#and the lore is really just building itself

[pegasusrightsforall]

I’ve spent years trying and failing to get into Fates to no avail but by god have I finally availed. My boyfriend and I started an ironman in Birthright and apparently this was the angle I needed. We’re gonna play each route using the same Corrin name and design and if I temporarily become a Fates blog out of nowhere I’m as shocked as anyone else is.

[scootersscooter]

Idk guys Mighty Med was just such a good show. The characters were incredibly well rounded and had a lot of personality. The show had incredible relationships between the characters, especially when it came to Kaz and Oliver's friendship (and dare I even say the budding romantic relationship between Oliver and Skylar). The world building was great and easily lent itself toward both serious and goofy situations. The plot had lots of twists and turns that never felt like too much. I feel that it's very overlooked, especially when competing with Lab Rats, but I think that Mighty Med does a lot better with less time while managing to have better characterization and character development than Lab Rats could ever dream of having. Go watch Mighty Med guys. Please <3.

[narwhalandchill]

okay so. skirk thoughts

first of all: as much as her design is still just kind of an ehhh compared to what couldve been, i do think it looks so much better in the actual game. the sfx in her arms and legs in particular helps a Lot imo. still not a massive fan but given i already loved the hair+eyes as well as the general color scheme, im warming up to it. still unfortunate we didnt get something more ambitious but i can live with this lmao

personality wise i actually really love how they went about her? its a little unexpected but skirk really has that abyss autism rizz to her JSJSIDISGFK love it. like this really isnt someone used to any manner of regular human interactions and it shows. i really like how blunt and utterly unfazed she is even when dropping some insane lore bombs bc theyre just peanuts to her. shes just completely unlike any character from any faction weve encountered before and i rly love the energy they gave her

i also found her little ramble about the value of life and death pretty interesting. it almost makes it sound like she considers herself dead in some way? with how she talks about there being no point in holding onto the bonds and remains of dead things and how this personal philosophy of hers is why she never comes to the surface anymore. like huh. whats up with that.

it also really reminds me of how an underappreciated aspect of childes characterization imo is how like. Incredibly insistent he is on staying alive being the most valuable thing? like this comes up Repeatedly in his voicelines. and now we have skirk literally talking about how to live is in itself a blessing. like i am Not buying this being coincidental at all. so unless they physically disprove me in this somehow down the line im taking this as 100% proof that childes high regard for life is Directly imparted to him through skirks teachings. and thats really interesting to think about.

and like. overall im quite happy with this glimpse of her character we have? i have bigger issues with the overall handling of the childe+narwhal+skirk segment of the AQ but those are narrative problems. skirk really stands out as a character and shes just. really fascinating AND funny as fuck in her nonchalance like. what an icon.

the only real unfortunate thing w her appearence specifically i think just has to do with the way her manner of speech and position as a narrator of dubious reliability to an extent is already leading to some. Quite unfortunate misreadings and/or taking the implications of her statements too far at face value. and i just know fandom will latch onto those forever 😭

(& jic i dont mean dubious reliability in the traditional unreliable narrator or like. lying or sth sense. just that her worldview is so alien and foreign to us that it should be taken into careful account before just blindly running off with any particular thing she claims)

like. firstly. the narwhal. ppl really dont seem to be catching onto how skirks perception of it as just a scuffed pet thats a hassle to manage isnt like. actually reflective of what a massive deal of an entity it is (read the boss fight quest item drop lore i am begging. or just wait for me to start narwhalposting JAJSKDK its coming 100%) 💀💀 what it DOES reflect more than anything is what an absolute maniac surtalogi (+ skirk by extension) has to be in order to claim a creature of this magnitude as a PET of all things. its also good to note that skirk herself readily admits both her highly unconventional view on most things AND that her master wont necessarily share any and all information with her - more so what he thinks is pertinent for her to know. her assessment of the narwhal as a nuisance of a task for a disciple isnt really reflective of the ultimate big picture HSJDKDKSK though it is very funny i have to admit.

im just preemptively annoyed and frustrated by it already bc its highkey giving azhdaha all over again where 99% of fandom just dismissed his deeper lore bc they took the storytellers claims of zhongli creating him at complete face value. like to the point hoyo had to literally add a whole segment at the end of the chasm interlude where zhongli more or less directly wink wink nod nods that a career entertainer isnt giving you the most accurate lore on this stuff 😭😭 like please. ive had the tears from among the stars lore fucking HAUNTING me ever since i first read it. its not just a silly pet whale im hhhhhhhhhhhhhhhh

and secondly. people really jumping the gun on "haha skirk thinks childe weak" when she was... quite literally speaking in past tense JSJSKDKSISKDK thats ajax 14 not the current state of things. while i do agree skirks power level is still way above his to the point i absolutely do think she considers him weak from her standpoint & ways off from his true potential, id also just.... like to point out that she pretty much confirms that her view of his competence has very much changed too? like please yall

skirk, who in all the years post ajax' 3 day abyss trip made NO effort to contact or keep up with him whatsoever and stated that her disciple wasnt worth even speaking to in the past has now LITERALLY voiced the intent to assign him the task of being a messenger between herself (possibly even surtalogi) and neuvillette. and she has made it VERY clear that she views the communication between herself and neuvillette (and traveler too) as one between equals?

this isnt her assigning childe some irrelevant side quest to keep him busy but actually utilizing him for a task she takes at least relatively seriously. like wdym she still considers him the exact same as before 😭😭😭😭 like obviously childes far off from being regarded as anywhere near an equal by skirk bc SHES just that insanely powerful but seriously. to me this is as clear an acknowledgement of his growth on her part as we will get JSJSKDKFKSKDKJ

but alas. everyone loves a "ha ha childe so weak XDDDD" like they just never wanna let that one go. Man

anyway still rly like skirk!!! all im Really hoping for in the future Especially w how i feel the 4.2 narrative while overall brilliant really sidelined and mishandled the potential and gravity of the narwhal side of things is that like. PLEASE let the interlude be the continuation to this 3rd descender n skirk n childe abyss situation i am so fucking tired of khaenri'ah and the abyss order im sorry lmao

also itll be like 4 years before we ever see her in Real action as a combatant but i am already So hype to see that. especially since her powers are so abyssal and alien in nature like thats going to be So gourmet i just know it.

[moe-broey]

VIVID fucking idea I had last night....

Background info, I think Moe has some really distinct tendencies that Alfonse ends up being able to immediately identify it by (and finds a lot of comfort in doing so). One of which, is it doing a quiet, hesitant, but steady knock. Persistent, but with long pauses in between.

ENTER..... the Vision........ just. This entire sequence. "You'll never hear from me again". Into, the quiet knock only a few hours later. Into bursting in with the MOST enthusiastic, "HOLY FUCK!!!!!!!!!!!!!!" Moe really is Some Type of Guy LMFAOO

Fave panels.......

[galedekkarios]

is gale actually the worst guy alive or do people just have personal issues that give them a complex whenever someone else is a master of their craft and confident about it 🤔 hmmmmmmm

[fruitsofhell]

Last reblog has me thinkin a lot about Kirby remakes. You have Kirby’s Adventure and NiD where the artstyle is so glaringly different between the two it’s like you have to choose a side. And from what I’ve seen the fandom tends to (intelligently) show favoritism towards the original NES look. 

Then you have KSS and KSSU, the base of the last post, and I find the differences between the games to be slight yet substantial. Maybe I’m just blind and all 16-bit games look the same to me, but I couldn’t even tell the sprites were different the first time I played KSSU, but after actually playing KSS I could really feel the difference. The original has a much harsher and more gritty style, that I think a lot of people feel hasn’t aged well, but atleast I still think has tons of merit. For certain characters who need that darker or more expressive touch like Meta Knight and Marx I find the old sprites more flattering in a way. And I think the garishness of the pre-rendered backgrounds SHINES in Meta Knight’s Revenge because that sort of gross clash against the usual style is heightened for a mode about Meta invading with his war ship and foreign ideals.

But that actually brought me to our latest remake in RTDL DX. And like there is nothing really WRONG with the new style, it just makes me miss the wii game. The wii game looked basic in a really charming and balanced way that I think is lost in how bright and cell shaded the new game is. The worst sin being scenes that are meant to have more dynamic lighting - like inside Magolor’s ship or in the final cutscene as Another Dimension crumbles - where the more cartoony style just doesn’t gel. But like honestly, if it weren’t for very on the nose divisive stuff like Dedede’s redesign and the character outlines, it would be very hard to make a case for the merit of the original. Just cause to the average person in every sense of the world the new game looks like an upgrade graphically - Shinier, higher detail models, fancy new animations, and the ritz.

I hope over time people do come to really appreciate the wii version’s merit in it’s simplicity, mainly cause it’s another big comfort Kirby game so any change to it made in the remake rubs me the wrong way lmao. But also I do think it has some outside of my uber personal opinions.

[valiant-portabella-pirkko]

so! after all this time, guess who's actually been working on getting some stuff put together for that Guild Wars 2 Mists-based roleplay group I posted about ages ago. it's still a long ways off (life kind of punched me in the face from every direction simultaneously back when I first pitched it) but I do have a moderator application in the works. I'll post that in the main rp tag once it's done.

[sammakesart]

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[foldingfittedsheets]

A friend I had briefly in my teens years was this girl in Arizona. She was a junior when I was a freshman, and as I was socially awkward and very lonely she kind’ve pulled me under her wing for a while. I don’t remember how we met, but I remember riding in her car and meeting her cute miniature Doberman.

But the thing I remember most about this girl was that she loved lying to me. And I had a massive but I acknowledged crush on her so I adored being lied to. Her natural charisma and storytelling was hypnotic.

It’s not what it sounds like because it wasn’t malicious but she came up with this in depth lore to tell me about this fake job she had. I know autistic people are meant to be credulous but I truly never believed her stories, I just adored her storytelling and was very ready to listen to whatever tale she spun that day. Another of her friends chided her once for teasing me but I genuinely never minded.

In her lore she moonlighted as a Professional Liar. People would hire her to get close to a target they wanted rattled. She’d make friends, develop a strong relationship, foster a dependency on her, then disappear. Then when they were confused and missing her sometime when the employer needed their target rattled she’d show back up as a glimpse to knock them off balance. Often it was implied she’d faked her death in the interim.

That itself was fine, it was an okay story. But in order to support that lie she’d make up tons of supporting details that were way more fun. She had this fake boyfriend who got high as balls on a mission and ended up seeing a sheep in a field and carrying it to a farmhouse to try to buy it because he wanted a puppy. I liked that one but suspected she didn’t know how big sheep were.

She’d IM chat with me as this made up boyfriend sometimes; once she had him ask me if I noticed her limping and he told me she’d just lost a toe but was covering for it like a champ. That one was fun.

She told me about something she called “purple charge” which was a way to get instant night vision. I did try looking that one up on the off chance, but was sadly disappointed there.

She said that Professional Liars had such high stakes jobs that they needed a week of insane time where they just partied so hard it was like a Dionysus rave and her IM boyfriend persona implied she’d killed someone during one of those stints.

I had such a fun time with her elaborate fiction that I’d often ask follow up questions and she had to do a lot of world building to keep up with my fascination. We’d get to class and I’d have three or four new questions which I think is why her friend thought her teasing was too far. They genuinely thought I believed her but I was just loving the fiction.

If any of this sounds malicious I’ll also add that when I got harassed on a roleplaying board she went out guns blazing to go after the guy who’d been harassing me. She genuinely enjoyed my company.

I find myself looking back on our friendship very fondly. I can’t remember her last name or have any way of looking her up, but she really was a professional liar to me. The only downside is that I’m completely faceblind so if she ever wanted to pop unexpectedly into my life I’d have no idea it was her.

[vexwerewolf]

If I could ask you for some advice, what do you think helps the flavour text of a mech or piece of equipment sell a player on the fantasy of using it?

I'm finding it frustratingly difficult to do so with my own homebrew content: I can come up with lore and backstory easily enough, but re-reading it feels dry, and I can't help but contrast it with how the descrptions in official content and other supplements is more evocative, at least for mechs.

Let's observe some corebook Lancer flavour text and examine the various varieties it comes in.

Purely Functional

While it's usually not the most fun type of flavour text, this just tells us what the weapon is, and - if it has any particular tags or on-hit effects - why it's like that. The Hand Cannon is a good example: here's what it is (modified pistol), here's why it does more damage, and here's why it has Loading.

The main advantage of Purely Functional flavour text is that it provides space for other types of flavour text to breathe. Flavour text is a great place for jokes, but it's not good for every piece of flavour text to be a joke - the pauses between notes in music are just as important as the notes.

Obfuscating Vendorspeak

The Bristlecrown Flechette Launcher this is a great example of dark humour that Lancer uses quite often: marketing fast-talk to cover up something really unpleasant. The joke here is based on us understanding precisely what the equipment does mechanically, and then seeing how the manufacturer tries to sell it. There's a bunch of dense technobabble here meant to obfuscate the fact that this weapon fires knives in every direction specifically designed to kill infantry.

Deadpan Weirdness

The joke here relies on describing something extremely weird like it's the most natural thing in the world. Wait, you're telling me that in a world where I can just print new parts if the old ones break, they put DRM on my fucking knife and I have to apologise to the fucking knife maker to get a new one? What the fuck, dude? Why are you acting like this makes any sense?!

My sword uploads fucking what to the Space Internet?!

Third-Act Twist

This type of flavour text disguises itself as something else - most often Purely Functional - and then hits you with Third Act Twist. It makes you go "wait, what?!" It's very classic setup-punchline stuff. You're telling me my mech can rot?!

As a side note, Lancer loves to use this for its NHPs.

WHY DID YOU PUT THAT IN SCARE QUOTES, LUCIFER

Worldbuilding

This is similar to the Purely Functional, but instead of just describing technical specifications of the weapons, it puts the weapon in the broader context of the setting's history. Okay, so we know what this weapon is and what it does - why was it built? What was the original use case, and why? Most importantly, what can the existence of this weapon tell us about the world that build it?

Whimsical Aside

This is the insertion of a light-hearted, humanising little insertion regarding how this piece of equipment gets used in the field. This serves to remind us that soldiers aren't cold, unfeeling killing machines: they can be as emotional, irreverent and silly as the rest of us, and they do things like name their mobile bombs...

... or call resupply drones "mech snacks."

The Ominous Out-Of-Context Quote That Explains Nothing And Only Raises More Questions

As I've said in multiple textmash memes, this is basically Tom and Miguel's shorthand for "this technology is Intensely Fucked Up in a way that it is more fun and scary not to explain." This is essentially Lancer's version of SCP's [REDACTED].

You might think this is the domain of HORUS, and you'd be right, but every single manufacturer indulges in these - although IPS-N had to wait until NRFaW to get theirs:

What the fuck do you mean by that, Lancer?

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[mr-walkingrainbow]

CALLING ALL MONSTER HIGH FANS. I JUST MET GARRETT. AND I WAS ABLE TO SCAVENGE SO MUCH LORE AND CONFIRMED HEADCANONS TO YOU. THIS IS ALL SAID BY GARRET OR CONFIRMED. I HAVE SPOKEN TO GOD AND HE HAS SPOKEN BACK

#1. Robecca and Venus were implied and ARE dating!!! He said it was like. Just like other monsters they had tried putting hints and characteristics into monsters that we could see and relate too. (He also said it outright down here. Lol I got all the proof guys!)

2. They never actually came up with Jane Boolittles Origins. And yes Dr. Morou and Dr. Boolittle raised her. But it was always a thing to them they'd say ‘oh well get back to this’. And then they never did. When asked; he genuinely doesn’t remember what they had planned for her.

3. a REALLY big mystery solved and lore dump guys. This one’s juicy. I KNOW HOW SPECTRA DIED. I KNOW HOW SHE DIED. AND WHAT THE TRAUMATIC STORY WAS FOR HER. I ACTUALLY FUCKING KNOW! Y’all ready? Drumroll…. It was, a, CAR CRASH! Yes you heard me. THE VONDERGEIST FAMILY ALL DIED IN A CAR CRASH. I think he said he she just came with her family off skirts and they got into an accident. I’ll reblog this with the video of him saying it!

4. Toralei lives in a monster high housing/boarding building when she is not attending school. This place is used for kids who do not have a place to go too, or if their home is too far to return to easily. I think there was an error somewhere where she mentioned parents? I mentioned that to him and he was very confused/didn’t remember. Reconfirmed that if she wasn’t in the monster high housing area. She would have been in either Jail or The streets.

5. Robecca was not rebuilt for 100 years due to Misogyny. Also because it had to go into the lines of her ‘mysteriously’ disappearing for her to have her comeback. I asked about how it was low key such a dark story, and he mentioned that since technically Monster high was the ‘horror’ genre. He was able to get away with things like that.

6. the Vampire Heart mystery! So remember how in Friday night frights we all see Ghoulia place a Robot Heart into Robeccas chest. Something that is very clearly not the Vampires heart? But then suddenly in Frights camera action it’s there? Well, technically that’s an official Error by the crew. He actually said he noticed it, and told management and stuff like ‘won’t people notice it?’ And they were all like ‘nah it will be fine no one will notice’. But then we all clearly did lol. He also said that because if this, he came up with the idea that the Vampires heart was ENCASED in the Robot heart we saw in Friday night frights. Ergo, explaining how Robecca had two hearts in one body! (It’s also confirmed Hexiciah placed the Vampires heart into her while he was building her. Which would explain why she didn’t remember it was their).

#7. Gooliope Jellingtons Origins. I asked what her origins were. And basically, she DOES NOT have any parents. She was CREATED IN A LAB. Which apparently didn’t treat her right. So she ESCAPED the lab and ran away to the circus! (Or blobbed away?) because he also confirmed, she was the blob. Or based off the blob. She wasn’t actually like. The daughter of the blob. She WAS the blob itself.

#8. Kiyomi Haunterly is Gay! I know this is was already somewhat canon and said before. But I asked and he confirmed it that she was in fact, Gay. And he tried to show it in her diary.

#9. We’re reaching some only implied/supported things. Not fully confirmed or intended. But Kala Mer’ri has BPD. I asked about if she has anything like BPD cause I relate and saw that a lot in her. He replied that he did try to make attributes for each Character specifically so we could related to them like that. And that it was to also make sure every character wasn’t a carbon copy of another. Basically. He didn’t like. Outright say ‘yes. She has bpd’. But he also didn’t disprove it. And he reacted positively to the idea and supported it.

#10. Robecca Steam has ADHD. It’s basically the same as above. Although he did like the note that I (someone with adhd) specifically had the same traits with Robecca, even more specifically, that we both are ALWAYS late. And can never keep track of time to save our unlife.

11. Dedyet DeNile Origins. He actually completely forgot about Cleo’s Mother eventually being reunited. I had asked how she had ended up in that same weird time loop Tomb thag Hexiciah was stuck in. (Which they were eventually freed by Robecca in her SDCC diary). He said he completely forgot about that. And genuinely didn’t remember anything about it. I basically re-explained the whole thing and he was very interested. Unfortunately. Not to much origins to go on.

11. here’s a canon one! What happened to Aamanita Nightshade after she left the DeNiles in the tomb. It was kinda funny, but he basically was like ‘Amanita went up and was just like ‘Peace!’’ And then never came back.’ She goofed around a bit, buuut it wasn’t entirely like her fault? She quickly went back to sleep after breaching the surface. So yeah. She was not awake for long. She quickly went back into flower mode until she woke up again at the Gloom and Bloom party.

12. He’s working on another one of his Monster prints! He sells them on his online shop here

He’s currently working on Toralei!!!!! He said he was working on her on the way over. And that he was trying to go in Order of the G1 doll releases. He mentioned he had only done Skelita out of Order because she was like ‘that one’ who was INSANELY popular with fans when she came out. Especially in Mexico. It’s also why she was the only Funko pop made who was not part of the main ghouls.

13. Random. But he actually didn’t create each backstory individually by himself. In the beginning he did A LOT. Like Frankie was the first backstory he ever created. And it got more help and divided as more and more characters were introduced.

14. he has read every single diary for every monster. Cool little fact cause DAMN theirs a whole bunch of them.

15. everything in the Ghoulfriends book series is CANON in the monster verse.

And that is ALL FOLKS! I had held those questions in for about 7-8 years. So it was everything to me to have them answered and confirmed! I really tried to ask everything that was a huge mystery to us monster folks. And I hope you guys are excited to see all these new CANON facts!!!

I’m sorry if this is not everything. Just like Robecca. I forget stuff pretty easily. I’m wracking my brain for every little detail. Unfortunately my father didn’t record as much as I would have liked. But he did get some perfect key moments! And I’ll make sure to reblog with those moments as proof of confirmation!

I love y’all! Make sure this goes viral so every monster high fan gets to hear the news!

Signing out, I’m Tumblr Spectra Vondergeist, and I report the news.

[orangeocelotmartyn]

Ren talks about Rats SMP on stream

Transcript under cut

Ren: Yeah, if you haven't been able to tell, by now, Martyn and I are gonna be Pi-Rats. Check how cool this art is, by the way. Right? Like, we're chilling on a--on a ship. I can't give away too much though, you know? The lore's gotta, like, uh, build itself up over the course of the series. But what I can tell you is that my favorite pi- food is cheese pie. And my specialty is treasure hunting and smuggling. Martyn's favorite food is pie. And his specialties are fishing and (through laughter) phishing. Good. Excellent. We may or may not be in the same ship, who knows. Who knows. Also just noticed how cool this is. Martyn has, like, uh-like a pin for a sword? How cool is that? Wait, why don't I have a sword?! I'm a pi-rat also, why don't I have a sword?! Dang it! Okay, wait I have to finish the se-the social media sentence. Uhm, (clears throat, writing as he speaks) "See you soon" (he adds "fellow" in text, but does not say it out loud, instead erasing the sentence.) "Any of the"--wait wait wait, I, ooh, we can continue the lore here. (typing as he talks out loud) "Any of these-any of these rats worthy of joining the crew? Winky P face. Rat emoji." Wait, we can do this, right, (reading through his sentence again, to add three rat emojis to where he once typed 'rat') "any of these rats worthy of joining the crew, winky face, p face, RD." Um…wait. Do we drop the super deep lore already? Potentially.

Ren: Okay, we're gonna drop some super deep lore live here on the uh, on the ole…the ole stream everybody. One second. Lemme find the ole, uh…(chuckles) the super deep lore. Uhm…who says we don't do, uh, exclusive previews on this stream, eh? There we go. (reading his tweet out loud) "The Space Rat has landed! On a Pirate ship…well…actually in a box…that is a ship…but it's a ship nonetheless! Any of these rats worthy of joining the crew? Winky P face. Captain Jaque Levy Lara't." (pauses for emphasis, and to let the post sink in) Boom. Send. Excellent. So, anyway, that's the news. We're in Rats SMP. Super excited, cannot wait. It's gonna be epic. It's gonna be epic epic epic, cannot wait. It's gonna be like, a very lore heavy, uh, experience, for me? Which is gonna be sweet. Not something I've really done before, uh. And of course, getting to lore around with Sausage, and Martyn, and El, and all the other-all the other rats, it's gonna be sweet. So keep your eyeballs open, guys. Coming soon, comin' soon.

[bonus-links]

I got the notification the comic updated this morning like RIGHT as I had to start working! Needless to say, my excitement got me through the day (and had such good payoff omgg)! Thank you for sharing your work with the world, it brings such joy to so many people!

But directors commentary? 👀 I gotta say I love it equally as much as each update!

🎶two months without uploading they come back with a side conversation that takes up a whole update🎶 jokes aside uh. most of the rest of this chapter is going to be like this. sorry. bonus links is an excuse to have link legend of zelda philosophize at himself for 1000 pages probably at this rate

I rewrote this conversation a BUNCH. there are versions of it that are much longer, where they actually talk a bit abt the master sword— I really liked those versions, but I decided to save some of that for later. my goal was to create a convo where they both are sort of dancing around what they mean, but they come to an understanding anyway. I think Slate and Wake have a lot in common that they could bond abt.

Here’s an important note about Slate’s character: he does not lie. he says what he means. He will, however, prolifically dodge ur questions lolol

some notes from the script I left for myself abt Wake’s expressions, hope I was able to capture them lolol

Wolf playing with the kids! This was an important detail for me to include lolol tho I nearly left it out bc I was having trouble staging this update. I wanted to build more of a connection between him playing w the kids on the island and him playing with the kids in Ordon, but there’s just not time, and the last update already kind of covered that emotion. Wolf is a really quiet guy, so I’ve been doing my best to build up his character in the bg even if he hasn’t gotten center stage yet. A lot of ppl commented on how this is the happiest we’ve seen him so far, and that was the intention!

Just wanted to call attention to these cute lil faces.

Loft continuing his streak of falling asleep at every party he’s ever been to. alas, no partners to carry him home this time :-(

Lore abt the triforce mark has been inconsistent from game to game. Like usual, I’m sort of cobbling together my own interpretation from ideas I like— so, in this instance, the triforce mark isn’t just from having at one point handled the triforce or possessed a piece of it, and not everyone has it.

I am obsessed w the hero of time statue in wind waker. It is such a striking image, and that section of the game is one of my favorites from any Zelda game. I am also obsessed w how Wind Waker approaches itself as the aftermath of oot. I am really excited to put Wake and Mask in the same room lolol. as a side note, statues really are becoming a motif in this comic huh

That’s abt all I’ve got for now! Thanks for reading!! I really hope the chapter has been enjoyable so far. We’ve got a little while left to go, despite my best efforts to keep this chapter short 😩

[maingh0st]

i know i'm not the first to say this, but the acolyte's cancellation has confirmed how tired i am of disney's decision-making when it comes to their content. i know nostalgia is the easiest way to a big payout, but we can only take so many spinoffs before the universe starts to feel too small. but then fresh content—content that's building on the canon by looking to old star wars lore while asking new questions—fizzles out.

it's the sequel trilogy all over again. we're promised something new, something that actually expands the canon rather than just recycling it, even bringing in concepts from legends, and then the rug is ripped out from underneath us & we're punished for ever caring about any of it. silly babygirl! palpatine was always the big bad (don't worry about the fact that this is thematically nonsense and not foreshadowed in any way), and rey isn't a nobody ("your parents sold you because they loved you"), and this isn't a story about how the force transcends human categories and dynasties (represented by a grey jedi force dyad between a legacy skywalker and a nobody orphan from a backwater planet, fulfilling not only balance between light and dark but also transcending the old to become something new). silly idiot!!! rey's a palpatine by birth and a skywalker by self-adoption and god forbid she create her own identity outside of these names our fans recognize. watch as she stands alone on a sand planet that has no personal significance to her, ending her arc almost exactly as she began. but look!! two suns! neat

i don't even know if fanservice is the right word. at a certain point, it just starts to feel like they're quaking in their boots at the thought of doing anything new. i had my gripes with some of the choices in the acolyte, but at least it was unique. it explored a new era and asked questions that star wars has only ever flirted with. like: what happens to the children who are uprooted from their homes at such a young age, yet can't find their place in the jedi order? how does one survive in a supposedly honorable system that nevertheless relies on the repression of some of humanity's most fundamental emotions? is it possible that an organization dictating exactly how one ought to interact with the very life force of the universe... could perhaps be faulty and shortsighted? what happens when the ways of that order clash with other cultures and worldviews? (spoilers: space colonialism). and that's not even to mention the ideas they play with re: the force itself (vergences! plagueis! force witches!)

i know not everyone loved the show, but a lot of people really did care about it. a lot of people, like me, were excited to see these new questions being raised. but forget it—the disney gods have decreed that it didn't hit some magical threshold of streaming hours or reach a "broad enough" audience in the two months it's been out. but don't worry guys. turn your brains off and tune in for the next spinoff 2 chewy 2 bacca

[genericpuff]

the Underworld is the only godly realm that was built on capitalism

So what's Olympus built on? Socialism? Are the gods and nymphs there living the good life compared to their underworld counterparts? Are Zeus and Hera good monarchs even if they're not good people? Or is it just bad in a different way?

Olympus does still participate in capitalism to a degree (especially considering that they do a lot of buying and selling between the Underworld, ex. Kore isn't the only one who travels for work between realms) but the realm was originally built on offerings and bartering which is a tradition that's still maintained between the gods themselves - and it's a big reason why they care for the mortals at all, because without their prayers and offerings, the entire foundation of their realm and the gods' status as rulers would crumble.

So in that way, the gods in power - aside from Hades who is an exception we'll touch on in a second - don't really care about the societal institutions of money, because money just doesn't really serve any function for them that the mortals' offerings - and their own abilities as gods - aren't already providing them. The capitalist system that exists in Olympus is more so to serve the residents who aren't being actively worshipped, such as the nymphs and satyrs (though some are lucky to gain recognition in ways that benefits them through offerings) and for budding gods who don't have as much influence in the Mortal Realm yet (such as Kore).

That said, there are plenty of complaints to be made about Hera and Zeus regardless of the economy that exists within Olympus, buuuut we'll be getting into those issues later ;3 As for the quality of life of Olympus vs. the Underworld, there are pros and cons to both, as with any economic system. The Underworld has a bit of a steeper divide between the rich and poor, but living in Olympus comes with the caveats of being in Zeus' territory where life can be... unpredictable, to say the least. BUT the Underworld being built on the free market has provided it with unique advantages through their technological advancements (ex. the existence of cars and cellphones in both realms is largely owed to the Underworld); whereas Olympus has greater access to the resources of the gods themselves due to literally being the home of the King of the Gods who everyone tries to keep in their good graces.

We've seen a mini example of this bartering system already back in Episode 56: Hera telling Kore she was going to help her with her garden wasn't just the Queen dishing out orders, she was telling Kore that gardening would be a sufficient enough trade for having her in her home and feeding her.

She's not offering to feed Kore for free (which WOULD be an honor coming from the Queen), she's telling her "I'll provide you with the company of royalty and good food / wine / etc. in exchange for your gardening services." (that said, it is still sort of a high honor in and of itself considering Hera wouldn't let just anyone tend to her property ;3)

But that brings us to the exception - Hades. The Underworld had to be built on a different system due to many of its gods and goddesses not being commonly worshipped, so offerings and tributes were hard to come by. For Hades especially, how was he supposed to earn the favors of mortals when they wouldn't even dare speak his name? This led to him having to build the Underworld on the value of specific resources - such as the minerals and metals and gemstones found in the Underworld itself - which were later refined into common currency that's now used across the realms.

Fun fact, this is also why Kore is ticked off that the Underworld costs a toll to enter for both shades and gods alike - because there isn't a toll booth to get into Olympus.

The Underworld has truly mastered the art of microtransactions LMAO

To wrap up this fun lil' lore dump, there's a WIP scene I have on the back burner that goes into greater detail on Olympus' bartering systems but I haven't had the chance to work it naturally into the story yet, I'm hoping it'll be included in an upcoming episode soon but it's basically a cute lil' shopping sequence between Persephone, Artemis, and Daphne :' )

(enjoy these never before seen sketches of Daphne sporting Y2K-style fashion LMAO)