#and what I love most of all is how your illustration captures that

[rbrownillustration]

I don’t know how to give a spoiler alert on this website but if I can warn you here it is. This is vague enough though it’s not too much??? Maybe????

Anyways, I saw Transformers: One yesterday and have been thinking about it nonstop ever since. It’s beautiful. Almost perfect. Sensational. 10/10 would recommend please go see it if you have any Transformers love in your bones and even if you don’t. It’s just a good story.

As for the spoilery part, don’t read ahead as I talk about this piece if you don’t want some spoilers.

What kills me about this movie is, yes, Orion and D-16’s friendship, but also Bee and Elita coming together as a team as the four of them. Bee particularly, as it would be assumed he is the youngest and the least experienced in their little group and needs them potentially the most.

I would say there’s a direct parallel you could make between Bee and D-16 throughout the movie. As both of them move from blind loyalty in the status quo to having to accept that the system they live in is set up against them and the power that they trusted is false and vile.

D-16 is a fascinating case of losing trust in anyone and anything because of that betrayal. The movie does a fantastic job of justifying (not excusing) the rise of Megatron and truly emphasizes how tragic of a character he really is, beyond just the violent rebel we’ve gotten used to.

Bee on the other hand shifts quickly to lean on the support and trust of his friends (maybe he is more inclined to as they are literally his only option), and to still hold his faith in Primus and the true Primes, ultimately following Optimus.

Anyways, this illustration I whipped up this evening is in the climax of the film when Sentinel Prime has captured much of the High Guard, as well as D-16 and Bee. D pulls the ballsy move of refusing to kneel to the false Prime. They discuss Megatronus Prime for a bit, Sentinel drawing attention to D’s Megatronus decal. Then Sentinel decides that D-16 should always have a reminder of that dead Prime, and brands a crude likeness of Megatronus on his chest with a laser gun.

Above all else I think that this is potentially the final turning point for D-16. This isn’t the point of no return (see end of film when Sentinel gets his due) but I see it as D-16 losing faith completely in both the true Primes of the past (Megatronus), and the false Prime of the present (Sentinel), leading him straight to the point later where he won’t trust his future to anyone but himself. Not even Orion. I wanted to explore this moment visually so while I was at work the composition for this piece slowly started forming in my head and I knew I wanted to bring both D-16 and Bee into the focal point.

[eleonoraalbright]

An Ill-Timed Confession Part 1

Pairing: Peter Pan x fem!reader (kinda)

Summary: You tell Henry about your romantic feelings towards Peter Pan. Unfortunately for you, he turns out not to be Henry.

The citizens of Storybrooke gathered in Granny’s diner to celebrate. Most wore big jovial smiles and talked excitedly to their companions. You took note of the absolute happiness that seemed to radiate from David and Mary Margret. Nevertheless, their daughter was uneasy, as if she half expected the Pied Piper himself to waltz through the doors and rip her son’s heart out.

You felt sorry for Emma’s needless worrying, but understood where it stemmed from. After all, many restless nights would have to be endured before you forgot Pan’s threats in Neverland, not that you wanted to forget every single comment of his just yet. You pushed that particular thought back deep in your mind where it would have to be reconsidered later. You chose to focus on more trivial matters.

Hook was seated at the bar, drinking with the boisterous dwarves. It didn’t escape your notice how often his gaze flickered between the Savior and her ex-boyfriend; Neal left his place beside Henry to chat with Mother Superior. You eyed the pirate’s ill-natured manner with interest when Ruby interrupted your musings of his unfortunate predicament by placing a steaming mug of apple cider on the counter.

You accepted the hot beverage, maneuvering your way through the crowded restaurant and slid into the booth to sit across from Henry. His attention was directed to the storybook in front of him. Even upside down, you recognized the illustration of Cinderella dancing at the ball with her prince. Henry glanced up, seeming apprehensive at your arrival, he tensed for some strange reason. His fingers tapped the edge of the smooth paper.

You offered him a reassuring smile. It would be reasonable for his nerves to be a bit frayed after his harrowing adventure. You blew on your drink and asked in a quiet tone, “How’re you holding up?”

“Good. It’s good to be back here with my family.”

You nodded your head in agreement. That was the understatement of the year. The distress and danger he went through the past few days must have been unimaginable. People often said kids were resilient, however, it was odd how unfazed Henry was at being reunited with his loving family. Odder still was his cold and distant attitude towards you. This was the first genuine conversation you two had exchanged since his capture. It was unlike him to keep to himself for so long.

You were close friends and confidants. It was worrisome for Henry to be this reserved around you. What had happened in Neverland that would have caused such an abrupt change? The next second, you berated yourself for such a thought, having one’s heart torn out would have drastic mental consequences. It was possible he wasn’t comfortable discussing his feelings yet. On the other hand, it would be harmful if he kept them bottled up inside his mind to fester.

The best course of action was to respect his silence and hope in time he would open up. You took another sip of cider while Henry went back to reading. The message was clear; he had no interest in talking any further. The temptation to leave was strong, but you remained in your seat. There was a question you were desperate for Henry to answer, the sooner the better. You blurted out, “What was he like?”

He glanced at you again. “Who?”

“Peter Pan. What was he like? I only met him a handful of times on the island, and he was pretty intimidating. How did he act around you? I mean, Pan was deranged, how’d he manage to convince you to give up your heart?”

Henry shrugged and flipped a page before replying. “He told me magic was dying and my heart was needed to save it. I believed him. And he was…” Henry shivered a little. “He was scary. I’m glad he’s gone.”

You propped your elbows on the table and rested your chin in the palm of your hand, waiting for him to elaborate. He didn’t. Henry reached for his glass of root beer, refusing to utter one more word. You sighed, “Too bad he was a psychopath. Pan was kinda hot.”

Henry spat out his drink, spewing the soft drink all over the table and its contents. You grabbed a handful of napkins and dabbed them on the storybook. “Henry, be careful you almost ruined it!” Emma paused speaking to her parents and shot you both a quizzical look. You waved the wet napkins at her, signaling everything was fine, only a little spill had happened.

“What did you say?” Henry wasn’t the least bit concerned about the precious book. His eyes were wide and his mouth somewhat agape.

“I know, I know, he was a murderer and evil and wanted to kill all of us. But in my defense, he was attractive.”

Henry said nothing for a solid minute, and stared at you as if an extra head had grown from your neck. You were beginning to worry that the poor boy’s brain had broken upon hearing your staggering statement.

As the seconds ticked by you began to regret saying your astonishing confession aloud. Your attraction to Pan was something you had been grappling with ever since laying eyes on him.

You shamed yourself for feeling this way toward such a revolting person, but that would not dampen them. During the adventure, it had been eating you alive from the inside out.

The rest of the group had been debating over the best way to save Henry, how to rescue Neal, and the complications of getting off the Island. Meanwhile, you had been battling the guilt of being enamored with your best friend’s captor.

Near the end of the journey, you made peace with this upsetting fact by realizing you could acknowledge Pan’s attractiveness and still hate his guts for kidnapping Emma’s son.

Though the shock on Henry’s face made you question the wisdom of admitting this so soon after the terrible ordeal. You were on the brink of explaining your more nuanced views to him on this delicate subject when his expression changed.

The corners of his lips turned upward in a disbelieving smirk as he raised one eyebrow in wonderment. He said in a soft voice, almost to himself, “You… like Pan?”

The grin spread wider across his face and he covered his mouth with a hand to muffle the sound of his laughter. His body shook in a fit of merriment. He pointed a finger at you; his eyes contained a mocking glint which was quite foreign to them. “You have a crush on Pan!”

You were uncomfortable at his reaction, but believed it was somewhat deserved. Gesturing to him to lower his voice, you attempted to hobble together a defense. “Not really a crush per say, I–”

Henry interrupted, “That’s so gross. He's– he’s Rumpelstiltskin's dad!”

“That’s true, but it just makes me wonder whether or not Mr. Gold was that good looking in his younger days,” you joked.

He shuddered at that remark and twisted his features into one of disgust. “Ew, I’ll never understand girls.” Puzzled at your stance on his villainous great grandfather, Henry probed, “Why did you like him?”

“Like is a strong word. I didn’t like him. He was gonna kill us all for Pete’s sake, but I did observe that Pan was blessed… genetically speaking.”

A mischievous air hung about Henry as he inched forward in his seat, tilting his head close to yours, and whispered in a low tone. “Tell me, do you fantasize about Peter Pan?”

Your mouth dropped open at his blunt question. You replied in a strained voice, “Henry, that’s a very inappropriate thing to ask.” What on earth had possessed him to say that?

Moments earlier, he was repulsed at the prospect of you harboring secret feelings for Pan and now he was inquiring whether or not you fantasize about his relative!

It was your turn for your brain to stop working. Henry had never, never asked you such a personal question in all your years of friendship. This was most unlike him.

Was there a chance he had bashed his head on a rock somewhere to justify this sudden change of personality? He leaned back into the booth. “That alone gives me my answer.”

Before you could chastise him for his nauseatingly smug attitude, Emma sauntered next to the table. “Sorry to break up the chit chat, kid, it’s time for something you didn’t have in Neverland. Bedtime.”

Henry closed his book, disappointed for having to leave so soon. You were quite relieved; however, sensing Henry was having far too much fun with this knowledge at his fingertips. You were too stunned at your friend’s response to see he had left with Regina and not Emma.

That conversation had left a bad taste in your mouth. Something wasn’t right with Henry and it made you uneasy. Regret at having confessed your passing fancy towards Peter Pan seeped through you. It could be that this Neverland escapade still had a few loose ends that needed to be tied up.

You help David and Emma cover Mother Superior's body with a blanket. You shoved your trembling fingers in your coat’s pockets. Your eyes darted up to the sky and scanned for any sign of the one who did this. You didn’t feel safe. At any moment you could meet the same fate as well. The danger was lurking around the corner and–

“What the hell happened?”

You jumped slightly as Regina and Henry raced up to your group.

David answered her. “The shadow, it killed her.”

“Pan’s shadow? I trapped it on the sail.” Regina was confused.

“Yeah, well, it got free.” Emma said while crouching on the steps.

Comprehension dawned on everyone as they realized what that meant. Pan was back. You moved to Henry and wrapped your arms around him in a protective gesture. All thoughts of last night's events flew from your mind.

If Pan was somehow controlling the Shadow from inside the box, then he would never stop terrorizing them until he had the Truest Believer’s Heart. Henry was going to die. The adults discussed what to do as you patted Henry on the head.

The boy said in a hollow voice, “So Pan can still hurt me?”

Regina responded to comfort him, “We don’t know that.” You knew it was inevitable he did though.

“But we have to assume he’s still a threat.” Mary Margret clasped her hands together in worry.

You added, “And that he’s after Henry.”

“Then what am I doing here?” Henry wriggled out of your grasp, looking anxious.

David said, “He’s right. He’s not safe out in the open.”

“You’ll protect me, right?” He hugged Regina as she consoled him.

You were put off at how easily he disregarded you in favor of his mother. It was like he didn’t even acknowledge your presence. But of course, it was natural for a son to turn to his mom in his time of need.

You stopped scolding yourself when you overheard Emma tell Regina that Henry didn’t seem like himself. Your feelings of unease felt vindicated now if she was aware that her son was acting a bit different. It made your head spin; what could it mean?

After convincing Mr. Gold to give up Pandora’s Box, you all drove to the edge of Storybrooke. You huddled close to Mary Margret and David, watching the red smoke swirl out of the box.

It transformed into Pan, and Emma cocked her gun. Pan stood up, breathing hard, he acted confused, and dumbfounded to see everyone's mistrustful faces. You had to admit, he was a good actor. You couldn’t believe the next words that popped out of his mouth.

“Mum?”

Emma was also taken aback. “What?”

“What are you waiting for? Shoot him,” Gold ordered.

Pan panicked. “Don’t! Please! I’m Henry. Pan, he switched our bodies.”

“You expect me to believe that?” Emma continued pointing the gun at him.

You didn’t know what to think of this situation. You wanted to trust him. It would explain Henry's peculiar actions. The other, more cynical part, of your brain was reprimanding yourself for entertaining the outlandish idea.

Pan was a master manipulator, capable of slaughtering you and your loved ones in a millisecond if it benefitted him. He toyed with people’s minds and reveled in the horrible game of it. Your sympathetic side excused that truth when seeing Pan’s face. He was hurt and betrayed. Henry, you were sure it was him, needed a friend.

You almost took a step over the red line when Gold stopped you with his cane and said, “Don’t listen to him. This is one of his tricks.”

Pan/Henry was adamant. “No, it’s not! He did it right before Mr. Gold captured me in the box. I swear!” He stepped forward, but Emma stopped him.

Holding one hand out, she commanded, “Don’t come any closer.” Mr. Gold ordered her to shoot him again. She didn’t. “Maybe he is telling the truth. Maybe that’s why I can’t shake this feeling something’s off about Henry.” Mr. Gold argued with her, but Emma asked Pan to prove his claim.

He started listing facts about Henry. They weren’t persuaded by this. Emma stated, “Pan might know facts. But life is made up of more than that. There are moments. He can’t possibly know all of them. The first time you and I connected, you remember that? Not met, but connected.”

Pan’s face softened at the happy memory. He told her the conversation they had at his castle right after she came to Storybrooke. Emma lowered her gun and embraced him. “It is Henry.”

She released him and they crossed the line into Storybrooke. Henry hugged his grandparents and you soon followed. He enveloped you in a bone crushing hug which you returned with equal joy at having your friend back. It was a little weird since every sense told you this was to all intents and purposes Peter Pan. You pulled back to examine him.

Staring into his green eyes, you squished his cheeks. “This is so surreal.” You tapped his nose. “You really look like him, ya know.” Henry laughed, a delightful but bizarre sound coming from Pan’s throat. It was too innocent.

The full impact of what was happening hit you. You retreated a couple of paces from your friends, and hid your face as mortification overcame your entire being. “Oh no.”

“What’s wrong?” Henry put a comforting hand on your shoulder.

Your face felt ablaze. If Pan was Henry, that meant… “I might’ve– I didn’t know it was him!”

Mr. Gold urged you to go on. “Yes? What is it?”

You gulped as they came closer. “Last night at Granny’s, I told Henry—who I thought was Henry—that Pan was hot.”

Both David and Mary Margret closed their eyes in exasperation. Emma stared at you, questioning your sanity. Bell grinned, and to your surprise, Mr. Gold was unbothered by this. “How tragic. However, we have larger problems that must be dealt with other than your lack of taste.”

“Do you think he’ll do anything to me for saying that to him?” You asked Henry. He had smirked at your confession, which had made your heart beat faster at the sight. You wanted to slap yourself for that reaction. Now he frowned at your inquiry.

“I don’t know. Pan might not care or he might target you because of it. Don’t worry about it. We’ll stop him.”

You climbed into the truck’s backseat. The sinking sensation settled in your stomach despite Henry reassuring you everything would turn out for the better. Peter Pan had a plan and it would lead to everyone’s ruin. Your only hope was that he wasn’t concocting a special method of torture for you since laying open your abashed feelings towards him.

(The previous night)

In the body of his grandson, Pan walked arm-in-arm with Regina down the sidewalk to her home. It was loathsome having to humor the woman while she talked to whom she believed was her son. He answered her relentless questions to the best of his ability, keeping his replies vague and unassuming.

She didn’t seem to heed his noncommittal responses. He was impatient for this part of his scheme to be done. He restrained his strong desire to kill her this instant because he had to find her vault first. Pan distracted himself from that impulse by thinking of what you had told him.

It would be beyond humiliating for you when you found out the truth. He couldn’t wait to see your gobsmacked expression when he revealed his true identity, and made Storybrooke into the New Neverland.

Peter Pan would make you regret ever spilling your secrets to him. He was eager to make you into his new plaything, to see how long it took you to cry, to break. He wondered how far over the edge he could drive you. Grateful for the limited light, he allowed a cruel, sadistic smile to form on his lips. This was all too perfect and pleasurable for him.

[alltoomaples]

Speed of Science🧬💻💌

I'm dating a STEM girlie and you're not (F1 Edition)

a/n: and im baaaaaacccckkkkk (like anyone even missed me lmao) with the long overdue request! life of a postgrad StEm girlie here and the struggle is really realll af. but besides that, I'm writing this down as a headcanon for the drivers requested on this poll i had posted long back here. I've always wondered how there's soo minimal povs/ocs where they are a scientific researcher, analyst, etc. sooo i dedicate this one to all the STEM F1 girlies out theree <33

alsoo quick shoutout to my girlieee @smoooothoperator for inspiring and motivating me to get back at writing!🥹🫶🏼 check out her lastest ongoing work 'What Was I Made For? ' its amazing and thats a FACT!! do check her works! its absolutely amazing❤️

check out my works: until i found you masterlist | other works

Scientific Art Illustrator - Charles Leclerc

As a Scientific Art Illustrator, you specialize in creating visually captivating and scientifically accurate illustrations that depict complex biological, astronomical, or technological subjects.

Charles first discovered you through your works at an exhibition where their stunning illustrations of Formula 1 cars caught his eye. Impressed by their attention to detail and artistic talent, they struck up a conversation about their mutual love for precision and creativity.

During a peaceful weekend afternoon, Charles suggests a spontaneous visit to a local art supply store. Excitedly exploring aisles stocked with vibrant paints, fine brushes, and specialized papers, the two of you engage in discussions about artistic techniques and innovative tools. Amidst laughter and shared enthusiasm for creativity, you bond over your mutual appreciation for the intricacies of art and science, making the afternoon a cherished memory of their shared passions.

After being away from home during race season, Charles always finds a framed series of sketches by you for the races you couldn't make it, capturing his most memorable racing moments. Each sketch is intricately detailed, depicting not only the speed and intensity of the races but also the emotions and determination etched on Charles' face. Touched by the thoughtful gesture, Charles hangs the sketches in his study, a constant reminder of your support and admiration for his passion.

...

Data Scientist - Lando Norris

A Data Scientist specializes in analyzing large volumes of data using statistical methods and machine learning techniques to extract insights and make data-driven decisions.

You and Lando first connected through a mutual fascination with racing data at a technology symposium focused on sports analytics. Your presentation on advanced predictive modelling in motorsports caught Lando's attention for its innovative approach to enhancing race strategies.

During a cosy evening at home, Lando playfully challenges you to a friendly data analysis competition using real-time telemetry from previous races. Their banter and shared excitement over dissecting racing data create a lighthearted and memorable bonding experience.

You two would watch old races and analyze historical racing data together, playfully debating optimal pit stop strategies and analyzing driver performance trends, their shared passion for racing and data fostering a deep connection and mutual admiration.

...

Oceanographer/Marine Biologist - Oscar Piastri

An Oceanographer or Marine Biologist studies marine life, ecosystems, and ocean processes to understand and protect marine environments and resources.

You and Oscar crossed paths during a research expedition to study coral reefs in a remote location. Your expertise in marine biology and passion for conservation impressed Oscar, sparking their connection.

Amidst the hectic F1 season, Oscar surprises you with a weekend getaway to a coastal retreat, where they explore tide pools and participate in a beach cleanup together, reaffirming their commitment to environmental stewardship.

You gave Oscar a custom-made charm bracelet featuring miniature charms of marine animals they've discussed during their beach walks and conservation talks. Each charm represents a meaningful moment in their relationship, from their first discussion about oceanography to their shared admiration for marine life. Oscar wears the bracelet during race weekends as a reminder of you and all the love and support you give, both on and off the track.

...

Mechanical Engineer - Daniel Riccardo

You are a passionate Mechanical Engineer, specializing in advanced automotive design and performance optimization.

Daniel first encountered you at a technical conference organized by one of the team sponsors where you presented groundbreaking research on aerodynamic innovations that caught his attention.

Often, while you meticulously draft engineering schematics at their home office, he makes sure that you have your "engineering emergency kit" beside your workstation, which is a tray of snacks and their favourite coffee – ensuring they're fueled for their late-night brainstorming sessions. For when he's away for races, he stacks them up with small cute notes.

Before Daniel heads to a crucial race, you surprise him with a meticulously crafted miniature replica of his race car, complete with detailed decals and a personalized message of encouragement engraved on the base. Touched by the thoughtful gesture, Daniel proudly displays it in his motorhome, a reminder of the reader's unwavering support both on and off the track.

...

Statistician - George Russell

A Statistician specializes in collecting, analyzing, and interpreting numerical data to help organizations and individuals make informed decisions.

You and Russell first crossed paths during a university seminar on advanced statistical modeling in sports. Your insightful analysis of Formula 1 race data caught George's attention, sparking a lively discussion that led to mutual admiration for each other's analytical skills and shared passion for racing statistics.

During a particularly demanding race weekend, the reader surprises George with a meticulously prepared statistical analysis report highlighting his strengths and areas for improvement based on recent race data. This thoughtful gesture boosts George's confidence and motivation, showing the reader's support in his pursuit of excellence.

During a weekend getaway, you guys stumble upon a local go-kart track. George, always up for a challenge, suggests they have a friendly race. Knowing George's competitive spirit, you secretly calculate his optimal strategy and surprise him by winning with a perfectly executed last-minute overtaking maneuver. George is impressed by the your strategic thinking and playfulness, and they share a lighthearted and joyous moment celebrating their shared love for racing and friendly competition.

...

Astrophysicist - Logan Sargeant

An Astrophysicist studies the physical properties, behavior, and evolution of celestial objects such as stars, planets, galaxies, and the universe as a whole, using principles of physics and astronomy.

Logan and you first crossed paths during an expedition to study a rare astronomical event—a comet passing close to Earth. Both passionate about astrophysics, you found yourselves sharing a telescope at a remote observatory, marveling at the comet's beauty and discussing its celestial significance late into the night. Their shared awe and intellectual connection sparked a mutual admiration that grew into a deep bond over their shared passion for exploring the wonders of the cosmos.

During a quiet evening at home, Logan excitedly shows you a new telescope he acquired for stargazing during race weekends, expressing his eagerness to learn more about the cosmos together and sharing their enthusiasm for both racing and astrophysics in equal measure.

Before a critical race weekend, the reader surprises Logan with a personalized star chart that maps out the night sky above the upcoming race venue during the race weekend. Each star on the chart is marked with a heartfelt message of encouragement, reminding Logan of their unwavering support and belief in his abilities on and off the track. Touched by the thoughtful gesture, Logan treasures the star chart as a symbol of the reader's love and encouragement throughout his racing career.

...

Climate Scientist - Lance Stroll

A Climate Scientist studies climate patterns, environmental changes, and their impacts on Earth's ecosystems, using data analysis and modeling to understand and address global climate challenges.

Lance crossed paths with you at an eco-friendly racing event where Lance was advocating for sustainable practices in motorsport. Being a respected climate scientist, you caught Lance's attention with your insightful presentation on the environmental impact of racing and innovative solutions for reducing carbon footprints in the sport. Their shared passion for sustainability sparked an immediate connection and admiration for each other's dedication to making a positive impact on the environment.

One weekend, Lance surprises you with a homemade dinner featuring sustainably sourced ingredients, proudly showcasing his culinary skills while discussing ways to reduce your carbon footprint. His earnest commitment to sustainability and your shared vision for a healthier planet melts your heart, making this a cherished moment you both treasure.

You, being deeply involved in climate science, often spends late nights analyzing data or writing research papers. One evening, Lance bring him a cozy blanket and a mug of your favorite hot beverage, quietly sitting beside him as he works. You look up from your laptop, touched by his thoughtfulness, and pulls him into a warm embrace, grateful for his unwavering support and understanding of your demanding but vital work.

...

taglist: @lndonrris @thatgirlmj @lwstuff @dannyramirezwife-f1dump @moonypixel tysm for your suggestions! apologies on taking this long to write😅🫶🏼

a/n: hope y'all enjoyed reading this! this was my first time writing a headcanon and for f1 drivers beside charles and lando so hope i did justice to all.

i'm being wanting to read some good domestic bliss, sweet, adorable and lovey dovey blurbs, fics of lando (i talked abt it here) soo maybe i'll work on some drafts at some point cause i'm currently in the middle of project work of my masters degree soo don't know when i'll be posting soo until next time, see yaaa and going back to read mode ��💓✨️

check out my works: until i found you masterlist | other works

[raven-at-the-writing-desk]

Riddle, Rook: By Order of the Queen

I wrote this one during a very busy time for me irl so I apologize if I didn’t end off the Platinum Jacket line of imagines strongly 🙇‍♀️

A Tale as Old as Time.

A young girl, an older man, and an odd hare shared the same table. The latter two were sitting upon it, propping their feet on the cloth.

Pots of tea—each of a different design—did not match the cups. A mouse poked its head out of one, curiously staring at the girl. Bent spoons sat beside the saucers, gigantic sugar cubes floating in pools of tea.

Riddle stared at the painting intensely, picking apart the details, the rules being skirted or blatantly violated. The man and the hare are not in chairs, there’s far too much sugar in their drinks, and is there even jam properly smeared on that dormouse?

“Roi des Roses, what about this painting has captured your gaze so?”

He startled at the deep timbre at his ear, jolting back. His shoulders relaxed when he met a familiar face. His heart, still racing, was unable to be wrested under control.

Devious, tumultuous thing, the heart.

Riddle cleared his throat. “A roundabout way of asking for my opinion on this work, Rook-senpai.”

The grin the Pomefiore student wore stretched, reminding Riddle of his childhood days. Cheshire smiles and sugar-coated memories, tasting far sweeter than the hours he toiled at a desk.

“Ah, do forgive me for the sudden request! As an avid fan of art, I love to hear different interpretations of the same piece,” Rook rambled excitedly. “A painting that invokes joy in myself, for example, may bring about despair for you, or vice versa! The wellspring of human emotion, expression, and experience is just that vast.”

With an exasperated expression, Riddle folded his arms. “… Well, I was just thinking that I would never allow for this sort of behavior at an unbirthday party. It would be an affront to the spirit of Heartslabyul.”

And yet…

His chest ached so longing when he looked at the illustration. A taste that remained long after he tried to wash it down. It drew a word out of him, pulled thin.

“However… I must admit, I feel a little envious of their quaint little tea party. It looks…” He grasped for the correct adjective. “… fun.”

Rook’s brows sprung up. “Fun!”

“You disagree? Or does it perhaps surprise you that the rose-red tyrant would make such a remark?”

I know what they say about me. The thought was tinged bitter like medicine as he swallowed.

“Non, non.” Rook wagged a finger, his eyes half-lidded. “You are correct in every way!”

“I beg your pardon?”

The Pomefiore vice dorm leader placed a hand on his chest. “My immediate family is quite large and likes to keep busy. Those few precious times when we are able to steal away and sit down for a meal with one another… Those are the most magical of all.”

“We each fall into our seats and—like a match struck, the moment comes alive. Words and laughter flow like fine wine, enhancing the flavor of the food that touches our lips. The weariness of study and work melts away in the dishes and drinks, replaced with good company in a safe, warm haven.

Riddle squinted at his senior. Suspicious. “… What is it that your family does for a living again?” When met with Rook’s still dubious smile, he sighed. “Well, I suppose it’s fine so long as you’re not hurting anyone.”

“Fufufu. Roi des Roses, I see that you’ve considerably lightened your evaluation of the rules.”

Riddle made a pensive sound, not confirming nor denying. “Mmm. Lately I’ve come to a realization.”

“And what might that be?”

He hesitated. “That perhaps the world as I saw it is not as it truly is.”

It feels like waking up from a dream. Tendrils of it still clinging to him as he made to rub them from his eyes.

Rook silently nodded, watching him. Not the huntsman stalking his mark, but a silent observer.

“I wonder for just how long I’ve been living in that false reality. Seeing the tea party and thinking it a disgrace…”

Something slovenly. In need of fixing. Out of line.

Wrong.

“Ah, but—” Rook raised a finger, “what matters now is that the veil has lifted. The line between truth and lies is that much clearer to you. That is the first step to any story: the beginning.”

Then his hand fell and grasped Riddle’s.

“R-Rook-senpai…?!”

The man practically glowed, his grip firm. “Now the decision to stay on the path or to stray from it is yours.”

To renounce the party or to join it, given the invitationz

Riddle pulled himself away with a frown. “Of course, within the limits of what is acceptable,” he lectured. “A minimum level of decorum is expected, even at the most ‘fun’ of festivities. Should anyone cause a disturbance in the peace—”

He raised his arm, slashing at the air once, delivering a strong blow to an invisible victim. Riddle, in his element, brimmed with smugness, arrogant as an unchallenged queen.

“—it will be off with their head!”

Without an ounce of fear, Rook laughed and bowed his head. “As the queen commands, so shall I heed her orders,” he drawled. A tilt of the head, then came a suggestion. “And if I were to drop by an unbirthday party to observe?”

“Because you asked politely, I may consider it—but see to it that you attend as your normal self,” Riddle warned. “That means I expect you to be on time, your behind planted in a seat at the table. There will be no hiding out in the bushes, no watching us from a distance. You are to stay and engage in all manner of merrymaking with us.”

“Oh la la!” Rook feigned surprise, throwing both hands up in an exaggerated act. “Is that a rule?”

“No, but they are orders,” Riddle clarified with an all-knowing smirk. “After all, it would be a shame if you disobeyed and missed out on all the fun we shall have.”

[fictionadventurer]

When Emma stepped through the shining door in her palace's library, there was a blaze of light, a roar of wind, and then she landed on her hands and knees on the wooden floor of a suburban bedroom. She recognized the horse pictures on the wall, the stuffed animals on the bed, the yellow curtains fluttering in the window. She was smaller, thinner, lighter, and felt as though a world's weight had been lifted from her shoulders.

A woman's face appeared in the open doorway; every curl of her short hairstyle was familiar. "There you are, Emma!" she said cheerfully. "I've got your dressed washed for church tomorrow. Now come on downstairs. It's almost time for supper."

Behind Emma, the doorway had become an ordinary closet, cluttered with clothes and toys. The clock read twenty minutes past five. She'd been away only ten minutes.

A moment ago, she'd been the powerful queen of a vast realm whose rule had brought a golden age of prosperity and peace. Now she was twelve years old again, in her familiar old bedroom, safe with a mother that she hadn't seen in thirty years.

Emma wept for joy.

*

Emma's bookshelf contained one new volume--an exquisitely-bound brown leather book, with a tooled and embossed cover, containing a beautifully illustrated account of all the tales of Emma's reign. Her cousin Tessa--as good as a sister--was enchanted by it, and believed Emma without question when she told her that the stories were true.

"Don't you miss it?" Tessa asked, one night a few months after her return.

"Sometimes," Emma said. "But I'm glad to be home."

"You like it here?"

"Why not? We have chocolate here. And giraffes. And shooting stars. Our world is just as amazing as Athelor."

"In Athelor, you were a queen."

"Here, I'm not," Emma said. "Do you know how nice it is to wake up in the morning and do things that don't affect the fate of an entire nation?"

"But isn't it disappointing? In Athelor, you knew you were important."

"Who says I'm not important now?"

*

Emma told her mom about Athelor often. Mom thought Emma was just making up wonderful stories.

That was all right. Because the stories were wonderful.

*

After school, sometimes Mom would take Emma out for pizza. Emma would climb into a carriage that moved with a heart of fire, to a room bathed in enough light to make the night as bright as day, where she ate the cuisine of a far-off realm, and then rode home singing along with minstrels whose voices had been captured long ago and far away.

Emma always marveled that she lived in a world with such magic.

*

Emma grew. And matured. It came with different milestones here, and happened slower, but it had its share of struggles.

On nights when she felt small, helpless and afraid, she remembered that she'd once led a host of warriors--human, animal, and elfin--into battle with a horde of monsters and come out victorious.

She might not be in Athelor, but she was still a queen.

She could fill out a college application.

*

Emma was leaving the campus library with an armload of books when a sparrow spoke to her from a branch above her head. Emma looked up and saw at once it was an Athelorian sparrow.

"Iprit!" Emma cried. The sparrow had been the most devoted of the queen's messengers. "How glad I am to see you!"

"My queen," Iprit said, bowing her head. "I have found you at last."

"Is Athelor in danger?" Emma asked, suddenly fearful.

"She is well and at peace. Berna rules well in your stead."

"As I knew she would," Emma said with a smile. Emma had spent years choosing her successor. Her elfin advisor, though young, was bright and brave and loved Athelor with all her heart.

"But she rules as regent only. She would not take the crown until she knew what had become of you."

"Now you see that I am well," Emma said. "Alive and well and happy."

"Will you not come home to us, my queen?" Iprit asked. "The door stands open to you. Take up the crown and rule your people once more."

For a moment, Emma's heart yearned for it. Athelor called to her, a bright, beautiful dream, a wondrous adventure.

A gust of wind swirled in the branches over her head, sending a crimson shower of leaves down upon her. She gazed out across the campus, at a world she loved. She thought of her mother, Tessa, her classmates, her studies, her friendships, and the future she was building here.

Where was her duty? Here or Athelor?

Another wind came, gentle yet brisk, and Emma knew it for the wind that had taken her to Athelor and brought her home. It lifted her spirits and cleared her mind so she could hear the voice that had never led her wrong in her years as queen.

Emma met Iprit's gaze. "Berna may take up the crown with my blessing. I have done what I must for Athelor. Another world needs me now."

Iprit bowed in a bird-like way, spreading out one wing. "As you wish, my queen. But what shall I tell the scribes? How ends the reign of Queen Emma the Wise?"

"As all good stories should," Emma said. She shifted her voice into the melodic cadence of the best of the palace storytellers. "After many years of good and faithful service, the queen found her way home, where she lived happily all the rest of her days."

[jensensitive]

I am obsessed with the way in which you draw Dean. You have his features nailed to perfection - somehow your Dean looks even more Dean than Dean in the show, because you exaggerate everything that makes him HIM. It's truly breathtaking <3 Any advice on how to get those features so flawless?

This is so so nice, thank you so much 😭💕💕💕

Honestly Dean is like my go-to thing to draw basically, and has been for many years, like I have to try to refrain myself from just drawing Dean again sometimes. He's like probably half of how I've learned to draw at all. So there's definitely practice there.

That said, I did not immediately have much of answer to this. It's like, his face is just his perfect, beautiful face, and then I try to draw that. 😅

So I drew some Dean to figure out what it is I do, so thanks for the excuse to draw more Dean lol

Extensive answer under the cut

If you're drawing something realistic from reference, for Dean you kind of have two options, you can either get a screencap that's closer up so you can see details better, but the top of his head is cut off, or you can get one where you can see less details but his whole torso is in frame. It can be weirdly difficult to guess at where the top of his head is sometimes, and you don't need details to capture a likeness, I think it was Sargent that said that the shape of the head is actually the most important aspect in capturing a likeness, so it's something to keep in mind. On the other hand, if you want to look at his pretty eyelashes while you draw him, you might want something closer up. (An understandable impulse).

Another thing is just to look for a reference that you really like, contrasty light and shadow are also great to look for. It's difficult to create a great drawing without them, but also it will illustrate the structure of his head best too. Look for shadow shapes you want to draw. If a reference is too dark (as it often is, because it's supernatural), edit it so you can actually see what you're drawing lmao.

I took a bunch of random screencaps of 11x02-- as random as I could, normally I'd just take screencaps of what I already kind of like, but I tried to just get all of it so you can see what I'm not choosing. (also couldn't help taking some cas ones when the lighting was going really hard)

I love a profile, I love a 3/4 view, I love when his eyes are like half open. His face was kinda giving towards the end of this episode.

Hopefully you can see them well enough. The mass ideas are more important for picking at impactful reference, but ofc I'm also trying to avoid any where he's making a dumb face or it's blurry. Sometimes that's only evident when I open it bigger, but that's okay, we have a bunch to pick from.

a. This one is one I picked out because it's an interesting angle, and I'd definitely do a little study of it, but because the lighting is so soft, it probably wouldn't be super interesting.

b. I like this one, the face he's making is hilarious, and I like the rhythm of his hand, but if I were to draw it, I might draw a fourth finger, otherwise it might look strange. So keep that in mind too, if it looks odd in the reference, it will look odd in the drawing, so unless you're confident that you can effectively change it, pick a different reference or find a second reference to help you change it.

c. This lighting's more dynamic, and I like his expression.

d. Would be hard to pick between these. This one's 3/4 and has a nice eyelash shadow, and I love the shape of his eye when it's downturned.

e. Shoutout to the shape of Jensen's brow when he looks down gotta be one of my favorite genders. + subtle Rembrandt lighting. Lovely.

f. This one is so good. Overhead lighting getting a shadow from his ear in a sideview, defining the jaw in an interesting way. Great expression. It's a bit strange, the way he's looking to the side, so it might be hard to draw convincingly, but would be worth it if I could do it. The shadow from the hair defining the shape of the brow. The light on the cheek defining the slight eyebag. The reflected light under the eye, the light landing on the nose. Would probably change the hair a bit because it looks a bit odd at this angle in this lighting, and if drawn like this it would probably look at bit block-like.

g. More rembrandt lighting. Shoutout to the shadow that this upper lip casts on his lower lip. Shoutout to the shadow his lower lip casts on his chin. Shoutout to the line of light defining his neck. Shoutout to the shape of his brow and forehead.

h. The rhythms here are chefs kiss-- the shadow line diagonal from the corner of his hairline to the corner of his brow echoed by the shadow line diagonal of his cheekbone, then that second line following through to the line of light on his neck that curves the other way.

i. This one's kinda boring wrt lighting, but it's an interesting enough angle to do a study of.

I'm going with screencap c because it's gonna work well to effectively illustrate the basic structure of how I construct his features. It's not directly straight-on, so the form isn't lost, but it's straight enough on to properly show our proportions.

For supplies here, I'm just using a soft charcoal pencil, I just use the kinda cheap ones (currently Markart) cause I actually like them better than General's. And it's on smooth newsprint. I just get it in a big thing of 500 sheets. Not archival but it's a cheap thing that's incredibly enjoyable to draw on. Pink Papermate eraser and a kneaded eraser. The pen I use at one point for some reason is a red Pentel RSVP ballpoint I think, although I actually prefer a Bic.

1. So first thing I block in that main shape, in this case, his head and shoulders. I also have to draw in the hairline at the same time, cause I can't figure it out otherwise. He's got kind of pointy ears. The collar of his jacket often comes up pretty high on the back of his neck. He's got a distinctive hairline that I think can go a long way to showing it's Dean, it's worth taking note of. It swoops to our left, and then the corner (I guess?) of his hairline will line up with the corner/arch of his brow. And don't draw the hairline as an unbroken line, but several lines with some room to breathe. His shoulders are pretty straight and broad, but about three heads across which is pretty normal.

2. Next what I think about is the shape of the eyesockets and the line of the brow. This bit will go a ways for conveying Dean's expression, because he has a wide range from light and happy to horribly scowly that's in the brows. You don't have to define the exact line of the brow at this moment, blocking in the general line is fine just to have an idea of where it lands. You can go back later and refine it. I also find where the bottom lid lands. In my brain it makes a shape like what I've drawn. I might not draw it just like this, but even if I don't, this is the shape I'm thinking about. The line from the end of his eyebrow to his bottom lid is a fave, sometimes you can see it on him, especially at an angle, and it's real pretty.

3. Next I find where the bottom of his nose lands, it's about double the length of the eyesocket. And the line under his bottom lip, about halfway between his nose and the bottom of his chin. These measurements are pretty average measurements for a face. I didn't give myself enough room for his chin initially, so I moved it down to fix it. Also adjusted his face very slightly wider on the right side, cause it's looking a bit narrow.

4. I added some of our shadow shapes. This is where finding a reference with well-defined shadows will be very helpful. And I sketched in the clothes cause why not. The clothes don't have to be perfect, who cares, Dean's collar is not our point of interest lol. The shadow on the neck will probably be slightly curved because of the roundness of the neck. If it's not, you might want to make it curve slightly anyway just to help define the form. I blocked in where the eyes are.

eyes: For Jensen's lovely eyes, they have a specific shape that is so nice to draw, especially at certain and angles and with certain expressions. But basically the top lid is more angular and can be almost boxed off at the end, and the line from the corner of the eye to the lashes is an s-curve that's higher in the middle. Again, not unusual features in drawing a face, but such pretty examples. The shadow that his lower lid casts (or his makeup idk?) is often dark enough to look vaguely like eyeliner. Jensen's lower eyelids, an underrated part of Jensen. His eyebrows are thicker in the middle and sparser on the ends.

5. Next I found the corners of the lips. This is an important aspect in the way I draw mouths. Sometimes I just draw them with dots where the corners of the lips are, a curve where the lips part in the middle, a shadow under the bottom lip, and the curve of the cupid's bow. (This is seen below in 6) I think I also adjusted the bottom lip shadow here. Straight-on, the middle of his lips is slightly higher than the corners, but of course, this will change when not straight-on, depending on if we're looking up or down at his mouth. I also sketched in the nose shape. The ridge of his nose has a nice subtle bump, and then the ball of his nose is very slightly squared off I think, from a front-facing perspective, I feel like. And I drew in his slightly drawn brows. Just pay attention to the angles in your reference, because the expression, the perspective and the angle of the head can impact it. But of course generally, drawn down in the middle, furrowed = scowly; drawn up, unfurrowed = happy.

nose: I prefer drawing his nose in profile. And who wouldn't, look at it! The slight curve of the bridge and then the ball of the nose. I will exaggerate this a little sometimes, just because it's fun and I like it. I couldn't find a reference, but from below, you can see the shape of the bottom of his nose, it dips in the middle a bit more than average. Drawing the bottom of the nose is often a delicate balance between shadow and reflected light. I love keeping it light, save for the nostrils, but then the shadow under the nose can be important too. Sometimes it's just a stylistic choice. Note that there's a plane change between the side of the nose and the cheek. (I think I drew his nose too upturned here, but the general idea is still there)

6/mouth: In drawing the mouth, the top line of the upper lip looks more rectangular at the ends, increasingly so as it turns away from us, and much less so as it turns towards us. Of course, he has a full upper lip that you can shade as you like. I try to keep it distinct from the shadow of the line of the mouth, and a reflected light on the top lip can be good here too. For the bottom lip, it's always nice to give is some shine with a hard-edge highlight. For the cupid's bow, I try to leave a light between the upper lip and the shadow in the cupid's bow. For some reason I drew the shadow backwards here, but I think it looks fine.

7/ears: I started to shade it, and then I remembered that he has ears. There's a simplified way I draw ears that I like. It's not entirely accurate, because the two shadows at the top are actually usually connected, but I find it a bit distracting that way sometimes, so this is more subtle I guess. In profile, I don't really have a method of drawing it, I just draw whatever the reference gives me or bs it with a similar version of this, depending.

8/hair: My method for drawing his hair is 1) suffer 2) hope and pray. I like to leave a rim light-type deal between the contour/outliine of the hair and the rest of the hair, I feel like it helps define it a bit more. The direction of his hair, and thus the direction of my lines is something like this.

9. And then I more or less just shaded. When shading, it's always good to follow the direction of the plane, and I also alternatively like to shade in the direction that the light is falling to reinforce that gesture, but when I shade a face, I try to shade in the opposite direction of where wrinkles would go, if that makes sense, mostly up and down I guess. This is of course on a case by case basis, like a lot of times, I'll do the forehead horizontally anyway, but it's especially touchy around where the laugh lines of the mouth would be and the neck. And on soft plane changes (and softish hard plane changes), I often shade at a different angle to the main shadow. Shading direction can also delineate different areas of similar tones, like I did with the jacket and the side of the nose. I like to give Dean his eyelash shadow, because he deserves it. I also drew in the eyes, of course. I think I actually tend to shade them backwards, and the light would fall in the opposite direction, so when lit from the right, the right side would be darker, but I just don't draw it that way idk maybe I should.

And there he is, that's our guy!

Normally when I'm drawing, I'm definitely a bit more all over the place, and don't necessarily do things in perfect order. And it's good to move around. I'm probably not going to be shading things before noting where all the features are going to land, but I often am shading something before I've drawn everything. Or end up drawing one eye and then maybe do part of the other and then move to do part of the nose and then sketch in an ear and then maybe notice something's off somewhere and adjust that, etc. Just go with it, have fun, he's got a fun face to draw! 💗

[affixjoy]

As we inch closer to the US election* and the creeping dread threatens to overtake us, let’s celebrate our own creativity and hard work.

(*insert whatever Horror is affecting you. I know the list is long and unrelenting worldwide)

I want to know about your favorite thing you made in 2024. Art, writing, blog post, meme, whatever. Whatever makes your heart swell and you say to yourself yes I did that (positive) I want to hear about it.

What is the thing?

What inspired the thing?

What was your process for making the thing?

What part of it are you most proud of?

Anything else you want to say?

I want to read you ramble, this is a time to be self indulgent!

I’ll go first:

What is the thing?

I’ve set myself up with an impossible question. The thing I’m most proud of is that I wrote SO DAMN MUCH this year. I think, including original stuff, I’ve passed 200k, which feels like a huge accomplishment.

Picking one thing though, I think I have to go with The Sum of All Our Accomplishments that @spongynova illustrated. (Star Trek TOS, rated E, Spock/Kirk with some friends with benefits McCoy on the side)

What inspired the thing?

This fic was part of the Shore Leave Th’y’la Reverse Bang, so the main inspiration was Spongy’s art! Once we were paired I spent a day driving around thinking about the art and what I wanted to do with it, and I caught on the idea of the way memories seem to layer and come forward when you go to the same place over and over again. During that brainstorming time I went to the beach for a few days in the town I’ve been going on vacation at since I was born, and the way memories wrap around you in a place like that is beautiful and intense and sometimes a little bittersweet. I feel like I did a pretty good job of capturing that feeling!

In a less tangible way, the boomdeahda song was also a big inspiration.

What was your process for making the thing?

Interestingly, I struggled A LOT writing this. I kept feeling like I couldn’t get it where I wanted it to be, and it felt like wrestling a bear for most of the writing process. I think I complained a lot on the McSpirk server.

This was the first year I ever tried to participate in fandom events, and I have mixed feelings about how that went. I’ve loved meeting people and collaborating with artists like Spongy! Some of my best work came from events and me forcing myself to finish things for them! But also, it took away time from things I really wanted to write especially original stuff. Next year my goal is to have a better balance.

What part of it are you most proud of?

I really love how I wrote Bones as their friend with benefits here. I love all flavors of the three of them together, but this is closest to what I see as my favorite. He loves them, they love him, but it isn’t a soulmate/romantic love in the same way Spirk is. He’s got his own stuff going on outside of them. I love how I wrote their first time together here, and I’m really proud of it!

Anything else?

This part isn’t me bragging so much as fawning over Spongy’s art again. Like WOW go look at it! Even if you don’t want to read the fic the art is just so vibrant and beautiful.

Tag some people!

@spongynova @ncc1701ohno @strangenewwords @tigereyes45 @twinkboimler @eternally-intermittent @calliecat93 @purpleenma @starrylol @celestialvoyeur

Join in, distract me from The Horrors by bragging about your creative work!

[kitorin]

LOVE ALL PLAY. - ITOSHI RIN

TWO - ANNOYANCE

contents. one kys joke, swearing, nsfw jokes / mention (again, it's just me writing shidou as a typical high school boy), smau component :>

"Two nil."

You remain facing the front, just to avoid getting caught by the teacher for speaking in class again. But regardless your whisper is aggressive, full of energy and Rin doesn't have to see your face to comprehend the smug expression you were most likely donning.

The teacher smiles ever so slightly. "Well done y/n."

Rin glances to the side as the teacher goes back to scrawling on the blackboard, teal attempting to capture what was happening without drawing too much attention.

Oh how he wishes he could wipe that shit eating grin on your face.

He scowls at the sight of you. "The fuck are you on?"

"One from running the other day. The other from just now."

With a scoff, indignation rolls his eyes. "Correction: You did not beat me. You interrupted practice like the little shit you are."

"I won."

Rin hisses, careful not to be louder than the teacher's lecturing. "We weren't competing. And I never will. Quit being delusional."

Now, neither of you are bothering with remaining unnoticed by the teacher. "Why so defensive? You scared?"

"I have no reason to be." He scoffs. "Midget."

"'Course you resort to making fun of my height. That's how you know you're truly losing."

Suddenly, Rin's arm shoots up, to which the teacher addresses instantly. "Yes, Itoshi?"

"Because war literature's purpose is to illuminate the dictatorial essence of warfare, the injurious effects it inflicts on entire communities and the brutal changes it forces upon generations. The author utilises a form differing from the traditional novel, as visual representations can express what words cannot." It takes a lot not to smirk at the impressed gasps buzzing around the classroom, as he controls his voice to sound passionate, but not obsessive; calm but not emotionless. "Adopting a different form of literature simply allows the author to amplify and convey their ideas in a manner they desire."

By now, all eyes were on him. It's oddly exhilarating, he knows very well this moment doesn't compare to the 'point' you scored earlier.

"Very impressive, Itoshi. Please maintain that effort for the rest of the year."

Rin smiles, one that displays appreciation evidently, whilst being polite and not excessive. "Thank you sir."

"What the hell was that? That came out of nowhere, I thought you weren't paying attention as well."

"One point for a sufficient answer. Another for being 'very impressive. And one for every classmate that turned to stare." Satisfaction blossoms inside of him, he'd take a photo of the way shock paralysed your features and capture the moment forever. "First set's mine, and you didn't score shit."

"You don't get to decide that."

Indifference pulls his shoulders into a shrug. "You insisted on earning two points for your delusions. I'm just stating the obvious."

You're sweating, because of summer's insolence but Rin liked entertaining the idea that it was you getting flustered. A hand reaches your face to fan it. "I'm not delusional you're just crazy. Did you even understand what you just said, Mr 'dictatorial essence of warfare'?"

"Yeah." He replies, as if he simply didn't memorise synonymous words with an intelligent complexion. "Did you?"

Rin doesn't miss the exasperated roll of your eyes. "Obviously. You can't hide a simple message behind fancy words. All you had to say was that literature's form changes the manner of how it illustrates a piece's concepts."

"Only an average Joe would be satisfied with an answer like that."

You grumble whilst copying down notes. "And only an idiot would feel the need to hide behind obnoxiously long words."

He imbeds sarcasm into his tone. "I can't believe an honor roll student would say such things to a fellow peer. Anyways, hurry up and admit your loss."

"You know, I hope you trip over and ruin your uniform in the dirt during training today."

"And I hope you melt into a sad puddle, in the same way Hiori's ice block did."

Restraint disappears, as you raise your voice. "You—"

"l/n. I'm about to send you out into the hallway if you don't behave. That applies to anyone else in this class." Rin feigns innocence at the teacher's scolding, maintaining stoic composure. Conversely, you seemed to find it difficult to do so, apologising to the teacher.

Victorious, Rin whispers. "Second set. One nil. My way."

For some reason, you were oddly calm now. "Your fly's undone, by the way."

His eyes widen with alarm, glancing down and realizing too late that you were kidding. By then, his well sustained equanimity had gone out of the window.

"You fucking—"

"Itoshi. Get out of my class."

"Rin Rin, please help meee."

As if automatic, Rin frowns at the nickname and Isagi's pleading, pausing from his drink break. "With what?"

"Literature. I didn't understand a thing you said in class today..."

Neither did he. "Read 'The Book Thief'?"

Isagi pouts. "I did. But I don't see how sir reached his conclusion while analysing it."

Rin doesn't even bother looking at his teammate. "Same." Instead he watches Shidou and Bachira (an irksome pair, Rin thinks) argue with Reo over a goal, as Yukimiya attempts to serve as a mediator.

"Huh?"

"What? It's not that hard to reword the things sir says and what you find on the internet."

The older player narrows his eyes. "You're a liar, then."

"Excuse me?"

"You told y/n you knew what you were talking about. Behind your wordy answers is just a search history filled with synonyms."

Rin scowls. "It's not a lie. I do understand what I'm saying."

"You're prideful in things other than soccer too... I mean I can't say it was unexpected." He places a (sweaty) hand on Rin's shoulder. "It's okay to be bad at something, you don't have to be perfect." Isagi was being genuine, though he was treating Rin like a stubborn five year old.

Yielding it as a weapon, Rin grabs the towel draped around his neck, trying to hit Isagi with it. Instinctively, the victim dodges it, barely in time.

"Fuck off—" Rin yells, recoiling the towel to smack Isagi again. "What are you on this time?"

"It's okay Rin Rin, we support youu." Isagi doesn't even take Rin's anger seriously, effortlessly dodging his towel, agile and quick on his feet. "Self esteem issues are valid no matter what. You and y/n are equals no matter what."

The use of the nickname and the mention of you only fuels his anger, Rin doesn't give up, but neither does Isagi. "Don't compare me to that little shit."

"Should be stop them..?" Reo asks Nagi, who was for once, not hyperfixated on his phone.

"Nah. This is funny." He dries the sweat soaking his fluffy white hair, Rin notices it from the corner of his eye. "Do better, Rin."

"Shut up the fuck up, Nagi." Rin chases Isagi (who seemed to be having a great time), around the side of the field.

"Sounds like a skill issue to me." Nagi yawns. "Cope harder." This time, he yells it out loud. "Reo, how much are you betting for Rin to hit Isagi?"

Gaze averted, Reo doesn't even bother watching their quarrel. "None, because it's not going to last very long." He points in the other direction. "Coach looks pissed."

Rin takes notice of this too, it was beyond too late to pretend nothing happened, as he halts his movements. So does Isagi, bowing to Ego when he approaches the two.

"I leave for five minutes and you idiots are fighting." He runs his fingers through his straight bangs. "You're packing up today. Try something like this again and I'm removing you off the starting team."

Relief washes over him, thanking Ego silently for a second chance. "Yes sir."

Ego dismisses the rest of the team. "Isagi. I was referring to you as well. Go help Itoshi."

"Pardon?"

Their coach glares at him. "Don't try to act innocent. I already know you well enough as the type to be annoying. Anyways, don't forget to lock up. Get home safe too."

With that he leaves, murmuring something about teenagers being irritating, and after the events of today, Rin couldn't agree more.

"This is your fault." Rin says, as he collects the cones.

Isagi doesn't bother teasing him. "Yeah, yeah, sure. Get this done so we can leave quicker.

Though he'd never admit it, Rin agrees in silence, exhausted at the antics he had to tolerate today.

It's late at night when conversation stirs in the group chat, Rin texts with one hand while the other dries his hair.

Hair now dry, Rin flops into his bed, face landing in his pillow. He can't stand practice with Shidou, let alone a full studying session where he's the focus. He hasn't known him for long, yet is already sick of him and his jokes regarding his older brother.

But from a logical standpoint, it was a good idea. He's hopeless on his own, only literature permits utilising the art of bullshit to pass, and he refuses to ask for a proper tutor; they're expensive and Rin doesn't intend on going to tertiary education.

Just do it for soccer, Rin thinks to himself as he drifts off to sleep, drained from today's chaos.

ONE | MASTERLIST | THREE

pairing. itoshi rin x reader

synopsis. all itoshi rin ever wanted was a peaceful high school career, his plans go to ruin thanks to the school's badminton genius; entangling their lives—and emotions together.

contents. rivals to lovers, badminton player!reader, sports romance, fluff, high school au

taglist. @yuzurins, @silly-ez, @chigirizzz, @kaiserkisser, @httpshujii, @saesins, @yoimyas, @saetorinrin, @hxniplayz, @certaindreampost, @rroxii, @jar-03, @celestair, @satoruskitchenrag, @kaitfae, @biaonww, @hellothere9597, @its-ur-pillow, @saesofficialwife, @miyanaranagikenmal-intp — bold means i cannot tag you

© kitorin : do not repost, plagiarize, change, or translate

[kairiscorner]

Helloo, can I request Miguel with an artist reader who draws him a lot? 👉👈 Like the reader has a secret crush on Miguel and he inspires them a lot, without even knowing it. And maybe there's a Gwen-and-Miles-like-situation where Miguel by accident discovers the drawings of him in their sketchbook?

AAAAAAAA ANON THIS IS SO CUTE !! tbh i wanted to finish the miggy fic i had for ate @binibinileonara bc i wanted to connect these two together, BUT I COULDN'T RESIST, I'LL MAKE IT SEPARATE BC WHY NOT !! thank you for the lovely idea btw (i also had an idea like this actually in my notes) THANKS FOR GIVING ME THE OOMPH TO DO IT !!

(reblogs are greatly appreciated, it helps get my content out there! if you guys like what you see, please reblog it too <:D)

you always had this desire to capture all that interested you in its full beauty, in its unbridled greatness. that was, to you, the essence of all your art pieces; they always reflected how you saw the world, how you saw nature, how you saw people.

you never believed people had one or two faces to them, you believed people were multi-faceted, that every person was a kaleidoscope of beauty, skills, quirks, flaws, fears, hopes, and dreams. you loved capturing every bit of people who intrigued you the best you could, and you hoped that if you stood back and admired the big picture that was them, going over the details and fibers that made each person their own–from the good, bad, pretty and ugly details–you would finally see the whole, uncut image of the person you were illustrating; who you were painting in the colors you saw them in, the colors that stuck with you and filled the empty canvas of your mind with all sorts of shapes and splotches of hues and shades that formed the image of them when their name would come to mind.

and for some reason... that person to you right now was miguel o'hara. you had a lot of things to say about him, even words that many would argue don't exist. you felt a myriad of feelings when you were around miguel, and you knew there was more than just the dictating leader miguel that everyone was familiar with. like all people, miguel, too, was an explosion of different kinds of colors to you–colors that only you could see, because when he was around you... he was more than just the cool, calm, and collected boss everyone saw him as.

he was much more caring, much more funny around you. his smile when you told him a funny story illuminated a bright yellow and a warm orange to you–his eyes would twinkle and you'd see the hazelnut brown in his eyes, and a shade of what appeared to be coffee brown at the bottom of his irises. he exuded a commanding aura, a dark, cool blue–but when paired with you, and only you, he exuded a bright red; a color of fiery passion, intimacy, and most of all... attraction.

he was the subject of your affections, you, the soulful and emotional artist that admired him and all that he was from afar and up close. you admired the way he held your hand when you were scared on a few missions, you admired how gently he held you when you two were caught between a rock and a hard place; and how soft and loving his eyes were when they gazed at you. you knew he might have felt a platonic kind of love for you, what with being so comfortable around you and all, but you felt a different kind of love for him–and you hated denying your creative side the indulgence of capturing him in all his beauty.

hence, you began slowly filling the empty spaces of your sketchbooks and notebooks, or whatever other papers lay around when inspiration struck you, with images of him and only him. you caught his face in moments where he was nonchalant, disappointed, angry, grumpy, and... smiling.

when you witnessed his smile for the first time when you met him, that image was burned into your retinas, into your mind, into your heart. you saw that smile from the minute you went to bed to the minute you woke up, the only thing that saddened you was that you could never hold that man who smiled at you and made your heart beat a little faster–you could only watch him and be with him at a distance. but art was the bridge between you two that'd close that distance you wanted to cover so, so badly.

you did, at times, believe what you were doing was... a little creepy. you refused to let anyone see your sketchbooks even before you drew him, and that was out of embarrassment at your drawings. but now, it was a new kind of embarrassment, a feeling adjacent to guilt and disgust at how nobody but he could fill your mind and have you wanting to keep him in your mind by feeding yourself, indulging yourself in putting him on paper and coloring him in; to be with him at a closer perspective than how you two were in the real world.

you had to admit it–seeing him constantly in your mind, wanting to let thoughts of him out on paper as you wanted to be through with imagining him, but knew you couldn't the more and more you portrayed him–it meant you... wanted him. you really, really loved him.

you knew nobody should know, nobody had to know about this little crush you had on miguel. you'd rather die than have someone peek at your sketchbook that was filled with all kinds of drawings of him. but unfortunately, the man himself bore witness to your caricatures and illustrations of him when you left your sketchbook at his office.

you ran as quickly as you could, praying he hadn't opened it out of curiosity. he was always asking you what you were up to, and you'd immediately shut your sketchbook and laugh awkwardly, claim you were merely doodling. you always left out the part that you were constantly drawing him, and only ever him; and now, he'd find out.

as you entered his office, scouring with your eyes for your sketchbook, a figure emerged from the darkness behind you and gave a slight cough. "this is yours, isn't it?" that low, fluid voice was none other than miguel's. you turned around in fear of what he was going to look like–would any of the faces you drew seeing him as be one of the faces you'd see?

to your surprise... no. he had a different, completely new face that you had never drawn him in; a flustered state. he was blushing, his angled cheeks and high nose bridge were covered in a pink-red hue–and he was grinning. he handed you the sketchbook with a now sheepish smile. "i'm sorry, i wasn't sure if it was yours. i had to... look through for a name. and, um... it was very–" he wanted to continue, but then, he saw you were on the verge of tears.

"i'm... sorry..." you muttered, feeling incredibly ashamed of yours and busted for having indulged in drawing him without him knowing. guilt stirred in your stomach and elicited tears to well up in your eyes. miguel smiled, and as his eyebrows curved upwards together to form a look of reassurance, he placed both hands on your shoulders.

"listen, you have a wonderful talent. i'm sorry if you don't hear that enough, but that changes today. i'm so... wow, i'm so flattered you thought i was good enough to be drawn that way. it feels... amazing, to know an artist sees me fit to be their, what would you call it?" he asked as he wiped a tear rolling down your cheek away from you.

"a... muse." you whispered, wiping the rest of your tears away. miguel chuckled. "right, a muse." he said as he inched closer to you, with the sweetest smile on his face. "i might sound really crazy right now, but... i want to be your muse. i really, really want to be your muse." he said, with emphasis on 'your'.

your face lightened up as the tears that welled up gave your eyes a glassy look, and you saw the blush on his deepen as you became more and more flustered. you smiled and wrapped your arms around his chest, pulling him in for an embrace you needed to release. "and i want to be your artist. only yours." you whispered, to which miguel reciprocated your hug. and it was here that you witnessed him in a new color, a pinkish, reddish hue that made you feel all kinds of happiness and excitement.

a love meant to be captured and painted in with bursts of emotion and care for one another.

a/n: I'M SO SORRY IF IT DIDN'T COME OUT THAT WELL NGL I MADE THIS A LITTLE RUSHED 😭😭😭 BUT I LOVE MIGGY HERE PLSSS AND I HOPE Y'ALL LOVE HIM HERE, TOO <333

tags !! @thecoolerdor @miguelswifey04 @binibinileonara @luvstarrstruck

[kradeelav]

Hello! I want to learn how to draw content on the more spicy side, but I'm unsure where to start. Do you have any tips/resources for it? I would love to make Corrin/Gunter art and some of my other favorite pairings. Thank you in advance!

on the practical/technical side:

having a solid understanding of anatomy helps, of course - the basic bone structure of course, but how skin, fat, muscle hangs as well. you don't actually need to watch live-action porn to get references (i never have believe it or not), but i do follow a few historical kink/bear magazine archivists online. personally i find that there's more of a variety of beautiful shapes and humans in those old photos, and you generally know it's consensual since they've personally submitted them.

you also can't go wrong with reading other erotic comics ... i say comics vs illustrations since you start to see the pacing of these scenes like any other human interaction and the tools the artists use. when does intimacy turn into foreplay? when does the artist/mangaka zoom in to capture the sensation of the moment? what clever tricks do the artists to capture the climax when the bodies are all pressed together and when finding a good camera angle is tricky? how do they show the heightened feeling with symbols and textures? how is kink power dynamics shown with characters in different positions? do you show faces and the expressions to show the pleasure or not? what comics feel cold and manufactured to you versus ones that capture real eros? why? etc.

on the mental side:

if you're anything like me, you might have a lot of shame to untangle when it comes to harder varieties of erotic art. (i hope not! not everyone does. but it's unfortunately common given the societies we live in.)

it's going to take a while, and it's going to feel really weird at times when you draw something that's uncomfortably intimate or taboo, but that's when you know it's working and you gotta keep pushing through.

you gotta keep drawing.

privately, i have a personal rule that i'll draw anything at least once; if i feel afterwards that it turned out to be a personal squick, i won't go there again, but that guideline has been marvelous to start breaking through the manufactured idea of disgust and also just to experiment with putting myself in other people's shoes about what they find hot. sometimes it's surprising! i've learned a lot.

lastly, on that note - draw what you find deeply intimate. forget about other people. selfshipping? the most niche kinks possible? the kink that feels like the internet can't stand? who gives a shit about them (no taste, the lot of them).

draw the human. the tenderness, the visceral, that overpowering desire for you that almost scares you with how intense it is and that sends your brain alight.

that's going to be timeless.

[ninadove]

As a (very niche portion of the) fandom, our collective attention has been captured by how much Felix adores Kagami — which is true and good and beautiful and pure. But we’ve been sleeping on how much she loves him, and today, I want to shine a spotlight on her side of the most beautiful love story ever written.

Before we begin, let me get the obvious out of the way: yes, she did try to crush his skull with a chair in Pretension, and she was iconic for that.

HOWEVER.

This is only how their relationship started. What truly matters is how the story unfolds from then on.

And boy does it unfold fast. By the end of the episode, Felix has shaken Kagami’s worldview so much that she:

Stands up to her own friends and fellow heroes in an effort to not only protect him, but also ensure that he can keep the Peacock Miraculous;

Actively challenges her mother’s teaching that emotions (in this context, romantic love) are a weakness that should be eradicated from the face of the Earth;

Is planning secret dates with Felix, even though as far as she knows Tomoe has her amok (because you can’t tell me this little genius didn’t figure out the entire Sentilore in the sewers);

Trusts Felix with said amok despite his extensive criminal record, as illustrated by how quickly and firmly she takes his hand — with a little sigh if happiness, might I add. This is especially significant compared to previous instances of hand holding between the two, when he had to make all the effort while she remained completely limp.

And then Representation rolls around. And oh, boy.

Kagami instantly calms down from her TV-induced rage upon seeing her boyfriend on her balcony — a major improvement when you consider how big of a role anger and frustration play in her akumatisations.

Tangent 1:

Something similar happened in Ikari Gozen, when Mari protected Kagami from her mother, causing her to narrowly escape Hawkmoth’s influence. More on the Marigami-to-Feligami pipeline in another post, coming to your dash someday in the not-so-distant future.

Not only does Kagami instantly relax in Felix’s presence, but she laughs — something that previously only happened in the context of Adrigaminette, and we all know how that ended. Felix is the one to mend her heart and make her laugh again, for the second time since the dance.

Our two lovebirds proceed to straight up RUN AWAY INTO THE SUNSET. Kagami presumably spent the following 350 km (300 miles) cuddled up in Argos’ arms, admiring how handsome he looks in his glittery cosmic suit which we don’t get to see because budget.

Later on, they casually discuss Ladybug’s identity, while fireworks go off in the background. Let me rephrase this: Kagami trusted the person who stole the Miraculous with her best friend’s most burning secret, not because she wants to defeat Hawkmoth per say, but because Gabriel has been getting in the way of their make out sessions and she can’t have that.

Tangent 2:

Also coming to your dash in the not-so-distant future: an analysis of Kagami’s relationship to the concepts of truth and lies, and how dependent it is on what serves her and her loved ones in the moment.

Then, of course, the core of the episode: Kagami actively participates in the play, helping Felix tell his story in a way he feels comfortable with.

Tangent 3 (lots of ‘em today):

This part is extremely important to me, because I’ve seen So. Many. People. complain that the play could have been boiled down to two lines of conversation.

And like.

No???

Firstly, this is a show, not real life: we as an audience needed the confirmation to be as climactic as possible. If it hadn’t been, I can guarantee the exact same salters would be crying about the story’s “WaStEd PoTeNtIaL”.

But let’s delve into the real life implications of the Sentiplot for a second.

Abuse survivors do not owe you a brief, comfortable explanation of what they went through, neatly wrapped up with a pretty little bow.

The play is a beautiful illustration of how art can be cathartic and therapeutic, and I need you guys to understand that this sequence means something to many, many viewers — most of them children in similarly terrible situations. If I were to bet, I would say it very likely speaks to one or more members of the writing team on a personal level as well.

So you can pry these scenes from my cold, dead hands.

The kisses… All of them… During the firework show. As the sun rises to signify a new beginning. Disguised as Adrien’s parents. For context, this is the same girl who previously found a hand kiss to be too much for her broken heart to bear.

And of course, there’s the way she looks at him like he is her entire world, like she cannot understand how anyone could ever call him monstruous. Because Felix doesn’t get the monopoly of heart eyes.

Finally, in Recreation:

THE LIES CALLBACK. THE MIRACULOUS TEAM TOOK THE TIME AND MADE THE EFFORT TO PUT A LIES CALLBACK IN THE FREAKING FINALE. You guys know I’m insane about this scene already.

So what’s my point.

Because yes, I do have a point, apart from “KSSGDJDKSS Feligami SGDHDKLS 🥰🥰🥰🥰” (which, by the way, is a completely valid meta post in itself).

While we joke that Kagami is so far out of Felix’s league in every aspect — she doesn’t perceive him that way in the slightest. As far as she’s concerned, she has achieved every fourteen year old’s dream: dating the perfect cursed prince, tortured artist, evil-genius-on-a-redemption-arc combo.

She is just as enamoured with him as he is with her, and I think it’s beautiful. 🦚🐉

[gynnnicsworld]

Hellooo! i was wondering what your all-time favorite hurt/comfort fics are? also I love your account, I scrolled through not too long ago and immediately was like yes, I've found my people

*screams internally* oOH GOD, thank you for asking that, I've been waiting for someone to ask that and I'm so glad this is happening! OK.

From what I can see in your profile picture, do u like spn too? Do u have any favorite couples there? cause I have a long list of fics in that fandom too *wink wink*....

Please ask me questions to recommend fics, because I have been trying for weeks to organize a part 2 of rec list but I haven't been able to, I have too many fics and I have no idea how to start organizing them. So by asking questions like these you help me recommend some fics and get organized. thks u <3ily

Life's (Kate's) a bitch and then you (she) dies

by: Littleredridinghunter

While everyone is busy saving Jackson, Stiles is taking a beating in the Argent's basement. When his dad gets hurt, he leaves a note for Scott that he is getting away from everything and to never contact him again.

Too bad Scott and the pack take him at his word....

One year later and they finally see Stiles again but it isn't a happy reunion. Can they repair all the damage that has been caused in their time apart?

(This is one of the most recent fics I've read and it left me completely destroyed and in love at the same time, the author of this fic is the same author of most of my favorite fics. Anyway, all the fics I've read by this author will appear here. (oh by the way you would like to know that spn characters appear here.))

Home

by: TheTypewriterGirl

God, this fic is BEAUTIFUL, it's glorious, this fic can basically be described with any adjective that refers to beauty and perfection. But there is pain, a lot of pain, this fic must be praised.

There are illustrations that complete the beauty of this fic. Like this↓

Yes, you guys definitely have to read this fanfic.

You haven't read it??? WHAT ARE YOU EXPECTING?? RUN TO READ IT.

I downloaded the fic because I don't want to lose it, I would cry if one day this fic is deleted.

It's all part of the master plan - Sterek version

by: Littleredridinghunter

every fic that I put here you must read it, truly and seriously, you HAVE to read it, you can't not do it.

Sense of Home

by: siny

Home can be a place, but it can also be a person.

After the events with the Nemeton, Stiles starts suffering the consequences of their sacrifice. A journey he attempts to make on his own, but only becomes worse with every step he takes. In the process he seeks comfort in an unexpected place and it draws him toward an unexpected person.

(This fic explains one of the theories quite well, maybe you know this theory x if that theory caught your attention, you will love this fic).

hold me tight (you'll be alright)

by: orphan_account

Stiles is captured by the alpha pack for over a month before escaping. Derek finds him in the woods and takes him home.

Homeland

kitkatpancakestack

"And if you bleed for Beacon Hills once, you can be sure you'll bleed for it again."

(Tthis is a fix fic, but it's really good. I actually have many VERY good ones of this type.

God, I actually have a colossal mountain of fics to recommend and I have no idea how to start organizing them.)

It's where my demons hide

by: Littleredridinghunter

Stiles was used to his life going to hell. He'd just never expected it to be quite so literal.

When Rafael McCall returns to Beacon Hills after a five year absence it brings back lots of unhappy memories for Stiles, he'll do whatever he can to keep his secrets buried in order to protect those closest to him.

With Rafael's return Stiles discovers that secrets are always revealed, even if this particular time it's because of supernatural interference.

(By the way, I don't have an order, because all the fics that I'm putting here are really good and all of them are my favorites. BUT this fic right here is probably my favorite among favorites, this fic has a way of destroying your soul and putting it back together that you will love and hate at the same time and leave you wanting to read more.)

A Melody That Climbs And Then Falls

BY: siny

They won the fight against the alpha pack; the nightmare was apparently over.

That was until Stiles fell on the ground with blood coming out of his mouth when Derek reached him.

--

Or the fic where Stiles gets an internal bleeding for saving Derek, only a tragedy like this would make Derek realize his true feelings.

Peter betrayed them all and is currently missing. Allison and Stiles are buddies, as much as Derek and Erica.

Can't rely on me

By; Littleredridinghunter

Set at the end of season 2, Gerard beats Stiles up, but it's a lot worse than anyone knows.

The pack let him down, that's not really a surprise lately.

When Danny finds Stiles nearly bleeding to death the next day it's the start of a beautiful friendship.

Can the pack make amends before it's too late? Will Stiles ever forgive them for not being there for him when he needed them the most?

Echoes

by: jjmash

Stiles' magic accidentally creates a lifelike echo of Derek's baby sister who died in the Hale fire. Between games of tag and trips to the zoo, Derek helps Stiles pick up the pieces of himself post-Nogitsune possession.

(This one is short but sweet and sad.)

Finding His Home

by: OKDeanna

Derek Hale was a lot of things, and none of them very good. Yet, the one thing he couldn't shake was the one thing he knew he shouldn't want. But when an unexpected late night call reveals Stiles Stilinski has been injured, he will stop at nothing to get to him. Even if it means opening himself up in ways he never has before...

(I love that in the sterek fandom we have these unspoken truths, like the fact that we all know that no matter what, Derek is always going to believe and care about Stiles whether he's in Mexico or on the other side of the world, if Stiles calls, he'll go to Stiles.)

Wait For Me

by: Hedwig221b

“Stiles, we know about your Spark,” Scott looked at Stiles with desperate eyes, trying to convey something. “He is the Werewolf who's been chasing you. You must run. We’ll help you…”

Stiles stared at his friend, genuinely concerned for his sanity, because the nonsense he was sputtering was really fucking confusing.

This one is really good but fucking confusing or something, it really made me hate certain characters here and scream in frustration but I always trusted stiles/derek.

The Moon's Gonna Follow Me Home

turningterrific

Derek doesn’t want to call the window repair guy. He doesn’t want to sweep up the glass. He’ll inevitably miss a few shards and pull them out of the bottom of his bare feet for weeks.

He doesn’t want to try to make this place feel like home when it isn’t.

Derek stayed in Beacon Hills and tried to make it work because he wanted pack, wanted purpose. He gave his best effort and found himself back where he started: alone, with a few begrudging allies. He’s tired, and even though his werewolf body heals quickly, he feels the weary ache down to his center.

He packs his car with the few things he cares about enough to drag them from place to place. He locks the loft and calls a realtor about listing the building he’d bought in a misguided attempt to secure a future.

And then he leaves.

(This fic will always be in my favorite fic recommendations, because I read it at a difficult time for me and it helped me a lot emotionally to move forward, so yes, this fic is one of my favorites among favorites, and I will always mention it at every opportunity. Plus we have Derek healing and that's beautiful because Derek deserves nice things just like Stiles.)

____________________________________

okay, I'm going to stop here because I have some things to do, but actually I have more favorite hurt/comfort fics. But I won't be able to put them all here right now, apologies for that, but please send me another question for a second part, but I think at the moment you have several fics to read.

I hope you like them, and please do not hesitate to send me messages to talk about all these incredible fanfics, I will be waiting for your comments. (and thanks again for the question)

[strawbbella]

Helloo~ I was bored in class one day so I thought "why not do an art study of the artists I like" except it incredibly scuffed and I really just looked at a bunch of art on their page and i tried my best to replicate one of em

So these are the 2 'studies' i did that day

1st:

My ver:

(Art by @izuke-the-zombie )

ref pic:

What I noticed first while sketching is ofc the super gorgeous cute style. Though not long into the sketching phase noticed her lines are quite sharp and pronouced, for most of her works she keeps her sketch lines making it seem more mmm hazy is the right word? Or effortless, but with every sharp line a rounded(?) line contrasts it, giving it that signature fluffiness. I absolutely adore how well this all mixes together, i dunno just sonethin bout her lines bro

I love the expression, really gives off absolutely love sick, I didn't capture the eyes quite well (I blame my chonk pen because all good artists blames their materials/j) Macaque looks more scared than breath taken and I put the eyes too far apart. I basically deprived the eyes of its soul lmao note for next time I do a study.

Ok this part has not much to do with the ref pic but her art in general and that includes her writing. I adore the cute HCs and little stories/AUs she would post, just so much creativity and its always so comforting to read as theyre so wholesome and cute. Im so sure one of my first posts here were a drawing of one of her HCs LIKE SRSLY SO CREATIVE. I was also surprised as I saw in some artworks she's able to draw structures and environments that draws your into the scene, its fits the universe so well, just adding to that little wonderment of awe. Shes amazing at coloring too, real soft, but still makes the characters pop, i'd say more but my brain is short-circuiting from all this analyzing. Shes just all round incredibly talented and creative honestly. Her style is exactly what i wanted to have as a kid and what im striving to have now. So cuteee

So far 11/10 art style, love the chibiness, cuteness, expressions, the pure and pastel feel and colors, and details. Just love her in general<3 check out her page lol

2nd:

My ver:

(Art by @clatteringbats )

ref pic:

Ok so immediately off the bat I knew I was gonna have some trouble here since I've been drawing chibis from the very start.

Just from observing her art I alr saw it has a lot of movement in em, lots of dynamic poses, and LOTS of embraces, really just pouring with that fluff/angst energy. At first I tried the anime body guidelines and boom instant error. Though not all that noticable the heads have sum chonk in em, especially the cheeks, giving that cute factor despite not being a chibi style. Im all for it. The lines are very soft, not a lot of sharp edges and if there are theyre placed in a very subtle way. The expressions are wonderful: from a subtle hopeless smile from an overwhelming roar of grief and anger, she's mastered the the art of slight details that give these effects their magic. Her lines are sketchy but not messy (does that make sense) they clump together neatly, giving the illustration clarity.

AND OMG HAVE YOU SEEN HER ANIMATICS? THE MOVEMENT, THE PACING, THE SMOOTHNESS, THE INTERACTIONS, THE EMOTIONS, THE EVERYTHING. THEYRE SO AAAA ITS LIKE A PROFESSIONAL STORYBOARD FOR A TV SHOW.

The way she uses color too— just o h m y g o d .

Her colors are so bright and clear, so nicely blended together, so bold, but not in the way that burns your eyes, she keeps them neutral in a way, that envokes that sense of harmony; like a sunset. (I legit have one of her colored artworks as my wallpaper) I have lots more to observe, but so far this is all I have to say. The skill of overflowing

Anways, back to the task at hand. I made the heads bigger than i shoulda , cause well chibi artist ehe. Again, I blame my chonk pencil. I didn't get the embrace quite right, but Ion think I could level with the queen of LITERALLY DRAWING TEARJERKING HUGS LIKE? I tried with the hands, I swear. I knew they were a little small but only now am I realizing its that way cause I made the heads too big. I wanna try drawing more in her style as its really just full of movement and flowiness, I wanna try mastering the way she draws perspectives too. I noticed for perspective shots theres this grid for the sky and ground (which is genius) will try that out when I actually pick up digital art again.

Check out her page, theres lots to see shes amazing 11/10 artstyle<3

[theresstillgrowinghere]

Oh I am fucking angry.

Dr. Edwin Leap (yes, I will call you out by name because you published your bullshit online for the whole world to see), thank you for almost comedically illustrating why so many patients are afraid of doctors.

You do not ever get to think of your patients as other. They are your same flesh and blood; I don’t care how much you want to think of yourself as separate from those of us unwell. (I can tell how much disdain you hold for us just from this short article. We are failures, not good enough, not strong and morally pure like you are, hm?)

Healthcare can never, never, allow itself to other its patients. And yet, you publish an entire article calling sick people Homo infirmus and Homo fragilis? Your tone doesn’t come across very humorous, but even if it’s just supposed to be a silly little joke, explain to me why the fuck you think that would be okay.

Why the fuck would it be okay to say another person is not only not your same species but instead defined as other primarily by their illness?

And designated as such by you, a medical professional with direct influence on the lives and wellbeings of the very people you are dehumanizing?

Do you not see how terrifying that is? Do you not see why people would be afraid of you after just having read this piece?

And then you go on, boiling my blood:

“Homo fragilis, at least as a diagnostic category, begins earlier and earlier in life and often results not only in a tribe of people dependent on medications but also, ‘relying on the kindness of strangers.’ No, maybe better put, ‘demanding the kindness of strangers.’ These individuals require food, shelter, medication, affirmation, and often money from others because they cannot function in the wild. I’m not being mean; the causes are legion, from poor family structure to mental health challenges to social media.”

I cannot believe how many infuriating things you’ve said just in this paragraph alone, but I want to focus on the part that immediately washed me with deep shame. Unrightfully so. You have no right to make me feel ashamed, and yet, when you said “demanding” better captures my state of existence, it turned my stomach inside out.

Yes, I am disabled. I absolutely rely very heavily on other people. Yes, I require food, shelter, medication, affirmation, money. And so do you, christ. You aren’t better than us just because we need support from our communities. Getting support from those around us isn’t a crime, isn’t a wrongdoing, isn’t a moral failure.

You know what it is? Human.

Whether or not Margaret Mead actually said that a healed femur in recovered ancient remains was the earliest sign of civilization (we’re going to save the charged nature of this term for another time and for now just use it as a placeholder for consistent, steady, lasting community), there is a reason why people latch onto this story. There is a reason why it warms people’s hearts:

So many of us want to care* for people. So many of us want to have people care for us. So many people feel closer to others, to ourselves, to our own humanity when offering others care.

(*I am including all the vastly different ways we can show others care, love, support, respect, protection, encouragement, etc.)

And perhaps the most upsetting part is how close you are to understanding the problem while getting the most key pieces so, so wrong. You’re right, our current healthcare system cannot handle the amount of support patients need right now. But please, I beg you, could you consider for just one second that it is not the fault of the patients? Could you please not strip me of my humanity just because I need help to survive?

Fix the system. You’re right, there is a massive problem. But it’s not us. Next time you’re considering your “long-dormant zoology degree,” think twice and reflect a bit before publishing bullshit like this. Think about what it means to take care of those around you. Think about your own humanity.

[swollenbabyfat]

How did you come to draw and paint the way you do? What inspirations do you pull from? All of your art oozes with some strange, almost ethereal emotion I've not quite seen anywhere else, something similar to what I'd like to capture with my own works.

I’ve always had a bit of a hard time answering this bc like…I honestly think aesthetic/inspirational/taste stuff is a library you build up over your whole life, or maybe a closet that you try things on to see what does and doesn’t work for you. My biggest advice to this kinda stuff is to experiment a lot and take in a lot of media in a purposeful way, and try to actively apply things you like about said medias to your work. And don’t just consume stuff within your field, I take inspiration from a ton of stuff that isn’t art. I also recommend having somewhere to keep a kind of reserve of inspo, wether it be on tumblr or Pinterest or what have you.

So with that being said I’ll try to sum up what I can about myself.

I’m a horror lover, have been since I was (too) young. I’ve consumed a ton of horror movies, read a lot of books, and certainly have digested a lot of art about it. I am a bit of a haunted person haha, and I’ve always really attached myself to horror, and with some exception to just purely cute stuff I truly am always thinking about it with my work. I am not really aiming to make people feel comfortable with my stuff, in fact often the opposite, but many feel understood anyways which feels nice. I don’t think horror for horrors sake is always as fufilling to me, it always pulls from something internal that I’ve been wrestling with or are afraid of myself.

I am classically trained in fine art due to the kind of art program my highschool had (magnet program if that means anything to anyone), it was incredibly good and I always feel so lucky I got to go there. Bc of this I learned a lot of techniques in painting as well as the fundamental of art. I don’t think my art would be the way it is without this training, but I also think with how the internet is now you can probably do the same thing at your own pace, just have to be dedicating a decent amount of time and mental energy into it.

Bc of my highschool training I also learned about art history, which had a big impact on me, particularly renaissance, baroque, and rococo. Religious imagery as well had a huge impact on me, particularly catholic (probs cause we learned about it it the most). I would say doing master studies with these would be a huge help.

I would say it’s important to me that each “full” illustration tells a story of sorts, I can’t really help it, I’m a story teller at heart. I use a lot of symbolic imagery, I pull a lot from religious imagery but also within fruit, flowers, personal objects… I think “what am I trying to say with this work” and kind of go from there with what I choose. Make your own personal symbolism language.

There’s like this certainty digital painting aesthetic I really enjoy by niche furry artist lol, many of them really nsfw so I don’t feel comfortable linking to them. It’s like…highly detailed well rendered pieces that they make with literally one brush that is often without any kind of pen pressure, just layering things with opacity. It’s crazy and yeah idk they’re definitely up there in inspo for me.

I really really care about fashion. Lolita was my first love in terms of clothing, and I pull a ton of inspiration from it, but also a lot of other street styles and runways stuff. I like drama and frills.

I play with my art and stories in a way that I don’t know how to describe other than childlike. It’s important for me to do so in my process, but basically, I let my imagination run wild, I talk to my characters, I listen to music and think about them. A lot of my bigger pieces take a lot of time of me thinking about them ahead a time, I draw in my head a lot. Sketchbooks are a huge help in this.

I thiiiiiink that’s all I have to say for now…I could probably list a million things but this feels like a good core to start with. I hope it’s not too vague, but I’m always good to keep answering stuff like this if you wanna know about one part in depth.

[ashesandhackles]

what are your thoughts on the Harry/Dumbledore relationship?

hello! so most of my feelings about harry-dumbledore equation are captured in these metas:

A cold blooded walk to destruction

the lightning struck tower

my favourite moment of Harry and Dumbledore's relationship though is captured in the Life and Lies chapter in Deathly Hallows. I am obsessed with that chapter and obsessed with Harry's feelings in those chapters:

here are my notes from the chapter, cutting it down to Harry-Dumbledore stuff:

The chapter opens with the smallness of Harry against the vast sky, a bird's eye view shot to really highlight how vulnerable he feels. On the heels of the chapters where he sees himself and his family immortalised in statues and have their old home preserved, it feels so stark.

The throughline of connection Harry makes from "People don't like being locked up! You did it to me last summer" to Dumbledore's apparent confinement of Ariana. Unresolved abandonment issues from OOTP, Sirius grief all coming to the surface here.

I am especially struck by the image of Harry's angry shouting making blackbirds fly into the pearly sky, and spiral over him. Blackbirds are associated with mystery, secrets and are seen as messengers to netherworld - this combined with the image of pearly white sky (heavens/God) seems intentional.

Harry and Hermione throughout Dh have oppositional positions: faith vs rationalist (hallows vs horcruxes), acceptance vs fear of death, and here Rita's book lies between them, a line on the ground.

"Look at what he has asked from me!: :The image of Harry, arms flung over his head - "trying to hold in his anger" or "protect himself from the weight of his disillusionment" is the thing that stays with me from this chapter. (it is reminiscent of Snape's "you have used me! I have spied for you, lied for you, put myself in mortal danger for you" - basically, "why have you forsaken me?" moment. The chapter being set in whiteness and emptiness, reminiscent of King's Cross chapter where Harry does get his answers from Dumbledore is very striking)

Hermione, who has modified her parents memories, can confidently assert that "He loved you, I know he loved you", because her love for her parents, for Ron can also be sacrificed at the altar of greater good, even if it means doing things that would hurt them and dismiss their agency (as is with her parents). It doesn't mean she doesn't love them. Harry dropping his arms when she says this - he wants to believe it, he hopes to believe it but doesn't. But with Ron's return in Silver Doe, Harry will be on his path to be Dumbledore's man again.

From the Silver doe chapter: The discussion on Dumbledore with Ron shows the nature of faith Harry has in the moment: "Dumbledore's dead. He's definitely gone" vs in Chamber of Secrets where he says, "he will only be gone from the school when none here are loyal to him". With the faith in Cos, he was rewarded with Fawkes and Sorting Hat. Further illustration of where Harry is - Ron not thinking the Grindelwald stuff was a big deal ("he was really young") vs Harry ("he was our age").

Malfoy Manor chapters: In keeping with the faith aspect of the book, when Harry is at his most helpless- he asks the shard of mirror, where he kept thinking he is seeing Dumbledore's eye -for help. Dobby comes through.

Shell Cottage chapters: Harry understands the path Dumbledore laid out for him, but wishes he could understand Dumbledore himself. ( Ron and Harry's conversation about Voldemort - "You really understand him." "Bits of him -- I wish I understood Dumbledore as much.")

By the chapters where Harry meets Aberforth, Harry gains an understanding of Dumbledore's emotionality - "He was never free... never. The night your brother died - he took a potion that drove him mad. 'Don't hurt them-please, hurt me instead' " Harry points out how watching Aberforth and Ariana being hurt was torture to him, and emphasises his commitment to Dumbledore's cause, "Because sometimes you've got to think of the Greater Good! This is war!"

King's Cross chapter - Harry gets his answers. :)

Harry's journey to understand Dumbledore is extremely profound, and Harry's forgiveness of what Dumbledore put him through (with regards to his agency - which is Harry's main issue) comes from a very reflective, thoughtful space. Therefore, he names his second son after the two men riddled by guilt, seeking to atone for the harmful things they had done by committing to a greater cause.