing up. This is kinda long so sorry in advance about that, but I tried to be as brief as possible.

TW for pedophilia (in these specific cases discussing a 23 year old dating a 16 year old, and another woman without a specifically given age [but clearly an adult] with the same 16 year old) obviously i’m not talking about it positively here but it’s unfortunately necessary to discuss with this topic.

I consider Kon as having five primary love interests in the pre-reboot comics world, which is where most of his dating happened. The ‘criteria’ I guess i’m using to separate them from the others i’ll talk about after is a combination of ‘they interacted for a long time’ and/or ‘the relationship had a big impact on his story/him as a person’.

I’m also mainly sticking in pre-New 52 world for this because aside from the 'fake married to Lophi to protect her and her kid on Gemworld' thing in Young Justice 2019, he hasn't done much with relationships since getting officially reintroduced. Then the New 52 version of Kon was a very separate person and even so he was mainly just (sorta) involved with Cassie.

ANYWAYS the main five are:

Tana Moon - Tana was a 23 year old (as stated in Superboy #32) reporter Kon initially met during Reign of the Supermen, the story he debuted in (meaning she was one of the first people he met), who also happened to move back to Hawaii around the time he ended up there on his press tour. The two of them had an on and off relationship from basically the start of the comic until she broke up with him in Superboy #46. She briefly came back into his life in Superboy #72 after having been kidnapped by The Agenda, before being killed by Amanda Spence in Superboy #74. Kon and several others refer to her as his ‘first love’ especially after her death, which weighed very heavily on him.

Knockout/Kay - A woman we find out was originally one of the Female Furies, who works as a stripper at the 'Boom Boom Room’ in Hawaii while trying to keep a low-profile after leaving Apokolips. We don't get an exact age for her but she's very much so implied to be an adult. She hits on Kon from the moment she meets him (she also quite literally uses the term ‘jailbait’ to describe him in her first appearance in Superboy #1) and kisses him several times, insisting on working with him and training him and eventually beginning a more formal relationship with him. She kills someone and he blindly defends her thinking she couldn’t have done it, and she tries to coerce him into killing someone by promising herself to him (before killing the guy herself when Kon wouldn’t do it). The arc mainly focused on their relationship is from Superboy #22-30, but she is a presence in the comic from the start. She is arrested for the murders she committed at the end of the arc, and doesn't interact with Kon much again after as she is in a high security prison, but she is referenced multiple times.

Roxy Leech - Roxy is the daughter of Rex Leech, Kon's agent. From the moment she meets Kon, also during Reign of the Supermen like Tana, she's got a thing for him. Her age is left a bit more unclear, as some bits of dialogue indicate she is actually close to Kon's age but other things like how she applies to the police academy, something you need to be like 20 to do, indicate she's a bit older. Regardless, she’s definitely younger than Tana as she comments on her age at least once. She actively dislikes both Tana and Knockout for being interested in Kon, and confesses her feelings to him during a 'the whole world might end tonight' situation (in Superboy #33). The two of them didn't really date, but there is a period of time where Kon feels torn between Tana and Roxy. Not too long after that she ends up volunteering herself to be used in a procedure to stabilize Kon's dna after it had been torn apart by The Agenda when they cloned him, as the method to save him required someone close in age to him be used as a genetic template. From that point on they considered each other more like siblings, ending the romantic aspect of their relationship (in Superboy #41)

Serling Roquette - Serling is a 16 year old (as first stated in Superboy #57) science prodigy who works in the genetics department of Cadmus, and is the person who manages to cure Kon's condition where he'd been stuck at age 16 (a side effect from the procedure with Roxy). Initially she had a crush on Guardian, but over time grew to like Kon, she was one of the first people at Cadmus he personally tells his name ‘Kon-El’ to. They only kinda start to get together before Tana comes back and then is killed. After a situation where Roxy came back and needed help, when he and Serling try to maybe pick things up again, Kon realizes Tana’s death is still too fresh for him to get involved in anything too serious with her and he breaks it off, leaving them very tense with one another. (Superboy #82)

Wonder Girl/Cassie Sandsmark - Cassie had an interest in Kon before she even met him, more of a celebrity crush at first than anything else. They share their first kiss in Wonder Woman #153 after she had tried to change her look to impress him and he reassured her that she was already beautiful the way she is. Cassie was present for Tana's death in Superboy #74, and after that Kon is overly protective of her in a noticeable way that actively annoyed her (She points out to him that she can take care of herself a few times, like in Young Justice #29) but eventually at the end of Young Justice (in #55) he confesses feelings for her, and they share another kiss. Graduation Day bringing about the end of Young Justice as a team kinda throws a wrench in things, but early in Teen Titans Vol. 3 they begin to date more formally, and are getting pretty serious together (cough cough they uhh consummate their relationship in the Kent farm's barn in TT Annual #1) right before Kon is killed during Infinite Crisis. She takes his death very badly and joins a cult to try to bring him back, has her whole thing with Tim (who is coping equally poorly with the death... almost 100 cloning attempts babey), and befriends Kara as a surrogate Teen Kryptonian™, but eventually learns to accept what happened and move on. Then he comes back, and everything's a lot to process all over again. She had become the team leader and things were just different than they used to be. They tried to resume their relationship but eventually Kon decided to end it (Teen Titans Vol. 3 #91), because they both wanted different things at that point in their lives, but they remained friends and teammates.

So when people are talking about the ‘older women’ thing, it should be pretty clear from that list they’re talking about Tana and Knockout. Both were adult women dating a 16 year old boy, and neither situation did enough to handle it in a way that addressed it as the problem it was. Knockout’s situation did end up being seen as a bad thing by the end because of the murder parts at the very least, but the age difference didn’t come up nearly as much. With Tana a few people (Roxy, some of Tana’s coworkers, even Tana herself) did bring up the age difference as a potential problem, but they continued to stay together for a pretty long time regardless. The kicker is that she ultimately breaks up with him for being ‘immature’ after he gets stuck at age 16, when it’s like... he’s 16. You’re 23. No kidding you think he’s immature? It was just a whole mess and makes reading a lot of his solo incredibly uncomfortable.

Additionally he has a few other shorter-lived relationships/potential love interests. I’m categorizing them separately because they weren’t focused on in the same ways/for as much time as the girls I listed above:

Trixie (Superboy #94-100) - When Kon gets his own apartment in Suicide Slum, he repeatedly runs into Trixie and the rest of the Slaughterhouse Six, but Superboy inspires her to try to turn her life around. They didn’t formally date but that was definitely the direction things were starting to head towards before his apartment building blew up and he realized he needed to get away from the city where his presence was painting a target on innocent people, and so they decided to just be friends. (This was also when his solo ended, so possibly if the book hadn’t been ending they may have continued longer)

Batgirl/Cassandra Cain (Superboy #85, Batgirl #39-41) - They first met when Kon had been bugging Tim in Gotham, and had a little adventure together that resulted in Batman being PISSED because he didn’t want Cass interacting with Metas (especially not teenage boy ones that’ll flirt with her) and Kon volunteered to share her punishment so she didn’t have to do it alone. They later meet again shortly after Kon moved in with the Kents while on a cruise (and he’s her first kiss!) and afterwards she goes to Smallville to meet him. She’s actually like the first person outside the Kents we’re shown to know his new civilian name is ‘Conner Kent’. After their little attempt at a date they decide to just stay friends.

Lori Luthor (Various appearances with Kon in Adventure Comics (2009) & Superboy Vol. 5) - When Kon and Lori initially meet there’s definitely some interest and she kisses him, but it happens while he’s still dating Cassie so he makes it clear he’s unavailable. Afterwards he learns who she actually is and realizes ‘oh she’s sorta kinda my cousin on the Luthor side’ so he stops really being interested. She’s still interested because she feels like the cloning doesn’t make them really related, and they talk about it in Superboy Vol. 5 #4 after he and Cassie had broken up, but he still feels too raw from Cassie and too weirded out by the situation to have it go anywhere. Kon helps try to get Lex to cure Lori’s mom (Lex’s sister Lena), and eventually when Lex is an ass in the end he finds another way (Some Wayne money through Tim) to try to help her. Lori figures out Conner is Superboy and along with Simon and Sujan helps him to save Smallville from the Hollow Men.

Ravager/Rose Wilson (Teen Titans Vol. 3 #95-100, kinda some parts of Superboy Vol. 6 if ya squint) - This is another of those ‘they didn’t actually date but there was interest’ situations, in the very end of Teen Titans Vol. 3. A fake version of Rose had kissed Kon which was kinda the catalyst for it, where after that moment he became a bit more protective of her once the real her returned. They had a moment where Kon tried to trust her with something (Kryptonite to take him down if the situation arose) but she saw it more as him thinking she was the one ruthless enough to do it, rather than as a token of trust, and left upset. The reboot happened before this really went anywhere/got resolved though, but interestingly enough she became a bit of a support character in the New 52 version of Kon’s life, likely because of this connection they tried to do before the reboot. They never really dated there either, he just referred to her as cute a few times. New 52 Kon is a very separate person anyways, but it’s worth mentioning.

I might be forgetting a few other minor ones along the way (especially if there’s things that weren’t in his main books), and Kon (especially in the 90′s) was the kind of guy to flirt with pretty much every girl he saw, so bear that in mind. But yeah, I hope this helps!

#sam writes #this ended up like 2k words dear lord i have written So Much abt superboy in this year of 2021

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actlikeyoudidntdoit · 4 years ago

Text

ASSASSIN’S MODERN DAY PROFESSIONS

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ALTAÏR

College Professor

-We all know that Altaïr has spent most of his life teaching, so what better job does he have than a college professor?

-He knows what he’s talking about, that much is certain, but sometimes he gets a little too lost in his lesson to realize that his students are scratching their heads. So it’s normal to have students staying after class, but they leave understanding every word of what he said.

-He’s not the fun teacher, but he’ll be able to teach you what you need and still remember it at the end of the day.

-He’s pretty lenient, and even with the obnoxious students who cause a scene, he calmly gets them to at least do their work.

-Other teachers always use him as a reference when it comes to the perfect teacher.

EZIO AUDITORE

-I can see Ezio being a public speaker since he’s not all that scared of crowds and spends a lot of time giving advice, so I think he’d really enjoy being able to help a crowd of people whose lives are falling apart

-Ezio would be the single anchor in a sea of storms because he always seems to have an answer for everything. He’s a man whose words are turned into inspirational quotes that people hang on their walls.

-When he says that things will be okay, no one doubts him since they know that he lost his father and his brothers very early on and that it took years for Ezio to accept the loss the way he had. If he could soldier through it, why couldn’t they?

-He doesn’t involve himself in politics, finding them to be a waste of time and breath despite how many people ask for his input on the political status of the country he’s staying in.

-He speaks to a lot of people in private, letting them speak their minds and giving his advice if they want it. He’s a therapist without a license, and you always feel hopeful about life leaving his office.

Connor

Construction or Sports

-This boy was designed for heavy work, and I’ve heard some good points in saying that not only would he be amazing at sports, but he’d also really enjoy it too.

-In my personal headcanon, I think he’d be a good construction worker as well. Not the high end kind that build skyscrapers or anything, but I can see him building simple houses for small communities, taking the lower jobs that can’t afford much help like the sweetheart he is. He definitely volunteers to make houses for the homeless.

-Since most of the homeless he helps don’t have much money, he makes sure to offer them baked goods because he’s definitely a baker.

Edward Kenway

-As a young man, he joins the navy

-Once he’s on his own, he buys his own boat and treats it like royalty.

-He’s not a pirate himself, but he does let less legal people on board for a price. At the time, it was just an easy cash pay since people paid good money when they were desperate.

-When he’s older and gets a grip on some of the people he’s helping (like the REALLY bad criminals) he quickly lets it go.

-Yet after seeing some of the more decent people and the places they were running from, I can see him being a sort of smuggler, but instead of smuggling drugs or weapons, he sells medicines, canned foods, and clothes to the regions where they’re scarce or hard to pay for.

-When he’s older and found a fortune over time, he starts up his own official charity, hiring various sailers to sail supplies to more places than he himself could alone.

SHAY CORMAC

-Okay, I have to say it. Shay would DEFINITELY be an FBI spy. Maybe I haven’t thought of it as heavily as I could, but he just strikes me as a man who could kill someone in plain sight and still not be seen.

-He already knows everything he can about infiltrating and getting vital information

-He knows exactly how to manipulate people to get what he wants.

-He’s like Macgyver but as an agent.

-He does things that make sleeping at night impossible, but he tells himself that every long night for him is another person somewhere else having a peaceful night, and peaceful nights means he’s doing his job. Right?

-Constantly questions his morals, but he can’t bring himself to stop, not knowing that he’d do if he stopped, because at least here he’s doing something. He’s contributing.

-That and maybe I might or might not want to see Shay in a suit 🤷‍♀️

AVELINE

-Actress. And a damn good one. She’s one of the kind of people who get paid millions each job and gives most of her cash on people who really need it. Not only that, she’s a fan favorite everywhere.

-She takes extra jobs in smaller businesses barely staying afloat, and public morality boosts has nothing to do with it. In fact, she keeps her fame life out of everything, choosing to see it just as another job.

-I can see her sharing similarities of Zendaya or Zoe Zaldana

ARNO DORIAN

-High school teacher or actor, I can’t decide.

-Because let’s be honest, this guys brain is more wrinkled than a raisin. He knows his stuff.

-He’s good at simplifying what he’s saying, and that happens to be a very useful trait when it comes to teaching.

-If he was a teacher, he’d be a damn good one, that’s for sure. No one will fail his class because he’s so good at explaining things, and he’d be the one who actually cares for his students.

-When it comes to acting... just admit that Arno’s a theater boy through and through. If you need proof, he’s the only one with a crazy amount of fancy robes and colors. FOR GODS SAKE HE OWNS A THEATER! So on modern day, I could totally see him as an actor as well.

-He’d be the Ewan Mcgregor of the modern day, because everyone recognizes him from SOMEWHERE because he’s really tested his acting ability on multiple various roles. Well read, charming, and level headed, he’d totally rock being an actor. He’s good friends with Aveline, and when they both have time in their busy schedules, they stop by for coffee and fill each other in on their life.

JACOB

-Boxing

-I saw the photoshops of Jacob in boxer life, and I have not been the same because oh my god that is amazing.

-but absolutely he’d be a boxer. He’s the shortest guy in the entire match, but he doesn’t need a stool to knock you on your ass before you can laugh about it.

-His opponents are lucky shattering bones is against the rules because he knows how to make someone wish their dad wore a condom.

-A lot of people think that his rounds must be rigged, and his sister had to physically hold him back every time Jacob threatened to give him a close up of how ‘rigged’ his fights were.

-Jacobs a powder keg, so it doesn’t take much to make him explode, and a lot of the less respectful people he has to fight picks particularly sore spots to do just that.

-He might be pissed, but his punch isn’t the only thing that stings. He knows exactly what words to use, and when they’ve gone too far, he doesn’t hold back.

-Might have a temper, but he has a good heart despite it all. He visits schools and completely turns his personality around with kids. He signs autographs, takes pictures, and makes sure that every one of them have a fun day because he knows that there’s some kids in this school that don’t have those kinds of days. He pays the school for field days each time, making sure they all get out. They bring out the scooters, parachutes, capture the flag, and ‘wrestling’ matches for the kids who want to face him. He loses every time. He never has a bigger smile on his face than when he has children fans walk up to him.

EVIE

-She is totally a lawyer and you can’t change my mind.

-Logic and Facts are her strongest weapons, and so far she has yet to lose a debate.

-Every other lawyer knows that seeing Evie walk into court is an instant death sentence, because like her brother, her words are sharp as a knife and her mind is even sharper.

-If they didn’t look identical, no one would believe that she would be related with Jacob the hot headed boxer, because she was level as water and was near impossible to make angry, but god help the poor sod that presses her.

-Her clients almost always get the best case scenario with Evie by their side by how good she is.

-Also like her brother, children are her weak spot, and her hard composure melts whenever she needs to speak to a child in the witness post, making sure that the child feel comfortable unlike the others that drill the kid with questions when they’re too skittish to answer. She takes her time and gets the kid feeling safe, and gently asks their side.

-Evie might not do it as a profession, but Evie has beaten Jacob in the boxing ring in the gym. She knows damn well how to handle herself, knowing she’d need it since she’d be fighting corrupt politicians or gang members who have too often tried attempts at her life. Every time she emerged unscathed, using the attempt at even more evidence against them and insuring a spot in jail. No one dared try attacking her again after that.

BAYEK

-I’m thinking police officer or motivational speaker for trauma.

-Either way, he’s a guardian who takes care of the people he’s in charge of. He knows words well, and having been down the dark path himself, he knows exactly what people experience and what they want to hear.

-Be the change you want to see in the world, and that’s exactly what he’s doing.

-He’d be a well respected officer, and he’s not afraid of telling off a comrade if someone is wrongfully accused. He’s not very popular in the police station, but as long as he’s doing his job, he’s satisfied.

-He’s saved several people over the course in his life, and his word is well honored since he’s on no ones side. He sees things as what they are and doesn’t twist events he disagreed with to his point of view. Even if it hurts him personally, he doesn’t lie.

-He’s divorced, but they’re still best friends with each other and visit when they can.

AYA (ran out of gifs. Sorry)

-She is hands down a self defense teacher for women

-She sells hidden self defense tools for less than ten dollars, always sure to keep constantly supply of them since many have confessed that they’ve saved them from dangerous situations.

-Like her former husband, she’s a protector and makes sure she provides her students with the best.

-She teaches children what to do if they ever get grabbed, and she’s had many parents in years thanking her when that information ended up saving their child’s life.

ALEXIOS

-Hands down he is a stunt double

- Preferably Arno’s since he relies more on flexibility than brute strength. Then there’s the fact that they look similar enough in features

-He does the moves that would probably be safer if they were just CGI, but he hates those computers with a passion, preferring to do the real thing instead of giving out something fake. He’s broken more bones than he can count, and the companies he works with always have a medic on standby when something goes wrong.

-They tried convincing him that they only needed him for a few spots, but after realizing that he wanted this (and him assuring them that he doesn’t bother with suing), they let him do his thing. The results are fruitful since the most nitpicky movie fans are absolutely thrilled when there’s a particular move done right.

-He teaches Arno a good few things about how to do action scenes, and they’re definitely good friends.

KASSANDRA

-Roller Derby

-She lives for throwing people and smacking them without being judged for it, so the Derby’s her safe spot.

-Everyone on the opposing team is terrified of her, always scared when they see her devilish smile, knowing that they’re about to get their asses handed to them. Like her brother, she’s an adrenaline junky, and when she’s not doing the derby, she’s going off into car races in a water trench. She’s surprisingly very good with cars too, knowing the inside and out of a car like the back of her hand.

-She loves it when men try to catcall her. It gives her a perfect opportunity to punch them in the face.

-She loves the races themselves because no one expects it. Sometimes she pretends to act like a beginner and absolutely slaughter them, giving them a nice wink before driving out with her cash.

-Only has a soft spot for the girl who visits her on weekends. She’s practically her older sister, and there will be hell to pay if her favorite kid gets hurt in any way.

EIVOR

-BACA(Bikers Against Child Abuse)

-The moment I saw this, I instantly thought about them.

-they would absolutely be a part of this

-Looking all badass in leather while turning into a softie for children? That’s Eivors entire character right there.

-Eivors not afraid to get physical with an abuser. They’d beat the abuser to a pulp and right after take the child out for ice cream.

-No one messes with Eivor, knowing that their lenience was stretched only for children. Anyone else tried to pressure her? Your teeth would be shattered and they’d wear the bits for a necklace.

-Children are much more brave around them because they’re tougher than their parent and on their side, so they’re not afraid to give them to the police

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animeyanderelover · 4 years ago

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Hi! Can I request headcanons of levi (or if you don't write for aot then choose a random character) of how he would act if the woman he loves is already dating someone else? (Reader can be gn)

I definitely write for Attack on Titan. I love this Anime!

Tw: Yandere themes, unhealthy mindset, unhealthy relationship, possessiveness, obsessiveness, manipulation, sabotage, stalking, death

s/o is already dating someone else

⚔️Levi is without a doubt in my mind one of the most possessive ones in Attack on Titan. He would find this unpleasant turn of events fairly early on out since he already started his research about you and also asked people like your neighbors questions about you. But they just gave him a pitiful look and told him you were already dating someone else. Happily.

⚔️Levi hates very few things more than having his future partner ripped away from his arms before he even had the chance to court or kidnap them. A lot of things were going on in him at that moment, his feelings exploding inside of him. But he couldn’t risk losing it in front of your neighbors. So he just thanked them for the information and walked away. He needed to let off some steam so the option was either training with his cadets or destroying something. Hopefully he went with the latter because if not whoever he trained with was bruised and broken after the small training session.

⚔️Levi wanted to see for himself if you were so happy like he was told you were. He knew where you worked and came the very next day to that place, sitting somewhere near and waiting for your partner to arrive. And ugh, did he hate that smile that you gave your girlfriend/boyfriend the moment you saw them, embracing them in a warm hug and giving them a quick peck on the lips. It took Levi some self-control to not storm towards the two of you and rip you apart before punishing that bitch/bastard for daring to touch you like this. He felt like barfing when seeing how they touched you. The only thing he could do for now was heavily glaring. And if looks could have killed they would have already died over a hundred very agonizing deaths. His glare was so intense that other people had already started to give him weird looks.

⚔️Levi instantly started informing himself about that bitch/bastard, not wanting to miss a single thing about them that could help him to make the both of you break up. He also informed himself about your relationship. How long had the both of you known each other before you became a thing? How long had you been dating? Had there ever been a time where the both of you had a huge argument and if yes about what? He kept everything he found out in mind, everything the citizens or the documents told him. At the same time he started on forming for now a friendship with you, bumping often into you and starting some conversations with you. He knew after all what you were interested in.

⚔️Levi started to slowly slip here and there some comments in about your partner. He had seen them recently checking other women/men out, did you know that? Or that he had seen them recently hanging out with someone else. You had faith in your partner, but the person tellling you this was Captain Levi, humanity’s strongest soldier.

⚔️Levi had a plan and was following it. After he had raised those small suspicions he started keeping your boyfriend/girlfriend busy, especially on the days where he knew you had a date. He made sure that they wouldn’t be able to make it until hours later and guess who always popped up in the places where you were waiting for them to arrive? Levi! He played innocently, asking you confused what you were doing here all by yourself? And when you told him on the verge of tears that your so called “boyfriend/girlfriend” had let you wait for nearly an hour now and people had already started to give you pitiful looks Levi expressed his shock and confusion and offered to be your company for now. And in that moment you just needed someone to talk to. And this happened more than once.

⚔️Your trust was greatly damaged, you became tired of the same excuses from them everyday and every time they promised to make it up to you it ended with you sitting alone until Levi came in and saved you from the whispers of other people. Levi was there for you and whenever you were deeply upset he was your shoulder to cry on. Not only that, but your neighbors told you that he often asked them about your well-being, leaving small cheer up notes and presents to make you feel better. Your neighbors knew about all the recent events and being worried over you asked you if it wouldn’t be the best for the both of you to break up. It obviously didn’t work anymore between the two of you.

⚔️This thought had crossed your mind as well, but you still clawed onto the last shred of hope you had. Your neighbors gave you the advice that there were plenty of potential partners to choose from, people that would be better for you than that fool who didn’t know how to treat you properly, for example a special young man who always came over to make sure you were fine. It worked accordingly to Levi’s plan. All he needed to do now was crushing the last bit of trust you had in that jerk. Shortly after rumors started to pop up, people telling each other that your partner had been cheating on you and being involved with some less legal business. And that was enough to make you snap. All people in your district had known that they had more than often not been there on your dates and had just let you down. He had often said he had been sent somewhere else from some unknown person, but no one believed him. Instead there were rumors he had secretly met with other women/men. In the end they were looked down by everyone.

⚔️You were greatly upset, feeling hurt that the love you had given them had meant nothing to them. You cried for the first few days, too many emotions screaming inside of you. And that’s when your knight in shining armor appeared. Levi comforted you during that time, trying to cheer you up and taking you outside to get your mind off them. And people noticed that with a smile on their face. Levi had successfully charmed his way into the people’s hearts with which you lived in this district and after the recent events everyone wished for you to be happy again. And wouldn’t Levi be just a perfect boyfriend? Wherever you went people talked about how much Levi always cared and that you were truly blessed to have someone like him.

⚔️It honestly wouldn’t take long for Levi to successfully woo you in such a scenario. Not only has he built up your trust in him beforehand, he has also the people in your close surroundings wrapped around his fingers. Levi knows what you like and are interested in and will use all the information she has collected about you. If that person should ever come anywhere near you again he’ll threaten and blackmail them to better stay away. And no one would believe your ex if they would tell anyone about this.

⚔️The story might be different if your partner is a part of the scouts. Then there is a good chance that Levi will make sure that their next mission will be their last. He would still make sure that your trust would be already cracked beforehand so you won’t have a too hard time to move on. In either case Levi will win. He decided that you’ll be his so you’re going to be his.

#yandere attack on titan #yandere aot #yandere shingeki no kyojin #yandere snk #yandere levi #yandere levi ackerman

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missmonsters2 · 4 years ago

Text

Between the Lines || X

PAIRING: Steve Rogers & Fem!Reader (Platonic) / Natasha Romanoff x Fem!Reader / Wanda Maximoff x Fem!Reader / Natasha Romanoff x Fem!Reader x Wanda Maximoff

Summary: Vampire AU. Life has changed drastically since the 1600s. Things are always on the move, and you’ve been very careful to not get on SHIELDs radar. Living on the down-low owning a café, you’re content to live out a quiet existence. That is until the Avengers enter your life.

[Set after the New York Invasion, in CAWS, and goes up to AoU. Canon divergent after.]

Warnings: This series will contain smut(**), poly-relationship, and dark themes.

Note: Oof I came back and DELIVERED 👏👏 it’s really long I’m sorry. I legit said we’re ending this arc today LOL

PART I || PART II || PART III || PART IV || PART V || PART VI || PART VII || PART VIII || PART IX

PART X of XX

Count: 11,007

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

There's something about the way the golden sky hits the horizon of this quiet countryside field.

It's quiet.

At least in comparison to the city.

You like the tall grass that surrounds the stand-alone home. The air is cleaner, crisper. There's a serene peace that settles in the area, and it makes you nostalgic for things you haven't had.

You can hear children running around inside, and the sink running in the kitchen along with food sizzling. Looking over at Natasha, there's a softness that has fallen over her face, a look you're somewhat familiar with, but in a different context.

This might be home for her, too, you realize.

"A safe house?" Tony tilts his head as everyone stares at the farmhouse.

"Let's hope," Clint mutters as everyone enters into the house. "Honey, I'm home!"

You tilt your head, curious when the woman you assume to be Clint's wife walks into the kitchen. You knew she was carrying based on the conversation you overhead, but you were still surprised to find her heavily pregnant.

She was due soon.

"Hi, company," Clint says in a rush as he gives her a kiss on the cheek. "Sorry, I didn't call ahead."

"Hey," the woman replies as she kisses Clint. You hear Tony make a comment to Thor about the strangeness of this, but you were focused on her stomach.

You tilted your head as you could hear its heartbeat.

"Gentlemen and gentle...women," Clint stares at you and Natasha. "This is Laura. My wife."

"I know all your names," Laura smiles while everyone looks at her rather awkwardly because no one but Natasha, you and, David knew about her.

David seemed the most curious, but he has always loved kids and got along with them easily.

"You're due soon," he tells Laura with a smile as he sneaks around you to stand closer to inspect Laura respectfully.

"You can tell?" Laura looks down at her stomach as David nods.

"Yes," he says. "A couple months at the most."

"How can you tell?" Laura asks as you hear tiny rumbling footsteps running towards this room.

"We can smell it," David informs her.

"Incoming," Clint says, kneeling down as his son and daughter excitedly burst into the room.

"Dad!" His daughter jumps in Clint's arm. Clint picks her up as he stands and kisses his son's head.

"Tinier agents," Tony blinks at the scene while Steve looks completely flabbergasted.

"This is Lila and Cooper," Clint smiles softly.

"Did you bring Auntie Nat?" The little girl says, and Natasha turns as she smiles.

"Why don't you hug her and find out?" Natasha starts to walk while Lila runs into her arms.

Natasha picks her up with ease, holding her close as she kisses Lila on the cheek. She comes back to you and tense ever so slightly before you relax.

Of course, you spent a lot of time with Allison as you took care of her, but sometimes, being around young kids would cause just a quick flashback of the ones you couldn't save.

Natasha smiles at you, and you return it lightly.

"This is Lila," Natasha introduces you to her and then telling Lila your name.

"Is she your friend?" Lila asks as she stares at you, and Natasha laughs.

"Yes, she's...my special friend," Natasha looks at you with a smirk to which you roll your eyes gently in response.

"I like your braids," you tell Lila softly, who smiles shyly at you in thanks.

"Sorry to drop by in like this," Steve says to Laura.

"Yeah, we would've, but we were too busy not knowing you existed," Tony chirped in.

Clint smiles as he stands next to his wife and has his hand on Cooper's shoulder.

"Yeah, Fury helped me set this up and kept it off SHIELD's files. I'd like to keep it that way, I figured this is a good place to lay low."

Laura laughed suddenly, and everyone turned to see David giving family photos to her.

"Okay, as low as we can," Clint corrects.

Natasha sets down Lila as she drags you closer to Laura.

"Ah, honey, I missed you," Laura pulls Natasha into a hug before giving you a kind smile.

Your nose twitches as you get closer, and you can smell Laura's pregnancy in more detail.

"And how's little Natasha?" Natasha coos as she bends down to touch Laura's stomach gently.

"You mean Nathaniel?" David snickers and you elbow him in the rib.

"What?" Natasha says as she stands up, looking at David before she turns back to Laura.

"Sorry," Laura gives her an apologetic look that confirms what David said.

Natasha leans back down to Laura's stomach, "Traitor."

"Thor," Steve calls out.

You turn your attention as Thor leaves the house with Steve following him.

You hear Thor say how he saw something in his dream and how he won't find his answers here before flying off.

Everyone seems to have reached their limit and wants to get some rest. You, Natasha, and David decided to stay in one room since the two of you don't sleep. David said he'd be out working on a lot of other things anyways.

"Mind if I shower first?" He asks you and Natasha.

"Go for it," Natasha nods.

"If you use all the hot water, I'll kill you," you tell him, and David just pretends to look offended that you would even insinuate he would before walking off.

You could hear Clint and Laura talking in the next room where he's updating her on the mission and what he'll do once this mission is done. You try to drown it out as you turn and focus on Natasha before you.

"How are you feeling?" You ask softly as you lift your hand to her face.

Natasha presses more firmly into your hold. A part of her wishes she could feel the warmth of your actual hand, but she doesn't want to push you, and you were clearly nowhere ready to touch her with your bare hands.

It didn't stop her from fantasizing about it, though.

"Better," Natasha rasps, "I've stopped hearing the lingering voices."

You nodded, using your thumb to stroke her cheek.

"How was it?" Natasha asks, breaking the silence, and you know what she's referring to.

Slowing dropping your hand, you went to sit at the seat beside the window.

"It was..." you sighed, "I don't know. Hard."

Natasha takes a seat next to you, combing her fingers through your hair, and your eyes fluttered at the serene feeling.

"Talk to me," Natasha softly says. She knows you've probably been refraining from trying to talk about it with her after that night. You must think she may not like it.

But Natasha doesn't care about such things like that. Tatyana was a big part of your life, and even though you haven't said anything about it yet, Natasha knows Wanda will be too.

In what capacity will depend on what you'll allow, what you think Natasha will allow.

"I suppose...I didn't expect her to look so much like Tatyana," you smile weakly. "Looking at her is like nearly looking at a spitting image. Pietro has similar features, being twins, but it's easier to ignore that he's a descendant."

Natasha nods, understanding as she continues to comb through your hair.

"I'm still working on confirming something," you tell her honestly.

"And if what you suspect is true?" Natasha asks.

You purse your lips.

"Then, we have a new set of problems."

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

The day continues on, and everyone, for the most part, has freshened up. You leave Natasha to her own devices with showering even though earlier she had given you a look that suggested that they could save water if they showered together.

You had felt a hot liquid pool form in your lower stomach as you licked your lips.

But now was neither nor the time to engage in such activities, though you did give her a languid kiss before excusing yourself.

You could hear Tony and Steve talking--passive-aggressively arguing outside. You were about to go out to break it up when your eyes honed in on something.

"Just great," you huffed under your breath as you headed out to the field where there was a tractor.

"Thank you, Laura," a deep voice spoke as he caught your eye as you came up to them.

Laura greeted you, and you nodded in response as she slipped out to do her task.

"Maria tell you to come out here?" You asked, looking at Nick Fury.

"She thought it would be best for me to assess the situation," he shrugs. "I wanted a little word with Stark, anyways."

You shake your head. "Your words will mean nothing to him, you know."

"Then perhaps I should talk with you," Fury redirects. "I hear you're quite involved with this case."

You remain silent, not taking his bait.

"What do you suggest I do?" Fury says, curious about what you'll say.

Before you could answer, you hear Tony approaching, catching the two of you after looking at the tractor.

"Ah, Mrs. Barton, that little minx. What are the two of you doing here? Did Maria call you?" Tony asks as he turns to look at Fury.

"Artificial intelligence, you didn't even hesitate," Fury cocked his brow at Tony.

You tune out the two of them talking as you focus your attention elsewhere. You could hear Steve a little ways away, still ripping woods apart with his bare hands. Inside the house, you could hear the water being turned off, indicating that Natasha was done with her shower, and you decided you would go in soon to shower yourself before helping where you could.

"--you didn't," you catch the end of what Fury said before the man walked off, leaving you alone with the genius billionaire.

He was frustrated--annoyed, you could tell by just looking at his face. The light grimace and pinch between his eyebrow were a clear indication.

Tony catches you staring at him, looking miffed as he peers at you.

"Well, I suppose you have something to say, too, huh?" Tony mutters.

You take a long minute to stare at him, his conversation with Fury not lost on you.

"Not really," you say in the end. "Nothing I haven't already told you, anyways."

"Right, like my ego being too big, and I'm not the be-all, end-all."

You shrug. "No one is the be-all, end-all. If the world had to only rely on one man, we would've gone extinct before cavemen even had the chance to evolve."

"And I'm the man that's going to cause that," Tony persisted.

"No," you shook your head. "You know as well as I do that it was only your fear being shown to you."

"Do I?" Tony scoffed. "All I know is that I saw all my friends dead, and I caused it because I couldn't save them. Who are you to say it's not the future I saw?"

"Because she can't show you the future!" You burst at him, grimacing at your own outburst. You sigh, closing your eyes and pinching the bridge of your nose. "That's not what her power is. In the best-case scenario, she can use telepathy to read your mind to experience your memories and thoughts, and then using that to project hallucinations onto you. In the worst-case scenario, she can use her powers to alter reality to make what she wants to come true. I don't think she's there yet."

"And how do you know all that?" Tony asks, narrowing his eyes at you.

"You know that I came on this mission for my own personal reasons."

"And what? That Maximoff girl is your personal reason?"

"They both are," you tell him. "Her powers aren't entirely unfamiliar to me. Different, yes, I imagine from the scepter, but not unfamiliar."

"I don't see the difference between her powers and my future." Tony blinks at you.

You grumbled, sighing as you try to explain. "It means, dumbass, that Wanda either doesn't realize that she can alter reality or that she doesn't have enough control of her powers to do so yet. I'm betting it's a mix of the two. I felt it when I fought with her. She's chaotic, and her powers are unrefined. Because of that, she can only snoop into your mind and then send you your worst fear in the form of a hallucination. You weren't shown the future, Tony, you were emotionally exploited."

You wanted Tony to understand, not so sure why you were so concerned with it. Tony, like everyone else, was a complex person with a multitude of different faces and layers. On the surface, he was a nonchalant, cocky dickhead (though, you were also sure some of that was truly him on the inside too), but he was also someone who cared.

A lot.

And people who tend to care a lot always overdid everything to protect everything and everyone they care about.

Tony was already hurting.

And Wanda was making it worse.

It was a painful reminder that Tatyana had hurt people too, and you couldn't stop her.

"How do you know that isn't the future for sure? How can you confirm that's not my legacy?" Tony murmurs quietly, looking at the sky as if the low volume would allow him to admit his fear without you hearing.

You stare at him for a long minute, biting your tongue before you draw a long sigh that gets Tony's attention.

Tony watches you, taking off one glove, pressing your lips together as you do so.

You hold out your hand to him.

"If you tell Natasha I touched you before her, I'll break your dick."

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

Dinner is a pleasant affair. You had gone back into the kitchen swiftly after finishing your talk with Tony. Laura was starting to make dinner, and you let her know not to worry about you and David as the two of you don't eat.

You had taken a step out with David while everyone was bustling around before dinner. It had been a while since you last fed, and you had a feeling things were going to start happening back to back, and you needed to be prepared for it.

The two of you headed into town to the nearest hospital, compelling a nurse to bring you both a blood bag to feed on and forget.

It wasn't a lot, but it would be enough to get through the mission without damage, hopefully. You didn't want to end up taking too much from the hospital and causing a problem, even though the two of you were too far from your own stash.

It would've been better to go to a blood bank, but this town was so small they didn't have one.

You were sitting closely next to Natasha as she ate her dinner, your arm around her, and you fought the urge to hide your face into her neck.

"You should head to NEXUS in Oslo to pick up JARVIS," David tells Tony.

"Is that where he is?" Tony hums. "Smart guy to head to the fastest internet hub on the earth. I'm such a proud dad," Tony pretends to tear up.

"Great, you got one good kid and one fuck up, classic!" You say over Natasha's head while Tony scrunches his nose at you.

"Why did I come?" Fury muttered rather loudly. Seems like all the information he was bringing was already brought up by David.

"For a good time, boss. But you wouldn't happen to have anything else, would you?" Natasha pulled a piece of her bread apart.

"I have you," Fury shrugged. "We ain't got nothing but our wit and our will to save the world. So stand up and take out that platinum bastard."

"Steve doesn't like that kind of talk," Natasha teases.

"You know what, Romanoff?" Steve jokingly threatens while she smiles mischievously at him.

You had been only half-focusing on the conversation at hand, jumping in here and there to throw in remarks. You were thrumming your fingers at your side quietly.

There was something about that first night you had all encountered Ultron.

"So, what does he want?" Fury asked.

"To become better. Better than us. He keeps building bodies," Steve licked his bottom lip.

"Person bodies. We're outmoded, biologically speaking, but he keeps coming back to it," Tony leaned back in his chair.

"He wants the human race to evolve; therefore, he needs to evolve himself," Banner mused.

"I don't think evolving the human race is his goal," David muttered.

"How's he going to do that?" Fury asked.

And then it occurred to you.

"Has anyone talked to Dr. Cho?" You pursed your lips.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

There was a lot of noise as everyone was getting ready to leave the Barton household.

Thor was still out on his own, so no one held high hopes he would be coming back for this one.

"Alright, I'll head to you guys as soon as I collect JARVIS from NEXUS," Tony, lets everyone know.

"I'll take David and Banner to the Stark Tower," Fury said. " "Mind if I borrow Miss Hill?"

"All yours," Tony nodded. "What are you gonna do?"

"I don't know, something dramatic, I hope," Fury shrugs.

"Alright, everyone else goes with me," Steve attached his shield onto his back.

You nod as you stood next to Natasha.

"You know, I miss the days when I was the weirdest thing science created," Steve mused.

"What do you mean?" You looked at him with a smirk. "You still are."

"I swear to God--"

"Swearing is not good, Steve," Natasha joined in on the teasing.

"I hate you both," Steve shook his head with a good spirit.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

There was something that rubbed you the wrong way when you entered the laboratory.

Sparks from exposed wires filled the air, and you could smell blood and hear the shallow breathing of a woman.

You recognized the scent.

"Dr. Cho is in there," you say quietly for Steve to hear, and the two of you race in to see that she was sitting on the floor, resting against a cabinet as she was clutching her stomach tightly. She had blood dripping from her head and lips, but she was still alive.

"Dr. Cho!" Steve called out as he race to her, bending down to see if she was okay.

"He's uploading himself into the body," Dr. Cho heavily breathes. "You can't just destroy the cradle. You need to get it to Stark."

"I got to find it first," Steve tells her.

"Go," she nods in the direction of outside. He purses her lip at her, but she nods to let Steve know she'll be okay.

He starts to head out but then looks at you.

"I'll catch up," you say offhandedly as you bend down to assess the doctor.

She was bleeding profusely through her stomach, where Ultron shot her. Dr. Cho had done her best to stop the bleeding, but it started to soak through the cloth. You looked around to find her technicians dead, and you frowned.

"Maybe I will get your venom after all," Dr. Cho says with a smirk, bringing your attention back to her.

You cocked your brow at her with a smile. "It's quite the risqué position. I don't know if my girlfriend would like that."

"I'm sure she won't mind you helping a frail, dying girl," Dr. Cho jokes but winces in pain shortly after.

You snort at the word frail but lick your lips nonetheless. "Listen, Doc, I don't wanna catch you doing experiments on yourself after getting my venom, alright?"

She nods, and you lift her hand away along with the cloth. You lower herself down her body, feeling the venom pool in your mouth.

You hear her breath hitch, and you're not sure if it's because she's in pain. You remind yourself you need to be careful. While you could drink the blood that was pouring out from Dr. Cho, you opted not to.

Dr. Cho realized this as you were carefully licking her wound, feeling something amazing happening on her skin under your mouth as she was being healed.

"What a loyal girlfriend you are," Dr. Cho mutters.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

"I'm always picking up after you boys," Natasha grunts as she Steve's shield and gives it to you to hold.

You were on your way to Steve when Natasha dropped from the sky on a motorbike, and you found yourself hopping on the back of it as she passed you.

"Seriously, Steve, I've seen people treat their trash better than how often you drop this thing," you joke.

"Little busy, guys," Steve grunts back, "wouldn't say no to some help."

As you get closer to the truck where Ultron and Steve are, you whip his shield to him, and Steve uses it to knock Ultron's arm off of him. Ultron falls, catching sight of you two and uses his power to lift a piece of the ground up to stop Natasha in her tracks.

"Go!" Natasha tells you, and you get up on the motorbike before using your strength to propel yourself onto the truck as you leap.

Ultron sees you and immediately uses his ability to manipulate gravity to launch himself towards you.

But if Pietro was too quick for him, you were just a step behind. You blur to the side, back kicking him with a brute amount of force as Ultron passed you.

The strength of the kick alone had done a lot of damage. Your foot had impaled him halfway as he passed, bolts, and gears falling out of the hole you created.

"Look at us," you look at Steve, "we're a dream team."

"I always wanted to tag team with you," Steve smiles.

"Of course you do," you say as if it was obvious, "I'm your favorite."

"Ugh!" Ultron screams as he flies into Steve's direction this time, but Steve uses the momentum to take them both into the train that was moving next to them.

You followed as you spoke into the intercom, "We're taking the party elsewhere. The truck's all yours with the surprise inside, baby."

"I love when you leave gifts for me, so romantic," Natasha cooed.

"Please stop, or I will vomit," Clint says.

You snort as you follow through the hole Ultron and Steve created when they crashed into the train. You land with grace, noticing there are passengers on the cart.

Steve hits Ultron with enough force to send him flying, and you move as fast as you can over to a young teen to force her lower onto the ground from her seat to avoid being crushed.

"I guess I've got civilian-watching duty," you say almost glumly.

"I'd be happy to trade," Steve huffs as he stands up straight.

You could hear Natasha and Clint talking through your earpiece, and for a second, you wished you had stayed with your girlfriend when you hear that the truck is airborne, but you knew she could handle it.

"No, you seem like you got it," you shake your head with a smile. Luckily with a psychotic robot and turbulence on the train, it was too hard for anyone to grab their phone and record.

Ultron barrels into Steve, knocking him into the corner before Steve uses his foot to kick back.

"Of course," Steve puffs.

Even though you had said that you still helped out when you could, with the narrow pathway the train provided, the two of you had to be careful of making sure civilians didn't get hurt.

Ultron was extremely diligent in keeping you at a distance from him, realizing you were nearly as fast as Pietro and much, much stronger.

But then you heard it.

The light footsteps atop the train at first, then then your eyes easily adjusted to a blur that went past you, knocking into Ultron.

It was Pietro.

Your eyes easily found their way to Wanda as you turned around. She was looking at you, unsure what to think when your eyes met.

Ultron turned back to start towards Pietro, but two metal railings were bent to prevent him from doing so. Ultron turned back to see Wanda, and it was clear on his robotic face that he was hurt, but he also knew he couldn't best Wanda.

"Please, don't do this," Ultron's tone soft and pleading.

"What choice do we have?" Wanda's thick accent hung in the air, and you bit your tongue.

Ultron stilled for a millisecond before he turned around, shooting a blast out from his hand. Everyone dodged, and the explosion shot straight through to the train's front where the conductor was. Taking the momentary distraction, Ultron bolted out of the train and flew away.

With the conductor out, the train started to sway unsteadily, everyone losing their footing, and no one could go after Ultron.

Steve hopped up, heading to the front to check if the conductor was okay, but she was out cold. "We've lost him! He's headed your way."

The train flew off its railing, and everyone hung on the best they could as it kept going even on concrete and dirt.

"Nat!" Clint shouted through the intercom. "Cap, do you see Nat?" His voice was panicked and strained.

You looked out the window of the train in the sky. You could see Quinjet, but Natasha was nowhere in sight.

"What the hell do you mean, Clint?!" You shouted.

"I got the cradle, but Ultron grabbed her the last second we got it. Do you have eyes on her?!" Clint asked, his head moving jerkily as he looked around out the windows.

"If you have the package, get it to Stark!" Steve instructed. "Go!"

You heard Clint frustratedly curse an expletive before he flew the Quinjet away in the other direction.

Warning bells were already going off in your head as you were about to take off the train and see if you could locate Natasha, but Steve's voice stopped you.

"I need you to help stop the train, or these people might die," Steve's jaw was tight, and you knew that he didn't want this either. If he could stop the train on his own or trusted the two twins enough, he would want you out there looking for Natasha too.

You looked around, seeing the humans' petrified faces, all sorts of people on this train, no doubt children too.

You clenched your jaw, swallowing painfully, but you resolved to trust that Natasha was okay and could take care of herself. She had been long before you, you reminded yourself.

"Alright," you breathe out in a huff.

"Civilians are in the path," Steve told Pietro, who rushed off.

"I need you to help me stop this train," you turn to Wanda.

She stares at you but nods once firmly.

You make your way to the front of the train, hopping over the conductor and a few feet away from the train, turning as it approaches you.

Steeling yourself by digging your feet into the ground as you get into a stance with your hands out, the train collides into you. Instead of crushing you like it would an average human, your body hardens to take the shock, and the train pushes you back, gravel and dirt flying everywhere.

It slows down slightly, but it won't come to a complete stop before the train would barrel right into a building. You can see Pietro working around you, and Wanda uses her power to stop the wheels from turning.

The train comes to a full stop smoothly with all three of you, and no one was harmed. People began to exit the train, and Steve came out to check on you while Wanda checked on Pietro.

"I'm fine, just need a second," you breathe, hearing Pietro say something similar to Wanda.

"Did you get the cradle?" Wanda asks, her eyes floating to you. Your eyes caught hers for a moment, but you turned quickly to your intercoms.

You had tried to contact Natasha, but it was obviously a bust as she didn't answer back. Your next contact was with David to tell him to start searching.

"Stark will handle it," Steve tells Wanda.

"No, he won't," Wanda looked distraught.

"You don't know what you're talking about, you don't know him," Steve defended Tony while Wanda looked more upset as the seconds passed.

"He will do anything to make it right," Wanda says, knowing what she saw in his head. "Ultron can't tell the difference between saving the world and killing it...where do you think he gets that from?"

Steve pursed his lips because as much as he didn't want to admit it, the girl had a point, and Steve was still miffed about how Tony had kept all this artificial intelligence stuff a secret.

"Stark, anyone, come in?" Steve said into his comms, but it was silent.

You turn around, jaw clenched as you were upset about Natasha taken.

"It'll be fine," you tell the three of them, the confidence in your voice that made everyone quiet. "We need to head back."

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

You were pissed.

And everyone could tell.

Natasha was taken, and no one knew where Ultron may have taken her. You understood at the time that Steve needed you there to help him, but it didn't help that Natasha was gone.

You were mostly pissed at yourself.

"Well, she's not dead," Tony says as if in an attempt to make you feel better. "If she were, Ultron would be rubbing it in our faces."

You didn't say anything in response, jaw still clenched tightly.

Wanda watched from the other side of the room, looking at you peculiarly with her head slightly tilted and arms crossed together just under her chest. She had gathered that you and Natasha were together, and from the information she got from reading other people's minds, it seemed that it was still relatively a new development.

There was something in Wanda's chest that flared annoyingly at the sight of you so...so worried over the redhead. She didn't quite understand it herself or what was the underlying cause of it. But you looked different with that expression on your face.

"You think Natasha might've left something for you outside the internet? Any old-school spy stuff?" Tony asked as he turned to Clint.

"I can cast some nets to see if I catch anything," Clint pressed his lips together, also eager to find his friend.

Your eyes were glowing red angrily as you tried to control your emotions. David came up to you, putting his hand on your shoulder to try to ground you.

"I'll find her," David promises you.

You were gripping a countertop as you were slightly hunched over it.

You needed air.

Suddenly, the edge of the countertop snapped under your grip, crumbling into smaller pieces, and you let it go as you stood straight.

"Find her within the hour," you tell David, walking briskly out of the room.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

When you came back, everything was in chaos.

Everyone was arguing about the body in the cradle and what to do with it. You could see from the corner of your eye that Bruce was angry with Wanda and picking a fight with her.

It was escalating so fast. All of a sudden, Pietro took off as he started destroying lab equipment.

"No, go on," Pietro stood next to Bruce, but the next second afterward, the glass floor shattered underneath him, and he fell through where Clint was.

"Pietro!" Wanda went to help her brother, but then Bruce grabbed her from behind.

Tony and Steve were fighting each other, and you blinked before clenching your jaw.

You blurred over, and just before Steve and Tony were about to collide again, you intercepted, grabbing both their wrists and twisting.

"Ah!" They both yelled as they staggered, almost kneeling on the ground.

The room stilled as everyone look at you.

"We do not fight each other," you snarled at them, looking at Steve and Tony pointedly. "Keep this up, and I'll snap both your wrists."

You grip just slightly tighter in warning before letting them both go, and they stumble a little as they stand up straighter.

"Jesus Christ, I could feel the armor just about to give," Tony says, holding his hand up to inspect his suit while Steve rubs his wrist gingerly.

You then blur over to where Bruce and Wanda to separate them, shoving Bruce a little harder when he refused to let go of Wanda.

Wanda stumbles into your arms when Bruce is forced to let her go. You steady her with your hand on her back. Your scent fills Wanda's nose, and she's almost reeling at how it invades her.

"I get that you're beyond pissed, and what she did was not okay," you tell Bruce, eyes flickering to meet Wanda's for a second before looking back at him. "But clearly the situation has changed, and for now, she's with us. Steve brought them here. This isn't the time. Focus on the mission at hand, figure it out with her after."

"You want me to forgive what she did?" Bruce said incredulously.

"No," you shake your head, "I want you to be an Avenger and put it aside for now because your teammate has been captured, and there's still a maniac robot out there hellbent on making humans extinct."

Your words hit Bruce and seem to sober him from his anger, and he relaxes his clenched jaw as he sighs and nods. You pat him on the shoulder twice before you walk away, leading Wanda with you.

Best to not tempt it again if they're too close together.

Wanda looks at you as you walk with her. The words, 'are you upset with me?' want to leave her mouth, but she forces them in. Of course, you'd be upset with her. She had done so many things to the Avengers, including harming your girlfriend with hallucinations.

Wanda looks away and grits her teeth because she shouldn't care if you're upset with her or not.

But then she feels a light pat on her back.

Wanda looks at you. You aren't looking back at her, there's no indication that you had done that as you keep your head straight ahead.

Still.

Wanda had understood the gesture regardless, hearing your voice in her head.

'It's not okay, but I understand. You will get a chance to make it up to Bruce, and he will forgive you. Give it time.'

Before Wanda could say anything, Tony and Steve were at it again, but this time using their words.

"Tony," Steve's face daunt and tight in disapproval, "shut it down!" Steve demanded.

"And I'm telling you, this is will work!" Tony shot back as he caught you coming up to them.

"Tell them!" Tony looks at you, drawing Steve's attention to you as well. "Tell them what you--"

You shoot Tony a warning look, getting him to shut up.

Sighing, you looked at Steve. "Trust me when I say that it will be okay."

"You want him to bring another android to life?" Steve said in disbelief. "We haven't even defeated the first one yet!"

Before you could argue some more, Thor flew in, bringing his lightning hammer on the cradle, bringing the body to life.

"Wait!" Bruce yelled, but it was too late.

For a moment, it was silent, but suddenly, the body smashed out of its cradle.

Glass flew everywhere in its surrounding area. You immediately grabbed Wanda, pulling her to shield her from the flying glass as you used your hand to protect her head.

You felt a piece of glass slice through your cheek on the surface, momentarily stinging before it mended itself.

When everyone stood straighter as the glass settled, there was a giant red android standing in his naked glory, and a giant yellow stone plastered into his forehead.

You had known this was coming when you touched Tony's hand. You had seen quite far ahead; everything from this, to the fight with Ultron in Tony's perspective, and even a little after that.

When the government and the United Nations wanted to be involved in the Avengers' affairs.

That would be a tricky one to navigate, and you wanted more time to think about it.

When you had relayed what you had seen back to him on the farm, you reassured him that he doesn't kill anyone in the next while, but you didn't exactly tell him what he will do in the future in detail as it could cause counterproductive results and change the future again.

All you could tell Tony was that he was on the right path, he was going to create something to help win the battle, and a heat seal would come in handy.

But back to the matter at hand, you knew this was coming, and yet, actually seeing the giant red walking toaster rubbed you the wrong way, and you weren't quite sure why.

He was floating and quickly flew towards Thor, who easily deterred the android away.

Thor raised his hands as Steve and Clint were ready to fight. Pietro came back, looking at you with a quirk of his brow when he saw you still holding Wanda.

You let go awkwardly because you were distracted, forgetting that you were still protecting her.

Why Pietro was staring at you like that, you didn't know. It's not like Wanda stepped out of your arms, either.

"I'm sorry," the android came back, sounding very similar to JARVIS. "That was odd...thank you," he looked at Thor.

"Thor, you helped create this?" Steve said as he eyed the being before him.

"I had a vision. A whirlpool that sucks in all hope of life and at its center is that," Thor says, pointing to the stone in the android's head.

"What? The gem?" Bruce clarified.

"It's the Mind Stone. It's one of the six Infinity Stones, the greatest power in the universe, unparalleled in its destructive capabilities," Thor explained.

"Then why would you bring it to life..." Steve pursed his lips, even more suspicious of the new being.

"Because Stark is right," Thor says, almost looking pained to admit.

"That's just gonna unnecessarily inflate his ego," you mutter while Tony was accessing what he helped bring to life.

"We can't defeat Ultron," Thor says, but then catches David entering the room. "Okay, well, maybe he can, but he seems like he has a lot to do."

"Help is good," the android tilted his head.

"Why does your 'vision' sound a lot like JARVIS," Steve's brows furrowed.

"We...configured JARVIS' matrix to create something new," Tony explained.

"I think I've had enough of the new," Steve pursed his lips, never taking his eyes off the android.

The android looked over to Steve. "You think I'm a child of Ultron?"

"You're not?" Steve countered back.

The android shook his head. "I'm not Ultron. I'm not Jarvis...I am...I am." Since he had yet to name himself, and due to Thor's vision, everyone decided that's what his name would be.

Wanda looked at Vision suspiciously. Her eyes narrowing at him. "I looked in your head and saw annihilation."

"Look again," he prompted her, staring at her intensely, and you resisted the urge to curl your lip back.

Wanda does what he says, a curious look on her face.

"Yeah, her seal of approval means jack-shit to me," Clint says.

You watched as everyone goes back and forth, with Vision ending with a long, windy, talk about himself and that they need to go. You resist the urge to roll your eyes.

"Sokovia. Natasha's there too," David answered, giving you a look when everyone questions where they were going.

"Then let's go," you lick your lips.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

The ride back to Sokovia feels long, even with Tony flying the Quinjet as fast as possible.

You stand in the back, looking out the window as the clouds pass by. You hear someone come up to you, but you don't move.

The smell of cinnamon and orange blossom floats you're way, so you don't have to know who it was.

The two of you stand in silence, appreciating the view outside.

"Sometimes...sometimes I can see a glimpse into your head," Wanda says quietly, so the others don't hear.

Your eyes peer over to her before slowly looking back out.

"It's not polite to snoop," you say equally as quiet.

"I can't exactly control it..." Wanda mumbles.

"Even so, you should at least pretend you don't know," you moisten your lips.

It's quiet for a moment before Wanda speaks up again.

"I...saw someone. Things I can't explain," Wanda says unsurely, and you know what she's talking about.

Even though you know she can't help it, you can't help but also feel a little miffed.

You knew that Wanda had a right to know, and yet, you didn't say anything.

"You were looking for me..." Wanda realizes.

"And Pietro," you add, giving her a look, almost laughing when she scrunches her nose.

"We're...connected," Wanda slowly says, turning to face you more.

You swallow as you turn to face her as well.

Wanda's staring at you intensely as if drawing in every little detail about your face and committing it to memory. There's a tight feeling in both her stomach and chest, and she doesn't understand.

She doesn't understand you.

You nod softly.

"Will you tell me about it?" Wanda asks.

"After everything has settled," you tell her.

Wanda swallows.

"You want me to stay?"

She says it so softly, you're surprised such a tone can come out of her when lately she's been an angry bull.

With the time you have, you take in her features. Her long dark hair behind her ears, round face, with define cheeks and jawline was familiar. Her long lashes framed her eyes, and her dark eyeliner and the lighting inside the craft dimmed the color of her eyes.

Still.

She looked at you with an intensity that made you dizzy.

"Yeah," you rasp. "How else will you make it up to Banner?"

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

Natasha hears you calling her name as you run-up to her cell. She stands up, meeting you on the other side, her hand touches yours.

"You okay?" You ask her, accessing her thoroughly for any kind of injuries.

"Yeah," she tells you, smiling a little at your protective behavior, and once you're satisfied that she's relatively unharmed, you look back to her face.

"We gotta get going, team's already out there, and we're missing all the action," you say, liking the way Natasha smirks.

"Don't suppose you found a key just lying around on your way in, did you?"

You tilt your head, looking at the built-in lock on the cell door. Placing your hand over it, you yanked with a substantial amount of strength, forcing the metal underneath to give way.

You threw the hunk of metal behind your back and looked at your girlfriend. She smiled at you as she slides the door open, jumping into you to hug you briefly.

"Let's go," she says as she pulls back.

The two of you navigate your way through, but the ground begins to shake as you're almost out of there. The two of you stumble slightly before steadying yourselves.

"What's the situation?" You ask into the comms.

"Ultron's got Vibranium under the city. We're up in the air," Tony advises.

"Shit, we need to get out here," you say, turning to Natasha. "We're not going to make it on foot, so I'm going to carry you on my back."

Natasha nods, and you turn around, lower yourself so she can get on. Once she's secured on with her legs wrapped tightly around your waist, you adjust here once more before you're satisfied.

"Keep your head down and close to me," you tell her, feeling her following your instructions. The speed you'd be going at could accidentally break her neck if you weren't careful.

With that, you race out, quickly reaching the outside. Everything seems to be crumbling at you begin to maneuver onto the rocks, leaping onto another one as they fall. Eventually, you reach the cliffside wall, using your hands along with your feet to climb up.

When you reach safe ground, Natasha gets off.

"Didn't even break a sweat, huh?" She says to you.

"I have great stamina," you joke, but Natasha raises her brow at her, quirking her lip on one side into a seductive smirk.

"I'll be sure to test that out one day."

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

You feel awful.

Sokovia is falling apart, people are screaming and crying, and it's a war zone out here.

You separated from Natasha, warning her to not get kidnapped again because you don't think you could live with that kind of worry. She merely kisses your cheek before she races off to go help Steve and Thor.

You met up with David, who was huddled up with one of Ultron's robots, and a laptop next to him. The robot was powered down by David, who had his hands on its chest intensely.

"What are you doing?" You ask, looking at his laptop screen to see he was uploading something.

David didn't break his concentration or even open his eyes, but he answered you. "I'm trying to reprogram this bot's mainframe. The Vision is deleting Ultron off the net, so if I can do this, then I can turn this bot over to help us, and then spread it over to all Ultron's other bots."

"That would definitely turn the tide on this," you say, crushing a flying robot towards David.

"I...I got it!" David exclaimed, powering up the robot in hand. It stood up, accessing you, and you stood on guard, but it started to attack its own kind as a threat in the next moment.

"I just need to finish uploading the software to be spread," David picked up his laptop. "I'm going to take cover to finish this, and then find The Vision. I'm good here, you should go."

You nod at him before you take off at high speed. On your way, you bumped into Clint and Wanda. They were being overpowered as they tried to help civilians out of the area.

A group of bots begin to close in. It seems David is still in the process of uploading the software, so the attacks haven't ceased. You notice a bot hellbent on self-destruction as it plummets towards the ground.

Clint is already moving towards Wanda, shouting at her to move. You rush towards the two of them, jumping and pushing them through a building window just as an explosion hits. There are shots still being fired even as the three of you take cover.

Clint's already sitting up, alert as he tries to look at the situation outside without getting shot. Wanda crawls towards the wall, gasping and whimpering.

"How could I let this happen?" She's so distraught.

"Hey, hey, are you alright?" Clint asks, but you put your hand on his shoulder.

Clint looks at you. The situation outside still needs to be handled, and he seems like he doesn't have the time to try to give her a pep talk. You nod at him, and he nods back. Getting up, Clint readies his arrows before he kicks open the door.

"This is all our fault," Wanda cries quietly.

You grab her face, getting her to look up at you. "Look at me," you tell her. "It doesn't matter whose fault it is. It's your fault, my fault, it's everyone's fault. Regardless, this is happening."

She looks at you, breathing harshly as she blinks rapidly.

"I know you're hurting, but this is your homeland, and it's up in the air. Literally. Hopefully, if David manages, we won't be fighting an entire army of robots, but we still got one bad guy to fight," you swallow before hearing something approach as you push and move Wanda out of the way just as a shot fires through the wall.

Wanda looks even more frightened, and she's hanging on the front of your jacket as you readjust to move away from the wall.

"We can't change what we've done, we can only try to fix it going forward. I don't care about anything you did or who you were before this."

"I can't fix this," she bellows to you.

"Yes, you can," you backfire immediately at her. "If you scared and want to let everyone else clean up your mess, I'm fine with letting you do that. You'll be safe here, and Pietro can come to get you. But you can't sit here and tell me that you're okay with letting your fear control you. You can do this, I know you can."

Wanda stares at you, eyes shaking as bites her tongue, letting the silence fall.

"Why do you believe in me so much? Care about me so much?" Wanda asks quietly, feeling something stir in her stomach.

You look back at her, noticing that Wanda seems calmer. Maybe because you feel like you're looking at someone so similar to Tatyana in many ways. That Wanda feels like she's the villain who had caused this.

Perhaps thought she had wanted to be a villain at the start.

But it wretches your gut painfully.

"If anyone could become a hero, it'd be you."

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

"David, please tell me you're almost finished," you say into the comms as you, Wanda, and Clint fight the rest of the robots in your area.

The three of you need to work your way to Steve and the rest of the gang when Pietro flew in to take Wanda.

"Keep up, old man!" He teasingly says as he darts off.

"I hate him so much," Clint breathes deeply.

"If you want, I can carry you," you shrug.

"I both want to and hate the idea," Clint scrunches his nose but allows you to carry him.

"I'm really close guys, just hang tight!" David tells everyone.

"The next wave is going to hit any minute," Steve says. "What do you have, Stark?"

"Working on a heat seal," he tells everyone.

"We don't have the time," Thor says, "Ultron is trying to get to the core. We need to make a choice."

"That's not a solution," Steve firmly says.

"There's no math here, Steve. Everyone up here versus everyone down there?"

"I'm not leaving this rock with one civilian on it," Steve doesn't budge.

"I'm not saying we should go," Natasha counters back, nodding her head back and forth as she considers something. "There are worse ways to go. Besides, where else am I going to get a view like this?"

"I have at least fifteen other places that have better views than this."

Natasha looks over to see you had shown up with a disapproving look on your face.

"I think we might have to settle," Natasha gives you a self-deprecating smile that shows all too much that this is the only way.

"I don't settle."

With that, another voice comes on the radio.

"Glad you think the view is nice, hopefully, you think this is much better," Fury comes in with a Helicarrier in view. "Nice, right? I pulled her out of the mothballs with a couple old friends. She's dusty, but she'll do."

"Fury, you son of a bitch!" Steve says with a smile.

"Ooh! You kiss your mother with that mouth?" Fury replies in teasing.

Natasha looks over to you, smiling as you come up to her.

"Did you know?" She asks, and you shrug, not wanting to tell her that you touched Tony.

"If Fury decided to show up at the farm with actually nothing else planned, I think we would have to vote him off the island," you offer instead.

"That's comforting," Fury sarcastically said.

"Anytime," you reply.

Within seconds, lifeboats are deployed, and everyone is helping with the evacuation.

"The odds aren't looking too great here," Thor interrupts. "The core is getting bombarded."

"Rhodey, get everyone on the Helicarrier!" Tony says as he flies towards Thor to help.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

"This is exactly what I wanted. All of you against all of me. How could you possibly hope to stop me?"

"Like the old man said," Tony looks at Steve. "Together."

The bots begin to rush towards everyone, and you swallow.

"Wait, guys!" You hear David through the comms. "I...got it!"

Just like that, the bots stop dead in their tracks and power down before powering back up again.

This time, they turn their attention towards Ultron.

"Are you kidding me?" Ultron grumbles as the bots rush towards him, firing shots away that Ultron easily deflects.

Because The Vision burned him off the net, Ultron has no way of accessing the software David created to try to change the bots back to his side.

The Hulk rushes towards Ultron, punching him square in the chest and sending him flying miles away.

Everyone turns to look at each other as David blurs into the area with his laptop.

"I feel like we missed a very epic battle scene," Tony says, "like a defining moment in a movie."

"Oh, I'm sorry," David says sarcastically, "if you want, I can totally fix that for you."

"Nope, we're good," Steve says quickly. "We still need to get the stragglers, but if Ultron comes back to the core, we're doomed."

"I'll protect it," Wanda interjects, looking at you as she does. "There's no one better than me."

You nod as Clint looks at Nat.

"Nat, let's go," he nods outside. She looks at you, and you nod at her as it would be faster for you to find civilians on your own.

You look at David. "Alright, nerd, you're going with me. I think you had enough alone time for today."

"You are so ungrateful, oh my god."

"I love you," you smile.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

Tony is using the extra bots to help push the rock further into the sky. If they can get it into space, using the heat seal would cause the least amount of damage to Sokovia.

"I can't believe I'm going into space again," Tony mumbled, glad he had made the adjustments to his suit so it would be suitable to go into space better this time.

He had been prepared since the alien invasion.

"Maybe you chose the wrong career path and should've become an astronaut instead," you joke, getting a low chuckle in return.

You had run the perimeter with David, seeing that there were no civilians left.

Natasha volunteered to try to convince The Hulk to either change back or get his ass on the Helicarrier. You would've volunteered, but you don't think The Hulk would be happy to see you, and you can't keep biting the man to force him to change back either.

"I think I can hear a woman screaming," David mumbled. "I'll go check."

He takes off, and you are about to head back when you hear shots fired in the distance. You turn and speed over.

You felt your stomach dropping when you approach the scene. Everything seems to happen in slow motion.

Ultron in his jet, shooting down at Clint, who has a little boy in his arms. You turn your head to see Pietro.

He looks at you, giving you a smirk that feels all too familiar like it's his last one.

Pietro is a step faster than you, he probably always will be. But that doesn't stop you. You force yourself to run. Run faster. Run harder. The sheer amount of force causes a sickening crack in your legs, but you make it just in time.

Pietro only gets shot once through his stomach before you push him out of the way and cover Clint and the child.

The shooting stops as Ultron flies away.

The silence settles, and Clint looks up to see you standing straight before him. You've been shot all over, multiple times in multiple areas.

You suddenly puke up blood as you fall to your knees.

Pietro immediately gets up from the ground rushing over to you, catching you in his arms.

"Why did you do that?!" He yells at you, hands over your body, but he doesn't know which areas to stop the bleeding.

"You idiot," you tell him. "Can you heal from being shot? I don't think so."

Though you say that, the only thing that healed, even though rather slowly, was the crack in your leg.

"You're not healing," Clint says, his tone urgent. He looks at you as blood pours out. "Why aren't you healing?"

"She doesn't have enough blood in her system."

Clint turns over to see David, looking horrified. He kneels down, taking you from Pietro's arms.

"I told you, you fucking idiot, that we should've just taken more blood bags from the hospital," David scolds you.

"This is hardly the time for, 'I told you so,'" You reply weakly.

"Get the kid onto the boat," David looks at Clint and then looks at Pietro. "You need to go collect your sister. There are no more civilians, and we're reaching the stratosphere soon."

"What about--"

"I got this," David says as he bites into your neck. You hiss at the sudden pain. Clint and Pietro have more questions, but they do as David says and take off.

"You better pray to God that we make it back in time," David purses his lips as he pushes your sleeve up to bite in various places.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

The damage to Sokovia is still devastating. It's not entirely obliterated, and people will be able to rebuild their country.

The Hulk, unfortunately, had taken off on his own in stealth mode. He didn't want to be found.

It seems The Vision has taken care of completely destroying Ultron, taking this chapter to an end.

It's not the perfect ending, but it could be a lot worse.

There was only one problem left.

You were dying.

Or at least, on your way to either going completely feral for blood to help you heal or going to a deep slumber until you were fed.

Either one was on the table at this point.

"What do we do?" Natasha asks David sharply as they're still in the air being transported back.

They were on the Helicarrier in their own private section away from the people as they didn't know what you were going to do.

"I only temporarily closed her wounds to stop the bleeding," David tells everyone, explaining why he bit you earlier. He was injecting his healing venom. "Venom doesn't quite work the same way on vampires as it does on humans. She still has a lot of internal bleeding that won't stop, and the only thing that can stop it is if she drinks blood."

"We don't have any blood bags on here!" Steve says as he looks at you, full of worry.

"We could...we could cut and drain our own blood," Natasha looks at you before looking back at David. "She can drink the blood as long as she's not biting us, right?"

David purses his lips as if to consider it but then shakes his head. "She's too badly wounded, it won't be enough. Plus, none of you are in the state to lose any more blood, even if you guys all donate. I can heal your wounds, but I can't make your body produce more blood."

"Then what do we do?" Natasha wants to scream. She can't lose you. She just can't.

At that moment, Pietro and Wanda come in. Pietro can hardly stand up himself, so Wanda is supporting him. They had heard part of the conversation as they came in.

Pietro looks at you, face full of anguish because you're only like this because you saved him.

You're tense on the table, occasionally arching your back up in pain and need. David is holding you down by your arm in case you suddenly get a burst of energy and massacre everyone in this room for blood.

Wanda looks at you, jaw clenched.

The feeling of loss is threatening her on her doorstep. You had saved Pietro, God knows if she could survive to lose her only family.

But Wanda was not ready to let you go either.

It has occurred to Wanda that outside of Pietro, the only person in this world that may understand her, believe in her, protect her, care for her...would be you.

There was something there, something undefined and frightening. Wanda was sure you felt it too with her, though ignoring it for Natasha.

David looked at Wanda. He knew that he shouldn't.

Yet before he could even stop himself, Wanda looks sharply over at him, catching his thoughts.

You would be entirely beyond pissed at him.

It would cause a whole new set of problems for everyone.

He was sure you would rather die.

But David wasn't willing to risk the chance of you going feral, which was almost guaranteed at this point, or your death.

He just wasn't.

"She can drink my blood," Wanda says, drawing everyone's attention. Wanda was the only person who hadn't sustained any significant damage or got shot. She could afford to lose blood.

"What?" Steve looks at David, who has his lips pursed.

"It would work, wouldn't it?" Wanda also looks at you, your eyes glowing a red she's all too familiar in seeing in herself. "It would be even better than drinking from a blood bag to feed directly from me."

Wanda doesn't fully understand what you are, or the concept of vampires, but she catches pieces here and there from everyone around the room.

And there's a feeling of intrigue and possession that flutters knowing that she was the only one you could drink blood from, aside from her brother.

Pietro grips his sister's arms tighter, torn because if you could drink her blood, you could drink his, but he was also in no shape to lose any more blood.

Wanda pats his arms to assure him she'll be fine. Pietro leans against the wall as Wanda comes closer to you.

"It...would, but..." David's eyes shift over to Natasha.

Natasha clenches her jaw.

The words about how feeding can be an incredibly intimate and private act come back to her.

It's not that Natasha is particularly jealous of Wanda in that way. She's more jealous that she can't do anything to help you herself.

Natasha can't muster the words out of her mouth, so she tersely nods.

With that, Wanda stands right next to your lying body on the bed.

"Everyone, stand back," David says, trying to keep you still, but it's like you can smell how close to feeding you are.

The burst of energy does come, but you use to break out of David's grip as you fling him across the room.

"Shit!" David yells, convinced that you're going to kill Wanda to drain her blood. He stands up, reading to try to fight you even though it would be a losing battle.

But he stops.

You merely stand before Wanda, her face in your hands as you tilt her head up to expose her neck.

You press your nose against her neck, taking a long inhale as you purr at the scent.

Wanda can hear alarm bells in her head that tell her you're a predator, and she's your prey, but she doesn't tremble. Instead, she brings her hands up to hold your wrists as if to keep them in place.

You chuckle throatily, attitude nothing like your usual self, "How brave."

Wanda swallows slowly, the action very visible as the muscles in her neck move.

"It was you who taught me that I could be a hero," she says quietly as if it's only for your ears.

The words seem to trigger something in you as you sink your teeth into her neck, a mouthful of blood rushing into you.

It's been too long, you almost forgot what it was like.

It was hot in your mouth, as fresh as it was.

You could feel a warm body being pressed you, hear a heart beating, and smell the arousal.

A deep moan left Wanda's mouth, unable to control it. A hot, liquid fire shot down to her lower stomach, pooling in her gut.

Wanda couldn't describe how it felt, what she was experiencing, but you were doing something to her as you drank from her, holding her close to you.

You suddenly lift her into the air, wrapping her legs around your waist as you blurred over to the drawer cabinet against the wall, pushing Wanda up on it roughly. Your hands held her possessively.

Wanda was pressed to the wall as she sat on the cabinet, her legs still wrapped against you tightly as she fisted her hand into the back of your hair.

Everyone watched in astonishment of the act, David biting on his tongue as he looked at Natasha, who had no expression on her face to indicate what she was feeling.

Blood was rushing into your mouth, and it was delicious, making you delirious, but that didn't stop you from realizing there was a crowd in the room watching you feed, watching Wanda unravel.

You released your mouth from her neck.

"Leave," you demanded lowly and roughly, hardly coherent before you resume sinking your teeth back into Wanda.

Natasha stared at you, you seemed lost in your own world as you fed, and Natasha knows that you are only like this due to how injured you are.

Still.

As everyone leaves the room, Natasha looks at the two of you once more. Wanda's hand is buried in your hair while she's arching into you.

As she exits the room, Natasha catches Wanda's eyes, staring at her intensely with an unknown meaning in them before her eyes flutter close just as the door shuts.

PART XI

#mm: my fics #natasha romanoff x reader #wanda maximoff x reader #wandanat x reader #natasha romanoff imagine #wanda maximoff imagine #black widow x reader #scarlet witch x reader #Natasha romanoff x you #wanda maxmimoff x you #avengers reader insert #marvel reader insert #avengers imagine #avengers x reader #series: Between the Lines

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