#and the composition looked better this way

[twipsai]

this one panel in issue #50 and it's, like, not THAT bad alright

fuck it im tired and had a long day this is my treat to myself. im talking about that panel. yes, THAT panel. which one?

THIS ONE. alrighty this is off the cuff and terrible, lets go.

so this panel isnt like, that bad in context when it comes to Sonic. i think specifically "ive made peace with enough enemies to know there is a better way" is a really interesting line here, because it calls back to the amount of times that the "villain" hes fought has just been a person whos hurting, and how hes been able to help those people. it makes sense that eventually hes more keen on trying to figure out someones whole story before deciding if theyve gotta go (which is rare).

but i want to talk about the FRAMING of this panel, and specifically the larger context of this issue in particular. theres a lot of flip-flopping in perspectives. usually, IDW is told through Sonic's perspective (loosely, this kind of thing is up to interpretation a lot), but in issue 50, it switches rapidly between four different groups -- Sonic and Surge, Tails and Kit, Eggman and Starline, and Belle and Metal. within these groups, the perspective its being told from changes a few times, but never as much as Sonic and Surge's do

i actually love these two when they interact as a storyteller myself, and one that has handled scripts too often for my own liking. Sonic and Surge do this thing where they push and pull the pacing of the script to fit their motives -- Surge keeps trying to escalate things, whenever shes in a panel everything starts pushing rapidly and it feels like the panels are tumbling off the page. when Sonic does anything, though, its slow and deliberate. hes having fun fighting, sure, but he can very much tell that Surge is trying to kill him and hes not having any of that. Sonic keeps things slow and focused, Surge tries to push things faster and unfocused. i could get into how this reflects her motivations and stuff but thats not what this is about i already lost track of what i was talking about fuck hang on

ok so. Surge knows shes supposed to be Sonic, to be BETTER than Sonic. its all she knows, really, and thats the problem. shes traumatized and full of rage and Sonic has been put on this high pedestal, not just by her, but by everyone. she cannot stand this.

this panel is how SURGE sees Sonic, specifically the composition. hes shrouded in light and physically above her -- its not even that subtle of a metaphor, they use it all the time in idw.

the entire overpowered saga shows Surge clawing for control of herself, her life, her freedom... this issue sets all that up in the main story. the way Sonic is framed here isnt how he sees himself at all. weve seen him do this exact same thing from his own perspective before, where everyone is on even ground. he doesnt see himself as above anyone, this instance of him being depicted as such isnt alluding to how Sonic feels about himself, its how Surge feels about Sonic.

and, look, its not the most well-done in the world. this issue has a whole host of problems, evident by the constant switching of focus from one group to a next (a problem that i think they did better on in the Phantom Rider saga). i literally forgot about Belle and Metal in this issue bc theres just so much more going on, i wouldve loved for them to slow things down a bit, maybe splitting it into two issues, but hey, what can you do, yk?

as an aside, i think its really weird how people narrow in on this specific panel of Sonic as being "so out of character", which i sorta like, 30% agree with (i think some phrasing could be better), and then ignore the page right after it...

...in which he pretty much says "you dont get freedom if youre gonna be a problem". funnily enough, on twitter i have this flow chart saved whenever i need a quick guide on Sonics morality and stuff, its really not that complicated

x

none of this is new imo, we see he has the same philosophy in sa1 and satbk. Chaos was blinded by rage and pain after being trapped for thousands of years RIGHT after they were attacked by the echidnas. Merlina was so scared of death (implied to be because she had lost family members and wasnt able to cope with it well) that she became a monster in an attempt to never let anything change ever again. these arent very different stories in my head i guess, just cases of Sonic seeing people who are hurting and doing his best to free them from that.

uhhhh anyways. all this is disorganized i forgot what i was talking about like 5 times while writing this but. people on twitter are ripping into this issue again. like its a b tier issue stop acting like its an f yk Q_Q i will defend anything if people are too mean tbh

thanks for making it this far if you read all this. i love idw a lot and i think that it does have some flaws, theyre all really blown out of proportion.

have a great day/afternoon/evening wherever you are yall :) bye bye

[lampochkaart]

Maki week, day 4 — Guns / Knives

Something about Maki being blinded by false memories hatred and desperation in Ch.5

And something about Maki and Kokichi being similar in a lot of ways, both like reflections of each other.

[chalkrub]

saw some mangy dog on the outskirts of town

[tubbytarchia]

The stain of red that colors the pavement Painted with blood of somebody you love (x)

Inspired by Banana Fish's 2nd ending (that's where the lyrics is from too. Lyrics made me think of smallidarity and the wheat field made me think of bread bridge. sigh)

Im done with banana fish now. totally

[catorikishin]

Dora-posting

Lyrics from the second pic are from "Apricots" by Findlay

[autoraton]

riz redraw!

side-by-side comparison under the cut :-)

[ferronickel]

A bunch of webcomic Ralseis! I've been wanting to do fanart for all of these comics for a while and I've got an upcoming page of my comic that requires a mix of styles/shading, so I thought this would be good practice!

Eldritchrune by @lynxgriffin

Looking Glasses by @ferronickel

The Chara Timeline by @lilybug-02

Reconnecting by @purplebehittindifferent

Twin Runes by @akanemnon

Flat colors under the cut because I think you can see some of the stylistic differences better without shading.

[ganseylike]

shoutout to his “RCG3” vanity plate!!!

[starryarchitect]

okay yeah yeah villain but the diagram is so cool you guys

Wall I made for this (featuring: Russian, Spanish, toki pona, DNA code, women's script, a few alphabets, some geometry and arithmetic, and a language that I invented, among other things. I had fun with this)

[insidiousclouds]

@glitchysquidd pov: bunny man giving you a lecture on how to PROPERLY repair animatronics

[harliennes-corner]

"I like eating my meals here sometimes. That exotic scent..."

[wildegeist]

Excited that I can finally share the finalized cover for Sableheart, my upcoming webcomic.

It's about an alien knight who sold his soul to interdimensional demons ending up in the spacefaring future, and fighting for survival in the unfamiliar realm of space as he tries to escape their grasp. He eventually finds it to be a fight for his lost happiness and those he loves as well, as he forges strong bonds with others along the way.

Contains: violence/blood, heavy themes, occasional strong language.

I've made a lot of progress with this project lately and I'm excited to share/launch it when I've got a backlog of pages ready to go. There's drama. There's funny alien demons. There's ace rep. There's existential terror. And a few other things maybe.

[thedrotter]

re:kinder doodle dump part three !!! drawings with wildly different moods www they are more polished ans complete than my other doodles because. why not🥺!!!

[disproportionatelysculpting]

PARO(Parvati Sinha) from A Shade Darker Thank Red by @morally-gayy

[nonbinarygerard]

traditional gouache mixed with digtial painting of gerard <3

[sky-formes]

people who kiss