#and what have we won

[blacktabbygames]

thank you all for everyone who fought in the 47 minute fandom war of august 17 it is peace times again buy in stars and time for even less money than usual if you already own slay the princess because we have a bundles

[shihoerusu]

You have seen me as worthy. As an equal even, because of that, I will serve you

[philyuri]

being a phannie is about winning the rpf lottery at the cost of your mental health

[artuurle]

Siiighs.... here's Crumb's official little design page thing after a few days of rotating them. They are wearing generic clothes in the second image (and doodles) so i can show off their weird limbs. Not quite just human anymore but also nowhere close to divine. Warped by the rift into something they can't recognize as themselves- at least not yet.

Worst vacation ever, 0/10 wouldn't recommend to my worst enemies.

[thingsmysplattershotjrtoldme]

*ahem*

WE FUCKIN DID IT FRYE NATION!

It's all worth it for that smile

I fuckin love you, Frye!

GIRL DON'T JINX IT!

[sincericida]

ANDREW GARFIELD and AMELIA DIMOLDENBERG

in the "Chicken Shop Date".

(source)

[gh0sdae]

I'm all for viktor manhandling jayce, but let's be real. Jayce is LUCKY viktor chose that path

Had viktor approached jayce in human form, hugged/cradled him, held his face, and soothed him with sweet nothings, that man would have FOLDED like a lawn chair

After months of torture? HIM??? He would not survive

[lackadaisycal-art]

When I say "I like Richard III", I'm not saying I condone or absolve the real historical figure. What I love is the Trinity of Richard III the fictionalised villain, Richard III the fictionalised hero and Richard III, the unknowable approximation of a real person that can be scraped together from historical records. Three separate entities often at total odds with one another and yet conceptually one person. It's the multi-faceted, contradictory, vague idea of him that finds a new way back into the Zeitgeist again and again that I love. He's become folklore.

[inquisitor-apologist]

Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.

Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.

Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.

[cementcornfield]

the thumb....

[tempests-bards-and-birds]

please god make the "three time winner of the best bard of mondstadt" one of the earliest pieces of evidence we got for the samsara without us knowing it at the time because it would be so fucking funny

[peachyutdr]

i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D

[gcballet]

Just saw someone complaining about the Newhart ending from 0611 being mockery of people who ship Nandermo and frankly I can only imagine that account is someone who's under 20 bc that is not what mockery/rejection of queer ship fans looks like. You were in preschool when BBC's Merlin came out, you don't know. S6 and finale spoilers below.

The point of the Newhart parody ending was to provide an ending for fans who just wanted WWDITS to stay a goofy status quo sitcom. It's answering the black and white footage of the vampires in the 1950s. The sitcom status quo is a famously really hard trope to work with. The Simpsons is literally still struggling with it - decades of skilled comedy writers have never defeated it. It's a commentary on being satisified by the media we consume. The vampire can never fully be satisfied, no matter how many lives she consumes. The status quo can never be broken no matter how many episodes it attempts.

The 1980s trope of 'it was all a dream' happens in The Bob Newhart Show, it happens in St. Elsewhere, it happens in Dallas. They aren't mocking a queer ship, they're mocking sitcoms and how they've been hamstrung by format in terms of the story they can tell. Assume they did pursue Nandermo unambiguously, onscreen. It would be legitimately too dark for a sitcom. Or conversely, too hopeful for a documentary.

The other generic format choice restricting them is the documentary, because everything the characters do in the show is them being watched by a group of strangers with film equipment. None of their behaviour is wholly real. The entirety of the finale is Guillermo realising his behaviour will change when the crew leave. His behaviour has been influenced by the presence of cameras, and it will happen again. For the first time in six years, he's going to experience actual privacy, and there will be scope for him to express things he has deliberately suppressed with the cameras on. In the first episodes of S5, we saw him get increasingly frustrated with the crew, calling them vultures, as they tried to get the story on what happened with Derek. He's ready for his privacy back, and space to change, but the vampires live by sitcom rules. They aren't prepared to change, or at least, he isn't confident about it.

What We Do In The Shadows (2019-2024) is restricted by two specific genres and their conventions, and the first two 'endings' - the dream sequence and the switching off the cameras - represent exiting both of those genres before any significant radical moves can be implied for Nandermo.

It's a sitcom, therefore the central couple must be in perpetual will-they-won't-they (Friends), the gays must be physically chaste (Modern Family), and the status quo must be maintained (The Simpsons). Once the sitcom is ended via the Newhart ending (which positions Guillermo and Nandor as a married couple, that's not a small thing at all), the documentary tropes can close out.

Documentary tropes are a little harder to pin down, but generally the story should end with Guillermo truly moving on and leaving in a poignant and somewhat tragic way.

Guillermo's narrative thread throughout the documentary version of the show is about his identity and relationship with Nandor. He gives the cameras a big show of finally saying goodbye to Nandor, going on to be a new version of himself, and waits until the crew begin to derig before acknowledging again that a documentary is performative, and he intends to continue their relationship. The documentary format means intimate moments must be captured. When the documentary ends, the intimacy may be private. That's why we don't get a Nandermo kiss. It's allowed to be private now.

Guillermo is sad throughout the finale, yes, but I would argue he's actually mostly stressed, because on one level he understands that the show must commit to one of two trope endings. The sitcom, the repeating lives of the vampires where nothing matters and you can be hypnotised to believe there was nothing deep about it. Or the documentary, where he is forced to tragically leave forever, having learnt a valuable 16 year lesson, perhaps meeting again for a 'where are they now?' Twenty years later.

He thinks he has to choose in under an hour, between the endless sitcom cycle the vampires find natural, or walking away with the humans who made the documentary to capture something ephemeral and temporary.

They do both, and then Nandor and Guillermo get what is clearly the ultimate ending. It's not formatted in such a way that you choose between endings. They're not alternate endings, they're subsequent endings. It doesn't have multiple endings like Clue, it has multiple endings like The Return of the King.

And maybe Guillermo and Nandor don't kiss on the mouth and declare their love for one another, but the camera crew is still leaving the room. What they do do is agree to stay together and work together on something to make themselves and/or the world better. Then Nandor invites Guillermo to share his pseudo-bed and disappear into a private space he has created in secret for the two of them. Even phrased matter of factly that's romantic. Someone flippantly called it 'the gays getting sent to super hell' and wow way to deliberately miss the point. Nandor never follows through on big projects, but he built a miles deep tunnel under the earth so he and Guillermo could at last be alone away from a huge documentary crew and roommates with super hearing. That's beautiful. They don't owe you an onscreen kiss to prove they're in love. They (Nandermo and the show producers) don't even owe you representation, and if you think otherwise, you've not bought into the premise of the show. You are the voyeur watching the documentary, the fan watching the Ross and Rachel (Nandor and Guillermo have been compared to them by the cast).

The whole point of the endings is that they moved Nandermo outside the unreality of TV genres. Not a sitcom will-they-wont-they, not a tragedy within a documentary, just two weird guys in a coffin in a hole in the ground, doing whatever they want because nobody is watching and judging.

They didn't make Nandermo canon, they made Nandermo real.

[justsomecouscous]

'in my relationship I only want a guy who's 6ft and has muscles' this 'I want a girl who has a big ass and boobs' that

Nah FUCK that

I want someone to lovingly hold my face in their hands and look adoringly at me then kiss me while the fans scream and cry from happiness after waiting for 5 seasons and the old bitter white men to sit seething in their arm chairs

[hanzajesthanza]

witcher netflix: [drops]

henry cavill fans: honestly, i don’t really care about the story, i’m just here because hcav is hot asf

me: wtf? how shallow is this… only there because the titular witcher is hot? talk about missing the point…

witcher 4 trailer: [drops]

✨ciri✨: 😡

me: … i understanded.

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)