#and they don't work as good and i know they are actually dangerous in some other countries

[jellochihuahua]

I think some right-wingers love Fight Club (the movie) because it appeals to a certain strain of "return to monke" anti-modernism that appeals to the kind of guy who reads Ted Kaczynski's manifesto and thinks "hey actually this guy was right". You just have to accept, on principle, that Tyler Durden was right about everything and is the good guy. If you start with that, then what you can get is a very gender-essentialist take on masculinity and a very neo-luddite take on what life is best for humans. As an note, this is my guess at how you look at the movie through this viewpoint. I do not espouse these beliefs, and I also haven't seen this movie in a long time so I might get some details wrong.

The Narrator (Ed Norton) starts the film unhappy because of modern society. When he rejects societal rules and embraces who he really is (a violent, physically imposing, and dangerous man) he is fulfilled. That is because real men are naturally violent and can only be happy by fulfilling their need for violence through actual violence.

Marla in the beginning is suicidal. She stops being suicidal when she begins a sexual relationship with Tyler. That's because women naturally want to be subservient to men, and can only be happy when they are serving the needs strong man.

Modern society is what is preventing men from being "real" men (violent and strong fighters) and women being "real" women (subservient sex objects). By tearing down modern society, Project Mayhem is allowing things to return to their natural state. This will allow people to be happy, because the "natural" state of things is the right one and will make people fulfilled.

Project Mayhem is full of angry men who want to be led by the angriest and strongest man. They are from all walks of life, but primarily the working class. This is because they have recognized that modern society is keeping them from being their true selves, and they can only be their true selves in a patriarchal, anti-modern society. That natural order can only be restored through violence.

In the end, Tyler Durden is successful in basically everything he set out to do. This is because he was right, and is an example of what men should aspire to. Also, it is clear that Tyler is the good guy because he is beautiful, and beautiful people are always the good guys.

If you go into the movie with a mindset that is already gender-essentialist, patriarchal and anti-modern it's easy to see the things you want to see and none of the other things that you don't want to see.

The thing is, everyone knows something is wrong with how things are. Conservatives can also feel that they're being pushed around by forces that don't have their best interests in mind. They are also bothered by the commodification of human life, and sterility and lack of human connection we see in a world that's controlled by corporate interests. They just think that'll all be fixed by forcing people back into roles that they've already rejected time and again. They think we can go back to a way of life "when things were good' not realizing that things were never really good, and that people's innate desire for agency will not actuall fit with shitty, worn-out structures of power.

i dont think fight club was co-opted by the right because they didnt get the satire, it was co-opted because it fuckign kicks ass. they would have co-opted any movie that is that good and has hot sweaty men in it. right wingers aren't aliens, they know a good movie when they see it, the lesson isn't "don't make satire because the wrong people might think its for them" the lesson would be "don't make art that kicks ass" and i'd rather there be art that kicks ass

[twilightkitkat]

Hi, I have a question, what do you think the relationship between Logan and Steve would be like? Would they be friends or just partners in war? In "X-Men Evolution" You can see how Logan has a certain appreciation for him, saying that both make a great team , and Wade's reaction to knowing that his peanut knows his childhood idol would be very funny, he would surely go crazy

(English is not my first language, so I apologize if I made any mistakes)

I think that Logan and Steve have a unique relationship. They're close in the sense that they trust each other and would fight back to back without doubt, but they're distant in the sense that they don't spend a ton of time together. They both have worked together long enough to know that they make a good team and that the other's reliable, but they aren't traditional friends.

I feel like Steve would feel closer to Logan than Logan feels to Steve. Steve remembers the war like it was yesterday, he suddenly woke up in the future with it fresh in his mind. Suddenly everyone he knew is now dead and he has to come to terms with an entirely new reality. He'd struggle and look for any kind of familiarity he could, and so even people he used to just view as teammates he misses. Logan was someone he admired, who used to run into danger and miraculously come out of it alive each time. He was a symbol of hope for Steve, and an inspiration for how he should fight to win the war.

Logan, on the other hand, lived through all those years. He's used to war and violence and meeting people and losing them. Most of it blurs together, after a while. He knew about his immortality and always expected to outlive his teammates, so he kept emotional distance from them. He cared about Steve in a way, they worked together and occasionally they drank together and exchange stories, but he never was under the illusion it'd last. So he did what he was good at: distancing himself before people had the chance to get too close. He respected Steve's abilities and even came to like him, but there was always a wall between them.

But still, the two spent time together. Both out of necessity and occasionally by choice. Steve was more open between the two, and talked about his life and hopes and dreams. Logan couldn't help but listen, even if he couldn't offer much in return. He sometimes sprinkled in half-truths about his life, but kept it vague. He couldn't let anyone find out about his mutant status or actual age, so he was pretty withdrawn. Steve noticed, but didn't comment.

If they reunited, it'd be a one-sided shock. Logan watches TV and naturally knew about Captain America's existence. How could he not, when Steve Rogers was America's poster boy? The Avengers were way too big to fly under the radar. Meanwhile, Steve knew about the X-men's existence, but never thought it might be Logan as The Wolverine he'd heard about.

When they sorted it out, I think Steve would be grateful to have someone who he shared a past with. Who knew about who he used to be and what war was like back then. Logan would feel a little lighter, knowing that his old teammate was doing well. They might not see eye to eye all the time and their methods are pretty different, but they both care.

Wade would be understandably shocked and awestruck when he learned they knew each other. But more than Wade's reaction to Steve, I think that Steve's reaction to Wade would be interesting.

Steve had always seen Logan as someone distant and unattainable. He didn't open up to people and clearly had some secrets he was keeping close. Even after learning about his powers with their reunion, he didn't know everything about his past. He thought Logan was just that kind of guy, caring and kind in his own way but gruff and stoic on the outside. A lone wolf who's dedicated to doing the right thing, but doing it his way.

And here Wade was, bouncing around Logan like a damn pinball in a machine, and Logan was... smiling at him. Fondly, dripping with affection. It's so painfully obvious that he cares and Steve has never seen Logan so open about his feelings. He was expressive, sure, but he guarded his affection and more vulnerable emotions close to his heart.

It'd be a little jarring to see how Logan acted around Wade. Affectionate, free, content. It wasn't like the image Steve had in his head at all and yet it suited him.

It made Steve reflect on himself. If even Logan could act like that, what about him? He'd fostered business relationships, friendships, and teamwork. But maybe he should look for more. (Could he be that happy, too?)

Steve may be America's Poster Boy, but he was alone. He had to stand up and stand out to get recognition. He was the leader, the one people relied on, never allowed to be vulnerable or break character. But if Logan found someone he could rely on, who he saw as an equal...

Maybe Steve has more to learn than just the technology in this new era.

[divineerdrick]

Homestuck: Beyond Canon Upd8 for November 11, 2024

*flops*

Don't mind me.

Just gonna lie here while I do the Homestuck liveblog thing.

I am going to give a heads up. If my next migraine treatment brings me a bit more back in line, I'll be doing VLogs again. I have a bigger video project planned, but it's not Homestuck related. I'll be posting the updates here though, so you'll still know when I blog an upd8. Then you'll all get to see my haggard and aged face.

We begin with the monthly news upd8 from James. Except no! It is in fact an upd8 from Miles! James fades into the background, and apparently Miles will be our flattering correspondent from now on.

It looks like Miles is putting potential spoilers in the news post, so I might have to be careful in the future. Of course these might be jokes. We'll have to see.

Work continues on the planned [S] page and more Beyond Canon merch. We won't be getting an upd8 for December, but they will be running the Patreon. The next upd8 looks like it might be as late as February.

That's all unfortunate. But I fully support if the team wants to take a well earned holiday.

Upd8

Tavvy has decided to join Yiffy on an adventure. This can't possibly end well. His attempts at being her lackey have so far landed him mostly in trouble. And there's a heap of trouble brewing on the soon to be battlefield.

Yeah that's not happening.

Heh! Harry brought the trail mix.

Oh wow. And oh no!

OH NO!!!

That can't possibly count as Heroic though. Getting sniped while performing a purely tactical role is not a hero's end. Still, Rose is probably glad the kids aren't seeing that.

And button.

Interesting view to cut to.

Again, I don't think this will count as Heroic for anyone. But a lot of people are about to die. And let's not forget, none of the trolls currently outside for the Plot Point are God Tiers. This is bad. This is really bad. This is the kind of moment that calls for an extreme, deus ex machina, like the Plot Point has the potential for.

But we're not getting to see it yet.

Edit: @vriedi reminded me that Meenah is a God Tier. Though this does make me wonder, what happens when a dead God Tier dies?

Orange curtains.

Okay! Legitimately fantastic Psyche Out. They actually got me pretty good there.

Okay, we have a new troll it I think.

gavageCunctation is messaging Vrissy. Though that doesn't necessarily tell us much, except that a new player may have entered the drama.

And they're "negging" Vrissy. So this troll clearly sees themselves as a "player" too.

We've got a "game" that's about to be played. A game being run by a TC. Now Gamzee is dead, but that doesn't mean he didn't setup something before Vriska killed him. Still, it's likely these are two completely new troll kids.

We've got a new AA too. So we might be seeing more troll descendants. After all, they used cloning to kick things off. This troll is typing in purple, but blood typing may not be universal anymore. I do find it interesting that we're continuing the nucleotide pairs though. They could have gone for a different motif. Maybe they're trying to symbolize that these are potential paradox clones for a new session?

AA is apparently our chronic auspistice for this group. And potentially our Seer, though we've had fake-outs on that before.

And our actual cliffhanger ending is this new GC's computer exploding.

So yeah. Something has to happen for a lot of our beloved characters to not bite it. I'm also curious how Rose's vision of future events can come true if Jane has unleashed her weapon. But I mentioned last time that Rose is playing a dangerous game here. I don't think any of our God Tiers are in trouble, and I'm pretty sure the Plot Point is fine.

I'm wondering if this is how Calliope ends up sacrificing themself, if Rose was even correct there. Either way, this a dark ending for the year on a community that's already seen some dark endings.

*Returns to flop*

[corvid-language-library]

.

[faggotcitosis]

to everybody seeing this: do not take a single thing this person said seriously or any of the insane person in the notes telling you to move to the fucking NORTHEAST or the NORTH, the poorest part of the country, most underveloped, worst access to healthcare and who posesses one of the highest rates for lgbt violence. 9 out of the 15 most violent brazilian capitals for lgbt people are in the north and northeast

you are incredibly more better off just moving to a blue state than immigrating to ANOTHER FUCKING COUNTRY that has NOTHING in common with your country of origin

the information irt immigration is correct, it is very easy to immigrate here

private healthcare and education is way more accessible when compared to the usa but to locals is still extremely expensive. you will only find it cheap because you earn in usd. minium wage is around R$1400, that's around $280 a month. if you work an USD work from home job you might be able to swing it but it still doesn't fix everything

if you do not speak the language, it will be very difficult. my girlfriend moved here 3 years ago and i still go with her to doctor appts w her because it's incredibly dififcult to communicate medically when you don't speak the language

cultural differences aside, purchasing power in brazil is a lot lower in the usa and you do not have access to a lot of ammenities. to me personally that is not important, but i know for usamericans living here they miss a lot of the commodity (drive thrus, having a car, anything eletronic wise, commodities, pre made food or pre made anything, temperature controlled houses - most ppl do not have ac, no dryer, no dishwasher, i can go on forever and ever). some differences in work culture: there rarely exist part time jobs, it's not like in usa where you work by the hour, (in most jobs) you work by month and your wage is fixed by month, you do not have sick days (only if you have a doctors note to excuse your absence) or can take a day off whenever you want like in the usa...

i love brazil and i prefer here than the usa any day, but access to healthcare, education and social services is HIGHLY dependant on city/region. most immigrants tend to settle in larger cities/metropolis because they need to be able to access the embassy (there's 5 usa embassies in the whole country) and immigration services, in which the quality of life is not good. i cannot go into all the differences in one post, but i hope this is enough to illustrate. abortion is illegal and will not be legal any time soon. brazil is the highest ranking country for lgbt violence - this doesn't mean it's the most dangerous to exist as a queer person, there's way worse places and we still have it really good, and part of the reason the numbers are so high is for sure because there's channels to report and there's organizations that process that data. but it's not this beautiful dream irresponsible people are painting as

i cannot stress this enough: life in a blue state will always be better than immigrating to a third world country you do not know , do not speak the language, don't know anybody who can support you and is very distant culturally. it doesn't matter how bad it is in the united states, you will not be better off here when blue states exist

and to op and the dumb people in the notes: how the fuck do you come online and lie to people in a vulnerable moment like this? with half truths and dishonesty about the actual situation in brazil rn? how our economy is tanked as well? how inflation is also bad? the only truth any of you said is that yes, it is easy to immigrate to brazil

Hey everyone, given the recent news and all, I imagine some people might be considering leaving the country if the hostility aimed towards and the loss of rights of women and the LGBT+ community keeps on increasing during this second Trump presidency. Immigration is an extremely bureaucratic process in most countries, though, so if I could suggest a potential alternative, easier way out of the US if it ever comes to a point where such a thing would be needed, Brazil, my home country, is particularly friendly and considered a “model country” when it comes to our laws regarding requests of asylum. For example, people who apply for a refugee status in Brazil:

 • Have a very good chance of being granted it. Just last year, over 77 000 people were granted asylum in Brazil [1]

 • Are almost never under the risk of being deported, even if they came to Brazil under unregulated means and/or under fake documents [2]

 • Have the benefit of a very straightforward, 100% free of charge process to apply for asylum that doesn’t require a lawyer and can be done almost fully online through filling a form on a website, with the exception of getting a physical copy of your application process at the nearest federal police station [3] and

 • While getting an official refugee status can take a long time (sometimes up to two years in certain cases), just by being officially registered as being in the process of obtaining said status, asylum-seekers have the right to obtain “temporary” valid Brazilian IDs, a legal work permit and also are granted rights identical to those of Brazilian citizens, such as the right to free education, free healthcare, and social assistance. Apart from having to renew those documents once a year, these privileges are never revoked [4]

Most importantly though, the Brazilian Refugee law of 1997 defines a person eligible to obtain refugee status as being, between other criteria, someone who

“has well-founded fears of persecution for reasons of race, religion, nationality, social group or political opinions, finds themselves outside their country of nationality and is unable or unwilling to seek the protection of that country” [5] which includes members of the LGBT+ community, as it’s explicitly stated in the United Nations High Commissioner for Refugees website that

“Lesbian, gay, bisexual, transgender and intersex people may be eligible for refugee status [in Brazil] on the grounds of persecution due to membership in a particular social group. UNHCR recommends that people who are subject to harm, inhuman treatment or serious discrimination because of their sexual orientation, gender identity, gender expression or intersex status and whose governments are unable or unwilling to protect them should be granted refugee status.” [6]

To sum it up… if things escalate to the point where you feel like you’d be safer leaving the US than staying in it, Brazil is one country that would welcome you practically immediately. Tumblr tends to bury posts with links so I’ll add sources on a reblog, along with more information.

[ntj2pj]

[girlscience]

👉😠👈 -> ☄️💥🔥

me using psychic powers to blow up always brand period products

[syxnewt]

my parents want my little brother, who has had a fever no lower than 100 F for the past 2-3 days, to go to school tomorrow

[grinchwrapsupreme]

i'm not saying this to make any sort of point but as someone who works in canadian theatre, the wga strike is going to have an interesting effect on live entertainment too, like i know multiple people who have lost their jobs or will lose their jobs soon because so much american television is produced here and obviously the iatse union is standing with the wga which it should and i also know that when film crew are out of work like this they often turn to theatre because it's a different local of the same union (and a lot of them started in theatre) and they wind up pushing permits out of work because film crew are usually members which means they get first dibs on all calls even if they don't have much live entertainment experience and even though attitudes in theatre and film are VERY different. And i really really hope the wga gets everything they want, they deserve that and more, but i also hope it happens quickly before young iatse permits get priced out of this city and we get into into another situation like the one right after the pandemic

[timey-fandom-stuff]

'I should really stop starting new projects' I say starting yet another project literally nobody asked for, myself included

[murfpersonalblog]

Thank you for the video! I ran it through a transcriber:

Daniel Montgomery: Rolin Jones, you are the showrunner for Anne Rice's Interview with The Vampire, which aired its second season this past year.... The two seasons are based on the first book, Interview with the Vampire. What did you most want to capture from the novel over the course of these two seasons?

Rolin Jones: Yeah, a very particular romance. The strange war that happens between a 78-year-old man and a 148-year-old man, who still have some stuff to figure out. I wanted Anne's language to make an aggressive appearance; the prose that's so lovely in there, which is sometimes the thing that falls first when you're adapting. And then, yeah, I wanted an almost operatic experience for an audience, as well, to go with it. Emotions are really, really heightened. And yeah, I don't know. Just general, you know, I wanted it to be a nervy, vibrating, weird-ass show. God bless AMC for letting us make it.

DM: And how do you decide where to deviate from the source material, you know, what to expand on, what to leave out? Like, you know, I imagine those are difficult decisions in any adaptation.

RJ: Well...there's a lot of wonderful stuff in our book, a really beautiful book to work off of. I think the challenges were a little bigger in season two, mostly because there was a lot less plot in that book. The book is almost like five meditative conversations between vampires, and then some crazy events, and then, and then you're out! And we had to kind of create a lot of plot out of that. But for the most part, yeah, we try to put as jam as much Anne as we could in there. And the basic, the basic changes you make for anything that was beautifully written as a novel and the choices that you'd have to make to turn it into something that is, you know, for actors to speak. And for it to cut over 15 episodes. I don't know, I think we cannibalized that book! There's like, there's not a lot left. It's a couple of characters that fell off, for this reason, or that reason. We made some decisions about the timeline. But I'd say, I think it was done with a lot of love. And a lot of collaboration with Anne, who is no longer with us.

DM: And Season Two, you introduced the vampire troupe led by Armand. What most excited you about bringing those characters and storylines from from the book to the screen and, you know, folding that in?

RJ: Oh, well, anytime you can shove theater into the face of TV viewers is always a good thing! I hire a lot of playwrights, and a lot of actors from the theater. So I think if there's anything we were just trying to restrain ourselves from making a lot of insider dumb theater jokes that nobody could care about. I think, we always kind of had the specter of the movie behind us ,and they did that part really, really well in the movie. So a lot started out just as, like: Oh, how are we, how are we going to do it? How are we going to justify doing this again? I think there was a caveat from AMC too: Don't repeat the movie! We've seen it! It's beautiful, it's out there! Our timeline really opened up a lot of opportunities to make it a grittier, dirtier, slightly more dangerous Theater of the Vampires than the movie, or even in the book. And the joy of actually setting something in post-war Paris. You see Paris going over the war, you see a lot of Paris during the war, and then you don't see a lot of stuff done in those those first four or five years afterwards. Which was, I think, for all of us, was a nice way to feel like you were, you know, coming into Paris in some kind of a side door. And also just numbers! We had a season one was like a chamber drama between three characters. And we got to expand it, not only with just the bodies, but in space and time to with, you know, what was going on with Dubai; and what what Louis was coming to realize was his truth along the way. So, you know, I got to cast Ben Daniels again! Ugh! <3 Best!

DM: And what was it like writing for him? Ben Daniels, in the role of Santiago? You know, that character being such a highlight of the season?

RJ: Well, we knew that's our that was our guy from the day one! Even if he was already scheduled to go be on Lord of the Rings and our dates weren't working out to begin with. He is somebody we had up on the wall. I worked with him on a TV show previously about like seven or eight years ago, seen his theater work, and know what he can do. He's just one of those really wonderful actors that can sort of turn on a dime, and take something that is very, very funny and then make it very sinister, just like that. The instrument is really huge. And we had a really hammy role for him! Which was, you know, he's just he's one of the really delicate butchers--just the right slice of ham on top of given circumstances and stuff, what a joy. And he also acts like a naughty 14 year old boy when the camera is off too. So it's a nice energy on on Sam. And he gets it like, you know, sort of like the grandad of our theater trip because they were all a bunch of theater actors who had known him growing up in the theater too. So that was a treat. You'd see it on stage. I mean, you see in the camera, there's a lot of joy. There's a lot, it feels like a theater company there. You know, nice to be with it.

DM: Now, there are more than a dozen books in The Vampire Chronicles. You're going into Season Three, you know, and you'll be covering The Vampire Lestat. Would you cover them all if you could, or is there like a specific endpoint that you have in mind?

RJ: I mean, like anything else, you're supposed to take a really good hard look at yourself and go: Do you have anything left to say about vampires? And, you know, they pay you to do this. So that's hard. And I have a three year old child and all that stuff. And who doesn't want a swim in the pool? But I think if you're really honest with yourself, you've got to say: Can you still bring it with the same energy that you brought it the first time? And for Season Three, I believe I can. And I believe our staff can. For 12...for TWELVE books!? Man! I think somewhere along the way, you got to hand that thing off. Because you're just, when you're up to writing the 540th scene of Louis, uhhh...you really need some new blood in there. I think that's a while off. You know, if I had my brothers, we'd do this, figure out Queen of the Damned, Tale of the Body Thief, maybe Memnoch? Somewhere there. And at some point, there will be somebody who already says: Oh, it clearly should be this person. And also! Vampires was--I mean, by that time, who knows how old Sam Reid and Jacob Anderson will look! They might not even look like immortals anymore! So we're just going to try, as long as AMC gives us the dough. We're trying to make aggressive things with it--we're very privileged to do it. But yeah! Look, I'm in the heat. It's hard for me to talk about Season Two, I'm in the heat of Season Three right now! I got Season Three Head in here right now. So I think I hopefully none of this all sounds really canned. It's just that I'm already in the next season.

DM: Now the show is getting a spin off about the Talamasca, who tied into Season Two. Does it complicate the storytelling process to have to factor in storylines that are happening in the same universe, but on another show?

RJ: It's fun, we're communicating with each other. You don't want to be the person that says: You can't do that, you can't do this. You want like John and Mark who are working on the Talamasca show to have as much freedom as I had. That being said, we have a couple of characters that are crossing over. So there's some communications between the two about, like, what those characters need to do in the next season of Vampire, and make sure that those things don't conflict. If anything, make sure that they can help build a better story. Like I'm reading the scripts, and grafting on the given circumstances of their show into ours. And that's cool! That's fun. And they're lovely guys too. So that makes it easy.

DM: Well, I want to congratulate you on your work on Seasons One and Two, going into Season Three of Interview with a Vampire. And thank you so much for talking to me about it!

RJ: Oh, a pleasure! A pleasure! *kisses* Gold Derby!

Interview with Rolin Jones.

Full video here 👇🏻

[trans-axolotl]

what do you mean reverse an overdose? How is that possible?

Hi anon.

So, in my most recent post where I was talking about reversing overdoses, I was talking about Narcan (naloxone).

Narcan is a medicine that can reverse opioid overdoses. It works on any opioids, including fentanyl, heroin, oxy, vicodin, etc. It isn't effective in reversing other kinds of drug overdoses, but would still work to reduce an overdose if your coke has fent in it, for example. It functions by blocking the opioid receptors in your brain and helps restore breathing. Narcan is not a dangerous medication, and it is not harmful to your brain, which means you can be dosed multiple times without increasing harm to your body. The experience of being Narcaned can be pretty fucking shitty, because it basically puts your body in withdrawal super super fast, and you might experience some of the effects of withdrawal like vomiting, body aches and chills, fatigue, etc. But there are not other harmful side effects outside of that. Narcan is safe to give to people of all ages, including children.

Narcan comes in both an nasal spray and intramuscular injections, but it's usually easier to get access to nasal spray. This is what Narcan looks like:

[ID: Someone holding a narcan nasal spray, which has a nozzle that can be placed into someone's nose, and a plunger underneath the nozzle that can be pushed up to administer a dose. Text on the image says: Do not test nasal spray device before use. Each device contains 1 dose of medicine. Each device sprays one time only.]

How to Use Narcan

Identify signs of Overdose

Check for Responsiveness

Administer Narcan

Support (other friends/911/medics)

To administer Narcan, you first need to identify if someone is overdosing. Signs of an opioid overdose can be when someone is unconscious, unresponsive, not breathing or slowly breathing, no pulse or erratic pulse, has pinpoint pupils, and/or has blue lips.

If you see some of these things and think that someone is overdosing, the next step is to check for responsiveness. You can do this by loudly calling the person's name, saying that you are going to Narcan them, gently shaking them, and by performing a sternum rub, which is where you rub your knuckles into the place in someone's chest where their ribs meet. If they're breathing and they respond, even if it's just making noises in response to you or physically pushing your hands away, that can be a sign that you don't need to administer Narcan right away. Still, in that case, it's a really good idea to stay with that person in case that changes. If, and only if, the person is completely unresponsive, you should administer Narcan.

Once you've determined that someone is unresponsive and overdosing, the next step is actually administering Narcan. Narcan comes in packs of two nasal sprays. Take the first nasal spray out of the box, put the nozzle in the person's nose, and press the plunger. If the person is still not responsive after 2-3 minutes, take the other nasal spray out of the box and give them another dose. I try to use the lowest number of doses possible to try to reduce the withdrawal experience, and I stop giving Narcan once someone is breathing and responsive. If they still are not responsive or breathing, and you know how to give rescue breaths, you can start administering rescue breaths. If you have to step away for any reason, turn the person on their side in the recovery position first.

After someone's overdose is reversed, it's really important that whenever possible, someone stays with them for at least an hour afterwards. Narcan is active in the body for about 30-90 minutes, so depending on what someone's original amount of opioids was, they might start overdosing again and need you to give them Narcan again. This is also why it can be important to try not to use again right away, which is really fucking shitty when you're trying to use cause you don't want to be sick, but unfortunately using right away can also put you at risk of overdosing again. When people come back after getting Narcaned, it can be a pretty disorienting and uncomfortable experience. You might not know who Narcaned you or why they're in your space, might be feeling really fucking shitty because of withdrawal, and might want to be left alone. If you've just Narcaned someone, introduce yourself and explain that you just gave them Narcan, listen to what they tell you, empathize with their feelings, respect people's boundaries, and give them space if they ask for it. Understand that they're probably feeling pretty fucking shitty in their body, that it fucking sucks when your high gets ruined, and they (justifiably) might not feel happy about the fact that you Narcaned them.

Pretty much all Narcan trainings will tell you that it's "recommended" to always call 911, but we all know that this is not always actually possible in a lot of situations and that cops always fucking make the situation worse. My policy is that I always, always ask for consent before calling 911 and if someone says no, then we brainstorm other ways of keeping safe and we don't fucking call the cops. If there's a situation where I do need to call 911, I never tell the operator that someone overdosed, because that usually gets them to send out the cops alongside ambulance, which can cause delays to care, put a lot of people at risk, and also put people, including bystanders, in legal danger. If I have to call 911, I say that my friend has collapsed/fainted/isn't breathing and keep it more vague, and when paramedics actually arrive on the scene, that's when I tell them more information about the overdose, what drugs someone took, and how many times I've administered Narcan.

You can get free Narcan a lot of places. Next Distro has resources for getting free Narcan by mail for almost every state. If there's harm reduction orgs in your area, they will have free Narcan. There's also a lot of Department of Health programs for free Narcan. Most pharmacies now also have Narcan available over the counter, but that's usually really fucking expensive and often pretty hard to shoplift cause they keep locking it up.

Even if you don't use drugs and you think that your loved ones don't use drugs, it's super important to have Narcan as a part of your first aid kit and learn how to use it. You never know when you're going to need to use it, and it's super good to be prepared ahead of time, in case your friend/family/neighbor/classmate/coworker ends up overdosing while you're there. Or in case you end up overdosing and having Narcan on you means that bystanders can help support you through it.

Here's a guide that goes a little more in depth into how to use Narcan.

Please feel free to ask if you have any other questions about Narcan or other harm reduction topics!

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[dollgxtz]

Getting Closer

Word Count: 4.6k

Tags: sylus x fem!reader, cnc, stalking roleplay, rough sex, taunting, home invasion roleplay, crying, pet names like kitten, and sweetie, spanking

AN: Hiii again! Tyvm for 900 notes on my last story!!! I didn't think dark romance content with Sylus would be popular with ppl (I keep seeing convos about people mis-characterizing him). But honestly I think people should write him however they see fit!! I love seeing different interpretations! However, one things for certain. This man is definitely into primal play and no one can convince me other wise. This is loosely based on the midnight stealth story where he says "You're pretty good at running away" and "I truly enjoy watching my little prey struggle, especially when it thinks it can escape from me"

AHHHH ENOUGH TYPING ENJOYYYYY!!! (✿˶’◡˘)♡

Its a late evening and you and your dearest coworker Tara (who you basically considered your bestie at this point) were having a delicious dinner at one of the most high rated restaurants in Linkon. What was the occasion? Nothing special actually, Tara was just an intense foodie and felt the need to drag you to practically every restaurant in the city when she was feeling a particular craving. Not that you minded, it was actually nice to get to do something other than fighting for once. The Wanderers had been getting more frequent lately, and it seemed like every other day you were being called to fight them off.

Tara was busy chatting away about her own exhaustion from work, how badly her last haircut had gone, and some guy she had met on the subway that couldn't seem to leave her alone. You could only giggle as she went on and on about him. Despite her obvious distaste for the guy, you thought he actually seemed pretty well rounded. You had been hesitating on telling her about Sylus. You didn't worry that he was going to leave you for Tara, nothing ridiculous like that. He was just...hard to explain. I mean what could you say?

"Oh yeah, I'm dating the leader of Onychinus, yeah the one that escaped from space prison and rules the N109 Zone...did I mention he probably owns this restaurant? But don't worry he's SUCH a sweet guy if you get to know him!"

Yeah...probably wouldn't go well. You let out an exasperated sigh, looking out of the restaurants tall window. It was a bit chilly tonight, no doubt it would start snowing soon. You turn to Tara again, whose still in the middle of her stories of her bad dates. You're about to ask her if she's ready for the check when your phone rings.

Tara gets a dangerous look in her eye and before you can even blink she snatches your phone off the table and abruptly answers.

"Is this the mysterious handsome boyfriend my friend wont tell me about?" she coos, blocking your attempts to grab your phone. "Tara!! Please!" you exclaim, trying your hardest to not get the attention of the other patrons.

You feel your ears heat up as you get up from the booth. She laughs at something he says as you finally get your device from her grasp. She huffs in amusement from her little joke. You put the phone to your ear to hear Sylus chuckling a bit.

"Sorry ...um, what did you want?" you say lowly, trying to get yourself together.

"I'm guessing that's...Tessa?" Sylus says, clearly amused by the situation. He's got that...tone in his voice. The one he uses when he's toying with you. You feel your face heat up, trying to keep your cool with Tara watching close next to you.

"Tara" you correct, coldly, shooting her a death glare. "She's still got a few screws loose clearly". She giggles at this comment and you sigh.

"She seems pretty funny to me"

"What did you want? I was just about to head ho-"

"I really like your hair today, kitten" Sylus says, his voice seemingly lower and...dark?

You feel the hairs on your neck stand up, immediately you begin to scan the restaurant. He hasn't seen you today at all...is he in the restaurant? Is Mephisto outside somewhere tattling again? You scan everywhere but no sight of either one of them.

"Cat got your tongue sweetie?"

You swallow, turning back to the phone. "I see you have nothing better to do than send that damn bird to spy on me again. I'm taking him apart when I find him" you say, trying your hardest to sound calm.

Tara tilts her head in confusion, and you give her an awkward grin. Dammit. You'll have to explain it off as an inside joke or something later. Sylus chuckles again on the other end, sending a million thoughts racing in your head.

"Who said anything about Mephisto? He's back at home, probably resting".

"Then how..." your voice trails off, the words seemingly stuck in your throat. Curse this man, always playing his stupid mind games with you.

"What do you mean how? I can see you of course. How else would I know sweetie?"

Ah...so he is here. He's just hiding from you, probably enjoying the look of your panicked face and you wiping your sweaty palms on your skirt.

"That skirt will roll up pretty easy don't you think, kitten?" Sylus says, drawing out every syllable. You can hear the smile through the phone and it infuriates you. But it also forms a knot in your stomach from excitement. He's got you right where he wants you clearly.

You suddenly hang up on him, barely able to bear the tension forming in you heart and stomach. You sigh and turn your attention back to your very worried coworker. "Um...sorry. I think we should probably get the check don't you think? Its late haha..." you trail off, trying to look less stressed. What was that idiot thinking?? There's no way you were gonna do that in public. You try looking through the window again, trying to spot even a tall silhouette somewhere but nothing...where is he???

You feel cold fingers touch your shoulder, and you whip your head to face Tara. "I'm sorry if I made you upset...or him. Is everything okay with you both?" she asks, her brows furrowed in confusion. Your head spins trying to come up with some explanation for your panic. Is there even a good excuse? No way you could tell her that its some kind of sex game you both indulge in right???

"Umm, look its fine!! Nothing to worry about Tara, I forgive you" you say quickly, gathering your things into your bag. "I have to go though, lets get the check yeah?"

Tara, albeit still puzzled, nods her head in agreement. "Lets meet here again next week! But please, if you ever need to talk to me I'm here okay?" she says softly, before leaning in to give you a quick hug and kiss on the cheek. You both chat for a bit before the waiter comes with the check, bidding each other goodbye once the bill was settled.

You open the door to the restaurant and shiver as the crisp, early winter air envelopes your body. It wasn't nearly this cold earlier and you curse yourself for picking this stupid thin skirt to wear. The sun has long set and its dark. The moon gives the street a nice glow however, which settles your nerves a little.

Your phone rings.

You stop dead in your tracks, debating if you should even pick up. With shaky fingers, you finally answer.

"You know I don’t like being hung up on, where’s your manners hm?" Sylus asks. You glance over your shoulder, half expecting to see his annoying grin, but there's nothing there. You nod absentmindedly and murmur a quick "whatever" as you keep walking. Maybe if you stay quiet, you’ll catch the sound of his footsteps and figure out his location?

"You're close...aren't you Sylus?" you say, trying to sound confident in your question. In all honesty you had no idea.

"Obviously. I can smell that vanilla perfume I love so much. You should wear it more often"

"Its not really that good of a scent, too sweet. I don't like it..." you mutter, voice shaking as you walk. You hear a crunch behind you and you whip your head around. Unfortunately, its just some stray cats scurrying about near some trash cans. You cant tell whether your relieved or more frightened that its not Sylus.

"We both know that's not true. You always wear it on our dates..." he chuckles through the phone, as if it finds it amusing. "Always trying to impress me, how cute”.

Ah, so he did notice. You found it kind of freaky how observant he was sometimes. He probably knew you better than yourself at times. But this confirmed something very important. He was close, close enough to smell you. Did you pass by him by accident and didn't notice? You start walking a bit faster, hoping to catch the last subway home before in leaves the station.

"Zip it" you growl into the phone. You look up ahead, spotting some mirrors being displayed in some glass displays. Ah hah...maybe you'll see glimpses of him if you stop by?

You abruptly stop in front of one of the mirrors, pretending to admire your appearance.

"Do you think I should wear my hair like this more often Sylus?" you ask, narrowing your eyes to look in the reflection. There is someone, but its not Sylus. Just a disheveled looking guy smoking a cigarette.

"Using the reflection are we? What a clever little kitten you are...~"

He hangs up.

You spin around, hoping to catch sight of him. I mean c'mon, he's over 6ft, wide shoulders, and white hair. He should be easy to spot, even in the dark. But again, nothing.

But you know he's still watching you. You can feel it. You begin to hug yourself, partly out of fear but also out of being cold. You needed to hurry if you didn't want to be stuck walking the rest of the way to your apartment.

Part of you didn't want to admit it but this was exciting. You liked Sylus when he was sweet yes...but you liked it more when he was dangerous. You keep up a slightly fast pace, trying to keep your head on a swivel. You battle between feeling scared and confident, your stomach in shambles.

You turn your head as you enter the crowd of people waiting to board the subway. All of them seemingly tired and needing somewhere to be. You swipe your subway pass through the gate lock and it opens.

Your phone rings again, and out of instinct you hang up on him. Then you get an idea. You call back.

The distinct ring tone of Sylus's phone can barely be heard over the noise of people chattering but you hear it!! You strain to hear it but it only rings once before he picks up.

"You always manage to impress me with how clever you are. Too bad it won't save you in the end...will it?" Sylus chuckles.

"Quit talking and stop hiding prick" you spat, looking around.

"Ah ah ah, patience sweetie. Unless you want me to take what's mine in front of all these people?"

You can tell by Sylus's tone that he's losing his resolve. More importantly his patience. No doubt he'd be turning up the intensity of yall's little game very soon. You shiver, imagining you pinned underneath him, whining and mewling from his cock while people pass.

"What's your plan kitten?" he asks, the sounds of brakes and doors opening echoing through the phone. "I know where you live, I know what turns you make, what your street looks like. You know you can't outrun me"

"Ha, well I know that you cant hide forever, Sylus" you say triumphantly. You step onto the subway, trying your hardest to push past people.

That's when you see it. The white hair, the red eyes. Your gazes find each other almost instantly. Despite walking into your trap, Sylus's mouth forms an almost villainous grin and he starts taking strides towards you. The door shuts behind him.

You hang up.

Thankfully, people pile behind you, giving you some cover from him. You turn your head over your shoulder, watching him closely. He's wearing a black turtleneck with a brown winter jacket made somewhat of leather. He's broad, and tall and yet blends in fine with the people around him.

You watch as he scans every face and seat he passes. You attempt to back up but are met with a few disgruntled people telling you to stop pushing. You're trapped. Panicking, you try to think. Maybe you could get off a stop early? No, he'd definitely get to your place before you. You have to get home and lock the doors, maybe barricade if you have to. All you can do is think to press yourself against the glass doors to hopefully be the first one off.

You turn around, and realize he's staring you down intently. Somehow he had made his way right behind you without you noticing. He towers above you, blocking your view of other people.

Shit shit shit.

His expression, once smug, now drops. His eyes glare at you from under his brow. You feel frozen, like a deer in headlights. Like true prey. All you can think to do in the moment is turn back around, avoiding his gaze. Sure, he's got you pinned now. But he won't do anything with all these people around right?

You feel him lean down, breath hot against your ear.

"Did you really think you could escape from me?" he growls, trailing a finger down the curve of your spine. You shiver from his touch, your instincts screaming at you to bolt away from him immediately.

"I do like to play with my prey a little...but you know I always find you" he says, resting a hand on your hip now. Your shaking now, whether from fear or excitement, you don't really know. He's so close you can feel the hardness of his erection against your ass. He's definitely at his limit now.

Not wanting him to think he's won just yet, you remain silent and whip your head away from him. You look at the faces of your fellow passengers but no one seems to notice you. They're all busy engrossed in their phones or conversations.

"No ones going to help you kitten". He mocks. He gets even closer, resting his arm on the wall beside you, angling his body so no one can see you. He takes his free hand and slides it under your shirt, caressing your soft tummy, up to your belly button, eventually settling on the roundness of your breasts.

You desperately try to reach up to remove his hands but of course to no avail, it doesn't work. You feel heat rising to your face...but not only there. An aching, hot feeling in the core of your stomach and between your legs engulfs you.

"Sylus...really? Here?" you ask, voice shaking, trying your best to hold in a whimper. Sylus doesn't answer, only continuing touch your breasts. His thumb and index finger rests on one of your nipples, pinching it slightly. You nearly drop to the ground, pain and pleasure sweeping through your core.

'What's wrong? I can touch you wherever and whenever I please" he says plainly, continuing his assault on your nipple. "You're mine".

As if trying to prove a point, his hands comes off your breast and dips underneath your skirt. He swiftly but roughly begins to press his fingers against your pussy over the fabric of your underwear. You gasp at the suddenness of the assault, your knees threatening to buck underneath you. You grab his wrist in an attempt to stop him but he ignores you.

"I should just take you right here. What do you think sweetie?" he whispers in your ear, clearly enjoying the sight of your distraught face.

As if the universe decided to grant mercy on you, the robotic voice of the intercom suddenly announces the name of your stop.

The doors open. You lose your balance, but quickly recover before you eat gravel. You don't even bother to look behind you, you just start bolting, trying to put as much distance between you and Sylus as you can.

"Aww, kitten where are you going? We're just getting started" Sylus chimes from behind you. No doubt not even bothering to chase after you. You knew he'd catch up in his own ways. Ignoring him, you keep bolting, all that track during high school thankfully being good for something.

You make a sharp turn into an alley, your stamina beginning to falter but you know you cant stop. Your phone rings, and in a burst of anger you answer.

"Quit calling!" your voice a mix of anger, desperation and fear, which gives Sylus a good chuckle once more. He's completely unphased by your little tantrum.

"I must ask, why pick an alley? Are you trying to make this easy for me?" he teases.

You turn your head, almost gasping when you see the familiar silhouette of Sylus.

Then he moves. Long, quick strides and he's already closed the distance between you two. He's whistling a familiar tune, no doubt from one of his many records. You recognize it almost immediately, its one of your favorites. But now rather than soothing, its just rather unnerving.

You snap out of your frozen state and keep bolting, narrowly missing Sylus's attempt to grab your hair.

"My kitten is still fairly quick, I see. Good job sweetie" he praises, his footsteps still not far behind you. You know his words are made mockingly. He could've easily grabbed you with his Evol if he wanted to. He's simply toying with you now. Playing with his food.

You turn sharply out of the alleyway, the sight of the gates to your apartment building in view. Safety. Its so close. A rush of adrenaline courses through your veins. The wind whips past your face as you push your body past its limits. The night is even colder now with the sweat pouring all down your body. Your hair is even sticking to your neck and face now but all you can think about is bolting up the stairs and locking yourself away.

You made it to the base of the stairs, wasting no time to run up the stairs. There it is.

You hear footsteps behind you.

The door. Now. GO. You dash through your doorway, cursing yourself about why the door was even unlocked in the first place. But in this situation? It was a blessing in disguise.

That was the fastest you had ever locked a door in your life. You scanned the room making quick work of pushing the sofa against the door and a few chairs.

You collapse.

Your breathes come in uneven, staccato bursts, sweat having drenched your shirt by now. You rip it off over your head, the clamminess unbearable. Now only in your bra and skirt, you're able to breathe a bit. As you start to collect your thoughts, you freeze.

Wait. The balcony.

Fuck.

You get up quickly, rounding the corner to lock the balcony doors. Thankfully, they're still shut when you reach over to lock it.

Yes!! You won?? Did he give up?

There's nothing but silence and the sound of your ac humming for a few short moments. You start to question if Sylus actually did leave you alone, when your phone suddenly rings. You answer it. confidence ringing in your voice.

"I win Sylus. Thanks for the little game though" you retort, still attempting to catch your breath.

"Are you sure about that?" He asks. His voice is cool and calm. "How sure are you that you got to the balcony before I did?"

"Wha-I would've heard you Sylus..." you say with uncertainty. You weren't sure anymore. You look around. Your apartment isn't the biggest. No way he got in here without you noticing.

"Would you have heard me?"

"Pfft. You don't scare me" you spat, backing away from the balcony doors.

You hear him chuckle. "I guess I almost had you didn't I?". You make your way towards your the middle of your living room.

"Say...what do you think would've happened if I caught you kitten?"

Your thoughts stir in your nearly silent apartment. You aren't sure how to answer him, anxiety knotting in your stomach. You start making your way to your bedroom, with your face towards the balcony, watching it with intensity.

"Surprise...~"

You nearly jump out of your skin, a scream ripping through your throat as large arms wrap around your waist and lift you. Sylus is quick to cover your mouth, dragging your kicking and distraught form towards your bedroom.

He got in before you. Of course he did. He can be lightening fast after all.

You bite his hand, hard. He simply chuckles, causing you to get even more desperate.

"Let me go!" you yell.

"Sure sweetie" he drops you to the ground, giving you a small window of opportunity to run. You try, but he instantly grabs your hair, twisting it into his grip. You yelp, tears forming from the sudden pain. The more you struggle the more it hurts. You desperately try removing his hand but of course he doesn't budge.

He watches you with a pitiful look, rolling his eyes.

"So fucking predictable, as usual"

He starts dragging you across the hard marble floor. Your scalp feels like its on fire, each and every strand being stressed with every pull. He finally reaches your bedroom, wasting no time to bend you over the bed. You push back against him, attempting to kick him. He pulls your head back by your hair. You nearly scream, letting out a sob. Tears stream down your face as you try to look at him, pleading.

"Please, I'm sorry. Please don't" you beg. He simply laughs. You feel his Evol wrapping around you.

"None of those are safe words sweetie"

You choke back on tears. You're practically soaked now. And it wasn't sweat. You feel utterly helpless, trapped underneath him, begging to be freed. He reaches up a hand, undoing the clasps of your bra with one hand. Its falls off your chest effortlessly, leaving you exposed.

"Thanks for making this part easy. Though this skirt is still in the way" he mutters. He pins you to the bed, rolling your skirt up to reveal the skin of your ass.

"Sylus...please" you whimper. Your only answer from him is the sudden sting from a sudden slap to the ass. You yelp in pain, the hot achiness between your legs rising. He rips your underwear in two with swiftness.

"Sylus, please" he mocks, you can hear the grin on his face. 'Telling me you don't want this and yet your dripping all down your leg"

He slides a finger along your cunt, making your legs buck. He rolls a finger around your cunt a few times, earning a symphonies of moans from you. You're already desperate to cum and he's barely done anything to you. Breath ragged, legs shaking, your about to beg him to let you finish when he suddenly pulls away.

???

You're confused until you hear the sound of his belt unbuckle. Is he...going to fuck you already? Not that your disappointed at all. You brace yourself for a sudden intrusion when your met with the sharp sting. You yelp, the surprise of the attack sending shivers down your body. But he doesn't stop, he hits your ass again. And again. Then again. And again.

You feel like your about to pass out. The pain is overwhelming all your senses. But part of you doesn't want him to stop. Your sure you have belt shaped bruises littering your ass by now. The tears have completely clouded your vision. You cant see a thing.

"You're so pretty when you cry sweetie. So pretty~". Sylus reaches a hand up to your faces and wipes some tears away. He leans over, lifting your chin to look up at him.

"Are you doing okay?" his tone is soft, his expression a mix of wonder and worry. You nod enthusiastically, letting him know you're still enjoying this.

"Aw. Lets change that shall we?" he says, his soft expression turning into a smug grin. Your smile drops and your heart starts pound again.

This bastard.

He gives you one last hard whip to the ass before you hear the belt drop to the floor. Then the sound of him unzipping of his pants follows. Your pulse quickens in anticipation. You can't move though, his evol keeping you firmly in place. He puts his hand back in your hair, tugging just enough to remind you of your place beneath him. You feel him align his hips with yours.

"Sylus, I-"

Then he's pushing into you. You're so wet that all it takes is one fluid motion and he's in. Doesn't hurt any less though. You stifle a scream, trying desperately through your tears to beg him to pull out. His pace is deep and slow. It feels almost akin to torture. The head of his cock presses against your g-spot, building a painful high in your abdomen. The hour of teasing and adrenaline rush has you beyond overstimulated, you feel ready to burst at any moment but its not enough stimulation. You stay bordering on the edge of heaven, and yet he doesn't allow you to cross over. It feels like hours as he keeps getting you right to the tip of finishing and then slows down. It hurts so bad, and your crying over and over.

"Sylus...it hurts" you whimper.

"Its supposed to"

"Sylus...please" you beg, your voice shaking from desperation.

"Calm down kitten"

"Sylus-'

"I said calm yourself. Or I'll stop now. Do you want that?"

You whimper in disagreement, face planting into the bed once more. Sylus lifts your head by the chin, leaning down to give you a small kiss on the cheek. You look so beautiful right now, the puffiness and red of your eyes turning him on even more. He speaks, his voice hard and cold.

"Always so greedy. Spoiled brat."

With little to no warning, he slams his cock into your aching cunt. You gasp in shock, but have no time to process anything as he fucks you faster and harder with each thrust. Your so overstimulated that it only takes a few thrusts to make you cum. Your body tenses and shakes as you come undone on his cock. Your moaning while gasping for air, feeling the best you've ever felt and yet on the verge of passing out.

Sylus feels your cunt tighten so hard around him that he can't help but also come undone himself. You hear a small and faint "Fuck..." but your head is spinning too much to hear much else. You're in a trance practically.

You feel the stickiness of his cum dripping down your thigh and then your out like a light. Adrenaline and overstimulation had gotten the best of you. Sylus chuckles and gently lifts you onto your bed, pulling the sheets over your worn out body.

When you wake up, your eyes and head hurt so so bad. Your vision is blurry too. You attempt too blink the blurriness away.

Sylus.

You sit up, looking for him. Did he leave already? You look at the clock, the red hue of the lights read that its three in the morning.

"S-sylus?" you whimper, feeling slightly abandoned.

"Calm down sweetie, I'm here. Its cute watching you search for me though" he says, his figure appearing in the doorway. He's holding a water bottle and a wet rag. He sits next to you, and starts gently wiping the dried tears from your face. You look down, your thighs still a sticky mess of cum, sweat and desperation from earlier. Sylus smiles a bit, laughing under his breath.

"I figured I could run you a shower when you woke up" he says, stretching out his hand for you. "Although the plumbing here is...less than adequate I guess I could join you".

You roll your eyes, laughing at his dumb remark before taking his hand in yours. You cant help but crack a smile.

"Yeah, lets go"

[yeah-thats-probably-it]

Hot take maybe but I think Bertie would be FAR more likely to survive the first two months of Dracula than Jeeves would be. Bertie has a healthy sense of self-preservation. Jeeves consistently underestimates how dangerous a situation might get (Steeple Bumpleigh, the club book) because he’s overconfident about his level of control over any given situation. He'd handle Dracula masterfully if they faced off in England, but on Dracula's home turf? Much more doubtful.

I realize this might be a tough sell, so I will explain further (or it's not a tough sell, and I'm going to explain further because I want to). (criteria taken from @canyourfavesurvivecastledracula) Without further ado.

Would Jeeves and Wooster survive Castle Dracula?

Jeeves

Jeeves' survival will depend on how long Dracula finds him more entertaining than irritating. On that basis, I don't think he's long for this world. On the one hand, he has a huge wealth of knowledge about English society and culture that he can recite perfectly from memory. That should buy him at least a little time with noted teaboo Dracula.

On the other hand, he would be absolutely no fun as a vampire plaything. Jeeves cannot be got. Sneaking up on him while he's shaving will yield zero reaction (though that's at least good for his short-term survival--given that, although he DID take the crucifix from the old woman out of politeness, he certainly isn't going to wear it. The rules of fashion don't go out the window just because you're in a spooky castle). Then, although managing the whims of rich jerks is not an insignificant part of a valet's job, Jeeves usually does this by bending his employers to his will. Dracula is not the sort of employer this will work on. It'll just add insult to injury when on top of being impossible to scare, NOW Jeeves is telling Dracula that his favorite cloak is several centuries out of fashion and he's not allowed to wear it anymore.

Jeeves will 100% go exploring in the areas he was told not to go-- though to be fair, he MIGHT actually get away with this, what with his superpower of appearing in rooms without being seen or heard. Said superpower might save him from the brides as well (though this is by no means guaranteed). Since I find it doubtful that Dracula would come to rescue his annoying ass, not being noticed is his best defense.

There are a couple other things working in Jeeves's favor; the question is just whether they'll be enough to save him.

He DOES know shorthand, and could try to send coded letters. He might even have the foresight to squirrel away some extra stationary where Dracula can't find it. But could he get them posted? Would it even do him any good?

He certainly has enough cultural literacy to figure out what his new boss is pretty quickly. If he didn't chuck the crucifix out the carriage window, he might start carrying it around in his pocket.

Psychology of the individual, sure, but the individual in question is a 400-year-old vampire who lives in an isolated castle in a foreign country and is regarded as a terrifying mythological figure in the surrounding villages. Jeeves has never come up against anything this alien before, he's cut off from his normal resources, and opportunities to play people against each other are limited.

He probably has enough upper body strength from all that shrimping and fishing to climb the wall, so he COULD escape if he wanted to, if he survived long enough. It's just, again, that overconfidence, and also Dracula has a vast library full of rare old books that are entirely at his disposal. He's keeping his eyes and ears alert for potential escape strategies, of course, but I don't see him being as desperate to get out as Jonathan was.

There are just a lot of "depends on"s here, and I'm not convinced that luck would shake out in Jeeves's favor, all things considered.

Bertie

Bertie is so perfect for the job of Castle Dracula Prisoner it's like it was made for him. Think about it. Being held against his will in big manor houses comes more naturally to him than breathing. He's afraid of things that are scary. A lifetime of dealing with Aunt Agatha has made him the world's preeminent expert in "curl[ing] up in a ball in the hope that a meek subservience [will] enable [him] to get off lightly." He will NEVER go exploring in places he's been warned away from if nobody is forcing him to (Rev. Aubrey Upjohn's office notwithstanding. There were biscuits in there). He's both fun to talk to and easy to toy with (and extremely English). A+ prisoner. Dracula adores him.

In my opinion, Bertie is at Castle Dracula either because Aunt Agatha got some wires seriously crossed and thinks he’s going to meet an eligible potential bride (I mean, there are certainly brides there), or because Dracula has something Aunt Dahlia wants him to steal (far less likely, given that one of Dracula’s THINGS is famously not owning anything silver). Either way, he's shown himself entirely willing and able to escape down drainpipes if a sitch gets too scaly.

He DOES take the crucifix, and DOES wear it (which is what will save him during the shaving scene, because you KNOW he's going to jump a foot and cut himself like the dickens). He's read enough supernatural goosefleshers to be genre savvy about terrified old women cryptically pushing crucifixes into one's hands. I also think his sunny disposish endeared him to the villagers, and they were particularly vehement about urging him not to go. He doesn't speak German or Romanian, but he's empathetic enough to recognize Pure Terror. So by the time he actually gets to the castle, his imagination is already running wild and he's plenty aware that he is in imminent danger.

I think the biggest risk to Bertie will be the brides; whether or not he's susceptible to trances, if he thinks they're trying to marry him, it's against the code of the Woosters to turn them down. But that only becomes an issue if he comes face to face with them, which, luckily, I think is unlikely on account of the aforementioned "won't go exploring" (and if he did, Dracula would definitely rescue him).

I'm inclined to say due to his drainpipe-escape habits that he WOULD be able to climb the wall and MAY attempt to sneak into Dracula's room to look for the keys if his desperation grows to outweigh his fear. Whether he does or not, though, he does NOT have the stomach to attempt shovel murder, and therefore won't get magic brain fever, and may very well simply walk out the front doors when the people come to take the boxes away. OR he climbs his way out like Jonathan did. Either way.

When Bertie tells this story at the Drones later, Tuppy will say that no doubt it's been greatly exaggerated and all that probably happened was that he spent a couple months in an oldish house entertaining a weird loner.

[fucktoyfelix]

Choking Safety

I've been seeing some kind of scare-mongering type posts going around about choking during sex, so I wanted to address how to approach choking in a safe way. Choking is not a 0 risk activity, but it is also not so dangerous that you will just randomly die either. Anyone who does martial arts will confirm that thousands of teenagers are being successfully trained to choke each other safely (for self defense) every day! There's no reason you can't learn to do it too.

First you should be familiar with some basic anatomy of the neck and throat:

The carotid veins on both sides of the neck and the trachea/windpipe in the center are the most important things to be aware of. If you want to enjoy the psychological element of having someone's hands around your neck with relatively little risk, you can do "choking" play that avoids putting any pressure on those arteries or the trachea. As with all choking play, safety is highest when both parties are fully sober. I'm not actually sure if there are people out there who are into having the windpipe or trachea blocked. This tends to hurt like fuck and cause an autonomic choking response. You'll know if you went too far center because generally the bottom will be like "WTH". I don't know if there is a way to do this play safely or not as I don't have experience with it. It probably carries some risk of the trachea collapsing which would be a hospital trip for sure. Most choking play is done with the intention of cutting off the blood supply to the brain by applying pressure to both the left and right carotid arteries. This type of choking is not really "breath play" because of the way it works (though many people refer to it that way.) This creates a pleasant light headed feeling, but is also where the higher risk comes in. It often doesn't take long for a person to lose consciousness once these arteries are blocked, often less than 10 seconds. Sometimes getting completely choked out is the goal, sometimes not. Either way, the top has to pay very very careful attention to every aspect of their bottom's body language. Once you realize that a person has lost consciousness, the choking must stop immediately. Because of this: the most dangerous way to do this kind of play is alone. (hence all the auto-erotic asphyxiation deaths you hear about) It goes without saying that intoxication also dramatically increases the risks. It's not recommended to lose consciousness this way on a regular basis. It's just not good for your brain to repeatedly go through, especially in rapid succession. Generally, the more time spaced out between this type of play: the better. Though some people may have medical conditions that make the risk higher, as long as you stop choking when you reach the desired headspace, this play is approachable. Anyone who's REALLY into the idea but feels unsure or scared, I highly recommend taking a few martial arts classes. MMA guys do this to each other all the time! For sports! The key is just stopping at the right time. There are two main ways to go about blocking the carotid arteries. The main one used in martial arts and self defense is the rear naked choke.

This type of choke is incredible effective at choking someone out quickly and easily. The forearm and the bicep are squeezing each artery until the desired effect is achieved. The risk here is how quickly it works in combination with not being able to have a visual on your bottom's facial response. When someone loses consciousness they will go limp and begin twitching somewhat. This is normal, and you should stop immediately if you notice those signs. The more common method of choking play during sex is what looks more like typical choking. Facing your partner, using both hands.

You want to find the arteries with both hands, and use the meat at the base of your thumbs to apply gradually increasing pressure upwards towards your partner's head. You can keep the thumbs tucked to avoid accidental pressure on the windpipe. (Though this is not required so long as you remember not to apply pressure to the windpipe.) This type of play has a few safety benefits. First, you can see your partner's face so it's more obvious when you can see they've hit a headspace that is desirable. Additionally, it's just a little more difficult to find the arteries and push up on them correctly. If your goal is to get a little light headed without losing consciousness, this is more easily accomplished with this type of choke. However, losing consciousness is still a risk and both partners being fully alert will ensure the lowest risk environment. I know choking play is incredibly popular, even 'vanilla' people participate in this type of play on a regular basis without really knowing the technical details. Most of them don't get seriously hurt...but knowing what you're actually doing with risky play is a base component of risk aware consensual kink. Anyway I hope people find this helpful! Happy choking!!