#and the narrative doesn’t acknowledge that

[hunter470]

Here’s my imagination having fun.

TM: Let’s break up Buck and Tommy and make it really hurt. It’s gonna be great.

Writers: But, Tim, this doesn’t make sense. We’ve been laying the foundation for a long-term healthy relationship for Buck. You even brought Tommy back because of all the connections he had with the 118. You wanted Buck’s love interest to be connected so they wouldn’t be off on an island. This just feels like it’s coming out of left field.

TM: True, but I keep getting texts from Oliver and he wants “Buck to f**k” and I think that would be fun. I mean, he’s newly bi so he should sleep around with a bunch of people before finding the one. We can have a lot of fun with that. Just think of the possibilities.

Writers: But that goes against all the character development we’ve done for Buck over the last seven seasons. We wanted him off the hamster wheel and to get into a long term relationship. Plus, aren’t you being a bit biphobic with your statement?

TM: Nope, I like Oliver’s idea so let’s do that. Oh, and make Tommy the bad guy and don’t let any of the other characters encourage him to talk to Tommy. We can have fun with that…maybe have Buck baking to get over him or he wants to call Tommy and Eddie steals his phone. Yeah, I like that. Use it.

Writers: Are you sure? We’re gonna get a lot of pushback from the audience. We’ve all seen the overwhelmingly positive response the Buck and Tommy relationship has gotten online.

TM: That may be true, but because the audience is so invested in the relationship, it just makes it more fun when we break them up. Remember, based on our ratings, the audience will watch whatever we put out there. Besides, Tommy’s just a side character so they won’t care. They only care about Buck. Oh, and I wrote a whole scene about Tommy being engaged to Abby. Make sure to work it in. It’s genius.

Writers: Abby? As in the Abby Buck dated? That doesn’t make sense. It doesn’t fit the timeline or the previous episodes’ narrative. So, Abby was engaged to a firefighter from the 118 and then dates another firefighter from the 118 and what, it just slipped her mind? Seems like a bit of a stretch. Also, why didn’t Tommy tell anyone he worked with at the 118 that he was engaged? Wouldn’t that have helped him stay hidden from his team? Kept his secret safe?

TM: It doesn’t matter. Just retcon the timeline or ignore the timeline altogether. It’s not like anyone will notice. The audience doesn’t pay that close attention. Plus, they’ll be too upset over the breakup to care. It’s just such a great idea that I got from the fans who sent me that red string theory video. They’ll love the fact that I used it.

Writers: We’ve seen the video but that was to show how Buck and Tommy are meant to be together and not to cause problems. Won’t that upset people?

TM: I doubt it. They’ll just feel acknowledged that I used it and be grateful. The audience loves everything I do. Remember, these are the viewers who loved a bee-nado and my obvious ripoff on a 1975 airplane disaster movie. They even bought a 66 year old police sergeant and a 10 year old boy landing a heavily damaged plane on an active freeway in LA. So, it’s not like they expect reality in our stories.

One day after episode 6 airs…

ABC Executive: Tim, have you seen the number of saddened and upset viewers commenting on social media about last night’s episode?

TM: It’s amazing, right? I knew people would love it! We’re doing great things over there. You can expect this level of storytelling for the spinoff. You’re gonna love it!

Executive: I’m afraid you didn’t hear me. People are upset and saying they’ll stop watching the show. We’re even getting hundreds of feedback messages on the ABC site. People are not happy. How are you going to fix this?

TM: Don’t worry. People won’t stop watching. They’re all lemmings and love everything I write. Anyway, it will all blow over after the next episode. I threw in some Tommy crumbs that will make viewers think he’s coming back, which they’ll live off of and keep watching. Oh, and if that’s not enough, we have a scene with Buck and Jee baking that is so cute they’ll forget all about being upset over the breakup. Cute kids are the answer to everything.

Executive: 🤦🏻‍♂️

[sunnysideaeggs]

We spent 8 seasons watching how everybody south and north of the wall scorned Jon for being a bastard and how even the doubt of the future king being illegitimate (while having the very plausible excuse of looking like his mother) burst a giant war where almost everybody dies and now we are supposed to believe Rhaenyra putting bastards (that don’t even look like her) on the throne has no political repercussions whatsoever?

[fellhellion]

genuinely p4 fandom outside of tumblr makes u feel like ur living in an alternate reality. You say hey I think u can easily read trans subtext and text in Naoto’s story because the game quite literally talks about transition surgery, and people act like you’re the insane one.

[kacievvbbbb]

I think it’s interesting characters like Big Mom and slightly even gear five luffy or even Homelander or just generally any superhero from the boys. Who are insanely powerful but find fights difficult or hard against weaker opponents because they lack battle I.q and are easily distractable.

Very might doesn’t always make right.

[sammygender]

i do genuinely think s7 is decent but even if it wasn’t it’d be like crack to me considering it’s an entire season essentially centred around sam’s trauma. it’s the closest we ever get to the show properly genuinely acknowledging the things it puts him through. which is ironic considering it’s also before many many other things he goes through!

[endawn]

how could you say that about your son, varric …

[venusintheblindspots-blog]

“And by the way, I have a question and don’t fight me because I know how you girls like to tussle” -Khaenotbae on TikTok

The people who blame Sansa for Ned Stark’s death and criticize her for romanticizing Joffrey, do y’all have that same attitude towards Lyanna?

[fvckroach]

Okay @ the bright session fandom

Please tell me most of us grew up and realized that the narrative‘s treatment of Damien was just cluster b hatred masked as morals?

[starlooove]

If there was one thing I would write out if DC canon it would be that stupid ass tim blowing up the base thing

[hella1975]

has that other anon ever met an upper class brit because i guarantee they wouldn't feel the same after encountering All That

literally 😭 like comparing classism is so dumb when it’s very much a subjective, varied conversation WITHIN a country let alone amongst different countries but that sentiment can and should coexist with the acknowledgement that british classism Does Not Fuck About

[daydreamerdrew]

Daredevil (1964) #163

[vulturetime]

hold on, are people making ‘doomed by the narrative’ posts about stories that don’t even actively acknowledge the narrative as a force affecting the characters?

[fellhellion]

been chewing on my Yukiko SLink thoughts for literal weeks and while I’m torn on a lot of elements, I think my biggest Thing about its central conflict is the way Yukiko is never actually afforded an opportunity open up about and to work through her feelings about taking over the inn with said community.

[seddair]

-

[icanlife]

Very tired of people who continue to argue that Bill destroying Euclydia was completely on purpose and he didn’t care about anyone at all because he’s just trying to garner sympathy in The Book of Bill, despite all the supporting evidence outside of Bill’s words that allude to how deeply traumatic it was, (so many, many things about) how he loved and misses his parents, how much of a sore spot the topic is for him, how much he wants to return home but can’t, etc. in addition to how perfectly Alex and co. crafted a parallel narrative between Bill and Ford, including how they hurt the people they love out of carelessness and blind pursuit of their dreams, justifying to themselves that the people they hurt just couldn’t understand

Yes, Bill is an unreliable narrator, and that includes all the very obvious posturing that he did it all on purpose and it was actually a very good thing, that everyone loved him, that he’s NOT incarcerated or anything and that he’s still a really all-powerful being, etc etc etc. To fully believe that EVERY vulnerability he reveals is an evil manipulation tactic, and not actual character writing, you have to interpret his very prevalent denial of weakness, which continues into the conclusion of the book where he already knows he’s lost the reader and is still denying any emotional needs or trauma, as itself a lie.

There’s a reason why the Pines family cracked open this book and laughed at Bill, calling him a fractured, pathetic mess.

The Book of Bill has a plot, a great plot, and great character writing. It’s a crazy companion to Journal 3, Ford’s story. Parallel stories, but where one ends with someone healing from their trauma, coming to terms with one’s mistakes and accepting the need for human love and relationships, the other ends with one stuck forever in their layers and layers of denial, never acknowledging their own trauma, never acknowledging their need for human companionship, grasping in desperate need at their continued facade of hating to love and loving to hurt.

Bill isn’t an always-in-control sly master of the mind, he’s a delusional and desperate man, fractured by his own trauma, who will continue to hurt others to prove that he’s in control. I’m tired of the false narrative that abusers can’t have trauma, aren’t people, giving them this otherworldly status above all humanity. Aside from not being narratively or societally productive, it undermines the ending and message of the book. Acknowledging Bill’s brokenness gives his victims POWER over him. The fact that Bill needs Ford, but Ford doesn’t need Bill is powerful. Them laughing at his desperation is powerful. Looking at someone who once seemed untouchable to you and realizing they’re just a suffering meat sack like any other human being is powerful.

The ending of The Book of Bill is the demystification of Bill. The book is a real look into his mind, telling a story that’s actually very tragic. It’s a very real story, a cautionary tale. You’re not being manipulated or tricked if you feel bad, it’s a very intentional writing decision that this ending elicits that dark pity, as he desperately fades away (arts and crafts materials confiscated) saying that he’s FINE.

So yeah, The Book of Bill and the website are a masterwork of the character, I love them, they’re incredible, and I don’t want to see such a tight character story discredited as “you can’t believe ANY of it!”

[greenqueenhightower]

The primary reason I love the Greens is that they are so messed up. They are not perfect, they are not disinfected and favored by the narrative, and they are raw to the bone; they are real.

Aegon is as real as a devastated and soul-crushed father gets whose grief translates to anger and violence. Helaena’s silent inner turmoil and anguish haunt the Red Keep. Alicent has become a wreck as she weighs this tragedy the only way she knows how: against her own failed moral compass, holding herself responsible.

Otto sees his strings of power stretch and snap as he pursues the unattainable dream once more. Criston feels unworthy and consoles himself with the deception that he remains unsullied by still bearing a white cloak to his name, having been absolved of his original oath-breaking years before. And Aemond refuses to acknowledge any weakness or softness in front of his family so he seeks consolation elsewhere.

This green family doesn’t know how to process emotions, doesn’t know how to grieve together, and can’t find solace in each other’s suffering despite yearning for comfort. Otto doesn’t know how to comfort Alicent, Alicent doesn’t know how to comfort Aegon, and Aegon doesn’t know how to comfort Helaena.

Larys exerts his influence and puppeteers Alicent to his own liking by giving her a much-desired grasp of agency over political affairs. Alicent finds escape in undiscovered indulgences that give her the intoxicating illusion of control over a lifetime of servitude. Criston succumbs to the addictive drug of being desired and wanted on equal terms. The Greens live in a vicious circle of unhealed trauma, a bottomless pit of fears and insecurities, and a tangled web of deception and control.

They are wounded, dysfunctional, and forsaken, and that makes them so intriguing.