#and then turned into his own thing

[xxswagcorexx]

gosh i cant stop thinking about red being an old god because. there are SO many things u can work into that concept when it comes to worldbuilding (esp if you work in stuff with ash). like, the idea of red being an old god and ash being a newer god who shares a few practices with red's religion (and also lets be real since this ramble is gonna follow a lot of stuff with greek mythology)/cult is soooo fascinating to me bc it leads to fun things like the same rituals being done but for different reasons is sooooo interesting to me

like for example in my made up symbolism about them, i think that they'd both use blood in their rituals, but have different concepts/ideas for them. like with red's religion, i can imagine that rituals are often done with your own blood and mostly done for blood pacts, as red has a ton of themes of loyalty and that being reflected in his religion is sooo interesting. but on the other hand, ash's religion would use your enemy's blood as a sacrifice/sign of triumph, as well as a sign of loyalty to ash as a god. i think it would fit in so well with his constant hunt on having the upper hand/power and its sooooo. its so interesting to me this concept scratches my brain soooo bad

and going along with the old god thing, i think it would be fun if both of their cults met up enough that they started sharing their cultures with the other, and eventually adopting some of the same rituals into their respective beliefs. red would be the older religion that's not as worshiped compared to ash's (probs bc im thinking of red's religion as more of an ideology than a religion that offers stuff like grace or material goods LOL), but the fact they'd slowly be involved with the other to the point where you can feel the other's religion effect the other even if one has more followers than the other is soooooo. imagine the mythology with them it would go SO HARD

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[hollis-art]

cant even use 👽 in the future. because of woke

[fascinationstreetmp3]

i need daniel to be overcompensating for his insecurities so bad. 100 times more cocky and rude and aggressive and insensitive than he was as a human, falling back into old dangerous habits and vices, not just because now he has new energy and power and wealth to flaunt but because it's ALL he has, and he needs to cling onto it. play it up and revel in it so no one sees that underneath, he feels like a botched fledgling in the body of a sick, faded old man who maybe has no real idea why he was even made. that armand might think he failed in making him. that his maker didn't even really want him.

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

[First] Prev <–-> Next

[starry-bi-sky]

this just in: danny fenton is just as much of a mask as Brucie Wayne? - another danyal al ghul au

Turns out, being placed in a civilian family who have no knowledge of your background is actually detrimental to the health and development of a child assassin due to lack of proper support! Surrounded by strangers in a foreign city, Danyal Al Ghul does as assassins do best. He hides. Espionage is one of many teachings one learns in the League, and it only takes half a day for Danyal to construct a new persona to hide behind: Daniel Fenton.

By the time dinner rolls around, Danyal al Ghul is safely and securely tucked behind the face of Danny Fenton; brand new adoptive child of the Fenton family who came from overseas. A shy, quiet little boy with a thick accent and curly hair, with brown skin and blue eyes, and an avid interest in the stars. The best fictions are always cobbled together in a little bit of truth, it's some of the only truth he ever lets through. He apologizes in a meek voice for his behavior early, he didn't mean to be rude, and he watches the three of them eat it up with coos.

Lies roll like silk against his lips, he struggles to meet their eyes and offers them his weakest, shyest smile. It's too easy. It's easy to go from there.

Danny Fenton, adoptive son, shy and awkward and unconfident but friendly. Who struggles in his classes and isn't the brightest, but tries his hardest. He makes bad jokes and has a quick tongue and a sarcastic mouth. He wants to be an astronaut. He's got the best aim in school, and is a terrifying dodgeball player. He's one of the least athletic kids in his grade.

It's like playing two truths and a lie, but there's only one truth, and the rest are lies. It's easy to pretend when he knows it's insincere.

Danyal Al Ghul, grandson to the Demon Head. Deadly, trained assassin. Has spilled blood, has had blood spilt from. Environmentalist, animal activist. He loves the stars. He owns a calligraphy set. A sharp tongue, an even sharper blade. He's clever, quick-witted, he would be top of his grade if he tried harder. He purposely doesn't.

He misses his family. He misses his mother, and he misses his brother. Mother visits a few times a year, so few times that he can count it on both hands. He cherishes every visit, as brief as they are. It helps remind him who he is.

Sam and Tucker are Danny's best friends. They've never met Danyal, but Danyal's met them.

It becomes routine to become Danny Fenton. As familiar and as easy as pulling on a shirt in the morning. Danyal wakes up and is always first to the bathroom in the mornings; stares at himself in the mirror until he can finally see Danny staring back at him. At night, he locks his door and sheds the mask.

Dying throws a wrench in his mask; splits a crack straight through the porcelain. He's able to smooth it over with sandpaper and liquid gold, but it's a little hard keeping his ghost form under wraps. It instinctively wants to shift to show his true self. Danyal can't have that, he's spent four years as Danny Fenton, he'll spend another four as him as well. Even if the feeling of the hazmat suit in his ghost form feels restrictive, like a too-small shirt suctioned to his skin that needs to be peeled off.

He'll live. Er-- well, you know what he means. It's frustrating however, trying to keep his Danny Fenton mask up even as Phantom - fighting in the air is something he needs to get used to, and the sudden propping of powers throws him off. But he is nothing if not adaptive, and he hates that he needs to slow his own skills down in order to keep pretenses up in front of Sam and Tucker.

The first time Danyal summons a sword when he's alone, is one of the few times Danyal gets to grin instead of Danny. He's fighting Skulker, and from an invisible hilt he draws a katana from thin air. It startles them both. Skulker takes a step back at the smile that spreads across his face.

They're both silent as Danyal examines his new sword.

"Do you know what people like me do to people like you, poacher?" Danyal finally asks him, the accent he began to hide a few months in slipping through. He drops all pretense, dragging the flat end of the blade slow and appreciatively against his palm. It's a good make, and when he cuts it through the air, it slices through like butter. He looks up at Skulker with a smile; "are you ready to find out?"

When Sam and Tucker ask about why Skulker seems so skittish around Danny now, Danny shrugs at them and says with a playful smile; "I don't know, I guess I kicked his butt too hard after our last fight." and he watches as Sam rolls her eyes exasperatedly, and Tucker snickers with his own joke.

By the time he reunites with Damian before their 15th birthday, Danyal is buried beneath so many layers of Danny Fenton that his brother will need a shovel to dig him out. He's not sure what he'll find.

[shesnake]

"Wait."

The Acolyte (2024) by Leslye Headland

[theloveinc]

Just thought about … oh my god. Bakugo’s first real battle with a formidable villain after your kid is born; he’s not exactly “out of shape” (he never quit the gym, routine, etc… just changed it), but he’s thrown down hard in the first couple seconds, and he’s slower to get back into position—taking the time to steady his feet and assess the terrain, pushing out the lil tummy he gained feeding you postpartum delicacies as he cracks his back—

And the villain, god help them, decides to call out to him as they use the few seconds of vulnerability to attack again, screaming, “hey pop pop, don’t tell me parenthood has made you soft! How ‘bout I start calling you ‘daddy,’ too?”

Just as Bakugo’s turning back around with a new fire in his eyes, blood all warmed up, and shooting off to grab them by the throat to end the fight in one single move.

[valtsv]

i've said this before but it's an endless source of amusement to me how hypocritical and petty the interpersonal drama between the tma avatars is... our noble patrons of the dread powers vs. their sicko cultists. that being said there is definitely something uniquely fucked in the head about the ones that kept larping as regular guys at their day jobs instead of quitting all that to psychologically torture people with magic tricks.

[nellasbookplanet]

Here’s the thing:

I want Predathos to get out.

Not because I hate the gods or want to see them killed or driven off (in fact, I find the 'the gods are tyrants' arguments to be laughably incorrect and deeply hope c3 ends with the pantheon still present) but because ending the campaign without facing Predathos would be a huge anticlimax. If Bells Hells simply kill Ludinus and go back home, it will feel like killing the minion but never actually getting to the big bad. What if c1 had ended with killing the Briarwoods but never getting around to Vecna. What if the m9 had actually managed to kill Lucien with their trap in Aeor before he made it into the Astral Sea to set off his plan. We wouldn’t have gotten to see the nature of the somnovem, the horrific flesh city or the peace of putting it to rest, the wild creativity that was the final battle of imagination. If c3 ends without showing us what the fuck Predathos actually is I will go lie facedown on the floor for a week wondering what we missed out on.

Now, this doesn't mean I want the hells to purposefully let the beast out of its cage. I would prefer the campaign not end with the heroes finalizing the villain's plan and setting off calamity 2.0, thank you very much. But if Ludinus still has an ace up his sleeve that makes Predathos' release all but inevitable (which I honestly expect)? Maybe even if there’s a party split and one or a couple of the hells take the decision into their own hands (looking at you, Ashton)?

I'd love that shit. Show us what Predathos truly is. Let it eat Ludinus maybe. Give us a glimpse of the true end if it’s let loose on Exandria. Have there be a horrific realization of oh, this is what the Vanguard was arguing in favor of. And then kill it.

[corpusdiem-seizethedead]

*Angel and Husk taking Nuggets for a walk, minding their business*

Some rando: Slut!

Angel: *stops*

Angel: Hold my pig-

Husk: Kick his ass, baby. I got your pig-

[milkbreadtoast]

quick yoojin phone doodles from memory/without reference... im surprised it turned out so accurate considering i havent drawn him much(this is like the 2nd-3rd time) but ig it's bc im always taking notes in my head when i look at my screencaps of him... 😳

[smile-files]

mommy let you use her ipad, you were barely two

and it did all the things we designed it to do

now look at you, look at you!

(objectober 2024 day 10: internet)

[casualavocados]

The only fucking person who will look at you is me.

Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[poorly-drawn-mdzs]

I want it back / I drag its dead weight forward.

[warrioreowynofrohan]

One of the oddest Silmarillion takes that I’ve seen recently is the idea that Beren and Lúthien had it easy.

I mean, let’s take a look at Beren’s life. The Battle of Sudden Flame hits when he’s in his early twenties. He spends five years carrying on a guerilla war against the invasion of his homeland by orcs and other evil creatures; his mother and all his female relatives have to flee, and he has no knowledge of whether they are desd or alive, or captured. There’s a strange darkness speading over the forest and turning it into something out of a horror movie, a place most people won’t even dare to go into. The band of guerillas is slowly whittled down to about a dozen people, who are hunted constantly by Sauron and his wolves. Then, while he is away, his father, his uncles, and everyone else remaining are brutally killed, and he returns to find crows eating their corpses and orcs joking about looting the dead.

He carries on an guerilla alone, against Sauron, for another several years, in the haunted woods od Taur-nu-Fuin. When he absolutely can’t last any longer, he crosses the most horrifying wasteland in all of Beleriand, where the only water present is poisoned and turns you mad, filled with evil spiders and who knows what other creatures. He’s in his early thirties but he’s been through so mich that he looks like an old man. He has lost literally everyone he has ever known; he does not know if any friend or relative of his, anywhere, is still free or living.

Then he meets Lúthien.

When he leaves Doriath on the quest of the Silmaril, which every sane person in Beleriand knows is laughably impossible, he goes to Finrod, the one person he can hope for any assustance from. Finrod has an entire realm; I don’t think Beren is any expectation that Finrod will go with him personally. And what happens? The king of the largest remaining kingdom in Beleriand besides Doriath is overthrown by his own people at the instigation of Celegorm and Curufin and left with only a few loyal people around him. All of whom then die torturously in the dungeons of Sauron, followed by Finrod’s own death saving Beren.

On top of everything else he’s been through, on top of spending several months in despair being tortured in Sauron’s dungeons, the survivor’s guilt that Beren must be feeling is extreme. Even after Lúthien rescues him, it takes him a while to recover. And he still hasn’t made any progress on the quest itself!

Then they’re attacked by Celegorm and Curufin – the people who bear a substantial amount of respinsibility for the death of Finrod and the Ten, the people who very deliberately abandoned them all to due and coerced all Nargothrond to do the same, and the people who kidnapped Lúthien and attempted to force her into marriage – and they try to kidnap Lúthien again, and to murder Beren.

The fact that Beren does not kill Curufin in that moment is a deed of extreme moral fortitude. The difference between Beren and Lúthien compared with many of the Finwëans isn’t that they don’t face temptations, or that their choices are easy, it’s that they overcome those temptations.

So. Beren spares Curufin’s life at Lúthien’s urging and Curufin immediately tries to murder Lúthien; Beren jumps in front of the arrow, is severely wounded again, and for the third time since they met Lúthien gets to work healing him. Virtually all of their time together has been spent with Beren recuperating from physical injury, psychological injury, or both.

And as soon as Beren recovers, he walks away from the one person who loves him who’s still alive, and prepares to rob the gates of Hell, alone. Because Beleriand is dangerous, and as long as Lúthien is with him and therefore unable to go anywhere safe, she will be in danger from both the servants of Morgoth and the sons of Fëanor. And even if there’s a virtual 100% chance that him walking into Angband will lead to him being slowly tortured to death, that’s a better option than the one person he has left getting killed or, worse, captured, because of him.

And then she goes with him anyway. And beyond all hope they actually succeed in getting a Silmaril - and then he immediately loses it, and his hand, to Carcharoth, and it was all for nothing.

And for the fourth time since Lúthien met him, he’s near death and she’s desperately fighting to heal him and kerp him alive, while she’s exhausted to the point of collapse. And this is the moment when she gives up and goes back to Doriath, because that is what has the best chance of keeping Beren alive.

And then, at last, a ray of hope – Thingol looks at all they’ve been through and says, fine, you crazy kids can get married. And they’ve scarcely been married yet when they learn that oh, it’s not over, Carcharoth is rampaging through the land killing people and this needs to be dealt with. And Beren, even after everything, insists on going. (Because, hello, survivor’s guilt! he probably feels that this is his fault for, uh, getting his hand bitten off.)

(The fact that the Silmaril was, for a time, inside a wolf and outside Doriath, and Celegorm, noted hunter, never got near it, is, okay, rather amusing to me.)

And then Beren dies, saving Thingol, because he knows deeply what it feels like to lose his family and he’s not going to let that happen to Lúthien. And she loses him instead.

Now let’s shift to Lúthien’s point of view. Since her first meeting with Beren she has been betrayed by literally everyone she knows and everyone she meets except for Beren and Huan. She has been treated like a child, and a madwoman, and a trophy, and a pawn, and a sex object, and literally everything except an adult person whose choices have worth and meaning. She is not a superhero; she does not know what she is doing; she is terrified for practically every moment of it, for Beren’s sake even more than for her own, and for much of it she is hopeless. She does not know how or if she can achieve anything; she only knows that she has to try, because it is better than sitting in Doriath waiting to find out if Beren is dead. She puts substantial work and thought and effort into figuring out how to get out of Doriath (given in more detail in the poetic version) – and then, just when she thinks she’s found help (note: Celegorm and Curufin do not give her their names when they first meet her; she doesn’t know they’re the sons of Fëanor), she is again taken captive, this time with the goal of forced marriage and the threat of rape hanging over her. And she still knows Beren is in desperate danger, and she still can do nothing about it.

When Huan aids her and she goes to Tol-in-Gaurhoth, it isn’t because she feels she has the power to fight Sauron one-on-one! It’s because she’s desperate and can’t think of any other options. And in fact, it is not she who defeats Sauron, it is Huan; once he is defeated by Huan, she has the intelligence and strength of will to force his surrender by threatening him with something he fears more than defeat, and to demand – not the freeing of Beren alone – but the destruction of Tol-in-Gaurhoth, freeing all its prisoners. The reason she defeats Sauron is not that she’s a half-Maia badass who can wave her hands and do everything easily! The reason she defeats him is that she shows up there completely vulnerable and in effect uses herself as bait. That is an extraordinary degree of courage, not some kind of deus ex machina. And she’s putting all the strength that she has on the line – she’s pretty much passing out by the time she finds Beren. Similarly, all her healing of him is hard, exhausting work that she’s doing despite being, the whole time, terrified that he’s about to die. None of this is easy.

Likewise in Angband – Huan’s advice and Lúthien’s magic of disguise and sleep is invaluble in getting them through the door and past Carcharoth, but the reason she is able to enchant Morgoth and cast all Angband into sleep is not primarily because of extreme power, but because, like every other non-Beren person she meets, he doesn’t take her seriously. Morgoth finds the idea of using Melian’s daughter as a brief entertainment amusing (and, if you read the poetic version, makes some truly creepy sexual threats against her), and that’s how she is able to get him unguarded enough that she’s well into her song and he’s already getting sleepy before it starts to occur to him that maybe this isn’t going quite as he planned. Lúthien’s victories are not because she’s just on a different power level from the rest of Beleriand, they’re because she’s amazingly brave and willing to walk into the most dangerous places virtually defenceless. And she and Beren rely on each other utterly – after her sleep song she’s practically passing out and can only get out of Angband because Beren is holding her up.

So this is who they are, at Beren’s death. A man who has lost everyone he loves and everyone who loves him, every friend or family, often helplessly witnessing their gruesome death – everyone except for Lúthien. And an elf-woman who has been betrayed by everyone she loved or trusted, except for Beren.

When Beren dies, I wonder if he’s even relieved that it’s finally him dying instead of everyone around him. When he sees Lúthien in the Halls of Mandos, I believe his first feeling would be not joy or love, but horror. That the last living person he loved, and the one he wanted above all to save, had now died because of him.

But Lúthien isn’t done. She goes to Mandos, and she sings, and her song says: look at what we have been through, look at what all Beleriand has been through, Eldar and Edain. We don’t want realms or glory or power; we only want a few moments of peace with each other, and we fought so hard for it, and we didn’t even get that. And when she’s offered bliss and immortality for herself, she says No, I don’t want it, not without Beren. She isn’t promised happiness or long life – she only know that for the short time she will get, she will have the chance to be with Beren. And that is enough for her; for that, she gives up everything else.

This is a faerie-story; but it does not sound to me like a trite tale of easy victories handed to the heroes by Fate or by the author! They fought and struggled and sacrificed for those victories, amd they did it without ever letting go of courage, and mercy, and humility. There is a reason why this is the story that Frodo and Sam hearken back to for inspiration.