#and then I was thinking abt that post where there was talk of an arc with cody finding obi wan on tatooine

[mamawasatesttube]

thinking abt kon getting hurt/upset about something big and clark bundling him up in his cape... ouuhhhhh souperfam save me...

[ohsweetflips]

my neutral dragon age trait is that 50% of the time i'm like "the more i critique the games, the more i love them. i can appreciate each game for what they are but my criticism and frustration over what they could be are a sign of love" and the other 50% is like "this is the writing of the dragon age series. sure. why not. this may as well happen."

[sammys-magical-au]

I’ll have you know they occupy my every waking thought, I have an illness

[arolesbianism]

Finally fixating on some nugget relationships that aren't horrible for everyone I love friendship <3

[technikki]

something i really really like about ray and isabella's relationship is that ray is never expected to forgive her at the end. it makes sense that the younger kids would all forgive her after she used her position to help them in the return to gracefield because at the end of the day, she raised them in a warm and nurturing environment and did truly love them. ray didn't really get that same treatment though.

im sure ray's feelings about her at the end are complicated to say the least, he understands the horrifying position she had been in since she was 12 and probably relates to that at least a little bit. i like the way he tells her to get over it and come to the human world with them because if he couldn't use death as a way out, he definitely wasn't going to let her do it. (this would have been much more impactful if she didn't proceed to die anyway a little later on but. gently pushes that aside <3)

i don't really think ray's 'no one is holding any grudges' line necessarily means he forgave her though? the kids know that the sisters are all victims of a horribly abusive and oppressive system, and none of them are going to hold that against them even if some can't bring themselves to forgive them for whatever personal reasons. in ray's case specifically as a victim of abuse, i do not think he owes isabella anything. it was the system that forced isabella to raise children for the farm or face death, but her actions against ray specifically were her own, and he has every right to feel a little differently about her because of that.

kill the trope of characters forgiving abusive family members because 'they had no choice'/'they're still family' give me more ray 'i know you were hurt deeply by things beyond your control but that doesn't excuse the pain you caused me' tpn <3

[agnesandhilda]

hawk as a character doesn’t do much for me but conceptually he’s got one of the most interesting relationships to Gender out of all the cobra kai kids. he goes from this meek kid who’s bullied because of a facial deformity (which is honestly very minor, but personally I think you’ve got to suspend your disbelief and treat it as a stand-in for a much more noticeable, ugly scar—like a tehanu in the earthsea ghibli movie situation) to a juvenile delinquent and the poster boy for kreese’s cobra kai. all cobra kai students have an arc about how what they’ve learned has made him for aggressive, but his is by far the most drastic.

his masculinity is EXTREMELY performative—which isn’t to say that how all cobra kai’s male characters express their masculinity isn’t one of, if not the, main thing that defines them individually and socially—it is! and that’s not getting into how female characters navigate this. it’s just that his masculinity is the most visually performative out of all the guys, marked by a drastic change of appearance, including permanent body modification, and him taking on a chosen name, hawk, which the other characters sometimes ignore because they know using his given name upsets him (feel free to interpret this however you want!). he remakes himself with this entirely new, hypermasculine persona, which is camp as hell BECAUSE of his attempts to be macho (@/ a furioushawk's meta posts inspired me here, you made me appreciate the hawk cry sound effects lmao), and he's awful!

he goes from a meek, bullied kid to one of the most aggressive students in cobra kai, he finally got a chance to assert power and now he'll do anything to keep it.

which makes him one of cobra kai's most fascinating characters when watching it from a Gender Angle not because his masculinity comes naturally to him, but because it's so obviously and intentionally high-effort. because the veneer is so thin!!

[waloeders]

barny songs... i know im right

[waywardsalt]

I am humbly requesting your thoughts on Linebeck

Oh I have a LOT of thoughts on Linebeck but I'll try to just get some major points down bc it would take me ages to spill all of my thoughts on him.

(plus i do have two general headcanon posts [ 1 2 ] a post abt headcanons about him being autistic [ x ] and a weird post about his coat [ x ] as well as pretty much anything in my linebeck tag with my excessive tagging of some reblogs and my original posts + whatever writing or fanfiction i have done/will do with him included so. bonus reading for headcanon-y stuff or a look at how i portray him)

added a read more bc this is long bc of course it is :) i hope it's in the right spot :)))

Linebeck is... a good fucking character. He's probably my favorite character period, and has been pretty much soon after I got Phantom Hourglass. He feels unique compared to other Zelda characters as a companion character who offers less direct support and is more just of a constant character who changes throughout the course of the story and is... well, a companion, not really a helper. He falls more in line with the types of loz characters who are more rude or antagonistic towards Link, but develops out of that, and also technically counts not only as a boss but a final boss, putting him as the only non-villain character to be a final boss, so uh good for him.

Just within the context of the games he's got a great design and a great theme (which is only heard about two times before the final boss but has a recognizable enough motif for it to be noticed in the final boss theme) and an interesting role in his game and just has one of the best character arcs and one of the most interesting places within the story as a whole. Linebeck's arc is very... natural in how you see his attitude change within both story beats and in his overworld dialogue, but at the same time seems like it stutters when he deals with Ciela's criticism and upholding his own reputation, I think his character arc is very fascinating if you consider the entire context of his character and what he interacts with, since a majority of the characters he directly interacts with seem to deny the idea that he's any more than a useless coward.

The fact that pretty much the rest of the major cast in Phantom Hourglass has basically no faith or respect for Linebeck is so fucking fascinating to me. This guy has to be doing so fucking bad over the course of the game. In relation to Ciela specifically, an idea I've been thinking of and trying to work into some of my Phantom Hourglass oneshots is that having to be around and interact with her so frequently wears Linebeck down pretty badly as the game goes on.

This guy is undeniably mentally ill and that's also something I have a specific fic planned out for but that's probably not going to see the light of day for a while. It's basically five chapters of Oshus being Linebeck's therapist or something each time Link goes to the Temple of the Ocean King.

I particularly enjoy how the game (at least twice) plays with your expecting him to be at the ship all of the time by having him be in a different spot on an island. His dialogue for islands and his overseas dialogue are fun, it gives off a sense that he much prefers exploring and is a bit less guarded overseas. His dialogue during the ghost ship fight is ESPECIALLY fantastic, the specific line of 'I'm fighting right there with you this time, kid!' not only offers some very interesting insight to his attitude towards link and his own role, but kind of also stings when considering the events of the final boss and is also a quote I took a screenshot of while reading the text dump for this game.

Phantom Hourglass is by no means an exceptional game and while the story is fine it's nothing fantastic and even most of the characters are... ok, but Linebeck is without a doubt the best part of this game and I really feel like he's the main reason why people still give this game a chance and despite everything he's easily one of the best characters in the entire series even if his game isn't one of the better ones. He honest to god steals every scene he's in, even if he barely has any dialogue- he's animated with such distinct personality and I love it. He doesn't speak at all until the end of the spirit of courage scene and yet is so fucking distracting with his fruity fucking posing and movements in reaction to what's going on.

I'm also personally a fan of the near-complete lack of backstory we get for him. The most we get is some vague implications but everyone can read the given information in different ways so it's really not much. Phantom Hourglass's general lack of lore is great for me since I can just fill in the blanks however I want. I kinda honestly don't want Nintendo to revisit this game because I don't really want them to add anything new. Just port it or something don't change it.

That's about it for surface-level specific-to-the-games Linebeck talk... on to everything else.

Linebeck is literally the reason why I found out I was autistic. I wrote this loser and realized I was accidentally making him kinda autistic and THEN realized I was also projecting and then decided to look into that. He's fun to write and he always ends up a little out of character and at this point I barely give a damn because this bastard is masking or keeping up a facade or whatever the fuck in most of his scenes anyways. Linebeck's arc feels to me more about him being most honest and open to and about his own emotions and actual personality so honestly writing him a bit out of character doesn't bother me too much.

He's my favorite little guy, and when I plan out Zelda aus he always gets a major role to the point where a lot of the twists to my aus all end up being similar. For a few of them I've had to forcibly alter his role so that I can't include him constantly. He's very interesting for different kinds of aus because he's an interesting character for different concepts and situations. His relationships with characters in Phantom Hourglass lend well to au stuff; specifically with Link, in one au they're adoptive brothers, in one they're something akin to rivals, in one their mutual fixation on each other propels the plot. I've even expanded on interactions and possible dynamics with Bellum in aus (Bellum is honestly fun since he's kind of a blank slate in canon but there's just enough there to build off of but keep it relatively the same original character).

I have a few ocs that used to be au versions of Linebeck that ended up becoming their own thing because the aus in question worked better as original stories.

With Phantom Hourglass-centric ideas, it's a lot of fun to poke around and explore stuff with Linebeck's past, his mental state, the kinds of things he enjoys or hates, pretty much anything the game doesn't elaborate on. With all of that blank space and the fact that I've known about him for a few years now, I've gotten down a whole backstory and deeper details on Linebeck, most of which I'm probably going to end up expressing through writing.

Just a few of the baseline ones are just along the lines of him being gay, autistic, touch-averse, intersex, a cat person, someone who highly values his freedom, half Gerudo, interested in music- some of it can be supported with canon (he really comes off to me like a closeted gay man, and he does have some generally autistic vibes) and some of it is really just for the hell of it (in particular the idea that he’s of Gerudo descent has no backing but is so interesting for story stuff and is generally fun) (I also enjoy ignoring parts of canon. I have not played Spirit Tracks and I do not want to play it so if I don't look at it I can ignore it).

I have a lot of fun fleshing him out in different aus or in scenarios before or after Phantom Hourglass, since there's just enough there to allow for further reasonable exploration, and his being just some normal guy actually helps with that since it forces you to keep things relatively normal and comparable to kinds of things you can experience in your day-to-day. I've more or less figured out a (mostly) full backstory for him, I've decided on a full physical description of how he looks so that I have a baseline if I want to change stuff in an au or just so that I know how I figure he looks as well as have an idea of how some physical traits can lend themselves to other aspects of how I write and portray him (for example, I figure he has long fingers, which goes right with the idea that he enjoys music and is pretty good on a piano, and also that he's good with tasks that might require a bit more finger dexterity as well as generally helping a bit with pick-pocketing or thievery)

I figure that, along with the general idea I have of him valuing his freedom, he's not particularly interested in following rules or laws and hates seeing too many of them put in place, and especially values his own identity even if he doesn't express it as much as he'd like. He likes being able to go wherever he'd like and he likes being able to do what he wants and express himself how he wants and that stuff gets bogged down when he plays into that image of someone he's not that he hides behind and doubles down on in a good bit of Phantom Hourglass.

Linebeck is fun in general he's a good character he's fun for aus he's got enough groundwork to spend ages pouring into possible avenues for his personality and background and whatever potential he could have in different aus or roles. He's surprisingly fun and interesting to use as an antagonist since you can't fall back on easy villain-writing ideas and have to get a bit more creative with it.

I think I struggle to write him in-character but it's backed up a bit by my specific interpretation of him suggesting that a lot of what you see from him is forced or fake. I still think he's a greedy piece of shit, though. He sucks and it's on purpose. I lean into him being rude and cold and a bit quieter overall.

He just... for some fucking reason when I decided to play this game Linebeck struck a chord with me whether or not I realized it at the time so he's just very interesting and entertaining and important to me and it really doesn't help that either Phantom Hourglass as a whole or just Linebeck is my special interest.

Linebeck stands out in comparison to other Zelda characters and has a very unique and fascinating role and arc and is just so fucking good.

He feels like he could be used as an example of how good character writing can save a piece of art (not that ph sucks but like. god damn he elevates it) just because his inclusion makes the story more interesting as you have this selfish asshole tagging along next to your little goody-two-shoes protagonist and fairy friend, and his arc, though not entirely the focus of the story, is another reason to keep progressing. His dialogue is funny and has some really good in-character tips every so often, he adds character to traversal and adds stakes as a character to care about and protect and is just fucking fantastic.

He's a character that can work as comedic relief but at the same time can be taken very seriously and I really enjoy that while he seems to be in the role of comedic relief a lot it never seems much like it's diegetically intentional and it still allows room for him to be taken completely seriously. Him knocking over stone Tetra is funny but there's so much character in that entire string of animations that while it's a fun background gag it also provides even more insight into Linebeck as a character.

Essentially he's my favorite character ever he was probably my gay awakening and I want to steal his gender and I think about him more than I think about my ocs.

[celestialmancer]

☀️.

[cc-kote]

If you ever wanna make yourself Feel Things, listen to The Last Lost Continent and think about Obi-Wan and Cody 🙃

[villlainarc]

im such a fool for this actually i could’ve gone a much better route here this is so wishy washy. girl wtf do u mean “roman believes ambition is bad so he’s a dark side” BUT “roman believes ambition isn’t all bad which is why he becomes a dark side” youre a goddamn FOOL me of july 2020

bc obviously what happens is that roman thinks ambition is bad. he knows it’s bad and it is him accepting that ambition can be good that drags him out of this situation

and yes, he starts out being ambition as a result of janus telling him he was wrong + janus being accepted

only, why would the conclusion he draws be that ambition is good when janus, in his mind, is evil?

no, the conclusion is that selfishness, that ambition gets things done.

with roman’s black and white view of the world, how could i have misunderstood him so thoroughly as to believe he just. changed his mind on the fundamental truth of the morality of ambition?

rather, i think it’s a more accurate interpretation that against his will, he chooses the option that gets things done rather than what he perceives as The Right Thing To Do

because, as janus’ acceptance proves, it’s doing what gets things done that makes you the hero now, not doing The Right Thing

so no, roman’s worldview doesn’t change. his understanding of what c!thomas and the other sides want from him does.

so he becomes ambition!roman while still believing ambition is evil. he allows himself to become cutthroat and and selfish and desire things for thomas’ gain

but.

the thing about what happens in this version is that roman hates himself for his choice.

that’s why he’s a dark side.

that’s why accepting that ambition can be a good thing allows him to be just roman again.

and isn't that so much better than the contradictions of my explanation before?

in my head and my heart, roman’s view of the other sides is part of what divides them into dark and light.

yes, patton as morality plays a part in that.

no, i have not rewatched the series in probably nearing two years at this point.

however. i have some recollection that in that dramatic way of his, roman was the first to vocalize the term dark sides

SO i will run with that idea and suggest that however much of a role patton may have played in the divide of the sides into light and dark, roman with his all-or-nothing mindset would have pushed that divide to the logical extreme, giving the dark sides their own specific name and deliberate association with evil

if so much of what the dark sides are is in their name and roman gave that name to them, it stands to reason that he’d be able to give it to himself as well

in dismissing his own interpretation of what is good, roman becomes the very thing he despises. he ignores what he believes to be The Right Thing in order to be loved and appreciated instead.

no wonder he hates himself for that fundamental betrayal of himself.

(yes, this reinterpretation would affect some of the other things i’ve written for ambition!roman, particularly the aftermath (which, tbh, would make more sense w this version lol it’s also wishy washy as it’s written rn). but not much externally since he Is an actor and not enough for me to do this for all of my posts lol)

i wanna hear more about how roman takes his ambitions to the extreme please and thank you!!!

!!!!!!! meri you spark indescribable amounts of joy

,,cue me trying Desperately to remember What The Hell i was thinking about when i made that post last night

okay so context from the original ambition!roman post: “i can easily see roman pushing back against his own failings by taking the ambitions that he’d been ignoring before and just... pushing them to the extreme.”

i’m pretty sure what i meant when i said there was more here was just that it isn’t as simple as i ended up putting it, because roman wouldn’t decide to do something so dramatically against what he’d previously stood for without more reason than “janus said so,” which is essentially what it appeared to boil down to in the post. there’s more that happened before that, and more that will happen after that if roman were to truly become ambition!roman.

to start,, there’s obviously the mental awakening of janus telling him that he chose wrong in pof, but it goes even past that, because janus is at least tentatively accepted almost immediately after that

now, what conclusion is roman going to come to but “ambition might be good, actually”

(note that this conclusion likely wouldn’t be conscious. it’s going to take a little bit more than that to get roman to change his entire worldview, after all, but it’s a start, at least. it plants the seeds of doubt, and all that.)

in an ideal world, i would be able to remember Several More Examples where it was proven to roman that “ambition might be good, actually,” but alas,,, it is not an ideal world and i have No Idea if those other examples even exist in canon, though in my head the world of ambition!roman, at least, they very much do.

point is, though, that roman has to believe that ambition isn’t all bad if he is to embody it.

even when he believes that he is completely dark, there is a small part of him that holds onto the idea of him being a pure, chivalrous hero

and that small part is what stops him from giving up on himself entirely

so! we now have a set up where roman realizes that ambition might just be what he needs to have to get Everything He Wanted (rooooll credits!)

and it’s vitally important to note that he still wants stuff. he’s thomas’s hopes and dreams, of course he wants stuff! 

and of course he wants what’s best for thomas

and with janus’s “you made the wrong choice” spiel fresh in his mind... what if he just did... what ever it took... to make thomas happy... to give him what he wants, not what morality might dictate is right? what if he just... wanted to prove... that he wasn’t useless? that he could still achieve things, still help thomas achieve things?

what if he just wanted to be appreciated?

well.

doing Whatever It Takes to get what you want?

that’s ambition, babey!!

yeah, roman would try to deny it at first. it’s in his nature to denounce anything he considers evil at this point in his arc, isn’t it?

but when it starts working? when the other sides start appreciating what he’s doing for them again? 

when thomas starts appreciating him again?

well.

maybe he is ambitious, and maybe it’s not so bad.

so he starts doing more. starts convincing thomas to push away the friends that don’t do something for him, that don’t increase his social standing, don’t improve his image. he starts becoming just a bit more ruthless. if thomas comes across someone he’s auditioning against, someone who poses a threat to his career and they just happen to be near a flight of stairs... what’s the harm in a little nudge, right? “oh, calm down patton. it was a short flight of stairs!” the other sides—thomas—deserve to get what they want, after all.

even if it means stepping on anyone who gets in the way.

at least they’re all happy now.

at least they all appreciate him.

right?

[angelsdean]

Honestly I hate that every meta post / analysis / discussion is viewed as "discourse" more often than not. And the idea that one interpretation MUST reign supreme among fandom. That we must all agree in order to get along. Or that one post is the end all be all of someone's takes. As someone who often enjoys entertaining multiple / contradictory takes and angles of interpretation it's...annoying. My opinions also evolve and fluctuate on rewatches / depending on mood / depending on fandom climate at the time / etc.

I like having discussions with friends (sometimes those discussions are public, sometimes they're not). I like trying to see their POV. Sometimes I come away seeing things differently. Sometimes I don't. Sometimes I AM more critical of other characters in the moment. Sometimes I give them more grace. Sometimes I'll make a post in a rewatch, feeling big feelings, and then come back later to amend it, with a more balanced perspective. But there have been times when I have been blocked / unfollowed for one angle or take and that ends up not even being my MAIN mode of interpretation but just something I was rotating around. idk sometimes a post is not the end all be all of what someone thinks abt a character / plot point / story arc. Sometimes we can be critical without being a capital H hater. There is room for nuance. multitudes. contradiction. We can have preferences or think something was not portrayed as well as it could have been. We can be annoyed by those things and talk abt them. I also do not need to agree with every single take my mutuals and pals have. Sometimes I heavily diverge, and that's ok! I think having different viewpoints and candid discussions is often beneficial to fandom. But these discussions are not all "discourse" or "fandom fighting." Sometimes people just have different opinions or interpretations. Sometimes what looks like "discourse" is actually just fandom friends discussing differing viewpoints.

As someone who also likes arguing a thesis and citing sources to support an argument and doing analysis and literary interpretation, I can say that even for takes I don't necessarily agree with, effective arguments can be made for that interpretation and supported by canon evidence. I think that's why "open to interpretation" often chafes at some fans. Because it means multiple interpretations CAN exist and be effectively argued. Mine and yours. There is no one singular ultimate truth in literary interpretation. Not even authorial intent. That's the beauty and fun of media analysis IMO. We can each find different meaning from the same source material and diverge. I may continue to argue for my interpretation (in the academic sense of "arguing a thesis") because that's the position I've chosen to align with, but that doesn't mean I think it's the only one you CAN have. And no, not all interpretations are created equal or are argued in good faith. Some ARE more valid than others and better argued / supported. And sometimes an interpretation is only one of many a person can have.

Overall, I don't like the idea that fandom needs to be a hive mind, and that we all MUST have the same opinions or interpretations or come away from the show feelings the same way or else it's "ruining the fandom fun." Sometimes I staunchly disagree with people, especially when takes are rooted in bad faith fanon more than anything that actually transpired on screen. I won't play nice with people that are just Making Up Some Guy to be mad and insisting I must also hate that guy, who doesn't exist. But I can and do have discussions with friends and mutuals where we interpret canon events differently! And I value those other perspectives. They challenge me to question my own viewpoint, to interrogate my takes, to check myself when I get too rooted in Only One Way of thinking. I don't want there to only be one way of interpreting. And sometimes even I will contradict myself and explore other avenues, for the fun of it.

and before THIS post gets interpreted as discourse I would like to issue the disclaimer: that this isn't directed at any individual blogger or any specific post. do not go after anyone. this is just some general thoughts and feelings I've been having about fandom for a LONG time.

[arolesbianism]

Having realizations while looking through some of the newer logs again

[mxxnlightbae08]

Some plots that I want to see for Arc 3 before I actually lose my sanity bcs I WILL be throwing hands if Netflix doesn't give us a sign:

Planning for the return of Aaravos (obviously). Claudia's return alongside with it too dont forget. (i wonder how she'll look like)

Callum learning all the arcanums. I feel like this is really important because this will help with defeating Aaravos since it's been shown he knows all primal sources. I want to see Callum at his strongest too it's gonna be so cool ngl.

Aanya and Ezran + Soren and Corvus TOGETHER PLEASE 🕯️🕯️🕯️

Kim'dael (or however you say her name) What happened to her? Where is she and why did they completely forget about her existence? I was expecting Rayla to go against her in a battle especially after what she did to her as a kid, but ig we were robbed once again. We could've maybe seen her in a bloodmoon form if that is possible for normal moonshadow elves to do.💔

Claudia either having the most emotional redemption arc (I still have a tiny bit of hope left for my girl), or becoming a full fledged villian. Maybe even worse than Aaravos. No inbetween because as much as I love this show sm, it can be a bit undecided with it's plots here and there.

Rayla finds out she's pregnant. Guys just hear me out. It could be such a good plot, kind of like Twilight: Breaking Dawn. Whilst planning for Aaravos's return, they also have to deal with the first halfling baby that hasn't been seen in Xadia for years (i think), and if it will have more abilities than usual. And I saw on someone's post that it being born at the end could represent the love and a new era between human's and elves. And other than that, it'd be cute seeing everyone stress over Rayla being reckless the entire time. (I'll pray for them all, especially Callum😭)

Zym becoming the new archdragon king. This is another important plot needed because I'm pretty sure he's the only archdragon left. Unless he goes on some sort of journey to see if there are any other archdragons out there to help rule alongside with him. Plus, we legit heard him talk bruh. I NEED MORE OF DRAGON ZUKO!!!

WE NEED ARC 3 ABEG 🙏🏾🙏🏾🙏🏾

(these are just my personal thoughts i daydreamed abt delusionally btw, if i have any other ideas I'll do another post at some point)

[thedinosapien]

Theory: Brooklynn talked to N5 before leaving

The finale leaves many things implied or even confusing – in a way that makes it seem like something happened, especially between the scenes where Ben warns Brooklynn about the Bumpy's egg in the suitcase and the scene where B leaves. I invite you to rewatch the final scene, so it will be easier to understand what I say:

It is implied that Brooklynn had a conversation with the Nublar 5 off-screen, hidden from the viewer. The implications of the scene:

Ben is the one who talks about Bumpy's egg, so he obviously put himself in front of his friends. In the next scene, we see the position of each of the boys and girls: in front, Ben (who talked about the egg in the case), behind him, Darius and lastly, Kenji, then we have Sammy in ahead of Yasmina. Keep Brooklynn's reaction finding out about the egg in mind, I'll talk about it later.

Although Ben asks for the egg, the one who has it in his hands in the last scenes is Kenji. It's not Ben, who loves Bumpy more than anyone, or Darius, who is Brooklynn's best friend. She decided to give the egg to Kenji, proving that:

A. Maybe she trusts him more than Ben or Darius (understandable, since Pincus didn't do what she asked and D left her with the Allo, but it would be a bit strange for the scene, don't you agree? After all, Ben is Bumpy's dad);

B. There was more to the scene than what is revealed to the viewer. A conversation, probably.

The only one Brooklynn hadn't seen before in the season was Kenji, so she didn't know about the affection he has for the baby in the shell, that is, she had no reason to choose him, again indicating that there was an exchange of words between the characters.

There is two hypothesis about what must happened:

• Before giving the egg to Ben, he (Kenji) interrupted and demanded to receive it in Ben's place. It would be strange, since one way or another they would already have the egg in hands – in very safe hands –, changing only the fact that it would be with Ben Pincus;

• Or better, Brooklynn took advantage of the great opportunity she had to give essential explanations for the third season: Santos would kill them if she noticed any sign of betrayal on B's part, but with only one egg missing and the promise that none of her "ex-friends" would get in the way of the plan, everything would be safer for Santos. B just had to take advantage of the small gap to tell her friends WHAT she was doing, WHERE she was going and WHY she was going there – remember, the others don't know anything about Sayona's plans. Those informations will be essential for the characters!

It makes sense, doesn't it? After all, part of the arc of Kenji's relationship with the others is that "nobody tells me anything". Having him as the center of the scene, being, somehow, the priority of information, implies a development in his arc and a future advancement in the others' as well.

Note, in the beginning, Kon was the last, but in the end he is the one who is the most ahead of his friends. There really was something.

Now, the final detail that is totally related to Brooklynn's reaction to the egg: Throughout the season she never knew that Bumpy would have a baby. Her reaction reveals that she realized she lost a lot. It's exactly what Earnest said: "You're nothing special [...]. You're never happy with the good thing you've got, right in front of you." This reinforces that Brooklynn's story is about enjoying the things she already has, what she loses with her obsession and what she also has to gain from it. She needs to balance a lot of things in order to finally understand, by herself, what the truly wants and needs.

——————

A stupid theory I posted on reddit and thought it would be nice to post here. Tumblr must be more active, so activity ≃ interaction + addiction/correction for the theory.

I should stop thinking too much abt this show

If it turn out to be totally wrong, I hope you guys don't remember my post lol

[hexhomos]

Sorry, I'm asking here because asks aren't on your doomreed account, but do you have any fic recs for them ? You and vinnies art have intrigued me 😭 they both seem like such wet cats in different ways, and I love that

help i didnt know asks were off fixed that now thank you... I have two fics i keep in my back pocket as like, exemplary distillations of their whole thing (one in college vs one of their usual superhero stuff,) these are;

Supersymmetry and Night Blooms

Rly good examples of their usual shenanigans, the second one is directly based on a canon comic issue that *feels* like fanfic by a prolific yaoi author, the first is set in a modern-time re-imagining of the fantastic four where they meet in a supergenius internship thinktank for gifted youngsters. There's other fics that are good but i think they might be super confusing without canon context! which leads me to my second point. After you read these fics...

A lot, and i mean A LOT of official doomreed stuff feels straight up like fanfic. Either because its so beautifully woven or insane in concept (doctor doom points a gun at the real life Jack Kirby and Stan Lee to get himself written back into reed's life in his 3rd ever classic appearance, in the 60's, THAT'S the bodyswap issue)

or because the literal authors themselves come out to say 'they're soulmates' or 'they're in love' and Im talking abt this:

(^joseph culp, the first ever doom actor from 1994)

(^fantastic four (2019))

I've got even more stuff under the cut!! AND recs!!! CLICK! v v v

(^jonathan hickman, author of arguably the best FF saga & Secret Wars (2015)!!!)

(^Cantwell, author of the Doctor Doom comic!!)

These are excerpts from the canon fantastic four book, DOOMGATE:

There's even an RPG INSTRUCTION MODULE based on the idea of an earth where Reed & Victor partner up in college, Reed dies a tragic death (via their lab experiments) and Victor assumes such a traumatized widow role in his honor that he grows up to be a golden hero and protector of earth LOL (still a bit nuts):

This is not even to touch on the breadth of all their comic issues and little moments together. Victor canonically delivers Reed's second child and he chooses her name! Shes treated like his child too and calls him uncle doom!!

...Victor even asks Reed out on candlelit dinner dates for a yearly Latverian holiday!

In fact, that's the great starter doom/reed issue i keep recommending: read [ My Dinner With Doom right here. ]

If you enjoy that, check out my [ broader post guide for doomreed reading. ]

Still on the fence? try out these single comic issues:

Doctor Doom:

*Fantastic Four (1961) annual 2 (Classic origin of Doom issue) *Some call it MAGIC (the introduction of Doom's struggle w/ the devil for his mother's soul)

Doomreed:

*Marvel Two-in-One (2017) annual 1 *Marvel Two-in-One (2017) #11 (2nd fic i linked is based on this!!!!!!!!!) *'Duel Intentions' short story *Doom 2099 (2019) *Fantastic Four #700 special *Shame Itself (noncanon satire mini)

Anyway I've had a lot of fun reading these series generally and their big, year-spanning arcs are incredible. People hype up Secret Wars for a reason, Hickman's fantastic four builds up a really compelling doom/reed epic of cosmic divorce proportions. And its about love! And Forgiveness!