#and there are a lot of bad impacts

[foxmulderautism]

like yeah dude it’s really cool that you used AI to complete an art piece that was purposefully left unfinished because the artist was dying of AIDS as the government ignored the mass loss of life and health. all you really did was show that technology can bring an art piece into the modern age but why? why do we need to do that? what does it say about us if we feel that a piece needs to be ‘completed’? how are we viewing completion?? can seeing an ai generated “completion” of unfinished have the same effect of seeing the parts haring left blank and the parts where the art drips into the blank? does it aid the narrative of it in any way? can AI understand the levels at which artists used their pieces about AIDS as a form of protest? of begging to be seen? how can it when an AI’s concept of ‘completing’ the piece is just guesswork of what the colours and shapes would look like to match what haring made which is nowhere near the same level of intention that came from him? you said you ‘completed’ the piece with ai because his story is so sad but does that mean we should try to rectify sadness by getting rid of the representation of it? should we not continue to sit in the sadness and discomfort that unfinished and other AIDS inspired art asks us to do because those feelings are only a fraction of what the people who died and lost felt, is that not the least we can do for them? and what good does any of this actually do when we can use technology to ‘complete’ a purposefully unfinished art piece about an artist’s untimely death from AIDS but we can never bring keith haring or any other person who died of AIDS back to life? where does haring, the person whose illness and death lives in those blanks, come into your self fulfilling ai generated completion of his work?

[positivelyadhd]

here is your reminder that all trauma is valid.

trauma is to do with how our brains process (or don't process) memories and experiences and that if something is traumatic for you then that is trauma.

it doesn't matter if you or someone else thinks it should be significant or not or if someone else went through the same thing and wasn't impacted by it. what matters is if it's significant to you and how it impacted you.

a huge part of recovering from trauma is allowing yourself to accept that you had it in the first place.

[saccharinerose]

Furina: Anyone I've ever worked with probably couldn't wait to get rid of me... Since I'm just an ordinary person now. They'll probably just laugh in my face if I go asking them for help... :(

Neuvillette, the second Furina asks him about booking the Opera Epiclese, the process for which is notably cumbersome and complex: Yes, I will take care of it immediately. Btw does this mean you will allow audiences (myself included) to enjoy your outstanding acting talents once more? 🥺

[that-foul-legacy-lover]

Melusine you all cozied up in Foul Legacy's lap for a quick doze. sometimes your scars and memories hurt you, even on the best of days, and that's when you take refuge in your Abyssal monster's arms. he sits near the water, picking you up and gently settling you in his lap, claws petting over your little antennae and tail. anyone who makes a noise receives a quick glare from him, a talon over his mouth- hush, now. the Creator is resting.

[phoenixyfriend]

something something one of those those "Jango falls for Courtesan/Stripper/NightclubSinger/TrophyWife!Obi-Wan" AUs...

But instead Obi-Wan actually being a sex worker, he's undercover and still a Jedi, and either:

They split ways and run into each other a few months later with Obi-Wan in full Prude Beige Knight mode OR

The situation goes pear-shaped while they're still flirting and Obi-Wan has to break cover to grab a senator and jump out a window and suddenly this half-dressed glittery Person is batting away shots with a lightsaber and there's a bratty twelve-year-old who ALSO has a lightsaber threatening people with I Will Eat Your Liver if they keep staring at his dad's ass just because the sequined sheathe dress tore in a sexy place

[creekfiend]

I have indeed been simply deleting asks that I receive about this, but I just want to say. I find it so discouraging that people are so thoroughly nation-state pilled that they think that the only way for millions of one group of people to be safe living in a geographical region is the existence of a nation state which is actively enacting ethnic cleansing on the other people in that region. GOD that's fucking depressing I'm so fucking depressed.

[neybulous]

☔️ This weather is so gloomy. May I light up your day ? ☔️

[lionbearfox]

eternal shogun

[aha-chuu]

I find it so amusing that Alhaitham's "least favourite food" voiceline is this:

Which, like, A) doesn't actually say anything about his tastes, and B) nerd.

But then his signature dish is this:

Derived from this:

He LITERALLY just took a stew, a "soup-like" dish, fried it into a pie(?) so that he could eat it like pizza while reading.

(and for my Kavetham/Haikaveh girlies out there, the signature says "contemplation" on top. Which really feels like Alhaitham's passive aggressive way of telling Kaveh to think things through more.)

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[mourninglamby]

helloooo i just wanted to say i've been a fan of your work for a couple years now i think? & dsmp means a ton to me but i had to cut it from my life after the inconsolable differences stream cuz i lost all faith in the creators and the fandom to be normal abt the story. point being i've started looking at your art again and it is seriously so breathtaking and inspiring to me and is reigniting my love for dsmp (which is to say, reigniting my love for the few fans like you who turned it into something worthwhile). i learned so much about myself thru ctommy and made some of the closest friendships in my life in the fandom so it made me incredibly sad to think that time would only ever leave a sour taste in my mouth, and i'm super grateful to you for seeing the story for what it was, criticizing the things that deeply need to be criticized and recognizing the good parts and transforming them into something new. sorry if this is incoherent just wanted to say thank you and i hope you're well!! <3 take care

anon i think we had extremely similar experiences.. To be candid, I never would have even begun to understand what happened to me if I had not watched dsmp. I identify closely with c!Tommy because there hasn't ever been another character like him that resonates with me and my experiences. And I've also made most of my closest friends thru dsmp! There is a silver lining to everything, and I will forever be thankful that I found my most beloved companions and like-minded people thru dsmp.

However, people will always try to make you feel horrible about it, and undermine the importance of this character and the themes in the story because they refuse to try and understand. And the fandom itself is a monster, constantly proving it is not a safe space for victims nor those with more complicated mental health issues. But I want it to be! And I'm beyond grateful that I could provide some comfort for you in the midst of the incessant adversity plagued on us by anti-intellectual assholes. What I and many others do with dsmp is a reclamation of the abuse narrative. I want to explore c!Tommy and his relationships in ways the canon series could not, so I can give myself and others the ending that we deserved. One that upholds victims as survivors, not as means to an end. I don't know if it's appropriate to tack on, but I've been hard at work structuring how I will divulge from canon in Mortis Metamorphosis, and this has only fanned that flame... I'm so excited to share it with everyone.

anyways ..thank you x 1 trillion for this extremely kind message, I read it as I was walking home from work and it made me start crying like a babyyyy but it was cathartic af to know that when I post my work, it's not for nothing and it does reach people... Wishing you nothing but happiness and comfort anony, stay safe and take care of yourself... xoxo.

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[tunapesto]

cyno based off the heat stroke photoshoot I cba to finish this ..

[crimeronan]

another Vital AU hunter-and-camila thought from this morning was a thought of, like. camila very very very gently and carefully explaining that she'd like luz to get a basic physical done by a doctor in the human realm, because luz has not been seen by a human doctor since she was four and is overdue for ten million vaccines and desperately needs bloodwork to check her vitamin and thyroid levels, etc, etc, etc, and hunter is like. visibly freaked out and upset by this. bc he is SO afraid of strangers hurting luz.

anyway. that's all pretty much expected, on account of The Horrors.

what got me in my feelings was the thought of camila telling hunter that she has a lot of the same worries, and that she Knows not all human healers have good intentions, and that she Promises she'll take that into account when finding one for luz. because she does not want luz to get hurt.

hunter, naturally, is like "how.... do you know that....?" and camila is like ay dios mio. HOW do i explain medical racism or the united states..... to a boy.... with no concept of racism or the united states.....

[derangedfujoshi]

Nobody:

Not even a single soul:

Some fucking cunt on hoyolab: Anyway here's a BETTER and IMPROVED design for one of the DISGUSTINGLY perverted wretched designs that those sick freaks at Hoyoverse have created!

And it's just a bland, less detailed, more npc-like and covered up version of the og design.

[damianito]

I think my style is changing slightly but not much. I am trying to figure out light.