#i also like it cause it’s a way to keep the narrative interesting and explain why certain characters don’t just dominate

[sanasanakun]

I guess I find the shipping discourse a little funny because fandoms are gonna create ships regardless of the subject matter. I think really heavy, depressing media creates a need for people to see human connection. It’s like a way to cope, you know? More importantly and specific to this game (Mouthwashing), I also find it a little funny just because the devs themselves seem to be leaning towards ~one~ “ship” by retweeting artwork that depicts them as pretty close and protective. They even did an edit of them on that Florence Pugh and that one white guy romance movie with a “what could have been” caption. Sooo tldr the ship drama is kind of dumb. Please block and move on cause the discourse is taking up space on my feed when I’m trying to look for more art of Daisuke lmao

[kacievvbbbb]

I think it’s interesting characters like Big Mom and slightly even gear five luffy or even Homelander or just generally any superhero from the boys. Who are insanely powerful but find fights difficult or hard against weaker opponents because they lack battle I.q and are easily distractable.

Very might doesn’t always make right.

[theminecraftbee]

for anyone wondering where i've been: i got... distracted... by a potential huge project. I was considering running a mcrp project/smp project, inspired by stuff like fan life series servers, with the rest of the sexyman team! but... a different one. a very specific one, even.

now, I'm aware there are probably outstanding questions, so if you're uncertain, please read more event/server details below the cut and see if it interests you!

I don't know anything about Survivor–what would this show even be like?

so if you know nothing about survivor, it's easy to think it's a show about surviving on a deserted island. it is that, but it's not mainly that. survivor, at its heart, is a social deception game, about making close alliances, betraying people, and social dynamics under pressure–hence why i suspect it would be a great fit for mcrp.

the way the show would be structured is this: a certain number of contestants would be placed on a (slightly modified) survival server, set up to be difficult to survive on. they are placed into two "tribes", the teams for the first half of the show. every episode, they would spend time with their tribes bonding, surviving, searching for secrets, and base building. then, they would compete in challenges. the tribe that loses the immunity challenge must go to tribal council, where they vote on which member to send home. this continues with the tribes eventually merging together into one tribe and immunity becoming individual before there are only two contestants left. at that time, they go in front a jury of their former fellow contestants, who will determine who the sole survivor is.

while challenge performance is one key to winning (as it prevents you from being a target in the first place), the other, bigger key, as you can likely see, is forming alliances and voting blocks strategically to get your opponents voted out and yourself kept in. this makes a great vehicle for social emergent storytelling, where narratives emerge about who is honest, who is a liar, who is good at the social game, who is bad at it, and what people will do in order to become sole survivor.

in other words: it's kind of like what current-day mcrp is ALREADY about. except its a gameshow also, and the very construction of the thing is designed to cause tensions by its very nature.

it's great! and you wouldn't be required to know anything about survivor–our host would explain to the audience all of the mechanics as they came up, as would production staff to the players.

You keep calling it "a show"–what do you mean by that?

the result of this project would be an edited youtube series, like survivor, of likely around twelve episodes. each episode would show footage from the game, as well as a lot of "confessionals" shots of the players explaining their opinions, before ending in tribal council! unlike most mcrp series, this would not be a multiple pov affair. it would be one tightly edited project. (this editing, for the record, is the largest overhead; we expect the amount of footage to go through to end up being in the hundreds of hours combined between all the players.)

it's possible that after the show's finale releases we'll release the players to make their own highlights from any footage they take. but the product we're hoping to make is just a single TV show's worth!

what exactly does applying to be a contestant require?

if we get enough interest, once we have enough of the required plugins and builds created and have a better sense of gameplay, we will put out a casting call form. while this will ask a number of questions to help us get to know you as a potential player, you're going to be REQUIRED to have the following things: a tumblr blog that you can link us to, the ability to record an audition tape in minecraft to send to us (so that we can get an idea of what audio we'd be working with, mostly), enough free time for us to be able to schedule recording sessions into, and a willingness to agree to some rules about keeping things secret until the finale airs and about rp etiquette. that's it! there are no other requirements–you don't have to know survivor, you don't have to already do mcyt or stream, you don't have to have friends, none of it, and while we'll ask you for those details, we're going to be looking for a large blend of people from across mcyt! anyone (who can send us mostly clean audio) can be considered!

EDIT: we would ALSO REQUIRE YOU BE AT LEAST 18. sorry i forgot this before! this is for a number of reasons i don't want to get into, but will be prominent on the actual applications.

what exactly would being a production staff member entail?

we're mainly looking for two things in production staff: a willingness to run replaymod for us and act as cameramen by following contestants around getting footage on the actual recording days, and a willingness to work with us on what's likely to be a fairly intense editing and "scripting" period during and after recording, during which we're going to have to scrub through massive amounts of footage and form it into a coherent narrative. we may, depending on how bad we realize we've bitten off more than we can chew, also end up looking for build team members for the production crew. if these things sound fun to you (they sound fun to me god help me), then go ahead and select this option! just know it's mutually exclusive with playing; no one in the production staff will be considered for the contestants. this includes my friends and myself who've already agreed to help me.

these applications would come out before the casting call, since even before casting call we're going to need to do playtests and dry runs and have things mostly ready. so keep an eye out!

will this be run on your blog?

nope we're going to make a new blog (and youtube channel) (and branding!) for this eventually, just want to interest check before we go through all the branding steps. (also, i've even gotten us a specific gmail for this that we will likely end up using for certain communications.)

for now that's all the FAQ i think that is required. let me know if you have more! and i hope you all are interested in this baby of a project that's taken over my mind for the past few weeks!

[thearchercore]

how rbr socials are trying to control the public narrative around charles (a short essay)

as you may have noticed, rbr socials started posting charles in an oddly increasing pace recently. and there may be more behind it!

you could notice the first big feature of charles in singapore, when they included a video of max and charles with a lestappen sound on an ig reel (carlos was also in that video but not mentioned in the post). then, a few weeks later during the triple header we got max doing the inchident challenge on tiktok. max is known for not enjoying tiktok trends so his input on their tiktok is mostly trivia and challenges because they keep him entertained enough to do it. that post, however, caused a certain inchident renaissance. the old moment between them was already explained in their early f1 years and wasn't really full on brought up after that. HOWEVER, red bull has decided to bring this moment to light with that tiktok.

ferarri, being the reactive masterclass (sarcasm) managed to respond to red bull a day later with another inchident meme (joking about the front row in brazil). over that time, both ferrari and red bull were interacting with each other (for example the old sticker war between the two) and ferrari engaged with charles' paddock endeavours that included max.

the last social post that seemed to include max on the ferrari socials was the infamous "charlie i have some space for you" ig story (which is really funny in handsight). after that, ferrari stopped posting any content with max and charles and has not interracted with red bull in any way. red bull has tagged them in all posts that included charles, but no response from ferarri. which we could see as the first switch.

then, back at it with rbr. charles and max are basically glued to each other in las vegas, they reposted the joint sky interview they did, and kept posting charles throughout the week as if he was their third driver. during that time, charles and max are asked not once, but TWICE about their karting days, and get pretty personal with their answers. during those, inchident is referenced once again.

it seems like red bull wants to highlight max and charles as a pair, not exactly as rivals as they were always painted to be. they may be rivals on track, but they seem more than friendly as of late, so there's no point in saying they're not getting along -- what if rb put this old moment from their karting days in the spotlight bc it highlights their entire childhood dynamic. it seems to me like they want to create a public narrative of max and charles being friends with long history instead of the classic rivarly, and ferrari clocked it before vegas and banned anything from their own socials because of it. it may also reflect the stage of negotiations between charles and his possible contract renewal with ferrari / possible pre-contract with rbr. because this is the exact process of how to soft launch a press announcement: organically drop hints -> create speculation for engagement -> ignore the speculation but continue pursuing the hints to spread the speculation narrative further -> proceed with the process and let the speculation die down right before the announcement -> drop the announcement

i'm not saying that they're cooking something major, they could be, but it's definitely interesting how they're trying to twist the general public's opinion on max and charles as a duo, a pair. and ferrari's sudden silence on their interactions with red bull/features of max on their instagram makes it even more suspicious.

[year2000electronics]

Ford is such a fascinately flawed character, If he not keep in check he unintentionally brings ruin to everyone around him.

this is literally how i feel talking about ford. ^

because dont get me wrong at many times i am a ford defender when people slander him for the wrong reasons, but also a lot of the time i will be like "YOUR HONOUR HE DID THAT SHIT AND I THINK HE WAS HOT WHEN HE DID IT" and then at other times i will be like "YOUR HONOUR HE DID THAT SHIT AND ISNT IT AMAZING THAT SUCH A COMPLEX AND FLAWED CHARACTER IS NOT DEMONIZED AND VILLAINIZED BY THE NARRATIVE BUT INSTEAD GIVEN A CHANCE TO GROW". so a lot of the time i just end up walking in circles rotating him a lot because i end up wanting to play devils advocate from like literally every angle of "so how much harm did ford do Really"

but i think when you look at ford in the show, hes a very interesting character, specifically because he's this very "loadbearing" character. he's the author, so he has to be the driving force behind the mystery, but he also has to have met and have ended things badly with mcgucket, so we have their falling-out as a tease to the mystery. we need him to cause conflict in the show thanks to his arrival, so he'll do some unlikable things like punch stan and demand his house back and offer dipper the apprenticeship. but he cant be TOO unlikeable because this is a member of the family stan has fought for 30 years to get back, and he also needs to be integrated as Officially A Pines in the VERY limited time we have with him on screen. not only that, but you have to explain his entire backstory in one episode where he harms and is mean to a character who has had two seasons' worth of love behind him SEVERAL TIMES. but you also need to make us feel for him, and you have to make stan's part of the conflict sting too. and THEN! ON TOP! OF ALL! THAT! YOU ALSO NEED TO PAY-OFF THE SETUP YOU HAD OF BILL CIPHER AND THE AUTHOR'S MYSTERIOUS RELATIONSHIP!

and so a lot of the time what i end up thinking is yes, ford is flawed. yes, he can be really callous and unfeeling at times. but i think because he's constantly needing to carry like 10 different plot elements on his back at once, constantly needing to drive conflict along, he ends up being really divisive to people- especially since he has no time to just goof off like everyone else!

so i circle back to this idea of ford as the "ruin-bringer". i think about that wording most meticulously. because that walks this VERY delicate line between saying something about fords character, his flaws, his backstory, and dipping right into "omg lets blame ford for EVERYTHINGGG!" but you think a lot about ford and his self-isolation and his EGO and the way he lifts himself above others both out of pride and out of shame.

ford is almost doing that to himself, really. making himself this common denominator black hole that people keep getting sucked into. because he is of the opinion that there are Special People who need to rise above, he ends up either isolating himself or isolating others to Join Him on the Path. and obviously that in and of itself is a gesture of companionship, of reaching out, because he says "i see the same greatness in you that i do myself"! but of course there IS no secret hidden greatness! so its all inherently flawed! you cant be rising above simply because youre "special" and you "deserve it"! but "special" is the only thing ford knows how to be!

ford is deeply hurting i guess. he seems deeply hurt the way that stan does to me, where everything he does just BLEEDS his trauma. you can see it staining everything. stan's need for companionship and ford's self-isolation. ford's hurting and he needs a healthy outlet but he has a path of destruction in his wake. and that just makes it so much crazier

[alyona11]

Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.

So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.

I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.

Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.

First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.

And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.

From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).

I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.

So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?

I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.

[mcclainwilla]

JJK 271 spoilers under the cut!!

So, with the leaks out and the series (un)officially over, I wanted to offer an alternative (NOT optimistic, but accepting) perspective to how things ended...

...specifically with Gojo.

I am a Gojo lover. I am a tragedy enjoyer. And I believe that both the (implied) return of both Sukuna and Kenjaku and Gojo's shitty posthumous treatment by the rest of the cast boil down to the same themes that have defined Jujutsu Kaisen from the start.

Jujutsu Kaisen has a punitive narrative. When a character fails to honor their goals, retribution is swift and severe. Itadori failing, continuously, to guide people to proper deaths. Nanami failing to keep his juniors safe in Shibuya. Geto failing to follow through on his own ideology. Jujutsu Kaisen also has a circular narrative. Its characters' storylines are defined by the generational curses that haunt jujutsu society. Gojo and Geto were thrown at missions like grenades until Geto finally went off. Ten years later, kids are still being exploited for their talents. Itadori, for all rights and purposes, died in the juvenile detention facility. The Shibuya task force was like, at least 50% high schoolers. Nothing has changed, despite Gojo's dream of fostering strong and capable allies who will overturn the system.

Now, about that. Gojo stated his intentions multiple times throughout the manga. He wanted to break the cycle. But that panel showing Sukuna's finger? Not surprising at all. He failed to break the cycle. Why?

Because without concerted effort, there will be no true change.

That is the point of Jujutsu Kaisen. It always has been. We ended up right where we left off - with the looming threat of Sukuna in the form of a surviving finger - because no one made an active effort to step off the tracks; instead, everyone combined their forces to push back against the train. Sure, the train stopped - Sukuna was exorcized, mostly - but trains have engines, and when jujutsu society grows complacent, the old order will begin to creep back into place.

There's another way of saying this. We ended up right where we left off - with kids as cannon fodder - because Gojo failed to consider that he couldn't dismantle the system from within the system. And the worst part is, he figured it out, right before the end.

Too late, Gojo realized his plan of a peaceful coup would never come to fruition. He realized he would have to take tangible, violent action in order to have even a chance of guaranteeing his students' futures. But because he was too slow to realize this, the hammer dropped, he failed, and died. And now, his kids might get to live to see another day, but they live to see another mission, too. And another Sukuna finger, and another Kenjaku. No one's efforts were focused enough. Like Yuki said, they were treating symptoms, not causes.

What's interesting is that this 'concerted effort' clause can also explain Gojo's apparent insignificance to the surviving cast. After Geto left, he leaned into the role of the Strongest, because there was nothing left for him to be. He took missions. He automated Infinity. He only started teaching so that the next generation wouldn't be lonely - he mentioned nothing of how that revolution would impact himself, presumably because it was of no importance to him. He'd already given up on having the very thing he tried to build for his students.

You can, actually. You can ask a flower to understand you, but you would be insane to do it, because it won't, obviously. So why would you bother?

Gojo never bothered. He let his loss haunt him for the rest of his life and never tried to put it behind him (or if he did, he did a shitty job at it). Instead, he let it motivate him, guide his choices, hollow out his heart. And in his death, he reaped the consequences of refusing to reach out for companionship: by making himself into a weapon, rather than a person, he was used, rather than mourned.

(But even though he knew he would die in the fight against Sukuna, he still wanted Itadori to keep going, to have hopes and dreams! It would be better if the world no longer revolved around 'the Strongest,' because that way, no one would have to be alone! What a nice dream. What a shame he only fought 'til blood at the end - first the higher ups', then his own.)

It's not comfortable to look in from the outside knowing that, after all that sacrifice and loss, nearly nothing was gained. But imo, it's not the thematic reach some say it is.

Jujutsu Kaisen was never about curses. It was about consequences.

[dittaturamonegasca]

I think there should bé a fic where anyone from the grid would be third wheeling Landoscar, like, have you seen how these two interact.

So, I lack the ability and the time of f1writingbyme and LestappenForever to make this idea into a proper work like they did for "How (Not) To Third Wheel Lestappen" (check it out on Ao3 if you haven't already, definitely worth it) BUT BUT BUT, I can tell you how I think most of the grid would react in third wheeling Landoscar!

1) I feel like we should spare Checo, cause honestly this man has had enough as third wheel of Maxiel and Lestappen, I don't wanna give him extra traumas, SO –

2) Logan Sargeant: this one I really feel guilty about. Cause I like the narrative of him and Oscah being besties and still I cry over the sad edits of Logan just left behind. I think Landoscar with Logan has the most space for improvement?? I forgive Oscar even tho he definitely ghosted the poor Logan for the whole honeymoon phase with Lando (it's been almost two years, Osc, get a grip). I have a feeling Logan will speak up at some point and this would shake Oscar a little, so maybe he would be the more aware and more involved third wheel, possibly? They'll end up doing triple video-games championships with Lando and Logan mocking Oscar's gaming skills, mark my words.

3) Carlos Sainz: my man how does it feel to know you've wasted your chance (multiple chances, lets be real) for good? I have mixed ideas about this one, cause I think it would probably being more like Lando struggling to keep them both as close as possible resulting in Oscar being rightfully jealous 👀👀 so the third wheeling situation would be like Lando trying to involve a very annoyed and confused Carlos in their things (safe for work, ofc). I don't really see a way out of it.

4) Daniel Ricciardo: I mention him but I can't really explain cause honestly my idea of Daniel third-wheeling Landoscar is either him babysit them around Australia and bonding with Oscar over weird aussie habits OR OR OR something very NOT SAFE WORK so ( ... )

5) Max Verstappen: I love to think he'll remain an unbothered king, you know? Like he's well aware and a bit upset that his crepes companion invited someone else (beside from Daniel) to their dessert dates and that the two of them acts like lovebirds even without an actual physical contact. He'll probably send SOS texts to Charles and Daniel until a topic of (his) interest comes out and honestly at that point the power of maxplaining will win over pretty much everything and everyone. At the end of the day Landoscar turn out to be the real victims.

6) George Russell: poor thing was originally invited for a golf morning from Carlos (Landoscar were already supposed to attend), but Chili called off last minute so Georgie ended up with just the others two. LET ME TELL YOU he jumped off the golf cart cause he saw Lando placing a hand on Oscar's thigh and feared for his life. It took several minutes for them to notice he was aggressively walking behind. He was also hit by a golf ball because Oscar distracted Lando for a second too long, I guess you can figure out the rest.

7) Special mention to the PR and the McLaren team in general who's main job rn is having them to SIMPLY F O C U S outside the pit for like interviews and debriefings. I can picture Lando losing it after hearing a single compliment like "SO YOU THINK I'M PRETTY", cause ✨babygirl✨ energy hitting here and there, even tho he has tried to be somehow a model for Oscar, at least for what concerns work. Indeed I pity trainers and strategists bc ofc Oscar listens at them, but image them trying to explain a concept to him just for Lando to get there and rephrase it in the dumbest way possible and Oscar going like OHHHHH NOW I GOT IT, COULDN'T YOU EXPLAIN IT THAT WAY?

8) This is mostly a guilty pleasure but do we all agree they torture the entire f1 group chat with their subtle flirting?

IDK if this was what you had in mind but I really REALLY had fun writing it.

So let me know what you think in the comments down below, if you agree or if you want me to make it longer and/or more detailed or just to focus on a specific one in particular?

Again, my dms and box section are open to discussions, requests and any sort of (respectful) thing!

PEACE OUT 🤌🏻❤️

[quinnydoll]

You should watch Eureka Seven

So there's this neat little show I watched before I turned 10 when I couldn't understand a goddamn thing, and it caused me to think about the cool aesthetics of giant robots flying around stylishly on boards as naturalistic trails flow behind them.

I rewatched the show recently with my lovely nesting partner, because I wanted to revisit its world, and I was offered so much more than I remembered. Yes, the show is absolutely what I just described in the previous paragraph/run-on sentence(fuck you this isn't a school assignment) but it's also SO MUCH MORE.

I'm not going to beat around the bush, there's a singular gif I can show people that usually convinces them to watch it with the added info that this isn't just a super highlighted moment, it's just what the show looks like:

(side note: if you haven't seen this show in its entirety, do not, I repeat DO NOT search for gifs of it on this site, never have I ever seen such a dense wall of spoilers)

Still with me? I'd hope so after that display! Also, for non-mecha fans, PLEASE I am begging you to still give the show a chance, it's so worth it!

So we need to start off with this show's worldbuilding. The giant robots can wait, because first we have to address the most glaring thing: everyone seems to have access to these boards that seemingly allow them to levitate and travel in midair on these almost fluid-like trails. These are explained as Trappar Waves, and not much is explained about them early on. I'm going to keep my explanation brief, because it's way more satisfying to watch the mystery unravel through the course of the show.

Basically, the planet this takes place on is full of these waves, and that's one of the main things that everything relies on, and why we can see effectively airships that are just perpetually suspended in the air without need to refuel constantly. This is what allows them to stay up. Also the reason why we see characters with their nifty little boards. Oh yeah, the giant robots have those boards too.

That's the main thing I wanna address about the world of this show, because explaining the rest would genuinely spoil so much of the show, and the experience would be extremely reduced by me explaining. Just trust me, it's really good.

Now, the format of the show is actually masterfully done. The first arc involves the immaturity of the main character, and the format of the show reflects it heavily in the very slice of life format as our main character is enchanted with the conditions he's been put into. At this stage of the series, it's not very serious, and its stakes are pretty low.

As it progresses though, it eases you into a far more coherent overarching narrative in a way that feels really natural and well done. You'll never really "notice" the point at which "shit gets real" or anything, you'll just find yourself way more interested in the bigger picture of what's going on, because the show puts a larger focus on it.

There's a romance story in it too, and it's actually really well done, which is something I haven't really seen effectively done in a lot of action anime, but I think in this case it's because they don't really treat it like a "subplot." They do a really good job of tying it into the main story, and they make it feel pretty real as a romance, and by the end, the payoff is the most satisfying one I've seen of really any romance plot that isn't necessarily the actual main focus of a story. I genuinely feel like they could've conveyed the story they did without the romance plot, but something truly impactful would've been lost had they gone that route.

I think it's not unfair to compare this show to Neon Genesis Evangelion, but at the time, it would be doing both stories a serious disservice. Evangelion is a really effective exploration into nihilism and mental illness, but Eureka Seven feels like a direct response in the way it delivers its story. It feels like it did a Better Rebuild™ before the Rebuild movies even came out.(let it not be said that I don't like the Rebuild series, it's legitimately in my top ten.) Early on, they communicate a lot of the same themes, but then Eureka Seven diverges hard with how it explores the intricacies of interpersonal relations and how people will strive to do better and how people can genuinely be better to each other. I feel like the way it delivers that is genuinely way more effective than even the extremely cathartic conclusion to Evangelion 3.0 + 1.0.

Seriously though, if you're not interested in watching this show, I don't know how to convince you. It's truly a fantastic show, and it's honestly taken the spot of "favorite anime" in my book. I am no longer a Gundam fan, but an Eureka Seven fan who also likes Gundam. You're going to love this show, even if you're not into mecha anime.

[sepublic]

Vee has the parallels with Luz that make her reconsider the choices she made, while also foreshadowing for the Day of Unity, and so forth. And I think Vee has the additional narrative function of complicating the idea of Camila just moving to the Boiling Isles, too; As uncomfortable as she still is four years later, Camila’s a supportive mother so fans naturally figured she’d make the sacrifice of moving to the Demon Realm for Luz’s sake, so Luz wouldn’t have to worry about leaving her mom behind. But with Vee’s introduction, it’s not that simple; Because Vee is someone who really wants to stay in the human world and even has her own friends there. And Vee is family, she’s Camila’s other daughter so she can’t just leave her either.

In a way, Vee is like the extended family Camila and Luz would have in the human world, that would deepen the ties they still have with it. Though I would’ve loved to explore their Dominican heritage via their biological relatives and other aspects, to emphasize what’s connecting them to the human world… That said, with Yesterday’s Lie being written after the crew learned of the shortening, I can see how the writers settled for Vee serving that purpose, because she already pulls off the other functions I mentioned before; It keeps things concise when the show’s runtime led to established setup like the Bat Queen’s owner or half of the coven heads being left unexplored. ‘Creepy Luz’ had already been introduced in S1, so there was a prior obligation to explain something already connected to the Nocedas.

And I can see the ties to Vee adding to Luz’s guilt, because in addition to Vee’s existence suggesting to Luz that she never needed to leave in the first place (which is of course a logical fallacy, but her trauma-riddled brain understandably isn’t being rational), it also makes her feel obligated to stay in the human world. Because Camila obviously wants to look after Vee too, and Luz wants stay with her mom, which means all three Nocedas might have to stay in the human world to make that work, since they aren’t certain about there being a new, permanent portal to normalize travel.

There’s now a new layer to her conflict; Luz wouldn’t want to force Vee to lose her own family again (first her fellow basilisks, then Masha and co. when Luz reclaimed her identity), because she doesn’t feel right making that decision for somebody else who she’d tell herself has had it worse. As for Vee, I wonder if she felt obligated to find her fellow basilisks back in the Boiling Isles, and hoped to invite them to the human realm to stay together… At which point, at least Vee can have it both ways, to Luz’s relief. And after her guilt in helping Belos, for Luz her sister would’ve been almost an excuse not to go back to enjoying the Demon Realm.

Because doing so means allowing herself to try being happy, it means letting herself pursue her dreams again, whilst forgiving herself. And in her repentant state of mind, that would’ve been difficult for Luz to accept; That it’s okay for her to keep trying to be happy and consider what she wants. It means facing her guilt by moving on, and taking risks by allowing the possibility of mistakes again; She’s allowed to make mistakes, and Luz shouldn’t have to fear them because of repentance for whatever harm she might cause.

And in the end, the Collector helped to create a new portal; And because of that, everyone could be happy. Vee didn’t have to abandon her new friends and home, but she didn’t have to lose her new mom and sister either; Similarly, Luz and Camila wouldn’t have to forsake a fellow Noceda, as well as everything else about the human world they still held dear, such as their culture.

On Vee’s end, she can also be reunited with her Basilisk family, who now live at the University of Wild Magic! So Vee could still have her own ties to the Demon Realm that she’s allowed to keep, and not be the only Noceda sister interested in maintaining contact; Her siblings still seem fond of the isles, so they too have it both ways with family and their home. In that case, the entire Noceda family —Manny, Camila, Luz, Vee— really is a family of immigrants navigating two worlds at once! Luz might not have been so alone in her dilemma after all, which is another thing for her and Vee to bond over, and a reassurance for her wish because Luz is understood not just by her mother, but her sister as well… It was always available for Luz to work with Vee about what they wanted once the situation had settled.

And finally, Luz can still explore the Demon Realm and hang out with her friends there, while studying its magic; Her quincenera having both families of both worlds, mixing in aspects of her Dominican heritage with the Boiling Isles’ take on things, perfectly encapsulates all of this. None of this would’ve happened if Luz hadn’t let herself go to the Boiling Isles again to help, because she was needed to speak to the Collector, after all, and they helped reconnect the worlds. And she wouldn’t have kept visiting after returning to the human world had Camila not helped Luz forgive herself for loving the Demon Realm.

[sweetvoidstuff]

Hi, how’s your day going ? I wanted to know if you could do Cha Hyun Su x Thick Black fem or Black Fem reader , they are in a relationship since high school (season 2) after Hyun su left/turned his self in reader thought he was dead but he was watching over her and their son (he thinks it’s a random child) but one day reader is in danger (monster , creeps , honestly up to you ) and Kong (son) cries which Hyun su (and ah yu) hear and follow only to be met with a kid that looks like he’s on fire as he’s cracking a guys neck causing him to burn up and reader who’s trying to calm down son

Reunited II Cha Hyun Su x Reader Request

Summary: After Cha Hyun Su, thought to be lost, secretly watches over his love and their son, from the shadows, a perilous night unfolds.

Disclaimer:

Life ist good, work is stressful but fulfilling. I hope you have a nice day as well.

I must admit, writing for a specific skin tone has proven to be quite a challenge for me, so I've intentionally left it vague to ensure that readers of all backgrounds can enjoy the story. It's a delicate balance, and I want everyone to feel included in the narrative.

Additionally, I want to express that delving into the topic of teen pregnancies is something I don't feel entirely comfortable writing about. I appreciate the request to explore various themes, but i had to acknowledge my own boundaries. Despite these challenges and reservations, I sincerely hope the story resonates well with you. Writing can be a journey of growth and learning, and I hope readers appreciate the request and my way of storytelling while staying true to my comfort zone. I'm grateful for the opportunity to try something new.

Hyun Su had always admired the strength of your character and the resilience of your skin. He often whispered sweet compliments about your enduring beauty, leaving you with a blush that betrayed the turmoil within his own heart.

After losing his memories, he turned himself in, leaving you with the heavy burden of grief. Upon regaining his memories and taking care of Ah Yi, he distanced himself to keep you safe. Unaware of his fate, you believed for a while that the love of your life was lost forever, carrying the secret of your unborn child.

Unbeknownst to you, Hyun Su kept a vigilant eye on you and the son you both shared, Kong. He observed your lives unfolding from the shadows, a mix of pride and pain welling up within him as he saw you evolve into a strong, capable mother in this unforgiving world.

One fateful night, as you and Kong walked home, danger lurked in the shadows. Unseen scavengers closed in, their intentions sinister. Ex-military individuals with a dangerous interest in a young mother and her child.

Kong, sensing the impending danger, began to cry. As cries echoed through the night, a fiery presence emerged. Hyun Su and Ah Yi, on one of their nightly walks, heard the commotion close to where Hyun Su expected you to rest for the night. They followed the screams, only to witness a scene that defied explanation.

Kong, surrounded by an otherworldly flame, held a man who had threatened you. The assailant's neck cracked, and he burned up from the inside.

You stood nearby, attempting to calm Kong and your own racing heart down, having seen this sight once before. The flames surrounding him subsided as he looked up, his eyes mirroring the intensity of the fire—too angry for such a young child.

"Y/N!" Hyun Su called out, his voice filled with a mix of shock and relief. "Are you okay?" Hyun Su asked, his voice filled with concern as he approached. You were surprised to see him, but also sooo very relieved.

"He saved me, Hyun Su. Say hello, Cha Kong," you explained, still processing the surreal events and nudging your son to be polite.

After reciving a short shy nod from the boy Hyun Su looked at Kong, a mix of confusion and realization crossing his face. "Cha? Is that... our son?"

You nodded gently, "Yes, Cha Hyun Su. This is Cha Kong."

The weight of the revelation hit him, and he knelt beside Kong, embracing both of you. The family was reunited, and though the circumstances were bizarre, Hyun Su was grateful to be back with you.

"I'm sorry for not returning sooner," he apologized, his voice choked with emotion. "But I'm here now. And I won't leave you again."

As you held onto each other in the midst of the unexpected chaos, Hyun Su showered you with compliments about your enduring beauty, vowing to protect both you and Kong from whatever dangers lurked in the shadows.

[moongothic]

It's so funny to rewatch pre-timeskip OP now that I have Terminal Crocodile Brainrot, because like. I don't think I ever really realized how the man just HAUNTS the narrative after Alabasta all the way until he's "reunited" with Luffy in Impel Down. How he keeps on being mentioned time and time again, the story never letting us forget about him like so many other villians Luffy had defeated thus far

Aokiji mentioning part of the reason he let Luffy escape with his life was because Luffy had dealt with Crocodile

That revolutionary explaining to Dragon how Luffy had gained a large bounty after causing not just an incident in Enies Lobby but also was the one who took down Crocodile

Blackbeard targetting Luffy and then bringing in Ace because he wanted the vacant Shichibukai seat from Crocodile

Kuma arriving at Thriller Bark to talk to Moria about the incoming war and how the Government was concerned about him fighting Luffy when Luffy had been the one who took down Crocodile

And let's not forget Miss Goldenweek's cover story during the CP9 Saga, letting us know ahead of time where Crocodile was heading

Not to mention the whole build-up to the reunion during Impel Down. Like the way we cut to Ace and Jinbei a few times and get to see Crocodile('s hook, primarily) as a little tease, and then there's also the few times he gets name dropped by other characters, constantly reminding us that He's Here (like Domino, who mentioned Crocodile taking the traditional 200 Celcius Bath at the prison's entrance like all new prisoners do without batting an eye, or Iva-chan who mentions to Bon-chan that their former boss was being held at Level 6 with Ace). But then there's my favorite, more subtle thing, where Impel Down essentially does a Baroque Works Countdown to reuniting with Crocodile. At Level 2 we reunite with Mr 3, Level 3 we reunite with Mr 2, Level 4 we get to see Mr 1. Skip ahead to the final level and there he is, Mr 0 himself. Like that's a fucking countdown, and it's so cute to me lmao

I dunno man, the way Crocodile haunts the narrative pre-timeskip is so cool in hindsight to me, the way Oda never truly let us forget about the man. And it really makes the way he kind of disappears from the narrative after the Summit War until the Final Fucking Saga so interesting. Like yes, we do get Two Whole Glimpses at the man in total during Dressrosa and Whole Cake (and there's minor stuff like in Punk Hazard when Luffy, Smoker and co are captured Luffy compares it to the time they were "held captive in Alabasta"). So he did keep on haunting the narrative. But it got far more quieter, those regular reminders that Crocodile exists are almost gone. And that's facinating, 'cause during pre-timeskip he was in fucking prison. Like he wasn't up to anything, nefarious or otherwise, 'cause he was behind bars, and yet the story would not let us forget about him and his impact on the story. Post-timeskip the guy's a free man, and yet we heard nothing about what the fuck he had been up to UNTIL Cross Guild happened.

I dunno man, it feels like a lot of weight to put on a character if he's not meant to become actually important to the plot

[withthewindinherfootsteps]

MDZS – Prologue thoughts + analysis

"Great news, Wei Wuxian has died!"

(In was, in fact, not great news)

Jokes aside though, what a great way to start your novel – it immediately intrigues you, especially since you likely know WWX is the main character from the blurb at least*. It also introduces one of the main themes of the novel right off the bat, ie scapegoating and mob mentality – not a word is wasted. And I love how it clearly lays out all the things that will be explored/contextualised/proven false in later chapters. In order:

Jiang clan 'adopting' and teaching WWX (proven false/contextualised) – they did take him in and teach him, but it wasn't a full adoption, he wasn't of equal status. Though it is true that he'd be living on the streets otherwise. Part of the reason rumours are so hard to distrust is because there's a grain of truth in them. Also, it's cool how apart from his death, this is the first thing we hear, and the first flashback also takes place in this period!

WWX defecting (contextualised) and leading to the Jiang Clan's near-extermination (proven false i'd argue, at the very least heavily contextualised). It's interesting that they seem to asociate the fall of Lotus Pier, which happened a few years before, with WWX's ('evil') actions now, though it does make sense – but also I wonder how did people came to that conclusion? Did they just make associations themselves (WWX is evil –> WWX was taken in by the Jiangs –> Lotus Pier was destroyed a few years ago –> WWX was there –> WWX caused it)? Did JC mention it to people deliberately, since we know he blames WWX for it? Did people hear JC mentioning it more privately (expressing anger, he does not hold it in) and spread the rumour themselves?

WWX's 'demonic' (ghost) cultivation being the reason for him turning evil and his eventual downfall (proven false, there are some great metas on how guidao isn't actually corrupting. See: how WWX keeps using it in his second life and is completely unaffected, and how in his first life he was suffering from way more stress and a lot of trauma – especially SunShot era – which could easily have explained the seeming change in behaviour during that time. Same for Qiongqi Path and Nightless City)

WWX massacring 3000-or-5000 people at Nightless City (heavily contextualised, reasoned with a little during the Second Siege. I have more to say on this but we'll get to it in time).

And then various other things, eg emphasis on how necessary it is to cultivate the righteous path or else – despite the discovered irony of 'righteous' cultivators besieging and killing 50 innocent people, while the 'demonic' cultivator is the only one protecting them – along more information about WWX's death (most of which is confirmed by passing words/thoughts of WWX) and the destruction of the Yin Tiger Tally.

But the things listed above are said first, which is quite important. MDZS is very much a mystery story, both for WWX, LWJ and often the Juniors uncovering the clues about the missing body parts – but also for us readers, as we find and piece together the missing knowledge and context WWX's past, and the full story hidden behind it. And it's so cool how MXTX lays out what we'll explore (our leads, if you will) so clearly, within the first moments of the first chapter of the book.

(If you want to go there, just like how WWX found his first lead/motivation to investigate within the first few (relative) moments of being brought back to life, with the hand at Mo Manor, but I might be reaching a little too far... anyway parallels in MDZS narrative structure I love you so much)

Other details in this chapter:

I love how this comparison is used:

Having read the book, we know there was a very recent war, so this speed/comparison would be very familiar to everyone! A subtle way of setting up and showing the efforts of the Sunshot Campaign, though you wouldn't recognise it the first time round.

Admittedly we don't know how subjective/exaggerated this POV is, but there is evidence for the fact that hundreds of smaller clans participated (or at least wanted to participate before Nightless City..?), judging by the fact that three thousand cultivators gathered to plan to kill him. Surely that's not just the Great Sects. But on the topic of that, yup, all four sects were involved (I don't think it's disproven later, and all four sects did gather at Nightless City as well**), there's no one 'good one' that wasn't corrupted or complicit.

Even by just reading what the crowd says, it's cool how you can tell that at least some of what's being said is untrustworthy:***

Already, they're contradicting information and exaggerating rumours – also note that later on at the Guanyin Temple (Hatred 2), LXC, someone I trust more, says three thousand when talking about the number of cultivators at Nightless City (even not considering what WWX said during the Second Siege). That contradiction and exaggeration does make you doubt what they're saying a little already! As well as the fact you know there's more to the story due to, again, WWX being the main character.

This is heightened by everyone saying, later, that if WWX returned, 'the cultivation world, or even all of mortal land, would be faced with the most insane damnation and revenge, sinking into nothing but chaos and despair' – something immediately disproven in the beginning of the next chapter, immediately suggesting that a lot of these rumours are much more untrustworthy than they seem.

His death here is made even worse by the belief that (iirc) the state of your body after death affects the reincarnation of your soul...? That definitely contributes to the 'karma' the people mention in screenshot after.

This hurts already, but hurts even more after knowing WWX's fear of dogs due to them always biting him when searching for food...

--

*I wouldn't be surprised if this opening plays a big role in why why MDZS seems to have the biggest following of all MXTX's books. Openings are probably the most important part of the novel, since you start with no attachments that would make you keep reading, and MDZS absolutely nails it. I love it so much!

**Off-topic, but I do wonder how painful being at the meeting at Nightless City (before WWX showed up) was for LWJ...

***I'm curious about this extract, actually – the 7S translations has an extra line/distributes this differently? If anyone knows the original Chinese, I'd love to know which one is more accurate.

[missbubblesoda]

early in the morning, especially when it rains, and a little before noon. (19)

erwin x fem!reader

chapters: (1) | (2) | (3) | (4) | (5) | (6) | (7) | (8) | (9) | (10) | (11) | (12) | (13) | (14) | (15) | (16) | (17) | (18) | (20) | (21) | (22) | (23) | (24) | (25) | (26) | (27)

summary: I basically took Isayama’s work, forced it into a romance story, and made Erwin the love interest. Commander meets cadet and they fall in love (not instantly though)

notes: very berry canonverse (but some events were modified to fit my narrative), wasn’t intended to be this long, but it all is in the details right?

content warnings: smut where it fits (or where I make it fit. Also, reader is NOT underage, so likewise, MINORS DO NOT INTERACT, please.) slow burn (I really mean it. I’m not olympic diving into any form of smut for the first chapters.) no angst. I dislike angst. I would never. I could never. (Although angst can be somewhat subjective so take it with a grain of salt?)

wc: 2.7k

It was the kind of morning that encouraged the wearing of many layers. The thicker the better. And Sasha, who looked busy feeding soaked hay to the horses of a nearby stable, seemed to have reached that same conclusion before leaving her room that morning. You observed her as she struggled to drain the wet grass without dipping her fingers into the water, and realized you didn’t remember what she looked like under her scarf and wool hat.

Was this winter ever going to end?

The calendar gave a rather optimistic answer, but the weather seemed to be so very in love with the snow, and it didn’t look like it was letting go of its lover anytime soon.

You rubbed your gloved hands against each other and noticed how this was the first time you actually felt cold this season, even though the harshest days were already long behind. But back then, when low temperatures would make everyone complain, and the biting wind would paint their ears and fingers all shades of red, you could rely on your memories and the pleasant fire they lit within. And back then, you also had his body heat to keep you warm.

You glanced at the man standing beside you, his attention completely lost somewhere in the woods before him, and his hand, idly hanging to his side, looked especially inviting under this weather. And you wished you could reach out and take it, but you weren’t sure he would let you hold it.

His breath, turning into white mist as soon as it left his body, was clearly visible against the somber, almost starless twilight sky. His eyes were also a dark shade of blue this morning, and they seemed just as gelid as the sudden gust of wind that caused you to wrap your arms around yourself, rubbing your shoulders as you tried to shrink your body to a size that would be too tiny for the cold to spot.

“You can wait inside if you-”

“I’m fine.” You rushed to say, before realizing the hastiness in your voice risked coming across a little discourteous, and he was your boss after all. “It will start warming up once the sun rises a little more.” You explained, this time trying to soften your voice with a smile, a smile that you hoped didn’t look as unnatural and stiff as it felt on your own lips.

Yes, you had no doubt that the weather would warm up soon, because like a promise kept, the sun would always rise in the morning. And, as you thought about such kind of tacit, unspoken promises, you glanced up: The sky didn’t promise snow today. Maybe it would warm up a little after all.

But, was it really a promise or just your own foolish assumptions? In your case, there was always a bigger chance that it was the latter, and, therefore, throughout the years you had learned to not let yourself get too hopeful about things. That way, when it did snow later and you found your feet stuck under six inches of snow, buried so deep that you couldn’t move backwards and neither forwards, the disappointment wouldn’t hurt as much.

You could tell his eyes were on you, but you didn’t feel like looking back. Instead, you tried to find if there was even a single star still visible in the sky.

It had been almost a full week since he went back to work, and make no mistake, you were happy he did. You were glad to see him instead of the sad empty chair your eyes had been constantly met with for the past six weeks or so. However, it had also been a week since you moved back to your room. A full week since you last heard the raspy good mornings and lulling good nights he would whisper against your ear. A full week since you last engaged in any form of conversation that didn’t have the words ‘maintenance budget cuts’ or ‘decreasing staffing levels’ in them. A full week since you last saw him smile. At least at your way.

And most importantly, it had been a full week since you last felt the reassuring warmth of his lips against yours, and the sweet comfort of his arm around your body. A full week since you told him some very big words. And a full week since he didn’t say them back.

But, could you blame him for that? Not really, and you weren’t mad at him. Because, now that you had a lot of time to spend in the loneliness of your dark room, you started to consider the possibility that maybe he had his boundaries; and that maybe, just maybe, you had been overstepping them lately. Or who knows since when, to be honest.

There was something, however, that you knew very well.

You knew that the life of the Survey Corps’ Commander was already difficult enough as it was, and that he didn’t need any of his subordinates to make things more uncomfortable for him, whether that was with their irrational requests or the unsolicited confessions that left their mouth when they were in bed together. And, all things considered, you figured he could go back to sleeping alone. Not to mention he must be craving some personal space as well. After all, you had practically glued yourself to his side for a month.

As you let your mind travel to warmer moments lived during that month, you realized the silence was making you a little bit too nostalgic, so you welcomed the sound the leaves made as they drifted wherever the wind blew. As well as the distant clatter of hooves.

“They’re here.” He said, and you looked up to find the convoy in the distance. Within a few moments, the shapes grew in size, until they reached the entrance of the castle.

The enclosed carriage that was leading the caravan waited in front as two soldiers opened the gates. It was big and rather opulent, and the glossy finish on the wood told you that it had been polished very recently, and with such dedication that now it resembled a mirror. A mirror that, with its gilded features and painted panels, successfully reflected the personal taste of the owner, whose face remained anonymous thanks to the satin curtains covering the windows.

But the carriage wasn’t the only notable thing in the caravan. The four horses pulling it, as well as the two dozens waiting behind, were splendid enough to overshadow the sumptuous vehicle.

The commander walked to the entrance of the stables, and you followed behind, your eyes still captured by the mesmerizing creatures. When the carriage parked nearby and its doors opened, the identity of the owner was finally revealed: a middle-aged man of imposing height and cinnamon hair who looked surprisingly familiar, and that, judging by his elegant demeanor and conspicuous wardrobe choices, could be nothing other than the lord of some faraway estate.

He hugged the Commander as if they were the oldest of friends, and, as they laughed about some inside joke you were certain you wouldn’t get, you found yourself wishing things were as merry and jolly between you and him as it was between the two of them. But then again, you were pretty sure this old man had never said he was in love with him.

Although, to be fair, it was not like he was avoiding you. In fact, to an outsider it may even look like you were the one doing it. After all, you were the one who decided to move back to your room, and you were the one who was actively trying to keep your eyes glued to your desk instead of looking his way. You were also the one who decided to start leaving immediately after your shift ended.

A stranger reading your latest journal entries would be forgiven for thinking you were the one putting distance between you two, but you were convinced that anyone in your position would understand that it was not something you had chosen deliberately. You were merely reacting.

Reacting to what you felt and perceived: a switch in the atmosphere, a change in his eyes, the feeling of not being welcome anymore. You could see it there, in the icy blue of his irises, and that’s why you tried not to look at them. It made your throat tight and your vision blurry. So you decided it was best to look at the horses instead.

They were truly some of the most magnificent stallions you had ever seen. So bright and alert. The glow in their coat told you that all their nutritional requirements were met, and the bounce of their mane, that they were frequently groomed. You had once heard that even just one of these horses was worth an average person’s lifetime income. And you could see why.

But after some minutes of contemplation, wonder turned into gloom, as you found yourself feeling sorry for them. There was no way these innocent creatures knew about the dangers that awaited them. It was truly such a shame that such gorgeous animals had been born in a world like yours. They deserved to enjoy their days eating fresh grass and running up and down a green hill, somewhere in the middle of a picturesque countryside, and not to spend their lives outrunning titans.

But you tried to cheer yourself up by thinking that they would get to live good lives for as long as they could cling to them. After all, the scouts treated their animals with the utmost care and respect, almost as if they considered their horses to be comrades too.

To your right, you heard the Commander animatedly talking with the wealthy stranger. But your eyes were still lost among the horses, absentmindedly watching their mane dance in the wind. The sound it made when blowing through the trees, delicately rustling their leaves as if telling them it was time to wake up, was something you had always found relaxing. And you realized that, despite the uncomfortable cold, it was such a beautiful day in the forest. If only you could enjoy it.

You wished you owned the carefree disposition of that tall man who had just dismounted his horse and now seemed to be thanking it for the ride. He looked so content and joyful, utterly delighted with the simple act of ruffling its mane, and so did the animal. It looked as if the man was fluent in whatever language it is that horses speak. He looked a lot like a horse whisperer. He looked a lot like-

“Leon?” You heard your own voice calling seconds before the man turned around and smiled, confirming that was indeed his name.

“My lady.” As he made his way to you, his hazel locks danced to the exact same tune his horse’s mane did behind him. His hair had gotten longer, but his smile was as warm and welcoming as you remembered it.

“How come you’re here?” You asked, surprised to find this was the first time in days your smile felt like it belonged on your face.

“I’m accompanying my lord uncle.” He paused as he kissed the back of your hand. “This gentleman right here.” You looked at the man he was pointing at, the one standing next to him, and also the same tall stranger the Commander had been animatedly conversing with.

So this was Lord Koch. His face did look a little familiar after all.

“Commander Smith.” Leon gently let go of your hand before sending an acknowledging nod to the Commander, and extending his hand.

“Lord Angert.” The Commander shook the hand Leon was offering and smiled politely. “Thank you for traveling so far, my Lord. I hope the winter woods weren’t too rough.”

“As someone who was raised out in the cold, my esteemed Commander, I found the weather rather nostalgic.” As the two men shared a chuckle, you couldn’t help but join in, amused by Leon’s interesting way of speaking.

“We had to make a couple of small detours, as we weren’t sure if it was safe to travel anywhere near Ragako or Dauper.” Lord Koch explained. “That added at least half a day to our schedule. We should have been here by yesterday night, so I apologize, Erwin. I think Leon here was the only one who appreciated the change of plans.” He grinned at his nephew, and you noticed that Lord Koch’s eyes also had the tendency to turn into crescent moons when he smiled. “He really wanted to get a present for the beautiful lady here.” You blinked a few times to shake the confusion away when you suddenly felt all three men’s eyes on you.

Leon slipped a hand inside his jacket before handing you a tin box that was all too familiar to you. It did look like you were starting a collection after all, you had three of these now.

And for the first time in this bitter morning, you felt warm, the pleasant feeling immediately taking over your lips. You could really use the sugar today. The sugar, as well as the comfort only your favorite childhood treat could provide.

“Leon, you didn’t have to.” Your fingers reached for the present, unable to keep your lips from curving when you had the small box in your hands. You expected the metal to be cold, but it was actually comfortable to the touch, and rather warm from the cozy pocket he had kept it in all this time.

“Oh, it’s nothing. I figured since I was coming here anyway, I could at least bring you a piece of home.” He explained, using his hand to brush aside the importance of his kind gesture. “Although, I must admit the idea only found me after we were more than halfway through our journey here. But Luckily they had these in one of the villages we stopped by.”

You stared into the forest he had for eyes and wondered if you could find a friend there. Because you felt like you could really use one right now.

“Erwin, these were selectively bred to be approximately five feet tall and nine hundred pounds give or take.” You turned your attention to Lord Koch, who was pointing at the group of horses that was now being taken into the stables. “They may seem heavy but you don’t need to worry about maintenance out there in the field, they can get by perfectly fine on a simple diet, and travel many hours without complaining.” You eyed the horses, they certainly looked way more muscular than your average horse. “And their weight doesn’t affect their performance either. Their top speed is between forty to fifty miles per hour. Pretty impressive, right? We trained them to maintain a swift twenty two miles gallop, even when pulling a carriage. Like I said, a fine speed all the way through. But I don’t pretend you believe just my words. I actually would like to show you right now if you’re up for it. What do you say?”

The sound of the wind waking the leaves from their slumber was the only thing Lord Koch got for a reply. You turned to look at the Commander at the same time Leon did, and were surprised to find him staring back at you. An unreadable look in his icy blue eyes.

“Erwin?” Lord Koch called again and this time he seemed to have more luck in getting a reply.

“Yes, yes, we should.” The Commander said, eyes still fixed on you.

“I’ll get them ready, Uncle.”

“No, son, you can stay. Erwin and I are only going for a quick ride.” Lord Koch smiled to his nephew before turning to the Commander. “Let’s go, Erwin. Let’s leave these two to each other. I bet they have a lot to talk about.”

The Commander threw one last glance your way, a closed-mouth smile on his face, before turning around and following Lord Koch.

-

next chapter

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[bambamramfan]

Scott Alexander just de-paywalled this piece, and I agreed enough with its perspectives and understanding of fantasy narratives that I wanted to make sure other people saw it.

But I disagreed enough that I wanted to spend a lot of time describing what it misses.

First off, he says "Each part of the fantasy universe has a load-bearing psychological function." Psychological, as a word, goes too far and is misleading here. Scott is entirely correct to look at these elements in functional terms: what do elves, and magic swords, and ancient civilizations DO to the narrative? And we find more enjoyable and memetic stories benefit from these functions, so we end up seeing them over and over again. But it's not a psychological need. It's not about the inner-workings of our mind, it's about the structure of stories that lets them flow well. It would be like saying that the fact that airlines list too-low ticket prices and recover it with hidden fees has a psychological basis, when it's more proximately caused by a broken market system.

For instance, one common fantasy trope Scott didn't mention, but is completely obvious, is the "disposable, unredeemable race or nation." Many fantasy stories have a large army that is either evil-in-essence, or immediately threatening, such that we have no moral qualm about seeing the heroes kill as many of them as possible. Why? Because it makes it a fun "tactical" game of how many soldiers can the "good guys" kill. That's a fun story! It's not because psychologically we want to dehumanize our enemies. It's because Gimli and Legolas's race for who can kill more orcs is a simple and narratively entertaining device.

Scott talked about Unsong in relation to this essay, and I really wonder if his reaction to that was "why Unsong doesn't do these things" or "Unsong leaned into these." Because well, Unsong has many of these tropes. The laptop with a talmudic AI on it is a macguffin. The angels are an ancient civilization. Etc.

Scott undersells just how rich the function of the ancient civilization is. He's correct that the ancients are a way to imbue the magic sword/whatever with non-reproducible power, but it's deeper than that. Many stories and ideologies are "prelapsarian" which means they describe an Edenic time "before the Fall" where everything was right and harmonious. Somehow they got corrupted and we now live in a fallen world where evil runs free. Our heroes, at least in part, want to return to that purity (even if in some aspects it is impossible.) That's what the ancient civilization is really: Eden.

I am stymied by the race question: why do fantasy stories keep going back to elves and dwarves, and sometimes halflings or goblins or dragons, but with extremely little diversity in the type of being we could share a world with. What necessary function do these specific races serve? There are several HALF descriptions that explain a little of this, but don't go the full way: 1. The most thoughtful fantasy authors see these humanoid races as standins for groups in human society, and think you should just write human-only fantasy to wrestle with those questions properly. 2. The people who are most interested in writing genuinely alien intelligences, just write science fiction. 3. Elves and Dwarves DO serve specific functions. Even though every different story has a twist on their elves and dwarves, they do all share some sort of class-identity. In short, Elves are french aristocrats, and Dwarves are semetic scottish. Elves are the groups higher on the class ladder, who are more beautiful, longer-lived, quieter, taller, and more tranquil and quieter (also more tragic.) Dwarves are the groups lower on the class ladder, who are rougher and more practical, more scientific or at least technologically-focused, and whose lives are more easily spent by the narrative. Most fantasy societies are gonna have a "higher class" and a "lower class" standin, and they might as well be Elves and Dwarves anyway. 4. Tolkien did not invent Elves, or Dwarves, or Halflings, or Dragons. But all of these are very old in mythology, and fantasy is much more interested in telling twists on 1000-year old stories, than it is about adding wholly new elements (if only because of what sells.)

[the-way-astray]

this is a repost of a couple of theory explanation reblogs i've done because some of you haven't seen my genius (jk lmfao these theories aren't even all mine, i've just expanded and thought about them a lot). these are both disproven. sadly. stellarlune, when i catch you . . .

glimmer is keefe's secret twin sister theory:

so basically in the years between legacy and stellarlune there was a theory that glimmer was keefe's twin sister. i was an avid fanatic of this theory because it would've been so interesting from a plot perspective (but also i did not give a shit about glimmer, so i was kind of like meh). the main points were something like this (i don't know how much of this i made up and how much was in the original theory, so):

lady gisela does freaky pregnancy experiments with the shadowflux and quintessence to try to do . . . whatever it is she did with keefe (this is canon)

freaky experiments result in her getting pregnant with twins. one is keefe, one is glimmer. she was not aware of this at first, she thought the abnormalities she was seeing were because of the weird shadow-light thing she just drank

eventually, she pops out twins. cue massive, massive, massive freak out from her husband, the one and only lord crustius. in an attempt to save face, he demands she finds a way to get rid of/hide one of the children

alvar states in legacy that she wanted a son specifically, which i actually had a separate theory about, but that's irrelevant for now. anyway, because of this, lady gisela chooses her daughter to be the one she "hides" and keeps her son as her and cassius's "actual" child

she washes cassius's memories of this. he does not know

she takes glimmer to the neverseen hideout and raises her, brainwashing her into the nevereen's cause. she raises her as her own daughter in a way that's not dissimilar to the way she raised keefe. her plan was always to bring them together again at one point

having twins gives gisela further reason to be in the neverseen (prejudice against twins would've affected her, as the mother) aside from whatever it is she's already trying to do

this explains why gisela considers glimmer to be one of the most loyal neverseen members, especially to her. keefe literally hates gisela and the narrative acknowledges that even he has some complicated feelings about her. how much more would he be attached to her if he didn't know she was evil? that's what glimmer is dealing with

this is also why glimmer was willing to do the thing to keefe in loamnore. gisela had it done to her, too, because she's part of the experiment, just like keefe. she managed to manipulate glimmer into thinking she was doing this for her, which is the same thinking glimmer applies to keefe when she does the thing to him. she's helping him, her brother, just like her mom helped her. it all makes sense from her pov

her perfect mom illusion was shattered by tam, sure, but mostly by keefe himself. she was surprised to see that her own brother hated his mom so much. why is he fighting this? doesn't he know what's good for him? eventually she realizes that she and keefe are the same. gisela is wrong, and so is she. and that's why she ultimately switches sides in loamnore. not because gisela backstabbed tam, but because she saw herself in keefe, and realized, hey, maybe my mom doesn't want what's best for me, actually

and that's why she won't take down her hood. she knows, immediately, that 1) she'll have to face keefe one day, not just as a former neverseen member, but as his sister and that 2) everyone will immediately see the resemblance between her, cassius, keefe and gisela and put everything together. and she doesn't want that. she doesn't want to be related to gisela, she doesn't want to deal with all the questions about what keefe must be going through, because she went through it herself. she doesn't want to be studied, used as a case study for what keefe must be going through. she just wants to live her life, now that she's free of her mom's lies

also, in legacy they start to suspect gisela may have a second ability. if it was flashing, that would explain where glimmer got her flashing ability. gisela told her to keep all her other, weirder abilities a secret (they're similar to the ones keefe has)

anyway that's where the actual theory ends, but i also thought it would be great in terms of potential. keefe being mad at glimmer, then realizing that he understands what she's going through, and strangely, knows her better than anyone else can even though he's never met her. they're undergoing the changes brought on by the same experiment, after having been abused by the same person, in the same way. he can't be mad at her even though she's responsible for his current situation, because he understands what it's like to be manipulated by gisela as a child. he can only imagine how much worse it would be having been raised knowing exactly what you were going to end up someday

they bond over this or something. idk what the details would be

"wanna meet dad?" "hard pass"

glimmer (who becomes friends with linh, eventually) finds keefe and tam's relationship hilarious. they're even more similar now (twins)

this reveal means gisela's even more manipulative than everybody thinks and has even more secrets up her sleeve than anyone could've dreamed of

anyway stellarlune disproved all this so. welp. we'll never get it i guess. maybe someone can write a fix-it fic with this general premise

there was only one (1) very tiny piece of evidence in tam's short story that would disprove this theory, which is that tam notices glimmer's hair is black . . . not a good sign if she's to be the daughter of two blondes. but we reasoned that either the experiments affected her hair color somehow (stina actually theorized this with sophie in legacy) or she's dying her hair as an extra precaution to throw tam off

gethen is kenric and oralie's secret child theory:

again, i don't know how much of this is the original theory and how much i made up. this is the one i'm lowkey obsessed with. it makes me insane :)

gethen was the illegitimate child of kenric and oralie. they had a kid together while they were still on the council, which is a humongous no-no

so after gethen was born, kenric wiped both of their memories of gethen and stored it in his cache. they then abandoned or gave away gethen, who was then found or taken in by the neverseen. neither kenric nor oralie remember gethen because the secret is locked away in kenric's cache

gethen grows up. he learns what happened (maybe because whatever neverseen member rescued him saw kenric or oralie abandon him??? idk) and he is fucking furious at his abandonment. this gives him a motive to really commit to the neverseen's cause. he wants the downfall of the council (because let's face it, he really has no motive right now, he's a telepath and an ultra-powerful washer, so he should be perfectly fine living in the lost cities)

but more specifically, he wants his biological parents (kenric and oralie) dead. kenric dies, so that's one down, one to go. it explains why he targeted oralie in particular during lodestar, more so than any other councillor

since he isn't supposed to exist, he doesn't have a registry record and nobody knows who he is, which is why alden putting his face through the council's database turned up nothing

he's blonde. he's a telepath. he's a washer (i don't know if washing is something you can inherit, but if it is . . . there you go)

this theory would have kenric and oralie's feelings for each other actually become plot-relevant, instead of just something random shannon threw in to fill time. it would give gethen a backstory. it would make it so that sophie's biologically related to gethen, which could dissolve into a whole web of implications for her. it would answer important questions we have about gethen, especially the question of why he doesn't have a registry record. it would give sophie a chance to further question the council and all the things they try so desperately to bury. and eventually, it could all come to a head if she sees gethen again (which she almost certainly will)

so oralie would be visibly pregnant after a while. that would obviously raise a lot of questions. but honestly? there's probably a way to get around it. the elves literally have a gadget that makes it feel like they're all living in the same time zone. i think they could make something that could hide a pregnancy

the other thing is that during oralie's pregnancy, during the telepathic discussions between the councillors, the other councillors could pull that information from oralie's or kenric's head. but also, that's probably not true either, seeing as oralie was able to hide the fact that sophie is her biological child. so really, that covers all the possible plot holes

it was perfect. it was right there. a way to answer so many questions, make the story exciting, bring kotlc's attention back to its core themes, give sophie something to internally grapple with, and even a way to give oralie something that could possibly shatter her sanity to create a sense of tension in the story. it was all perfectly set up. but this possibility was sadly disproven, as none of kenric's seven secrets have anything to do with an illegitimate child between him and oralie

didn't say this in the original post, but. fix-it fic of this would be cool, too