#and the itch was real I HAD to scratch it

[gilverrwrites]

Fuck or Die with Roman and Tim, where Roman makes you whine about how Tim’s noticeably smaller cock is oh so big that you can hardly take him.

Requests are still closed, I was only gonna answer this with a couple of paragraphs about how much I liked it but it ran away with me.

Warnings: Non/dub-con, toxic-masculinity

That's pretty hot tbh. “It- it’s too big… too big.” You cry out, burrowing your head into Red Robin’s shoulder, trying to pretend Black Mask and his firing squad aren't watching. “Can’t take it, it hurts.”

Tim knows you're lying, playing along with Roman’s sick and twisted script, but you're shaking like a leaf, hands pawing at him for comfort as your soft, heated walls pulse around him.

He knows he’ll regret his actions later, but your sweet whines and your weak, needy body, the way it begs for him, its all scratching an itch he didn't know he had.

He holds the back of your head with a gloved hand, pressing you further into the crook of his neck as he fucks into you wildly, pistoning in and out of you like his life depends on it. To a degree, it does, but Black Mask had made no demands on Tim’s pace or the force behind it. He’ll only have himself to blame when he remembers the way he erratically pumps you full of cum with his mouth bitten shut for fear that whatever words might slip out won't be a comfort to you.

And of course when its over, Roman offers a slow clap in mock applause. He makes Tim clean up the mess he's made of you, keeps him on his knees to watch while Roman stretches you out on his own cock. “N-no please no, it hurts!” You mean it this time, and it makes Tim’s chest ache. He can tell by the way your eyes well with tears, your nails biting into Romans shoulders for purchase, the way your sex grows dark and swollen with each thrust. Not to mention he can see the difference when Roman waves his cock around in Tim’s face. The thickness, the length.

“Get a good look little bird, this is what a real cock looks like.” Roman goads as he rubs his tip against Tim’s lips, smearing your juices against his skin. Tim hates how his own dick starts to grow hard again. But what he hates the most is how quickly he submits when Roman tells him to -”Bend over, spread those cheeks, birdy. If you wanna know what it feels like to be fucked right.”

[seagull-scribbles]

Love her even though I’m not supposed to ❤️ she keeps me up

[becca-e-barnes]

The need that I have for early morning, tender sex with Dbf!bucky that gets a little frantic and really passionate 😵‍💫

Especially if you tend to drift apart in your sleep. It feels so much nicer to curl up against him again the next morning, stealing some of his heat and enjoying the way that he smells so familiar to you now.

You can't help but feel a softness in your chest when he sleepily pulls you closer, placing a gentle kiss on the top of your head with his eyes still closed. If nothing else, you feel incredibly safe with your bare chest pressed to his and your limbs tangled together comfortably.

The sunlight has just managed to creep through a gap in between the curtains, illuminating the few grey hairs peppered across your partner's hairline and you swear he's never looked more beautiful.

He's more awake than he'd lead you to believe though. His eyes are barely even open before he's tilting your chin up, making it easier to capture your lips with his.

"Good morning." He mumbles in his deep morning voice when his lips part from yours.

"Hi." You can't help but smile, wiggling your body against the bulge in his underwear. "It's a great morning."

He can't help but roll his eyes at your enthusiasm.

"Didn't I take good enough care of you last night? You still want more." He pretends he's insulted but secretly, he's pretty damn pleased. You want him; plain and simple. You don't dress it up or play it off. Don't we all want to be wanted?

"See, that's the problem. You were too good to me last night. And now. I'm all worked up." You slip kisses to his neck and shoulders in between your sentences, hoping that it really drives your point home.

"You're a handful." Bucky teases, tilting your chin up once more, letting his lips collide with yours before allowing his tongue to do the same. It feels like his hands are all over your body at once, teasing and rubbing and gripping you, getting you even more worked up.

It's not long before he's got your leg hooked up over him and he's slipping his cock into you. The glide is that much easier given that he finished inside you just a few hours ago and the thought of that alone makes you even wetter.

Bucky's low groan as he slides into you is addictive. He's clearly still sensitive but it feels too good for either of you to stop now.

"Such a good girl. You take me so damn well." He's babbling already, eyes rolling back as he presses as deep inside you as possible, giving you a chance to take a breath before he starts to work your body in a way that no one else has ever managed.

[angelofalls]

"Who's behind the art?" Well this is me, if you cared.

[autism-alley]

ik it’s been forever in internet time but i’m gonna die mad abt the way the live action atla show got a good amount of backlash and criticism from the fanbase meanwhile the pjo show was THAT horrendous and the fanbase treats critics like they’re out to kill their mother. as someone in both fandoms am i crazy bc i keep fucking seeing people say yes 💀 like!! these shows, whose original series were both about a 12 year old boy born with godlike powers going on quests with his friends to save the world, released in the 2000s, and had a shitty movie adaptation, now reboots released within weeks of each other, both committed nearly identical crimes of character assassination, exposition dumping, dumbing down their source material, sanitizing “problematic” elements (that the characters originally had to overcome), and wasting actor potential (also at least live action atla had good action scenes CANNOT say the same for the pjo show)—and i’m seeing like mainstream(ish) social media coverage of new atla show critique by people with millions of followers all across different sites, but nothing even close to that for the pjo show?? if that coverage exists for the pjo show somebody fucken send it to me bc like!! the pjo series is Not an unpopular series, i get it’s a book series and not a tv series so i didn’t expect the popularity to be exactly the same, but Damn! i feel like i need an hours long video essay comparing the two audience reactions to these series’ first season releases bc they were WIDLY different

[babbling-starling]

[bluebellhairpin]

When you have to write the fic you want to read.

[overleftdown]

4th and final part to my farleigh analysis. most of this one is just ranting, since all of these scenes are fairly self-explanatory. i am plagued by thoughts and emotions.

[1:12:45] farleigh: i wouldn't do this! elsbeth: james is very upset. farleigh: you know that i... why would i do this!? elsbeth: i don't know! farleigh: i swear to god, this has to be a- elsbeth: enough! farleigh: there must be some kind of mistake, here.

oliver really did hit farleigh where it hurts, i suppose. farleigh remains committedly in control of himself; he knows when and where to say something, how carefully he needs to act in saltburn. he toes a line, but he somehow manages to stay on the right side of the cattons' affection. this, however, was a breach of that line. oliver attacked the cattons' trust in farleigh, in their confidence of his ability to remain compelling and non-threatening. maybe oliver was expecting this particular offense to be the end of their good graces towards farleigh, although it clearly wasn't.

[1:37:17] felix: i mean, the idiot! he had to have known that dad went to school with the chairman. venetia: i mean, talk about biting the hand. and mum and dad would give him anything he asked for. felix: yeah, well. obviously, he got sick of asking. venetia: that's ridiculous. he's more spoilt than we are. felix: i mean, come on vee, you have to admit. it's a little bit dark, him having to go to mum and dad with a beginning bowl. venetia: oh, boo-fucking-hoo. felix: already yes, fine, it was incredibly fucking stupid.

again, the irony of this situation is that farleigh really would never do this. it's interesting, how nobody questions it.

i also think it's important that venetia assumes the money would be for farleigh himself, and felix neglects to correct her. the conversation he references by specifically saying "begging bowl" had everything to do with farleigh's mother. the lack of familial privilege farleigh has is, also, a supposed racial bias. felix also neglects to mention this. the idea that farleigh could be implicitly discriminated against within saltburn is so deeply uncomfortable, so offensive, that felix can't even mention it as an objective discussion he had with farleigh. that's not surprising, though.

[1:25:30] oliver: have they seen you, yet? farleigh: not yet. oliver: yeah, they'll go ballistic. farleigh: i doubt it. they invited me. oliver: ohhh. farleigh: mmm... mmm. god, the look on your face. oliver: they can't have invited you. farleigh: oh, oliver. you'll never catch on. this place? you know, it's not for you. it is a fucking dream. it's an anecdote you'll bore your fat kids with for christmas. olivers once in a lifetime, handjob on a hay bale, golden big boy summer! and you'll cling onto it, and comb over it, and jerk off to it, and wonder how you could ever... ever, ever, ever get it back. but you don't get it back. because your summer's over. and so you... oh... you catch a train to whatever creepy doll factory they make olivers in. and i come back here. this isn't a dream to me. it's my house. so whatever happens, i always come back. try harder next time, baby.

god, this monologue. so much for me to chat about.

"this place? you know, it's not for you." farleigh has this obsession with the fact that oliver is an outsider. it's intentional, it's instinctive, because farleigh is an outsider all the same. it's strange, though, because this is still farleigh's family. this is his aunt, his uncle, his cousins, and the house he's lived in for at least a couple years. he shouldn't, reasonably, be an outsider. yet, he's treated as one. something kills me about how hard farleigh is fighting for a place to belong. and sure, the money, the lavish lifestyle, it's all great. i don't disagree that farleigh is motivated by the fact that he's never experienced the life of lesser wealth that he fears so much. but there's also so much love for felix and venetia and i'm sure, for elsbeth and james.

this makes the final portion of farleigh's monologue so relevant. this is that kind of foreshadowing where a character implies a happy ending before receiving the opposite of that. farleigh says "this isn't a dream to me. it's my house. so whatever, happens, i always come back." and he... doesn't! he does not come back, at least at the invitation of elsbeth or james. this was a dream for him, too. oliver just had to prove it, how easy it is to destroy everything farleigh has worked for since arriving at saltburn. the pocket in time that farleigh runs to when he doesn't want to go back to america and his mom.

[1:35:58] (they find felix's body, in the maze). farleigh and venetia destroy me, in this scene. the way farleigh reaches for her hand and pulls her into him. at 1:36:56, he pulls her into him again. they cling onto each other. sometimes i think about how much farleigh must have loved them and grieved them alone. how in the world do you cope with that?

[1:37:12] (pre-curtains closing) it's the way farleigh glances to felix's empty chair. it's the way that, even now, it's farleigh sitting next to felix's ghost. and he's trying his hardest, in this moment, to be very english about his emotions. great effort.

[1:39:28] farleigh: oh, my god. may i be excused, please? james: no. we haven't finished lunch. farleigh: the lunch is cold! what, you want me to just eat it like nothing's happening? elsbeth: what else is there to do, darling? farleigh: anything! anything! james: farleigh! will you be quiet!? sit down and eat the bloody pie! just eat it! eat it and shut up! eat the bloody pie! you're not the only person here with feelings. none of us wants your bloody american feelings.

i don't know if there's any singificance to this, but the same moment that farleigh cracks is the same moment that the footman behind him cracks.

of course, english repression vs american... normal...ness. "none of us wants your bloody american feelings" is, again, such a strong indication of how differrent farleigh is. he's family, yes. but he's different for a multitude of reasons. i also find it heartbreaking, how elsbeth speaks to him in this scene. she is visibly trying so hard to keep herself together and maintain a calmness while speaking to him. i really do wonder how close they were.

[1:40:10] farleigh: what the fuck are you still doing here? what, does no one else find it weird? no one else finds that weird? oliver: i wouldn't throw stones if i were you, farleigh. farleigh: excuse me? venetia: please, stop. james: what is he saying? farleigh: i, i have no idea. oliver: what i'm saying is, i would feel guilty, too. farleigh: guilty? oliver: if i was the one racking up lines on the night that someone died. farleigh: fuck you. oliver: that's not a denial. james: is that true? search farleigh's room. farleigh: no- james: get out. farleigh: no, wait- elsbeth: what's happening? farleigh: aunt elsbeth? elsbeth? james: don't you dare look at her. get out. i won't mention to this to the police, but that's all you'll get. nothing more, ever again.

and here is all it took to ruin farleigh. archie's acting in this scene is so potent it's kind of vomit inducing. the way he fidgets with his sleeves, the way he flinches and his lip quivers. farleigh is buried in a sweater. now, more than anywhere else, he looks so young.

for the first time in this movie, farleigh refers to elsbeth as his aunt. gah. not that elsbeth seems any more motherly than what i imagine farleigh's own mother to be, but goodness, he's begging for affection. i realize there's not much else to say about this scene other than how heartbreaking it is. i'm basically writing this post for my own self benefit; i gotta rant somehow! i wonder if farleigh did feel guilty for his actions that night. if he regrets sticking to his own agenda, avoiding felix and the rest of his family like the plague. if he regrets the competitive nature of it all; how quickly his need to be accepted took precedent over the genuine connection he had with felix. there's something so hopeless about learning how to lie.

i think, out of all the cattons, farleigh understood how much it all mattered. the money, the ease of summer, the companionship during school. just like oliver, he knew how to work, in his own way. farleigh knew what it felt like to be loved and ignored by the cattons, and by his own family in america. rararararararara.

[floral-hex]

woke up at 4am feeling the weight of my life crushing me, so I’ve been sitting out in my car for the last couple of hours because I just need. to. be. somewhere else.

[doctorwhoisadhd]

there's a certain quality the harmonies of like... early to mid 2000s alt rock has. which i am obsessed with... like i wanna do that. i NEED to figure out how to write harmonies that sound like that

[yappacadaver]

BROOOOOO I CANT TAKE IT ANYMORE I JEED MORE RAYMOND CONTENT THIS FANDOM IS SO DEAD

AAAAAA i feel you u_u been trying to convince more ppl to draw my blorbo haha

I've personally still got a long list of WIPs and planned art/fic chapters, but unfortunately my pace has slowed way tf down thanks to my chronic pain and lack of income/job search :( Still keeping at it tho! Just posted my most recent chapter last night, and my latest art was a couple days ago too :')

in the meantime, my commissions are open for anyone who feels similarly and wants to see something specific! And if it's something you're passionate about, I'd be so happy to see whatever Raymond content you'd want to bring to the table, art, fic, hc, or anything else!

[crescentfool]

bonerattle arena fucks severely. i was not expecting it to rival my love for jammin' salmon junction, but wow. this map feels like a love letter to people who love and enjoy salmon run. (i ended up playing the rotation for around 3.5 hours... which you can watch here if you like!)

the map's circular shape on normal/high tide effectively makes the spawns from this map come from every angle. it's a test of awareness and movement skill- and the walls + inkrails really, really make rotating around the map feel so fluid and easy.

and low tide's hexagonal two-ring design is so fascinating too! instead of testing movement, it tests your team's ability to make judgment calls on luring and making sure you don't overwhelm basket from luring too much.

i also feel that every special in salmon feels really rewarding to use on this map- even reefslider! i've played enough to see that most specials bring so much utility and value, and i just love that no special feels like it's "useless" on this map.

there's also a few flyfish tech on this map that echoes the bomb tricks on jammin' salmon junction and spawning grounds (and i guess gone fission too), it feels really intuitive on what spots can pop two baskets at once (it's the grates and the rails) and i just? feel really rewarded for playing as much salmon as i do.

i feel that the map's inclusion of the ink rail mechanic evokes a lot of similar vibes to ruins of ark polaris- and i really liked that! there's definitely some things i want to fine tune and understand better about them, but they're really fun.

i still need to see how other weapons feel on this map, but it feels like both mobile and stationary weapons can exceed here- there's nice perches for long range weapons, lots of walls for quick weapons to use to escape situations... it's so swag...! a very good final map, i think!

[gibbearish]

i still have yet to see the new hbomb but for anyone who's watched it now and wants more this is not the first time he's covered this kind of thing, "here's three stories about youtube plagiarism" is from 6 years ago on the same subject and is still very good

[aberooski]

The way I fucking love Age of Ultron with my entire heart and soul 😭

[neverquiteeden]

Chapters: 1/1 Fandom: Sherlock Holmes & Related Fandoms, Sherlock Holmes - Arthur Conan Doyle Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Sherlock Holmes & John Watson Characters: Sherlock Holmes, John Watson Additional Tags: Book: A Study in Scarlet, i had to scratch a very partcular itch, Infodumping, Mentioned Mrs Hudson, Developing Friendships, Friendship, Watson still doesn't know what Holmes' job is, based on a moment in STUD, I Wrote This Instead of Sleeping Series: Part 2 of I'll Be Home With You Summary:

Holmes comes back to Baker Street after a long walk and shows Watson the mudstains on his trousers. Based on a throwaway line in Study in Scarlet.

[the-punforgiven]

God those cgi trailers for Dark Souls 2 fill me with such yearning for the Dark Souls 2 That Could Have Been