#and the big quote is actually ' it was more than /just/ romantic'

[dandp]

Don't you think that maybe, just maybe Dan and Phil might be QPR? Like it's a very special relationship, more than romantic [as Dan said in his coming out video] but not exactly like typical couples. I think if they are, they don't hv the words. But oh gosh, do I not love whatever they have!

No.

[qveenpoppy]

things i noticed in my pilot rewatch:

wolf almost immediately grabs a glass of champagne when he walks into the wedding with his first patient. i know the show's hinted at him having drug issues, but maybe he has some alcohol ones too? (unless that idea was abandoned since the pilot was written/filmed.)

"except now we're prescribing drugs instead of taking them." "speak for yourself." yeah he's definitely still dealing with those drug issues. i feel like the show's mostly implied for that to be a past thing (we've only seen him take anything twice, to my memory? not counting 1x09's upcoming flashback sequence) but i wonder if/when that'll become an issue again (maybe another patient loss that hurts wolf harder than roman's did? like a father figure, that'll bring back his feelings of guilt over his dad's death?)

it's tiny but i feel like van's crush is hinted at here, with him offering ericka an extra pair of scrubs (while jacob cockily jokes about his being too big for her) and the way he sneaks a glance at her while she changes (not in a creepy way, it's like a nervous/shy kinda way).

he also smiles at her when she yells at jacob while they're searching for hannah's childhood home, after jacob un-empathetically says the kids would be better off with their dad (guess van likes strong women; girlboss/malewife vibes? lol)

"do i ever have to talk to him again?" (wolf talking about nichols.) lmao, you're gonna be in love with him in about 6 episodes from now. also someone write me some pilot era wolfnichols hate sex.

"name one person you like who's not a patient." "you, i like you!" he's so autism-coded ❤️

wolf still uses cassette tapes in his car (which is also quite old, since it still plays tapes), what a grandpa

carol has a picture with michelle obama in her office (not really an important thing to notice, but i thought it was cool)

there's a line in one of the flashbacks (apologies for not quoting it verbatim) from muriel about "keeping our differences to ourselves", which probably explains why wolf isn't super open about his facial blindness. (and probably applies to all of his other traits that make him "different", like his sexuality, or popularly headcanon'd autism. i mean, i know he's open about his sexuality now as an adult, perhaps as a way of rebelling against his mom, but, as we may see in more flashbacks, he probably kept it to himself for quite a while.)

van is completely frozen when hannah has her seizure, he even backs up a little when she falls out of her chair. probably didn't wanna touch her and experience a phantom seizure.

whoever directed the ep made zach & teddy look like they're the same height when nichols confronts wolf and kicks him off the case. i guess it keeps them, literally and figuratively, on the same level in the dispute. but now we all know that wolf's actually shorter, and it's funny how that's been primarily highlighted when they're fooling around with each other. (i know it's an intentional directing tactic, though, bc a similar thing was done in the batman v superman movie when bruce and clark stand eye to eye - henry cavill is also 3 inches shorter than ben affleck. emphasizing the height difference would imply a power imbalance, which you don't want in these sort of gray zone conflicts!)

"the only way this will work is if we open up to each other." [nichols walks by and catches wolf's eye] foreshadowing

(i don't mean just like foreshadowing their romance, but maybe also the impact that nichols will have on wolf, getting him to open up about his past and whatnot. same, perhaps, for nichols, since we still hardly know anything about his background, besides his military experience and implied own closeting.)

(could also quite easily and literally refer to their work relationship, as we learned from that interview with teddy that, despite their romantic connection, they're still going to have some disputes about patient treatments in future episodes/cases.)

[chocosea]

Article Title: プリキュアの“恋愛描写”は20年間でどう変わった？　「彼氏」すら表現できなかったプリキュアがわんぷりで「カップル誕生」を描けるまでに至った理由

What has changed in 20 years of Precure's depictions of romance? Reasons behind the change from seasons that couldn't include boyfriends to the birth of a couple in Wonderful Precure

Some basic summary of this post written by Kasumi, the guy who keeps track of Precure sales and makes handy graphs and whatnot.

The beginning of this article is summary of Wonderful Precure's Satoiro developments.

Later in the article, there's some quotes from Narita. Summarized: After the first few seasons, the response they got from parents was that they would prefer not to have romance because the girls watching this were like 3, 4 years old. So it was a taboo to write about romantic relationships.

The first few seasons were about falling in love with older boys shoujo manga-style, then we have Fresh's whole "I'm not telling you my answer" ending.

In Happiness Charge Narita was uncertain about whether they should do romance as one of the main themes but Nagamine wanted to go for it. So they did a love triangle as one of the main writing setups. Narita still asked multiple times if it was okay to write what she was writing. When Megumi lost in love at the end of the series it became a big topic.

After Happiness Charge they took a step back again and romance barely features besides crushes that don't go anywhere.

This changed in Hugtto when Homare gets turned down by Harry, and Hana's whole thing with George (aka her future schrodinger's evil husband).

None of these depictions are like focused on romance as something that actually leads to a mutual, intentional relationship.

Tropirouge was made specifically to have 0 romance

Black Pepper was created with the idea that he was supposed to work with the girls to save each other rather than just saving them from a pinch. His feelings were only written in to add a bit of spice to the show. But he signals a shift from possible love interests being a prince you admire to a partner that fights with you.

Every season that has served as a turning point in Precure's depiction of romance has had Narita in charge of series composition (Happiness Charge, Otona, and Wonderful).

Article mentions that while before it was unthinkable for idols and actors to have romantic partners, in the 2020 era it's become more normal for actors and TV talent to declare that they're dating and for idols to continue their idol work while being married.

プリキュアでも、かつては「コクる」「彼氏」という言葉1つだけでも保護者から大ブーイングだった時代がありました。

In Precure as well, there was an era where the words "confession" or "boyfriend" were met with loud booing from guardians.

But the times and mindsets have changed so now we have a married Precure and a Precure with a boyfriend.

梅澤　実は大ブーイングでした。「コクる」「彼氏」というセリフも評判が悪かったです。中学生だから、必然性があるから、大丈夫というわけじゃない。両親が観せたくない作品になっては『プリキュア』じゃない、と痛感しました。 ぴあ『プリキュアぴあ』（P87）

This quote is basically what was just summarized above. In addition to the booing thing, Umezawa (producer for Fresh, Heartcatch, Suite) says that he realized that if they wrote things that parents wouldn't want to show their kids then it wouldn't be Precure

So I guess parent opposition is indeed a big reason why they've been avoiding romance. But nowadays:

Satoiro has been massively popular with elementary school girls.

The target range for Precure has risen now also with the cosmetics and the like, ranging from elementary schoolers to young women.

We should expect to see more depictions of romantic love in Precure in the future.

"Change is Precure's strong point."

[kisses4reid]

convenient pt.3 | ·˚ ༘ spencer reid ,,

pt. 1 | pt.2 (you cannot read this without prior reading)

summary - spencer likes the girl from the convenience store

warnings - awkward conversations and long silences, both of them being hopeless romantics, allergies/sickness

genre - fluff!!! college!fem!reader x earlyseasons!spencer

a/n - thank you for the love and support on this series. it goes without saying i appreciate all of you all 🫶 thank u @raevyng for the cameo. sorry this is short, it’s either i upload this part or i make y’all wait for another week - i like you guys too much to do that.

“good job on you’re stem cell report, y/n. it was very informed and unique. i liked the, now who was it… william blake quote you included!” the teacher spoke before a class of 60. it was back to teaching new information before the next assessment, you were just about finished typing the professor’s notes before she spoke up. the mention of your name nearly made you jump.

a few of the students looked back up at you, some looking around because they had no clue who you were. you liked it better that way.

you also had no idea who william blake was.

“oh- um. thanks.” you say barely above a whisper. professor raena simply smiled and pushed back her shoulder length bob from her face. she started talking again, so did your friend.

“thanks? the professor who’s known to call out people for their incompetence more than smile in the classroom just praised you. that’s all you had to say?”

maybe logan wasn’t your friend per say. maybe she was just someone who sat next to you the first class and also happened to be your neighbour. she was stubborn and straight-forward, insanely intelligent and also smelt great. but she was caring, and gave you tough love when you needed it.

you glanced at her and smiled awkwardly, “i didn’t have much time to think about an answer.”

“i spend most of my time thinking about what i’d say to professor raena if she ever complimented me.”

“that’s because your-“ you suddenly muffle a cough into your hand, “obsessed with her.” you bring out a small packet of tissues from your bag and wipe your nose, nose reddening. logan leans slightly away from you and you roll your eyes.

“you’re not going to catch anything, it’s just allergies.” you lean back and try to continue typing notes but logan continues,

“you should go home, have some medicine, get some sleep.”

“i can’t, i’ve got work.” you whispered, a man in front of you turning around to shoot you with a side eye.

“you’ve told me multiple times that your manager wouldn’t care if you stole from the store. i’ve also told you many times i also don’t care.”

“yeah well… i like working there, that’s all.”

she rolls her eyes again, and waves you off, her long brown hair blocking her disappointed expression from you.

you stayed loyal to your job for two nights, for nothing. sure you got paid, and sure you got to steal some strawberry milk to ease your throat for a couple of minutes, but it felt boring. you actually started to file through the month old magazines you sold for double the price of a new one. you almost made it a third day without dying of allergies (and another secret feeling of sickness you constantly ignored), before you decided you were over it.

you stood up, flipped the door sign so the word ‘open’ faced you, and turned off half of the fluorescent lights before someone was suddenly in the corner of your eyes. spencer was opening the door so quickly you thought you were being robbed, you wouldn’t have seen him if not for the bell ringing on his entry.

“y/n.” he panted, watching your fingers hover over the last light switch. there was two lights left flickering softly above the front door and the check out desk. he looked stoic in the light, dressed in a grey sweater a little too big for him (like his mother had bought it for him telling him he’d grow into it) and black slacks. he seemed to have gotten a trim, his hair just under his ears now. “you don’t close until 1.”

he was confused, eyes wandering with a light hint of relief. like he was happy he didn’t miss you.

“yeah.” is all you said before you turned away from the light switch and returned to the register, assuming he would get his usual. but he didn’t keep walking, he just turned his body to face you. his eyes were expectant, delirious in a way like he needed something from you.

it was silent before the tension literally forced you to speak, “um. i need to close the store before i pass out. so i can uh… get home alive.” you look down and realise the pile of tissues before you was making a mountain, quickly grabbing them and stuffing them in an over filled bin.

“um.” a cat caught his tongue, he looked down to his feet.

spencer was sitting in his desk chair, scrolling on his government provided computer through forums and websites on ‘how to ask out a girl.’ not realising a majority of his team was reading them as well. he heard a small, familiar giggle behind him, quickly closing the tab and turning his head to be met with many other faces. jj slapped garcia on the shoulder with a smile, who’s hand was over her mouth, morgan and emily also smiling. spencer sighed and was about to cover for himself before morgan stepped in,

“look, pretty boy. no websites or article is ever going to teach you how to ask out a girl. they know nothing.”

emily joined, “yeah, none of those things are going to work. i mean, one of those said ‘don’t take no for an answer’. that’s straight up harassment.” she chuckled. morgan walked forward and placed a hand on spencer’s shoulder.

“all you have to do is talk. learn to what she likes, and be confident.”

“that’s easy for you to say.” spencer mumbled.

“who is this girl anyways? who’s taking our genius away from us?” garcia asked, today her hair was adorned with green themed pieces and a small pink flower clip.

spencer couldn’t help but let the corners of his mouth perk up when he thought about the girl who worked at the convenience store. the girl who’s report honestly impressed him. the girl who knew his total without looking at the register. the girl who called him good looking without noticing, like it slipped off of her tongue with no second thought. “just someone.”

you were not just someone.

“yeah you should get home. you look terrible.” spencer’s eyes widened as you raised an eyebrow, “no i mean- not terrible- you never look or have ever looked terrible- i just meant today- no you- like you’re sick and obviously- i mean you don’t obviously look terrible- it’s just uh…” he nodded at himself after he noticed a smile creeping onto your face. “you know what i mean.”

“i know i look terrible, thank you.” he was slowly walking up to the register.

“you really should go home, i shouldn’t keep you here because of some coffee.”

you eyes stung and were puffed in redness, you nose dried yet running, eyebrow lines permanent from warding off a migraine. any other customer you would stay for, but you felt less guilty with him. not because you didn’t care, because you knew he did.

“yeah, thank you.” you grabbed your bag, put your empty water bottle into it and walked over to the lights, turning off the last ones, leaving you both in darkness. spencer was waiting for you, quite creepily as he was basically just a block of void. “you sure you don’t need your 3 minute lasagne?” you joked, and he smiled.

“no, this is fine.”

this? them? you thought this man was articulate.

you opened the door with a key-accessed button that automatically locked it after it closed, and walked into the warm streetlight with spencer.

“bye spencer.” you looked up to him only to find his eyes already on you. his face was plain of emotion, except maybe it was just the lighting that made you think he looked disappointed. not at you, at himself. he was silent, hands making their way into his pockets. it was a habit, you had learned. “what’s wrong spencer?” you asked softly, sniffling immediately after.

it was cold, the wind let a stray piece of hair cross your stuffy features.

“do you like old bookstores, y/n?”

you blinked, taken aback. “yeah. i like old bookstores.” you huddled into your sweater, a darker grey compared to his with a large font displaying your university.

“okay, goodbye y/n. see you tomorrow.” he hurried off into his car and you followed him with you eyes in curiosity.

you were already walking away before he could turn around and ask you something, he felt like he had missed his chance. but there would be more. spencer closed his eyes in frustration and took a breath, starting his car before texting the team’s group chat.

“Attempt One failed. 😐👎”

there was a string of messages after but he didn’t read them. all he could think about was the percentage of people who die alone, and then the percentage of people who are like you.

the next night he appeared at the normal time, around nearly 11pm. but he wasn’t the only one, logan was there with you, studying behind you on the floor.

she was bored, and needed to get out of her room, and the only person she knew well enough was you. there in her mens pyjama pants and an over-sized shirt that read ‘RIP Princess Diana’ with a photo of owen wilson on it, her computer warmed her lap and made a soft whirling sound the in the background.

“hi y/n.” spencer waved, he felt bad about last night. you were barely walking straight when you left and he could tell you wouldn’t get out of your ‘work clothes’ (whatever you wanted to wear with a vest over it) before falling onto your mattress, and he drove away. he didn’t even offer to take and walk you home, let alone give you a ride. but his hands were sweating and his heart thumping in his ears, and he couldn’t think straight.

“oh, hi spencer.” you turned from your own textbook splayed on the counter beside you to see spencer and his tall self. a bag of apples, a 2 minute bolognese container, and a bag of coffee. you scan them, weigh the apples, and watch him.

he wasn’t meeting you eyes. you furrowed your eyebrows for a second before telling him his total with a sniffle.

“i’m sorry for not driving you home,” he lifted his head, a piece of chocolate brown hair crossing his left eye, “or walking you home. or making sure you made it home safe.”

you widened your eyes slightly and sat still before spencer cleared his throat and continued, “i was nervous, about being around you. and my friends- my colleagues- told me i need to be more confident around you so.”

logan had stopped writing, glancing through her bangs up at you both. your mouth was slightly agape before you realised how stupid you looked and how awkward you were making it.

“oh- no it’s okay spencer, you don’t have to say sorry. i was- i’m fine. um,” you tilt your head with the corner of your lips quirking up with little resistance, “you talk about me to your friends?”

spencer nodded, put his hands in his pockets and thought for a second. he wished there was a better place to do this, a better person to take over for him.

all you have to do is talk.

spencer is great at talking.

“did you know that you could be scrolling for seven weeks before you can reach the end of ‘how to ask a girl out’ results on google? i was scrolling for a long time but then my friends told me to just talk and be confident, but i’m only good at one of those thing. so i was trying to ask you out last night but then i- well i failed basically, it isn’t my strong suit,” he took a breath, “so basically i’m saying sorry for not asking you out and not driving you home.”

it was silent, even a customer stopped humming.

“and also your allergy medication isn’t strong enough for your symptoms.” he glanced down to a white and blue box by your hand. you looked down, seeing logan in the corner of your eyes, hand covering her face.

“spencer-“

“dude just ask her out.”

spencer’s face dropped, and he looked over the counter to find another woman sat down, a cringed out expression on her face. his nervousness increased after he realised this wasn’t as private a conversation as he thought. wiping his hand on his vest, he continue with a gulp,

“no i can’t. not here, um. i’ll see you on monday. and i promise i’ll uh- be better? i’ll try again, so. okay see you on monday.” he quickly took his groceries and walked off quite speedily. you watched him walk away and then once he was out of sight, you simply stared at the box of allergy medication on the counter.

logan groaned in the background and said something about growing balls, but it was tv silence for you.

you didn’t know how to go out with someone, your last relationship was in your first year of high school with a guy who thought baby’s came out of a woman’s bum. not that spencer meant he wanted a relationship, no it could just be a friend ‘going out’. totally not romantic.

you slump and stuff your face in your hands. you didn’t care if you hadn’t dated for however long, he didn’t seem to be a man-whore at all. you just cared about how you were actually going to say yes to a man you’ve only talked to inside of an off-brand convenience store on the night shift.

you muffle a scream before the same silent customer placed a carton of milk on the counter.

“$2.50.” you grumble.

you carried logan’s computer bag as she took out a box of strawberry pocky on the sidewalk. the store was locked, the air was crisp, the light was flickering. you didn’t say much until logan couldn’t stand it anymore.

“you know when you’re this silent it’s actually pretty nice, i like peaceful walks home.” you nodded, and continued your racing thoughts with your line of vision stuck on the concrete as you both walked the block to your apartments. she sighed, “but it’s odd. you love talking. a guy likes you and you go mute?”

“his name is spencer, he does something dangerous for a living, he likes old books and drinks a lot of coffee. he gets home late at night, looks skinny but can lift a box of flour above his head with ease. he’s insanely smart and reads poetry, and helped me with my stem cell report.”

you look over at logan who looks a little disgusted but mainly confused.

“he helped me lift that box of flour without me asking. i have no idea who william blake is. i have no idea how he managed to put poetry in a biology report, and i have no idea how he can admit he’s going to ask me out and then not ask me out. his favourite colour is purple, his favourite fruit is grapes but he buys apples because they’re cheaper. and his name is… spencer.”

logan stopped in her tracks, making you copy. you flung out of whatever trance you were stuck in and raised an eyebrow at logan, “what?”

“what? oh no i don’t know, maybe you’ve just never told me about a man you happen to know a lot about, and yet don’t know anything about. you sound insane- not in the ‘loony-bin way’, in the romcom way. it’s disgusting.”

you both continued to walk, climbing the stairs to the foyer of your building before she took back her bag and gave you the pocky, mumbling, “you need these more than me.”

the elevator ride was mostly silent, and that continued before you both unlocked your apartment doors right beside each other.

“you need to ask him out, if he doesn’t do it first.” she entered her apartment before you could speak, let alone think.

suddenly your apartment felt lonely.

so did spencer’s.

he was cross legged on his plush couch on a call with penelope garcia, she was squealing every second minute trying to create a plan for spencer to ask someone out.

“spence, you’re making this very hard. how am i supposed to be your coach if i only have half a team?”

“you can find someone’s address with half a fingerprint, i think you’ll be fine.” he takes a bite of his 2 minute bolognese.

“that takes the fun out of it. i can only give you tips if i know her personality.”

spencer sighed, and thought for a second, he could practically hear penelope’s growing smile knowing she had won.

“her names y/n.” garcia squealed. “she’s smart and pretty. and her favourite colour’s purple and she studies biology. she knows my groceries off my heart and she’s allergic to pollen. she works late at night at the convenience store two blocks away from my apartment building, and she likes old book stores. she’ll be introverted around an extroverted person, but extroverted around an introverted person. she can read my expressions faster than anyone else, she tries out different hairstyles when nobody’s in the store, and she’s funny.” spencer smiles to himself, “she’s pretty.”

“you mentioned that, lover boy.”

pt.4

taglist: @jeffswh0re @hypotheticallyspeakingwitch @trashmonstersara @wannabewolf @evysian @navs-bhat @mywellspringoflife @daphnesutton @smalls155 @amortencjja @anuncalledbridge @belsreid @redmurderbaby @tatilolz @criminalmindsandhouse @forensicuntology @nomajdetective @ilikw @screechingphantommaker

[planetsstarsandmoons]

Synastry observations based on (personal) experience, part 5:

I’m back!!!! After months lmao

Moon opposite mars: a big ‘want’. Moon opposite mars is a story. It’s every romance movie/ romcom aspect, and i’ll tell you why. These people see in each other the potential of moon conjunct mars fullfillment that’s actually (way, but opinions differ ofc) better than the conjunction. That’s because in the opposition, each has something the other lacks. This can create for both people the ultimate romantic fullfilment when brought together by effort and acceptance of each other, and this promise is very hard to let go of. Typically, these are couples that fight a lot but find it very hard to let each other go once they know what they can have with each other, because it really is the best. Just think about it, even the thought of people putting conscious effort to be sweeter to one another is precious. That only creates a bond that’s very raw and very real (quoting jewelastrology here). Then combine that with the power of the mars and the moon and the friction of the opposition, keeping things interesting and keeping both parties learning more. You shouldn’t romanticise struggle in a relationship. Too much ‘work’ can just mean you aren’t compatible. THIS aspect is an exception. Just watch out for possible aggression. That’s never okay. One day I’ll make a seperate post about the amount of moon opposite mars couples in literature. The best I can think of now is Pride and Prejudice, with Mr Darcy being mars and Elizabeth Bennet being moon.

Venus twelfth house overlay: sorry y’all, in my personal experience, it’s true what they say. The twelfth house person has a hard time feeling this overlay on their side, or on a very subconscious level. I was the 12th house person. On one hand, I really ‘got it’ so to say but on the other hand, I don’t have a shitty clue of how he picked up on this ‘thing between us’ he thought or picked up on we had. That’s actually the big thing about this overlay. Don’t lose all hope, but you’ll have one person going “you knoww like there’s this thing between us...” and the 12th house person will be going: “what thing?” 😂 this can actually be nice because the 12th house person will get in touch with that subconscious twelfth housey part of themselves IF there are other nicely supporting aspects. Like the venus person’s venus to other stuff. They say a true connection is always mutual. I want to say to you all that don’t be surprised when a 12th house person in such an overlay is not ‘feeling’ this mutually. I literally wrote in my diary: “i might actually like him when it’s too late. Or just never lol i do not know.”

Update: I wrote this observation months ago in like april. It is now october and I’m starting to gain interest in him, albeit slowly and subconsciously, but, yeah 🤦‍♀️😂 i came back to this draft being like “WHATT?? Astrology had predicted this TOO for me???”

Moon trine pluto: you know when the fighting super intense troubled couple FINALLY gets together in this really intense and satisfying time when things are finally going the way they’re planned? Like an end all all good? That is this overlay, but constantly. On the outside, it’s the annoyingly passionate/emotional couple in a series that you don’t get because you haven’t seen them do any work to deserve this kind of intense fan-service scene. It’s because it lacked that kind of character development? It was me watching avengers infinity war with vision and wanda. I didn’t like the couple because i didn’t get it. I didn’t know their history i thought it was just some random very bland peaceful couple being very dramatic about each other all the time. Another example (i’m not shitting on this aspect i swear 😂) when a cartoon shows an example of a ‘romantic movie scene’ where the couple says “i loove you!!” And the other goes “oh bill!!” You don’t swoon because you’re like… okay. You get the oogies/ick because it’s like ‘ew that’s a couple’ anyways what I’m trying to say is that moon and pluto are not typical besties they’re supposed to be two problems kind of, they’re two very intense and bare planets, so harmonious flowing energy between them will feel kind of unsettling? Even. So these people will be kind of ‘gross’ with each other but in a soothing way. It’s how you imagine such a trine to be, but it plays out exactly like this irl too lmao! It feels bland on the outside because it’s always going well. And on the inside it plays in the background, because issues bring moon and pluto stuff to the foreground as a ‘theme’ in the relationship. So this aspect is also is the simple idea-of-a-passionate relationship. It’s the groaning “I’ll never let you go!!” Which doesn’t hit the same way for some people because there isn’t any drama or shit that happened before to deserve this pay off. However, some people loooove this aspect and by that I mean people in real life who like to have a secure and deep relationship where two hidden parts of people correspond and love each other well. This aspect is reaallly hard to let go of lol.

Sun conjunct mars: I call this the ‘spicy friends’ aspect. This is the aspect of two people who get into shenanigans together. I also see this aspect a lot with romantic couples who got together young, because it makes for boy-girl relations where the boy actually gets motivated by the person the girl is and the girl feels understood on the same level by the boy. They don’t get bored and so these people will forever get on or be aggravated by each other. It’s because these are two extremely conscious ‘in the moment’ planets so they easily fire off each other and it doesn’t take a lot of energy to have that interaction. No in between. It creates a certain ‘click’ that really motivates both for each other. Not in a deep/karmic way, but in a way that their behaviour connects easily and the energy gets going. It’s really easy to have good sex and interesting energy with this aspect so it’s a really potent aspect to get people together! Also fast, because conscious behaviour is accelerated by each other. I’m thinking dopamine..

Sun conjunct venus: unlike mars, venus is a cold planet, which is totally okay in a synastry, only the interaction plays out a little different. Sun and venus don’t fire off each other. Their influence on each other is more passive and more ‘internal’. The sun, how basic it may sound, warms venus or even makes them burn. Venus gives the sun person chills. The venus person is responsible for the harmony and awesome functionality that this aspect brings. They will take a step back to fully adore and admire sun from afar sometimes. The sun will run to venus basically when it feels it needs love and beauty and also a kind of sensibility that the sun person misses, like a puzzle piece, and the venus person is Thee person who brings that in their life. Vice versa is the sun person someone who personally signifies beauty and love in the eyes of venus, while it brings the heat that the venus craves. So they become passionate and adoring about who each other is. So venus typically loves every little thing the sun person does and the sun person is just taken by the venus person every single day. Think Oliver (venus) and Loretta (sun) from Only Murders In The Building. This aspect makes for real contentment in a relationship because of the strong loving connection that it brings.

Mars in twelfth house synastry or composite: with this placement, you’re not even sure if the person is actually even attracted to you and if you’re making it all up in your head. This is also typically seen as a ‘synastry/composite of secrets’ which I wasn’t so sure about at the time I experienced this one myself, but now I realise, hey, that man actually had a girlfriend while he was giving me ‘special attention’ while holding back, with me being like ‘what could he mean what could he MEAN’ typical mars in twelfth scenario. One guy I had this with in composite was basically lying to me about his sex life and not having cheated on his previous girlfriend… and guess what… I had lied about my sexual history too 😭 I even thought to myself ‘why the f*ck did I lie that elaborately??? I didn’t even have to??’ But whatever, it’s the way of the worlds apparently 😂 but you see how this immediately creates distrust when it is not actually what we mean to do or coming from a place of disrespect. Oh and this aspect in composite also created months of us being like ‘🧍🏻‍♀️….🧍🏻‍♂️�� not normal sexual tension, but sexual tension we weren’t sure should be concreticised out loud or in action. We’d only kissed once Monthsss before which is basically nothing in western european student culture. It was like: “does this person know I’m still, in this moment, attracted to/like him/her? Am I making this all up in my head?”

Moon in the 8th house: a lot has been said about this aspect. Just a few things: intensity, yes. Either one will always be a significant person for the rest the person’s lives. It’s not nothing. It’s the basis of real all consuming love that’s a very rare and unique mix between total safety and total rush-like danger, which makes people think it’s a soulmate aspect. It’s actually not, imo, it’s a deeply (deeeeply) karmic aspect. It’s funny to see all the friends with benefits who have this aspect start out as “lol we don’t want a relationship” to “……. Lol nevermind” and end up together. They go back to each other because they’re simply too significant to each other. Fear of being vulnurable is also big on both so they either take that step or they’re just standing there forever. Mutual aspect, but it’s mutual in different ways. Truthfully, I don’t see this aspect so often in relationship charts. I see it with people who are in love with each other and aren’t together, or people who started out casual but still for some reason can’t let each other go after more than a year, or people who have had the roughest most obsessive breakup in history and ask me for advice. Often, people in relationships who have this aspect don’t come to astrologers for advice. They’re too ‘into’ one another to do that, I feel like.

Venus trine moon: cute cute cUTE because the venus loves reassuring the moon person with affection, which makes the moon person feel so safe and endorphined and warm. The moon person simply inspires that in venus! Great for a chart with more difficult aspects !

Moon conjunct jupiter: so if a guy is jupiter and the moon is a woman and they’re married, the woman doesn’t need to worry about jupiter feeling turned off from the relationship by her pregnancy. Moon is the feminine, the nurturer, the mother, jupiter adores and respects her. Jupiter inspires respect, optimism, friendships and all things serotonin. Jupiter will make the moon feel good. The kind of union where the guy will constantly declare how much he lovees her pregnancy glow ✨ the same goes ofc for lesbian relationships but since this is a cultural phenomenon i thought i might touch on it.

Moon opposite jupiter: i feel like this might be the opposite story :/ the girls motherhood and need for support and needs in general will just be the opposite to what the jupiter person finds ‘fun’ and joyful, BUT if they’ve made it this far in the relationship as to have a child together it should be okay. At least the cause of the behaviour would moreso be astrology, not misogyny.

Moon square jupiter: wife jokes, but the ones that are cute and funny.

Moon in third:

Being someone with a moon in third house be like: wow imagine going through something hard and not type 10k words in your notes app about it.

Having your moon overlay in someone’s third house be like: wow imagine going through something and not telling that person 10k words about it

Also: jupiter has such an underrated influence on us in astrology!! Jupiter radiates the most energy out of all the planets in our solar system and may be way more personal and influential than we think in astrology… And in synastry also it’s the MOON

[jellybuttons]

Crowley's "oh" moment wasn't him realizing that he's in love

Okay so we've all talked about the scene where Nina asks Crowley if Aziraphale is his "bit on the side" or whatever and Crowley has that visable fanfiction "oh" moment on his face afterwards. And I know a lot of people think it must have been Crowley realizing that he was in love with Aziraphale, but that's never sat right with me. Crowley is emotionally repressed and oblivious, sure, but he's been down bad for that angel since the beginning. I just can't believe he didn't know it the whole time. That can't have been what he was reacting to. Hell, just the nervous swallow he does at the beginning of that conversation implies that he knows exactly what Nina is about to ask him, meaning he at least already has that idea in his head.

I think what he was reacting to was Nina's last comment, "other people's love lives always seem so much more straightforward than our own" (I'm quoting from memory but I got the gist of it).

Crowley has been in love for a long time by this point. He's also, for that entire time, understood that nothing can be done about it. Up until Armageddon failed, there was no universe where Crowley and Aziraphale could safely be together, and Crowley cares too much about Aziraphale to truly risk his safety (although he does have his selfish moments--that need to know that Aziraphale cares for him too, that he's not completely alone in this partnership). Nothing could change, so there was no point in doing anything about it.

In the few years post Armageddon, though, it seems like QUITE a bit has changed for the two of them. Remember, these are two immortal beings...a few years is milliseconds to them. But in those milliseconds, it seems like Crowley has become a regular establishment in the bookshop, glasses off and all. Aziraphale felt comfortable enough with him to ask to borrow the Bentley, Crowley's prized possession and his literal home. They've gotten COMFY in a very short amount of time, objectively, and I'm sure it felt like big change to Crowley, who knows better than to ask for things he doesn't think he can have.

But Nina's comment. "Other people's love lives always seem so much more straightforward than our own". A direct parallel to exactly how Crowley has been thinking about her and Maggie this whole time--two people who just need a push (romantic awning, anyone?) and everything else would fall into place. Easy. Uncomplicated.

Crowley's "oh" moment isn't that he's in love with Aziraphale. It's that maybe being in love with Aziraphale doesn't have to be complicated.

Other people's love lives DO seem more straightforward than Crowley's own. But if Nina feels that way about him, as sure as he is about her and Maggie...could it be that easy? Could he have that with his angel? I don't think at this point that Crowley has any doubt about whether or not Aziraphale feels something for him (whatever that something may be in Crowley's mind), but after all...Aziraphale asked him to slow down. So he's been taking it slow. Hanging around more. Leaning into his space. Soaking up every second of Az's smiles like a dying man, content with whatever he's given.

But Nina. She thinks they're together already. No doubt in her mind. She thinks it's so straightforward, that of COURSE they're together, two people who look at each other with that much love in their eyes must be, right? And I think that "oh" is Crowley's realization that maybe it IS straightforward. After all, they're them, right? No more Heaven, no more Hell, no actual reason they couldn't just...be together. In that moment, Crowley isn't realizing that he's in love with Aziraphale. He's known he's in love for a very long time. No, that moment was him realizing that, maybe, he can stop pretending not to be, that maybe all they have to do is stop pretending they aren't everything to each other. Does he need to slow down if there's no danger to avoid?

When Nina and Maggie confront him at the end, encourage him to confess...objectively, I don't think Crowley as a character would agree to anything nearly that vulnerable without a LOT more convincing. But he does agree. And you could argue that it's because of Gabe and Beez, sure, but when has Crowley ever used other angels and demons as reasoning behind his choices? No, consistently, Crowley has followed humans every time. Gabe and Beez are nothing but conveniently timed examples. I think that even without G and B running off together, Nina and Maggie could've convinced him after nothing but this "oh" conversation with Nina.

When Crowley is choking out his confession in the final 15 of episode 6, so desperate to make Aziraphale understand...he says "we're a pair, a group, a group of the two of us, and we've spent our existence pretending that we aren't". That's the point he's trying to get across. They can stop pretending, they can stop pretending, please, god, stay here Aziraphale and don't make him keep pretending.

Please, Aziraphale, he's saying. Don't go back. I only just realized that it doesn't have to be complicated. He realized that, maybe, finally, he was allowed.

Oh, he thought, out there on the sidewalk with Nina, there's nothing left but me stopping me from being happy.

Oh, he thought, while Nina and Maggie urged him to communicate, the couple that so perfectly mirrored his own wants, I could tell him how I feel.

Oh, he thought, as Aziraphale looked at him with excited eyes and explained that he wanted them both to go back to Heaven, that Crowley could become an angel again, that they could go right back to working for the very thing that had been keeping them apart for thousands of years. Oh, oh god. I thought it was over. I thought we were free. I thought that, finally, maybe, it could be easy. Maybe we can stop pretending.

And he kissed him. Because fuck, just like with Nina and Maggie, he thought it could finally be easy, but then communicating didn't work and nothing was easy and all he had left was one fabulous kiss and vavoom and he was desperate and off script and so, so scared and then he was alone in the Bentley, driving away from the bookshop, completely alone.

Maybe Crowley should've kept pretending. It would've hurt less.

[luveline]

hi jade!! can i request something with the marauders (platonic or romantic) maybe reader has been real stressed with work or school and the marauders try to get her to relax once they realize how stressed she actually is?? ty! u don’t have to do this, it’s just a thought :))

thank you for your request my love, nearly romantic poly!marauders x fem!reader

James notices first, surprisingly. While Sirius is fluent in what goes unsaid, and Remus is more than familiar with stress, it's James who has learned to read his sometimes sulky friends, and so it's James who knows that your tight shoulders and your half-hearted smile are from more than being tired. 

He doesn't want to announce your potential upset upset the world, so he waits for Remus to get a drink while Sirius is in the loo and slides down the sofa toward you until you're sitting thigh to thigh. He doesn't ever want much space from you. He's fortunate that you feel the same. 

"What, James?" you ask, leaning on his shoulder. "Are you okay?" 

"Are you okay?" he asks quietly, solemn, so you know he's serious. 

"Why wouldn't I be okay?" 

"You just seem unhappy tonight, is all. You know you can tell me. Or if you don't want to tell me, you can tell one of the boys." 

Because you and your friends are in an incredibly weird (not weird, really, unexpected, but so full of love and sweetness that weird doesn't apply) situation in which you aren't dating anyone but it feels like you are. James imagines it as a sort of precipice, where you might choose one of them, or, in what seems the more unique but better fit, you might not choose at all. 

James only knows you feel the same way about them as they do about you because you'd confessed to Remus how guilty you feel for stringing them along. He reported back, and is quoted by himself to have said, Well, we must be stringing you along too. While I string James along, and Sirius strings me. 

So everybody fancies everybody and nobody knows what to do about it. (Well, apart from that one kiss between James and Remus, which went exceptionally well. James had known what to do about that). For tonight, nothing has to be done. All James needs to do is figure out how to make you feel better. 

Remus is offended at having had his seat stolen when he returns, but then he sees your sad face slack on James' big shoulder and forgets to be annoyed. Crouching down in front of you, Remus tilts his head to the side to align his face to yours, a frown mirrored on his lips as he asks, "What's wrong, dove?" 

The way he says it makes James pleased, and it also makes him like Remus impossibly more. James is earnest and ardent in wanting to comfort you, but Remus is very, very good at it. He has this seriousness, no-nonsense tone wrapped in a soft affection that could draw out James' very worst secrets. It's no surprise when you crack clean in two and confess.

"I'm really stressed out." Your voice takes a horrible dive, like you might cry. "Um, work is just hard, and I'm worried about money, too." 

James doesn't suppose you're in the depth of a relationship where it's appropriate to offer to bankroll you, and it's not what you want anyhow. He bites back any affluent admission in favour of a subtler approach. 

"You're worried about money?" he asks, gently as he can. "You aren't going without, are you? I really hope you'd tell us if it were bad." 

You shake your head. "I'm not going without. Don't worry, it's not that bad." But it could be, goes unsaid. 

Remus hums, his hand on your knee. "You know we care about you. Please, don't not tell us if you need something, okay?" His hand climbs the stretch of your thigh. "What's worrying you, dove? With work, are they giving you a hard time again?" 

Sirius returns somewhere in the midst of your talking, and he's absolutely horrified when a single tear bounds down your cheek. He squeezes between you and the armrest of the sofa to wipe your face as it comes, his weight almost entirely on top of you, so close that his hair tickles your cheek and neck. "Don't cry. I promise not to leave you alone with these two ever again," he jokes, though the tenderness with which he holds your face is nothing but sincere. 

James, sick of being the only one not comforting you physically, finds one of your hands to hold. It's smaller, and warm, and he pulls it to his chest as though that might hide you away from all the things that are freaking you out. 

To no one's shock, the boys are good listeners. Not always to each other, but what one lacks another can make up, and they manage to pull out from you your pack of troubles one by one. When that's done, they assuage each accompanying fear. 

If the very worst happens, you'll always have them to lean on. 

That makes you cry more than the stress. Grateful —though the last thing they're comforting you for is gratitude— you needle your arms around Sirius' waist and hide your face in his chest. He frowns down at you as he wraps you up tightly. James doesn't even feel jealous. Well, mostly, until Sirius kisses your forehead and James can actually see your happy shudder. Lucky for him, you aren't done. You squeeze Sirius before pulling away and turning to James. He realises then what made Sirius so bold, your whispered thank you like a vibration through his chest. He pats your back. 

"That's alright," he murmurs. 

You nod and squeeze and move on to Remus, who's been sitting at your feet for the last twenty minutes while you cry, concerned but not complaining. He's eager even if he won't say that, climbing to his feet so he can reach down for you and receive his own hug. James is a ridiculous romantic, and he just aches with affection for both of you as he watches Remus nose your cheek. When Remus finally pulls away, Sirius is looking at them with the same expression. 

"Do you feel better?" he asks you. 

You sniffle and wipe your nose with your sleeve sheepishly. "Yes. Thank you, boys. I really don't know what I'd do without you." 

James forgets restraint and swings his arm around your shoulder. "It's a good thing you'll never be without us, then," he says, and kisses your cheek.

[justlemmeadoreyou]

boyfriend!harry headcanons

-> Every day starts with Harry's sleepy face pressed into your neck, his breath tickling your ear as he mutters "good mornin', lovie." He steals kisses between yawns, his warm hand tracing patterns on your back until you're both giggling, tangled in the sheets.

-> He knows your perfect cup of coffee, the one that makes you smile like sunshine. He surprises you with it in bed, accompanied by a plate of fluffy pancakes or French toast, shaped into hearts, of course.

-> He pretends to scoff when you put on a chick flick, but you catch him stealing glances at the screen, his lips twitching with a suppressed smile. He hums along to the cheesy soundtrack, his voice husky and low, sending shivers down your spine.

-> One minute you're planning grocery shopping, the next he's whisking you away to a hidden beach for a sunset picnic, complete with a spontaneous bonfire and stargazing. He lives for creating memories that make your heart skip a beat.

-> He believes in you more than you believe in yourself. He cheers you on at work, celebrates your victories (big or small), and holds you tight when you doubt yourself. He whispers encouragement in your ear, his voice laced with unwavering faith.

-> He leaves little love notes tucked in your purse, on the fridge, even in the pages of your favorite book. He hides tiny trinkets for you to find – a seashell from your first beach trip, a vintage postcard with a romantic quote, a single, perfect rose.

-> He pulls out your chair at restaurants, opens doors, and insists on carrying your groceries. He walks on the outside of the sidewalk to shield you from the rain, and offers his jacket when you're cold. It's the little things that make your heart melt.

-> His hands wander under your shirt, sending goosebumps erupting on your skin. He whispers sweet nothings in your ear, promises of forever and endless love. He makes you feel like the only person in the world, cherished and adored.

-> He strums your favorite song on his guitar, his voice husky and soulful, just for you. He pulls you close, swaying to the rhythm, his gaze never leaving yours. He turns any room into a dance floor, his laughter echoing as you spin, lost in your own little world.

-> He's your rock, your confidant, your safe harbor. He listens without judgment, offers advice without pushing, and celebrates your individuality. He loves you for who you are, flaws and all, and that's the most beautiful love story of all.

♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡

jealous!harry headcanons

let me know if you like this! you can tip me here!

please like and reblog, it may seem stupid but it actually helps a lot! ♡

♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡

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[perseruna]

Endiness made a beautiful long post with all his quotes on that topic that I think is very informative and worth looking at, so here’s a link to that. And with that already discussed, I thought I’d make a thread of all his changes that we are aware of, because when you look into them, you find that none of his “book accurate” changes are actually book accurate. 

His decision to make Geralt grunt and cut his lines.

HC: "All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

JB: "Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

So, as everyone who has read the books knows that Geralt is and always has been a yapper. Gerakt often talks or thinks in monologues, and definitely not in short grunts.

Of course when the audience started making fun of Geralt for not being able to speak in full sentences Henry promptly went back on admitting the blame and instead said that the big bad writers were the ones who didn't give him lines, and now it was his life’s mission to fight for a book accurate Geralt who speaks. 

Roach’s death scene

After S2 came out, Lauren received a lot of backlash for Roach’s death scene, with multiple sources citing that she wanted the moment to be more “comedic” before the brave Henry Cavill stepped in and refused to participate in such horrible anti source material activities.

LH: "Henry was so unhappy with the line. Finally I said, 'You know what, you come up with something. I trust you, you know this material so well, you know the book so well, you don't even have to pitch it to me.' And he came back the next day with a beautiful speech that's at the end of 'Sword of Destiny' when Geralt is facing death.”

This is the line he ended up using:

“Enjoy your last walk across the meadow and through the mist. Be not afraid of her for she is your friend."

This was Lauren’s response AND the original line.

LH: “Here's what was scripted, in homage of the fact that a previous Roach had existed, and another one will exist soon. It's hardly a joke. Henry wanted a longer, more emotional moment, which I was more than happy to give him. Don't create drama where none exists.”

So in S2 Geralt ends up quoting a part of his monologue from ‘Sword of Destiny’ when he’s at his lowest after thinking that Yennefer had died at the battle of Sodden Hill, and he has nothing left to live for. Which to me doesn't work that well with Roach at all. That line was a response to Geralt thinking he's lost the love of his life, not his horse. In my opinion, the original line Lauren penned out is more heartfelt and actually more emotional and more book accurate as well.

The absolute removal of any Triss and Geralt “romance”

This one we don’t have that much information on in comparison to others. But there were multiple reports that at the beginning of S2 Triss and Geralt were supposed to have some kind of a romantic scene with each other which then was cut during production, and it was largely speculated that it was due to Henry Cavill. 

��Several months ago we reported on a sex scene happening between Geralt and Triss, sometime in the first half of Season 2. That didn’t happen, as we all saw, but here’s what we know about the original plan for that: Geralt and Triss are in a room together, they seem friendly at first. They are playing some kind of weird game. Whoever wins a round, gets to ask a question. We’re not privy to the exact flow of the conversation, but it eventually leads to both of them ending up in bed. We can only guess why this was cut, but perhaps it was thanks to Henry Cavill.”

Now, irrelevantly on your feelings on book Triss and Geralt you have to admit that that short-lived “romance” is indeed a part of the books and therefor book accurate. So the removal of it would go against Mr I’m fighting to make this show as much book accurate as possible. 

The removal of the Yen and Geralt sex scene in S2

"We just wanted to be very careful that it was true and real, and it didn't turn into something that we, as actors, didn't believe it should be," Cavill stated. When Yennefer and Geralt unite, they embrace, but it doesn't go further than that. He continued: "We wanted it to be emotional rather than sexual. It was really, really important, and we had to lean away from what was originally on the page." Initially, Geralt and Yennefer were written to have a more passionate night. Henry Cavill and Anya Chalotra went to "The Witcher" producers and explained why they thought a steamy evening was not the way to go. "These are people who believe one thing about the fate of another and then find out something else is true," Cavill said about Geralt believing Yennefer was dead. "That's not how they behave," the actor added. "How they behave is they just want to be with the person and emotionally recognize their existence again in that shared space.”

This one is a bit tricky because I am willing to get behind an actor who doesn't want to do a sex scene out of comfort reasons or whatnot, but Henry saying that "That's not how [Yennefer and Geralt] behave”, is quite absurd in my opinion. Because that is very much how Geralt and Yennefer behave, especially in the short stories and ToC. They are inherently a very sexual couple who come crashing in and out of each other’s lives while having very passionate sex. But I can understand wanting this scene to be more “emotional” (as if sex isn't emotional), so this one I am willing to give him a bit more leeway on. (But then again looking at the blinds saying that he refused any sex scenes because oh his “ideals” and was allegedly really nasty to Anya about it, well..)

Geralt being the perfect father figure to Ciri with no flaws and no struggles (which inevitably snowballed into the Yen Betrayal Arc)

This one I don’t see talked that much at all, and to me this one is his most detrimental one. 

@LHissrich: “In interviews, Henry explains how he felt strongly that Geralt NOT be bumbling, nor a struggling father figure. In fact, a lot of S2 is about how Geralt does come from a loving (albeit unconventional) family. Henry was passionate about this shift, and we discussed it a lot, and ultimately thought it was wonderful for his character development. But it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance.”

So I don’t know about you, but I love when characters have flaws and naturally progress be it for good or bad, some would say that that's what story telling is about, well that someone wouldn't be Henry Cavil. Geralt being a struggling father figure at first, someone who makes mistakes and learns from them and tries is very much a prominent theme in Blood of Elves and is actually very real, people make mistakes! Especially in huge shifts such as “becoming a father overnight’ but we didn't get that because Henry refused to play it that way. What we got is Geralt who already basically knows exactly how to parent, he always knows what to say, what pep talk to give and also doesn't hold any resentment and any negative feelings towards Vesemir at all. It's all one dimensional happy family here! Which goes against not only the books but what he preached about fighting tooth and nail to make the “forgotten” male characters three-dimensional as well because the horrible feminist Lauren only thinks about female characters. 

Lauren then goes on saying that “it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance” So, it is fair to speculate that Henry’s refusal to showcase Geralt having any flaws at all and act book accurate snowballed into The Controversial Yennefer Betrayal Arc. 

These are the ones that I can remember off the top off my head, so there might be more, there’s probably more that we aren’t even aware of. I think putting them all together showcase a very interesting picture. One of Henry Cavill never actually understanding who Geralt fundamentally is as a character, and of him not being a team player at all. I just hope that more and more people are aware of the insane PR his team did for him when it came to this show, and that more people are able to see through it. 

[canthelpit0]

Skinny

Pairing: bf!Chris sturniolo x Reader

Wordcount: 700

Summary: you talk to your boyfriend about the internet (literally just the song skinny, by Billie Eilish)

Warnings: really short, angst(?), body image, the internet, hurt/comfort (?), direct quotes, idfk

(Litterally wrote this during a 1h car trip, so it’s rlly short. I was listening to the song while writing this. Hope you guys like it tho <3)

I recently met the triplets in LA. We quickly became friends, but I always felt drawn to Chris the most.

Sure they’re all considerably hot, but there was just something about Chris that made me feel something..

Turns out I wasn’t the only one that felt it, and soon enough Chris confessed to me. Wich meant a lot, considering he has commitment issues, but he was willing to commit… for me?

We dated for a while until I realized,

I fell in love for the first time.

I may only be 20, but those 20 years felt so eternally long. Chris was everything I’d been waiting for all my life, being the hopeless romantic.

I started to go to the gym more often, and eat healthier. Not for any other reason then, I was happy.

I also started to notice that Chris’ Pepsi habits got better, and he started to eat healthier as well.

We were talking one day, both of us sitting on opposite sides of Chris’ bed.

“People say I look happy, just because I got skinny.” I sigh.

The only reason why I look happier is because I have a working healthy relationship, because I’m in love. Not because my body changed.

Chris tilts his head to the side his eyes slightly furrowed as if asking me if I’m serious.

But the ‘old’ me was still me. Maybe even the real me, my actual personality when I’m on my own, And I think she is pretty.

I never really had body image issues. I never struggled with eating.

I got famous pretty young, like 17 or so. And back then I was a kid, of corse I liked to eat. I wasn’t even that big really. I was just a kid, I didn’t care about it too much.

I’m not magically happier than I was before. I still cry.

“People say I’m acting my age now.” I sigh. “Am I already on the way out, am I ‘falling off’?”

Chris tilts his head not saying anything just trying to process my words. As if my words are outlandish to him.

“I feel like a bird in a cage, you know. With all these expectations and rumors.” I sigh softly. All these things have been bugging me for a while.

“I’m sorry.” He looks at me with not pitty but understanding. “You were my secret,” when we started dating we hadn’t told the internet. “- and I didn’t get to keep it”

But like couples do we would go out on dates. With both of us being touchy people, PDA was big. But a random fan took a picture of us kissing and it spread like wildfire.

I sigh heavily at the memories. How betrayed I had felt by those so called fans looking into my business.

“The internet is hungry for the meanest kind of funny, and somebody’s gotta feed it.” I purse my lips closing my eyes briefly.

“I suppose that’s true” Chris breaths out his eyes locked on mine.

“People really think suddenly all my problems are gone and I’m all happy, not because I’m in a healthy and stable relationship but because i got skinny.” I huff working myself up, and getting angrier and angrier at something that seems like nothing.

“Do you still cry?” I ask rhetorically, my previous breathy and small voice now loud and clear. “I mean I do.” I reply to my own question.

I look at my boyfriend and the way he looks back at me with such understanding.

We look at each other in silence. “I love you. And I’ve loved you for so long. And that’s not going to change.”

Chris says firmly a small gentle smile forming on his lips. Chris opens his arms waiting for me to come to him.

I’m not upset per se, it’s just annoying seeing people comment on my body and happiness and whatnot. It’s none of their business.

I’m a content creator. I didn’t ask for them to criticize me.

I sit up shuffling over to Chris. I let myself fall into his embrace.

But in Chris’, the love of my life’s arms, like this, it doesn’t matter anyway.

Masterlist

A/N: hope you guys like this style of writing. If h goys want to be on the taglist comment. Asks & requests are open 💕

‼️please don’t copy my work/idea‼️

Taglist: @muwapsturniolo , @sturnad , @iluvm4ttsturni0l0 , @evie-sturns , @me09love , @fratbrochrisgf , @spideylovin , @chrissgirlsstuff , @stunza , @whicked-hazlatwhore , @sturniooolos , @ecliphttlunar , @orangeypepsi , @klaus223492 , @char112244 , @sst7niolo , @slut4chriss , @mattsturniololoverr , @th3-3d3n-g4rd3n , @st7rnioioss , @t1llysblogs , @nonat-111 , @blahbel668 , @rockstarchr1s , @sturnsintrouble , @nayveetbhh , @tillies33ssss , @sturncakez , @strnilo , @somegirlfromasgard , @mattslovelygf , @sturnsmaeve , @sturnstvr , @lucianastrun , @jnkvivi , @jamiesturniolo , @chr1sgirl4life , @h3arts4harry , @whosthislyssbitch , @jamiesturniolo , @sturniololover-09 , @zayyluvz , @sturnzsblog

[summerlinenss]

Continuing the discussion from Twitter about Taika possibly not being straight, I do hesitate to diagnose strangers with 'queer' because it's usually done by utalising stereotypes (like just him being flamboyant or the latest 'evidence' of him being at a Paris Hilton concert, he seems to go to pretty much everything.)

Without getting too parasocial, the everyone's a bit queer quote from before Thor 4 seemed different though, almost like a soft launch? The dumb backlash was unfortunately familiar to me, as someone who poked her head out of the closet, only to be met with a resounding 'we don't want you'. If he was trying to do that, I dont blame him for not trying since, I certainly havent.

Like i don't think he's a closeted gay, theres no indication that his romantic relationships with women havent been real, but he is from a generation that flat out didnt think bisexuality was a real thing. And the fact he's older and has talked about growing up in a toxic masculinity culture probably has more to with it.

I dunno, i know i shouldnt be think about strangers like this, but some things he's said feel familiar to me

(context for those not on the bird app)

i totally agree with not labelling anyone, and (regardless of how he does identify) taika seems very comfortable in his sexuality, which is all that matters. however, there’s also nothing he’s ever done to make me assume he is straight, if that makes sense?

i definitely took his out magazine interview as a sort of soft launch, as you said. especially since he followed it up with a “coming out” joke tweet. but the amount of vitriol he faced for it was absurd, and it’s still so strange to me how people instantly took his comments in bad faith instead of making the fairly obvious assumption that he was just saying “i consider myself to be part of this community.”

a quote i actually think about a lot is from when taika was on the vanity fair little gold men podcast (around 00:59:45) and got into talking about the stereotypical hyper-masculine culture of growing up in aotearoa, and i feel like it gives some insight into his feelings on this subject:

“I will tell ya, I grew up in a — a pretty macho culture and a very macho country. Where it’s like, you know, you play rugby and, you know, you drink beer, and it’s, like… kind of, life is just set out for you, and… how boring? You know? It’s just, like, you know, it’s like — people are like, ‘Well, I don’t want any immigrants here,’ and then complain that there’s only one type of food to eat. And so, it’s like… you know, that you… want to have an interesting life and you want to be able to — you want to expose yourself to art, and to — you know, to various cultures and various types of people. So for me, growing up, I… I was exposed to that from an early age through, like, on my mother’s side, especially. So it was, like… there were a lot of eccentric and interesting and weird artists and stuff in my life. Um, so it wasn’t, like, a later in life, big shock for me. It was always there. But I think I’ve realized that there are so many ways of being a man, and… and to be… just macho and to just want to be, like… just straight. Just to be, like, so determined to be straight, is… so… sad. And, like — and also is — it just feels so tiring. Wouldn’t it be so tiring just to, like, have to hold on to something that no one cares about? So — so tightly? And it’s, like, look, if you just let go and accept who — then we don’t have to have the conversation. We can talk about more important things. But the idea that we still have to talk about all of this is mad. (…) So, you know, it’s like… I would much rather have the discussions around, you know, more intense, more upsetting things that are happening to humanity than, like, who someone’s in love with.”

[tocomplainfriend]

BIG POST ABOUT ACE REP IN HB/HH

ALASTOR:

I'm ace spec and I hate this shitty mix of stereotypes

So many people see Ace or Aro (and both) people as people who must not have feelings. That if you don't feel romantic or sexual attraction for example "you must be broken" in the same way people connect that to people like serial killers like Alastor. The not having feelings or empathy for people also connects to of all that. And the automatic connection of "no feelings, no empathy" = "ace", Because of the usual conflation of Ace and Aromantic. (Specially cause a lot of people have heard more about Asexual than Aromatic, and can't separate sexual and romantic attraction and empathy)

Again, the general canon treatment and vivs treatment of Alastor also leads to the idea of Complete sex repulsed Ace and Complete romance repulsed Aro. But when ask about his romantic attraction, she doesn't state it as much as she states his Asexuality.

"If I give the real cannon answer...it's gonna... it's gonna... I don't want to ruin anybody's fun, so..."

Old post about this, plus the video of the quote:

Crew notes for Al:

MAMMON:

What!? Yeah! Came out of nowhere! Now we got two Ace characters that are extra terrible people that hurt others cause of the idea of shitty with empathy connected to Asexuality is all around... "Too bad/selfish of a person" = ace

I think they really just put this in at random. I don't think it was pre planed to have him as Ace because of how Octavia and Al are written.

Al is written with the simplicity of him being so not into sex that they portrayed him as if he didn't know about it in Hunicast. But Mammon is constantly profiting of the sexualization of Fizz, now Glitz and Glam. Constantly using prude language as well. I think if there was an intention before, they wouldn't have done that. Viv hasn't shown me a deeper understanding of Ace spectrums at all, I don't trust this. She picked the fat character, the series and merch doesn't sexualize like the others. He always had clothes on and nothing kinky. (for example...Viv also doesn't show a deeper/ or non-basic/non-stereotyped understanding of pansexuality)

But if it was an understanding of Ace spectrum, I'll take that. Mammon being ace, but he can understand and feel comfortable with people feeling attracted to him in that kind of way, like portrayed in the sexy merch?

BUT he is the only fat character and the only one never portrayed as naked or with fewer clothes in comparison to literally all the characters (including one offs) isn't this Viv and crew searching something to not having to sexualize him like they do with all the others? The two other Ace characters in this list don't get sexualized at all (thank god, Octavia is a kid) with the idea that Ace = 0 interaction with anything sex or attraction related....

REMEMBER, ACE IS AN SPECTRUM.

ACE PEOPLE CAN STILL HAVE SEX OR VIEW THEMSELVES AS SEXY AND WEAR SEXY CLOTHES.

They are also only using the Ace flag? Mammon is using the color for his clothes, so it could be Demi or Grey too, I wouldn't know, but it doubts it... Demi could match his actual outfit cause of the diamond shape things are like the triangle in the flag too tho!

That he is not treated like he doesn't know how sex works is surprisingly/sadly good. When the only thing you got is how Viv treated Al in Hunicast.

(Hopefully there is no weird implication that he is only at pride as a shitty rainbow capitalism thing, and that he is not connected to the cause of pride because he is Ace and implicated as "not to being connected as much". Really don't think so, but is always a worry that there could be a treatment of you are not as LGBTQ+ because you are ace so...!)

OCTAVIA: oh brother, I think she only got put on this because she is a minor, not to be sexualized in the heavily sexualized media. I mean, thank god.

I guess she's spilling her coffee at Stolas being sexual in the phone to Blitz in front of her, and telling them to get a room is the implication of Asexuality? Likewise, I think everyone doesn't want to hear their parent do dirty talk and attempt flirting in front of them.

Are any of these gonna matter or have an exploration or mention it? In the same way, there is a mention of (mainly male) gayness? No.

I don't think so...

Btw also no nonbinary? No gender-fluid or... nothing? No? Damn...

[chaifootsteps]

that tweet anon shared with the analysis clip - the guy's not entirely wrong that if Stolas said 'what can I do to prove [his love] to Blitz', Blitz wouldn't know what it would take

but here's the thing - Stolas doesn't even ask. He doesn't even make a commitment that he wants to prove it to Blitz no matter what, he doesn't promise to be better to prove it, he doesn't even give Blitz a minute to process his own feelings

Look My Way Stolas had the dramatic turning point that he was going to try to make amends for how he'd made Blitz 'a means to an end' (probably because Paranoid DJ wrote it, not Viv, and removing that moment wrecks the impetus of the whole song). Even When I See Him Stolas recognized he had behaved monstrously

but when it comes to the moment of truth Stolas wasn't interested in doing much more than ending the deal, then expecting Blitz's love immediately in return. There's such a disconnect here where in both songs Stolas is concerned he's treated Blitz badly, yet he doesn't consider maybe Blitz needs time to trust he means what he says and that he (Stolas) needs to be the one to put the effort in this time

but he just doesn't do that. It doesn't matter to Stolas that Blitz is the one who's bent over backwards to please him in bed all this time in order to keep his business going and the most effort Stolas has put in has been wishy-washy texts where he won't come out and say what he actually wants and is incapable of connecting with Blitz on any real level because he doesn't recognize the power imbalance and fails to take much real accountability for it

in Stolas' head Blitz may have been hurt but it doesn't matter that much, because ultimately the relationship he wants isn't that difference than the one he had. he wants Blitz putting in all the work to make him feel wanted and to validate his feelings. in his head Blitz's feelings are just confusing and inscrutable (and ultimately they don't matter that much) even though he's had several opportunities now where he could have conversed with him. Blitz gave him that on a silver platter in apology tour and Stolas bungled it again. like yes he was drunk but ditching to make out with another guy is really the sign of where his priorities lie

saying 'oh Blitz is too traumatized anyway to accept it if Stolas treated him well' or 'it's Blitz's fault for not indicating what he needs to hear to believe it' is shifting the blame again, because Stolas never asked about what Blitz needs or showed any signs of caring.

they have Stolas say 'we really must converse' in the duet but when the scene comes, he makes no attempt at doing that. he freaks Blitz out taking the book back, does a big grandstanding romantic gesture where he just talks at Blitz and then when Blitz doesn't immediately trust it's genuine (understandable) Stolas avoids the opening to converse with him and instead immediately shuts down because in his own words, he's got his 'answer'

that's not a conversation, that's a binary 'do you want me or not' proposition that Blitz clearly wasn't expecting or ready for

and after that Stolas just jumps right into 'I feel hurt therefore I'm the one who's been wronged', gaslights Blitz horrifically then still rejects him when there was yet another opportunity to talk

tl:dr but Stolas was never interested in proving anything to Blitz. He treats him like a slot machine where he assumes treating him with the basic respect of ending the deal entitles him to Blitz's love, immediately as he wants it and how he wants it

To sum it all up, here's a quote that Stolas and this fandom could both stand to memorize.

[eatmangoesnekkid]

One unspoken virus that plagues female bodies due to growing up and being conditioned in a western colonial capitalist patriarchy is the lack of reverence, respect, and honoring we have for our teachers and inspirations/muses. Growing up in a world created out of the male mind and male philosophy, we are groomed to be less collaborative and more competitive and "takers," taking resources from the feminine, without acknowledging our sources, whether it's another woman/femme's work or resources of the earth. We have adapted to being sneaky and slick.

Everything is recorded. We do not get away with anything. The desire "to take" from other women is a 'bottom-feeder' scarcity consciousness. When a woman or womb owner holds this type of consciousness in her system, she births babies who become adults who do not feel like they are good enough and they further the unconscious scarcity imprint into future generations. When you take words I have written like "friendships can be deeply romantic" but do not credit me as the source of your newfound wisdom and simply shift words around, it is still recorded and felt by those with intuitive gifts. I am devoted to letting those whom I love know how much I adore them. Within the last 10 years, there has not a single close friend I’ve had who hasn't received a message of me sharing my love of them at some point. This is the lived experience the quote was birthed from. In the last 30 days, I have sent voice notes to a woman I follow on instagram who writes beautiful things about heterosexual relating and bridging the gap between women and men. I'm not a heterosexual woman, but I love reading her work. She expands my own consciousness of love so I reached out to her just to let her know how much her work inspired my own flow of love in a pure way and thanked her. Reverence for another human can be so activating for the psyche and requires extreme vulnerability, which is one reason it is so hard for most people to honor other people without feeling less than. We have forgotten that we are all Gods, that’s why. 🪶🙏🏿🕊️ Years ago, a couple from Atlanta came to visit me and my lover in Europe. When they arrived, I was the only one at home and when my lover came home from work, I met her at the door as usual—which was really no big deal to us. Ha, I will never forget when we turned around and saw the sheer shock on their faces from witnessing how we greeted each other after being a part for "only 7 hours" —one of them said. They were shocked that we had that so much reverence for the presence of the other. But to me, reverence is human. It is love. It is the nectarous flow of one’s inherent wellspring of vulnerability. Recently I spoke to a past mentor of mine from 2008 who is 22 years older than me, a mentor who I have expanded beyond in consciousness and lived experiences. I find traits of a good mentor to be one who can help evolve students beyond their own capacity and limitations, maybe begin to actually to revere the student’s growing beyond the mentor’s capacity overtime. This is what our relationship is like now. She is genuinely happy for everything I am and everything have become. In all these years, I have felt nothing but sheer love and appreciation from her at different stages of my journey. I told her how much I loved her for who she divinely is. I showered her with compliments and sent her a cashapp for no reason at all. I did not reach out to her to talk about myself. I only spoke about her --her beauty, sass, heart, worth, and value. Women who can not acknowledge the gifts and beauty of other women and only want “to take...” will always be poor in a myriad of ways. Heart-centered womanhood. Women can turn this world around when we begin to get deeply honest about what is living in our bodies and truly become women again and understand the level of power within it. Please consider revering/honoring those women who help to move you forward into new ways of being that will expand into limitless possibilities. Not become envious them, not steal their work but truly hold reverence and love and even cheer them on. Doing so helps to create more and more connection and love stories and less separation, fear and violence in our world. Everything is connected to everything, you see. The aim is to get better at loving and sweetness than we were conditioned to be at extracting and taking. When we do, a secret garden of vitality blooms abundantly, like the generous nectar that Spring and Summer summons from human bodies. Because beautiful people impact us in beautiful ways when we allow. Never forget that. --India Ame'ye

[jennrypan]

Let's go down the line of fuckassary: LONG ASS POST AHEAD.

1: Gaia looked and acted like everyone else. She should've been WAY angrier, she should be pissed at Persephone for bringing about winter first of all. Should be pissed that she was a sleep and NOTHING got better over the centuries. But sure, she's giggling and happy.

(I liked that she shoved her hand in Ouranos' chest tho.)

2: It's soo funny that people keep SAYING that Persephone and Hades have true love but the comic hasn't showed us that ever 🤨, like if anything those two losers are obsessed with each other. Be so fr.

3: Once again..this should be Persephones story/POV but its in Hades' always. Fascinating.

4: "You have to spend 3 months away from your sugar daddy" OH NOOOO BUT WEVE BEEN APART FOR SO LONGB 🥺. God. At this point does she even NEED to be in the Mortal Realm fr?? Like..Demeter, Metis and Rhea are back now so..what's her purpose there.

5: The way Gaia just isn't. Gaia is baffling. Anyways. Demeter FINALLY found out what happened to Persephone but she's not..having a moment with her daughter?? Not talking to her about it?? Okay.

6: As usual. They're eager to have sex cuz that's the only thing they do. "I can't wait to see that ass--" ..how very Zeus and Posedion of you quote on quote romantic 🤨

7: She gets her coronation but..didn't she already have that when she married Hades?? Ig not then. Also..Apollo just got a slap on the wrist, not surprising.

DEMETER GOT PUNISHED MORE THAN HIM??? Hell the Titans got punished more than that bitch what the fuck??? God.

8: The disrespect to Zeus is so. 😶 Zeus would literally not sit back quietly for this shit the fuck??? Also..Hera didn't divorce Zeus all those years and now she did ?? And she's what..gonna get with Echo now??? Fascinating. Zeus needs to start tossing rocks. Rachel did Zeus and Heras relationship so fucking DIRTY!!!! GOD!! FUCKING DAMMIT. I hate how she wrote them. Anyways.

9: The Mortal Realm is a lot easier cuz Hades is there?? YOU WERE BORN THERE!!! ITS YOUR HOME!! You ungrateful ass spawn. It wasn't that fun cuz you didn't have a man there?? Insane.

10: The way Persephone clearly doesn't love her own mother is sickening actually. Like..we can't even have them talking to each other?? Dancing?? Even the comment about her doesn't have that much emotion. Also..Dionysus' hair looks goofy, and I guess Hades is all for bringing back mortals now despite making a big stink about it in season 1 but whatever. Yay Semele.

11: "hera just gives him busy work" ..He's literally the king. Literally-- oh my god. "His powers having been the same" which..MEANS WHAT?? And the way Zeus would literally not be happy about this shit is so-- UGH. God it's infuriating. Hades and Posedion clearly don't give a shit about their brother if they aren't concerned about his fucking powers 'not being same'??? Die.

12: Echo needs to stand SEVERAL feet away from Hera. That ship is so god damn tasteless and unnecessary. If you're gonna give hera a new love interest. Maybe give them actual moments?? Make it make sense!!

13: "Ares is still a dog!" *cue laugh track sound*, god this is so..why ?? Ares, baby I'm so sorry people keep disrespecting you in every iteration 🤦‍♀️

14: ignoring the Artemis bit cuz she wasn't relevant for any of the major plots and she still isn't. Anyways. Hades stay the FUCK away from Thanatos. "They can have conversations" oh?? How fascinating. Hades just NOW deciding to care about Thanatos doesn't make up for years of his neglect.

15: Persephone, Ares and Aphrodite should beat Eros' ass for being useless about Apollo. I still think that. Eros is an ass of a friend.

16: 'new powers' ..Girl your powers are basically your old powers with one extra step. Shut UP!!! anyways. (No one cares about kassandra, sorry not sorry. Who was worried about that )

17: Hades and Persephones millionth drabble of nonsense fluff. They're not saying anything new, nor are they doing anything new. I do like the art tho. It's just..baffling how..they're relationship started soo much nonsense and we're suppose to see it as a good thing??

THIS is a good ending??

Nevermind the fact Persephone didn't spend time with her friends or her MOTHER, nevermind the fact Zeus and Posedion don't even get to speak to their mother either.

Hera, Hestia and Demeter don't have a moment with Metis either.

Like..what was the point of bringing them back if you weren't gonna bring it to a satisfying conclusion?? Absolutely insane

Also..Eileithyias design is ass. It's sooo boring. It's literally just pilot Hebe but darker. Oh wow she's yellow with purple eyes??? Insidious. Also she just looks boring and bland to be the daughter of the literal king and queen but sure. Give us nothing.

And..again with making the children boring copies of one specific parent! Macaria is so..boring to look at just like Melinoe. Also...hades can..have kids now?? 🤨 okay.

So basically..this was insane from start to finish.

This wasn't a good conclusion. It was absolutely a wreck.

[transmasculineswag]

Transmasc Swag Polls- ROUND 1

Propaganda and other info under the cut.

CANONICITY LEVELS-

FRANKY: Coded/ Subtext ROMEO: Gender Tomfuckery (But he has been played by trans and nonbinary actors)

MEDIA?

One Piece, & Juliet

FRANKY PROPAGANDA-

He's canonically changed his name and rebuilt his body (cyborg) to his own standard of "romantic masculinity" (actual quote). Franky's introduction to One Piece was him being the leader of a gang of queer-coded delinquents (who all call him "big bro") because he himself has been cast out from society. He's a huge fucking cyborg. He refuses to wear pants ever, even as a child and only wears open hawaiian shirts.

[Pollrunner's Note: Robots have a very intentional masculine coding in One Piece, and Franky loves to pretend and play up that factor at every opportunity. I have gotten into vehement disagreements with people before who've said how he 'can't be trans' because we've gotten confirmation that Franky has a dick and balls. My counter-argument is that Franky is more than capable of building his own body parts if he wanted to, which we've seen with how he was able to turn his entire torso into a mini-fridge.]

ROMEO PROPAGANDA- okay so he came back from the dead and hes canonically bisexual and also he said 'it's super dope' as a genuine reaction to coming back from the dead

he's so dumb, he literally comes back to death and just says "it's super dope!" he's so in love with his girlfriend and is so sad when she's engaged to another guy, he self identified himself as a sexy young man with a tight body and a lot of feelings He came to me in a dream and told me himself