#and this one is particularly vicious
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rotarywires · 3 months ago
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i think chronically ill people should be able to bite without consequence
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politedemon · 8 months ago
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OH and people who were not ace had 'discourse blogs' aka blogs solely dedicated to talking about how much they hate ace people with cutesy discourse related urls. and this was just like normal.
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mariocki · 1 month ago
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New Scotland Yard: We Do What We Can (2.11, LWT, 1972)
"I have to be careful."
"You're big and ugly enough to look after yourself."
"Not with this little firm I'm not."
"Which firm?"
"Jimmy Sutton's. He don't believe in straighteners. Goes in for surgery."
"Surgery?"
"Amputation with a sawn-off shotgun."
"Ah. Well, you can always apply for a claim at the Criminal Injuries Board."
"I wouldn't have a leg to stand on, would I?"
#new scotland yard#we do what we can#1972#lwt#classic tv#tony hoare#john reardon#john woodvine#john carlisle#robert morris#susan glanville#stanley lebor#frank jarvis#michael balfour#peter childs#natalie kent#dennis blanch#donald maciver#a fairly unusual script; this series hasn't been particularly continuity focused‚ just handwaving a few details about our leads#homelives etc‚ but this episode features a specific call back to a previous case (Ward's failure to prove the guilt of Ray Lonnen's#gangster back in 2.5) as well as featuring a returning minor character (Balfour's seedy informant‚ a pivotal part of the plot of the#previous episode‚ here having more of a cameo sort of role to get some vital exposition across to Ward)#the plot concerns a planned wages snatch (there's a time capsule for you; nobody snatches wages anymore but then i suppose electronic#banking has put paid to it). the villains of the piece are a triumvirate of classic telly faces: future sitcom stalwart Lebor as the#vicious leader‚ Public Eye's Ron Gash himself Peter Childs as the quieter member of the gang‚ and good old Frank Jarvis (speaking in an#unnaturally gruff voice) as the wide boy. they're involving another ex con tho‚ who happens to be one that Ward helped to get a job and#turn his life around (very out of character for Ward tbh...). cue much skulking and sleuthing. it's a solid ep really but there's a brief#side plot concerning an elderly police widow fallen on hard times that sits awkwardly with the rest of the ep; it's not that it's a bad#side plot‚ exactly‚ actually it's quite affecting; it's just that it's very briefly handled‚ and stood to be further developed or given a#weightier position in the plot‚ rather than two brief scenes in the first half that are never referenced in the second
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multishipper-baby · 2 years ago
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One of the things I really liked about Season 2 was the idea of giving animal symbolism to the characters but like, separately from the animals they were originally based on (The whole wolf and lamb thing Eddo did with Fred and Freddy). I wish she'd done it more because it was really cool and helped separate it from the original FNAF.
Wish they'd done it with others characters.
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holdoncallfailed · 9 months ago
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marypsue · 2 years ago
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not to be a horrible shipper all over your plotfic but what would the ships look like in your ageswap au?
The sample I posted does rather invite the question!
I should put out there, as a general rule, I'm not all that interested in Mike/Will and I don't have plans to write it anywhere. I don't really vibe with it, generally, and I believe I've mentioned previously (but maybe only in tags) that I really hate the way the Duffers conceived of and have been handling the possibility that Will might be gay. And many of the ways parts of the fandom have acted in response. I get that it's important to some people, and I don't want to rain on anybody's parade, but I've seen so much bad behaviour from the showrunners all the way down that it's pretty firmly put me off.
With that said, though. This fic was undertaken before I'd had much exposure to the fandom, and also, the roleswap plays...well, a role. I'm a sucker for a good triad relationship, especially the Monster Hunting Trio, and in this version of things, that's Mike and El and Will. So this is probably the only time you're ever going to see me writing reciprocated romantic feelings between Mike and Will. It's just that El is also there. And the entire context of their previous relationships with each other has changed. It feels different. I don't know. I'm operating on vibes, here.
Also because of the roleswap, this is one of those rare places where I'm not mashing Steve and Nancy and Jonathan's faces all together. Nancy and Jonathan are the Hopper and Joyce of this fic, and Steve is the Karen Wheeler. He'll be fine in his loveless marriage while the other two are off having fantastic post-saving-the-world sex. Maybe he'll have an ill-advised affair in the future. Who can say.
(Also Nancy and Barb had a brief on-again-off-again fling post-Nancy's-divorce, which has been over for some time as of the action taking place. Long enough for Barb to find a more stable relationship with the other local lesbian...)
I'm pretty sure that's it, as far as romance goes. Apart from the teen squad, it's pretty secondary to the plot in season 1, and I'm sticking with that. (Also, I need lots of time and space to fully mine the hilarity of Steve being Mike's literal actual father.)
#chatter#ships. plots. triggers. character deaths. whether there will be a banana appearing in a scene. it's all fair game#so long as everybody's respectful about it i love talking about fic whatever shape that takes#and i absolutely don't mind giving warnings or heads up if there's something you're particularly concerned about appearing#(or not appearing)#also it's genuinely nauseating how people want to give the duffers backpats for taking the stephen king route#and using their fiction as an excuse to use every slur they know#'oh the one who's been the target of vicious violent homophobia the whole time is the Only Gay One' try the fuck again boys.#(i have not forgiven them for what they did to robin as soon as she was Canonically Into Girls)#sorry I have. a lot of feelings on this topic.#i'm also most interested in reading will as aro-ace and the duffers' bullshit has only made me double down on that#but i don't want to talk about it like i'm only doing that reading out of spite because i do genuinely think it's interesting in itself#so if i'm going to talk about that i'll do it in a separate post#bc I also don't want to imply that it's an either-or and you can Only have One True Sexuality Headcanon for a character#(they're fictional your honour. this stuff depends on the reader and can also differ in context.)#(like how in the context of this one AU i'm interested in a triad relationship i won't be writing in any other contexts)#also I absolutely don't want to fight anybody for the dubious honour of getting shittily canonized by the duffers' bad takes lmao#'is it/will it ever be canon' is the least interesting metric by which to measure a ship/headcanon/etc to me
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dick-the3rd · 2 years ago
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For the trope rating thing, enemies to lovers?
FUCK YES. FUCK YES A THOUSAND TIMES OVER. YOU DON'T EVEN KNOW
Listen. Enemies to lovers is the shit.
It's about the misconceptions. It's about knowing the worst side of a person. It's about chosing to find the common ground. It's about realizing that despite all the differences there's also so much in common. It's the knowledge of their differences being what make them complete each other.
Also, if they're long term enemies? Jesus.
It's about the familiarity born out of coexistence, bc it gets to a point where maybe the enemy is not the person who knows you best, but it's definitely the person who knows you longer. Just like you are the person who knows them longer.
And I just could go on and on....
send me a trope and i'll rate it
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death-rebirth-senshi · 7 months ago
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This was attached to the thought that it would be funny if Gomorrah couldn't even do that hyper beam without Bayonetta controlling him, like it's a magical talent she brings out of him.
I always like it when summons are strengthened by the wielder, and demon slave becomes more tolerable to me when I think of it in terms of a witch really wielding a demon the same way one wields a weapon, and like a sword a demon is able to do a lot more when in the hands of a capable witch that knows what to do with it.
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chatxkilluaxnoir · 2 years ago
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Well, at least they all escaped (including Koya and Usagi who looks like he is still alive, so that is nice. Nice to know, that Leo just almost killed him and not killed him on their first meeting. Hopefully, they might still become friends or something, lol. I mean, considering some Leo and Usagi meetings basically was them trying to kill each other until they became friends; it can still happen. Maybe even Leo and Koya too. And Leo and Karai? Or/& maybe they will keep trying to kill each other or something; I am all for whatever you end up doing! Really happy both Usagi and Koya are in this. AND we get two Karai's in this basically; which is awesome), so that is nice!
Though, Mikey's hands are a little worse for wear due to mystic power (over-)use, but at least he is okay.
Donnie and April are looking okay too.
Though, Raph is looking like he is not out of the frying pan just yet.
Because Leo is looking terrifying at the end there (and in basically every page he shows up in this update. That boy is not okay. But like, even more extra terrifying at the very, very end there). And also asking Raph whose side he is on (which, first of all, that is not a god question to ask at all. Those kinds of questions sometimes lead to bad things. And also Leo, why are you asking that exactly? Hmmm???)
Leo is also not okay, but I don't think he really ever has been in this AU (and probably in general quite often too, lol).
I fear for Raph so much right now. And I fear what Leo might do. Like, what a way to start a new famial relationship, huh? And it might get even more shaky in coming parts.
(I say that, while also reblogging this post partially because of the reblog choice/option, and picking the "Left for Dead", broken/cracked heart option. Hey; I can fear for (and/or be afraid of) both Raph and Leo, while also picking and doing the more evil options, okay?)
Utterly amazing new update! God, I love this comic and AU so much.
And almost 30 parts too, alright!!
27 - Calm down.
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Beginning | Previous | Next
Bloodbath | Ask blog | Discord server
We’re almost at 400 server members <3 YAAAAAY I CAN FINALLY USE THE TUMBLR POLL FEATURE FOR MY COMIC
#trubblegumm#rottmnt#tmnt#rottmnt au#rottmnt separated au#rottmnt separated aus#i just made a reply about not exactly knowing what the voting options meant#but then i thought the left for dead option would be probably be more sadistic and/or cruel at least and the left alive one would be the#kinder one probably#so with that in mind#i decided to just vote anyway even if i am not completely sure what the voting options meant#and i picked the what i thought would be the more evil of left for dead#and now i feel bad because like; compared to the left alive option it was picked way less#was i just too cruel in picking that option?#;0. probably.#also reblogging this because 1. i love this au and comic so much and it deserves to be reblogged#and 2. I am feeling extra sadistic today#and the 'You've left me alone for too long.' reblog option#just sounds too ominous and creepy for me to not want to happen#esp. since i am in a particularly cruel/angst-y/vicious mood today#and i am guessing that line might mean leo being none too happy about basically being alone (i mean there is splinter but yeahhhhh splinter#in this au is just yeah)#so that also makes me want to reblog this post and get this post to at least 200 even more (and even if i am wrong; that lines still sounds#so ominous and i really want to get it/that option).#anyways; since the left for dead broken heart option prob. isn't going to win (tho it still might who knows) & while im defin. ok w/ either#option winning (i just picked the left for dead option and want/wanted it to win bc i am feeling extra mean today); i want to at least#get to those 200 reblogs. because trubble deserves that many reblogs and also bc i want that creepy and scary 200 reblog option to happen!#so get this post to 200 reblogs please lmao!#rottmnt bloodbath au#rottmnt bb au
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Continuation to This Post :]
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It was always so strange to hear adults argue.
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Grown up fights never seemed quite the same as the trivial spats her and Dipper sometimes had. They were similar in some aspects, yes; Adults and children weren't as different as people liked to think. Mabel had seen adults verbally lash at one another with vicious words just as low hanging and petty as the ones she'd sometimes see kids the same age as her use. Adults arguing was essentially just a louder, angrier version of children fights.
And yet, there was somehow... more to it. Grown up arguments always seemed to weigh so much heavier in the air, and for so much longer than she'd ever thought possible.
Sometimes, the weight would leave quick and early, practically gone by the next morning. However, occasionally, the weight would stay; and grow heavier, and heavier over the years. Until it came to a point when the weight was nothing but a choking, stifling presence that seemed to fill every room in the house and buzz deafeningly in your ears like an unpleasant static that made your head pound.
Then, one day, the pressure would burst with a loud yell, a slam, and a bang, and start building up all over again. It was a cycle Mabel was much familiar with.
Her Grunkle Ford's "Mystery Shack" didn't have that air.
The shack's air smelled like burnt out candles and cheap discount Halloween fake blood, with a hint of real blood underneath the stinging scent of old wood and aged parchment. It wasn't necessarily a very nice air, certainly not in any way the fresh, crisp, clean air of the streets of Piedmont, but it smelled more like home than she'd ever felt back in California. It just smelled like... Grunkle Ford.
She liked her Grunkle Ford. He was super weird; with an even weirder Uncle as his roommate. He checked her and Dipper's arms and legs every morning "just in case someone broke in at night to steal a sample of their bloods"; he despised overly sweet foods (baffling, truly); and he had exactly 27 locks installed on the front and back door respectively that he could unlock all in under a minute with his really fast extra fingers. He reminded her a little of Dipper on some occasions, no matter how much the latter liked to deny the similarities (although, bar the demonic obssession).
However, last night, the air suddenly grew heavy.
Grunkle Ford had a fight.
Mabel hadn't heard it, and she hadn't seen it, but she knew there had been one. She was an expert recognizing the signs; she could always tell.
When she had awoken that late morning, the stuffy summer air had taken an even more sour note than usual, and had become a touch heavier than it should have been. Either that meant Grunkle Ford had just recently finished up a ritual, or a particularly rowdy argument had taken place; and Mabel knew that Grunkle Ford only performed his rituals between 2 to 4 AM, when he thought the twins were well asleep.
It was strange, to feel that same heavy air push down upon her temples and pound that same painful rhythm of a mounting headache as it used to do so often back when Mabel was in California. It had already happened a few times at the shack, but this one felt... heavier, than usual. She didn't think she would have to encounter the discomforting weight again this summer, away from her parents. Yet here she was. Aching.
She knew Gunkle Ford and Uncle Bill fought and bantered. With Bill being a permanent resident trapped within her Grunkle's mind, she couldn't imagine how they wouldn't. She didn't think even she could keep her cool if she had Uncle Bill as her brain roommate 24/7.
In any case, their interactions in front of the twins were mostly a mixture of exasperated resignation, or irritated tolerance, mostly from Grunkle Ford. Their occasional volleying exchanges of vitriol doused insults and words were short lived, and brief most of the time, especially when in front of the kids. They were nothing like the long, loud ones that could go on for hours back at her house in Piedmont.
Even so, there were some times when Mabel would see Grunkle Ford late in the evening, red faced and tight fisted, stomping down to the basement and disappearing into his lab there with a deafening slam of the rickety wooden door. She recognized that slam. He didn't want the twins to hear the argument.
Even if they could hear anything, what little they could glean always seemed to be only side of the argument, with Grunkle Ford yelling curses at Uncle Bill inside his head. She always did wonder what happened inside Grunkle Ford's head. Although, she wasn't sure if she wanted to know the answer. She couldn't imagine the state of the mind of someone who sometimes forgot to eat or sleep for almost a full week until someone reminded him.
The entire day passed with that same, tense air choking the atmosphere. Dipper had dragged Mabel and himself to some adventure in the forest, but it seemed to her that he was just trying to find excuses to stay out of the shack for the time being. Even he seemed to feel the unnerving heaviness of the air.
That night, underneath her sheets, Mabel pulled out the worn and well used wooden art mannequins Dipper and Grunkle Ford seemed to keen on using to summon Bill rather than their own shadows. With her trusty golden glitter pen (that she knew Uncle Bill loved despite what he claimed), she gently drew a closed eye upon the blank wooden face of the little model.
The eye opened, and she spoke:
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peachessndreamss · 3 months ago
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Weirwood Tree
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Summery : While in labour with their second child, Cregan and his wife take s short walk to the Weirwood tree to help get things moving.
Characters : Cregan Stark x f!wife reader (no use of Y/N)
Warnings : Pregnancy and childbirth (nothing explicit)
Word count : 3k
A/N : Turns out you never shake being a Stark girl, Ily Cregan so much.
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“I’m sorry t’say it, my lady, but your labours have slowed up,” the midwife said softly as she drew the sheets back over Lady Starks bent knees before dipping her hands in a bowl of water. 
“Slowed up?” Lady Stark repeated incredulously, dropping her head back on the feather pillow, “but it's been hours already,” she added, tears burning her eyes. 
The second child of Lord Cregan stark and his lady wife was in no rush to make their way into the world. Despite the frequency and strength of her earlier pains once the midwife and maester had been sent for, everything seemed to have come to an uncomfortable halt.  
The midwife had brought her ancient grandmother along with her, known through Winterfell and the winter town as Auld Joan, she had been a midwife in her own time and had delivered Cregan's father and uncle. She was mostly blind and deaf now but still attended births but spent most of the time sitting as close to a heat source as possible and dispensing wisdom if necessary. She was currently sitting in a chair next to the roaring fire, her ancient hands clasped on her lap, knuckles bulging out of shape and fingers curled like claws. 
“I know it's been a while,” the midwife said soothingly, placing a warm hand on Lady Stark's knee, “but sometimes it's just like this,”. 
“The last one wasn't like this,” Lady Stark grumbled, her mood darkening as she tried to shift around into a more comfortable position. 
“You mustn't compare one with another,” the midwife soothed before touching a cold cloth to the lady's forehead. 
“A walk will geyit moving ,” the old woman wheezed from her seat by the fire, “no’ this lying about,”. 
The maester, who had been mostly disinterested in proceedings up until this point shot the old woman a dark look, he was standing in the far corner of the room, a leather case of vicious metal tools clutched jealously to his chest. His grey robes matched his grey and sickly looking skin. He wasn't particularly interested in births or deaths or the everyday ailments of life and resented being summoned to the birthing room of any woman. 
“This position is agreed upon as being the correct way for labouring mothers,” he said coldly in a clipped southern accent. 
“Agreed by men who know nothing about it,” the crone grumbled. 
“What does she mean?” Lady Stark asked the midwife who was now gently feeling the swell of the lady's belly. 
“Baby's not quite in righ’ place, that's why things have slowed,” she explained as she pressed on the left side of the belly, Lady Stark winced, “but grandmother thinks a little walk might get things moving again,”. 
The midwife glanced over at her grandmother who had closed her eyes and was now looking peaceful in the flickering light of the fire, she looked back at her lady and dabbed the cloth over her cheeks before putting it back beside the bowl of cold water. 
“What do you think?”Lady Stark asked. 
She shrugged, making a point not to look towards the maester before replying. 
“It helped me with mine, and it wouldn't do you any harm,”. 
The maester opened his mouth to disagree and lady stark held up her hand to silence him. 
“Just walking through the keep, out into the godswood for the fresh air should do it,” the midwife continued. 
The lady nodded and lifted herself up onto her elbows, she addressed the maester, privately enjoying ordering the sour faced man about. 
“Lord Cregan is outside the door, fetch him in,” she said. 
Cregan Stark had paced the halls outside of his wife's rooms since he'd been asked to leave them several hours before. While he wasn't accustomed to being removed from parts of his own castle he respected that father's, even lords, were not expected to be present at the births of their children,so he was surprised to hear the door opening when he was fairly certain nothing much had happened yet. 
“My Lord?” The voice of the maester echoed off the walls as the lord strode into view, “your wife would like to see you,”. 
He nodded, his face stern as he stepped past the man and into the warm, dark room. 
“Seven Hells,” he murmured as he pulled at the collar of his shirt, instantly feeling the heat of the room rolling over him like a wave, sweat breaking out on his forehead and upper lip. 
As he looked around the room he was surprised to see the midwife helping his wife into her fur boots, a long, heavy cloak already covering her shoulders. 
“Going somewhere?” He asked, raising an eyebrow. 
She turned her flushed face to him and smiled. 
“Yes, we're going for a walk,”. 
Cregan’s brows rose but he nodded without further comment, knowing better than to ask questions.  He watched nervously as the midwife helped his wife to her feet, ready to spring forward at any moment if it looked like Lady Stark might lose her balance. 
Once he was happy she was safely on her feet, Cregan stepped towards them, offering his arm to his wife, who took a small step and linked her arm through his. 
“Twice around the godswood’ll do it,” Auld Joan spoke from the chair, she opened one ancient eye that could just be seen through the folds of skin that made up her face. 
“Or as far as you need’t,” the midwife added, her eyes flicking towards the maester. 
From the darkest corner of the room the maester muttered under his breath “foolishness” but no one else could hear him or pay him a moment's more attention. 
As the Lord and Lady of Winterfell stepped out of the stifling room and into the cooler corridor of the keep they both gave a sigh of relief. As they walked they instinctively drew closer to one another. Finding comfort and strength in each other's presence. 
“This is an unexpected pleasure,” Cregan said as they stepped through the door of the keep and into the much colder air of the inner bailey. The ground was a mess of mud, straw, snow and grey brown slush that cracked and crunched under their boots. 
“Yes,” she agreed, her hand tightening on his arm as her foot slipped a little on a patch of hidden ice, “Auld Joan felt this would be the best way to get things moving again,”. 
Cregan nodded, “She's seen a fair few babes born in her time, she knows what she's talking about,” he paused and took a deep breath of cold air, “I think she might have even delivered my grandfather,”. 
“Surely not!” She exclaimed, looking up at her husband's handsome profile, “that would make her more than a hundred years old,”. 
“I've heard of stranger things in these parts,” Cregan said with a shrug. 
They walked quietly together, moving slowly and carefully through the slush.
“Not as easy as last time then?” He asked as they made their way past the archery butts where the young men of the household were practising and past the stables with their snorting horses and young boys shovelling straw. 
“No, this one seems to have an obstinate Stark streak in them already,” she replied with a soft laugh that sounded like music to Cregan's ears. 
“I seem to recall your own family are known for their stubbornness so I won't be taking all the responsibility for that,”. 
“Pigheadedness, I believe my father called it,” she replied with a laugh, Cregan gave his own snort of laughter. 
“Your father certainly has a way with words,” he agreed. Recalling a few choice phrases her father had used for him during their courtship. 
As the pair crossed into the godswood the sounds of the keep and the town beyond the walls seemed to fade away and they became the only two people in the world. The ground was covered in a dusting of snow which had frozen overnight and now crunched under foot. From the dark canopy of the trees small birds sang between themselves and bounced from branch to branch, leaves rusting and falling to the ground in their wake. 
“Aly is worried we won't have enough time for her when the baby arrives,” Lady Stark said as they passed under the first dark boughs, “she kept asking me if we were going to send her away when I was putting her to bed last night,”. 
“She's a sensitive soul,” Cregan replied with a soft laugh, his mind wandering to the little girl who was at that moment playing in the same nursery he played in as a child, waiting for his own younger sibling to be born. 
“I dread the day we do need to send her away,” she lamented, drawing her body even closer to his in the cold air. Her free hand resting low on the swell of her belly. 
“We've many years before that day, my love,” he soothed, “and perhaps many more babes to fill our home,”. 
Lady Stark laughed softly, feeling the dull ache of her labours growing in strength as they followed the well known path through the trees.
“You are insatiable, always wanting more,” she said softly and Cregan laughed. 
They had been married 6 years and now were as comfortable with one another as any married couple could expect to be. Having been friends before they’re union had made things easier but the months after Cregan’s return from war had tested them to their limits. The time spent apart had been long and difficult for the both of them, when Cregan had left he was already old beyond his years but on his return he was darker and colder than the longest winter night. He’d forgotten laughter, softness and gentleness and his first few months back in Winterfell had been fraught as the two learned to live with one another again and find their way back to the happiness they’d briefly shared before the dragons tore the realm apart. 
The followed a well trodden path through the woods, her arm wrapped tightly through his and his hand resting over hers, warm and solid. As they walked, Cregan listened to her breathing, noticing every change to her breath and hitch in her voice. He was ready to take her in his arms at any moment to rush her back to the midwife if was necessary. 
They turned a corner in the path and were now on course to the weirwood tree, its ancient face seemed to watch their approach and its blood red leaves reflected in the black water at its roots. 
Suddenly Lady Stark stopped, her free hand going to her belly with a sharp intake of breath, she groaned, her teeth biting into her top lip as a strong contraction wracked her body. Cregan tightened his hold on her, fear gripping at his heart and twisting his stomach. 
After a few seconds of pain her face relaxed and her eyes opened, her cheeks were flushed with colour and despite the cold there was sweat at her hair line. 
“I think this might be working,” she said with a small smile, “or perhaps the baby can feel the tree,” she added, glancing toward the weirwood. 
“A good Stark then,” Cregan replied, forcing a lightness in his voice he didn’t feel. 
She stepped toward the tree and he followed her closely, never letting her more than an arm's reach from him. Once close enough she placed her hands on the tree, feeling the rough bark rasp against her skin. 
“Do you think the old kings of the north were born under this tree?” she asked, turning her face up as a shaft of wintery sunlight broke through the dense leaf cover, “snow and leaves for their midwife?”.
Cregan raised his eyebrow in thought for a moment before replying. 
“They were certainly conceived under it,” he smiled.   
“Yes, I remember the stories,” she agreed, turning to look at her husband and seeing the playful glimmer in his eyes. 
During the long months of the war she’d found comfort in the thousands of books in the Winterfell library, starting with the histories of the North going all the way back to the first men and how those ancient kings of the North did everything important in their lives in sight of a weirwood tree, they were born, married, made oaths and died as close to the trees as they possibly could. The histories had included stories of rituals the ancient peoples had contrived to conceive their children under the boughs of the weirwood trees, they believed these children would have the gifts of prophecy or live impossibly long lives because the powers of the tree flowed through them. 
“Perhaps, when you’re healed, we should try it ourselves,” Cregan teased. 
“When this one is delivered I’ll let you know if you’ll be welcome in my bed again,” she replied with a sly smile, before adding “my lord,”. 
Cregan gave a bark-like laugh, stepping closer to her and slipping his arm over her lower back and around her waist. She turned to face him, moving her hands from the ancient and cold bark of the tree to the living warmth of his shoulders, she studied his features before taking a deep breath and letting her forehead press against his. Another contraction wracked her body, she groaned and gripped tightly at the fur and wool of his cloak, taking strength from his body into her own. 
“I think we need to go back,” she said softly, their foreheads still pressed together. 
“I think so,” he agreed without hesitation.
Keeping his arm wrapped around her waist the two of them turned, she leaned heavily on Cregan as they completed the loop around the godswood and headed back through the castle courtyard. The space now almost completely empty as most of the household had been summoned for the midday meal. 
The progress was slow but they soon made it back to Lady Stark’s chambers, the room was cooler now, the windows had been thrown open but the coverings drawn across them to keep the room dark. The two women were sitting by the fire, talking quietly while the maester was still standing in the corner of the room, glaring. 
The midwife jumped to her feet and took Lady Stark’s arm, allowing her to slip from Cregan’s hold and move toward the bed. 
��How are you feeling my lady?” the midwife asked softly. 
“It helped, the pains are coming much more quickly now,” the lady replied. 
“Baby will be here soon,” the midwife agreed, “perhaps before the noon meal is over,”
Lady Stark glanced over her shoulder at her husband pausing by the door. His broad shoulders blocked out almost all of the hallway behind him.
“I want you to stay,” she said softly as she was helped back onto the bed. 
He smiled but shook his head. 
“This is not my place” he said softly, as he felt a burning sensation at the back of his throat and in his eyes as he fought the sudden overwhelm of emotions. 
“Thank you, my lord,” the old crone said from her seat, “we’ll take care of them,”.
Cregan nodded, knowing well enough when he was being asked to leave, he gave his wife a final look before stepping out of the room and closing the door behind himself and resuming his pacing. He wondered if his own father had paced nervously or if he had taken to the woods to hunt until the deed was over with and the child was cleaned and neatly wrapped in a blanket. He couldn’t imagine being any further than the castle gate while Lady Stark laboured. 
As the midwife predicted the midday meal hadn’t finished before there was the high pitched, squalling cry of a newborn that caused Cregan to stop in his tracks and lean heavily against the wall of the hallway, his hand clutching at his heart that was beating fast enough to burst. 
The door to the chambers opened and the midwife stepped out, a smile on her face as she saw her lord in a moment of unguarded emotion. 
 “A son, my lord, hale and hearty and with plenty to say for himself,” she said, the sounds of the crying child still coming clearly from the room behind her. 
“God's be praised,” Cregan said, his voice cracking with emotion. 
“Come meet him,”. 
Cregan felt his knees turn to water when he stepped into Lady Stark's rooms, the sight of his beloved wife cradling a squalling newborn was a joy that pierced his heart like an arrow. 
“Your son, my lord” she said with a tired smile, turning the bundle just enough for Cregan to be able to see the child's face. 
He stooped and took the child, cradling him close to his chest, for a few seconds the child stopped wailing, his blue eyes opening wide and taking in his first sight of his father. The two of them looked at each other for a few seconds, Cregan's own eyes filling with tears. One hot tear was about to track down Cregan's face when the baby in his arms screwed his eyes shut, opened his mouth and started to howl, his cries even more desperate than before. 
Lady Stark laughed from her seat on the bed, holding her arms out to take the child back. 
“Give him back, you're upsetting our son,” she said, grinning at Cregan who jealously clung onto the child, rocking him gently and trying to sooth the screaming babe. 
“Sorry my boy,” Cregan said softly, “but you'll just have to get used to me,”.
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pearlcigs · 1 year ago
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⋆ make a woman out of me
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christian!virgin!reader x ellie williams
summary ⋆ you swore to yourself you only longed for ellie in a platonic way, but as you get older you seem to realize just how pretty she really is.
warnings ⋆ 2.95k ⋆ smut, i might get cancelled 🤷‍♀️, reader (non penetrative) virginity loss, religious themes, ellie is 19, reader is 18, pastor's daughter!reader, mentions of homophobia, alludes to reader's parents being homophobic, ellie smokes weed, pet names (pretty girl, babe, honey, baby, good girl), cursing, first kiss, corruption, corruption kink, oral (r recieving)
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time moved slowly within the parameters of jackson. the same familiar faces, day in and day out. though, it was comforting living in such a community. the horrors of the world beyond the walls that stood tall was something you rarely wanted to think about. it made you sick to your stomach to think of your friends, loved ones, even people you weren't particularly close with, outside of the safe walls, being face to face with whatever monsters marred the unhabitual world.
your parents were strict with religion, your father being the only self acclaimed paster that jackson has ever had to offer. there was never a time you could remember, even before finding refuge in the cozy town, where your parents weren't devout. vivid memories of your mother's fingers gliding over the cross necklace she wore around her neck when you would get in trouble. disappointed sighs and signs of the cross, begging the lord above for forgiveness, explaining to the sky you were too young to know what you've done was a sin.
the bible was followed closely in your home, and you obliged without caution. you prayed, attended your father's mass sessions in the tiny chapel just down the road where he preached the bible, wore the holy cross around your neck to show your devotion, you've read the old torn and withered bible you were so lucky to find front to back. religion was all you've ever known and you had found no reason to ever question the man who hung on your wooden walls, hanging from a cross with his hands and feed nailed to it like an animal. that was, until ellie.
"come on, don't you wanna jus' see what it feels like?" ellie teased, waving the joint in front of your face like a taunt. "no thank you." you replied, sitting at the foot of her bed, legs crossed, eyes wandering around her room. when ellie first came to jackson you were infatuated with her, dwindling it down to pure want but only of friendship. "good girl, that's what you say when someone offers you this shit." ellie moves the weed away from your face, inhaling it and then turning away to exhale the smoke away from you.
it started with just friendly smiles, offering to show her around and help her get to know everyone. she was wary of you. honestly, afraid of your friendly demeanor. people on the outside of the jackson walls were cruel and vicious, she thought, with no doubt in her mind, you were being friendly to lure her into some kind of trap. she danced around you with caution, keeping her distance but also decidingly giving you a chance. she quickly became fond of you, your personality, your looks. everything about you appealed to ellie and something about that made you proud, even more eager to befriend her.
the words 'good girl' ring from her mouth and you're not sure how to respond. was there even a proper response to your best friend calling you that? a simple nod was all you could come up with. watching her lips intently as she blew the smoke out of her lungs. your fingers came up to your neck, fiddling with the cross necklace around your neck, a habit passed down from your mother. ellie never paid much attention to your shy outlook on life. you were reserved and a part of her liked that she had so much of you to herself.
it wasn't until you were 17 that you finally came to terms with the fact that your infatuation was more than just a yearning to be her friend. tears of guilt streaming down your face in the confessional at the shoddy chapel, divider between you and the young volunteer who was ready to beg jesus to abolish your sins. "i'm a girl... and i like another girl." you sniffled, lowering the pitch of your voice instinctively so he wouldn't see past your anonymity. ache in your heart when silence was returned, until soft mutterings of a prayer, asking jesus to forgive your tainted heart.
ellie extended her arms behind her head, a small stretch that gave you big feelings. her shirt rode up, exposing the small of her stomach. you swallowed harshly, wondering why god would tempt you with something like this. a soft sigh emits from ellie's lips, flicking the almost finished joint into a nearby makeshift ashtray. another soft sigh falling from her perfect lips. intent eyes trying to be secretive of the no less then unholy thoughts that you were being tempted with.
ellie was put off at first by your fervent religion. her experiences were tainted, never having a good visual of what a healthy relationship with god looked like. she was unsure if you were going to try and convert her into some pious worshipper. you weren't secretive of your religion and that much was enough to make ellie suspicious. with time she realized you were different from the other religious people she's met. only bringing up your religion or anything to do with it when you were directly asked or if it was really important to speak about.
"whatchu lookin' at, pretty girl?" she chuckled as she noticed the way your eyes locked onto her, like if you looked away she'd be gone. it wasn't unusual for ellie to be flirty or to make casual remarks about how pretty you were. still, every time she did your cheeks were adorned in a rosy color. "just you, i guess. i dunno..." you answered back quickly, hoping that answer was enough to satisfy her eager curiosity. "yeah? just me? got something you wanna say to me?" she was just joking around, trying to get you riled up and flustered but you did have things you wanted to say to her.
"no." you answered, though you were sure she wasn't expecting an actual response. "no? yikes, babe, i'm hurt, thought we had somethin' real here." she smiled and you felt the butterflies in your stomach become tongue tied. one thing you loved about ellie above all things was her smile, how the skin around her eyes scrunched up just the tiniest bit, the apples of her cheeks becoming more prominent. everything about her smile made your head spin.
"els, i like you." the words slip out of your mouth before you could even process what was going on. her smile that coerced you to confess to her in the first place falters. "i'm sorry?" she questions, unsure if you meant what she thought you did. you had never said anything that led ellie to believe you were homophobic or that you thought all gay people were sinners like most of the older people who were religious in jackson did. but still she was careful to keep her sexuality from you, strongly assured you would take after your parents' stance on homosexuality.
"i... i don't know why i said that." you say, truthfully. mouth slightly agape and eyes widened with shock that you'd just outed yourself after years of trying to force down your feelings. there was a silence between the two of you. silence wasn't uncommon around each other, sometimes the both of you preferring to spend your time together quietly as a way to unwind after a treacherous day. but this silence was different than those times. ellies breath was caught in her throat, words jumbled on her tongue.
she only began reacting when she saw the panic on your face, followed by your eyes becoming glassy. "hey, hey. don't cry. it's okay." she comforted, sitting up and placing a hand on your knee. she wasn't good at comforting people, you were well aware of that. "i didn't mean to.." you admitted, voice timid and quiet, still uncertain to how she would react. "hey, it's okay, honey." the term of endearment sliding off her tongue like she was meant to call you that for the rest of your lives.
"i'm not mad." ellie affirms, her tone soft, knowing how afraid of other people's anger you are. another flash of silence emerges, just you and ellie staring at each other. neither of you knowing what to say. she pitied you, seeing how much you resented yourself. your bottom lip slotted between your teeth, biting hard enough to potentially draw blood. "don't do that..." she mutters, gently running her thumb over your partially chapped lips, pulling your bottom lip out of your teeth's grasp.
your breath hitches, a small shudder traveling up your spine. your eyes locked on hers, your heart beating loud enough for the whole world to hear. ellie's eyes flicker down to your lips and then back to your eyes. "i've liked you for a while." you admit, knowing there was no going back at this point. "oh, yeah?" her voice was low, some would even describe as seductive. her thumb still lingering on your bottom lip. "yeah." you whisper back, your eyes now flickering down to her lips.
ellie's hand moves to your jaw. her eyes flicking down to your lips one last time before she leans down and presses her lips against yours. her lips are soft, just like you had imagined. she seems skilled, like she knew what she was doing and what the end goal was. a small smile forming on her face as she realizes you have no idea what you're doing. “like this.” she mumbles against your lips acutely aware how clueless you were when it came to romance.
you follow her lead, doing your best to follow her lead. her free hand finding your waist, squeezing gently. you pull away, panting faintly. "i don't know.." you mumble, trailing off as ellie puts her lips back to yours. the hand that was on your jaw roaming to the back of your head, fingers getting tangled in your hair. "i know." ellie responds moments later, her lips brushing against your with each syllable. you couldn't comprehend what was happening, your mind going blank with ellie's lips on yours. she adored the way you looked at her. looking at her like you needed her.
she gently lays you back, grabbing the first pillow she could find and settling it under your head so you were comfortable. her thighs either side of your body, her body weight on top of you, giving you a cozy feeling you'd never experienced before. "you don't even know how long i've been wantin' to kiss your pretty lips..." she whispers, her bangs hanging in front of her face. you bring your hand up to her face, nervously tucking the hair behind her ear. "god, you're so fuckin'..." she stops, just taking a second to admire how alluring you looked under her.
her lips dip down to your neck, slowly biting and sucking on the skin. your breath hitches, a small whine pushing past your swollen lips. ellie groans against the skin of your neck. "make more of those pretty noises f'r me." she mumbles, hips rolling over yours, another whine spilling from you at the pleasurable feeling. ellie's kisses move away from your neck, down your body. trailing down your collarbone to your clothed chest to your stomach. her lips stop, hovering right above your pussy.
your heart was beating out of your chest, you back arching a little in anticipation. "how bad do you wan' it? tell me, baby. tell me how much you wan' me." she was totally and utterly obsessed with you, her mind becoming drunk by the thought of you— the mere sight of you. "p-please, els..." you mumbled, voice timid from embarrassment. it was partially expected though, you'd never done anything like this. "i want you..." it was simple but effective, making ellie go feral for you. "fuck—"
she lowers her lips to your pussy, kissing over the fabric of your shorts. watching her through hooded eyes, your pussy throbbing from her touch. "gonna eat this pussy s'good. show you what you've been missin' out on." she groans, the fabric of your shorts dampening as she trails her tongue over the sensitive area. ellie surprised herself, shocked that she was able to dirty talk to you so easily like this. your hips were writhing against the bed, more eager than you've ever been in your entire life. you felt dirty for wanting this, knowing that god was watching you become a total slut for ellie.
ellie's fingers hooked on your shorts, pulling them down slow as slow could be, chuckling as you whined. "ellie. ellie, please." you muttered, begging for her to hurry up. ellie's eyes rolled back, the sound of you begging getting her more aroused than she's ever been. no one's ever made her feel like this before. she was done with the teasing, if not for your sake but for hers. she pulled your shorts and underwear off swiftly, discarding them somewhere to find later.
her eyes locked on your bare pussy, fighting back a moan at the sight. "you've got me so fucked up, babe." she muttered, kissing around your thighs first. you were nervous, breath shallow and quick paced, hungry for ellie but embarrassed nevertheless. your voice was caught in your throat, blinking quickly as you watched ellie kiss all over your thighs. ellie looked up at you and you were able to see that she was just as nervous as you. "is this okay? you can tell me to stop." she sounded sincere, pushing aside her pure need to get your consent.
you nodded, not trusting your voice. "use your words like the good girl you are, yeah?" she's longing to just taste your glistening cunt. "yes— yes, els. 't's okay..." she doesn't waste another second after hearing your shaky voice, tongue urgently dipping between your wet folds. you moan at the contact, feeling like you were on cloud 9. ellie's tongue presses flat against your clit, your hand clamping over your mouth. moans being muffled as ellie savors the sweet noises your dripping cunt was making.
ellie wasn't fond of you muffling your perfect little sounds, wanting to hear just how good she could make you feel. "let me hear you. don't make me punish you.." you don't move your hand away from your sinful mouth. your free hand finds ellie's, interlocking your fingers which she gladly accepts. "c'mon, baby. let me hear you." she encourages once more, lips moving against you with ease, mixture of your wetness and her spit. but to her dismay, you still ignored her commands. her free hand sliding your shirt up your body to expose your breasts, you were never one to wear a bra. her hand kneading the supple flesh, thumb running over your nipple.
she licks a strip from your entrance to your clit, making your thighs shake with immense pleasure. "wanna be a brat?" she mumbles into your pussy, looking up at you through her eyelashes, staring you down as her tongue circles your clit. "what is it they make you do in confession? hail mary's? 5 of 'em, now. or i stop." she smirks, watching the look in your eye become more flustered by her request. you slowly move your hand away from your mouth, not wanting this pleasure to ever stop.
"h-hail mary, full of grace—" you cut yourself off with a moan, eyes squeezing shut as you lift your hips, pushing your cunt further into ellie's face. "get to ruin this pretty pussy." ellie groans. "keep goin'. don't stop." she aids you to continue, feeling your cunt flutter around her tongue. "the lord is with— is with thee..." you continue, stuttering through the words. "good girl, keep goin' f'r me. let me hear you." she continues to egg you on, talking into your pussy. her own moans mixing in with the sound of yours.
"blessed art thou— ellie, please..." you whine, squeezing her hand and throwing your head back into the pillow, back arching off the bed. "c'mon, pretty girl. blessed art thou..." you toes curl at her words and the feeling of her tongue teasing your entrance. "—amongst... amongst women..." you trail off, mind becoming to hazy to even remember the words to the prayer you've prayed everyday since you could talk. ellie smirked into your cunt, relishing in the feeling of being able to turn your mind into mush, being the only one able to turn your mind into mush.
your moans and whines became breathier and higher pitched with each flick of her tongue. your stomach twisting in an unfamiliar knot. "ah, ah, ellie—" your thighs trying to clench together and push her head away, the feeling becoming too much. "you're gonna cum, baby?" she spreads your legs wider, her only greedy want is to make pleasure wash over you. "ellie! ellie! ellie!" you chant her name, eyes rolling back as the pleasurable wave of your orgasm finally hits you, moans loud and unfiltered.
"there we go... yeah, nice an' easy. fuck." she mutters, tongue fucking you through your high until your writhing and pushing her off of you. her lips relocating to your thighs and slowly working their way up to your pelvic bone, soft kisses against your skin. "tasted so good, baby. best pussy i've ever had." she praises, eager to show you just how much you pleasured her even though you technically didn't make her cum. "els..." you whined, face flushed a rosy red. "yeah, baby. 'm right here." she leaves a trail of kisses up your body as she reaches your lips, leaving a soft peck to let you know she was here. "does this mean you like me too...?" you asked innocently. "are you serious?"
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another christian!reader x ellie williams fic!
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nadvs · 5 months ago
Text
sleeping with the enemy (one-shot)
pairing basketballplayer! rafe cameron x cheerleader! female reader
rating explicit 18+
summary after getting dumped by the captain of the basketball team you cheer for, you find revenge in the form of rafe cameron, your ex-boyfriend’s worst enemy.
» masterlist
» all blurbs in this au
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“How bad is it that I want us to lose?” you mutter, fiddling with your pompoms as you stand courtside.
“Against them?” Your friend looks out at group of athletes in red warming up for the game. “Pretty bad.”
The rivalry between the Hawks and the Wolves is one of the most vicious in college basketball history. You proudly cheered for your team up until a couple of nights ago, when the Hawks power forward dumped you over text.
Your relationship with Max had been relatively new, lasting just over a month. Still, it pissed you off that he didn’t have the respect to break up face-to-face.
The worst part of it was that he was trying to convince you to sleep with him for the first time the night before he ended things. He got frustrated and left your dorm in a huff. Then, he texted you that he isn’t looking for a relationship.
You’re sure it was his plan to get you in bed then bail all along, but he gave up once he got too impatient.
You wanted to take things slow. You thought maybe you could have something real with him. What a waste of time.
Now, as you stand on the sidelines of your college’s basketball court, the tension is palpable as both teams warm up for another game against their worst enemies. The crowds’ conversations loudly blend into a dull murmur in the stands behind you.
“I don’t think it’s bad at all,” the cheerleader on your other side chimes in. “Max is a jerk. He deserves to lose.”
You scowl at your ex as he rushes through a running drill on the other side of the loud gym. You had told your close friends on the squad about what happened. They may hate him even more than you do.
You glance at the opposite side of the court where the visiting team is warming up. You spot player #10, Cameron sprawled over the back of his red jersey, as he runs warm-up passes with one of his teammates.
Max loathes him. And it’s not just because of the college’s long-standing rivalry. Your ex told you countless times what an asshole Rafe is and how much he trash-talks on the court.
Regardless, you could see it for yourself. Rafe taunts his opponents. He laughs in their faces when his team wins. He never shakes hands at the end of a game. He even shoved Max a few times, earning fouls.
You realize you’re staring at Rafe when his teammate misses a pass, sending the ball rolling towards you.
You’re so angry at Max that you almost want to wish Rafe luck when he comes near, picking up the ball off the glossy floor.
His gaze flashes at you as he straightens, and when you notice his blue eyes trail down your body, your skin pricks with heat. You’re sure you see a hint of a smirk on Rafe’s face before he turns around.
You probably shouldn’t be excited that your side of the rivalry’s most hated athlete is looking at you like that. But you’re not feeling particularly loyal to your team right now.
A loud whistle blows through the gym. The game is starting.
In Rafe’s mind, the only bad thing about basketball is that the sport has no tolerance for scrapping. Aggression is part of football. It’s encouraged in hockey. But the foul system in basketball is stupid. He never gave a fuck about sportsmanlike conduct.
He could have considered other sports, but he’s a natural at this. He has the height and agility and confidence for this sport. It’s what made him captain after his first year as a shooting guard.
Rafe paces to the center of the court for the coin toss, staring down at his opponent. Max Hammond’s always been easy to fuck with.
And honestly, it pisses Rafe off that lately, he’s seen the cheerleader on his rivals’ team that he’s been eyeing all season on Max’s arm. All the more reason to fuck with him.
“How’s that knee?” Rafe taunts. Their last game, he dunked over Max hard enough to send him hurling to the floor. Rafe laughed when he saw his opponent clutching his knee.
“Shut up,” Max mutters with a scowl. Rafe smiles pompously. Then, he wins the coin toss.
You halfheartedly chant through the cheers you’ve memorized when the game starts. The players rush up and down the court, shoes squeaking against the floor, sweat sheening their skin.
It feels weird keeping your gaze off of Max. You used to follow him with lovestruck eyes throughout every game. If only you knew what a douche he’d turn out to be.
So, for this game, you watch Rafe. You shouldn’t feel so satisfied every time he pushes past Max and earns a point for the rivals you’re supposed to be booing, but you do.
Shadows move with the edges of Rafe’s muscles under the bright gym lights. His lips are parted as he rushes down the court, feet moving quickly, hands controlling the ball with expert precision.
When the game ends with a loss for the Hawks, you’re not all that upset. Mainly because Max looks so devastated.
Afterwards, you decide to go out to a local bar with a few of your friends. You want to let loose. Maybe you’ll even find a meaningless hook-up. After the mess with Max, you want some fun, and you’re definitely not up for looking for any sort of emotional connection.
Both college campuses aren’t far apart, so the bars and clubs in town often see an overlap of students. Most people don’t care about the rivalry, especially when they’re off-campus.
But the athletes and cheerleaders never allow the tension to dissipate, especially after a game. The winners are always loud and celebratory, while the losers stare daggers at their enemies. Tonight’s no different.
The bar is dark and packed and loud and humid, your fingers wrapped around an emptied glass as you sit at a table with a couple of your friends.
When Max walks into the bar, unease rolls through you. You wonder how long it’ll take for you not to be so frustrated by his presence.
He finds seats across the bar with a few of the other Hawks players. One of your friends notices your discomfort and follows your eye-line.
“Do you want to leave?” she asks.
“No.” You’re determined not to let Max ruin your night. “I’m getting another drink.”
After making sure your friends don’t want a second drink just yet, which only serves as a reminder of how fast you downed yours, you drift over to the bar.
You find an open pocket in the crowd and you squeeze through, your hands resting on the hard edge of the bar top. You watch the bartender take orders, not yet aware of you.
You sigh to yourself, drumming your fingers, hoping you’re just one more drink away from feeling better.
Rafe watches the stranger beside him fidget impatiently. When he looks up from your tapping fingers, he realizes you’re not a stranger at all.
You’re the cheerleader he’s always checking out. The one who’s been on Max’s arm after games. But he usually sees you wearing a big smile, and there’s nothing happy about the way you look right now.
You can see from the corner of your eye that the person beside you is looking at you. You meet Rafe’s gaze, blinking a few times to make sure it’s really him.
You’re a bit embarrassed, considering you’d stared at him through tonight’s game. He’s in a dark t-shirt instead of the jersey you’re used to seeing him in. You can tell that is hair is just a bit damp, surely from the shower he took after the game.
You try not to think about him in the shower.
Rafe takes you in, the way your lips purse before you speak.
“You played well,” you say.
Rafe’s lids lower. You’re wearing a dress even shorter than the little cheerleading skirt he’s used to seeing you in.
“Me?” he drawls, his lips curling up in a surprised smirk.
You meet his eyes for longer this time, nodding at him with an indifferent expression.
“Aren’t you Hammond’s girl?” he says, clearly amused, a contrast from how angry you’ve heard him on the court.
You’re surprised that he knows you were dating Max. Maybe he noticed you more often than you thought.
“Nope,” you mutter. You tell him you have a name, then give him it.
Rafe’s eyes continue to travel over you, his pulse quickening as he takes you in. He knew you were hot, but he never got a chance to really look at you up close.
How the hell did Hammond fuck things up with you? He needs to know so he won’t make the same mistake.
“What happened?” he murmurs.
“With Max?” you ask. “He’s a dick.”
“Could’ve told you that.” You watch Rafe slightly tip his head back as he takes a drag of his beer.
“Really? I’ve heard the same about you,” you say. You realize you might be more tipsy that you thought once your brazen words spill out of your mouth.
“And what, you think it’s true?” Rafe asks with his eyes on your lips.
“I don’t know. You get fouled more than any player I’ve seen.”
Rafe huffs a breathy chuckle, obviously nowhere near offended by your words. He actually seems flattered.
Out of instinct, your eyes dart to the table you saw Max sitting at. His gaze is fixed on you. He’s likely shocked that you’re talking to someone you’re supposed to hate.
Rafe turns to see what you’re looking at. He smirks when he notices just how pissed off Max looks. He turns his attention back at you.
“Your boyfriend’s pissed,” Rafe says, a hint of mocking in his voice.
“I already told you that he’s not my boyfriend. And I couldn’t care less if he’s mad that I’m talking to you,” you answer, crossing your arms. Blue eyes dart down to your cleavage.
“So, you’re not using me to get back at him?” he teases.
“I didn’t even know you were here,” you say. “But it’s not a bad idea.”
Rafe cocks his head, his tongue jutting under his cheek. Getting to flirt with a hot girl and annoying someone he hates at the same time is a win-win situation.
“What can I get you?” you hear. You look over at the bartender and regain your composure to order your drink.
“Put it on my tab,” Rafe tells him. He watches your lashes flutter when you meet his eyes again.
“Thanks,” you say, lips lifting into a smile. You’ve been so deep in your anger that you haven’t realized that Rafe could be the meaningless hook-up you’re looking for tonight.
“That’s the first time you smiled since you came over here,” he notices.
“I’m in a pretty bad mood,” you admit.
“What’d he do?” Rafe asks, tilting his head back to Max.
“Probably something you do to girls all the time,” you say boldly. “He made me think he wanted a relationship, but turns out, he just wanted to get laid.”
Rafe’s eyes glint with something you haven’t seen in him under the muted bar lights. For a split second, his guard goes down.
“You think I do that?”
“Am I wrong?” you challenge. His laugh is dry and humorless. He leans closer to you, his cologne cool and sharp as he towers over you.
“You are,” he says.
The tension between you hardens. You stare up at him.
“Okay,” you say. At this point, you’re jaded and uninterested in dancing around the subject. “So, what do you do?”
You lift your glass to take a sip. Rafe watches the way your lips lock around the straw. He’s entranced by you, by how straightforward you are.
“I’m upfront that I’m not looking for a girlfriend,” he says. “I don’t have to play games.”
You know he’s being honest. Someone that looks as good as he does definitely doesn’t have to manipulate his way into sex.
“What are you looking for, then?” you ask.
“Fun,” Rafe replies. “And I think you need some fun, too.”
You feel your blood go hot. He’s right. This man and the no-strings-attached sex he’s proposing is exactly what you need right now.
You lock eyes with him as you swallow the last sip of your drink and put it on the bar with a clack.
“I do,” you answer.
When Rafe asks you if you want to go over to his place, you don’t need to even think about it.
You let your friends know you’re leaving and you follow Rafe out, his hand finding yours, callouses from his training hard over his palm.
It’s all such a thrill. The way Rafe looks at you. The promise of casual sex with him. The glare of your ex-boyfriend as you leave. And the fact that you completely forgot about how this started as revenge on Max because you’re so tangled up in the feeling Rafe is giving you.
When you step into Rafe’s single dorm, he crosses the small room to switch on the desk lamp, casting a dim glow over the space.
You notice a few toiletries scattered on top of his dresser, his jersey slung over the back of his chair. This is technically enemy territory, but you couldn’t care less.
It’s quite bare and not very lived in, but you didn’t expect him to be the type who cares to decorate.
“I’m guessing you’re not in here all that much,” you say, leaning against the door once it shuts behind you.
“You finally got something right about me,” Rafe replies, earning a giggle from you. He sits on the edge of his bed, staring at you. “Come here.”
His dominance, not just through his words but by the way he takes up space so confidently, makes arousal swirl in your stomach. You settle beside him, the mattress shifting with your weight.
“Are you always this bossy?” you ask.
Rafe takes in your pretty features. This might be one of the best nights he’s had. He played a great game, won against the team he hates most, and the girl he’s been eyeing all season is sitting on his bed.
“Right again,” he says. Now that you left the crowds and music back in the bar, his deep voice cutting through silence reverberates through you.
You breathe a quiet laugh. You first approached him feeling so bitter, but just like that, he turned your mood around.
His eyes trail the hemline of your dress. You watch as he places his hand over your thigh, moving slowly, his thumb stroking just below where the fabric of your dress ends.
Rafe’s skin is hot, his hand heavy, and your heart-rate quickens in a second.
“You know how distracting you are?” he rasps, recalling the countless times he saw you by the court as you danced around in your skimpy outfit.
“What?” you ask.
“It’s so fucking hard to focus on playing when you’re there.”
Your breath hitches as he leans in closer, his nose brushing against yours. You had no idea you’d caught his attention before tonight, but by the sound of it, this isn’t the first time he’s looked at you through lustful eyes.
When his lips capture yours, he squeezes your thigh, firm fingers sinking into your flesh. He kisses you again and again and again, every time deeper than the last, tongues meeting with heated ardency.
You let out a moan so soft when he bites your bottom lip that he takes your hand from where it’s resting to the bulge in his jeans, showing you how hard he is for you.
Your body flushes even hotter when you feel him, gently starting to stroke him over the denim.
Your phone buzzes loudly in your purse, vibrating in a rhythmic pattern you recognize as a call.
Rafe shifts back, his mouth an inch away from yours.
“You don’t have to get that, do you?” His tone signifies more of a statement than a question.
You pull out your phone, confused over who would call you now. You grimace when you see Max’s photo on your screen.
Rafe notices. You breathe out a quiet laugh of surprise when takes your phone, hitting “Message” and sending She’s busy, then declining the call.
You feel each other’s smiles under your kiss, this time moving even faster. Rafe drags his hand higher under your dress and inhales sharply once you instinctually spread your legs, allowing him to feel you.
The pressure of his fingers rubbing over your panties makes you ache.
“That’s good, isn’t it?” he rasps against your lips.
“Yeah,” you whisper. He pushes the fabric to the side, feeling how slick and soft you are.
“Goddamn, you’re so wet already,” Rafe groans, enjoying the ego trip from knowing he got you like this so quickly. His lips trail to your neck, kissing and sucking your skin as he glides between your folds, tracing circles.
He shifts, losing contact with you for a moment to pull your dress off. When he sees you in just your bra and underwear, he nearly grunts in frustration from not being inside you already.
His hold on your hips is so firm it hurts as he guides you onto your back. Hovering over you, Rafe pulls his t-shirt off with urgency. Your lips quirk into a smile at how impatient and hungry he is.
You find the button of his jeans, quickly pulling it through the loop. He does the rest, unzipping and throwing his pants onto the floor. He stands to find a condom in his nightstand, tossing it beside you.
You run your hands over the curve of his muscular back when he lowers to grind over you, his cock hard and twitching.
When Rafe feels your thighs squeeze around him, he tells himself to slow his breathing, almost worried he won’t last long. This doesn’t happen to him. Ever.
But then again, he’s never craved a girl this badly, for this long. Having you under him like this, bucking your hips because you want it just as bad, is unreal.
He roughly pulls the cup of your bra down, closing his wet mouth over your nipple, earning a shudder from you. As he flicks his tongue, he shifts to pull down his boxers.
You take off your panties beneath him, squirming out of them, watching him sit up and roll the condom over his length.
“You gonna show me how good you can take it?” he mumbles, leaning over you again. You meet heavy-lidded blue eyes as he holds himself up over you, biting your lip and nodding.
The world stops spinning when he pushes into you, filling you.
“Fuck,” he groans against your cheek as you squeeze him. “Even better than I thought.”
You tilt your head back and moan, taking all of him, stretching as he buries deeper and deeper, dazed at the fact that he feels so good, that he clearly fantasized about this before.
Rafe bottoms out and you dig your nails into his shoulder blades as he pulls back and thrusts into you harder, his breath hot on your skin.
You wrap your limbs around him as tight as you can as he starts to rock his hips at a faster pace. He puts his lips on yours again, your kisses wet and hungry.
The sounds of his skin slamming against yours and your disjointed, shallow breaths fill the room, making you squeeze your eyes shut in pleasure.
Your moans get louder as the coil in your stomach begins to tighten. Rafe starts pounding even faster and harder when he feels you fluttering around his cock.
“You’re so fucking tight,” he murmurs, shifting lower to put more of his weight on you, his fingers finding the roots of your hair. “You gonna come for me?”
“Yes,” you breathe. “Yes.”
You tremble beneath him as you fall into your orgasm, holding your breath for a second before letting go. What finally sends him over the edge is when you moan his name.
Rafe comes with a low, drawn out groan, his thrusts quicker and sloppier, hips stuttering against yours. He stays inside you for a bit, his head buzzing as he comes back down from the high.
You sit up in his bed once he stands, your pulse still fast. You watch him pull his boxers back on, his skin shining with sweat.
You spot your underwear on his crumpled duvet and slide them on after fixing your bra.
You decide not to put your dress back on yet, shifting his pillow to sit back on the headboard, finding where he tossed your phone after he texted your ex for you.
You watch Rafe lean down to open the door of the mini-fridge on the floor. He pulls out a bottle and tilts his head back as he swallows down water.
The image of his tall, muscular, half-naked frame in the middle of his room, his jaw sharp as he tips his head back, his numbered jersey hanging off the back of his chair right next to him, is too nice not to capture.
You take a photo of the sight, the bottom half of your bare legs in the frame. Rafe hands you the cold bottle and as you take it in your hand, you show him your screen.
“Like it?” you say, still dazed.
He grins, dimples dipping into his cheeks, as he sinks onto the bed on his knees to sit beside you.
“You posting that?” he asks. You can tell he’s pleased by the idea, so you share it on your Snap story with the caption Post-workout.
Minutes later, the replies from your friends flood in.
IS THAT WHO I THINK IT IS
omfg this is WILD
actually diabolical lmaoooo
Max’s message is the most satisfying of the bunch: Are you serious right now?? Call me back.
You shift to grab your dress off the floor. You’re never calling him. He lost his chance.
“I guess I’ll see you around,” you say, standing to pull your dress on.
“You know how distracted on the court I’ll be now?” Rafe mumbles, earning a laugh from you. “Let me get your number.”
You enter your number into his phone and smooth down your hair in his mirror.
Casual, easy pleasure. This is just what you needed and you found it in Rafe Cameron of all people. You look back at him as you put your purse over your shoulder.
“We’ll do this again,” Rafe says, drinking you in. That was mind-blowing. It can’t be the only time he does this with you.
“Bossy,” you agree with a smile. You slip out of his room, your legs weak and wobbly.
You’ll be sore tomorrow. And the cheerleaders and athletes who take the rivalry seriously might even give you shit for what you did tonight. But it was all worth it. You’d do it all over again.
(continuation blurbs)
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creatingblackcharacters · 27 days ago
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“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror
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TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape
Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.
There are two things, I think, that are important to note as we start this conversation.
One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.
Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.
There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:
One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.
Two: The idea that Black characters and people deserve the pain they are experiencing.
Three: The disbelief or dismissal of the pain of Black characters and people.
You Better Start Believing In Ghost Stories- You’re In One
I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.
Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:
12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup
When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.
Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.
Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.
It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:
“They Shouldn’t Have Resisted”
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Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:
“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”
Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.
Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.
You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.
My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?
Hippocratic Oath
Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:
If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.
I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.
As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.
“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”
Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:
“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”
If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.
What’s My Point?
My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.
There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.
There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.
“So I just can’t write anything?!”
Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.
The Black Guy Dies First
The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.
Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.
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Black Horror/Black Thriller
We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.
Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.
“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”
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For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!
In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.
The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.
The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.
Isn’t Violence Stereotypical or antiblack?
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That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.
Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.
Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!
But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.
I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.
Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!
Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!
“But if Black violence bad, why rap?”
The short answer:
“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”
Marwhan Makhoul, Palestinian Poet
First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.
That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!
Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?
Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!
Conclusion
I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.
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I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.
That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!
@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!
If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!
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sunderwight · 5 months ago
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Thinking about how lucky it is that Shen Qingqiu (SY version) never gave Luo Binghe the wrong impression that he wanted a harem.
Like imagine they've having a conversation and Shen Qingqiu makes some offhanded comment about a harem is all well and good, but he thinks it should definitely be of a manageable size, hint hint, with individuals who get along harmoniously and support their primary spouse, hint hint, and marrying almost everyone you hook up with is just bad form because it's inevitably going to cause friction and it'd be nearly impossible to properly look after that many extra spouses, hint hint.
Luo Binghe picks up on the hints but draws the entirely incorrect conclusions. Combined with his previous inquiries into what kinds of women his shizun likes (SQQ, not wanting to ever be seen as LBH's potential romantic rival and eager to free himself of the original's lecherous reputation: I have no interest in any women whatsoever!) and some subtle inquiries about when a person should settle down (SQQ, with unexamined anxiety at the prospect of his dear disciple heading out into the world: not too soon! a man should establish himself well and figure out what he likes first, and take his time!), Luo Binghe concludes that his master has been biding his time and is building up to constructing a reasonably-sized harem of malewives.
Because apparently, Shizun believes that a man in a position of significant power should inevitably want such things. And disciple Binghe isn't thinking of "a position of significant power" as "effective god-emperor of the whole world", his current ideas of such things are more along the lines of "peak lord" really. Also why should Shen Qingqiu make so many comments about how Luo Binghe must surely be anxious to start taking lovers or daydreaming about having a billion wives unless he just thinks that's the standard for everyone? Because that's what he wants?
It was chaotic enough when just one of these guys was bracing himself for the inevitable harem-building, but if Binghe also expected he was going to have to supply Shen Qingqiu with a stable of other men, hoo boy. Binghe telling himself that he's fine with it. As long as he's first wife, Shizun can have others. Getting particularly vicious towards new guys Shen Qingqiu meets, like okay he's resigned himself to Liu Qingge, and probably maybe also Yue Qingyuan, and in those cases definitely having to fight them tooth and nail for primary spouse position (his plan is to become the undisputed master of the domestic sphere and thereby outrank them on that front, even if he can't beat their peak lord credentials), but anyone else is someone he can potentially chase off and Shizun will still have his reasonably-sized harem. If Gongyi Xiao wants into the harem he's going to have to earn it, and he's getting bottom of the pecking order!
Binghe, after they finally get together, trying to have frank discussions about the inevitable harem. Shen Qingqiu putting on a brave face because he, of course, thinks Binghe's talking about his own harem. Getting confused as to why Liu Qingge is suddenly factoring into the conversation. Then reaching entirely the wrong conclusion because oh right, Binghe is gay now and Liu Qingge is extremely pretty. Makes sense! Definitely not what Binghe means but it makes sense!
Actually this would be a hilarious way for bingliushen OT3 to happen. Just a complete comedy of errors where bingqiu are both trying to secure Liu Qingge for each other without ever concretely establishing that either of them wants him, even though they think they have.
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thesilmarillionblog · 6 months ago
Text
STRANGER
Summary: Although you were always aware that Black Noir was silent, it didn't stop you from quickly developing a bond. However, as soon as he touches you when he gets home, something about him feels off. You ignore his attitude since it still feels so nice, despite the fact that it feels like he is someone else entirely, a stranger.
Pairing: Black Noir / Reader
Warnings: Dark Fiction!, +18!Only, Smut, Suspense
Word Count: 2423
A/N: English is not my first language.
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You asked Homelander and Ashley if Noir had been assigned to another mission because you were getting frustrated that he had not texted you back for days and had suddenly vanished. You were relieved when they informed you he had a lot on his plate, but you were also annoyed because it wasn't like him to ignore you or return your texts. One of his great virtues was that he would always text you back, even when you believed he was going to rip a head off during those missions.
Though you knew he couldn't talk which was a big obstacle for a healthy conversation, you moved his house months after you started dating without a second thought. You weren't in the slightest disturbed by that. Since actions speak louder than words, it was actually preferable if men said nothing at all. And Noir certainly knew how to express his affection for you.
You giggled uncontrollably at the memory of his adorable actions toward you. Even though he appeared tough and ruthless when wearing that black suit, he was always warm and affectionate with you. He was regarded by the world as one of the most formidable, vicious, and dangerous supe alive, yet you were aware of his extreme thoughtfulness and sensitivity, particularly with regard to his relationship with you.
No matter how much you wanted to see him, you didn't push him, even if he didn't take off his mask or suit at all while you were around. You knew he was extremely sensitive about how he looked and everything. When he finally trusted you enough to show himself to you, you knew he would eventually open himself up. 
You made the decision to dress elegantly and boldly for his gaze when he eventually texted you back to say he would be home tonight. You knew he liked you in short, lace-covered satin gowns. It had been nearly two weeks since he returned home, and you were aware that he missed you just as much as you did. 
It was when he eventually came home, after you had been waiting for him for hours with your dress on and messaging him nonstop, that you understood how much you liked him. You couldn't help but think about him and grin to yourself at all of your adorable times together when he acted a little goofy and awkward.
As he slowly made his way inside the home, you said, “Hey,” and gave him a quick hug. "Welcome home."
Noir offered you a strong hug in return and nodded as if he wanted to say the same thing. You then landed a firm kiss through his mask and said, “I've missed you too.”
As Homelander and Vought cautioned him not to talk, especially when you were around, Black Noir tried his hardest to remain silent. It was told to him that you were Noir's partner, and since Vought already had too much on its plate these days, it would be best if you didn't realize he wasn't the real Noir. He didn't mind you acting like your adorable, naive lover since he had seen your pictures and the way you texted him as though you were in heat, making it obvious that you wanted to be fucked till you were unable to walk.
As a result, he would enjoy the ride as well, providing for your needs in the manner that was expected of him. When they showed your picture, he didn't really care about Vought and all that, but now he thought it would be fun because you seemed so eager to please him with that slutty, lovely fucking dress. 
You said, “How went?” as if he could respond, but it didn't feel strange for you to remain silent. If one of you stayed quiet the entire time, it would be odd.
Noir kept himself from talking and instead studied your body and outfit with fascination, which made you chuckle. As though you could see him, he turned out the lamp, and you didn't object, supposing it was just one of his insecure times. 
You sat on his lap and softly touched his covered face before responding with a whispered “Why the hell you didn't text me back for days?” in an attempt to sound like a mad woman. “You didn't behave like that before, you know.” 
Under his mask, Noir gave you a mischievous smile as his hands boldly stroked your body, growing harder every second as he saw your nipples peek from your thin dress, giving the impression that you wanted a quick and brutal fuck. 'Who would have thought that mission would be so hot and delightful?' he thought as his gloved hand squeezed your hips until you nearly moaned with pain. He was touching your pussy firmly and passionately, making it wet. 
You removed the stupid plastic item covering his cock with your hands and began slowly grinding against his clothed shaft while moaning, “You're such a turn-on today? Did you really miss fucking me that much?”
Noir gulped down, and as you kept continuing to moan and gasp loudly, one of his hands tightly pinched your tits. “Did you miss filling me with your hot seed into my pussy? When you finally texted me back today, I fingered myself while thinking about your huge cock.”
The filth flowing from your lips made him extremely hard, and once he filled up your dress, he gave your ass a hard spank. 
You groaned in protest when he abruptly lifted you off his lap. He forced you to your knees before you could say anything, gripping your hair firmly as he struggled to get his cock out of his suit. He stretched his legs and drew your head toward himself while you were kneeling in front of him on the edge of the bed. You were taken aback by his sudden harshness and passion because you had never sucked him off before. Maybe the fact that you hadn't fucked in weeks was the reason he was feeling so kinky this evening.
Excitement filled your body as you waited for him to finally reveal his cock. Before you could even say anything, he pushed your head against his cock, forcing you to suck him. 
Noir made a determined attempt to stop himself from giving you orders to properly suck him off and wet his dick as your tongue quickly lapped the tip of his shaft. As you gave him a head, he grabbed one of your hands and put it on his cock, urging you to use your hands. 
“You're so thick, you know, it's hard to take it all,” you remarked as you placed your hands on his balls and sucked the sensitive head of his thick cock. “You taste so good.”
Noir let out a soft and low chuckle as you did your best to satisfy him and make him cum. You were such a good cocksucker it was disappointing he couldn't give you any compliments. He smiled thinking about how would your boyfriend respond seeing you sucking a stranger’s cock so eagerly.
When you swallowed his head, he moaned angrily, as you were only able to take half of his cock. He took hold of your hair and began giving you hard pushes until your nose touched his pubic hair. 
When he began to fuck your face, you attempted to pull away as his hands applied heavy pressure to your head until the tip of his cock touched your throat and tears streamed down your cheeks. He was always extremely particular about being clean and well-groomed, so when you saw he didn't shave, you were somewhat taken aback. He made you take up every inch of his hardness, pushed your head into his balls, and waited till you tapped his legs in an attempt to regain your breath. 
After he finally released your head a bit, you muttered, “You're extremely rough tonight.”
Even though he was harsh, you were so attracted to his behavior that you began to suck him the way he preferred, taking his entire shaft and rubbing his balls, wetting them with your saliva.
You pushed yourself to get him to cum in your mouth as soon as you sensed him getting closer.
You teased him, “Where do you want to cum?” as you continued to stroke his throbbing erection.
Noir slowly withdrew his cock from your lips, stilled your head, and began to fuck into your mouth, pressing the tip of his cock on your tongue so you could taste its salty essence. He was savoring the facial expressions you made and your sensual groans, and he growled with pleasure as he thought he was fucking real Black Noir's girlfriend's mouth and he was about to fuck his girlfriend's pussy. 
He removed his cock from your mouth and stroked your lips and cheeks with his cock while holding it as if he were fucking your face. After some time, he stopped wanting to cum in your mouth or on your face. 
When you attempted to put him in your mouth again, he growled in disapproval and threw you into the bed while trying to help you get up. With a swift and forceful motion that left you gasping in dismay, he forced your face against the mattress and tore off your underwear quickly. 
Although you weren't prepared for him to behave in this manner, you waited for him to lead you in the direction he wanted since you were eager to please him and you were already turned on by him. 
Noir stretched your legs apart and checked the intensity of the wetness by sticking two fingers inside your pussy. He groaned in satisfaction as he saw that you had already gotten wet, and he removed his meaty fingers with ease. 
You let out a loud cry and pushed him to move more quickly as he roughed you with his fingers. You let out a cry of pleasure as soon as you began to clench around his fingers. Once your climax subsided, he pulled you more into the sheets, thinking that this would be the time when he would finally turn you back and act a little more romantically. You let him have his fun, figuring he wanted to play hard this evening. 
Noir played with your clit from behind, taking his throbbing manhood into his fingers and giving himself short, rapid strokes. Upon realizing that you were anticipating his fuck with your legs apart, he gasped with delight. 
Breathless, you gasped as he began to press his shaft into your wetness. His gloved hands gripped your hips firmly as he began a quick and violent fuck. His big balls were slamming into your clit, producing obscene noises that filled the room. 
You were gasping out and raising your hips to meet his strong thrusts as Noir's hardness throbbed into your pussy. He pounded into you with powerful strokes, gripping your hair and pulling it while you clutched the sheets beneath your fingers under his instense fuck. 
You whined, “Fuck, you are so good,” your eyes welling up with tears due to the intensity of the moment. “Fuck me harder.” 
Under the mask, Noir grinned at your filthy actions and the way you urged a total stranger to give you more fucking, like a whore. He began fucking you from behind even more forcefully after pulling off your hair. You were screaming like a bitch in heat, and you had no idea that you were fucking a stranger. He thought you were a free chick for him to enjoy himself to the fullest. He would count himself fortunate.
Sensing his approaching closeness, he moved slightly and reached your sweet spot, giving you multiple orgasms before spilling inside of you. Your legs trembled wildly as you clamped around his cock after he found your sensitive spot and gave you an aggressive fuck there. Your pussy felt so sensitive that you tapped his legs to get him to slow down, but instead he fucked you even harder and struck the same area repeatedly, leaving you speechless. 
“Fuck, Noir,” was the only thing you could say. “It feels sensitive.” 
But instead of slowing down, he continued to fuck you through your climax until he made you cum on his cock once more. Your legs were shaking, and you were screaming his name in between endless orgasms. He was forcing himself not to laugh out loud while you kept orgasming under a stranger.
He pushed all of his length into your pussy and began spilling himself into you as he continued to fuck you after he decided you had come on his cock enough. You again clenched around his cock as his thick white ropes filled your insides. When he felt your pussy continued to clench around his shaft with eagerness, and he moaned with satisfaction. It seemed to him that you were a needy one, and he would be thrilled to give what you needed.
Your legs continued to shake as you felt his thick seed leaking out of your pussy, and you grinned and bit your lip, satisfied. You felt a deep sense of satisfaction, and you had no idea that you could get so many orgasms so quickly. Noir did give you a hard fuck during certain times, but that was the first time he used such force on you and ignored your boundaries, of which you were glad. You felt that he ought to have revealed more of his personality sooner. 
Noir met your tongue, palmed your pussy from behind, and put his weight on your back. He pulled his mask halfway to give you a firm kiss, you realized.
You gasped in horror as his lips found your ear, and he whispered into the darkness, “Not bad, darling.”
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