#and the narrative doesn’t acknowledge that
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Do you think that the Great Seven are actually just better people in the TWST universe, or a big case of historical revisionism?
Been wondering since in the dream sequences "Yuu" gets, I'm pretty sure the story plays out as they were in their original stories? I originally thought this might just serve as a gameplay purpose rather than a narrative one, in case the player doesn’t know the original story or needs a refresher. But doesn't "Yuu" acknowledge their dreams in the story?
From their dialogue I'm pretty sure they don't recognize any of the Disney characters, or their stories, so from a narrative perspective I wonder if these are dreams they’re getting of the past.
Both concepts are fun to explore, but I gotta wonder which one is closer to twst canon.
Based on what I have seen so far, I think Twst is trying to hint at its history being revised. The latest two books (6 and 7) have strong themes of lingering on the past/a strong desire to maintain a happy lie rather than accept a harsh truth or change from that status quo. Additionally, Lilia drops this suspicious line in book 6: “[…] different cultures and species pass down lore in different ways—not every truth is written down. There is no shortage of historical narratives that have been twisted to suit someone's agenda.”
Yuu then has two dialogue options. The latter of these seems to imply the disconnect between the reality of their Disney dreams and the reality of Twisted Wonderland:
“Twisting historical narratives, huh...”
(For some reason, I've got butterflies in my stomach.)
Yuu doesn’t seem to indicate familiarity with the true Disney versions, but this could be for a variety of reasons such as serving more as a narrative device for the players, Disney not existing in Yuu’s Earth (since they don’t recognize the icon that is Mickey Mouse either), or maybe convenient amnesia. They do have small moments of confusion when faced with Twisted Wonderland parallels of elements from their dreams but only start making the direct connection between their dreams and irl events starting late in book 5. This is why they anticipated “something bad happening” and feel compelled to follow Vil (who, at the time, was intending to poison Neige). Yuu also suffers from several headaches and visions of their Disney dreams while conscious in books 6 and 7, They appear to consistently treat the dreams as premonitions and not as material they are familiar with or see as the truth.
Maybe this will be something they address in the main story ^^ Personally, I really do hope it’s the revisionist history explanation, as it would be really interesting to see explored. If the truth is that the Disney villains are just good people in Twisted Wonderland 💦 it’s convenient for sticking to the status quo, but ultimately far less nuanced.
#twisted wonderland#twst#disney twisted wonderland#disney twst#notes from the writing raven#Yuu#book 5 spoilers#question#Vil Schoenheit#Neige LeBlanche#Mickey Mouse#book 6 spoilers#Lilia Vanrouge
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We spent 8 seasons watching how everybody south and north of the wall scorned Jon for being a bastard and how even the doubt of the future king being illegitimate (while having the very plausible excuse of looking like his mother) burst a giant war where almost everybody dies and now we are supposed to believe Rhaenyra putting bastards (that don’t even look like her) on the throne has no political repercussions whatsoever?
#oh how we’ve changed#i think the change from the main audience of got and hotd have made an awful difference of how they portray the characters#for example in got we had littlefinger and cersei#and they were awful but people loved them bc they were smart and knew how to play the game#and characters like ned#people love him but they know he made stupid choices that killed him#and the main audience of got was older millennials and gen x or baby boomers#but in hotd most audience is younger millennials and older gen z#and it shows#so much faux feminism and fear of making a character unlikable if they aren’t perfect#they wanna make Rhaenyra a girlboss that never does wrong but she makes dumb choices too#and the narrative doesn’t acknowledge that#why is everything a misunderstanding or a mistake#let them be evil#even daemon got watered down#we have no conflict this is a hero vs villain story done wrong#good girlboss rhaenyra vs evil r*pist aegon#anti rhaenyra targaryen#Rhaenyra Targaryen critical#hotd#anti hotd
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rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening
#let’s talk about sayaka miki for a second#genuinely the fact that her whole character is centered around tragedy almost to a shakespearean extent#she’s selfless and brave and values her justice and righteousness above all. calls herself an ally of justice#in fact i think it’s rather intriguing how her whole character is centered around “justice”#her story being a more twisted retelling of the original little mermaid#how she is initially portrayed as a very heroic and confident character even before becoming a magical girl. always shielding madoka#selling her soul to heal the boy she loved out of a selfless desire to see him well again#her being absolutely distraught abt being robbed of her humanity and betrayed by kyubey#she combats this harrowing realization by immersing herself in her duties not caring that she is slowly deteriorating in the process#becoming numb with pain and fighting recklessly and psychotically trying to drown out the pain#finally coming to the sickening conclusion that humanity doesn’t deserve her saving and she succumbs to a fate of her making#last words being “i was so stupid” which trumps her previous statement of “there’s no way i’d regret this”#ALSO? the fact that her costume and weapon are symbolic of a knight. she rly portrays this hero of justice who will protect and defend ☹️#i think abt the fact that homura said that sayaka’s wish was so selfless it was only a matter of time before she died#sayaka being the example of what happens to magical girls who go through the entire cycle and eventually become witches is so sad to me#genuinely just like. sick and twisted#very very fucked up.#characters who have their own misconstrued interpretation of “justice” or who are centered around justice in general.#you will always be dear to me.#sayaka reminds me a lot of akechi in some ways ngl#harboring an almost idealized vision of justice but it slowly rots and festers and corrupts their hearts the more immersed w it they become#actually losing their sanity when they fight bc of how much pain they’re in but refuse to acknowledge it until they break#refusing any help and wallowing in misery despite having ppl who love them and want to save them#last words are those expressing regret for being such a fool. for being ignoring#being used by yhe main villain as a stepping stone towards their true goal. they were merely a pawn#also doomed in every version of their reality. always doomed by the narrative no matter what choices they make#i have a type i fear#HAHAHAH ALSO the fact that they’re both dressed so regally compared to everyone else in their respective series#meant to portray them in a virtuous and princely light. only made more apparent by the sword being their weapon of choice#i’m gonna shut up now but they’re soo eerily similar its unnerving tbh 💀
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Dora's post is a good example of his typical intellectual posturing, while skimming over key details and presenting a distorted, selective narrative. His insistence on blanket pardons being illegal is framed as some kind of principled stance, but his position on things like Fauci and the January 6th rioters feels motivated more by political bias than any genuine interest in justice. The emotional tone shifts drastically when it comes to defending Trump, diverting to accusations about Clinton and Biden in an attempt to deflect and muddy the waters. It's like he's playing a game of "gotcha" with everyone else while refusing to confront the contradictions within his own worldview.
His refusal to acknowledge the larger context of his claims—such as the FBI's involvement in January 6th—comes off as a deliberate strategy to avoid any nuanced conversation. Instead, he throws out inflammatory rhetoric to fuel the culture war narrative that he's invested in, all while maintaining the appearance of consistency, despite the glaring contradictions.
It's fascinating that he has this need to appear as the principled voice of reason in the middle of the chaos, but he’s very clearly willing to bend his principles when it suits his biases. It’s almost like he’s projecting this idea of fairness and integrity that he doesn’t actually follow through with when it gets uncomfortable. The way he deflects accusations of hypocrisy is a classic example of his internal conflict, where he holds onto this fragile sense of superiority, constantly affirming his righteousness, but when pushed, his responses are as shaky and defensive as his understanding of "facts."
The personal jabs—like bringing up Biden’s daughter or linking Epstein to others—are signs that he can’t quite separate the emotional, personal side from the supposed intellectual one. He might claim to deal in facts, but his approach leans much more on emotive argumentation when things get too heated, especially when he’s cornered or confronted with inconvenient truths.
So...... If we are playing fair then, that means every single person that Biden just Pardoned is 100% guilty, including Milley and Faucci?
I see I see. Btw. I've said this before but I'll say it again. Blanket pardons should not be legal. You should have to define a crime prior to giving a pardon. Unless of course the person is already in jail in which case you can pardon them for those crimes.
However. It is the case that people who were supposedly guilty of trespassing on public property mind you, have been rotting in jail for years while literal pedophiles abusers and want to be dictators roam free. Like Gavin newsom. Who should be guilty of gross negligence given his lack of response and lack of preparation for the LA fires. Or Andrew Cuomo. Who killed up to 15000 people in nursing homes by putting covid positive patients into those places. Along with at least four other governors. And then there's Faucci. A man who literally helped fund gain of function research which has been illegal to fund or participate in for a while now.
Stack that on top of experimenting on beagles by letting flesh eating flies eat their faces after you cut their vocal cords and I would say that it is very possible that this man deserves to be in prison for a litany of things. But, I do not believe in any capacity these people deserve to walk. Because the difference between them and the January 6th people is the fact that a lot of the people arrested and put in prison didn't even do anything wrong. Most got changed with "trespassing" despite never having qualified for that charge. Meanwhile people have done sit-ins in pelosi's office aoc's office and several other locations by storming in and just sitting in. None of them are in jail for freaking trespassing. Same building no less. The only difference is the political leaning. And that's after we found out more regarding the FBI's participation in January 6th. No fewer than 26 agents on the ground mostly people meant to incite as well as informants.
Trump should find a way around the pardons to get Faucci. And it's more impressive to me that the liberals actually want to spare him considering that he's partially responsible for covid since he helped fund it. If nothing else he should be charged for gross and negligence. And a blanket pardon should never be a thing. You should only be able to be pardoned for things that are able to be proposed. And it doesn't have to be "admittance of guilt" it can be, "potentially charged for". But every single state should press charges against Faucci.
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genuinely p4 fandom outside of tumblr makes u feel like ur living in an alternate reality. You say hey I think u can easily read trans subtext and text in Naoto’s story because the game quite literally talks about transition surgery, and people act like you’re the insane one.
#I love being mansplained about misogyny in Japan by white dudes as well that’s. a truly incomparable experience#like I KNOW what narrative goal the story is trying to achieve man#but to reject a queer reading of the text as utterly incompatible (specifically ‘culturally incompatible’) is just stupid#you can literally examine the works of Japanese queer scholarship and look at the ways trans identity was conceptualised at that point#in time (and specifically pathologised as a mental disorder)#and how that was reinforced by depictions within Japanese art etc#queer identity MUST be acknowledged to exist within its specific cultural context yes#and we should not apply our cultural context as normative#but to decry that it simply doesn’t exist and that to make any queer reading of Japanese art is somehow ‘tainting’ the text by association#is just. crazy to me.#tunes talks critical#tunes talks persona
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I think it’s interesting characters like Big Mom and slightly even gear five luffy or even Homelander or just generally any superhero from the boys. Who are insanely powerful but find fights difficult or hard against weaker opponents because they lack battle I.q and are easily distractable.
Very might doesn’t always make right.
#i also like it cause it’s a way to keep the narrative interesting and explain why certain characters don’t just dominate#homelander instantly loses a fight with any character just as strong as him#because he just doesn’t know how to fight#love the boys for acknowledging that realistically homelander would have never needed to learn proper fight techniques#or how to block or just generally all the things you need to win a fight and stay safe#because he just didn’t have that problem#the inverse of this trope where “weak characters win because they are smarter or they just want it more#is also great but is done more because of the popularity of the underdog trope#but yeah I like it I think it’s interesting#throwing thoughts to the void#one piece#big mom#charlotte linlin#gear 5 luffy#monkey d luffy#homelander#the boys#op#superheros#thoughts
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i do genuinely think s7 is decent but even if it wasn’t it’d be like crack to me considering it’s an entire season essentially centred around sam’s trauma. it’s the closest we ever get to the show properly genuinely acknowledging the things it puts him through. which is ironic considering it’s also before many many other things he goes through!
#s7 could literally just have like the first couple episodes and repo man maybe born again identity#and i’d be like Omg this is my favourite :)#oh i also really like amy pond ep. dean killing her is awful and the arc goes nowhere but i don’t care about that part it’s the childhood#sam content for me#like sure yes. for at least half the season they don’t deal with it at all and it’s in the back burner#sam is just quietly hallucinating offscreen while dean does whatever the fuck#and there’s also that becky episode. which the less said about the better#but that beats an entire show of traumatising and violating him again and again and then refusing to ever directly acknowledge it or give#it any narrative attention#i genuinely think s7 is the only full season of spn after s5 which treats sam like a main character#s6 maybe? probably? soulless sam is pretty crucial. but sam doesn’t even have his memories of cage trauma then which bores me (sorry)#but like. s8 only at the end. s9 only really in the first half. s10 not at all. s11 it suddenly seems like they’ve remembered he’s a real#character and ur soooo hopeful until suddenly they just forget again and decide he isn’t relevant#haven’t seen any other seasons yet <3#oliver talks#spn#supernatural#spn s7
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gisele and tom brady have been divorced ever since 2022? also, idk why men go “tom brady, rich and successful” in those discussions, tom brady is only usa famous (here in brasil the majority of people that even know who he is, know him for being gisele’s ex-husband lol), gisele is a world famous supermodel, arguably the biggest in history, she is more successful and worths more
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With Origins’ release… Idk if I want to pick it up. I loved the demo and the gameplay is right up my alley but the story is something that makes me hesitant. When playing a game I cannot ignore the storyline, it’s kind of essential to my overall enjoyment. I really don’t know whether to avoid spoilers so I can enjoy the game on my own or seek them out just to relieve myself.
I guess the ONLY thing I want to know is if Lu Bu is actually a decent character in it. Or more like if I would genuinely like him. Does the narrative acknowledge his flaws? Does it allow him to be vulnerable? Is he a genuinely compelling character ON HIS OWN without overly relying on the women (Diao Chan, Lu Lingqi) to do the emotional heavy lifting (and reducing them to just that)? Does he feel like a human being? Does he whimper? K last one was kind of a joke but I think you get it.
#And the narrative acknowledging something doesn’t necessarily mean outright saying it. It could mean SHOWING that cause and effect.#Y know. Show don’t tell. Don’t tell if you can’t show. Etc. Some things are better said but not everything.#Don’t mind me. Just rambling while on painkillers.#dynasty warriors#lu bu#dynasty warriors origins
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“And by the way, I have a question and don’t fight me because I know how you girls like to tussle” -Khaenotbae on TikTok
The people who blame Sansa for Ned Stark’s death and criticize her for romanticizing Joffrey, do y’all have that same attitude towards Lyanna?
#asoiaf#sansa stark#game of thrones#a song of ice and fire#anti fandom#lyanna stark#y’all only acknowledge that women are victims when it suits your narrative#feminism doesn’t end when it’s a woman character that you don’t agree with#joffrey baratheon#Lyanna stark was also a victim#but y’all romanticized her and her abuser
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Daredevil (1964) #163
#it’s strange to see Bruce frame getting cured as a way to give to the Hulk peace#or even just to describe him as tortured#it’s not that there’s never been any stories where Bruce is empathetic to the Hulk#but it seems to me that the overwhelming majority is more understanding of the ways that the Hulk has negatively impacted his life#or the lives of the people around him#and doesn’t really acknowledge the Hulk as a person much less a person that struggles#seperate from Bruce- the idea that curing Bruce of the Hulk would be a happy ending for the Hulk is also just awkward#because it seems clear to me as a reader that that would mean making the Hulk not exist anymore#and that a real happy ending for the Hulk would be him being helped to live a satisfying life as he already exists#but obviously not everyone sees it that way because a lot of stories seem to narratively rely on the idea that the Hulk should be cured#like characters who have positive relationships with the Hulk expressing that Bruce not being cured is tragic#or stories that are clearly written with the expectation that Bruce failing to be cured is a tragic moment#and it’s not that it’s not entirely#because Bruce is very much a sympathetic character#but the Hulk is the one I’m more personally attached to#so Bruce being successfully cured would literally be a really sad story for me#I think that part of the tragedy of this character is that there isn’t a clear cut simple happy ending to root for#which is part of why I think he’s so conceptually well-constructed for ongoing comic book publication#marvel#bruce banner#my posts#comic panels
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musings because i can’t stop developing cleo
cannot believe i’ve never contemplated how cleo feels about death as a concept. loss is such an important part of her character and yet i’ve never thought about her own relationship with death. i know what i’m pondering tonight boys
i think she’d be scared of dying. really scared. she’s seen it happen to so many people. never once has she wanted to die, but given the opportunity she would’ve taken her sister’s place in a heartbeat. i think that makes her mindset more impactful. she’s been doing everything in her power to survive despite everything.
and she’s so vulnerable compared to her companions. she has to be more careful than them in terms of monitoring her exposure to the infection. because she isn’t like them. if she breathes too much rot she’ll actually fully turn.
blah blah v and jo are physically marked by the infection and serve as persistent terrible reminders that break the veil of normalcy in domestic moments or something like that
cleo has never once wanted to die. she has never stopped trying to survive, and i think that’s why she’s made it so long. she’s gotten lucky sure, but she’s also made decisions in the past that put aside her comfort for her own survival. once the cult wasn’t safe anymore, she fled. she joined v and jo because she felt threatened and because it was objectively safer with them. she has fought, ran, bargained, pleaded, lied, and confessed in situations where it would’ve been easiest and least painful to just gice up and hide away until she starved to death. all to live.
she’s so persistent. that’s one of her best qualities. no matter what happens to her or the world around her she keep going. she will do whatever it takes to keep living.
but god does she need combat training. last time jo tried to rope her into training they ended up playing just dance for 3 hours. they both sucked.
someday i’ll stop needlessly fleshing out this character more. i mean cmon i have her parents professions figured out this is getting ridiculous. she does not have an age tho i didn’t even realize that. because like. when we first made the guys we had like general ages. not like V would like remember and i fully believe that jo would just forget normally. never picked a number. never really settled right. i’d say cleo is no older than 20, since she was in her first year of college at the time of the outbreak iirc. i don’t remember if she ever took a gap year or whatever.
man please know that she will still try to talk her way out of everything ever (learned skill from cas) despite the first meeting writing done by the lad she was so out of it at that time she was like peak pathetic.
i think she steals normal shit around the base. she deffo stashes food when she first moves in w undeadduo. imagine going to take a shower and u open the towel cabinet and 3 cans of pineapple fall onto your foot in rapid succession.
zero idea how i missed this. she’s like 18-19 at the start of the apox then. the age i’ll be my first year of college just so i can keep it straight in my head.
picks her up by the back of her cloak like one would scruff a cat. she yells “WOAH WHATS OVER THERE” and you do not fall for it but she kicks you in the balls and hides under the couch.
a lot of these rant posts r me trying to get my character consistent because she changes so much in my brain. i am going to chalk it up to emotional versatility that stems from emotional guy has to oppress emotions for survival
the second she has any space to breathe she’s going to actually lose it
but also like a side effect of developing the fuck out of her is that i feel like i keep front and centering her. but she’s the only character that’s mine so tf else am i supposed to do other than front and center her. i just post a lot sharing pretty much every step of her development and story in these exposition dumps that’s the only difference really.
it’s collaborative so i can’t go and change the world every time i want. but i can think about and develop her because she’s the more independent aspect of the project. i do what i want ig fiwb
#cvsays#final lives au#sorry i keep like doing this i just can’t sit still even when creating#it’s like if i have this thing in front of me for a long time i have to keep tweaking it and adding to it or i’ll get bored#i’ve been doing this consistently for a really long time#and it’s just difficult sometimes#i have never wanted to control any narrative outside of cleo’s#shit how much is acknowledged in canon is entirely up to the others#genuinely it’s up to you guys how much your characters know about cleo’s situation#and it’s even more up to you how much you engage w it. how involved you are#i’m so worried about forcing a story onto someone#everyone deserves equal opportunity but doesn’t have any obligation to use said opportunity to contribute#i’ve written so many integral parts of the world and i feel genuinely bad about it#i’ve always gotten so happy and excited when the others add to their characters or the world or timeline#this world and these characters are important. i’ve loved taking a step back from the tower and seeing how it holds up#never once have i wanted to pressure anyone into or out of contributing#i just take things and i run with them. and i keep running even when everyone else in the race has stopped to take a breather#i don’t even know what i’m taking about anymore it’s near 1am and i took a melatonin a half hour ago
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been chewing on my Yukiko SLink thoughts for literal weeks and while I’m torn on a lot of elements, I think my biggest Thing about its central conflict is the way Yukiko is never actually afforded an opportunity open up about and to work through her feelings about taking over the inn with said community.
#I’ve been listening to some analysis of p4 that is coming specifically from Japanese YouTubers#so I think there’s definitely a cultural lens of prioritising collectivism over rigid individualism#my view is that if p4 is ALREADY being subversive by arguing that one must acknowledge the truths you’ve buried#otherwise they stand to harm yourself and others (because in avoiding them you ignore the ways in which they affect yourself#and thus the world around you)#and both within the ludonarrative and. literal narrative. one gains strength and resolve by openly engaging with those around us and#forming genuine bonds#doesn’t it stand to reason that this should extend to yukiko and her wider support system#even if she stands to possibly disappoint them?#like nominally souji is THERE. but his nature as a silent protagonist effectively makes him a soundboard to yukiko working out these#conflicts kinda. alone. yknow?#tunes talks persona#ehhhh maybe ‘alone’ overstates it. but idk. I just feel that the way her SLink is structured lends itself to being read as yukiko#processing her conflicts without Really confiding in anyone she stands to disappoint#and then yay? the conclusion she comes to allows her to not disappoint anyone?
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#‘so tired of hearing how two men can be close platonic friends without romantic feelings’#sounds like you have an issue with ryan and not other on the fandom that are choosing to actually acknowledge what he’s saying#instead of pointedly ignoring it like many others are doing lmao#feel whatever way you want about what ryan says (believe me i have somewhat complicated feelings about it)#but trying to make this about other shippers instead of one of the actors that plays one half of the pairing is ignorant#hell oliver said some version of this a few weeks back too but of course everybody pointedly ignored that as well lmao#anyway#that one post is going around that’s trying to paint some shippers in a bad light when they’re just actually choosing to listen to ryan#instead of ignoring him because it doesn’t fit your narrative lmao
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Very tired of people who continue to argue that Bill destroying Euclydia was completely on purpose and he didn’t care about anyone at all because he’s just trying to garner sympathy in The Book of Bill, despite all the supporting evidence outside of Bill’s words that allude to how deeply traumatic it was, (so many, many things about) how he loved and misses his parents, how much of a sore spot the topic is for him, how much he wants to return home but can’t, etc. in addition to how perfectly Alex and co. crafted a parallel narrative between Bill and Ford, including how they hurt the people they love out of carelessness and blind pursuit of their dreams, justifying to themselves that the people they hurt just couldn’t understand
Yes, Bill is an unreliable narrator, and that includes all the very obvious posturing that he did it all on purpose and it was actually a very good thing, that everyone loved him, that he’s NOT incarcerated or anything and that he’s still a really all-powerful being, etc etc etc. To fully believe that EVERY vulnerability he reveals is an evil manipulation tactic, and not actual character writing, you have to interpret his very prevalent denial of weakness, which continues into the conclusion of the book where he already knows he’s lost the reader and is still denying any emotional needs or trauma, as itself a lie.
There’s a reason why the Pines family cracked open this book and laughed at Bill, calling him a fractured, pathetic mess.
The Book of Bill has a plot, a great plot, and great character writing. It’s a crazy companion to Journal 3, Ford’s story. Parallel stories, but where one ends with someone healing from their trauma, coming to terms with one’s mistakes and accepting the need for human love and relationships, the other ends with one stuck forever in their layers and layers of denial, never acknowledging their own trauma, never acknowledging their need for human companionship, grasping in desperate need at their continued facade of hating to love and loving to hurt.
Bill isn’t an always-in-control sly master of the mind, he’s a delusional and desperate man, fractured by his own trauma, who will continue to hurt others to prove that he’s in control. I’m tired of the false narrative that abusers can’t have trauma, aren’t people, giving them this otherworldly status above all humanity. Aside from not being narratively or societally productive, it undermines the ending and message of the book. Acknowledging Bill’s brokenness gives his victims POWER over him. The fact that Bill needs Ford, but Ford doesn’t need Bill is powerful. Them laughing at his desperation is powerful. Looking at someone who once seemed untouchable to you and realizing they’re just a suffering meat sack like any other human being is powerful.
The ending of The Book of Bill is the demystification of Bill. The book is a real look into his mind, telling a story that’s actually very tragic. It’s a very real story, a cautionary tale. You’re not being manipulated or tricked if you feel bad, it’s a very intentional writing decision that this ending elicits that dark pity, as he desperately fades away (arts and crafts materials confiscated) saying that he’s FINE.
So yeah, The Book of Bill and the website are a masterwork of the character, I love them, they’re incredible, and I don’t want to see such a tight character story discredited as “you can’t believe ANY of it!”
#gravity falls#bill cipher#the book of bill#book of bill#gravity falls analysis#the book of bill analysis#bill cipher analysis#billford#? maybe? conceptually? is having parallel negative and positive story arcs about trauma gay folks#thisisnotawebsitedotcom#character analysis
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thinking about how evil is banal on this 8:21am in my work bathroom…it doesn’t matter if elon musk meant to do a nazi salute for hate crime purposes or if he was trying to be funny or if he even meant to do the gesture. he still did the gesture and nazis watched. trump’s intentions don’t really matter either in this context. he’s not a scheming diabolical genius, he’s a grifter who’s good at seizing an opportunity, such as the tiktok situation. but he’s still censoring information on that stupid app and he’s still fostering fascism and he doesn’t care.
it’s this hannah arendt quote from eichmann in jerusalem:
“For all this, it was essential that one take him seriously, and this was very hard to do, unless one sought the easiest way out of the dilemma between the unspeakable horror of the deeds and the undeniable ludicrousness of the man who perpetrated them, and declared him a clever, calculating liar—which he obviously was not.”
the people who perpetuate evil aren’t mustache-twirling villains with grand, dramatic plans to rule the world and crush good people under their boots. there’s no gravitas. the need for gravitas—for evil to make sense—is why antisemitic conspiracy theories are so appealing. but in reality, there’s apathy and greed and really cringe memes. there are people trying to make sense of suffering in all sorts of fucked up directions.
there are people who have no energy or time to care about politics. there are politicians who can’t see the bigger picture and have never looked into the eyes of people they hurt. a lawyer used chatgpt to write a case brief. evil is silly and stupid and in you and in me. fighting evil isn’t noble and doesn’t cohere to narrative structure. but it might start with acknowledging that elon musk did a nazi salute at an american presidential inauguration.
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