#and then I was thinking abt that post where there was talk of an arc with cody finding obi wan on tatooine

[vic-fandom]

SOLARBALLS THEORY

OK so, the new episode came out today and all sorts of things were happening like the dwarf planets FINALLY getting some more screen time and Uranus / Caelus leaving the solarsystem but that's not what I'll be focusing on here. TO BE HONIST what I'm focusing on is very small and short compared to the rest of the episode (ligit it was only a sentence) but I believe it'll have big impacts for the future Theia and Gaia / Proto-earth arc.

In the new episode, while earth is leaving (to go ask Jupiter about Theia?? I think?) Venus says something along the lines of "You're still in there, Theia" Wich got me thinking. Now, I have two possible paths that I think the Solarballs writers could take with one being more likely than the other but the second I believe would be interesting / unexpected if they take that route. OK ENOUGH EXPLAINING LETS GET TO THE THEORIES.

Theory 1: Theia and Gaia / Proto-Earth's minds merged in the collision.

In this theory, basically, Theia and Gaia/Proto-Earth's minds and personalities merged into one during the collision and Luna and DSOTM are completely new entities and Venus was a little surprised to see Theia's part of the mind fronting more (I say fronting but I don't really mean it in a separate personalities way...more like sertain aspects of her personality show more than Earths or Gaias/Proto-Earths unique personalities). While I think this one is boring I think this one is the one the team is more likely to go with / make something similar to.

Theory 2: Earth is actually a new version of Theia instead of a new version of Gaia / Proto-Earth.

Now this one is a bit of a stretch but what if Earth was actualy Theia? In that brief little flash back in the Jupiter is Back arc where Theia and Gaia / Proto-Earth are seen talking to eachother abt asteroids (if you want an exact quote I made art of this here) and Theia brought up the idea of carrying life. Originally, before the newest episode in the Jupiter is Back arc, I thought this could be the reason why Gaia/Proto-Earth, after loosing his memories, would want life because that was what Theia wanted but what if it was Theia fulfilling her own dream of getting life?? while the latter could still be possible I think it would be interesting if solarballs took it in that direction. Now you may be asking (but you probably aren't) "what about Gaia / Proto-Earth?" well what if he became DSOTM? in the same little flashback we can also hear Gaia / Proto-Earth talking to eachother and Idk if its just me but Gaia / Proto-Earth's voices sound very similar to DSOTM's voice? This could be a coinsidince of having the same or a similar sounding voice actor but to be honest I'd kind of be disappointed if it was just that.

But unfortunately there is a problem with this, How would Venus know that Theia was Earth instead of Gaia / Proto-earth since he was much bigger than Theia. Maybe he can just tell by personality but that seems kind of weird?

Idk. If you want you can reblog or comment what you think! this is my first solarballs theory post I think (IK I REBLOGGED ANOTHER THEORY W/ MY OWN THEORY BUT THAT DON"T COUNT) and I hope y'all enjoyed n sorry for my poor spelling lmao :)

[mamawasatesttube]

thinking abt kon getting hurt/upset about something big and clark bundling him up in his cape... ouuhhhhh souperfam save me...

[theflopwonder]

Me, naively: Omg haha what if I wrote a fic abt the party at the fortress of solitude in superman/batman 26 as an excuse to do some Tim & Kon character study?

Me, after reading 4 separate comic runs from 4 different editorial teams who were OBVIOUSLY not talking to each other AT ALL to try and figure out the timeline & other logistics of this party: WHO THE FUCK FUCKED UP THIS HOUSE LIKE THIS GOOD GOD??????????

[tenwhiteandalusians]

so no one was going to tell me if i got literally one episode further tenax drops that he’s the one who saved scorpus from his mom’s pimp AND that he’s intimately familiar with scorpus’ dick when he was younger. guys. guys.

[ohsweetflips]

my neutral dragon age trait is that 50% of the time i'm like "the more i critique the games, the more i love them. i can appreciate each game for what they are but my criticism and frustration over what they could be are a sign of love" and the other 50% is like "this is the writing of the dragon age series. sure. why not. this may as well happen."

[veatomis]

Insane to think abt how lucanis and elio essentially went through the same thing but one came out of his prison believing more in himself and his self worth, realizing the bad things he had been believing abt himself were not true and that he deserves good things while the other came out of his with all of his insecurities validated, believing he was wrong for ever feeling hope abt the people around him and wanting good things for himself, realizing just how alone and worthless he is, becoming a much more closed off and, honestly, worse version of himself

[sammys-magical-au]

I’ll have you know they occupy my every waking thought, I have an illness

[arolesbianism]

Finally fixating on some nugget relationships that aren't horrible for everyone I love friendship <3

[phagodyke]

kind of annoys me sometimes how I can happily listen to my roommate explain the entire plot of whatever she's currently into but when it comes to my interests she can only listen for a few mins before wordlessly walking out of the room

[technikki]

something i really really like about ray and isabella's relationship is that ray is never expected to forgive her at the end. it makes sense that the younger kids would all forgive her after she used her position to help them in the return to gracefield because at the end of the day, she raised them in a warm and nurturing environment and did truly love them. ray didn't really get that same treatment though.

im sure ray's feelings about her at the end are complicated to say the least, he understands the horrifying position she had been in since she was 12 and probably relates to that at least a little bit. i like the way he tells her to get over it and come to the human world with them because if he couldn't use death as a way out, he definitely wasn't going to let her do it. (this would have been much more impactful if she didn't proceed to die anyway a little later on but. gently pushes that aside <3)

i don't really think ray's 'no one is holding any grudges' line necessarily means he forgave her though? the kids know that the sisters are all victims of a horribly abusive and oppressive system, and none of them are going to hold that against them even if some can't bring themselves to forgive them for whatever personal reasons. in ray's case specifically as a victim of abuse, i do not think he owes isabella anything. it was the system that forced isabella to raise children for the farm or face death, but her actions against ray specifically were her own, and he has every right to feel a little differently about her because of that.

kill the trope of characters forgiving abusive family members because 'they had no choice'/'they're still family' give me more ray 'i know you were hurt deeply by things beyond your control but that doesn't excuse the pain you caused me' tpn <3

[agnesandhilda]

hawk as a character doesn’t do much for me but conceptually he’s got one of the most interesting relationships to Gender out of all the cobra kai kids. he goes from this meek kid who’s bullied because of a facial deformity (which is honestly very minor, but personally I think you’ve got to suspend your disbelief and treat it as a stand-in for a much more noticeable, ugly scar—like a tehanu in the earthsea ghibli movie situation) to a juvenile delinquent and the poster boy for kreese’s cobra kai. all cobra kai students have an arc about how what they’ve learned has made him for aggressive, but his is by far the most drastic.

his masculinity is EXTREMELY performative—which isn’t to say that how all cobra kai’s male characters express their masculinity isn’t one of, if not the, main thing that defines them individually and socially—it is! and that’s not getting into how female characters navigate this. it’s just that his masculinity is the most visually performative out of all the guys, marked by a drastic change of appearance, including permanent body modification, and him taking on a chosen name, hawk, which the other characters sometimes ignore because they know using his given name upsets him (feel free to interpret this however you want!). he remakes himself with this entirely new, hypermasculine persona, which is camp as hell BECAUSE of his attempts to be macho (@/ a furioushawk's meta posts inspired me here, you made me appreciate the hawk cry sound effects lmao), and he's awful!

he goes from a meek, bullied kid to one of the most aggressive students in cobra kai, he finally got a chance to assert power and now he'll do anything to keep it.

which makes him one of cobra kai's most fascinating characters when watching it from a Gender Angle not because his masculinity comes naturally to him, but because it's so obviously and intentionally high-effort. because the veneer is so thin!!

[waloeders]

barny songs... i know im right

[waywardsalt]

I am humbly requesting your thoughts on Linebeck

Oh I have a LOT of thoughts on Linebeck but I'll try to just get some major points down bc it would take me ages to spill all of my thoughts on him.

(plus i do have two general headcanon posts [ 1 2 ] a post abt headcanons about him being autistic [ x ] and a weird post about his coat [ x ] as well as pretty much anything in my linebeck tag with my excessive tagging of some reblogs and my original posts + whatever writing or fanfiction i have done/will do with him included so. bonus reading for headcanon-y stuff or a look at how i portray him)

added a read more bc this is long bc of course it is :) i hope it's in the right spot :)))

Linebeck is... a good fucking character. He's probably my favorite character period, and has been pretty much soon after I got Phantom Hourglass. He feels unique compared to other Zelda characters as a companion character who offers less direct support and is more just of a constant character who changes throughout the course of the story and is... well, a companion, not really a helper. He falls more in line with the types of loz characters who are more rude or antagonistic towards Link, but develops out of that, and also technically counts not only as a boss but a final boss, putting him as the only non-villain character to be a final boss, so uh good for him.

Just within the context of the games he's got a great design and a great theme (which is only heard about two times before the final boss but has a recognizable enough motif for it to be noticed in the final boss theme) and an interesting role in his game and just has one of the best character arcs and one of the most interesting places within the story as a whole. Linebeck's arc is very... natural in how you see his attitude change within both story beats and in his overworld dialogue, but at the same time seems like it stutters when he deals with Ciela's criticism and upholding his own reputation, I think his character arc is very fascinating if you consider the entire context of his character and what he interacts with, since a majority of the characters he directly interacts with seem to deny the idea that he's any more than a useless coward.

The fact that pretty much the rest of the major cast in Phantom Hourglass has basically no faith or respect for Linebeck is so fucking fascinating to me. This guy has to be doing so fucking bad over the course of the game. In relation to Ciela specifically, an idea I've been thinking of and trying to work into some of my Phantom Hourglass oneshots is that having to be around and interact with her so frequently wears Linebeck down pretty badly as the game goes on.

This guy is undeniably mentally ill and that's also something I have a specific fic planned out for but that's probably not going to see the light of day for a while. It's basically five chapters of Oshus being Linebeck's therapist or something each time Link goes to the Temple of the Ocean King.

I particularly enjoy how the game (at least twice) plays with your expecting him to be at the ship all of the time by having him be in a different spot on an island. His dialogue for islands and his overseas dialogue are fun, it gives off a sense that he much prefers exploring and is a bit less guarded overseas. His dialogue during the ghost ship fight is ESPECIALLY fantastic, the specific line of 'I'm fighting right there with you this time, kid!' not only offers some very interesting insight to his attitude towards link and his own role, but kind of also stings when considering the events of the final boss and is also a quote I took a screenshot of while reading the text dump for this game.

Phantom Hourglass is by no means an exceptional game and while the story is fine it's nothing fantastic and even most of the characters are... ok, but Linebeck is without a doubt the best part of this game and I really feel like he's the main reason why people still give this game a chance and despite everything he's easily one of the best characters in the entire series even if his game isn't one of the better ones. He honest to god steals every scene he's in, even if he barely has any dialogue- he's animated with such distinct personality and I love it. He doesn't speak at all until the end of the spirit of courage scene and yet is so fucking distracting with his fruity fucking posing and movements in reaction to what's going on.

I'm also personally a fan of the near-complete lack of backstory we get for him. The most we get is some vague implications but everyone can read the given information in different ways so it's really not much. Phantom Hourglass's general lack of lore is great for me since I can just fill in the blanks however I want. I kinda honestly don't want Nintendo to revisit this game because I don't really want them to add anything new. Just port it or something don't change it.

That's about it for surface-level specific-to-the-games Linebeck talk... on to everything else.

Linebeck is literally the reason why I found out I was autistic. I wrote this loser and realized I was accidentally making him kinda autistic and THEN realized I was also projecting and then decided to look into that. He's fun to write and he always ends up a little out of character and at this point I barely give a damn because this bastard is masking or keeping up a facade or whatever the fuck in most of his scenes anyways. Linebeck's arc feels to me more about him being most honest and open to and about his own emotions and actual personality so honestly writing him a bit out of character doesn't bother me too much.

He's my favorite little guy, and when I plan out Zelda aus he always gets a major role to the point where a lot of the twists to my aus all end up being similar. For a few of them I've had to forcibly alter his role so that I can't include him constantly. He's very interesting for different kinds of aus because he's an interesting character for different concepts and situations. His relationships with characters in Phantom Hourglass lend well to au stuff; specifically with Link, in one au they're adoptive brothers, in one they're something akin to rivals, in one their mutual fixation on each other propels the plot. I've even expanded on interactions and possible dynamics with Bellum in aus (Bellum is honestly fun since he's kind of a blank slate in canon but there's just enough there to build off of but keep it relatively the same original character).

I have a few ocs that used to be au versions of Linebeck that ended up becoming their own thing because the aus in question worked better as original stories.

With Phantom Hourglass-centric ideas, it's a lot of fun to poke around and explore stuff with Linebeck's past, his mental state, the kinds of things he enjoys or hates, pretty much anything the game doesn't elaborate on. With all of that blank space and the fact that I've known about him for a few years now, I've gotten down a whole backstory and deeper details on Linebeck, most of which I'm probably going to end up expressing through writing.

Just a few of the baseline ones are just along the lines of him being gay, autistic, touch-averse, intersex, a cat person, someone who highly values his freedom, half Gerudo, interested in music- some of it can be supported with canon (he really comes off to me like a closeted gay man, and he does have some generally autistic vibes) and some of it is really just for the hell of it (in particular the idea that he’s of Gerudo descent has no backing but is so interesting for story stuff and is generally fun) (I also enjoy ignoring parts of canon. I have not played Spirit Tracks and I do not want to play it so if I don't look at it I can ignore it).

I have a lot of fun fleshing him out in different aus or in scenarios before or after Phantom Hourglass, since there's just enough there to allow for further reasonable exploration, and his being just some normal guy actually helps with that since it forces you to keep things relatively normal and comparable to kinds of things you can experience in your day-to-day. I've more or less figured out a (mostly) full backstory for him, I've decided on a full physical description of how he looks so that I have a baseline if I want to change stuff in an au or just so that I know how I figure he looks as well as have an idea of how some physical traits can lend themselves to other aspects of how I write and portray him (for example, I figure he has long fingers, which goes right with the idea that he enjoys music and is pretty good on a piano, and also that he's good with tasks that might require a bit more finger dexterity as well as generally helping a bit with pick-pocketing or thievery)

I figure that, along with the general idea I have of him valuing his freedom, he's not particularly interested in following rules or laws and hates seeing too many of them put in place, and especially values his own identity even if he doesn't express it as much as he'd like. He likes being able to go wherever he'd like and he likes being able to do what he wants and express himself how he wants and that stuff gets bogged down when he plays into that image of someone he's not that he hides behind and doubles down on in a good bit of Phantom Hourglass.

Linebeck is fun in general he's a good character he's fun for aus he's got enough groundwork to spend ages pouring into possible avenues for his personality and background and whatever potential he could have in different aus or roles. He's surprisingly fun and interesting to use as an antagonist since you can't fall back on easy villain-writing ideas and have to get a bit more creative with it.

I think I struggle to write him in-character but it's backed up a bit by my specific interpretation of him suggesting that a lot of what you see from him is forced or fake. I still think he's a greedy piece of shit, though. He sucks and it's on purpose. I lean into him being rude and cold and a bit quieter overall.

He just... for some fucking reason when I decided to play this game Linebeck struck a chord with me whether or not I realized it at the time so he's just very interesting and entertaining and important to me and it really doesn't help that either Phantom Hourglass as a whole or just Linebeck is my special interest.

Linebeck stands out in comparison to other Zelda characters and has a very unique and fascinating role and arc and is just so fucking good.

He feels like he could be used as an example of how good character writing can save a piece of art (not that ph sucks but like. god damn he elevates it) just because his inclusion makes the story more interesting as you have this selfish asshole tagging along next to your little goody-two-shoes protagonist and fairy friend, and his arc, though not entirely the focus of the story, is another reason to keep progressing. His dialogue is funny and has some really good in-character tips every so often, he adds character to traversal and adds stakes as a character to care about and protect and is just fucking fantastic.

He's a character that can work as comedic relief but at the same time can be taken very seriously and I really enjoy that while he seems to be in the role of comedic relief a lot it never seems much like it's diegetically intentional and it still allows room for him to be taken completely seriously. Him knocking over stone Tetra is funny but there's so much character in that entire string of animations that while it's a fun background gag it also provides even more insight into Linebeck as a character.

Essentially he's my favorite character ever he was probably my gay awakening and I want to steal his gender and I think about him more than I think about my ocs.

[secondpersonpoetry]

hi! heard the released “Merry Christmas, Please Don’t Call” (which i’ve seen you’ve heard live, if i’m not mistaken!!) this morning and i don’t know if there’s really a particular vibe/dynamic/ship hrpf-wise (personally haven’t yet been able to put my finger on it) that quite relates but the lyrics have been rotating in my head all day and i was wondering if you had any thoughts? hope you have a good one! <3

OH ANON HAVE I EVER SEEN IT LIVE!!! and the second that song came out i zoomed it straight into my fic playlist and unfortunately there are so many guys this could be. right now the one that's resonating is, of course, the golden boy and his haunted ghost themselves: mcstrome.

i am thinking about connor, specifically, after the stanley cup final. that game seven. how angry he was, how loud the silence when they told him he won the conn smythe. how close he's come before and again and again lost. there's nobody else to blame but himself. he's in the empty room and he knows why (1)

at!! your best!!! you were magic!!! oh, golden boy. connor the anointed, of course. at the very beginning of his career we always knew he was something special and who wouldn't have fallen in love with him? weren't all of us a little bit dylan strome in awe of the generational talent? we were all bathed in radiant light just by being in the vicinity (2)

don't even tell 'em that you know me breaks my heart (3). in terms of building a narrative i think i've said before there is a universe where connor/dylan were together before the draft and to protect both of them, dylan breaks up with him. connor says i love you and dylan says i don't. because he doesn't, you know? he loved connor. he loved davo. he can't be in love with connor mcdavid, first overall pick of the edmonton oilers. i'd rather be hurt forever than have to watch us try to make this work and destroy us.

and after connor mcdavid left the otters, dylan strome captained them to a memorial cup win. what a haunted home, eh? to be captain of the team you and your best friend were on, only now he's left you? don't call me to tell me about your rookie season with the oilers--we both know about your broken collarbone. don't call me to tell about becoming the youngest captain in franchise history when i stepped into the shoes of your captaincy here. don't call me. (4)

narratively: dylan's the one who broke connor's heart and his own but by god it wasn't easy. we both know what happened, you went first overall. please don't make this harder on me. please don't call.

this verse can be about the weight of dylan having to live up to connor's standards and always being measured by him. i would just like to bring up the connor stepping stone chart for absolutely no reason as well (5)

we are, at long last, at the potential future of now: dylan strome, happy, smiling, thriving on the washington capitals. connor, on the oilers. i'm not yours, dylan can say. haven't been for a long time. it took some time but i made this. please don't call and ruin this for me, stay out of my life. i don't want you or need you (6)

[p.s. this took a while because when i received this ask i was a) immediately possessed to write this verse by verse breakdown i had never thought of before and then b) immediately plagued by the idea of making you a little graphic (above the read more) and finally got to do it after banging out all the actual lyric thoughts two (?) weeks ago. emerging two and a half hours later from the fugue state of GIMP with 37 layers in this bad boy hope you enjoy!!!]

[celestialmancer]

☀️.

[cc-kote]

If you ever wanna make yourself Feel Things, listen to The Last Lost Continent and think about Obi-Wan and Cody 🙃