#and then stated the season and episode

[technicolourtelevision]

JEREMY STRONG as KENDALL ROY || Succession 4x04

[mamayura]

Adrien not knowing what he wants

Hot take about Werepapas, I guess:

I actually like that Adrien said "I don't know" when asked what he wants/ who he wants to go with at the end of "Werepapas"

Cause the people who had to learn and come around in this episode's conflict were the ADULTS, not Adrien.

Adrien has already said that he isn't alone, he's living with Nathalie,

and Milly, too, acknowledged right away that Adrien has known her for most of his life so for Adrien she should count as more much than just an employee by now.

And he has not been trying to hide it whatsoever from Nathalie how much she means to him and that he wants to keep living with her. Literally the first thing we see in the episode's present time is Adrien running to Nathalie for comfort when hes crying over his dead mom, but she's pulling back so he does too eventually.

Marinette as pretty much unrelated main character doesnt know about this when she enters the conflict. Hence why she can effectively bring about development in Nathalie by challenging her long-established mind set and dynamic with Adrien due to Marinette's perspective adding a new angle and shacking things up:

Nathalie's inner conflict is one of my favourite things about the episode (and needs its own post if I get around to it), but for the context of this post, yes, she was the one who needed to come around. Not Adrien. He was already there from the get-go as we can see by him repeating the hug he started the episode with. Just now, Nathalie hugged back:

It was nice seeing Marinette help Nathalie take on her role in the end because Nathalie did the same thing Marinette did in Illustrhater for example. Acting like and saying things that eventually made Adrien accept that they don't want to be with him because, duh, that's now interactions work.

That's why he initially didn't say that he wants to stay with Nathalie in Paris when asked in the end. Nathalie too made him feel like he has to accept that that won't be an option, so he knew he had to decide between his grandparents:

The same Grandparents who had to come around in the end, too, and allow for Adrien to stay with Nathalie in Paris, even though both pairs of Grandparents are still the ones to officially hold the legal custody of Adrien (which I'm glad about that they did it like this and didn't bullshit some reason for Nathalie to get custody cause the episode is right, Nathalie has NO right to Adrien's custody whatsoever. They went with a very reasonable way to resolve this)

Its the ADULTS who had to come around. Not Adrien. Adrien already made it clear all episode what he wanted. But because all involved adults declared the outcome he wanted as a non-option, well, he honestly says that he doesn't know what else he wants (who he wants to go with).

And I- I just really like that Adrien was taking the situation serious enough to say "I don't know". That was very mature of him. To not just go with SOMETHING or go on about how unfair the situation is. Cause it definitely was, but this is a very serious legal matter that COULDN'T stay unresolved. He's an orphaned minor currently living alone with a person who's said to neither be an option as his guardian nor does she herself treat it like an option. This day COULDN'T end without at least some kind of temporary solution where he would stay now. It just couldn't.

I LIKE that he didn't repeat his denied desire that was already known to everyone around and instead seriously thought about the options he had.

I like that he loves and respects Nathalie enough to be the one person amongst Emilie, Gabriel, and now Marinette, too, who left the decision to HER if she wants to take on the position of his new mother:

As much as he wants to be with her, Adrien was characterized to understand that this is a massive thing to ask of Nathalie. He knows he means alot to her too but Nathalie was, by all accounts, objectively forced into this:

But especially by Emilie (look, I know she was literally dying slowly and painfully, I'm not judging her for wanting Adrien to be loved and taken care of. But I gotta ackowlegde that Emilie put alot on Nathalie without giving her a choice first):

In that regard I can't fault Nathalie for not having acted on her motherly feelings for Adrien and Emilie's last wish earlier than s5 (but God DAMN Nathalie, there is a difference between not doing it and actively making everything so much fucking worse!).

Adrien is the one person in this who respected how much was asked of Nathalie, so when she continuously acted like she didn't wanted to take on the role, he respected that. But this also means that the person who's responsible for Adrien coming to this "wrong" conclusion was Nathalie. Not Adrien. He's only acting accordingly to her actions and words:

So I like that Marinette got to help her in the end, because this is passive development that's very relevant to Marinette's character too. Even if I wished the show would hold Marinette to the same standards since both in Adrinette and especially Ladynoir Adrien gets mostly blamed for coming to the logical conclusions that Maribug doesn't like him or being with him in any way doesn't mean much to her because that's how she constantly acts like in almost every conflict ever. Over and over again. So I like that it was done properly this time around even if it's obvious that that was only possible because it was Nathalie and not Marinette.

And yes, I totally get not liking that Marinette is taking over the whole moment again. I'm not much of a fan of it either, to put it nicely. But it is wrong to say that Marinette is the one making the decision here and Adrien had no agency in deciding who he's staying with. Marinette is merely repeating old news she knows are true because that's what Adrien has been saying and acting like the whole episode and even already since season 5.

The decision was long made by Adrien. It were the adults who had to come around.

And beyond that,

I LIKE that Adrien said "I don't know" to the question which grandparents he wants to go with instead of the show having him make it all about his friends, girlfriend, or Ladybug. He only brings that up when he gets to stay:

Cause the question of where he would feel more at home and what is best for his future, when he has to completely start anew, is not just about his current friends, girlfriend, or his secret hero partner (who has made every precaution and decision possible to not actually have or need him in her life and job and he was made to accept that fully because that's her "rightful professionalism" same as killing your bf Ig)

I like that it was "I don't know" instead of "but my friends!", "but my girlfriend!", or "but I can't leave!".

Adrien saying "I don't know" means he thought of himself first and foremost and not everyone else:

I even like that "I don't know" means that he took the Graham de Vanilys into consideration despite how awful Emil was. Cause when the outcome Adrien WANTED (keeping his life in Paris by living with Nathalie) isn't an option, then he's perfectly in his right to not write off the possibilities he has with the Graham de Vanilys in London (and good heavens, I'm glad nothing ever brought up "but Chloé is in London! YIKES!").

I like that Adrien didnt write anything off when the decision was possibly about to change his whole future. Yes, saying "I dont know what I want" is a perfectly valid and even mature answer for a 14 year old orphan to give when they were JUST this day confronted with this situation that denied him the option he actually wanted:

And I also like that Marinette in the end didn't wasnt made to make Adrien's answer about herself in an usual moment of panic (in general, I truly LOVED how supportive Marinette was in Werepapas, even if the akuma battle incident is forever burnt in my love square heart in a very negative way. Yes, I think being willing to kill your boyfriend without trying any other solution first is bad, sue me ig. if that's what I'll be judged for, then I can live with it).

It is a far cry from Marinette in Representation for example being mostly written to make not getting to have her boyfriend near her out to be the biggest tragedy of Adrien being send to another country for good. I'm glad she got to be the supportive girlfriend for once instead of the show forcibly trying to falsely make her out to be the most important person affected by Adrien's tragic life. It was so refreshing and wonderful to watch Marinette getting to be in the lovingly supporting role of the relationship for a change, and it does WONDERS for her characterization.

While, of course, Marinette was motivated all episode to help Adrien not having to leave, when Adrien said "I don't know" Marinette knew that he's only taking the other options this seriously now because he can't have the option he actually wants.

She wasn't written to go into panic mode the second she heard Adrien NOT saying that staying in Paris is the most important thing on his mind. She knew the problem was laying elsewhere, even if I wished she hadnt made it abuut the Grandparents, but Adrien's right to CHOOSE (and yes, I'm fully aware that people will write this whole post off as salt because I didnt ignore or handwave away Marinette's consistent CANON characterization, even though that's not how salt works. I stand to what I said. More of Marinette as supportive girlfriend please, then we wouldnt have these problems)

I don't know how to end this with a nice little bow to wrap it up. I just REALLY like that Adrien said "I don't know", and how the episode treated the custody conflict for 95% of the plot which is very good for Miraculous.

[cerulean-renegade]

Every episode of this season has had a "false reality" so far. people living in myths or stories coming to life, where reality is exposed or restored in the end:.

Space Babies: The boogeyman beeing created from a story and how Nan-E is actually a real person instead of a robot

The Devil's Chord: The concept of music is alive. Plus the bad timeline this episode which gets prevented and the surreal dance number at the end

Boom: The soldiers believing there are enemies in the fog, the reveal that there is no enemy, they've been fighting an imaginary threat

73 yards: Ruby's alternate timeline that unwinds itself at the end. also the pub guests telling a made up myth to scare ruby, and Mad Jack coming to life as Gwilliam. *

Dot and Bubble: Finetime as an artificial, contained reality. Lindy's true nature beeing exposed in the end. And how the Finetimers are out of touch with reality, thinking they can survive in the wilderness and their racist belief of beeing the "pure chosen people".

(*I really like the theory that everything in Ruby's 73 yards timeline is shaped around her perceptions and beliefs - a false reality that she has unintentionally made herself)

This could mean nothing but it's definetly an interesting theme!. If this is intentional it definitely would fit a "they are in a tv show" plot twist. I'm excited to see if Rogue will continue that theme (based on what we've seen, it seems likely - with groff playing a mysterious secretive character and the synopsis of the episode)

[chestofletters]

[poisonousquinzel]

they deserved better idc 😐

[helielune]

and stalling only goes so far when you've got a head start

[redrocketpanda]

Favourite stsg moments: JJK S2 Opening

[poorly-drawn-mdzs]

Jingles a little bell in front of you to convince you to do tasks.

[First] Prev <--> Next

[bixels]

OUGGHHHH UR RARIJACK IS SO (explodes intio confetti with joy )

have uou considered: them trying on outfits they picked for each other?

or or or

Rarity washing and braiding AJs hair

or

Them celebrating the others birthday, trying to figure out what to get them and surprising them n all that

or them baking together and wgatever Ensues out of that

ANYWAYS KEEP DOIN YO THANG THEY R SO CUTE ❤️❤️❤️

Oh, I have lots of ideas for them.

Because I'm drawing them pre/early-relationship, I have a lot of stuff I haven't gotten to yet. I think, despite Rarity falling in love first, AJ is the most outwardly and obviously in love. Like, girl is in LOVE with her wife. The type to take off her jacket and put it over a puddle so her wife can cross. The type to walk around with hearts popping over her head.

Something I definitely wanna get around to drawing is how they were when Rarity first moved to Ponyville, because they would've hated each other, lol. AJ going from, "I can't stand her fake ass. 😒" to, "Yes Miss Rarity. Anything you want, Miss Rarity. 🥴" Or Rarity going from, "What a big, dirty brute. 😡" to "What a big, dirty brute. 🥵"

Anyways, later one comic idea I had for when they eventually get married is Rarity comes home to catch AJ trying to surprise her with a dinner. But things are going awry because AJ is so stressed and nervous about making everything perfect, and she even burns her apple pie. She has a bit of a breakdown because she feels she can't do anything right like she's supposed to anymore, and Rarity comforts her and tells her, why don't they bake the pie together? The comic ends with the two kneading dough together.

[quibbs126]

We need to reference Alligator Optimus more in Transformers media

I don’t know how, we just need to have it more

[m4rs-ex3]

actually gonna take a mini break..... which could mean i won't go on tumblr at all or it just means i'll only be making simple posts and not reblogging, and it could be for the rest of the day or it could be for a number of days (this is significant i promise usually i would be yapping like CRAZY rn)

i don't like disliking my show. i don't need to hear about everything they did wrong when i want to be celebrating everything they've done right for 7 seasons. i can't expect everyone to decide that positivity is the only way and i can't expect people to not want to share their opinions when i can't seem to stop talking about my opinion on that. i don't want to do what i did when season 4 came out and i tried to forget tdp existed for months because i couldn't stand being a fan of something others didn't like. tdp is everything to me. i'm not letting this part of my life go because i care too much about what everyone else thinks. and i know that's nobody's fault but my own, but still. i'm hoping it dies down, but even if it doesn't, i just need to step back and remind myself why i love this show, and that that is all that matters.

i know it is NOT that deep but the finals week stress + mourning-in-advance + insane adrenaline rush and joy while watching followed by + immediate feeling of dread and incredible sadness and confusion and anger after i've already had a rough couple and months and tdp was the sole thing keeping me going, it has all just been a lot, as i'm sure you can imagine. it sounds so excessive and sensitive and it probably is those things, but it's how i feel. mainly i just really needed to get this off my chest lol

[technicolourtelevision]

Hugo: I'm a little concerned to freelance. Can I get a sign off from Karolina and Roman? Kendall: No, pal. No. Down-low. Just get on it. Unless… You want me to pull out the strap-on?

SUCCESSION || 4x04

[mangotelevision]

I needed katelyn to snap in diaries like genuinely, I wanted her to lose it in season three and leave everyone and do her own thing for some reason or another. Maybe it was for noble reasons, something akin to her own form of a vigilante, maybe it was selfish reasons. Maybe it was about the Jury, running away from her sins of the past, maybe it was to find the family she had forgotten after all this time, the family she was sure would have forgotten about her as well. I would've liked to see her and Lucinda do a little team up or something, maybe even Abby. I just feel like we didn't get a lot of katelyn lore or character development, and she was so tightly wound in that last season I think she was destined to snap for some reason or another

[follows-the-bees]

Speaking of light motifs and how light is used in OFMD to show hope and love, I gotta talk about this important bonding moment.

On one hand, this moment is the basis of Ed's burn off Stede's face and take his identity plan; but on the other hand, it is Ed and Stede cementing their ability to work together. They bonded talking about their lives, looking at the fine fabrics, and even switching identities, yet coming up with the plan and executing it shows how well they play and work and is the stepping stone to their partnership.

And the symbolism/motif of light and lighthouses come to the foreground.

For Ed, this light shows the hope he has been missing for years. The hope for a new life, for change, to live, not crack up on the rocks or feel like he's drowning. And it's no coincidence that this moment is with Stede. Ed is so joyful, he hugs Stede for the first time.

For Stede, it represents many of those same things it does for Ed. But he is helping to create this light; he takes the kindling light already there and adds the alcohol to it, making it bigger, creating that lighthouse, saving his crew, and letting that inner light shine on everyone.

I am working on a whole thread of how light is used to symbolize Stede (the overexposure shots in the pilot when Stede's on screen) but also Stede's love and hope to the crew and especially Ed. The way cinematography is used in this show makes my film heart beat overtime.

[detherun]

Still seeing him like this.

I get chills.

[littlebigmouse]

Something about AU Vander telling AU Powder she's "too smart to spend her life in a bar" vs telling AU Ekko (as far as he knows, anyway) that he thinks he'd be "running this place soon" makes the latter almost seem like an insult.