#and when i have a lot to say i don't like using the tags on someone else's post

[eregyrn-falls]

^^^^^^ !!!!!

There's so much I'd like to add but it would be carrying coals to Newcastle. Great post! (And a lot of great tag-rants in the notes, too.)

I did want to add one thought to this set of tags from @achromaticegoist, about the punch in particular.

It took me a long while to realize it, but not only is the punch reflective of a whole lot of things about Ford's state of mind on his arrival back through the portral... but, it also serves as some really interesting closure (and I'm not even sure the writers realized it).

In the episode, it's told out of order, so we see the punch FIRST. But later in the ep, when we see the fight that led to Ford going through the portal in the first place, what happens is that he and scan are scuffling, and there's that moment when Ford pushes Stan off with his foot and inadvertantly presses Stan against the glowing (apparently red-hot) symbol on the side of the control panel.

Stan screams in pain, of course. And immediately, Ford is suddenly worried, and contrite. He says, "Stanley! Oh my gosh! I'm so sorry! Are you alr-"

And Stan punches him in the face.

That punch is what sends Ford stumbling out into the portal room and falling against the activation lever; and landing inside the danger zone. Ford does get up, but before he gets a chance to say anything else, Stan shoves the journal into his chest, Ford begins to float, and the disaster unfolds from there.

We don't spend enough time thinking that, basically, from Ford's point of view (if he replayed those last moments over and over in his head, as he probably did), the last things that Stan did to him was: punch him in the face, and then shoving him into the portal. The latter was accidental (though disastrous); but the first kind of wasn't. Ford stopped fighting, switching to concern and apology. While Stan lashing out due to the pain is understandable, Stan's punch is what prevents the fight from being over.

Ford coming out of the portal 30 years later and immediately punching Stan in the face kind of creates a book-end with that earlier punch from Stan, doesn't it? Ford getting to hit back the way he didn't (wouldn't?) 30 years ago. (He stands up, but he just stands there angrily staring at and listening to Stan as he approaches. He doesn't try to leap at Stan again or try to wrestle him for the book, etc. Was Ford, effectively, done fighting the moment Stan got seriously hurt?)

As I said, I'm not sure the writers were thinking about that consciously. I don't remember hearing them comment about it (i.e. that Ford's punch was a mirror of the punch that Stan gave him 30 years prior). But I do like to look at what's written and think about it in terms of, these scenes are deliberately written, the way it goes and the details included are chosen, often at the end of a long process of collaboration. I think that what's chosen for the final version is always very interesting.

And I just don't often see people discuss that moment where Ford stops fighting, and immediately becomes worried and apologetic. Not least because, like... up to that point in the series, we haven't seen Stan be apologetic very often. A few times, yes! And it's always notable when he does it. It clashes with the exterior he presents to the world; the man for whom saying "Please" gives him physical pain, etc. Some of which is meant for laughs, too! And some of which is just the product of being hardened by experience and so on.

It tells us something, I think, that Stan truly getting hurt, and screaming in pain, is enough to end Ford's desire to fight. That even after 10+ years of estrangement, he's that ready to be concerned for Stan; and that he's that ready with an apology. Later reads of Ford (post-portal) will portray him as the man who won't say "thank you", and I have other thoughts and feelings about that. But getting back to this, it's the show's choice to have Ford stop their fight and make a slight turn towards a sort of reconciliation. When they could have easily just had him and Stan keep fighting and struggling and the portal turn on because of that. It's such an interesting writing decision; and I just don't hear people dig into what it means for the characters very often.

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[creatingblackcharacters]

hi there; first, thank you for making this blog and all the lessons you do, i really appreciate them as a Black person because it highlights a lot of struggles i face with fandoms in general, and why i dont interact more in certain spaces. it makes me feel seen

with regards to your questions, i'd also like answers to them from nonblack fans, especially nonblack anime fans. i don't even mean consuming anime with overtly racist caricatures of black characters (because numerous anime fans pirate their anime and never send a cent to the creators anyway), i mean how can they make fanworks of it?

how can they look at something that they are told is wildly offensive, but then defend with "well, this is how it looks in canon"? where is the line drawn between what's okay and what isn't? as long as it's slow and gradual, is there no line at all?

these are probably just rehashings of your own followup questions, so please excuse that, but i do have an anecdote

i joined a casual anime server the other day and a lot of folks were lamenting one Black character's racist design and how often those on social media will replicate it without thinking/caring. The thing that struck me is that, I've checked this character's tumblr tag regularly for a long time. There are always people who will post art/fanworks of this character with his racist design. Yet hardly ever, if ever, (outside of Black fans) have I seen any of these folks- the ones in the discord server- try to talk to artists/writers/fan creators/etc via asks/replies/etc. There's a notable amount of people in that server and a notable amount that agreed the design was outright racist and that they'll never make fanworks like that, and yet still silence

i'm not entirely sure what would be the line, or the "okay, that's enough" moment to spur any of these folks into action. i'm not sure if there is one. the only reason i don't make my own "hey what is wrong with all of you" post and blow up is because I've made a wonderful little friend group in this fandom who get it, and I don't want them to get caught up in whatever happens if I were to make a post like that

And this is just for getting people to stop using the canon design of the character, i.e., to stop drawing him as a racist caricature. This isn't touching on the people who 1) lighten his skintone [he's been horribly whitewashed over time, which has been reflected in some fanarts and fan merch], or 2) give him a looser hair/straight hair texture, rather than his type 4 hair (there's also #3, which is fanfiction with straight up slurs, and horribly racist writing in it that my friend heavily warned me not to read, but that was more of a one-off case and I've had the creator blocked a long time now).

my point being, we (Black fans) can't even get folks to stop with the caricatures, which we have to start with, and then there's even more of an annoying uphill battle with the other stuff. I'm just so tired of all of this; it makes me want delete my own works and turn away from fandom all together because i can't stand it.

trying for polite and assuming ignorance hardly ever works, speaking bluntly doesnt work at all, making public posts hardly goes anywhere (partly because of how rarely people reblog things anymore, partly because it makes people 'uncomfortable' to share this information with others). Black fans so obviously need help to combat this, and yet it's like sitting at a tea party and hearing all these pretty words in this one setting, yet nobody does anything different/better when the party's over/outside this setting.

sorry for dooming a bit, but like, genuinely i would like to know where the line is for nonblack folks? what is the point/are the points where you would speak up against antiblack racism? have you ever considered speaking up? if there's ever a moment you recognized antiblack racism and didn't say anything, why didn't you? did you consider how your lack of speaking up might affect your fellow Black fans? or how Black fans may be interpret this as silent agreement with the racists/with the racist 'norm'?

..those could maybe be alternative ways of asking your last followup question?

(if i've made any blunders or overstepped here, please let me know!)

No, I'm glad you spoke up! I too would like to see answers!

[steddieunderdogfics]

he could be brave by cuips_not_cute

@cuips-not-cute

Rating: Explicit

29,311 words, 10/10 chapters

Archive Warning: No Archive Warnings Apply

Tags: Getting Together, Pining, so much pining, Mutual Pining, And Then Some, First Kiss, Making Out, Lots of that, Bisexual Steve Harrington, Gay Eddie Munson, steve is lowkey kinda smooth?, and eddie is a disaster because of it, Post-Canon, post s4 v1, but not post v2, Post Vecna, everyone lives because I say so, robin and eddie are bros, Anal Sex, Anal Fingering, First Time, Rimming, They're Switches Bitches!, Blowjobs, handjobs, Hair-pulling, Literal Sleeping Together, as well as the slutty kind of sleeping together, Bottom Steve Harrington, Top Steve Harrington, Bottom Eddie Munson, Top Eddie Munson, Not Actually Unrequited Love, canon compliant up to ep7 and then i make shit up, Period-Typical Homophobia, eddie "heart-eyes" munson, Protective Steve Harrington, Recreational Drug Use, Shotgunning, they're moron4moron, steve is very very stupid and eddie wants to see him naked, background ronance (used as a plot device bc girls), 69 (Sex Position), (Nice), uh, Grinding, Hickies, finally decided on a chapter count guys, Anal Fisting, Steve Harrington Has a Praise Kink, eddie is all too happy to tell him he's pretty, Alternate Universe - Canon Divergence, hate that tag, Fuck u Duffers, Multiple Orgasms, this is so soft actually, Porn With Very Little Plot, angst and pining then just filth, but it's all very tender, Slow Burn, for a bit then it's like 20k words of porn, Eddie Munson is a Sweetheart, Hand & Finger Kink, Happy Ending

Summary:

Eddie Munson isn't very good at puzzles. Well. He can make them, sure, in the form of weeks-long campaigns for his bandmates and a ragtag group of now sophomores he'd come to adore. He's great at making them. Great at making villains that his party thought they'd had figured out, beaten, only to make a quick 180 and have them come back from the dead for a final, earth-shattering fight. Yeah. He can make them. What Eddie Munson can't do when it comes to puzzles, is figure them the fuck out. Especially, it seems, when the puzzle comes in the form of a boy one year younger than him and slightly shorter when you don't count his mass of gorgeous hair that makes him, falsely, look taller than Eddie. This puzzle had saved the world with him, had saved him when he was sure he was a goner. The puzzle's name, of course, is Steve Harrington. King Steve, to many, Hawkins High's golden boy, rich and charming and apparently, a fucking badass. Eddie never stood a chance.

Thanks for the rec! This recommendation is apart of our Writer's Wednesday! All of the recs today are written by @cuips-not-cute. Want to nominate an author? Fill out this form!

You can submit fic recs to our asks or the submission box!

[vladdyissues]

Lately Ive seen some awful things about antis and haters making threats and getting artists banned from Tumblr and X. Im new to the Phandom and love pompep but Im scared i'll be targeted if I write and share pompep fics. How do you manage sharing your work so bravely?

Firstly, welcome to the Phandom—and especially Pompous Pep! I have a simple protocol for enjoying a drama-free Tumblr experience:

Preventative Action

1. Find your community. Follow other Pompep fans and supporters and reblog their things. Don't be afraid to leave nice tags; we love and welcome interactions :) You can also join the Pompep Discord server if you enjoy chatting (DM me for details).

2. Turn off anon asks. This will solve 99% of all potential problems, and you can turn it back on whenever you want. Antis are cowards who prefer to hide behind the mask of anonymity. They seldom have the courage to say something with their whole username.

3. Block the obvious haters. This is a big fandom, and at some point you're likely to come across people openly hating on pompep, either on their bio, pinned posts, or comments. Block them. For an added layer of protection, add their username to your Filtering Options.

4. Tag your work appropriately. When posting, make sure your work is tagged correctly (the #pompous pep tag is especially important) so people who like pompep can find it and those who want to avoid it can block the tag. Use Content Labels when applicable.

5. Try to avoid using the platonic tag (#badger cereal) and the romantic tag (#pompous pep) at the same time. Some fans are really touchy about this. I'm not, and I think there are legitimate cases where use of both is applicable, but if you want to minimize friction, just stick with one tag or the other.

If you're not sure which tag to use, ask yourself what your intentions are with your art or fic. Is the goal a romantic relationship? If so, use the pompep tag. If it's truly ambiguous and could be seen either way, use the platonic tag first. You can always add another tag like "okay to tag as pompep", just to let people know they can interpret it however they please.

Responsive Action

If the above guidelines aren't 100% effective, here's what you do:

1. Don't feed the trolls. If you receive any negative asks in your inbox, it's important to NOT engage with them. Delete them, ignore them, don't let them get to you. Antis thrive on attention, so let them starve. Eventually they'll move on when they realize they're not going to get a rise out of you.

The same goes for any negative comment left on your work. Just delete it, block the person who left it, and pretend it never happened.

These asks and comments may come in the form of questions. Example: "How can you ship Danny with Vlad? That's [insert gross accusation here]" Resist the urge to answer these questions. They are not made in good faith. This person just wants to start an argument.

2. Report any harassment. If by some chance you receive a seriously hateful ask, like threats of violence or abuse, take a screenshot for proof/safekeeping, then report the message and the user if they're not anonymous. If the ask is anonymous, use the meatball menu (•••) at the top right to report the message and block the anon.

Final Words

It takes time to develop a thick skin and Don't Give A Fuck attitude, but it can be done. You are a phan. You have every right to be here and enjoy this fandom in peace, just like everyone else. Anyone who believes in harassing others over silly things like which cartoon characters should be allowed to kiss clearly has nothing better to do with their life. The sooner you shut them out, the happier you'll be.

Regarding media: Artists attract a lot more negative attention than writers for reasons I won't get into right now, but if you're mainly a writer, you will enjoy a much quieter fandom experience. Wherever you post your stories—I recommend AO3; DM me if you need an invite—follow the same advice there as I've given here: make sure your work is tagged correctly; support your fellow Pompep fans by reading and commenting on their works, building that community; moderate comments if you're concerned about negativity; block and mute users if they give you any trouble, and you'll enjoy a much more positive fandom experience.

There is strength in community. When you start making new fandom friends, you'll feel a lot less lonely, and that will give you the confidence you need to really have a good time here.

Wishing you the best, anon!

[monstersholygrail]

Hopping on the ask train to say something I said in my tags once, I fucking love that you do chubby readers as the default at least most of the time. Other people might not say so, but their readers are always definitely skinny coded and it's rough out here. Not having to see it referred to as a second choice or alternate is... something else /pos. Brings a tear to gorns eye. And that's the least of the good things I find in your work. Try your best not to be self conscious bc I'm pretty picky yet have nothing I don't like about everything I've read from you

This means a lot to hear, honestly!

Chubby reader is truly my default in everything I write. I try and tag my fics accordingly but even when forget I write with a chubby reader in my head given I myself have that body type

I always try and use proper description words to give that mental image in all my fics. As well as showing that even with chubby reader a sexy monster can pick you up and throw you around and make you feel small in their giant arms. It heals my soul to write that kinda stuff

[maoam]

Just a reminder but the infamous "kishi is japanese so he can't know or write about homosexuality" sasuke stan we all know isn't white, so it's pointless to blame white people (I have seen this in the tags) about the mentality that homosexuality is some capitalist post-modern western disease or whatever some people call it. I think it's also avoiding responsibility.

This notion is actually pretty common in some places, I have seen couple documentaries where muslim men say the west is degenerate because of feminism and homosexuality lol. When that Netflix Alexander the Great flick came out and it had *gasp* gayness in it, I saw black and arab men on twitter commenting stuff like "lol white men have always been f*ggots". When two male lions were spotted having gay sex in Kenya, a Kenyan official insisted they needed to be separated and insisted that they must had been seeing western gay men having sex and "learned" from them. 💀

I know it's tempting to consider one's own race to be clean from bigotry but it's not the reality at all lol. Homosexuality has always been a controversial topic everywhere, sometimes illegal and even during times when it was legal it was very much preferred that they also get married and have kids, and often times it was only okay when one was young, or in very specific circumstances. A lot of these "x place was super gay friendly back then" articles are also misinformed, and naturally they only focus on male homosexuality because no one cared about lesbians, women were expected to give birth and take care of kids even in those supposedly super gay friendly places, period.

I'd say it's pretty obvious the main reasons homosexuality has been seen as a threat are (there are probably more):

Gay sex can't be used for breeding

Men see sex as something degrading they do to women, and thus the idea of a man doing this to another man is repulsive (or funny, even a lot of openminded men find gay "funny" and you can think to yourself why)

Women who don't have sex with, date or marry men are threat to patriarchy

[bringthekaos]

are you gonna keep writing jayvik now that viktor is confirmed straight?

Gunna answer this one diplomatically, even though this ask was clearly sent with malice. Warning for Act 2 spoilers (and possible Act 3 spoilers, since the footage used in the "The Line" music video is most likely from Act 3).

First, when I continue to write Jayvik, it will probably have to be an AU anyway, because I have about 2% confidence that both of them make it out of this show alive.

Second: he is still not confirmed straight. He was depicted taking Sky's hands as she fades away for a second time. This means nothing, romantically. It means he regrets this is happening, he knows it's his fault, and he wishes to bring comfort to her in her last moments.

And that's if it even is her, and not a manifestation of his guilt, given that she doesn't look like herself at all in his hallucinations, or whatever it is. Her eyebrows are thinner in the hallucination, and her hair is wholly different: not as high on her head nor as tightly bundled or curly. This points to a suggestion that this manifestation is his best effort of representing her in his mind, and it is wrong because he didn't know her well at all.

Not to mention, in the very few interactions that they had (before Jayce's Progress Day Speech and when she asked him to walk home together), he was shown just... not receptive. It could have been read as disinterest because he is gay (which obviously many people did), or just that he has a very one-track mind on his research at the time, and isn't even cognizant of the missed social interaction. But either way, there was no foundation for connection, intimate or otherwise, between them. Certainly not enough for the heavy-handed and forced connection depicted in season 2.

THAT SAID, I am a very ship and let ship person. I have certainly fabricated ships from less. Hell, I've shipped characters that never even interacted in canon. And I have no problem with the SkyVik ship, given that his sexuality was never confirmed one way or the other. Honestly, if it had been built up better in the writing, there is potential there! Both of them being from Zaun, and clawing their way into the Academy, which as Jayce said has a success rate of 3%. But it is not groundbreaking or even remotely incorrect to say that this ship is fabricated (and not in a negative sense. It's just fact). There wasn't enough to support it. He brushed her off multiple times. And he only seems to give her the attention after she is dead, which again points to a motivation of guilt: he wishes he'd gotten to know her and her aspirations and dreams before her life was cut short by him. But it's too late.

And lastly, the thing everyone needs to understand is this: Jayce and Viktor were released in League in 2012, and Jayce was specifically built as the mirror to Viktor. It was honestly quite a poetic "formed from the rib" kind of release for Jayce, who came 7 months after Viktor. These two had no canon romantic involvements in that time beyond mere speculation, so naturally they had very queer undertones for almost ten years before Arcane came out. And I don't think it's much of a leap to be disappointed when the producers and distributors of the show decided that they couldn't make their show "too gay" for mainstream audiences. Especially when the pre-established League fanbase consisted of 87% men (source), and a lot of cishet men are threatened/disgusted by/afraid of gay men, yet fetishize lesbian sex. So yeah. The Jayvik shippers get understandably disappointed when their 10-year old ship gets no-homo'd at the finish line.

So to answer your original question. Yeah. I am probably gunna continue to write Jayvik. Yes, even if they're both "confirmed" straight. I will hit them both with the bi hammer. And I will tag my stuff accordingly, and "stay in my lane" so to speak, and everyone is welcome to block me if they don't wanna see it. I'm not gunna go around harassing SkyVik shippers, just as I have never harassed MelJayce shippers. And I'm sure this will be called "misogyny" by many who'd like to assign a moral high ground to their attempts at eradicating the JayVik ship. Trust me, if I could have my ship without disregarding two amazing women, I would do it. But I can't, because someone at the decision making table decided to give two characters who never had any romantic involvements in League the no homo treatment.

And of course, as always, the season is not over. Some of this could change. But my love of the JayVik ship won't. Block me if you don't like it.

For obvious reasons, anon is now off ✌️

[bteezxyewriter12]

Lazy Cuddles/ 2

Pairing- Yoongi x Named Reader

Word count- 1.9k

Includes- Soft cuddly boyfriend Yoongi, lazy sex from behind, cock riding, multiple orgasms, so much fluff

Tag List- @mingtina @jaxminnie @yeosayang @delightfulmoonbanana @tannie13 @y00nzin0 @marsstarxhwa

@borntowalkaway @soulseobi05 @kpop-bambi @seokwoosmole @meowmeowminnie @realisticnotes @effielumiere @svnbangtansworld @insomniacatiny @marvelfamily3000 @amyz78 @blueie-things

Masterlists- check out for more fics

📝Masterlists 📝BTS Masterlist 📝Yoongi Masterlist

📝Lazy Cuddles 1

Yoongi POV

"Jagi?", I call, coming into the living room

"Mmmm?", she answers

"Jagi, where are you?"

I walk around the couch to find her laying on it, her face buried in the pillows, blanket pulled up to her chin

"What are you doing baby?", I chuckle, sitting next to her

"Dying"

"No baby, you can't die", I joke, "I need you jagi"

"Yoongi", she whines

Something's wrong

She'd usually joke back with me

"Tell me what's wrong baby", I ask, running my fingers in her hair

"Bad headache", she whispers, "Hurts so much"

"I'm sorry jagi"

She gets bad headaches from time to time

Even with meds it still hurts

Sometimes they last hours, sometimes they're short

Sometimes she gets one every day for a week or two then none for months

She's been checked out and there's no explanation for them

"Did you take meds?"

"Three Advil"

"Three?", I gape

That's a lot but it's normally what she takes when the headaches are severe

"Very bad headache", she whines, "And it's not working anyway"

"I'm sorry baby. Did you drink water? Maybe you're dehydrated?"

"I did naekkeo", she answers, "I'm just trying to nap. Maybe it'll go away when I wake up"

Sounds like a good idea

I don't want to leave her alone though

"I'll stay with you jagi"

She lifts her head, squinting at me, "You don't have to work?"

"Yeah but I can do it here. Use my laptop and headphones and I'll be right next to you"

She nods, "Ok naekkeo. Thank you"

"Of course Jo"

Leaning over her, I kiss her forehead then get up to get my stuff

--------------------------------

Half an hour later, I stop the music to change something when I hear her whimper

Reaching out, I rub her back as I fix what I need to fix

Then I hit play and listen to the melody

She moves, turning around, her back to me, trying to get comfortable

She hasn't been able to fall asleep yet

I'm trying everything I can- play with her hair, massage her forehead, rub her back but nothing is working

I don't know what else to do for her

Once the music stops playing, I decide it's good and I open a new file to work on

"Yoongi", she whispers

"Yeah baby?"

"Can....you hold me?"

I smile at her back, saying, "Yeah jagi. Of course. I can use a break anyway"

I'll do anything for her, drop anything for her, to help her, to comfort her

Taking my headphones off, I put them and my laptop on the floor, then lay down under the blanket next to her

Wrapping my arms around her body, I pull her against me, her back to my chest

I cuddle into the back of her neck, pressing kisses to her skin there

"Better jagi?"

"Yeah naekkeo. Thank you"

"No need to thank me. I'll always jump at the chance to hold you"

"I love you Yoongi. So much"

"I love you Jo. More than anything", I tell her, "Now try to sleep baby ok? I don't want you hurting anymore"

"I'll try", she says softly

"Good"

Pressing a kiss to her neck, I hold her, my eyes closing as well

I'm not planning on sleeping as I'm not tired but I don't want to just stare at nothing

A few minutes later, I hear her even breathing and I smile

Seems like she just wanted me

Which is fine because she can have me whenever she wants

I'm not ready to get up yet so I just keep a tight hold on my jagi

--------------------------------

Movement against my dick wakes me up

She's moving around in my arms, her ass rubbing against my crotch

What time is it?

I don't even remember falling asleep

It's not a big deal

That's our thing

Naps

A nap with my jagi is never a bad thing

But her wiggling around is making my dick hard

"Jagi", I murmur, moving my hand down to her hips and stopping her movements, "Don't wiggle baby"

"Huh?", she asks sleepily

"Don't wiggle. Your ass is rubbing against me and making me hard"

"Mmm", she whines, still pushing against me

"Is your headache gone?", I ask, trying not to think about sex

"Yeah. Just needed a nap", she says softly, her body still pressing and moving against my dick

"No more wiggling jagi", I say softly, my cock fully hard against her

It'll go away, I just need her to stop moving

"Put it in naekkeo", she murmurs

"What?", I ask, not sure I heard her right

"I feel how hard you are. Want you. Put it in"

It takes a second for my sleep riddled brain to comprehend what she's saying

"Are you sure?", I ask, once what she says sinks in

"Yes naekkeo. Want you"

I definitely want her so I pull her pants and panties down as far as I can

She lifts her legs to her chest, pulling everything off as I pull my pants and boxers down

I pull her back against me, then align my dick to her entrance and start pushing in slowly

"Yoongi", she murmur, her tight pussy opening for my cock, sucking me in as I move

"Jagi", I whimper, my arm moving around her, keeping her body against mine, "Feels so good baby"

"Mmm", she moans, her cunt getting wetter, leaking around my cock with each inch in

I'm almost in and I shove my hips forward, burying entirely in her sweet cunt, feeling the hard clenching her pussy is doing

The pleasure rolls over me as we both moan

"So good naekkeo", she says softly

"Always good jagi", I tell her, kissing the back of her neck

I move one of her legs back, over mine thigh, spreading her legs open

Moving my hand in between her legs, I run my fingers up her pussy, collecting the juice she's leaking around my cock

Then I press on her throbbing clit, hearing her gasp, and start moving my fingers in a circle

"Yoongi", she moans, shaking against me

Her pussy tightens so hard around me, spasming so blissfully

With each massage of my fingers, her cunt creams my dick more and more

I keep my cock firmly buried in her cunt, starting to grind into her, making sure my head rubs her spot

I slide my free hand up her shirt, groping her boob, pinching her nipple

"Oh god", she cries, "Yoongi, don't stop"

"I'm not baby", I murmur against the back of her neck, pressing soft kisses to it, "Not until you cum all over my cock"

She whimpers, her pussy spasming wonderfully hard around my length

She's so fucking tight, it like her pussy is choking my cock and I'm living for every pulse

I play with her throbbing clit faster, her cunt a waterfall, soaking my pelvis and my thighs, her pretty moans music to my ears

She's close, I can tell from how her pussy's gripping my cock, how she's throbbing

And I know what she needs when she's right there

"Cum for me jagi", I murmur in her ear, "Want your pretty pussy coming all over my cock for me"

"Yoongi, oh god"

She falls apart at the next move of my fingers, orgasming all over me

"Yes baby. Don't stop", I murmur, her body shaking against mine, pleasure from her orgasm washing over me

It feels so fucking good and I wouldn't have it any other way

Her legs start to close as her orgasm continues

Letting go of her boob, I grip her thigh, holding it open

"Keep your legs open", I demand, "I didn't tell you to close them. I'm not done with you yet baby"

She nods, "Ok naekkeo"

"Good girl"

After she finishes, I hold her around her waist and keeping her leg over mine, I pull my hips back, feeling every inch of her pussy tug on my cock as I pull out to my head

"Ready for me jagi?"

She nods

I thrust my whole cock back into her, slamming her spot, her scream of pleasure sounding in the room

I move quickly, fucking her pretty pussy, incredible pleasure washing over me

Her pussy squelches with every thrust, the pornographic sound turning me on more

I pound into her, spreading her hole around my length, making her cunt cream every inch of my cock

She leans back, her arm moving around my neck, her lips crashing into mine

I throw myself into her kiss, my tongue against hers, kissing her hungrily as I fuck her pussy wide open

The kiss is messy, our tongues all over each other's and it's so right in this moment

She moves, pulling me out, then climbs on top of me, sliding down my cock to the hilt

"I need you baby", she murmurs, bouncing on my cock right away

Fuck, I need her

I move us, leaning against the couch cushion, my hands on her thighs

As she comes down, I thrust up into her cunt, going in so deep

"Yes, Yoongi", she cries, grinding on me when I'm all in

I watch her slide up my cock, her pussy cream coating my cock, making a big beautiful mess

She comes down, her pretty swollen lips wrapped around my length, her hole opening and straining as she takes me

Sliding my hands up, I push her shirt up and off, watching her pretty boobs bouncing in my face

She tugs on my shirt, whining as she rides me and I get the hint

As soon as my shirt is off, she leans her hands on my shoulders, fucking the life from me

The pleasure is exquisite and the view of her on my cock, the pleasure in her face is mesmerizing

I love this girl more than anything in this world

I start moving again, thrusting up into her pretty hole as she bounces down, the bliss increasing for both of us

"Yoongi, yes...yes baby", she pants, her gorgeous brown eyes on mine

"So fucking good jagi. Such a good girl for me", I murmur, the throbbing of her pussy becoming extremely hard and tight

We fuck each other, both sweating and the next thrust has her screaming as she cums

"Yoongi", she cries, her pussy squirting, soaking me, her head back, her hips rocking, eyes closed, her fingers digging into the skin of my chest

Ecstacy tidal waves over me, stars explode in my vision, my hand squeezing her thighs hard as I go over the edge, filling her cunt with my cum

"Joanne! Jagi!"

"Yoongi! Yoongi!"

I help her rock on me to prolong the bliss for both of us, my body shaking involuntarily

God, it's so fucking amazing

She's amazing

As we finish, her rocking slows down until she stops

Her eyes meet mine, a soft smile on her face

Her hand cups my cheek, her fingers stroking my skin, a loving look on her face as she gazes at me

"I love you"

My heart pounds in my chest, like it always does when I hear her say those words

"I love you", I tell her, smiling at her too

She leans down, her lips meeting mine

I immediately fall into her kiss, her arms moving around my neck, mine around her waist

As we kiss, we move, laying down, her body against mine, her soft skin against mine, our legs tangling together

Holding onto each other tightly, we cuddle and kiss each other with no intention to stop

[the-gay-trashmouth]

Hi I would like to address these tags! Obviously no hate to you, I get what you mean, I just wanted to respond! Because I definitely don't hate Curly or think he's fully responsible for Jimmy's actions, but I do hold him in higher standing than Swansea in terms of responsibility.

As the captain, he had the most power in the situation and he had a lot more resources to use after he finds out what Jimmy did before the crash. even after Jimmy says to his face he could "crash the ship and they'd be remembered as heros" after Anya tells Jimmy she's pregnant, he does nothing to stop him from going into the cockpit. It's not until the sirens are going that he runs back to see Jimmy on the ground outside the door. Jimmy was literally telling him to his face that he would rather die than see consequences, but Curly doesn't take it seriously and let's him just. Go?

I definitely see how I could be interrupting Swansea too charitably.The idea of him protecting the only other entrance to medbay is more of a speculation than canon, and I definitely acknowledge that he could very well have seen it as "none of his business" until Daisuke died, or he didn't want to ruin his chances of getting Daisuke off the ship by pissing off Jimbob, but either way, he was just the ship's mechanic. He couldn't demote Jimmy, or open anything that needed that captain's scanner or security codes. He didn't even know what Jimmy did until After the crash. By then, all he had was the utility closet, an axe, and the one cryopod, and he made sure Jimmy didn't know about it for months. I think there's enough in the game to point either way in terms of how much he tries to help Anya, but in terms of resources, power, and time, Curly had the most opportunities to do something and yet sat back and let Jimmy continue to do whatever. Not without guilt, mind you, and not without a genuine attempt to make sure it all worked out, but he still let Jimmy continue on like nothing happened.

As for the company docking their pay, I also mentioned this as Curly being specifically incentivized not to do anything, but I don't think that excuses his actions. They might get their pay docked, but Anya has to live with her rapist in a ship with no locks on the sleeping quarters. I understand fearing consequences, but that's just ignoring her safety for his (and the rest of the crews) own monetary gain, which I don't see as a point in his favor but it does add more nuance to his decision.

My ending point (which came way late in the post, it was just me rambling for a while) was that while both Swansea and Curly do what they think is best, it's too little and too late. Curly thought keeping the peace would fix it, Swansea thought hiding things and just keeping out of the way would help fix it, neither of them took real direct action that would have stopped Jimmy. But even despite that, in real situations of abuse, there often isn't a "right" answer, and it's understandable when they get stuck in place trying to figure out which way to go. There was no way to guarantee Jimmy wouldn't have gone off the handle earlier if confronted. Like I said, what happened was no one's fault but Jimmy's, and on a larger scale, The Pony Express, due to multiple ways they fail Anya and incentivize coverups, but Curly, as captain, had a responsibility to protect his crew, but he chose to see the best in Jimmy, and he didn't take him seriously when Jimmy tells him Exactly who he is. Until he's forced to.

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[lefteagleblizzard]

𝔙𝔯𝔬𝔱𝔥𝔢𝔯𝔩𝔶 𝔰𝔲𝔭𝔭𝔬𝔯𝔱

Mike munroe x male reader

A request that I received from a really nice person here on tumblr: a small idea I liked for a fic if you like the idea as well. Nothing too big, just a fic about Reader and Chris being brothers and constantly nagging each other about their crushes on Ashley and Mike.

I expanded the request a bit, sorry if I went overboard with it. Hope you enjoyed it.

Tags: set before the event of the game. Male reader. He/him pronouns are used towards the reader. Chris and the reader are brothers. Some very quick shifts of pov between characters. Jealousy. Mike and Jess/ Emily are not together in this. Friends to lovers. Mike is a flirt.

Words count: 4000

Can also be found on wattpad and ao3

𝔉𝔦𝔯𝔰𝔱 𝔱𝔦𝔪𝔢'𝔰 𝔞 𝔠𝔥𝔞𝔯𝔪

𝔗𝔴𝔬 𝔥𝔢𝔞𝔯𝔱𝔰 𝔥𝔢𝔞𝔩𝔦𝔫𝔤 𝔱𝔬𝔤𝔢𝔱𝔥𝔢𝔯

𝔄 𝔱𝔬𝔲𝔠𝔥 𝔴𝔞𝔯𝔪𝔢𝔯 𝔱𝔥𝔞𝔫 𝔣𝔦𝔯𝔢

ℌ𝔬𝔩𝔡𝔦𝔫𝔤 𝔬𝔫 𝔱𝔬 𝔶𝔬𝔲

𝔍𝔢𝔞𝔩𝔬𝔲𝔰𝔶 𝔞𝔱 𝔅𝔩𝔞𝔠𝔨𝔴𝔬𝔬𝔡 𝔐𝔬𝔲𝔫𝔱𝔞𝔦𝔫

𝔗𝔥𝔢 𝔰𝔢𝔩𝔣𝔦𝔰𝔥 𝔭𝔞𝔱𝔥 Part 2 of it

For anyone interested, I took inspiration from this clue that you can find while playing as Chris.

The music thumps in the background, a mix of bass-heavy beats and voices blending into a dull roar. You and Chris sit at a small, round table near the back, well out of the action but with a good view of everyone mingling.

"So," Chris says, taking a long, dramatic sip. "You actually spent the whole night staring at Mike. Dude, seriously, you're lucky your eyes didn't burn a hole in the back of his head."

You scoff, leaning back in your chair with a mock sigh. "Like you're any better. When are you actually gonna talk to Ashley? She's cool, she's cute, she's well, out of your league but hey, a guy can dream.”

"Hey, I do talk to her," Chris retorts, feigning offense.

"Uh-huh," you say, raising an eyebrow. "It’s a lot if you can manage to squeak out a sentence before turning red.”

Chris chuckles, crossing his arms. "Fine. Why don't you go up to Mike and tell him what you think? 'Hey, by the way, I've been thinking about how perfect your jawline is all night!’ I'm sure that'll go over great." He did a horrible interpretation of your voice to mock you even further.

You roll your eyes, feeling your cheeks flush just a bit. "First of all, I would never phrase it like that. And second, at least I actually know things about him beyond his favorite book."

"Oh, really? Let's see who knows more about their crush. No cheating. No wimping out. Winner gets bragging rights." Chris leans forward, a wicked grin spreading across his face.

"Bragging rights? How about you admit I'm objectively hotter than you when I win?" you echoed, folding your arms.

"Sure. Whatever fantasy helps you sleep at night," Chris said, grinning as he dramatically cracked his knuckles. “I'll go first since I know you're just dying to hear all the juicy Ashley knowledge."

You chuckle. "Go with your in-depth research, Sherlock."

Chris clears his throat, sitting up straighter. "Fine. For starters, her favorite color is purple."

You make a face, unimpressed. "That's it? You think knowing her favorite color makes you the expert here?"

"Let me finish, smartass. She loves thriller movies. She also has this little habit of chewing on her nails when she's nervous."

You raise an eyebrow, genuinely impressed but unwilling to give him the satisfaction. "Okay, okay, not bad. But that's kid stuff. Let me show you how it's done."

Chris rolls his eyes, clearly not expecting much. "Alright, hotshot. Give me your best Mike trivia."

You sit forward, lowering your voice like you're letting him in on a secret. You have always been good at noticing things. Maybe it was a result of growing up with Chris and when it came to Mike Munroe, your crush, the small things were more than just interesting, they were revealing.

For one, every morning, without fail, he was up before the sun. He’d go for a quick run to stay in shape. You’d always catch glimpses of him at college heading back to his room in a tank top, earbuds in, eyes focused ahead and glimpses of sweat on his forehead.

He had this tough, confident exterior. He wasn’t loud like some of the others in the group. He had a way of using humor to deflect, to keep people from getting too close. You saw it when he’d brush off any talk about specific topics.

And then there were his tastes.

He likes his coffee black. Pretends it's macho. He had a surprising amount of nostalgia in his preferences. You couldn’t forget the time you’ve talked together casually on the lodge, his face lighting up as he talked about his love for old action movies.

Chris raises an eyebrow. "Alright. Maybe you’re better equipped than me. But, let's be real, you wouldn't even know where to start."

"Better than starting with nothing," you counter. "Besides, I could charm him if I wanted to."

Chris raises an eyebrow. "What would you even say?"

You grin, leaning in like you're revealing a grand plan. "I'd just walk up and ask him about his football season. Mention that time he scored the winning touchdown. You instead are hopeless"

Chris nods, pretending to take you seriously. "Oh, sure, because that'll definitely make him swoon. Hopeless? Me?" Chris laughs, leaning back with a smirk. "At least I don't have to worry about being mistaken for a stalker."

You both burst into laughter. For all the banter, you know neither of you would really judge the other for these harmless crushes. It's what makes the night so much fun.

From across the room, you caught sight of Ashley standing awkwardly near a table stacked with half-empty snack bowls and crumpled napkins. She shifted from foot to foot, clearly trying to blend into the background.

"Hey, Romeo. This is your chance," you said, leaning closer and nudging Chris with your elbow.

Chris snapped out of his trance, his head swiveling toward Ashley. His brows furrowed slightly, the corners of his mouth tugging upward in amusement before settling back into a more thoughtful expression.

Chris groaned, dragging a hand down his face. "What am I supposed to do? Walk up and make everything even more embarrassing?"

"News flash: she knows you're a loser," but she clearly likes you anyway. Stop overthinking it. Just go talk to her. Be romantic for once. She loves that whole 'awkward and sincere' thing you've got going on."

"First of all," Chris said, pointing a finger at you, "I'm not awkward. I'm, uh, charmingly self-aware. Second, what if I say something dumb? Or worse, nothing at all? I can't just walk up to her and-"

"You're a coward," you interrupted, shaking your head in mock disappointment.

"Yep," he said, popping the "p" and lifting his cup in mock toast.

You were scanning the room until your gaze landed on Mike Munroe.

He was leaning casually against the wall, drink in hand, chatting with a girl you vaguely recognized from English class. His tuxedo fit him perfectly, tailored in all the right places, the dark fabric catching the light just enough to highlight his athletic build. The black foulard tied loosely around his neck was an elegant touch, a little different from the usual bow ties and neckties most guys wore. His hair was perfectly tousled, like he hadn't even tried but still managed to look effortlessly handsome.

You felt your chest tighten. For a moment, your imagination betrayed you, painting a picture of Mike turning toward you, smiling like he did when he told one of his dumb jokes when he got elected class president. You could almost hear his laugh, warm and inviting, as if it were just for you. But reality snapped back into focus when the girl he was talking to leaned closer.

"Mike would never look twice at me like that." You mumble more to yourself without thinking, unable to keep the disappointment from your voice.

Chris, placed a hand on your shoulder. His touch was light but reassuring. "Don't do that to yourself. You're a catch. If Mike doesn't see that, he's an idiot."

You looked up at him, grateful but unconvinced. Chris stood up, brushing imaginary lint off his jacket. "I'm getting us drinks. Let's make it through the rest of this night together, yeah?"

You nodded, watching as he made his way to the bar. You glance around, your gaze landing once more on Ashley and an idea strikes you. Chris is now far away from your position. It’s your chance to do something.

You stride over to her, flashing a friendly smile, keeping your movements casual so you wouldn't startle her. Her eyes widened slightly when she noticed you, but she relaxed as you softly took her arm.

"Hey," you said, grinning playfully as you gently guided her away from the corner.

Ashley laughed, the sound light and genuine. "What are you doing?" she asked, her voice tinged with amusement but no resistance as you led her toward your table.

"Come on, you can't let Chris and I have all the fun sitting in the corner judging everyone." you replied, glancing over your shoulder with a mock-serious expression.

"That's what you two have been doing all night? Very productive." She scanned the place as you reached the table and she managed to spot Chris at the bar, meticulously mixing something with an unusual level of focus. But then her gaze shifted, catching Mike watching the two of you.

Jaw set, lips pressed into a firm line, eyes tracked the way you gently tugged Ashley along. His gaze lingered on your hand before flicking back up to your face. Lips pressed together in a faint, almost imperceptible scowl, as though something about the sight of the two of you together unsettled him. There was a slight tension in his posture, the way his shoulders seemed just a bit too stiff for someone casually enjoying a party.

Chris returned with two drinks in hand. "Okay, I've done it," he announced dramatically. "The ultimate drink. If you don't like it, I'm never speaking to you ag-" He cut himself off mid-sentence when he saw Ashley sitting at the table, smiling up at him.

"I... uh..." Chris stammered, turning an impressive shade of pink.

"You made this for me?” Ashley asked sweetly, taking the drink from his hand before he could respond. “Thank you, Mr. Bartender."

Chris blinks and he lets out a nervous laugh, giving you a quick glare as he hands the drink to Ashley.

She giggles, taking a sip and you watch as Chris visibly relaxes. They share a smile and there's a warm, unspoken understanding between them, a quiet moment that you can't help but feel a bit envious of.

The music shifts, slowing into a softer, more romantic melody. Couples move onto the dance floor, swaying together in a slow embrace. Ashley’s eyes light up as she turns to Chris, her cheeks flushed with a faint rosy tint from the slight inebriation she feels. "Come on, Chris," she says, tugging at his hand. "Want to go there for a bit?"

Chris's eyes dart to you, searching your face for reassurance, his expression almost apologetic. He's asking, without words, if you'll be okay.

You manage a smile, giving him a nod.

Chris lets out a laugh, his tension melting away as he lets Ashley pull him onto the dance floor. They disappear into the crowd, leaving you alone at the table. You watch them go, feeling a bittersweet pang in your chest as you take in the sight of them together, laughing and smiling, fitting together so effortlessly. Chris fumbling his way through the first few steps before finding his rhythm.

They looked so happy.

And you were here instead, alone at the table, your thoughts inevitably drifting back to Mike.

Chris feels his heart race as he stands on the dance floor, his hands resting lightly on Ashley's waist, her arms draped over his shoulders as they sway to the gentle rhythm of the music. Her gaze meets his every so often, a smile warm and genuine, making him feel like the only person in the room.

"I didn't know you had these moves." she teases, her eyes twinkling.

Chris chuckles, shaking his head. "Oh, trust me, I don't. I'm just doing my best not to crush your toes."

Ashley laughs, her grip tightening on his shoulders as she rolls her eyes. "You're doing just fine. I don't mind if you, you know, relax a little."

"Relax? Yeah, I can... I can do that," he says, voice faltering as he tries to ease into the rhythm, matching her movements as the song continues.

His focus wavers after a while, gaze drifting over her shoulder as he catches sight of his brother sitting across the room at one of the tables with Matt nearby.

There's something off about the way you're holding yourself. You're smiling, sure, even laughing at something Matt is saying, but Chris can tell that the smile doesn't quite reach your eyes. It's the kind of forced expression he's seen on you before, usually when you're trying to act like everything's fine when it really isn't.

Matt, on the other hand, seems entirely oblivious, leaning in a bit too close, his face lit up with that typical over-eager grin. He's almost leaning into your personal space as he chats away, looking way too thrilled to have your undivided attention, his eyes never leaving yours. The proximity feels a bit too familiar, too comfortable, with his arm casually resting on the back of your chair.

Chris feels a pang of protectiveness twist in his gut. He glances around the room, half-expecting Emily to appear and pull Matt back to the dance floor, but there's no sign of her. Instead, he spots her on the far side of the room, tipsy and laughing as she spins around with some stranger she's apparently mistaken for Matt. She's caught up in the music, oblivious to the fact that her boyfriend is practically glued to your side.

Ashley notices his distraction, her gaze softening as she studies him. "Chris?" she asks, her voice gentle, bringing him back to the moment. "Is everything okay?"

He blinks, snapping his attention back to her, guilt creeping in as he realizes he's been distracted. "Yeah, yeah, sorry," he says, rubbing the back of his neck awkwardly. "Just... got a lot on my mind."

Ashley smiles, tilting her head as she searches his face. "You sure? You can tell me, you know."

Chris hesitates, glancing around the room one more time. His gaze lands on Mike, who's slow-dancing with the girl in glittering dress. She's leaning against him, her head resting on his chest, but Mike's attention isn't on her.

His eyes are locked in your direction, his brow furrowed and his jaw set in a subtle scowl that's hard to miss. There's a tension in his gaze as he watches you and Matt together. There's a faint scowl tugging at his mouth, a subtle clenching of his jaw that makes it look like he's holding back the urge to step in but doesn't quite know how to act on it. His brows are drawn together and his eyes flick between you and Matt with a guarded intensity.

Chris frowns, glancing back at you. It's clear now that something is brewing beneath the surface, something he doesn't fully understand but can sense all the same. He looks down at Ashley, his expression softening as he makes up his mind.

"Hey, Ash?" he asks quietly, feeling a bit awkward but determined. "Would you mind helping me out with something real quick? I, uh... I owe someone a favor.”

You were mid-laugh at something Matt had said about his latest sports practice when a shadow loomed over the table. You looked up to find Mike standing there, holding his drink loosely in one hand and the other casually tucked in his pocket.

"Hey, Matt," Mike said, his tone light but carrying a subtle edge like he's asking for a favor he already expects to be granted. "Mind if I steal him for a bit?"

Matt's smile falters, and he glances at you, a bit reluctant, as if he doesn't quite want to let go of the moment he's carved out. "Uh... well, we were just-"

"Looks like Emily's about to make out with that guy," Mike interrupted, tilting his head toward the dance floor. "You might wanna handle that before it gets messy."

Matt whipped his head around, his face paling slightly as he spotted Emily drunkenly giggling and leaning far too close to the stranger. "Shit," he muttered, scrambling to his feet. "I'll, uh, catch you later." he says to you, giving you a quick nod before he disappears into the crowd.

"Yeah, sure," Mike said smoothly, his smirk widening as Matt hurried off. You glance back at him just in time to catch a wicked grin flash across his face as he watches Matt weave his way toward Emily.

He turns back to you and without a moment's hesitation, he slides into Matt's now-empty chair, shifting it even closer to yours with an obnoxiously loud scrap of wood against the floor. He dropped into the seat with a satisfied sigh. His arm resting along the back of your chair but soon sliding fully around your shoulders, pulling you closer to him.

The warmth of his body, the faint scent of his cologne, earthy with a hint of spice, made your thoughts scattered like leaves in the wind. From this close, you could see every detail of his face: the light beard perfectly trimmed along his jaw, the sharp angle of his cheekbones, the infuriatingly perfect way his smirk tugged at one corner of his mouth. He was leaning into his persona, that cocky, playful charm cranked up to eleven and it was doing things to your brain you weren't sure you were ready to admit.

"Well, this is cozy," Mike said, his voice low and smooth. "Didn't think Matt was ever gonna leave. Guy's got some stamina for talking, huh?"

You blinked, struggling to form words. "Uh, yeah. He's chatty"

Mike chuckled, the sound warm and teasing "Chatty? That's the nicest way to put it. Bet he's been boring you to death, huh?"

"Not entirely," you said, though your voice was far too shaky to be convincing. "He's enthusiastic."

Mike raised an eyebrow, clearly enjoying how flustered you were. "You're too nice, you know that? If I had to sit through more than five minutes of that guy's rambling, I'd be asleep in my chair."

You laughed, though it came out a little too breathy. "Maybe I'm just better at pretending to be interested."

"Pretending, huh?" Mike's smirk widened. "So, what about me? Are you pretending to enjoy this little moment we're having?"

Your brain short-circuited. "I... I mean, no. I-uh... you're not boring. Definitely not boring."

"Good to know," Mike said, his voice dipping slightly as he leaned in just a fraction closer. "I'd hate to think I was putting you to sleep."

"You're not," you managed to say, your face burning.

Mike grinned, clearly reveling in your flustered state. "You're cute when you're nervous, you know that?"

“I’m not nervous,” you said quickly, though your gaze flickered away from his, betraying you.

“Sure you’re not,” Mike murmured, his fingers brushing just a little too close against your shoulder, the touch lingering for a beat longer than necessary. “What were you and Matt talking about? You looked a little bored." His tone was smooth but there was a faint edge to it now, like he was testing the air.

You noticed the subtle shift in his expression. His jaw tightening just slightly, his eyes narrowing for a fraction of a second as if he didn’t quite like the idea of you and Matt sharing a private moment.

You shrugged, trying to sound casual. "Just sport stuff and his latest victory for his team. He was just being friendly,” you added, trying to sound indifferent.

You didn’t miss the slight tightening of his jaw, the way his eyes flickered just briefly toward the ground before locking onto yours again.

Mike’s lips quirked into a knowing smile, but it didn’t reach his eyes. “Yeah, he looked real friendly.” The smirk that followed didn’t help, pulling at the corner of his mouth as if he was more amused than you thought he should be.

You raised an eyebrow, narrowing your eyes at him. “What’s that supposed to mean?”

For a moment, Mike just stared at you, his expression unreadable. “Nothing,” he said too quickly, the innocence in his voice so forced that you could almost feel the tension cracking around him. The grin stretched wider, like a challenge. “Just saying, if I didn’t know better, I’d think Matt was hitting on you.”

Your breath caught in your throat and a flush of heat spread across your cheeks. You tried to play it off, but there was no denying the way your heart stuttered in your chest. “He wasn’t,” you said quickly, your voice coming out a little more defensively than you intended.

"Either way. Figured I'd come over and I don't know... make the night more interesting for you. Prom only happens once, right? Gotta make the most of it. Besides—” His voice softens, his gaze locking onto yours with a sincerity that takes you off guard. "—I've been waiting for an excuse to spend some time with you."

You swallow, feeling the heat rise to your face as his words sink in. "You have?"

"Yeah," he murmurs, his thumb grazing your shoulder in a slow, deliberate motion. "I mean, I could've come over sooner but you were busy with your brother. Then you were with Matt and I figured, maybe it's time I got a little selfish."

The intensity in his gaze makes it hard to breathe and for a moment, all you can do is stare at him, caught between disbelief and exhilaration. "I... didn't think you noticed me like that," you admit, your voice barely above a whisper.

Mike's grin softens, his hand moving from your shoulder to gently rest on your waist, pulling you even closer. "I notice a lot more than you think," he murmurs, his voice low and husky. "Like how you always look away when you think I'm watching, or how you get that little crease in your forehead when you're trying not to smile too much."

Mike makes a silent note to himself to later thank Chris for the insights he’d shared minutes ago.

You laugh, feeling both embarrassed and overjoyed. "Okay, now you're just showing off."

He chuckles, his arm tightening around your waist as he dips his head a bit closer, his voice a soft murmur. "Can't help it. You’ve got me so close to losing it and you don’t even realize it." His fingers press gently into your side.

“Dance with me,” he murmurs, his voice low and laced with a tenderness that surprises you. There’s a quiet intensity in his eyes, a vulnerability that makes your heart race. “Let me be the happiest guy in this place tonight.”

You feel your pulse race at the invitation, your mind whirling with both excitement and uncertainty. "What about that girl you were with?" you ask, your voice quiet and hesitant, unable to stop yourself from wondering.

Mike's smirk returns, his hold on your waist tightening slightly as he leans in, his voice a soft, almost possessive murmur. "She's not you. You’re the only one I can’t get out of my head.” His voice is rough, coated in something darker.

You meet his gaze, feeling your breath hitch as you search his face, trying to process the weight of his words.

He takes his chance to lean in, his lips brushing softly against yours in a kiss that leaves your heart racing. His lips crashing into yours with a desperate urgency that leaves you reeling. His hand slides around your waist, fingers tightening as he pulls you against him. The heat of his body sears through your clothes, and his thumb traces a slow, deliberate line along your cheek, sending jolts of pleasure straight to your core.

When he finally pulls back, his lips are swollen, a smirk tugging at the corners of his mouth, that familiar cocky edge in his eyes. His eyes burn with that familiar, dangerous gleam-a challenge, a promise. His breath is ragged, as if he's barely holding back.

"Still up for that dance? Because I've got this new boyfriend I'd really like to show off." he whispers, his voice low and teasing. His breath brushes your skin, sending a shiver down your spine. He looks at you with that trademark mischievous grin, the one that could melt anyone’s defenses.

A rush of warmth floods your chest at his words, a mixture of giddiness and disbelief. Your heart skips, caught between the sweetness of the moment and the thrill of his presence. The corners of your mouth twitch up as you meet his gaze, and though you can barely keep your composure, you nod.

Mike's grin widens and as he takes your hand, guiding you to the dance floor, you feel as if you're floating, lost in the warmth of his gaze and the excitement of being his.

Note: if you liked this, please leave a comment. I love reading them <3

[plethomacademia]

Ok, I'm explaining my cryptic shit after the jump. CW fertility stuff and also it's long, sorry.

Up front, please read through before commenting as I have a request for how people engage with this.

I was supposed to start birth control as the first step of the IVF egg retrieval process two weeks ago today, because that's when my period was supposed to start. My periods have a habit of disappearing in the fall/winter, a weird pattern that no one has been able to explain but one that started back in 2022.

When my period didn't show up, I was pretty upset, because it doesn't come a week late when this happens, it comes a month late at best, sometimes even two or three months. My IVF clinic knows this, so I was not happy that they made me wait a full week to come in to have tests run to see why it was not showing up. Last Friday, I finally got to go in for some bloodwork and an ultrasound. They called me that day at noon to let me know that my period was late because I was pregnant.

We were told we could keep trying while we were getting our tests ran for IVF and it worked. I had tested myself, but the home tests I used came back negative and I didn't test more than once because honestly, I was over peeing on sticks. I have peed on a lot of sticks this year.

This week, we had a lot of blood draws to confirm my hormones were increasing appropriately. They are low, but the slope looks good. Today, we had an ultrasound and saw the gestational sac in the uterus with good placement.

Anyway, that's my whirlwind! I am only mentioning this because I can't really talk about it openly outside of a few close friends and I am really scared! I have no reason to think I will be any luckier with this baby than I was with the last one, since we are rolling the dice with my older eggs again. I need a place to vent that anxiety and fear, so I am going to do that here.

My request: I am ok with congratulations, but please just layer them with caution. In the loss communities I am in, we talk a lot about hoping for the best and preparing for the worst. I really appreciate when people say "cautious congrats" or "hoping for the best" or things like that. When people tell me not to worry or that it's going to be fine, I do not respond well because, respectfully, you don't fucking know. I don't fucking know. All I can do is take this one scan at a time.

If you don't want to hear about this, please block the tag, that's why I am using it.

[will80sbyers]

I just wanted to pop in and say thank you for all your posts. You’re a soldier Dani. Whenever I’m having doubts and scrolling through the tag, I see your posts and they kinda smack me upside the head and make me remember that I don’t really have any reasons to doubt something that has clearly been built up from the beginning and was left on an unresolved high note in season 4.

Although, in my defense, the reason I get doubts is because was a k/ance shipper when I was a dumb teenager, but now as a dumb adult, I can say k/ance didn’t even have 2% of the proof Byler does, but yknow sometimes there’s that voice in the back of my head that sounds like Theadore from Alvin and the chipmunks telling me that I’m just getting queerbaited again.

ANYWAY I appreciate you so much and just wanted to send you a nice ask, since I know you get a lot of hate!

Thank you dear!! ❤️❤️

Honestly I get why people have doubts, we queer people have had to deal with so much queerbaiting or just our queer shows being all cancelled, you really never know even against all logic... there's always that 1% of possibility that straight people are being intentionally or mindlessly cruel writing about our experiences and don't give them as much care as they do with the storylines of straight characters

so I get it, it's probably usually healthier to not trust in it so you don't get heartbroken again, but in this case I'm really convinced there's TOO MUCH stuff and it has surpassed the "it could be a coincidence" option wayyyyyyy too long ago! It would be a level of intentional cruelty I would have never seen before if Byler didn't happen

Lucky for us, I believe we have nothing to worry about and they are good writers that have been building this story and this slow burn romance between Will and Mike and also have been planning for El to become her own person at the end of the show, the narrative is really telling us that and we have so many parallels that would be a complete waste of time and resources if it didn't mean anything for the story + if you look at all the other seasons they are ALWAYS foreshadowing things that happen in the season after and imagine putting this intentional ass COUPLE framing in the show and then doing absolutely nothing about it I would be flying to the Duffers house and knocking on their door asking for ANSWERS because WHY WOULD ANY DIRECTOR DO THIS IF THEY DIDN'T MEAN A ROMANTIC PAIRING WHEN ONE OF THEM IS CONFIRMED IN LOVE WITH THE OTHER!!!!

Anyway sorry I started rambling about them again lmfaooooo but as you know we have SOOOO MANY reasons to logically believe in Byler, it's not crazy to believe in it at all and there's so many people that literally STUDY cinema that said the same thing we are saying 🤷

Byler will be endgame! 🌈🌈🌈

[sunquail]

SLINKS IN WITH MY DAEMON AU BRAIN I LOVE DAEMON AUS YOU ALL KNOW THIS ABOUT ME

anyway

alphinaud is a fancy rat 10/10 no notes. clever little guy who is like haha I'm so cool and likes to have his little buddies around him and likes to work out things. but is also. kind and gentle and loving. and so so shiny and neat. lovely little fancy rat. perfect.

alisaie was difficult because she has such small cat vibes but they're all fairly nonconfrontational and solitary, and my ass is like...alisaie has her bouts of solitary wandering, and she doesn't necessarily go out all aggro, but she doesn't back away from a confrontation, and I think that's kind of necessary for her. I'm not even fully sold on coati like rob and the cat vibes are so damn good I'm sure we can find SOMEthing but I like the thought of her being. a little beastie. a bitey little beast. it'd be nice if it was black and white bc of red magic, but also, there's SO many black and white small beasties. gestures at half of mustelidae. grisons. several weasels. badgers. hell we could go insane and look at spotted skunks!!! imagine!!!

minfilia has such good moth symbolism bc moths are like butterflies but with the goth element of also being an omen of death or whatever and that fucks I think. rob is a genius. lunas are nice. they have pink bits!!! also this is a surprise tool that will help us later.

yshtola has to be a snake just because it feels good. she might even be able to fit a cat more than alisaie but snake just feels so much better. again the symbolism is off the charts with the poison and the healing. magic. ambush. and ofc they snooze around on warm things. it's cute.

thancred is like. ultimate coyote no notes 100%. rangy cool looking dog, semi-social, adaptable, seems very capable. all the guard dog not allowed in the house symbolism. too wild to be let inside. they can hang out on their own but get along MUCH better in a little group or pack, often persecuted with a bad rep, ultimate survivors. they also get along well with a range of other species which I think says a lot about thancred's ability to infiltrate other environments. the way coyotes are friends with vultures (scavengers) and badgers (complimentary hunters). they can fit in anywhere with anything, but their true selves are kinda misunderstood underdogs. we had a great talk about how it would narratively work also. chef kiss.

urianger is DEFINITELY a vulture but I'm trying to convince rob about egyptian vultures lmao. lammergeiers are so so so juicy with the whole like. lamb nomenclature thing. see ryne discussion later. but vultures are kind of shy as a rule and have maybe unsavory behaviours (they vomit as a defense and also eat the buttholes first lmao) but they do the difficult jobs nobody else wants to do. clean up the mess. like thancred, misunderstood, untrustworthy reputation. beautiful, beautiful birds. the augury thing is a given, of course, it always had to be a bird.

ryne!!! unsettled ryne gets to be. rabbits. lambs (^see look). small songbirds, kept captive. moths! rob had that all in hand so so genius. rob you're so smart I am just reiterating everything else you say lmao. cheetahs are fun bc a lot of people don't know that they're kind of messes. but they're still dangerous!!! and esp with. emotional support dog. wah. she blossoms into. a dangerous tough cat. that squeaks. and likes to hang out with a couple buddies. she won't be alone anymore :) I'm also imagining. ryne with two scavenger parents. her daemon being a lil crow to tag along with them. cute.

GRAHA...WHEN ROB WAS LIKE "I THINK GRAHA COULD BE MEERKAT" I WAS THE MOST EXCITED OF MY LIFE BC I LOVE MONGOOSES AND MEERKATS ARE LIKE. the gentlest. I think. rob already put my comments. I am so hyped about meerkat graha. I go about my day and I think of it and I smile. social. cheerful and sweet. have particular guys who are their faves. tough!!! fierce!!! affectionate!!! wahghg. galaxy brain. delighted. city critter.

tataru. pink. smart. no notes. I could have notes but right now. piggu.

I'll also say right now I also have no current ideas for krile << sorry krile I'll come back to you

I just!!! got to thinking about estinien and I was like hmm. peregrine? bc they're so so fast, the fastest, when they DIVE FROM THE SKY, but they are small and I was like. that seems fragile. he needs something else. so I checked gyrfalcons. and they are very similar, they're WHITE, they wander around a lot and explore huge areas, they almost like, welcome change, in that regard. they LIKE change. raptors have that kind of bluntness and directness, but even though they wander they're reputed with a good relationship with humans. loose-bonding, but bonding still. and they're imposing but also a little silly, and cute. fearsome but soft feathers. and now him and urianger can bond over being birds of prey as well as elezen /o/ I just like the thought of it. and rob mentioned the falconry hoods being kinda like dragoon helmets which is a SUPER cute image.

ANYWAY UHHH DAEMON AUS I LOVE THEM ROB IS SO SMART THANKK U

my scion animal assignments (aka the daemon au that lives in my brain)

alphinaud: fancy rat (very smart and social, a little scurrying guy, busy little hands, can learn tricks, good to ride around on a shoulder, prey animal)

alisaie: coati (clever little omnivore with prehensile tails. females are very social with each other and form lifelong social ties (and also have bigger frontal cortexes than the males!) (my original thought was ocelot/margay although im veering away from that bc kit miqosquat @sunquail pointed out those are rather solitary critters. they also suggested magpies or woodpeckers? i also admit i have some biased fondness for coatis since they were in a local zoo when i was growing up heheh. this one might change - luckily in a daemon au we can sort of fudge when the twins settled. i think alphinaud settled earlier than alisaie.)

minfilia: luna moth (i knew i wanted a moth bc of flying towards light, the mythological tie to death, and the fleeting life - adult silk moths (which luna moths are) live an extremely short adult lifespan and literally cannot eat in their adult bodies. i went with luna moth because they're very striking and pretty)

yshtola: some species of pit viper (venomous, and an ambush predator. the duality between the venom and the association with healing. pit vipers (rattlesnakes, for example) have very poor vision but have extremely good heat-sense and sense of smell. y'shtola to me is someone who waits for the right time to do things and then does them very dramatically. snakes are also just sort of occult.)

thancred: coyote (has to be SOME type of canine. scrappy little scavengers who are so good at thriving under pressure. seen as a pest. evolved as a secondary predator. canis latrans = talking dog. social patterns can vary and adapt throughout an individual's lifespan - solitary, in a pair, in a pack. i have more coyote facts if you want them)

urianger: bearded vulture (so augury was a roman practice of divination through birds (also the source of the words 'auspicious' and 'inauguration' - and augurelt!), and augurs were the people who read the will of the gods through birdwatching. so it has to be a bird. vultures were a majorly important bird in augury, and i like the parallel you can draw between a scavenger of carrion and the hvw and shb gambits urianger was part of. i settled on bearded vultures bc i also wanted to pick something visually suitable as well - bearded vultures have a head of feathers, and have a sort of gawky golden elegance that suits urianger well. hey wikipedia also just told me that in ancient egypt vultures were associated with motherhood - i always win and i NEVER lose.)

ryne: cheetah (a lightning-fast predator who is also extremely anxious and needs companionship. the emotional support dogs from zoos also ties nicely to thancred being canine. her unsettled forms were mostly small little prey animals - rabbits (baby birch by joanna newsom), little songbirds (for the cage association - nightingales and canaries), lambs (sacrificial slaughter), and a lot of trying to force her daemon to be butterflies/moths to match minfilia.)

graha: meerkat (a funny little clever guy who builds a big city and needs to be in a group of people and also he can fight a poisonous viper. ballsy. the sweetest of the mongooses. to quote kit: "they're weirdly possessive over Their people. like they're cliquish kinda, they're extroverts and love to hang out with people, but they have THEIR special people also. who are favoured")

tataru: potbelly pig (extremely intelligent and cute. and PINK! my reasons are simple but effective.)

estinien: [placeholder] (i haven't put much thought into it bc my main thoughts for a daemon au would be about ryne settling during the events of shb and he isn't in the scions for that. has to be some type of predator that can survive in harsh conditions and isn't very social. a few of you are saying hunting bird, which is intriguing... like a heron or a cormorant. maybe an albatross? i'm also thinking snow leopard maybe, but also :/ lord asriel from hdm :/ )

krile: [placeholder] (i don't have a very good grasp on krile as a character, and a lot of that is the writing's fault. sorry krile. some type of domesticated animal, maybe? or maybe something migratory?)

[oonajaeadira]

wip wednesday whenever.

LOL. You know, I was surprised when @moonlitbirdie tagged me. I was really starting to believe people forgot I used to write things and it brought me a fair amount of joy to be tagged.

And then @grogusmum. And @the-blind-assassin-12. And now @insomniamamma. I know you probably don't mean it this way, but it feels like the lot of you just invited me to tea for an intervention to say "YOU GOT THIS. JUST WRITE ANYTHING. WE DON'T CARE WHAT. REJOIN THE PARTY."

I love it here.

Anyway, thank you, friends. I'm taking it as an encouragement. <3

I'm about to get my feet swept out from under my ass by the General tonight, so let's have some fluffy Fink x Farrah before I lose myself completely to Roman lust and longing....

There’d been two full moons since Farrah came to the island and she adjusted fast to their strange way of life. She wasn’t as hard driven by hunger as some of the other animals and gained from their talks that was because food had been more scarce where she was from and she was patient when it came to waiting for meals. Fish and shellfish had already been a big part of her diet. 

So she must have come from another island…but Fink couldn’t be sure. Anytime he’d ask more about it, she’d change the subject or go quiet. And she was very very good at being quiet. Probably had to learn that with fur like hers. It’s a wonder she made it to maturity without proper camouflage. Silence and speed would be her only options.

Except when she laughed. She laughed loud and high, almost a cry when she was really going. Farrah was easy to amuse and he made sure to do so whenever he had the chance. He wanted to see her happy and settled here. With him.

And he just liked to hear her laugh. Nobody laughed at his jokes like she did.

“That is the look of a lovelorn fox,” Paddler dryly declared one day, turning away to scrape away at a massive trunk with his crooked incisors. Fink had just cracked a joke at a squirrel’s expense–and not a clever one either, something about the size of nuts–and Farrah had laughed before bounding off after a butterfly. The beaver’s remark made Fink realize that he was wearing a dopey grin and he shook it off, but not before Paddler added, “Be direct. Build her a dam to show how you feel.”

“I’m not going to give her a dam.”

“Ha! Very good! I see what you did there. But I’m telling you, fine fellow. We may be swimming among the trees as a pike in the waters of the river, but the ladies still love a good bit of worked wood. You have that home–a good design, said because, as you will remember it is mine–but a little riverside palace of her own? Eh? What a treat.”

Fink rolled his eyes, playing cavalier. “It’s not like that. We’re–” over in the near clearing, Farrah’s fur sparkled white in the sinking sun, her head tilting side to side as she watched two butterflies dancing, trying to pick up on their whispers, quiet and still….and beautiful. “--friends.”

“Ha!” Paddler choked on a laugh. “You fool no one, sir. Just give her a treasure and be done with it. I’m telling you a dam always does the job, but I suppose you must do as your ilk do.” 

“Is that why there's no Mrs. Paddler?”

“Oh ho! I have had my salacious share of affairs, I assure you. My dams are well-given and wide spread. I am focusing on other projects at the moment,” he boasted with a grand gesture towards his gnarled tree, and turned back to his gnawing.

--That Awooo Inside You, Pt. 2.

tagging: @brandyllyn @littlemisspascal @nicolethered @missredherring @something-tofightfor

[rascals-forthememories]

Alex V. “Ajax” Johnson moodboard + random headcanons

🎸⋆➤Imagine him to be born in the early 80’s, ok 1988 which makes him a millennial of course, raised in very supportive but sassy asf parents, he could've been from the hood but he's too nice for hell. His momma is very good at coming up with insults, but she's got a very good voice, and dad is clever dude who knows life hacks n shi then they all moved to a citylife. He has to be a city boy...

🎸⋆➤He and Keegan were either childhood best friends bc they were neighbors, went to the same school, playing pranks and causing trouble but always having each other's backs. Their moms being friends is also a nice touch, maybe they even used to arrange play dates for them when they were younger.

🎸⋆➤Being a bit of a 90s video game nerd. Maybe he had a SNES and Genesis when he was a kid, and now as a teen he's moved on to the 360 or PlayStation. (challenging Jemima to random games or competitions, just to see who can be the more competitive) He might even have a Game Boy stashed away somewhere for all those late-night gaming sessions. He'd probably be the one to drag the others into retro gaming binges where they'd spend hours playing old school Mario or Zelda, until Merrick or Keegan finally puts a stop to it. Always trolling Keegan at Mariokartt, Ajax's goal isn't to win the race, his goal is to green shell Keegan in game.

🎸⋆➤Ajax as the 2nd bassist in the band, making it a duo with Keegan. Maybe they bonded over their mutual love for bass, spending hours practicing together and jamming out to their favourite songs. They could even have a friendly rivalry going on, trying to outdo each other during rehearsal and constantly one-upping each other's riffs and licks.

🎸⋆➤^And considering Ajax's "cheesy goofball" personality, I could see him always coming up with the cheesiest bass-related puns and jokes. Like when Keegan asks him to play a funky bass line, Ajax might respond with a cheesy line like "Oh, you want funk? I've got the funk, baby! I'll hit that note so hard, you'll hear it in your bones!" or "You want to make the bass sing? Well, I've got the perfect recipe - a pinch of slapping, a dash of popping, and a whole lot of attitude!"

🎸⋆➤Can beatbox decently but only to the point he can impress people who don't beatbox, not the crazy sounds. Hes just very good with rhythm and beat.

🎸⋆➤DEFINITELY be all over Keegan for having Jemíma, just picture him constantly teasing Keegan about her, saying things like "Hey, look who's got a pretty girl tagging along with him lately!" or "Hey, loverboy, can you spare a minute from your little date to focus on the music for once?" Maybe he'd even write a cheesy love song about Keegan and Jemima, just to get under Keegan's skin. "Love Ballad of the Bassists," anyone?

🎸⋆➤Ajax's bassist skills would pair with Keegan's - both of them are pretty damn good. But where Keegan is more technical and focused on precision and technical skill, Ajax would be wilder and more energetic, playing with raw energy and power.

🎸⋆➤Loves indie rock and the classic boy band sound of the Backstreet Boys. And the drummer covers are a great touch too! Maybe he stumbled across a video of a sick drum cover on YouTube one day and got hooked, spending hours watching and rewatching the performance and trying to mimic the insane beats. Now, he's a total drum cover enthusiast, always keeping an eye out for the latest and greatest covers on the internet. (Meanwhile, Merrick might roll his eyes at Ajax's love for drum covers, saying something like "Seriously, man? You're more obsessed with those drum covers than you are with actual music. But Ajax would just wave him off and say, "Hey, you're not the one playing the thunder-making instrument here)

🎸⋆➤Has a few other quirky habits and interests outside of music. Maybe a secret love for collecting vintage action figures or sports memorabilia, or a hidden talent for painting or drawing. A weird addiction to eating way too much chocolate or candy and strange obsession with collecting rare bands vinyl's like ''Yo check this out''. He’s also a bit of a wisecracker and loves to banter back and forth with his friends. Habit of accidentally dropping his bass during rehearsal and blaming it on the other guys, saying they spooked him or something.

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???