#and the company he's spent his whole life at

[generallycharmingcriminalminds]

Angel In The Snow

Summary: Modern AU where Nicky died, and months later, on Christmas Eve Agatha and Rio see each other at Nicky's grave.

Warnings: Hurt/slight comfort, referenced child's death, like one curse word, exes who still love each other.

Word Count: 1,319 words

Christmas Eve morning, what had once been one of Agatha’s favorite days, now spent standing in front of the cemetery, in the snow, trying to get the nerve to enter. Eight months, and it still ripped her heart out just thinking of the funeral. The one she loved the most standing beside her silently as they watched the coffin lower into the ground, the rest of her heart inside. Agatha tightened her grip on the bouquet of purple azaleas in her hand as she forced her feet forward, making her way towards the grave she came to see. A shuddering breath escaped her as she crouched in front of a headstone, reaching a gloved hand out to brush the snow away, revealing the name. Nicholas Harkness-Vidal. Nicky, her pride and joy, her little boy, forever six years old.

The illness had come quick, there still wasn’t a name for it, or treatments, so Agatha had been forced to watch her little boy deteriorate by the day, his own body betraying him. She never understood exactly what the geneticist had told her and Rio…Rio, the woman Agatha loved, still loves, even after their divorce. Neither woman ever reached acceptance in their stages of grief, both staying in anger, at the situation, and at Rio. It had been something to do with Rio’s egg that caused Nicky’s illness, at least that was how the doctor’s had explained it to Rio and Agatha in the hallway of Boston Children’s Hospital.

Agatha and Rio divorced not even two months after the funeral, unable to look at each other without screaming, if Rio was even home. Being a badass FBI agent meant she was rarely home even when Nicky was alive and well. But once he got sick, and eventually passed she claimed it was just too hard, leading to one of the worst fights they ever had in their almost ten year long marriage, the fight that led to their divorce.

“Being here is hard for you? Seriously, Rio? You were never here!” Agatha had screamed at her wife.

“I tried, I am trying. But at least you got to be here for him, make sure he knew he was never alone. You got to help him with his homework after school, drive him to sports, be here for dinner, his bedtime routine. You knew his favorite food, favorite color, stuffed animal, everything, unlike me. You got to be his mother, in every way that counts. Thanks to my job, and the crazy schedule I work, the most maternal thing I did for him was use my egg for his conception, and that’s what killed him,” Rio had replied softly, tears in her eyes, no fight left in her anymore as she avoided Agatha’s furious, hate filled expression.

“I wish we had never used your egg! We should have used mine, it would’ve saved us money, and probably wouldn’t have killed him! I want a divorce, Rio, you look too much like him, and I hate you for it.”

“Aggie…” Rio started, but a cold look from Agatha shut her up.

“It should’ve been you, not him.” With that Agatha had turned on her heel, storming out of the room.

Agatha shook her head, as if that would make the memory of her cruel words go away. She didn’t really hate Rio for her resemblance to Nicky, or blame her for Nicky’s death. But Nicky had Rio’s dimples, and her smile, and her unnatural ways of sitting in chairs that simultaneously drove Agatha insane and made her smile. It had all been too much seeing the woman she loved, and also seeing her little boy in Rio. So once the divorce had been finalized Agatha packed up her life, sold the house, and moved from Salem Massachusetts to Westview New Jersey, a small town where no one knew her as Agatha Harkness, the stay at home mother who tragically lost her only child. Instead they knew her as one of the best cops in the whole department.

She’d even made friends in Westview, Jennifer Kale, a cosmetic company founder. Lilia Calderu, a fortune teller who Agatha knew was just scamming people, but somehow it was legal. And Alice Wu-Gulliver, a fellow cop whose mother had once been a well-known rockstar, apparently. But Agatha wasn’t sitting in front of her son’s headstone on Christmas Eve to think about them.

Agatha carefully set the bouquet of azaleas on the ground in front of Nicky’s headstone, a shaky breath leaving her as she wiped her eyes, realizing she had started crying. “Hi, baby, mami and I both miss you, with all of our hearts. I’m sorry you had to hear us fight so much when you got sick, and I’m sure you saw it get worse, because there is not a doubt in my mind you’re keeping an eye on both of us, just like Santa if you think about it. I wish it had been me instead of you…parents aren’t meant to bury their children.” Agatha heard the snow crunching under someone’s relatively quiet steps, but she didn’t turn, assuming the person would just pass by, they didn’t.

“You and I both know he’d hate hearing you talk like that, Agatha. You’re right, parents aren’t meant to bury their children, but six year olds aren’t meant to bury their parents either,” a voice behind her said quietly, and it just made the tears slip down Agatha’s cheeks more. She didn’t turn her head as Rio crouched next to her, placing a bouquet of green azaleas, her gloved hand finding Agatha’s without thinking. “I saw you sold the house,” she said, attempting to make small talk, some sort of connection.

“Yeah, I couldn’t stay there, every time I turned a corner I expected him to come running up to me, wanting cuddles. The ghosts of the happy family the three of us once were was too much to overcome…”

“Just like our divorce.” There was no anger, or resentment, just sadness and understanding in Rio’s tone. “You know, Salem hasn’t had a white Christmas since the year Nicky was born,” Rio noted, looking up, some of the flakes catching on her eyelashes, and melting on her face.

Agatha nodded in agreement, moving to rest her head against Rio’s. “Our little boy’s watching over us,” she said hoarsely, and she believed it.

When they both left the cemetery a little while later Agatha finally met Rio’s eyes for the first time. Both had dark circles under their eyes, neither slept well anymore. “Do you…maybe…wanna get a cup of coffee, just for old time’s sake? No expectations, just two people who’ve known each other for years?” Rio inquired.

“Unfortunately I can’t. I have to get back to Westview because a friend of mine is having a Christmas party tonight, I’m sorry,” Agatha answered, her tone surprisingly sheepish as she glanced away from her ex-wife.

“Oh, well, it was worth a shot. Merry Christmas, Aggie.” Rio hadn’t even noticed she used that old nickname, but Agatha did as Rio turned, starting to walk away.

Before Agatha could think things through, or even at all she called after Rio. “Wait, what are your plans for Christmas?”

“No clue, probably unpacking my apartment that I’ve been living in for six months and haven’t done anything with,” Rio admitted, now the sheepish one.

Agatha scoffed, shaking her head. “Come on, Nicky would be disappointed in me if I let his mami spend Christmas alone. You’re coming to New Jersey, and staying in my guest room.” Her tone made it clear Agatha wasn’t going to accept any arguments from Rio.

What neither of them could see was Nicky watching from above, smiling ever so slightly. He didn’t know if his mama and mami would find their way back to each other, but for the first time since before he died, he had hope.

[tomwambsmilk]

It's 100% true that the Roy siblings did not choose to be Logan's children and Tom and Greg and the old guard did choose to work for him so their relationships to Logan are fundamentally different, and the degree of culpability they bear for their own moral degradation is also wildly different. But workplace emotional abuse is also very real and omnipresent in the way Logan treats the people who work for him. And one of the impacts of workplace emotional abuse is creating an extreme attachment to the abuser and becoming less cognizant and even defensive of their abuse towards yourself and others, and in cases where the emotional abuse is institutionalized and systemic it can also create a strong aversion to leaving because your whole sense of personal identity becomes wrapped up in the organization and so being forced to leave can cause an intense psychological crisis. I don't think the situation of working for Logan is at all equivalent to being his child but I also think that it's a bit misguided to imply that Tom and Gerri and Frank and Karl are operating from a place of pure rationality without any undue psychological influences when they make the choice to stay with and support Logan

[feroluce]

So I finally had time to sit down and play through 2.3 this week and man I have a lot of Feelings about all of it, but today it's about Gallagher and Mikhail because!

The devotion of a dog! Gallagher's dedication lasting beyond Mikhail's death and then some! The way he let himself be seen through knowing it would mean his own death because it would help to accomplish his and Mikhail's dream! The immense regret and long lasting guilt of not helping Mikhail when he needed him! THE WAY MISHA CALLS GALLAGHER "MY HOUND-"

Ahem. I'm normal I swear. Anyway.

And one of my favorite displays of this undying loyalty? This.

This is the record you unlock in 2.3 after Siobahn brings up Gallagher's death in the Dreamjolt Hostelry. Right after "to the Nameless resting in peace... and to Gallagher."

La Messe de l'athée translates to The Mass of the Atheist. It was a short story about a man who goes to church, and is surprised to see another man whom he knows is an atheist attending mass, all alone. When questioned, the atheist says that he attends for a friend. This friend had banded with him when they were both poor, and acted as a father figure to him. The atheist managed to pull himself from poverty with his help, and did everything he could to repay and take care of his friend thereafter.

The friend died of illness some years later.

The atheist is still an atheist. But he attends mass on the behalf of the religious friend that saved him, and recites the prayers he heard whispered on his deathbed. These borrowed prayers are the closest a man like him could get to being a true believer, but he always holds out hope that those beliefs might enter his head.

There is so much in there, in the story they decided on as our final memento of Gallagher, that this is what was chosen to immortalize him, and ARGH OTL

[musubiki]

Hi!!! I saw the tcwg relationship chart and noticed that sulluvan has a white arrow pointed to mochi! I always thought that he just wanted to marry her bc of his own interests, but does this mean that he actually loves her? Hope you're doing well!

OOF.......,,,. YA KNOW.....MAYBE.....

in my head its always been one of those things that for a majority of the series it is just him wanting the cat witch trophy wife without any feelings involved. after all, how can a 15000 (give or take) year old entity (??) possibly get feelings for this...human?? its like developing feelings for a picked flower, it just wilts so fast theres no way

but i think over the series (and especially in the timeskip half) he does gain a lot of respect for her. and its one of those things that isnt brought up until the very end when someone else (most likely the merchant or madam springs) asks him "You didn't really care for her, did you?" and he just stays quiet

(i hope youre doing well too!!! its almost finals which means i get summer relaxation soon ;; )

[yaminerua]

thinking of how long Rimmer was away from Lister and the others while he was off being Ace Rimmer and how that is almost nothing compared with the amount of time he spent on Rimmerworld locked in a cell completely alone for hundreds of years

it’s really brushed off so quickly how long he was stuck there with absolutely nothing but the stress balls. Completely alone for so long with little reason to believe he’ll actually be rescued. I just. Fuck, man…

[mellowwillowy]

𝐒𝐮𝐠𝐚𝐫 𝐃𝐚𝐝𝐝𝐲 𝐭𝐮𝐫𝐧𝐞𝐝 𝐇𝐮𝐬𝐛𝐚𝐧𝐝

Yan! Sugar Daddy who fell in love with you at first sight in the cafe he often visited for his daily to-go coffee. He had seen lots of beauties but you were the first to catch his breath.

Yan! Sugar Daddy who tried to woo you, he tried his best to not scare you and subtly flirt with you. It took him a huge courage to approach you and ask for your number.

Yan! Sugar Daddy who found out you were still just a college student who was most likely to be struggling with financial issues, or so he assumed from how most of the students there were.

Yan! Sugar Daddy who took his time bonding with you before subtly offering an arrangement with you, a mutual arrangement of a sugar relationship. Instead of sex, fancy dates, or a plus one to those higher-ups events, he wanted your company all the time if he could.

You were wary and hesitant but his silver-tongued nature convinced you that this would change your life for the better.

While you were inexperienced in most of it, Yulian made sure to make you feel comfortable about it and him. The weekly allowance and PPM were enough to make you never lift a single finger to work anymore.

The more you spent time with him, the less it felt like an arrangement. It felt like a man treating you with utmost respect while spoiling you with luxuries you would never imagine to have.

But with such great benefits came a great price. You noticed that you had been seeing your friends less because of the attention you had on him.

You noticed the higher-ups never stopped sneering at you for being a commoner or his pet whenever you attended the fancy events with him as his plus one.

You noticed how you had almost less to none freedom, always heavily guarded by what seemed to be his bodyguards. Who was he and why did you even need this sort of protection?

One day you decided to trick his bodyguards with your flat-out white lies so that they'd leave you alone. They did not expect someone like you to ever lie and put them at risk so they left you alone.

All you did was wander around in awe, checking the grand balcony to go to the washroom as normal people would.

Yan! Sugar Daddy who was seething in rage when the bodyguards came to him, tricked by your childish lie. But there was no way something bad would happen with this slight mistake right? You were not his spouse by any means.

But oh did everyone know you were someone he fancied for the first time in his whole life. Part of his brain just tried to look at this mistake in a bright light and it backfired.

Yan! Sugar Daddy who had to be endlessly teased by his great-for-nothing cartel friend. He had to endure the stress of losing you and the risk of not being able to take you back.

It's not like the Drug Lord couldn't help him, it was simply humiliating for him to endanger you by not keeping a close eye on you.

Yan! Sugar Daddy who could track you down in less than a week and ordered a mass slaughter on the faction that imprisoned you. You were not wounded terribly but a wound was still a wound.

Yan! Sugar Daddy was just a confidant to the Drug Lord and an infamous lawyer. You only knew he was a lawyer but never the lurking threat of his other occupation. No wonder he was always wary of his surroundings.

How could someone from such a cold underground world have the heart to fall in love with you? That was what you thought when you woke up to his concerned face.

Weeks passed and it didn't take him so long to propose to you, for you to become his spouse.

"I truly love you, dear. I have never even once seen our arrangement as something strictly business instead." He showed you a velvety box with a diamond ring in it. "I admit, it was not the best approach but I thought I could work my way into your heart while profiting you with all the benefits and luxuries you could have from me."

He swallowed the lump in his throat, "I wanted you to see how capable I am."

Something told you that nothing good would come out of your refusal. And instead, logic swarm into your brain. You had been in an arrangement with him for almost a year already and had never even once felt any hardships.

He was nice to you, downright kind and loving even. He cared for you deeply and wouldn't hurt you in any way. It was your fault that you broke free from the barrier of protection he granted you.

With great fame and luxuries, came all sorts of threats. He wasn't disloyal like those higher-ups. He didn't belittle you like others would. He loved you.

Even if you didn't love him, you knew how great it felt to be loved by him. There was not a single loss from this arrangement which was a marriage, right?

[foldingfittedsheets]

I’ve been fired exactly once in my life. In my early twenties I was working at a pizza place. The pizzas were artisanal, thin crust and personal. They’re a huge chain now but when I first started the company was in its infancy. It was the wild west of management, and the core investors would frequently stop by to check on things. One of these people was this round little man with rage issues. A knock off Danny Devito with no charisma at all.

His favorite thing to do was to come in on a Friday or Saturday night. We'd be at our stations: taking orders, making pizza, manning the oven, finishing orders off, running the cash register. He'd shove his way onto the line and start rearranging people. "You, get off orders and work the cash register, you come over and make the pizzas!" With a line of customers snaking out the door he'd throw off all our grooves and rattle us.

Then, inevitably, a mistake would happen.

When it did he'd call the person over and say, "Hey c'mere. You're fired." Just like that. No inflection, just a flat "You're fired." It was absolutely a power kink, and because of his involvement the average turn over was three months. You were a veteran at five months.

One night there was only three of us manning the front. I took an order than went to the cash register to ring them out before I made the pizza. This horrible man watched that then called me into the back. I didn't know if I was about to be fired. But I wasn't. In fact, he had one other move besides firing people. He yelled.

In the back he absolutely lost his mind screaming at me for being on the cash register. I'm talking veins popping, spit flying, red with rage, this man just started bellowing nonsensically about where I should be and how I was just such a failure. It was truly like his brain had shut off, nothing he was saying even made sense. I stood there in the face of this tirade for a minute and then set a record for being the first person to ever cut him short by bursting into tears.

He instantly stopped yelling and it was like Jekyll and Hyde. He was remorseful and consoling, deeply embarrassed by my display of emotion. All my male coworkers just took the abuse but faced with my weeping he about faced and instantly backed off. I went outside to cry and when I came back in he pretended it had never happened.

That was the state of things. The investors knew they desperately needed to keep this man out of the stores, but they couldn't just give him the boot. They needed to move him aside and fill his position with someone. The store manager was this lovely woman who had hired me on the spot at my interview. The entire staff adored her. She was the best fit to get this roided out investor out of the stores for good.

Her replacement was this man called Anthony. He was instantly loathed by the entire staff. Condescending, critical, and lazy he started off his reign by letting go a core lead who "back talked." He spent a whole morning berating the opening crew because the closing crew (who had sold 100 more pizzas than we were even supposed to have on hand) had forgotten to windex the doors. He left the entire crew to close without him while he flirted with a girl who wasn't his pregnant girlfriend. He hired his roommate to replace the lead he fired and even that guy hated his guts.

Our antipathy toward him made him paranoid and resentful and one by one he started finding excuses to fire the whole staff, certain that if he could clean house he'd be able to do the job. My time came, and he sat me down with his boss, my former manager. She cried as he announced I wasn't personable enough and used too many pepperonis.

I looked at her, the woman who had trained me on how many pepperoni to use, but she said nothing. What could she say? He was the boss now and had determined I was going to be let go regardless. Too many in this case was seven. Seven pepperonis on a personal pizza. The correct number was five according to him, which is one pepperoni per slice, and one in the middle.

I sat there for a moment, taking it in. I smiled at my old manager, obviously miserable. I looked back at him and said, "You're a terrible manager, you're doing the worst imaginable job." I outlined some of the things he'd done so she could hear them, then I stood up and left. I made it to the back room before I started crying.

I found out later through a bus boy that he replaced the whole staff with college kids who had such limited availability that the store couldn't run, then quit three months later leaving the whole place in shambles. Most of the old staff returned, but I'd moved onto the sex shop already and was enjoying a job with significantly less risk of being fired on a whim.

However I do have to disclose on job applications if I've ever been fired. I always says yes and list the reason as, "Excessive use of pepperoni." It has never failed to get a laugh from my interviewer.

[arolesbianism]

What if instead of posting abt the random card au characters that are actually from the medias I made the au for I just post more abt the ocs that don't matter at all and that no one cares abt. Anyways currently thinking abt the magic user that started the bond that An is a part of. Little autism creature that goes ehehehehheheeheeheeheeeeheheheheeehee

[saetoru]

✩ ‧₊˚ ✩。yours, always yours

synopsis. satoru has always been yours—and he needs you to know you’ll also always be his

— word count. 2.4k (read the breakup fic first for better understanding, but can be read as a stand-alone)

— contents. fem! reader, college! au, rich boy! gojo, post-getting back together angst that gets a little heated <3, minors do not interact, fingering, unprotected sex, edging, satoru cumming too quick <3, creampie, tbh the smut is short and a lil rushed my b, it ends in fluff tho !! trust !! there is fluff !!

— notes. tbh this will probably get flagged rly fast but oh well u win some u lose some. anywayyyyy here is the make up sex bc yall nasties deserve it <3 jk love u guys

satoru falls first. and he falls hard. everyone knows it, it’s never been a secret.

“you want me to wash your hair?” you ask gently, kissing his shoulder as the water falls over his head. he hums, nodding absentmindedly as he stares blankly at the tiles of your shower wall.

“sure,” he mumbles, “don’t tug.”

“i never tug,” you roll your eyes, snorting. he huffs a small chuckle, but it’s not the usual laugh satoru gives you. it’s mechanic, almost—just there to fill the space. “baby?” you ask softly.

“yeah?” he asks, “oh, should i bend a little? sorry, i—”

“what’re you thinking about?” your hands cup his cheeks, gentle and warm from the hot water as it soaks his skin.

he shakes his head, trying to smile as he clears throat. “just how nice it is to be pampered. maybe i’ll let you break my heart every once in a while so i get my back scrubbed and hair washed like this.”

“satoru,” you insist. you know—and he knows it too. “tell me?”

“why’d you do it?” he mumbles, “why’d you listen to him?”

“toru, you know why,” you sigh, “you know i didn’t think there were any other options.”

“you could’ve talked to me,” he furrows his brows, “just because my stupid old man threatens you with my stupid inheritance doesn’t mean we have to break up.”

“i was afraid you’d choose me.” it comes out as a whisper, like a confession you can’t bear to admit.

“i would have chosen you,” he agrees, “why’s that bad? how’s that wrong—”

“you’re not thinking about the bigger picture,” you shake your head, “that company is yours. you’ve spent your whole life—”

“so what? was i supposed to give up the rest of my life for it too?” he asks tiredly—satoru’s defeated. he’s never been defeated, it’s the most magnetizing thing about him.

even before you date him. he asks and asks and asks no matter how many times you say no. because there’s always a chance you’ll say yes, and he’ll never stop as long as there’s a chance.

“i’m sorry,” you sniffle, lips wobbling, “i could have….i should have said something. i didn’t want you to make a choice young and then….and then regret it.”

“you think i’d regret you?” he’s wounded—absolutely wounded at the words.

satoru has always been careful, diligent and so, so meticulous to love you right, to love you how you need to be loved. hadn’t that proven enough? that he was in it for the long run—for forever? he’d been so sure you’d be his future, that the break up feels like waking up from a peaceful dream to a house fire—devastating, with smoke in his nose and lungs that he can’t breathe right, and everything gone within a moment before he can even register it.

he stares at the ashes in despair. nothing prepared him for the hollowness of not being yours—because satoru has never cared to make you his. all he’s ever wanted was to be yours.

you’re quick to remove him from everything, deleting pictures from your socials, untagging him from posts, removing him from your private stories and close friends list. he doesn’t understand how you could change your mind so quickly—and then he realizes you probably don’t. because he knows you—better than anyone ever has, satoru knows you.

so he’s comes to you, drenched from the rain, from standing outside your door even as the water pelts against his skin because he’s determined. he’s going to get an answer out of you, going to make you explain why you pulled him in so close, let him reside in your heart and fall asleep to the comforting rhythm of its beating—and then push him out like he’s nothing. what made you push him out?

and finally, when he does, when you let him be yours again and admit it’s never what you wanted, that it’s because it’s what his father wanted—well, satoru can’t keep his composure. don’t you know? hadn’t he always told you? hadn’t he poured his heart out and let you know every moment he’s always been stuck dangling from his father’s fingers? stuck somewhere between the sky and ground, too high to feel the floor under his feet but never high enough to feel the wind in his face.

you’ve always known, always listened—and fuck, you held him some nights too, let your fingers dip into his hair and soothe his sorrows of always being stuck.

satoru’s always been stuck, always had every choice made for him and every instruction carefully laid out on the table. and then you decided to make his choice for him too, walking away and choosing his future for him like he’s never had a say.

he’s always been stuck, but never with you—but now, he wonders if that’s changed.

“no,” you squeeze his cheeks, “no i don’t think you’d regret me….but satoru losing what you have is a big thing,” you mumble, “people work their whole lives not having a fraction of what you do. that’s a lot to let you lose.”

“i’ve never seen my dad kiss my mom,” he stares at you, hard and unwavering, his eyes stare into yours, “he’s never held her hand or made her laugh. and you know what she told me? that she would sell her share of everything to have what we do. why do you always look at me for what i have first?” he asks angrily, the water pouring over his shoulders as they shake, “why can’t you just look at me first for once?”

“i do look at you,” you insist, “toru, all i ever see is you—”

“then stop caring what he says,” he says louder, his voice echoing through the small bathroom of your small apartment.

everything about your home is small—smaller than satoru’s especially. but he loves it, thinks he’d rather be here than anywhere else.

because it’s yours. and as long as you’re here, the world fits into this tiny apartment, the galaxy too.

“okay,” you say shakily. and then you nod, looking him in the eye, “you’ll handle it?”

he nods, kissing between your brows, “yeah, i’ll handle it. who else is gonna take over that company anyway?”

“but what if he finds someone else? and then he—”

“he won’t. my grandpa will shred him.”

“but he’s old, and he stepped down, so what really can he do if your dad decides—”

“god, baby,” he groans, pushing your body against the wall gently, “i love your voice, but you talk so much. i’m wanna listen to something else.”

his lips find your neck, sucking gently at the skin, hand trailing to your tits before his thumb circles your nipple. it’s slow, deliberate, teasing as it rolls over the bud.

you whimper, clutching onto him as a breathy, “t-toru,” leaves your lips.

“yeah,” he nods, “that’s what i wanna listen to instead.” his lips are in a grin against your neck, kissing and biting until he reaches your collarbone. “anyone dm you after you took me out of your socials?” he asks bitterly.

“j-just one,” you admit through a stutter, “b-but i didn’t even open it! i wasn’t really—oh, toru,” you gasp as his finger finds your clit, spreading your legs as he lets out a soft growl at your words.

“what? just cause my face isn’t on your instagram suddenly you’re not mine?” he asks, thumb rubbing harsh circles against the sensitive bundle of nerves—you close your eyes, moaning as your arms wrap tightly around his neck. “you’re always mine,” he murmurs against your ear, low and careful so you hear him well, “yeah? got that?”

“got it,” you nod furiously.

“got what?”

“‘m al-always—oh, fuck,” you mewl as one finger prods at your entrance, gathering your slick before slowly sliding through your walls.

“c’mon, sweetheart,” he says firmly, “finish your sentences.”

“always yours, toru! always yours—please, please j-just…”

“just what?” he raises a brow.

“more,” you sob—it’s a broken plea as your hips thrust against his finger.

he’s quick to slide in a second, thrusting his digits mercilessly into your soaked cunt, his palm gliding over your clit as the slick sound of his fingers fucking you is almost drowned by the water in the back.

your water bill will be high this month. you decide it’s a sacrifice satoru deserves.

“you think someone could ever learn this body better than me? make you cum like i can? you think anyone will ever love you enough to learn you like i do?”

“n-no,” you pant, his fingers hitting that spot inside of you so perfectly, you feel that dull ache build up quickly. it’s good—everything with satoru is good. his other hand finds your chest to pinch a nipple, twisting and squeezing until your nails leave indents on his shoulders as you moan loudly. “no one—no one but you.”

“exactly,” he growls, “how could you leave me? how could you leave us?”

“‘m sorry,” you sniffle, whimpering when the tips of his fingers slam against that spongey spot of your walls, fluttering around him and squeezing him in. you’re close—so close that you almost don’t know what he’s saying anymore, too focused on the way your impending orgasm is approaching. fast. “i’m sorry, i’ll never—ever leave again.”

“say you love me,” he demands.

it sounds like he’s pleading, though, if you listen closely. there’s a small crack in his voice, a slight shakiness that makes you force your eyes open and stare at him and whisper, “i love you, satoru. i love you.”

and then he rips his fingers out—right before you’re about to cum. you gasp, pleading nonsense as you cling to him and buck your hips and search for something, anything to take you over the edge.

and then you hear a sniffle. is he crying? is that wet droplet on your shoulder a tear or the water? you’re too busy calming down from your orgasm dying before it ever came to focus.

satoru’s hard against your thigh, throbbing and painful to sink into you. he strokes himself a few times, whimpers as his thumb gathers the pre cum from the sensitive tip, smearing it along his length as he shakily lets out a quiet moan.

“f-fuck, i gotta feel you. please, can i? please—”

“yes,” you pull him closer, grinding your heat over his hard-on, “yes please, toru. more, need more.”

he’s sliding along your folds, dragging the tip of his cock along your entrance and smearing a mix of your arousal with his. and then slowly, ever so gently, he’s pushing into your after that, pushing past your walls and bullying into your soaked cunt, curving into you perfectly.

it’s only been a week—you feel like you haven’t felt him in years. but it’s familiar. you remember every part of him, including every vein that drags along your walls and makes your head spin. he remembers every part of you, including where that spot is that he needs to angle his hips to find.

he slams into you, hard and rough and fast—doesn’t even let you adjust your position to hold onto him tighter before he’s thrusting his hips and fucking into you desperately. you can feel him, every inch of his skin against you, every part of him that’s touching you. and you can feel the way his cock nudges past your folds, the friction burning pleasure through ever nerve.

satoru knows how to fuck you, just like he knows how to love you, he knows your body—every dip and ever curve, every place to touch and every part that has you gushing around him. it’s just the way he is, too good at giving you what you want, what you need.

when he moans, it’s breathy and he’s panting as he lets out those soft whimpers that make your head spin. “feel that? feel me?” he asks, grunting as you squeeze around his length.

“yeah,” you breathe, “‘m so full.”

“i need you. please, please,” he murmurs, “can’t lose you, baby. never you,” he chants, the quiver in his voice tearing you apart.

“i’m right here,” you gasp, lacing your fingers with his and squeezing his hand. he squeezes back, just to let you know he’s there too, “right here, baby. you got me.”

and then he cums, just as soon as you whisper that—he spills right into you with a broken cry, his hips rolling, needy and desperate and so, so lost on the pleasure. he’s too busy working himself through his high, trembling over your body to care he’s cum too quick—and you don’t have it in you to tease him. you can feel the hot ropes of cum filling you, painting your walls white, fucking deep into you as the blunt head of his cock slams into you without a second of hesitation.

but he doesn’t stop, doesn’t falter that brutal pace as his hips slam into you, perfectly kissing your sweet spot every time. and before long, you break—your head pushes back against the wall behind you, mouth parted as you wail his name and cum—hard. you’re quivering and spasming around his swollen cock, enough that he whimpers at the way you’re so tight.

it’s good, it’s always good. satoru makes you feel good. he’s the best you’ve ever had—the best you’ll ever find.

and then you hear it again, the sniffle into your neck as he clutches you tightly. you know for sure that wet droplet is a tear this time, and your fingers tangle into his hair as you stroke the wet strands.

“i love you, toru,” you murmur, “my sweet boy. i’m sorry, okay? i’m so sorry.”

“don’t do that again,” he huffs in between tears, “that was so mean. so mean.”

“i said i won’t,” you chuckle, fighting back your own tears, “how long are you gonna hold this against me?”

“how long do you plan on being mine?”

“well,” you pull him from your neck, cupping his cheeks as you wipe away tears and peck his lips softly, “i think….forever.”

“well, get ready, then,” he glares softly, “i’m gonna hold this against you forever too.”

“okay,” you nod, “that’s fair.”

“and i love you too,” he adds, “but block whoever dm’d you. it better not be that zenin boy.”

“block those girls who’s pictures you liked,” you shoot back, glaring at him with a pout of your own.

“don’t yell at me,” he mumbles, leaning into your touch as your thumb strokes his cheek, “i’ve had a rough week. you have to be nice.”

dabitee anon. are u seeing this. did u see the satoru who cums too fast. did u see it. report back if u saw this. i repeat, dabitee anon report back if you see this

[go-fornicate-yourself]

Every day I am in the trenches fighting for my life defending this poor man. He was going through so much and people online demonize him and say he's as bad as his abuser

(I've got a lot of thoughts about this so I'll make sure to separate things to make it easier to look at lol)

Curly is a victim of abuse. Jimmy is his abuser. This is something that I feel a lot of people tend to brush over or don't acknowledge it often.

And I'm not just talking about post-crash. Jimmy's abuse of Curly is there pre-crash too. The party scene where the crew learns about the company going under is a huge example of this. Jimmy verbally abuses him, he gaslights him, he blames him for their (his) misfortune. Jimmy accuses Curly of thinking he's better than everyone (better than him), that he doesn't care about them (about him). That he's going leave them (leave him). Which is not true. Curly tries to explain himself but Jimmy shuts him down and he just takes it.

The fact that he just allows this to happen makes it seem like he's used to this... That this kind of behavior is a recurring thing with Jimmy. And the fact that nobody else tries to defend him or stands up to Jimmy just normalizes it for him. When Anya tells Curly what Jimmy did it catches him off guard. Bc he genuinely didn't think that his friend was capable of that. It wasn't something that was obvious to him. There were absolutely many red flags in the past but they were subtle enough for him to not see them bc he cares for Jimmy, he trusts him. Jimmy's the only one he feels he can open up to, who he can let his guard down with. Jimmy's his home. That's how close they are.

Because of this deep love for his friend and the subtlety of Jimmy's cruelty, he doesn't see the constant verbal and emotional abuse as what it is: abuse. Which is why he finds Jimmy's abuse towards Anya so shocking and jarring.

He isn't a man covering for his rapist friend bc of the 'bro code'. It does look like that from a certain angle and it's understandable why people see it that way but that's not what his character is really about as much as it makes sense otherwise.

He's essentially a battered housewife who's still in love with her husband but is realizing for the first time that the man she loves is a monster. That the man she loves and devoted her life to has been hurting her this whole time and she didn't even realize it. That the man she loves and spent so much of her life caring for has gone and hurt someone else. That he's most likely hurt others before and she's been utterly unaware of it the entire time she defended him and made excuses for him when he wasn't the best or the fairest or the most responsible or when he screwed up yet again solely bc of how much she loved and cared for him.

And Curly barely had any time to process ANY of that before Jimmy decided to try and kill them all to avoid the consequences of his actions. It was ultimately a selfish act even if he thought he wasn't just doing it for himself. Jimmy is selfish and needs to be in control or he loses it. He cares for Curly. He loves him. Curly's done so much for him. Curly's the only one who understands him, who doesn't hate him. Curly's his home. He resents how 'successful' he is but that's only bc he thinks so highly of him. He constantly puts himself down and put Curly on a pedestal and worships him while simultaneously mistreating him.

He treats his best friend like shit, he's awful to him. But he's not aware that this is the case or maybe he's in denial about it. He can't or just refuses to see how he's doing all of what he does for himself in the end. He justifies his attempt to kill them all (to himself and to Curly) by claiming he's doing this for them both. That if they were to get back to earth it would all be Curly's fault, that it'll ruin his life and career... despite the fact he had basically nothing to do with Anya's abuse. Jimmy's shifting the blame on him while acting like he cares for him. Well, he does genuinely care for him but clearly not nearly enough to not mistreat him or use him as a scapegoat for his own guilt.

Jimmy is the rapist, Jimmy is the one who does all of these horrible things. And yet it's highly likely that Curly would just blame all of it on himself bc that's exactly what Jimmy did to him. He's in so deep he can't see the facts of the situation.

It takes abuse victims so long to come to terms with their abuse. It takes time and reflection to see things with an unbiased and healthy perspective. Abuse (especially years of it) isn't just something you can just escape. It consumes you and can twist your reality. Curly had about a week or less to process all of it and then take action in a way that protected his crew and abided by Pony Express' guidelines. Dealing with something this serious in a setting that makes resolving it extremely difficult in a practical sense is already hard.

There were no locks on any of the doors except for medical and the cockpit. They couldn't just kill him. There was nowhere they could detain Jimmy that wouldn't involve corporate potentially penalizing the entire group. They could have used the cryopods but then there'd only be three available for any actual emergency and there were already five crew members and four pods in total. Also, I doubt corporate would be 'okay' with them using the cryopods for anything other than their intended purpose. Hell, even if they were able to make it back to earth without any incidents there's a good chance that corporate would consider the situation 'poor team synergy' and collectively punish the entire crew for Jimmy's actions.

So on top of having to deal with an already difficult situation, Curly has to grapple with the realization that Jimmy a: abused Anya, b: has been abusing him as well (for a very long time too), and c: has probably abused others before Anya and he had no idea about it. He needed to act but he didn't and it doomed all of them.

But it's so unrealistic (maybe even cruel) to put that much pressure on someone, force them through an utterly earth-shattering realization, and then expect them to do the correct/right/responsible thing in that moment. It's a little ironic how people vilify him for that when other characters do the same thing that nobody blames for it.

Anya is the ship's nurse. Curly is the ship's captain. They both have duties and responsibilities on board the Tulpar. She has to keep the crew healthy and safe and is the only one with enough medical knowledge to do so. He has to make sure that everything goes well and goes according to procedure. He's responsible for the crew, the cargo, and even the ship itself. Both positions are integral and require a lot of responsibility to do properly

They're both put through distressing and traumatic situations where due to them being human people with emotions and fears that make them essentially avoid their responsibility/doing what's required of them.

Curly has a freeze response and doesn't act when he should have when it was crucial to have done so. Anya has a fawn response and essentially puts her patient in danger and harm's way. She knew full well what Jimmy was capable of. She experienced it herself and she witnessed it happening to Curly as well. And yet she allows Jimmy to be alone with Curly while being fully aware of how dangerous he is. Which she shouldn't have, that wasn't the 'right' thing to do. Keeping him safe was her responsibility.

But Anya's human. She's going through a lot at the moment. She's terrified of Jimmy and she's trying to appease him so he doesn't hurt her again. It's a natural very understandable thing to do even if it's not the 'right' or 'responsible' thing. They failed each other when they needed each other most and I think that's the most tragic part of it. If anything, all of them failed each other in some way, shape, or form.

So it's incredibly frustrating to see people give Anya so much sympathy and grace for doing something so human yet still 'wrong' but then turn around and give Curly none of that for doing essentially the same thing she does.

I don't know for sure if it's actually because Curly is a man or if it's only part of it or maybe some people just lack that sense of awareness but it's depressing and frustrating as fuck as a male victim of sexual violence and abuse to see this kind of behavior and this much victim blaming towards a character who is undeniably a victim of abuse like I am.

[never-quite-buried]

“2) to make real amends to her primary victims. Also, having her sit and talk to Tony about her anger against the American military industrial complex (which was what killed her parents) and how she conflated that with Stark.”

In what way does IM1 not tell us that Stark IS the MIC? Like. This scene is pretty explicit.

_____________________________________________________________

anonymous  asked:

1) Re: Wanda and her lack of redemption arc- One of the MCU’s biggest fuck yous was that they allowed Zemo to apologize to T'challa for his Father’s death as collateral in his revenge scheme, but didn’t have the decency to allow Wanda to do the same to the Avengers for stripping them of their autonomy and using them to hurt other people (of which the primary victims were Tony and Bruce). If they wanted to redeem her and make her more sympathetic, they really should have allowed her _____________________________________________________________

ambitious-witch  answered:

I’m really sorry that I didn’t answered this last night, nonny but it was very late here and I was on mobile.

1) Exactly. But honestly I like Zemo more than Wanda for that. They allowed him to apologise, but also they showed him not being so bat-shit hateful blaming all the evil on his life to the Avengers (just the death of his family) and he neither played the victim. Like Wanda did.

The problem with Wanda lays directly in her “tragic backstory”, I mean, just listening to it, it’s ridiculous:

This is a backstory that doesn’t work for an anti-villain/anti-hero to go straight up a hero. Because it’s illogical. The audience that has a minimal knowledge of how the world works knows that blaming the person that made the weapon is stupid an illogical.

Second part of the ask:

2) to make real amends to her primary victims. Also, having her sit and talk to Tony about her anger against the American military industrial complex (which was what killed her parents) and how she conflated that with Stark. She has serious trauma that needs to be laid out. I mean, Tony could have talked about how he too realized the faults in the MID and is trying to make amends for his ignorance and inaction. How it has led him to believe in accountability and checks and balances

Part three:

3) LIKE THE FUCKING ACCORDS. It would have been 10x better than Steve’s convo w/ her in the beginning of Civil War, where he treats her unintentional murder of 12 ppl as a small hiccup that can be corrected w/ “try try again”. But no, all we end up w/ is a character marketed as a child half the time, and an adult the other half. It’s character assassination and it sucks. Either show her struggle w/ redemption and accountability as a member of the Avengers, or keep her a villain.

The problem here nonny, it’s that the dynamics are terribly flawed and bad placed. With Wanda, her deed of joining the Avengers it was not for goodness, it’s was common sense and self-preservation. We never see her re-thinking about Tony or showing a single little remorse about hurting him, neither she seems to want to stop and think about the situation. Tony talking to her would have required she trying to go closer and talk but to the first moment that we see her on screen with him her intention are clearly hostile:

Look at the corporal language of this part. This is a hero? No.

This is an anti-hero? No.

This is someone who is conflict?

I dare say: no.

The point about anti-heroes and anti-villains is they know, very deep in them, they have a doubt, a conflict. Wanda doesn’t. She knows what she is doing. She knows that she is hurting someone and she knows what she did. Take a look to Bruce too:

Also take her reaction when he calls her out for mindfucking him:

Her expression seems to be the one of someone who regrets her bad deeds.

But…

Her face hardens when he threatens her and she doesn’t speak about the topic again. Not with him, not with Clint in their oh so marvellous pep talk.

Someone that answered one of my posts said that showing Wanda’s struggles were that ridiculous scene whit with her crying in front of Clint, so the audience have to see her as a poor misunderstood child that was very scared and didn’t know what she was doing…

That’s not how it works!

Wanda should have showed struggle and conflict since the beginning of the movie! She should have interacted with people that she hurt as you said but she didn’t!

And before somebody says something…

Clint doesn’t count! Steve doesn’t count!

Clint was not attacked by Wanda, he didn’t suffered in her hands. Steve? He forgave her at the instant. He attacked his armour-less teammate because of her word. He told Natasha, one of Wanda’s victims “she with us”, like she hadn’t some right of feeling uncomfortable by her presence!

They don’t count!

The base, the point for an anti villain to be redeemed and made an ally or friend in front of their enemies is the interaction and and the villain admitting that they hurt the protagonists. It’s simple, take Regina Mills in Once Upon A Time. She never became in a full hero but she earned trust by admitting her bad deeds. She showed struggle and doubt. She became a wondeful anti-hero Wanda didn’t.

Just look at the moment when she decides to side with the Avengers:

What choice do we have?

This is someone that learned form her mistakes. No.

No.

No.

No!

This is somebody that wants to fucking live. She wants to keep herself and her brother alive. There’s no doubt here. Not struggle in the loyalties. No conflict! She switched sides in the beginning and she does it again because it’s convenient for her. Not for goodness or anything that changes that she hurt people during all the movie!

She doesn’t doubt for a fucking instant to go to the “winning side”:

What kind of anti-hero can you get of that?

Which leads to CW. You said that she siding with Tony would have been the better, and yes, it would have been a good character development she being remorseful and keeping her initial supposed believes about accountability but with motherfucking Johannesburg, how it’s that possible?

How?

Like, that’s what the Russo and M&M tried to to do and failed miserably. They tried to sell us an anti-hero. They washed her awful deeds and make her look as conflicted when she never hesitated at the beginning.

They tried to us to believe that she can’t control her powers.

And that

is

bullshit.

And just bullshit.

They also made her clothes more clear, her hair too. Miss Elizabeth was wearing a wig, it was not difficult have one as her hair was in the previous movie.

They tried to vanish the darkness of her. Why? Because it its more difficult present a redemption for villain than a anti-hero. Or as that idiotic writers seem to think: that poor kid that did no wrong.  

Because it was more easy to forgive this:

Than this:

So, they invented this new Wanda, and put all the blame in Tony’s shoulders. The funny thing it’s that the audience it’s stupid enough to believe it. That might talk about the power of the female characters of being forgiven for everything as long they have a pretty face and a delikate body.

Even if it’s a character without struggles or good intentions, or remorse.

So, nonny, my opinion is firm. Wanda Maximoff’s redemption arc was a fuck you because she didn’t deserved or needed one.

Because Wanda Maximoff is better as a villain.

______________________________________________________________

An interesting take, to be sure, @ambitious-witch​. But as with most of these types of posts, you’re leaving out a few key details that vastly change the meaning of the extracted clips.

Let’s start at the top.

Wanda as a villain in AoU had one stated goal - destroy Tony Stark in revenge for her parents’ death. (The Avengers were kind of lumped into that revenge plan because they were acting as ally and protector to Tony.)

However, what you’re failing to mention is that this isn’t just a ten-year-old girl experiencing an intense, two-day long trauma that scars her for life and imprints the name that she had to stare at the whole time in her mind as the culpable party.

This is an entire country that believes that Tony is at fault for their loss.

In the beginning of AoU we are shown the Avengers attacking Strucker’s lab. In one of the scenes, Tony lands the Iron Legion in the middle of Sokovia and has them announce to the citizens that the sector is not safe.

The citizens are extremely wary - a few of them fleeing the area - but as soon as they figure out that the suits are just standing in place talking, they all start throwing things and attacking the suits.

Why is this?

Because HYDRA has been set up there for years, using stolen (or purchased) Stark tech to terrorize the city and kill people.

This isn’t just one random bomb. This is years of weapons emblazoned with the Stark logo being dropped on the city, knock-off iron legion suits shooting people in the street…this is and has been an all-out war, and the only clue that anyone’s had is that all of the weapons say “Stark” on them. And coming from an American weapons tycoon, that’s pretty damning evidence, as far as they’re concerned.

So damning, in fact, that when Strucker is looking for human test subjects for a highly dangerous and potentially deadly experiment, he gets dozens of volunteers, all of which die at his hands.

Except for the twins.

Destroying Tony is Wanda and Pietro’s main goal, yes, however at this point it is no longer just about revenge for their parents.

Maria shows video clips to Cap of the two of them leading riots in the street, trying to fight back. In response to Maria’s comment of “we aren’t at war anymore,” Steve tells her “they are.”

This isn’t two kids with a crazy revenge plan. This is two young adults who have suffered bitterly and are determined to see the cause of that suffering stopped before it can do any more damage to anyone else, even at the expense of their own lives. Because even if Tony Stark is not the one personally pushing the “fire” button on the missiles, he is the one creating them. And with no arms supplier, there will be no more weapons to use on Sokovia.

If the story had been shot from the perspective of someone in Sokovia, Wanda and her brother would have been the heroes of this story all along.

We as viewers are purposefully kept in the dark about what’s been going on there until the twins are established as the “villains” of the story - making sure the revelation is received as a sad explanation of why they’ve set themselves up as opponents to the Avengers as opposed to starting with a goal that we as viewers can get behind.

In fact it’s not until near the end that we figure out that Sokovia isn’t just some HYDRA-loving anti-Avengers stronghold, but victims of numerous and immeasurable crimes committed in the Avengers’ names.

Making Wanda and her brother “unlikable” before making them sympathetic was done purposefully to make sure that the viewers didn’t pity them or sympathize with them too quickly, or else the Avengers would seem far too harsh going into later fights.

The twins had to throw the first stone, or the Avengers would come across as unsympathetic.

More importantly, we are only ever shown the twins acting villainous toward the Avengers.

Maria states that Wanda only ever seems to inflict non-lethal damage to her victims, leaving them temporarily traumatized but alive and more than able to recover. (Ultron is the only one killing when they are stealing their resources, and he is leaving very telltale signs that it was him.)

A number of the places they hit up are run by HYDRA or smugglers - all of them “bad” people doing bad things.

The twins are kind to and friendly with the poor people in Sokovia. Wanda is protective of Dr. Strucker. The two of them are hesitant and uncertain when Klaue doesn’t immediately cower in fear, not wanting to escalate the situation any further than they have to.

And the second that they find out that Ultron’s goal is more than just the death of the six Avengers, they pull a 180 and attack him.

They follow a very common movie arc: fight against problem, join “ally” to fix problem, find out that “ally” is lying/backstabbing and that enemy isn’t quite as bad as we thought, team up with former “enemy” to stop the bigger threat, form a new alliance with once-enemy, save the day.

(Hell, a number of these themes show up in the plot-line of movies like Iron Man and Black Panther.)

These two are not villains. They’re a pair of teenagers fighting in a war to save their people.

A pair of teenagers who have been manipulated and abused and made to think that they were doing the right thing since they were ten.

(And yes, I realize that the actors are in their mid twenties, but canonically Wanda and Pietro are closer to 18 or 19 during the events of this movie, and thus are not yet legally “adults.”)

I don’t see you throwing a fit over Zemo torturing and eventually drowning that one HYDRA agent. Or Stark blowing up a terrorist group. Or Fury shooting the people attacking his ship in Avengers.

The difference? We as the audience know that they’re bad guys, so it’s okay to do whatever to them, because they clearly deserved it.

We don’t care, nor are we made to care, if the person being thrown down a flight of stairs or stabbed in the face was just a desperate man who needed money for his family, or someone who was there because some higher-up had blackmail over their head.

We don’t know, and quite frankly (as far as most viewers are concerned) it doesn’t matter.

This is the same situation, just seen from the other side of the coin for once.

Wanda and Pietro know that the Avengers are bad. Therefore why would they question if what they’re doing - attacking them - is wrong?

The other problem with painting these two as hardened criminals is that they don’t ever really act it. Every scene that they’re in, the two of them are hovering around one another, uncertain. Seeking reassurance. Comforting. In Wanda’s’ case, quite often, hiding.

In fact, Wanda’s always shown to be the more hesitant of the twins.

Pietro is quick to rush off into a fight, while she lingers behind until it comes to a confrontation that she cannot avoid. This is shown three times. First, in Strucker’s lab, where Pietro rushes outside to mess with the Avengers and Wanda hides in the base until Steve tries to get Strucker. Second, in the scrapyard, where Pietro zips off and Wanda hesitates at Ultron’s side until he tells her “time for some mind games.” Third, in the tower scene, where Pietro is first to take action when he unplugs the cradle, but Wanda doesn’t join the fight until she’s the last one on her side that’s still standing.

Even in the very first scene, you see them holding hands, and Wanda chewing her nails with nerves.

Immediately after that we get a close up of their faces, showing the two of them looking scared when they hear that the Avengers are on their way.

They aren’t out there actively hunting the Avengers down. They’re waiting for orders, because they don’t really know what they’re doing. They’re frightened of what’s about to happen. They’re both in this way over their heads.

They may not be ten anymore, but a lot of what they do is very child-like because of the rough and traumatic childhood the two of them had. They never grew out of it.

These two put on a bold act, but the minute the real teeth come out they’re just a pair of frightened and uncertain children. Often, until Ultron shows up as the “adult leader” of the group, the two of them don’t even take action.

And again, I’ll bring up the scene with Klaue.

The two of them step into his office and pull their go-to “be afraid of me” act to get info, but Klaue straight up brushes it off.

He laughs at their threats. Talks down to them. Offers them candy. Teases them. Dares them to do their worst.

And Wanda and Pietro are at a complete and utter loss because they don’t know how to approach a situation where their threats have not been enough. Ultron’s instructions did not include a caveat for “if the dude straight up laughs at you instead of spilling everything he knows and begging for his life.”

Therefore, the two of them are left standing in the doorway, looking to one another in confusion for what to do next, and Wanda even starts moving back into the shadows where she’ll be more safe.

Similarly, in the end fight, Wanda constantly looks to Clint - the nearby adult - for instruction.

Wanda and Pietro don’t even attack the Avengers at the scrapyard until Ultron gives the command.

It’s the same scenario in the scene right after they go to the tower with Steve, when they confront the other Avengers alone - the twins ultimately let Steve make the calls for them.

Unfortunately, the still-shot you have of Wanda doesn’t quite do justice to her reaction in the scene.

This isn’t “closing off.”

See the way she leans back a little? The little hitch in her chest? The way her throat tightens? This isn’t this isn’t her hardening off, this is her trying not to show fear. She’s seen the Hulk. She knows that Banner is the only one who might be able to tear her in half despite her powers.

It’s why she immediately stops fighting and freezes up when he grabs her.

You can clearly see the terror in her eyes the second she realizes who it is that’s got their arm around her throat.

In this scene, the twins have walked into the lion’s den - the Avengers’ home base - and even though they’re trying to look tough and keep their cool, they’re both terrified for their lives.

You can hear the fear in Wanda’s voice when Clint shoots the floor out from under Pietro. You can see the two of them sticking right by each other’s sides and looking around nervously in case they’re attacked.

They don’t argue or make excuses when they’re confronted, they back down because they know that they’ve wronged these people and the Avengers are under no obligation to listen to them.

The two of them are risking death at the Avenger’s hands so they can try to warn them about Ultron and prevent things from getting any worse.

And I would beg to differ with your interpretation of this scene. This is in no way self-preservation. This is suicide.

Her last little act of defiance barely a scene before nearly wound up with her and Pietro being shot.

And yet here she is, standing up to Ultron again. But this isn’t her siding with the Avengers to save her skin.

This is her picking death with the losing team.

Because in this scene?

ULTRON IS THE WINNING SIDE.

Ultron’s plan for a new world included Wanda and her brother. He was going to wipe the slate clean, and leave the two of them as the “better” humans in his new world. The “evolved” race that would rule at his side. If they’d stayed with him, they would have been guaranteed safety, because as we saw at the scrapyard, the Avengers are no match for the three of them, and Ultron is fond of the twins in his own strange way.

But they don’t stay with Ultron, where they are guaranteed life and safety.

This line here is Ultron’s last warning that she either assist him, or die with the rest of the Avengers trying to fight him. This was far less “oh well, Ultron is losing, guess I’ll change sides because I’ll get to live” and more “I don’t see how there is a choice here because unless I stop him he’s going to destroy the world.”

“What choice do we have” is a statement of morals, because as far as she’s concerned, there IS no choice. She has to stop him or die trying.

Helping him any longer is not even an option.

Now, as far as your point about Steve and Clint’s trust in her being “worthless” because:

“They don’t count!“

It’s quite frankly ridiculous.

There is one person who even comes close to fully trusting them before the final battle starts in, and that is Steve.

Steve has been playing devil’s advocate this whole movie, because he understands what the twins are going through. He’s not so caught up in his own country and his own issues that he can’t look at a situation from another perspective and say “I understand why they’re doing this.”

In fact, he even offers the twins a chance to walk away right before the fight at the scrapyard.

He didn’t magically start trusting them out of the blue, he’s been willing to hear their side of things from the start.

“Clint was not attacked by Wanda, he didn’t suffered in her hands. Steve? He forgave her at the instant. He attacked his armour-less teammate because of her word. He told Natasha, one of Wanda’s victims “she with us”, like she hadn’t some right of feeling uncomfortable by her presence!”

And here is where you start leaving out key details again.

Of the Avengers, Clint was the only one to fully escape having Wanda play with his fears, because he beat her to the punch. However, despite the fact that he’s the only one unscathed, he’s the most vocal about not trusting her.

It is not until much, much later - when Clint has already seen her in action, desperately trying to save the civilians from Ultron’s clones despite her own fear - does he step in to talk her down and keep her from having a panic attack because he realizes her heart is in the right place.

Even then he doesn’t actually decide to trust her until she saves him from being cornered and killed by the robots.

Out of the remaining Avengers, three of them suffered major trauma from Wanda’s actions, and two of them got off relatively okay.

The one who got off with the least damage from the encounter was ironically Tony Stark, who was shown a vision of what was supposed to be his worst fear - him being responsible for the death of his team - and who proceeded to shake it off and walk away, none the worse for wear.

(Note, this is one of Wanda’s early attempts at this kind of thing, a point which relates to a section further down about Wanda’s skill with her powers. She’s not very good at the whole nightmare vision thing just yet in the story, but by the time the scrapyard scene rolls around she’s gotten plenty of practice.)

Tony never actually voices any opinion on whether or not they should trust the twins. He just rolls with it.

The other Avenger who got off pretty light was actually Thor, who took his vision as a warning that something big was coming and went to investigate further. He also doesn’t specifically voice an opinion on the twins, but seems to be A-okay with trusting the two of them.

Of the three that had it pretty bad, Steve was able to recover the best. Perhaps this is part of the serum - his body fixing the physical symptoms of mental trauma - or perhaps he’s just better at coping with his particular fear because he’s been doing it since he awoke in the present. Either way, Steve is at least relatively functional after his run-in with Wanda.

He’s also the first one to trust her, because she and her brother risked their necks fighting Ultron to save both him and the innocent people that Ultron tried to kill as a distraction. Like I’ve mentioned before, Steve is still willing to give them a second chance because he knows there’s backstory there and he can sympathize.

The two that had it the worst were Natasha and Bruce.

Natasha, who straight up went out of commission when all of her heavily repressed trauma got dragged back to the forefront, isn’t really around for the scene where the twins switch sides. She comes in after the fact, when they’re already mid-fight, to find that the twins are fighting against Ultron with them.

Steve reassures her that the twins are on their side, and Natasha rolls with it.

She takes Steve’s word for it because she trusts Steve as much as she trusts Clint - absolutely and entirely.

You forget, these two just went through the events of Captain America: Winter Soldier together, where “everybody we know is trying to kill us.” Natasha and Steve had to trust in each other completely, it’s the only way they lived to see the end of that movie. Natasha’s trust in Steve is not reset just because the film title changed.

However the real key here is that Natasha’s trust in the twins is not complete.

She’ll trust the twins for this fight, because Steve said they were there to help, and then she’ll make her own call on whether or not she feels like forgiving them. This wasn’t Steve saying “I’ve cleared these two, I expect you to magically be okay with that.” It was Steve reassuring her that during this fight, their only attacker would be Ultron, and that the twins were helping to fight back.

In a battle situation, that’s all Natasha needs to know before her attention turns to saving people, because there is no time for a debate or questions during an all-out attack.

There is, however, a good amount of time that passes between the end of the Sokovia fight and the credits scene where we see Wanda with the other “new recruits,” and we are left to assume that something has been worked out between everyone because they all seem okay with each other now.

It is also a full year before we really see Wanda again, in Civil War, and the first thing we see is Natasha coaching her through a stake out, as a mentor.

Clearly there is no lingering animosity here.

As for Banner, well…

Bruce basically says that he could kill Wanda without remorse. He’s pissed, and rightfully so.

However, he ALSO doesn’t deny needing the twins’ help when fighting Ultron. He never says “we shouldn’t trust them” or “we shouldn’t let them come with us;” and Hulk flies off into space (literally) before Banner gets a chance to actually sit down and think about whether or not the twins should be allowed to join the Avengers.

In fact, the only one who straight up says that he doesn’t trust anything to do with the twins is Clint…

The only one who didn’t get affected by Wanda’s nightmares.

So I’m honestly not quite sure where you’re getting your argument from.

As far as I make it out, the people who got the nightmare treatment were aware that they were seeing their own memories and thoughts and fears played back to them. Wanda wasn’t showing them anything new, so most of them didn’t take the attack as anything personal, and in fact we see Natasha having a bit of a personal crisis over the not-so-great bits of her past that are being shoved back in her face for the second time since CA:tWS.

She’s not mad at Wanda for bringing it up, she’s mad at herself for being the way she was before Clint saved her.

Clint, who isn’t sure what the others saw and is watching everything from the outside, is pissed. He watched his friends suffer because of whatever the witch did to them, and he’s not only angry with her, but dead set on not forgiving or trusting her, either.

At least until she and her brother both save him, and he starts wondering if they might not be so bad after all.

”You didn’t see that coming.”

As for Wanda being in control of her powers, I would say it depends on what aspect of her powers we’re talking about.

In AoU she has been sitting in a cell for God knows how long, practicing the same four moves:

Move small solid object. Shield. Look through people’s heads and pull certain thoughts to the forefront. Throw her power around like an energy burst.

Of these four, by the time Civil War rolls around, we only ever see her use the first two.

Age of Ultron:

Civil War:

When she does this trick, she does it with great proficiency and incredible accuracy. She’s good at this one. Her shield has also improved to the point where she can multitask while holding it.

In Civil War, however, she’s picked up a number of new moves:

Levitation/flying with her powers. Moving non-solid objects like poisonous gasses. Forming a net with her powers to lift teammates. Manipulating large solid objects with her telekinesis. Manipulate object behavior.

However, we no longer see her using throwing her power directly at anyone anymore. She picks up objects to throw at them, or grabs them by a hand or foot and tosses them back, but she no longer throws the raw energy around.

She also doesn’t go into anyone’s heads.

Do you have any idea how easily she could have pulled something like this at at the airport battle? Re-routed team Stark on some wild goose chase while Team Cap all waltzed over to the jet and flew off with no problem?

Stark and Co. wouldn’t have even known what hit them until Team Cap were loooong gone.

But she doesn’t.

Because Wanda doesn’t do that anymore. She’s not that person anymore.

Even with Vision, she’s not going inside his head, she’s just changing his density - first to de-materialize him and make him let go of Clint, and second to make him so heavy that he fell through the floor.

Wanda doesn’t throw her raw powers at people anymore because it’s too dangerous and unpredictable, and she doesn’t go into anyone’s heads anymore because of privacy issues and “brainwashing” and the other negative connotations that come with it, even if it means taking the hard way out of a situation.

She’s changed up her whole fighting strategy.

That being said, I would argue that she is NOT in control of her powers as a whole.

She is in control of certain aspects of her powers to certain extents - namely the ones that she’s practiced repeatedly - but in the grand scheme of things, she really has no idea what she’s actually capable of, therefore she cannot control exactly what her powers will react like if she tries something that’s not on her list of “the eight tricks I’ve practiced for the past six months.”

Thus, Lagos.

She probably didn’t even realize that she could bubble that much raw kinetic energy into such a small space - she was just reacting to the fact that a bomb had gone off in the middle of a packed marketplace and she needed to do something or hundreds of people would have died…likely including everyone in the building, had the foundation gotten destroyed by the blast.

(And would you demons please stop saying that she murdered people in Lagos? I mean really. Do you consider it murder when firefighters can’t get everyone out of a burning building? Or when rescue workers can’t find everyone buried beneath earthquake rubble in time to save them? Or when ambulance workers can’t rescue everyone from the remains of an awful car wreck? Wanda was stopping a bomb from killing people by containing it, and couldn’t get it far enough away to save all of them before the bomb went off. She did not murder anyone.)

In the grand scheme of things, no, Wanda doesn’t know how to control her powers, because she’s not entirely sure just what her powers can DO.

She’s still learning.

I also understand where you’re trying to go with the “lightening the color scheme” angle, but I highly doubt that’s a “nefarious plot to trick the audience into thinking she’s good when she’s not” so much as it’s a stylistic choice to show that she’s in a better place now, both mentally and physically.

Her hair is not only lighter, but has far fewer tangled curls at the bottom, and sports two highlights at the bangs. This isn’t an attempt to portray her as “suddenly good now” so much as an attempt to make her look a bit less like an orphaned street rat. Her hair is clean and brushed and bright and with an actual style, much like Bucky’s hair was actually kept when we saw him in Civil War as opposed to Winter Soldier. It’s to show that she’s taking care of herself better now because she now has the means and mental presence to do so.

Case in point: Her hair appears lighter here than at the final battle. It’s all cinematic, to make her look more or less filthy as the scene requires.

As for the outfit, she’s wearing lighter clothing in that one picture because it’s summer and she’s trying to blend in. Just like how Natasha, who normally sports black, is dressed in pale colors and wearing very little makeup.

In many other scenes in the movie, Wanda retains the black/grey/red color scheme that she’s had going since AoU, such as in the knife clip I linked above:

Black clothing in a similar overall style (short dress, boots, and jacket) just with less heavy eyeliner because she’s grown up a little and is keeping herself a bit more maintained than before.

Claiming cinematic trickery here is really reaching for threads.

So, to wrap this incredibly long post up…

NO, Wanda is not, and never was, a villain.

Up until the truth is revealed, each party (the twins, and the Avengers) believes themselves fully in the right. When the truth does come out, it is revealed that to some extent, both parties are in the wrong.

Wanda is not conflicted about facing the Avengers because she’s fighting to protect innocent people from them. She becomes conflicted when it turns out that the Avengers weren’t fully to blame for what was going on in Sokovia. (Side-eyeing Stark, here.)

Wanda is neither villain nor anti-villain…

She’s the hero of her own side of the story.

Wanda and Pietro are both heroes, whose story - through the lies and manipulation of people claiming to be allies - intersected with that of the Avengers.

Case in point: these two are alone.

The other Avengers have left the area.

If they were really doing this to save their skin and not to help people, wouldn’t this be the ideal time to say something like “make sure you get on the ship before it leaves” or “as soon as the Avengers aren’t looking, we run” or “the minute the crisis is over, we turn on them?”

There is no reason for Wanda to lie in this situation.

This is why I argue that she was never truly a villain.

In fact I’d go so far as to say that these two are no more the villains of this story than the Avengers were the villains for them.

It was all a big misunderstanding.

Wanda and Pietro were only ever in this to help the people of Sokovia, and they got screwed by the lies and manipulation of the only adult influences they’ve had in their lives since they were ten.

The second that they found out Ultron’s real plan they tried to stop him, even going so far as to approach their enemies for help.

They both act selflessly to rescue civilians and even to rescue the Avengers in the fight for Sokovia.

Throughout the film Wanda and Pietro rather pointedly avoid all collateral damage where they can, and never intended to cause any harm to innocents in their quest for revenge.

(And because I know this is your main screaming point: Johannesburg was 300+ miles away from the shipyard. How was Wanda to know that Hulk was going to run over 300 miles to attack a city when all of her other victims went comatose when shown their greatest fears? It doesn’t logically follow that she would expect anything else, because only the audience knows that making Banner agitated enrages the Hulk, and Banner even says in the movie that Johannesburg was when the world saw the “real Hulk” for the first time. The destruction in Johannesburg was never Wanda’s intended outcome when she went after Banner so you really can’t treat that as intentional.)

In the end, they were willing to overlook their own lust for revenge in order to do the right thing.

And both of them were willing to die fighting to fix what they’d done wrong.

Wanda missed the escape boat because she went to finish off Ultron.

She is shocked when Vision comes back to save her, because at this moment she was entirely ready to die.

Pietro does die.

They were both willing to put their lives on the line to make what they’d done right, and Wanda just got lucky enough to get saved.

Because of all of the above reasons, I think we can firmly state that Wanda was never meant to be a villain in the MCU.

Although on that topic, let me ask you…what exactly do you think would have happened if the writers had decided to go your route? If they’d decided to make her the villain instead of going the redemption route?

She single-handedly takes out every member of Team Stark at the airport battle in Civil War. The only one who even managed to land a hit on her is Rhody, and he only did so by sneaking up behind her while she was preoccupied holding up thousands of tons of rubble, and shooting her point-blank in the back.

And all of that was Wanda being gentle and holding back.

If she was a villain - if she was actually going all out - would any of the Avengers even survive a fight against her?

Based on the way she disintegrated those robots with just a second of lost control, I severely doubt it.

You do not want her as a villain in any capacity. I guarantee you that.

That being said, by strict definition, no, Wanda is not an anti-villain.

But she’s not a villain either.

She’s a unique and complicated character, whose story was approached at a fairly new angle as far as script writing is concerned, and who managed to be both protagonist and antagonist at once.

There is not a doubt in my mind, however, that by the end of Age of Ultron, that girl was just as much of a hero as anyone else on that screen.

Chirpingtiger out.

[babyleostuff]

passenger princess(es)

𝜗𝜚 fluff, established relationship 𝜗𝜚 idol!seungcheol x fem!reader 𝜗𝜚 wc: 894

・ ❥ ・ there is nothing that could stop cheol from taking care of his passenger princess(es)

„hey baby, can you pass me the water bottle?” seungcheol let go of the wheel, so he could grab the bottle from you, not tearing his eyes from the road for a second. 

cheol was a great driver, excellent even in his humble opinion - he has never gotten a ticket in his life, and people told him on multiple occasions how safe they felt with him behind the wheel. he was also very much aware of how hot he looked driving, something he often used against you. with the sleeves of his black shirt rolled up (which accentuated his yummy biceps even more), the expensive watch around his wrist and, for dessert, his other hand resting on your thigh - you had no other way out than to totally thirst over your unfairly sexy boyfriend.

there were times when you found yourself staring at him with no shame, he was that hot. not that seungcheol cared, if he did he wouldn’t flex his biceps on purpose while grabbing the wheel. 

but while he was (obviously) very careful while driving, it seemed that his protective instincts kicked in on a higher level when you were sitting next to him. 

that’s why when you didn’t answer him, or gave him the bottle, he made sure to grab the wheel with both of his hands before throwing a glance at you. 

„my love, did you h-,” words stuck in his throat when he saw your closed eyes and your head resting against the window. cheol knew that sooner or later you would fall asleep anyway, no matter how hard you insisted on not sleeping. “i want to keep you company,” you pouted angrily, and grabbed the AUX, “don’t want you to feel lonely.” it was on the tip of cheol's tongue that there was no chance he would feel lonely, even if you were sleeping. not to mention your little white fluff ball in the backseat that always kept him company. 

„you see, told you mommy would fall asleep,” he laughed, looking at your precious baby in the rearview mirror. kkuma seemed to have the best time looking at the passing cars, barking at some of them, and wagging her tail at others. 

seungcheol sighed with a smile, as he grabbed your hand that was resting on your tummy. „ah, what am i going to do with you, my silly girls.” 

to be honest - he couldn't have been more content. you spent the whole day together on the beach, with kkuma running into the waves (she ended up looking like a wet mop), eating food from the seaside food stalls, walking along the shore, and finally ending the day with a swim together. days off were the best. 

suddenly, his daydream was cut short when he felt you shiver. cheol wouldn’t have been that worried (you sometimes got those shivers in your sleep, which he always found really cute), but you grabbed his hand tighter, as if you were searching for more body heat. he frowned as he ran his hand over your arm, feeling the goosebumps on your skin. 

„why didn’t you just tell me you were cold,” he muttered, half annoyed, and half worried. your hair was still wet, and your clothes damp after you put them over your swimsuit, so if the AC was too low you could get sick - something seungcheol wouldn’t let happen, even if it meant he’d have to fight the illness himself. 

fortunately, there was a gas station a few kilometers away.

he parked right next to a small field of grass so he could also let kkuma out for a moment, and opened the trunk in search of a blanket he could cover you with. cheol also found his sweater and decided that two layers wouldn’t hurt. 

to avoid any neck or back cramps, seungcheol gently repositioned you in your seat so as not to wake you up, but still let you sleep peacefully without straining any muscles. technically he could just turn the heating on, but he just let you freeze for the past god knows how many minutes - he had to bundle you up. „my pretty girl,” he stroked your cheek, leaning in to kiss your nose, before covering you with the sweater. 

„c-cheollie?” you suddenly mumbled, and raised your hand to rub your eyes. your boyfriend couldn’t help but laugh at your slightly confused expression.  

„i pulled over, baby,” he said softly. „you were sleeping and you were clearly freezing, which by the way, please let me know next time if you're cold, so i stopped to cover you up.” 

you looked at him with big, sleepy eyes like you were still trying to figure out which planet you were on - you were clearly still too tired to understand. „’s okay, go back to sleep.” 

some people were afraid of sleeping in cars, after all, there were so many situations that could lead to a catastrophe - what if the driver fell asleep or did not notice the approaching vehicle? 

but you were not scared at all, not in the slightest. if you had to pick one person on earth that made you feel the safest, you’d pick choi seungcheol without a hesitation. in a car or not - you knew he’d protect you no matter what. 

that's why, without thinking, you nodded and closed your eyes, falling back asleep.

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[eddiesxangel]

The Nanny | E.M x f!reader

Anon requested :I have an idea for a smut for Eddie. Okay, so the reader is like a babysitter for Eddie, so the reader takes a video of playing with Eddie’s kid and sends it to him. When Eddie watches the video, however, Eventually, his eyes are only on the reader; he becomes attracted to the reader and gets stiff. But the reader did this on purpose for that reason, and so when Eddie gets home, his kid is asleep, and it’s just him and the reader, and they start to get intimate, and one thing leads to another …

Wc: 2.9k

Cw: smut, oral (f&m receving), p in v, unprotected sex, pull and pray

When you got the job about a year ago, you were out of school and desperate for a full-time job to pay the bills. You saw his ad for a live-in Nanny in the paper and jumped at the opportunity.

When you started this nannying business, you never thought you would fall for the handsome dad who hired you.

The family you learned was a father and daughter. Eddie was a widower. His wife had died five years previously, and he had a seven-year-old little girl.

Eddie was a dedicated manager and owner of a construction company in town. His hours were unpredictable, so he asked for your help getting his daughter, Charlotte, ready for school in the early mornings and picking her up. To accommodate your assistance, Eddie has constructed a small house in his backyard for you to stay in, providing you with your own space.

During the year you spent with Charlotte, you formed a deep bond with her, and she became your favourite person. You both shared numerous activities, such as shopping, getting your nails done, having sleepovers, and attending her dance classes.

You supported her at every recital and never missed her soccer games, even when Eddie couldn't attend. Your time with Charlotte became an irreplaceable part of your life.

Your relationship with Eddie grew as the year went on. You became more attracted to him. He was so charming, funny, and handsome. He made you feel welcomed like you were part of the family—the family you wished was real.

Eddie has been away for the last few days; he will be home this evening, but you still wanted to send him some updates about Charlotte. You sent him a video of you guys at the community pool. She loved swimming, and you couldn’t help but want to flirt. Did you wear this specific bathing suit so he would see it? Yes. You can’t help but want to get his attention, to have him look at you the way you look at him.

You were on the splash pad, and thought it would be cute to show a video of you and Charlotte running through the sprinkler. You set up your phone against the wall for balance and click record. You and her squealed as the water was cold on your bare skin. You were smiling and laughing together the whole time. You hoped Eddie found it cute…

Eddie was in the airport lounge when he received a notification on his phone. He smiled when he saw that your contact had disrupted his podcast.

He paused his show and swiped to see what you had sent him. The video began with a scene of Charlotte, soaked and jumping up and down, with her two missing front teeth visible. Eddie smirked at the sight. He loved his baby; he missed her so much. The video continues, and when you come into the shot, his eyes widen as he watches you run toward Charlotte. His eyes can't help but stare. Your ass bounced as you ran back towards his daughter; your tight bathing suit clung to your every curve. The sight of your body so exposed, your wet skin glistening in the sun, Eddie couldn’t help but feel his excitement start to grow.

You giggled and laughed as you picked her up and ran with her through the water. Your smile was so genuine, and Eddie hated that he had developed an attraction to you other than liking your personality.

When the video finished, you sent another text, but this time, it was not what Eddie had expected. When he clicked back to the chat, he almost dropped his phone because he was so shocked. Right under the wholesome video of you and Charlotte was a picture of you lying on your bed, hand draped across your naked chest.

He was looking around. To make sure nobody else saw what he was looking at, he opened the photo, and he could see more of your bare skin than he ever thought possible.

Flustered and confused, Eddie didn’t know what to make of this. Did you mean to send it by accident? Was this meant for someone else? The thought of it supposed to be for someone else sent a pang of jealousy through Eddie’s chest.

The overhead speaker saying the fight Eddie was supposed to be boarding was what snapped him out of his thoughts. The whole flight would feel extra long now that this would be all Eddie would think about. He couldn’t get home fast enough.

Eddie never replied to your video and didn’t respond to the picture you decided to take for him. You’re unsure what came over you, but you wanted a clear message. You didn’t think the video would do anything, so you got bold.

You started to regret your decision about the picture. Maybe you will lose your job. Perhaps you could play it off as an accident, pretending you didn’t know you had sent it to him.

It didn’t matter because it had been hours, and Eddie would be home any minute.

Trying to ignore the feeling of panic by distracting yourself by cooking dinner, you hear the front door click open.

“Honey, I’m home,” Eddie’s deep voice rings through the front hallway. Your stomach turns upside down at the sound of his voice.

“In here,” you try to keep your voice calm. Maybe he hasn’t seen it yet.

“Daddy!” Charlotte leaps off the kitchen chair and charges her way to her father. He’s been gone three days, the longest he has ever been away.

“Hi, handsome.” You smile as Eddie makes an appearance with Charlotte in his arms.

“H-hi,” he stutters, and his cheeks are a rose pink. He totally saw the photos.

“Dinner is almost ready,” you say, turning back to the stove, trying to hide your awkwardness about what you’ve done.

Eddie cleared his throat and took a seat as though nothing had happened. However, his mind was racing. He wanted to discuss it with you but didn’t know how to approach the situation.

Dinner was okay. You both tried to ignore the elephant in the room for Charlotte’s sake. You asked him questions about the trip, and he asked what you guys got up to. You let Charlotte do most of the talking. She eventually got bored and asked to watch a movie with both of you.

The tension could be cut with a knife as you and Eddie stole glances at one another while Charlotte was obviously enthralled by the princess singing about love in the big flatscreen.

After another hour and a half of torture, Charlotte passed out on her father’s shoulder. He smirks and says he’s putting her to bed and you stand to clean up the mess that was left in the kitchen after dinner.

A few minutes after watching the dishes, Eddie returns to the kitchen.

“You don’t have to clean; you’ve been on the clock for three days straight; I can take over. You sit and have a drink, relax.” He approaches you from behind.

“I don’t mind; youve been travelling all day; it’s my job to take care of you.” You look over your shoulder to see Eddie much closer than you thought.

“No, it’s your job to take care of Charlotte.” He raises a brow.

“What if I like taking care of you?” you drop the clean fork into the right side of the sink with all the other clean dishes.

“Sweetheart, about that…”

“Yes?” You turn excitedly.

“I um-you- I saw something.” Eddie didn’t know how to approach this. He sees you looking at him with hopeful eyes as you bite your lip. His heart fluttered in his chest when he saw the look on your face.

“I wanted you to see it.” You boldly admit.

“You- uh? What sweetheart?.” He asked, dumbfounded.

“Did you like it?” You take a small step forward, testing the waters.

Eddie visibly tenses. He knows this is wrong, he knows he shouldn’t be attracted to his kids’ nanny, but he’s also only a man—a man who has been crushing on you like he was back in high school.

“This is wrong”

“Why? It didn’t have to be?” You trail a flirtatious finger down his chest.

Eddie inhales sharply, and he can’t help his attraction to you take over.

“Because you’re you, and I’m your boss-“

“Charlotte is my boss,” you giggle and bat your eyes.

“Sweetheart,” he sighs.

“Eddie, I don’t want to keep pretending that there isn’t something between us. I can’t pretend any longer.”

“Sweetheart…”

“Please tell me it’s not just all in my head. All those late nights after we put Charlotte to bed, how we seek one another out even if Charlotte is not around, I see the way you look at me.”

Your face and Eddie’s were mere inches apart. Your lips were so close that Eddie was leaning in against his better judgment, but he wanted you so badly. You were right; there was an undeniable connection between the two of you, and Eddie didn’t want to ignore it either.

“Please, tell me I’m not crazy,” you whispered.

“You’re anything but sweetheart,” Eddie whispered back before closing the gap between you.

His soft lips formed with yours like they were made to be together.

You wrapped your hands around Eddie’s neck, pulling him in closer.

The sensation of his mouth on you went straight to your core. You needed him so badly.

Naturally, you slid your hands down his torso, up under his shirt, signalling for him to take it off; you needed to feel his skin; you kissed him like it was the last time you ever would kiss him.

You slid your hands down to his belt buckle, undoing it at a speed that wasn’t fast enough.

“Please, Eddie, I need you; let me make you feel good.”

“Sweetheart, you can’t just say things like that to me.” Eddie groans.

“Please, I need this; I’ve wanted this for so long, I can’t-” You both were so desperate, his pants couldn’t come off fast enough.

With a soft thwap, his jeans hit the kitchen floor, and you sink down to your knees.

“Fuck sweetheart, you look so beautiful like this.” he grips your chin before slipping his thumb in your mouth for you to suck on.

You slide your tongue along his rough, working hands, and he watches with lust burning in his eyes. You pop his thumb out of your mouth and replace it with the head of his cock. His thick shaft was heavy in your grip as you took more of him while not breaking eye contact. The weight of his cock resting in your mouth made you drool.

“Fuuuuuck, good girl.” Eddie’s breath became erratic.

Your eyes started watering as you tried taking him all the way down your throat, but Eddie was big.

Your breathing became shallow, but you were in heaven.

“You ok, sweetheart?” He’s looking down at you, a hand cupped on the back of your head, trying to resist the urge to thrust into your mouth as he hits the back of your throat.

You bob your head back slowly as you nod yes. You were finally able to catch your breath, drool coming out of your mouth as you pumped his cock in and out of your slick mouth.

Eddie couldn’t believe this was happening; not twelve hours ago, he was in a different state, jacking off to this fantasy of you on your knees.

He pulled you back up to kiss him, your pussy was throbbing, and the pulse that went directly to your clit was screaming for attention.

Moaning your name Eddie pushed you back so your ass was against the kitchen island, and you saw the hunger in his eyes.

He helps you jump onto the white marble countertop with quick hands.

“Baby, please.” An involuntary whimper came from your mouth, and he went in for another kiss, hands roaming from your inner thigh up until it reached your pussy.

“Oh baby,” he said the second he truly felt how wet you were for him.

Kissing down your neck, leaving purple bruises in his wake, not giving a care in the world right now about visible hickeys, he crept lower and lower until he was kneeling between your legs, forcing your knees open.

He stared into your heat.

“Don’t worry, I’ll take care of you.” He spoke, not breaking eye contact with your wet pussy.

He leaned in; he started with soft kitten licks to your clit with the tip of his tongue, gentle and delicate, before he took long deep strokes off his tongue, tasting every inch of you. Eddie moaned at your tase; he wanted to consume you, to make you feel so good you forget about every man before him.

The tickle of his beard was grounding you. This was actually happening.

“Oh!” You cry but quickly cup your hand over your mouth, remembering Char was upstairs.

With Eddie’s face pressed into your cunt your orgasm was quickly approaching. You couldn’t resist it anymore; your hips started gyrating into his face, and you needed more.

“Eddie, please,” you whimpered.

“You want more, sweetheart?” he pulls away and replaced his mouth with his index finger, slowly stroking up and down your weeping slit.

“Yes, Eddie, please.”

“That’s my good girl, asking so nicely,” he said, grinning up at you before standing.

With his hard cock in hand, he rubbed his tip up and down your slit gathering your juices so he could split into you nice and easy.

At this point, you were so turned on you couldn’t think, moaning out as he slowly stretched you open, eyes rolling to the back of your head. Inch by inch, the pleasure mixed with the burn of the stretch was so good, too good.

“That’s it, sweetheart, fuckin’ taking me so well.” He slipped inside of you until you felt the tickle of his pubes against your clit.

You hadn’t even realized he was talking to you, cock drunk off the feeling you were so close, and he hardly started.

Incoherent muffled moans filled the empty kitchen as Eddie's cock quickly started to pump in and out of you, hitting your sweet spot on each thrust.

You didn’t stand a chance, as he had your legs over your shoulders, ankles rolling. He gripped the backs of your calves to hold your legs as wide as they could go.

With each thrust, the pleasure became more and more, your back arching up into the feeling of him filling you up.

The feeling in your belly started to build until he unexpectedly pulled you off the counter, walked you over to the couch, and flipped you so you were on all fours.

Once you were spread open for him, he started thrusting harder.

“Oh god! There! Please don’t stop!” You screamed into the couch cushions.

It was so good your hands gave out, your cheek pressing into the brown leather, only making your ass stick out more for him.

He spreads your cheeks to watch how your greedy pussy swollen his cock each time.

A slap comes down hard on your ass as he pounds into you; you moan out with pleasure. Another smack on the other cheek to even things out.

He’s going at a pace that makes your head spin; his fingers gripped into your hips so rough you’re sure there will be bruising tomorrow.

The noises that are coming out of you are inhuman; you don’t even recognize yourself; he was so big, you were so full, it was too good. 

“shhhhhh, sweetheart, we need to be quiet.” He wraps a hand around your face to cup your mouth to muffle the moans, but that only makes it hotter, so you cry about again. You couldn’t talk; each thrust was getting deeper and deeper at the angle he was holding you in.

Each thrust was building up the coil in your stomach. You were so close when he started rubbing your clit, and you couldn’t take it anymore.

“I’m close,” you seethe through gritted teeth.

“Come, sweetheart, come on my cock.” You were already seeing stars before he finished talking; your body shook, clenching down so tight on his cock while your orgasm filled your body.

“Oh god, yes, baby, milk this cock so good” Your pussy gripped down so hard on his cock that he almost wasn’t able to pull out in time.

You feel his warm seed on your back as his orgasm shoots through him.

Dazed and all fucked out, you roll over to see Eddie beaming down at you after he cleaned you up a little bit.

“Hi, sweetheart.” Eyes glazed over, you manage a

“Hi,” you giggle.

You curled into his neck, leaving soft kisses and kitten licks; you couldn’t help yourself; your boyfriend was just so hot. 

“I think we have a lot of catching up to do,” he throws you over his shoulder. “Eddie, put me down,” you giggle, getting a full view of his bare ass in front of your face. He runs you to his bedroom; you know it is going to be a long night. 

[kateksmallcuteowl]

June 26: Soulmates/Soulmate Marks AU

Your mark shows how old will your soulmate be when you fall in love with them. (Meaning both romantically and sexually)

For an event by @bagginshieldweek24

More headcanons after the cut. Seriously, there’s a lot, as I developed a whole idea but had no time to write a fic because of exams.

— Dwarfs come of age in around 80 y.o., having a soulmate from another race is a very rare occurrence; throughout the history of Middle-earth, there have been at most a dozen such cases, so most dwarves are unaware of this possibility. Having a mark with a number younger than the age of majority is a lifelong shame, essentially an admission of pedophilia. Unfortunately, this happens more often than having a soulmate from another race.

— Thorin spent his entire adult life, from the moment the mark appeared, wearing an extra layer of bandages under his bracers to prevent anyone from seeing the number. Fortunately, among dwarves, it is not considered inappropriate to hide the marks, as many value their privacy.

— The mark and thoughts about it were the reason why Thorin often appeared especially gloomy when the topic of romance came up.

— He truly tried to compensate for his "defectiveness" with his virtues.

— Of course, Thorin is a virgin.

— Bilbo, on the other hand, didn't think much about this; hobbits don't see anything wrong with living without their soulmate or seeing their soulmate as a friend. They are generally a loving people and don't worry about the concept of "the one and only."

— Although the topic of soulmates is considered highly romantic in hobbit literature, Bilbo was somewhat disappointed when he realized he would likely never meet his soulmate. (Hobbits are also unaware of inter-racial soulmates.)

— I tried to make young Bilbo look more like Frodo, so here he has smaller curls and a different style of shirt.

— Thorin and Bilbo both hid their marks, so when they felt an attraction to each other, especially after the Carrock, both were initially upset, thinking they weren't soulmates. Thorin, of course, was much more upset.

— During the two weeks they stayed with Beorn (yes, I'm mixing the movie and the book, what are you going to do about it? Slow burn needs time to be slow), they managed to reach the point of kissing near the river or something like that. But when Bilbo tried to unlace Thorin's tunic, Thorin stopped him and said that, unlike hobbits, for dwarves, sexual interaction is a very serious step in emotional attachment. It wouldn't be fair not to tell Bilbo what kind of monster he was getting involved with, because after seeing what Thorin had to show him, Bilbo might not even want to look him in the eye. Bilbo was honestly frustrated. (It is implied that Thorin used some term characteristic of a pedo... ahem)

— With a terrifyingly serious face, Thorin unwrapped the bandages on his wrist, and Bilbo, with a sinking heart, prepared to see a number like 5 or 12. Instead, there was a very respectable and completely normal age. Thorin turned away, not wanting to see the disappointment in the hobbit's eyes. Bilbo spent a few seconds calculating how long dwarves live and how old Thorin actually was.

— Thorin thought Bilbo wanted to shame him for having the audacity to enter into a relationship at such an age, knowing his soulmate's extremely young age. With closed eyes, he forced out that he was 195 and knew how disgusting he was because of it.

— Instead of a slap or something worse, which Thorin wouldn't have opposed, thinking any normal person had the right to treat him like that after seeing it, Bilbo reached for his own wrist and, with suspicious enthusiasm, pulled off the leather bracelet he had worn since the Shire. On the pale skin was clearly marked Thorin's age, written in dark ink with characteristic dwarvish notches.

— Some time passed in silence as they both realized that such a coincidence simply couldn't be.

— They were in for a very pleasant evening away from the company🌚🌝

— Later, when the entire company gathered by the fire, Bilbo and Thorin would come to them, holding hands, the hobbit nearly glowing with happiness in front, and a red-to-the-tips-of-his-ears Thorin slightly behind. This would be the first time anyone in the company saw Thorin without bandages, and if not for the matching age on Bilbo's wrist, now also not hidden by a bracelet, they wouldn't have believed Thorin could be normal with such a number on his skin.

— And the dwarves would realize how young Bilbo was by their standards.

— Truly, the ways of the Valar are mysterious.

— At the very end of the night, Fili would nudge Kili with his elbow and hint that since their uncle had an inter-racial mark, he might not be so angry and yell when he finds out that his brother has a four-digit number on his wrist.

[itsswritten]

butterfly kisses

Pairing: Azriel x fem reader

Word Count: 1.7K (honestly it's just a little drabble)

Warnings: 18+, implied smut, lots of fluff, mating frenzy

Summary: Azriel just can't get enough of your wings <3

Wings Universe - More from this world.

Azriel wasn’t sure how he’d gotten so lucky.

He had thanked the Mother every day since the bond snapped, and even more when you accepted it. When Mor had introduced you into his life only a couple of years ago, he never imagined this would be the outcome.

Azriel vividly remembered the first night he met you. It was another gathering at Rita’s, one of the many that had unfolded, now peace settled over the land. 

Mor with playful determination had pulled you over to their table, arm looped around yours– almost in a way that said she wasn’t going to let you escape. He had noticed the faint blush that creeped up your face to your pointed ears, merely from the proximity of your High Lord and Lady, and their inner circle. He recalled how you offered a shy little curtsy in their presence, that had led to the whole table stifling their laughter. Rhys kindly explained that such formalities were not necessary, especially not in Rita’s of all places. Azriel did his best to contain his mirth at the display, all the while chewing the inside of his cheek to stop the chuckle leaving his lips. He truly couldn’t get over how adorable you were, he'd found himself captivated by your endearing innocence. 

And that was only the start.

Mor explained how she’d met you in town one day and had essentially thrusted her friendship onto you, and it really didn’t take long for Azriel and his family to do the same. 

You were so sweet and caring, and slotted into Azriel’s life so easily that he found it hard to remember a time when you weren’t there at all. Your kindness towards the Archeron sisters, guiding them through the intricate transitions of fae life that they still at times struggled with. Nyx was absolutely enamoured with you, oftentimes seeking your company over his actual family. But they didn’t blame him, because they all did same. Your calm sweet nature was addictive to them all, especially Azriel.

Driven by an insatiable curiosity, Azriel found himself seeking every opportunity to unravel all your layers. He wanted to know everything about you. From your favourite foods, to the books that captured your attention.

His infatuation all made sense when the bond snapped. 

It was the last solstice.

Azriel had noticed how beautiful you were looking, as you always were. But you were clad in a breathtaking pale pink summer dress, the neckline delicately showcasing your décolletage. As you moved with a natural grace, the fabric billowed ever so slightly at the waist, accentuating your silhouette in a manner that held attention.

Or at least held Azriel’s attention. He couldn’t keep his eyes off you.

He watched you carefully navigate the chaos of the room. Nyx in one arm, giving Feyre some rest and reprieve in her pregnant state. Your other hand bringing in the cake Elain had spent all morning baking. Amidst the flurry of activity, you had been so close to dropping the cake. But Azriel's steady hand intervened just in time, grabbing the plate and taking it off you. Except in that moment your hands touched, grazed past one another in a way they had so many times before. 

But that time had been different.

It was Azriel’s turn to almost drop the cake. That all consuming warmth flooded his chest catching him off guard. A golden thread connecting itself to you. The mating bond. Finally.

And based on the bright red flush covering your cheeks, it was clear you’d felt it too. You’d fled the room then, overcome with emotion and what this new revelation meant. 

Though, it didn’t take long for Azriel to coax you round.

Ever the gentleman, he courted you. Taking you on the most thoughtful dates and spoiling you with bouquet after bouquet of flowers. He would leave little love notes and poetry for you to find. That it was really no surprise to anyone, when you decided to accept the bond.

That was only three weeks ago now.

Yourself and Azriel were deep in the mating frenzy. 

Rhys had kindly offered one of his private residences he had on the outskirts of Night. A smaller cottage, but with all the privacy you both needed. And Azriel had taken advantage of that privacy eliciting sounds from you that he would cherish forever and never tire hearing.

And then there were your wings. 

You had revealed them to him the first night after accepting the mating bond, and, Gods, was he done for.

Azriel had taken it upon himself, in the earlier months, to really vet you. His dedication to his role as Spymaster served as a guise for his self-indulgent exploration of you, delving into the intricate details of your being with a hunger that bordered on obsession. Not only had he discovered all the things you love, but he searched for details of who and what you were.

Finding himself holed up in the library at times, hours spent devoted to aquainiting himself to the type of fairy you were. 

He knew you had wings, was the type of fairy whose wings were the delicate kind. Most kept them concealed with magic. Yet, Azriel couldn't shake the thought that perhaps they were hidden not only for protection but also out of reverence for their breathtaking beauty. They were mesmerising. Enough to trap Azriel into some kind of trance. 

And perhaps possessively so, he was grateful not many males were privy to this part of you.

He was watching you now, laying on your front. Bare. Just how he’d left you when he took a moment to freshen up. You were giggling, your legs up and feet fluttering behind you while propped up over something.

“What are you doing, my love?” Azriel purred inquisitively, stepping closer towards the bed.

“Oh…Feyre was just checking in. Asking how much longer we might be,” he could hear you smile when you spoke, and watched as with the brush of your hand the magical parchment and ink disappeared that you’d been conversing with Feyre on.

“It’s not even been that long,”

“We’ve been gone three weeks–”

“And we’ll be gone 300 hundred more,”

You chuckled at his response, “Az, we do need to go back at some point. They need us.”

“I need you more.” There was no negotiating. Your family would be lucky to see you both before the next solstice at this rate.

Not that Azriel needed the frenzy to be satiated by you, but it truly was driving him. The primal need for you, overwhelming. The pair of you only stopped when you both fell into a slumber from exhaustion. And even then, there were many times you found each other in a sleep exhausted haze, tangled within and inside one another again.

The bed dipped either side of your legs, you were still on your front but could feel your mate over you. He had paused though, his eyes falling over your beautiful pink wings. The iridescent skin reflecting lights across the room. He had almost cried when he first saw them after you accepted the bond, mesmerised and overwhelmed by their beauty.

Getting to see this part of you, a part of you that was so private, stirred a gratefulness inside him. But there was something else too, a possessiveness that had slowly been creeping up his mind recently.

In the past three weeks, you had both done every possible maneuver, tried every kind of love making– fucking, screwing, mating. You’d even made him a crumbling wet mess just from playing with his wings. 

But he hadn’t touched yours.

No, they looked so delicate and soft, too beautiful to touch, that he hadn’t dared. 

You felt him situate himself behind you, his warm naked body lightly laying on you, his chest resting on your behind. His arms wormed their way under your hips to get comfy, and you splayed your wings flat against your back to fit him.

“Az?” you asked curiously, glancing slightly over at your shoulder to catch him in your peripheral.

He didn’t respond though, not with words. You felt his soft warm breath blowing on the membrane of your right wing, making your squirm under the touch. Your wing fluttering a little in the air.

“How sensitive are they? Too sensitive for me to touch?” You heard him behind you.

“Hm..” you tilted your head slightly to think, “They’re delicate, but you can touch them. Gently.”

You were waiting for him to wriggle his hand from out beneath you but instead you felt something warm and wet run against the bottom of your wing.

You couldn’t stop the whimper from escaping your lips at the soft touch. Azriel had taken it upon himself to use the tip of his tongue to explore this part of you, a part of you that was still very new to him. He felt you wriggle under him, and he shifted placing his full body weight on you so you couldn’t move.

His tongue traced the ridge of your wing, and he wasn’t letting up. Not when he’d made that sound from you. He wanted more of that. He moved and pressed his tongue flat against the delicate skin, evoking another moan from you.

“Does that feel good my little butterfly?” he purred, you could feel the smirk on his lips against your wing as he pressed a kiss on them.

You wanted to roll your eyes at his teasing, but it felt too good to do anything other than surrender to his touch.

“I want to hear your words,” he spoke a little more assertively this time, before swiping  his tongue along one of the tubular lines that spread like veins across your wings.

“Yes..” You huffed, before another moan slipped past your lips breathlessly. “It feels good Az…” You felt your body heat, your cheeks for sure rosy, grateful your mate could only hear not see the reaction he was having on you. 

He chuckled softly then, the vibrations from his lips skirting across your wings making them twitch.

“My sensitive little butterfly, ” the new nickname only made you squirm more, your core growing slick at his predatory attention.

Azriel moved his hand then, the one caught under your left hip, so effortlessly moving down to your core, cupping your wet slit as he licked the pink shiny membrane again. 

“Azriel…” you gasped, but his touch didn’t relent.

You knew this was only the start.

a/n: just some lovely little fluffy mating frenzyness! I just love these two, so I may expand a little more on the wings universe and their relationship if you guys would like to see that! Maybe some domestic bliss, or if there's any scenes you'd like me to write for them or parts of their story you're interested in then I'm happy to explore. Also this was written fairly quickly, so please ignore any typos, I only did a quick little check hehe - Lottie

p.s. also thanks to @thisiskaylin who inspired the nickname! She commented on the wings fic that butterfly would be the perfect nickname and I just had to use it <3

Forever tags: @sleepylunarwolf @daily-dose-of-sass @milswrites @amberlynn98 @marscardigan @illyrianbitch @lilah-asteria

[runningthroughthegarden]

dumb young love

1.9k words, summary: when art leaves you in the dust for tashi, a part of you breaks. after an argument art realizes how desperately in love he is with you.

request from @fangirlinc :)

you had gone and done the one thing everyone had warned you not to do. you had fallen in love with your best friend. i mean how could you not? he was handsome, charming, talented, funny, everything you could want in a man and more. you both had such bright futures ahead of you and just loved being in each others company. which is why you never felt the need to profess your love to him. but lately you've been rethinking this choice. 

you obviously knew how close art and patrick were, i mean you guys all practically grew up with each other. this dynamic never really bothered you, why would it? that all changed once tashi came into the picture. 

you had been there, at the match where it all started. you had come to support them like you always had, but within those few days something had shifted and you had no idea why. suddenly the boys were ditching you to go to a party you didn't even know they cared about. 

they had come back to you the next day, raving about how amazing tashi was and the night they spent together. you noticed a glint in art’s eye that wasn't there before, and you tried your hardest to suppress the jealousy you were feeling. 

that day, when patrick won the match, you couldn't help but feel relieved that art would remain yours just for a little longer. what you didn't realize is that art didnt care if patrick was with tashi, because he was still head over heels for her.

 

“hey are we gonna have dinner tonight?” you ask, throwing another tennis ball over the net.

“yeah, just gotta get back to my room and shower” art replies, hitting back the ball with a distraught look on his face. 

“is it tashi?” you sigh.

“what? no-no. i'm just stressed about my next match” he replies, walking over to the bench. 

“you're art donaldson. you’re never stressed about a match. c'mon just tell me” you say as you walk over to him. 

“its just. patrick called and all he can fucking talk about is how amazing tashi is. and then i walk around campus and all i hear is how amazing tashi is. no matter what i do i can’t escape her.” he confesses, putting his head in his hands.

“i can’t imagine you ever wanting to escape her” you reply, letting out a forced laugh. 

“what?” 

“cmon art, from the day you lost that match it’s like your entire world changed or something. i mean all of a sudden your whole life revolves around this girl” you scoff. 

“y/n i really don’t need this shit from you, i’ll see you later” he scoffs, picking up his bag and leaving the court. 

“art!” you call out, only for him to leave you there alone.

standing there you think back to when everything was fine. how art would link his pinky with yours as you walked. the way he would call you everyday when he had to travel for matches. the nights you spent in his dorm trying to cram week's worth of studying into one night. the way he would so effortlessly plant kisses to your forehead. the moments you thought he might actually be in love with you. but now all you had were those memories. 

 

before you knew it, all art was doing was hanging out and helping tashi train. he had been your training partner first, so it hurt like hell to be left in the dust. you decided to try and let it go and focus on winning your matches. your most important match was coming up and you couldn't let your silly love life get in the way. the one person you had always dreamed of being coached by was going to be at your match. so you knew you had to train like crazy to get to work with them. 

a part of you was hoping maybe art would see how amazing your match would be, and finally start paying attention to you again. but you knew you were holding onto false hope. 

 

the day of your match had finally come, and you’d be lying if you said you weren’t scared. this was such an important moment for your career and you couldn't shake those nerves. but you knew seeing art up in the stands would give you the boost of confidence you needed. 

the first set was about to start and you still didn’t see art in the stands. you felt your heart skip a beat at the thought that he might not show up. he would never do that to you. right? 

the first set had started and for a moment, the world around you started to fade. you may have hated tashi, but man was she right about tennis. you were performing flawlessly and you knew all the hard work was finally going to pay off. 

after winning your first set, you go back to your seat, taking a breather and still scanning the crowd for art. he was still nowhere to be found and you could feel your sadness turning into anger. deciding to use that as fuel, you prepare yourself for your next set. the rest of the game goes flawlessly and you know this is the best you have ever played. 

hitting the winning point, you stand in shock as cheers come from the stands. thanking your opponent you can’t seem to wipe the smile off your face. that is until you spot art in the stands. you could feel all the anger and resentment you suppressed fighting to be released. this had been your best game yet, and there art was, to ruin it.

packing up your bag, you felt a presence behind you. all spectators and coaches were long gone so you knew exactly who was behind you. turning around to face art, you push past him not wanting to hear a word he has to say. 

“y/n please i-” art calls out, quickly catching up with you.

“you what art?!” you yell, turning around to face him.

“you forgot? you had homework? you lost track of time? oh better yet, maybe you were with tashi?” you continue, looking up at him. you could feel hot tears threatening to spill from your eyes. 

he stays silent and thats all the answer you need. 

“oh my god you were” you whisper, stepping back from him. 

“please just let me explain” art pleads, a look of desperation you’d never seen before. 

“today was the most important day to me. and i really thought that as my best friend you would at least care a little more. but i know where your priorities lay. and i'm done fighting for a spot i’ll never get” you say as tears quickly spill onto your cheeks. 

art’s hand reaches up to brush away your tears, but you step back. 

“stay the fuck away from me art” you choke out, quickly walking back to your room. 

 

the next few days were hell. spending each day crying in your bed, you had lost not only the love of your life but your best friend. you had gotten a call offering to be coached by someone you could only ever dream of working with. you should’ve felt happy, ecstatic even, but the last conversation you had with art was still ringing through your head. he had called you far too many times and texted you even more. but you had ignored every single one. the first day he came knocking on your door, but gave up after an hour of waiting. the apology flowers he had sent you sat on your desk. you had no idea what you were going to do. until, you got a text from patrick. 

patrick 

hi love, art told me about what happened im sorry. 

y/n

hi, you don’t have to apologize for him being stupid

patrick

do you want to hang out today? try to get your mind off of him

y/n 

actually i would love to

patrick 

meet me outside at 2

getting ready to see patrick was a highlight from these past few days. while you were enjoying your sulking you knew you had to get out at some point. going out to the courtyard, you see patrick sitting on a picnic blanket. your favorite foods and snacks were neatly laid next to him. you felt yourself genuinely smiling for the first time in a really long time. you spent the next hour eating your favorite meal and laughing at stupid shit with patrick. although your heart still hurt, you could feel your spirits rising. 

“thank you for this patrick, it’s all so lovely” you smile. 

“of course i’ll always be here for you” he gleams, pushing away the hair around your face and leaning in to kiss your forehead. 

“what the fuck?!” 

you would recognize that voice anywhere. 

“art what are you doing here?” patrick stands up to face him. 

“oh i dont know maybe i go to school here? what the fuck are you doing here patrick?!” he replies, getting closer to patrick. 

“seriously y/n? you run off to patrick?” he questions, obviously distraught but you can't seem to place why. 

“hey you don’t get to blame her for this” patrick replies. 

“oh fuck off patrick would you let her speak” 

grabbing arts hand, you quickly lead him away from the public spectacle this was all becoming. 

“what the hell is wrong with you art?” you yell, shutting your room door. 

“i mean, you completely forgot about me for some other girl and now you're mad at me? none of this makes sense, you broke my heart. you don't get to be angry.” you continue, feeling tears brim your eyes. 

he paces for a second, running his hands through the curls you missed so much. 

“im in love with you” he stops, looking down at you. 

it felt like you were dreaming, like you were imagining the words that just came out of his mouth. 

“i always have been. i've just been so stupid about it. when tashi came around i threw myself at her because i thought there was no way you would ever feel that way towards me. and i know i fucked up by doing that, i really really fucked up. but when i picture my life i see you, i've only ever seen you. and seeing you with patrick, i was scared i lost you. i'm sorry y/n, i really am. i would do anything to take it back.” he confesses. 

“you’re so stupid!” you yell, pushing his shoulders. 

“ive been in love with you for like, forever!” you look up at him, confused as to how he never realized. 

“really?” he asks, pure shock all over his face. 

“yes! i thought it was obvious” you frown. 

before you knew it he was holding your face in his hands, planting a kiss on your lips. in that moment everything felt right, like the stars had aligned. 

“y’know i'm still mad at you” you look up at him, placing your hands over his. 

“trust me, i will do everything to make it up to you. i'm just glad you're finally mine” he couldn’t seem to wipe the smile off his face as he kissed you again.