#and the house obvi

[trans-yllz]

ALL MOVED IN TO MY NEW PLACE!!! took us six hours to drive all my shit to the new place, and about three hours to get the rats settled, play furniture tetris, sit on the ground waiting for pizza, sit on the ground eating pizza, put my bed together, play more furniture tetris, and get the bunnies settled, but now I am cozy wozy in my bed hehe :3c unpacking and decorating will commense tomorrow but for now. rest

[bugchuckles]

whoa can't believe they finally released the evelyn clawthorne character sheets????????? wild

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he comes across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt, and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh." Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmare, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[vangoghmeteeng]

i genuinely thought hilson would be a Thing™️ in later seasons but no I’m watching season 1 and they’re already married? I’m not even sure if they end up canon but to me They Are

[cassianandfenrysaremyboyos]

Ruhn and Lidia are so funny because you can tell Lidia cares deeply, and is regretful about how things have gone down, and is hurt by it, but she just gets on with things. Pushes it to the side, because there are other things to worry about, and carry's on. Meanwhile Ruhn, staying true to his teenage emo roots through and through is so angsty over it all! He loves her, he hates her, he wants to kill her, he wants to save her, he's thinking things like "How could he hate someone whose life mattered more to him than his own?". Like Lidia is just getting on with her day, doing what needs to be done, running her errands and what not. And Ruhn is in his bedroom, lying face down on his bed listening to My Chemical Romance and moping

[hamburger-helper-official]

Shoving my Savanaclaw HCs in your face and you are going to LIKE IT

[hula-zombie]

no thoughts, just her 🌹

[gods-favorite-autistic]

Au where Baron isn’t actually a creation of Cassandra and is actually the creation of some other world endangering threat that the bad kids have to face off in their senior year when it starts making little tormentors for the rest of the bad kids

[waywardsunlight]

Owl House is a surprisingly dark show but still very much kid appropriate. I think the themes about grief and self harm as well as like. exploring topics like ableism, religion, death, and abuse is really neat.

I do think it'll be funny in five to ten years when people who were lil while watching the show revisit it later and are like WHat the fuck did I watch about certain things tho, because I really didn't pick up on the Vibes with Terra and Raine or like some of the nuances and I was already 19 when the show started coming out HAUIH.

[pointlessjey]

Another!

[daemon-is-perfectly-unhinged]

Cole: Rhaaaaeeeegar!

Rhaegar: Two syllables, good for you.

[flea-the-circus]

even if ronance isn’t endgame, i need nancy to have an arc where she chooses her friend. in my head, the only thing that makes sense is nancy choosing robin. not even in the romantic sense (although i would die of happiness if it was), just nancy remembering her choices and not making the same mistakes she made at sixteen.

having nancy go through four seasons of chasing/grieving/fighting for her best friend, only to turn her entire character into a plot device for steve or jonathan, would be the worst possible choice the duffers could make.

[mitzysmitzy]

no because the manga made me tear up. the anime made me full on BREAKDOWN.

they were able to take this already tragic backstory, and made it even MORE horrifically heartbreaking. And in such gorgeous animation too!!!!

Im actually not going to be okay what am I supposed to do after this holy shit.

[chumpheaven]

HotD S2 E3 Spoilers Ahead!!!

After all the interviews I’ve read between the actors or show runners, I genuinely think people are missing out on a lot of HotD by not interpreting Alicent and Rhaenyra, at least partially, as WLW. Sara Hess and the other producers have explicitly said that there’s a deeper love between them. Even if they “don’t have the words or ability to recognize it as romantic or sexual attraction.”

All of the actors who play Rhaenyra and Alicent (younger and grown) have said they intentionally inject homoerotic tension into their scenes. Idk idk I just don’t think we need to see them kiss on screen to know the intention behind the way they act with each other

I truly believe if you don’t clock the longing glances and lingering embraces as romantic then you’ll miss out on the ongoing characterizations of Rhaenyra/ Alicent in the show.

I see a lot of people say “Rhaenyra should have never snuck back into kings landing,” or “Alicent should have killed her in the sept” and yeah, sure, that would make sense if they didn’t have years of subtly placed romantic interactions between them. Because of their history and the love they have for one another it’s no surprise to me that Of COURSE Rhaenyra trusts that she won’t die during the mission, OF COURSE Alicent lets her go after.

Their relationship is so much more than being girls who were close friends when they were younger………….

[toss-a-coin-to-your-stan-account]

s1 jerome: denies and dismisses alfie saying rufus kidnapped patricia and jokes that if he did it would at least be quieter in the house

jerome's s2 plot:

[deathnguts]

Regulus: when I say car, what do you hear?

Barty: Cah

Regulus: No, like, Cartoon

Barty: No yeah, ‘Cahtoon’. There’s no R when you say it.

Barty: Are you one of those Asians that can’t say the R?!

Regulus: … I think I can say the R, my name is regulus.