#and that's obviously well into season 2 LOL

[im-no-jedi]

the amount of times I’ve come across a post or video that reminds me of an OC that I haven’t introduced yet is driving me insane, I need to start writing in MLWTBB again y’all 😫

[picspammer]

"Sydney searches Chicago for culinary inspiration" The Bear S2 E3 Sundae | Directed by Joanna Calo

[bikananjarrus]

two years of production between 8 episode seasons is killing television fr

[fingertipsmp3]

I got a job interview on the same day my current contract ends lol. Is my run of bad luck coming to an end or is it more of the same though 🧐

[starkwlkr]

mother (no, literally) | f1

I’m so happy you guys are loving this series 🫶🏼 this one has a bit of a time skip lol

part 1 part 2

“Did you hear the news?”

“What news?” Lando asked. It was the first race since coming back from summer break and Lando was excited. He had arrived a bit early so he could eat breakfast with his grid mom, but the mention of ‘news’ stopped him.

“Y/n is out of for the rest of the season. Porsche announced it yesterday.” His PR manager, Charlotte, told him.

“Who’s taking her seat?” He asked.

“Juan Manuel Correa.”

Lando stayed silent. He started to think of the worst possible scenarios. He knew she went to to Mykonos with Charlie for her break since she posted on Instagram and texted him that she got him several gifts. Did something happen on her vacation? He prayed that she was okay.

“Do you know if Adam is in the garage?” Lando asked.

“Yeah, he’s still there.”

And so Lando was off to the Porsche garage in search of their team principal. He definitely had the answers. After greeting the engineers, Lando spotted Adam talking with Juan Manuel Correa.

“Hey, man.” Lando greeted the older man. “Where’s Y/n?.”

Both Adam and Juan Manuel looked at Lando with a sorry look. “Did something happen to her? She didn’t text me anything about leaving Porsche.” Lando wanted the truth.

“She’s not leaving. She’s taking a break and don’t ask me for how long, I have no idea when she’ll be back, but for now we have Juan and I’m sure he’ll do an excellent job. Excuse us, we have to have a short meeting right now. Don’t worry, Lando, she’s not sick or injured. She’s fine, actually she’s more than fine.” Adam squeezed Lando’s shoulder as he passed by to get to his team.

“Do you know something?” Lando asked Juan.

“It’s not my place to tell.” Juan said then excused himself to follow his team principal.

Lando figured that if it was one thing bad then surely someone would tell him. But he received no answers.

TIME SKIP BROUGHT TO YOU BY MARK WEBBER’S DILFNESS

The F1 off season was here and Lando had plans. First, he needed to see his grid mother. It had been months since he last saw her and everytime he tried to make time to go see her, she wasn’t home. He found it odd, but at least she responded back to his messages.

Y/n was in her LA home with Charlie making dinner. She had found several recipes she wanted to try out. Her belly had grown, obviously, and she couldn’t hide it anymore. When she went out with Charlie, she would wear baggy clothes, but now those same baggy clothes couldn’t hide her bump.

“I’ve been thinking.” Y/n mentioned, grabbing a chocolate covered strawberry and eating it. “We never talked about godparents. Do you have anyone in mind?”

“I assumed Lando would be the obvious choice even if he doesn’t know about the baby.” Charlie replied, grabbing a strawberry and eating it.

“He was my first choice the second I found out. But I thought that you would choose one of your friends or costars from sons of anarchy.” Y/n stood up from her chair to check on the mac and cheese in the oven.

“If you think Lando should be our baby’s godfather then he should. He’s a great kid, babe. He’s technically your first kid.” Charlie teased.

“I miss my grid kids.”

The doorbell had rung meaning Lando had arrived. It was Charlie’s idea to have dinner with Lando to tell him the news. Well . . Once he noticed the big baby bump on Y/n, he would get an idea. While Charlie went to answer the door, Y/n got the mac and cheese out the oven.

Lando had gotten used to being around Charlie. Sure, he was a bit skeptical at first, but once he got to know the man, he knew that Charlie was the one for his grid mom.

“Hey, mate. How was your flight?” Cherie greeted Lando once he opened the door.

“Same as all the others. How are you and the missus?” Lando asked, bringing in his suitcase since he was going to stay with Y/n and Charlie for a couple of days.

“We’re great. Y/n was counting down the days until you got here. She’s in the kitchen. Babe? Lando’s here.” Charlie announced as him and Lando walked towards the kitchen.

The younger driver was stunned when he saw how much Y/n had changed. It it wasn’t a bad change, it was the best change. She smiled at Lando and walked to him to give him a hug.

“You’re pregnant! That’s amazing! Oh my god, you’re going to be an actual mum!” Lando gasped. “Is this why you’ve been hiding?”

“Pretty much. I didn’t want to make my pregnancy public until the birth. I wanted to make sure everything was okay. But it’s more than okay. Baby Hunnam is healthy and growing so fast.” Y/n explained.

“I’m happy for you. Wow, you’re going to be a mum.” He said it as if he couldn’t believe it. “Congratulations to both of you. Do you know the gender yet?”

“We decided to keep it a secret until the birth.” Charlie added.

“Well I think one thing is certain. Baby Hunnam is going to have a lot of overprotective uncles when they make their paddock debut.”

[favefandomimagines]

Lose Something (t.o)

Summary: one wrong misjudgment can change everything

Request: @ol-alex-lo what about reader that once chased tornados just like him, but her best friend got killed a few years ago because of it but reader survived? And she doesn’t chase anymore but people always go to her for advice because she knows where the next tornado will hit. And Tyler learns about her and the fact that she’s good, so he goes to see her and he actually makes fun of her or jokes with her that she’s probably just to scared or chicken to go in a tornado so her advice is probably pure luck? And that they shouldn’t lisent to someone who never chased a real tornado or that is too scared to chase one? And reader just lashes out? And she yells that if he’s still chasing tornados that means that he never lost anything to them? Not like she did. And just so much angst, and Tyler then feels bad and like a total ass so he apologizes? so just angst and a fluffy ending?

AN: I love this request lol angsty fluff is my brand so obviously I had to knock this out. Also, I know almost nothing about tornadoes and the best places to go when you’re not home lol I live in Nebraska and the last tornado I witnessed over 26 years was in April

“This storm is beautiful!” You called to your best friend as she got out of the car. “This is the best one we’ve gotten all season!” She called back over the wind. You and your best friend Tara were trying to get data on exactly how tornadoes form. A question that every scientist still doesn’t have an answer to.

You and Tara were creating a project to find the proper data to see how a tornado is formed. With each storm, you became closer and closer to getting proper grant money to take your research to the next level.

The storm you were chasing was a small EF-2, the perfect storm to get data on how it was able to form. “Y/N, we could actually get this grant.” Tara told you as she looked down at her tablet.

You looked at her with a huge smile on your face before hugging her tightly. Soon, out of nowhere, the wind picked up and something in the air shifted. “Y/N,” Tara started.

The tornado was approaching quicker than it should have if it was a true EF-2. “We need to go. Now.” You spoke.

You and Tara ran to your car and you threw it in reverse, trying to outrun the storm. You could see in your rearview mirror that the tornado itself was growing. It was no longer an EF-2 but something bigger.

At that moment you were cursing yourself for not agreeing to take your brother's truck and instead driving your own car.

The wind was getting faster by the second and your car was getting thrown around all over the road.

“We have to get out. We can’t be in the car.” You told Tara. “What? Y/N, are you crazy?” Tara questioned. “We’re as good as dead if the storm picks us up in the car.” You replied. You stopped the car and the two of you got out and made a run for it.

As you kept running, the rain pelting you both, you spotted a horse watering trough a few feet ahead of you. Pipes that are more than likely deep in the ground to access well water. It would be your best bet.

You grabbed Tara’s hand and pulled her along towards the trough. You and Tara huddled down and held on to the pipe. “Hold on tight!” You yelled at her. The storm began to pass over you and you felt Tara’s hand slip from the pipe.

You reached forward and grabbed her hand as she began to slip. “Tara! Don’t let go!” You yelled. “Y/N!” She yelled back.

It all happened so quickly. One minute, Tara was holding on to you and you were holding on to her. And then the next, the storm had ripped her hand from yours. You screamed her name as you watched your best friend headed straight for her death.

When the storm had passed, you almost had to pry your hand off of the water pipe with how tight your grip was. Everything around you was destroyed, nothing was left standing. Except you. Alone in the aftermath of the storm.

You hadn’t stepped foot in Kansas in five years and if it wasn’t a special occasion, you would have avoided the state completely. It was Tara’s birthday and her mom wanted to have a gathering in her memory.

You owed it to her to attend after avoiding her for so long. She never blamed you for Tara being out there, but you blamed yourself. If you hadn't convinced Tara to come along, maybe she’d still be alive.

Tara was a science fanatic. She was going to the University of Kansas studying microbiology and you were there studying metrology. You figured that the two of you could combine forces to figure out how tornadoes formed to a T. The pair of you had chased plenty of storms before, she always said you had a gift. You knew when, where and just how strong the storm would be before it even hit. You were never wrong, but that day you were.

You told yourself you would stop chasing because your miscalculation cost your best friend her life. You didn’t want to feel anything like that again.

If you were being honest, you were back home for two reasons. One, for Tara. Two, your friend Kate needed a favor. She had been working with some hot-shot storm chaser with a YouTube channel and she had told him all about you.

They needed an edge to beat out all the other chasers out there and you were the edge.You promised Kate that you’d meet with them. As you pulled up to the motel, you were starting to regret it.

“Y/N, hey! It’s so good to see you!” Kate greeted you as you walked up to the ugly, souped up truck. “Hey, Kate. It’s good to see you too.” You replied as the two of you hugged. “Y/N, this is Tyer Owens. He’s the one who helped me with my project.” She said, introducing the two of you.

You weren’t going to lie and say he wasn’t good looking because he definitely was. He was your type, and that could have played a part in why Kate wanted to introduce you. But you knew guys like him. Thinking chasing a tornado was glamorous and boasting about it on the internet.

He was attractive, sure, but you didn’t like how reckless he behaved.

“Hi, I’m Y/N. It’s nice to meet you.” You greeted. “Likewise. So, Kate says you have a gift.” Tyler said, cutting to the chase. “I wouldn’t call it a gift.” You replied. “Y/N taught me everything I know. We were in the same meteorology program.” Kate said.

Tyler examined you, looking you over subtly. Kate talked about you all the time. This amazing scientist who knew exactly where and when the storm would be and just how strong it would develop. He thought Kate was good but you sounded like you were too good to be true. He just had to know the woman who knew all about tornadoes but never actually chased them.

“But you don’t chase?” Tyler asked. “No, I don’t chase.” You answered. “Tyler collects data by going inside the tornado. It’s insane.” Kate boasted.

You knew she was trying to find common ground for the two of you. The topic of chasing was very touchy for you and she knew that.

“Inside the tornado? Do you have a death wish or something?” You scoffed. “Maybe you’re just too scared to do it yourself.” Tyler commented.

This man didn’t even know you and he had the gall to make a comment like that? “Tyler,” Kate started. “You know all of this information, you know the storm and yet you won’t go in the storm? What have you got to lose?” He continued.

“I’m not scared to do anything.” You rebutted. “I’m sorry Kate, but I don’t think we should listen to your friend. She doesn’t chase, she's too scared to, so how are we supposed to trust her information?” Tyler cut you off.

“You don’t know anything about me. You don’t know what I’ve gone through and don’t you dare say I don’t have anything to lose. If you’re still chasing, that means you’ve never lost anything you loved. Not like I have.” You snapped at him.

You took one more look at him scoffed, walking away from him as Kate called your name. Tyler watched as Kate went after you but to no avail. You said some words to her, gave her an apologetic look, before getting back in your car.

“Seriously, Tyler?” Kate questioned. “What?” Tyler asked. “You clearly don’t listen to a word I say if you said all of that to her. I’ve told you what happened and why she stopped chasing.” Kate answered.

Tyler didn’t reply, knowing that she was correct. He didn’t listen to what she said about your backstory.

“God, Tyler. Y/N chased all the time. Her and her best friend Tara were trying to figure out how a tornado forms. They almost got grant money for their project. Five years ago, Tara and Y/N were out getting data and the EF-2 that Y/N predicted ended up being an EF-4. They tried to take cover but Tara died. Y/N hasn’t gone out for a storm since.” Kate explained to him.

The guilt immediately washed over Tyler. He judged you before he even knew you and made himself look like a total asshole. And he couldn’t imagine how that made you feel.

“I-I didn’t know.” Tyler stammered. “She’s never going to help us now.” Kate muttered. Kate walked back to the team to explain how Tyler royally screwed up their next chase.

But all Tyler could think about was how guilty he felt. He wasn’t a bad guy despite what you probably thought about him now. He wanted to make things right with you not only for his own conscience, but for your help. Kate said that you were their best chance at getting ahead. Plus you were easy on the eyes.

He had to make things right with you, but he just didn’t know where to start.

__

You were at Tara’s parents farm, helping them set up for the ‘party’ in Tara’s honor. A part of you thought it was morbid, throwing a party in honor of someone who died. But you knew it meant a lot to her parents.

“It’s good to see you, Y/N. It’s been so long.” Tara’s mom told you. “I’m sorry I haven’t visited as much as I should.” You replied. “It’s okay, hon. We understand. We’re just happy you’re back.” She said.

You smiled at her and gave her hand a squeeze before she walked back inside the house. You were putting centerpieces with Tara’s picture on them on the tables, making them look perfect.

The next centerpiece you grabbed had a picture of you and Tara on it. It was from your first chase together of an EF-1.

You asked her to go and told her she didn’t have to if she felt unsafe, but she was so excited to go. It was evident by the bright smiles on both of your faces.

“She looked like fun.” You heard a voice behind you. You turned around and saw Tyler Owens approaching. “She was. I told her she didn’t have to come chasing with me but she said it’s a once in a lifetime event.” You answered, with a small laugh.

“Kate told me what happened. I’m sorry for the things I said.” He spoke. “How were you supposed to know?” You replied. “Still. I shouldn’t have said you were scared and that we shouldn’t trust you.” Tyler said.

“You have every right not to trust me. I told Tara that it wasn’t anything more than an EF-2 and I was wrong. I cost her her life because I was wrong.” You told him.

“You know better than anyone that storms change. They’re unpredictable. You couldn’t have known it was going to develop.” Tyler rebutted.

You were about to reply when Tara’s mother interrupted. “Y/N, who’s your friend?” She asked. “Oh uh, this is Tyler. He just stopped by.” You said. “Well, Tyler, any friend of Y/N’s is a friend of ours. Please stay for the party, we’d love to have you.” She said, “Oh Mrs-” You started.

“I would love to.” Tyler interjected. You looked up at him, surprise written on your face. “You don’t have to stay.” You told him. “I want to. Maybe this will be the start of us being friends.” He said with a smirk.

“Oh really? And why would you want to be friends?” You asked cheekily. “Because I still want to see you chase a storm.” He answered.

“It’s going to take a lot for me to go back out there.” You spoke. “Well then I better get started.” He said.

You smiled up at Tyler before he started helping you with the centerpieces. Maybe you had misjudged Tyler just like he misjudged you. Maybe this was going to be the start of something good for the both of you.

[biancadoes1]

So I recently re-listened to the Still Watching by Vanity Fair podcast episode titled Bridgerton Season 3 Part 2: Three’s Company that Luke Newton was interviewed on (highly recommend people check it out if they haven’t his interview is so good!) and I am just blown away by how fucking kind and sensitive Luke is. Like of course he’s human and flawed as no one’s perfect but like in that interview he’s constantly complimenting not only Nicola but also Jonathan Bailey and Simone for how graciously they led the show in season 2 and he admired them and the previous leads as well. And how thoughtful he is in his portrayal of Colin and how he loves the character for his kindness and sensitivity. He also touches on masculinity and how Colin had a twisted idea of what being a man is because of his Dad’s death and how Anthony dealt with running the household and how this season was his journey with his relationship with Penelope and how she helps him unlearn that and accepting he is enough and how he is is strength not a weakness. And he compliments Jess as Cressida and Claudia and he’s so sweet and you just can really tell he really does respect women like Nicola says. He talks a lot about intimacy scenes and consent and tenderness being so so sexy. And I just I can really feel Nicolas assessment of him being just a really good dude who respects women and is so kind. He literally talks about the privilege to act alongside Nicola. All that to say I really do think all the SM hate he hit was so unfair and I absolutely understand why Nicola ran to defend him. It also highlights how ridiculous the narrative of them beefing on social media is. Like obviously all people have fights regardless of friendship or romance but these two have such respect and admiration for one another they def aren’t gonna shade each other on social media for the world to scrutinize. Even their tension in Italy you still saw later that day in the photoshoots how happy and giggly they still were with one another so they clearly got past or worked through it together. Also in the interview he talked AGAIN about how much he enjoys playing in love Colin and how he really looks forward to Season 4 to be able to have that vibe and be even more rom com with Nicola. I just hope he does know that’s it not the majority of the fans and he deserves good things.

We stan Luke Newton around here.

If you don’t………idk why you’re here lol

[disregardandfelicity]

i was lucky enough to attend the premiere on tuesday (as the +1 of a contest winner); in case this is of interest (and, indulgently, to preserve it for my own memory), here are some tidbits from my night:

for the screening, the cast had assigned seats (jacob and delainey in the same row, sam behind jacob, eric behind sam, assad on the other side of the aisle, the same side as rolin, hannah, and mark johnson). sam and jacob were off to the side chatting during intros and never sat in theirs

delainey got applause from the audience upon her first on screen appearance, the only cast member to get one

daniel had a fair few interview beats which got laughs from the audience

afterwards, an actor from the venue came up and gave a little speech as though he was from a sister coven to the TdV in paris. then we were dismissed to the party, which was upstairs

initially post party, assad and luke were in the front larger room of the reception - sam and jacob were, i believe, already gathered in a far back corner in the second room, along with some other people. eric didn't stay for the party

the venue had a couple little 'shows' - at one point the whole cast and some other guests went up several flights of stairs to a room (delainey commented on how many flights there were as we climbed) where a version of the no pain scene from the books was reenacted by venue actors

kalyne coleman was there, i saw her chatting with jacob. i let her cut in front of me for drinks as an excuse to talk to her. there's a nod to grace in the episode and it sounded like that was a surprise to her (a pleasant one!)

my conversations with the cast were deeply unsubstantive, i was too pleased to be there to come up with anything too clever or probing to say tbh

when i spoke to jacob, i started by saying "sorry" (just reflexively) and he immediately, very warmly, was like what are you apologizing for! when i said how excited i was for the season and he said something like 'i hope it doesn't disappoint' (which i did think was surprisingly pessimistic for a premiere party lol but having seen the quote about hoping ppl still like louis by the end, maybe he is actually a tad concerned! i did obviously say i didn't think it would)

sam was the best at these meetings because he very naturally asks questions back. i told him i loved him in the newsreader as well, and he asked whether i was pirating it (i'm not exactly, i had a vpn). then we all walked off to do that no pain scene experience

after the no pain scene, we exited down some stairs which opened to the second smaller room. assad was behind me so i asked him who did it better (these actors or the show), and we joked about that. he then introduced himself to me, and when i couldn't help noting that i did in fact know who he was, he said he would never want to assume. sam came up to us and assad introduced him to me, and i got the joy of saying we'd met!

(SKIP this bullet if you don't want newsreader vibes-based spoilers) sam asked me what i liked better, iwtv or the newsreader. i said iwtv but that newsreader was great and season 2 was so sad! he said season 3 is the last of the series, and told me it's dark and bleak, worse than season 2, maybe only a second of peace/happiness at the end. so. there's that to look forward to....

he also told me about the crossover staffing between shows (emma and the DOP). i tried to ask if he was responsible for any of that but dont think i articulated it well but he said 'you want to work with the people you like'

my delainey convo was brief, i turned while we were walking up to the no pain thing and realized she was next to me, so just took the opportunity to let her know i was excited about her in next season

around 10-ish, sam and jacob left to (i believe?) go to levan's friends bar, along with hannah and others i didn't recognize. assad and luke were around for another 30-40 minutes after that, then the whole thing ended at 11. i didn't notice when or with who delainey left

delainey, as far as i noticed, did the least mingling; assad and luke did the most. generally speaking (and as expected) sam and jacob hung around together or in the same spaces. also perhaps as expected, assad and luke were hanging around together for lots of the night. at the end of the night, when it felt less burdensome to ask, i got a pic with those two. they were very cool about it, luke was sweet, we'd spoken earlier, he stuck out his tongue for one of the shots and he found me again later to chat

that photocall video i took (above) was after the 'no pain' experience.

[sidsinning]

Obviously Valentino shouldn't be doing shit like this in the first place, but in season 2 I hope Charlie realizes her position and power should stop people from harassing her like this

Like plz blast his ass he'll revive anyways 😭

Unless her half angel side activates suddenly

Oh well no loss to the world without a Valentino lol

[sainamoonshine]

Okay so I finally watched Good Omens season 2 and have tons of thoughts about it, especially how the minisodes and side-plots do so much work, thematically.

*slaps flashback segment on the roof* this bad boy contains so much subtext!!

And here’s my analysis about some of it:

The side plots are about at least three main themes that I can spot.

1. They are all, in some way, about resurrection. The children of Job. The Nazi Zombies. The resurrectionist. Miracles being rated on a scale of how many people they can bring back from the dead. Even Gabriel, in some way, arriving naked and without his memories and innocent as a babe, then finding himself again was a form of resurrection.

This, of course, has to do with foreshadowing season two, the one where the main plot point is going to be the second coming.

2. They were all about how much it’s a bad idea to mess with humans. All flashback minisodes either had someone die directly because Aziraphale and Crowley were around (Wee Morag, the guy at the magic shop), or almost die because Heaven and Hell said so (Job’s childrens). In present-day time, Aziraphale’s messing about with people during the ball is explicitely called out as creepy and wrong and Nina & Maggie have a talk with Crowley about it.

This leads to my theory that this is also going to be a major theme in the third season. We know that in the book, Adam explicitly tells heaven and hell to stop interfering. We also know that in the show, Aziraphale and to a smaller extend Crowley need to learn this lesson.

I also think that the resolution of the next season is probably going to involve Earth being marked definitely off limits to angels/demons, possibly via the same mechanism that makes the shop into a safe heaven you need to be invited in (and the same thing became true of the Bentley once Aziraphale claimed it! As pointed out here , Shax had to hitchhike to get in, instead of appearing inside as she did before). Earth needs to be claimed. I think that this will happen either by a combined miracle of incredible proportions from both Crowley and Aziraphale after they reunite, or (and this is my pet theory) by a combined miracle of incredible proportions by Adam and whoever is the new Jesus (I am a greasy Johnson truther lol). This would make Earth a place that you need to be invited in order to go there, and therefore safe haven for angels and demons who promise not to cause trouble.

3. All of the side plots and minisodes are about misdirection. Sleight of hand. Smoke and mirrors. Magic tricks. Showing one thing while something else is true.

This is shown obviously in the Job part and also in London 1941, with the party who is getting tricked being heaven and hell, respectively. Meanwhile, Gabriel and Beelzebub are trying to trick everyone. But who is tricked by the plot lines of Nina/Maggie, and Elspeth/Wee Morag?

We are. The audience is.

It has been pointed out here and here that Nina is meant to make us think she’s a parallel to Crowley when she is actually more of an Aziraphale thematically, and vice-versa.

But what about Elspeth and Wee Morag? We have one that robs graveyards, and one who tells her that is wrong and is worried about her eternal soul. That seems straightforward enough as a mirror to Crowley and Aziraphale, no? Well, let’s just look at what they’re doing and saying to each other, shall we?

“Don’t do this incredibly wrong and dangerous thing. It will have repercussions that you can’t even begin to understand right now.”

“I’m doing this for you! You deserve better than this life!”

“I don’t want the better life you’re offering. I would rather huddle with you here, homeless and poor but knowing you’re safe and that we’re together, than to know you alone out there doing horrible things you’ve convinced yourself you need to do.”

“I do need to do it. Trust me! This is going to fix everything! And if you don’t want me to be alone, then come with me. There! Problem solved!”

(Problem very much not solved.)

Doesn’t this sound, a tiny little bit, like a certain season finale to you guys? Elspeth was, in fact, Aziraphale all along. She thought she knew what was best, and she barrelled along without listening to anyone else, and then it went horribly wrong.

There is a reason why both times this season that we see Aziraphale fucking up someone else’s plan (the corpse to sell, Crowley’s contraband whiskey) because he initially reads it as a bad thing and thinks he’s doing good by destroying it, without having the full context, it backfires on him and then the situation has to be fixed. He needs to stop and understand things properly before taking actions. He needs, in short, to ask questions.

We see that the one time he did ask questions before acting was during the whole Job thing, and it worked out the best out of all the sub plots this season, right? … except that Aziraphale was convinced that he would Fall for his actions there. The way Crowley had fallen for asking questions.

And if the only person whose assessment of the situation matches Aziraphale’s is a demon, if the only one who is doing what he personally thinks is the Right Thing is a demon, then gosh… either that means that Aziraphale himself should therefore also be a demon, OR it means that Crowley shouldn’t be one, and this was all just one big misunderstanding, and maybe if I just speak to the manager…?

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[lornaka]

My five cents on Tech’s fate in TBB

It’s been over three weeks since the show ended and I’ve been writing this in my head ever since, mostly to have it summed up in one post for posterity lol. I considered letting it go at this point but I know it’ll drive me crazy if I don’t get it out of my system so might as well.

So here we go, some of my rambly post-finale thoughts on Tech’s death (and a few other issues) under the cut!

Disclaimer: while this post is in critical spirit (because that’s how my brain works), I want to make clear that I have nothing but respect and gratitude towards everyone who’s worked on the show. My criticisms are of the final story as a whole as I interpret it (art is art, everything is subjective, you know the drill), but one never knows what goes into the process of making it behind the scenes, so I’m not holding anything against the creative team. I love this show dearly and am in awe of how good it is at its best, despite certain things I wish they did differently.

To begin, if I had to sum up the biggest problem that TBB writing suffers from, it would be lack of closure, and too many red herrings. Not just for Tech, but many things. Major plot threads as well as little character moments are cultivated or thrown in just to never culminate in anything or to be immediately discarded after serving the plot, some of them incredibly misleading. Some of the top examples:

- Crosshair’s chip. We never get an exploration of how the trauma of his chip activating and being left behind not only affected his motivation and choice to stay with the Empire, but his relationship with his brothers. While it was made fairly obvious, if subtly, that Crosshair became free of the chip’s influence after getting hit by the ion engine on Bracca, the narrative treated this change as if it didn’t matter at that point, while it obviously mattered a lot within the context of Crosshair’s character. Add to that all these little details with him clutching his head in s1 finale, Omega expressing her disappointment in him, and Tech’s comment on how “it is just his nature” (as if it matters!!! See what I mean about the narrative treating Cross’s chip as if it didn’t play the key part in his trajectory? They throw in this line, like we are supposed to take away that it’s simply Crosshair being Crosshair and not like, the results of brainwashing and abandonment), Wrecker blaming Crosshair for not going back to them, all while we as the audience have been shown and told repeatedly how these chips work (and so were the Batch), we ended up with an incredibly confusing situation with lots of mixed signals from the writers. And once Crosshair makes his choice to stay with the Empire in s1 finale, his chip and the confusion it brought to his relationship with his brothers is never brought up again, because the plot simply moves on.

- Cid’s betrayal. After her being a major character for two seasons with a continuous relationship build-up with Omega in particular, she is discarded as soon as her betrayal serves the plot, with all that character development getting thrown out of the window. You can be mad at Cid all you want, but to me it’s incredibly weird and wasteful to end two seasons worth of build up on that note without it having any closure for the characters, especially Omega whose whole theme is trusting people and bringing out the best in them. It’s fine if they decided to make Cid exactly what she appeared on the surface (untrustworthy and self-serving) after playing around with her potentially growing through her fondness of Omega, but then at the very least the betrayal should’ve had an impact on the characters, Omega most of all. Even just one casual line from Omega in s3 about how Cid’s betrayal impacted her emotionally, however minimally, would have solved that problem. And no, CX-2 mentioning how he extracted info on Phee from her off screen absolutely doesn’t count as closure, because I’m talking about emotional closure for the main pov characters as well as the audience. Cid had a presence for two seasons, then as soon as she executed her role as a traitor to further the plot, she was discarded like she was a random extra.

- Emerie’s relationship with Hemlock. We are led to believe that he basically raised her, instilling in her the idea that she had no chance without him and owed her purpose and “safety” to him. You can’t tell me that this didn’t deeply affect her struggle and eventual decision to break away from all that and choose to help the kids, basically betraying Hemlock. I get that the show only had so much screen time and Emerie is a supporting character in season 3 at best, but common, she has more tension with Dr. Scalder than Hemlock while the potential for this rich deep conflict between them is right there.

I can probably list more smaller examples but this is getting long and I don’t want to go on any more tangents, so, finally, the biggest example of lack of closure and tendency of TBB writing to display foreshadowing that leads nowhere:

Tech’s death.

First of all, I’ll die on the hill that it wasn’t denial or delusion that led to such a big portion of the audience to believe that Tech didn’t really die in s2. If we look at the facts:

- there was no body

- it’s the finale of season 2 out of 3, pretty early for one of the main titular characters to get killed off

- the only/last character to allegedly see Tech after his fall is a villainous scientist who is known to experiment on clones specifically

- not a fact but: the whole scene with Hemlock presenting Tech’s goggles to Hunter was incredibly suspicious. In hindsight, I think the whole purpose of it was so that the Batch got Tech’s goggles back in their possession as a memento (and to show how evil Hemlock is to rub it into Hunter’s face like that) but it was executed in a way that read as something much more. It read as if Hemlock was going out of his way to convince us/Hunter of Tech’s death, but with us knowing who Hemlock is, his background in experimenting on clones, everything screams at us to not trust a word he says. Is it really so surprising that so many of the viewers immediately jumped at the conclusion that something more was going on there?

- Hunter’s (lack of) reaction/immediate narrative fall-out. More on that later as I address lack of emotional impact of Tech’s death in s3.

- it’s Star Wars. And there was no body.

So yeah, to me, it is completely justified that so many people read that whole thing as open to speculation at the very least, foreshadowing Tech’s survival at most.

Personally, I was 70% sure Tech was truly dead prior to s3, but not because the text told me so, but because at that point I was used to the show’s writing regularly sending out mixed signals, and a part of me was resigned to Tech’s death becoming another example of the writer’s intent clashing with their accidental empty foreshadowing.

As season 3 aired and the whole CX-2 plot was unfolding alongside continued lack of closure for Tech’s fate, my hope for Tech Lives reveal grew and grew, but in the end my initial doubt was proven right, unfortunately.

Oh, CX-2.. what a mess. You can’t tell me the creators went over all of these scenes, all of these lines, looked at the whole picture and *didn’t* see how it was incredibly easy to interpret CX-2 as potentially being Tech with all these little potential parallels. “Domicile” alone.

If they didn’t want us to entertain the idea that it could be Tech, they could’ve done it differently, but for some reason, they chose to leave that space for speculation. My question is, why?

If they truly wanted us to believe Plan 99 was it, Tech’s Noble End that we were supposed to take as this dramatic super emotional ultimate sacrifice and all that, then why would they not make it clear that CX-2 couldn’t be Tech? Why breed confusion? And breed confusion they did. It’s hard for me to believe they didn’t foresee the “ohh is it Tech?” speculation.

When so many members of the audience immediately and individually jump at a theory or have the same take away from the story they are being told, yet the authors say it wasn’t meant to be taken that way, something went seriously wrong with the writing.

I don’t like to speculate on such things because we will probably never know for certain, but I wouldn’t be surprised if they had at some point considered CX-2 being Tech or at least something more for the whole CX plot thread, but changed and reshuffled things at the last minute for whatever reasons.

Which is fine and understandable. But it brings me to the heart of my biggest issue with how Tech’s fate was handled:

lack of impact and closure.

Let’s disregard all the Tech Lives theories for a moment and focus on what we did get: Tech, one of the main characters, getting killed off at the end of s2 out of 3, for stakes and consequences and NOTHING else. When I say nothing, I mean nothing.

Imagine, for a moment, he survived and stayed with the Batch. Nothing would have changed, in the grand scheme of things. Nothing. We wouldn’t have had a few obligatory “Tech mention, everyone feel sad now” throwaway lines/goggle shots and whatnot, sure, but that’s it.

Tech dying didn’t change the trajectory of the plot in any way, nor did it affect any of the other characters in a way that changed their trajectory. And anything less is simply not enough to justify killing one of your main characters. Stakes and consequences ain’t it.

Consider Mayday, for example: a supporting character, but his death in s2 affected Crosshair in such a way it completely redirected his journey, AND in s3 we got an episode that cemented the impact Mayday had on Crosshair and provided emotional closure for them. That’s a narratively meaningful death.

Tech’s death was not meaningful to the narrative beyond removing him from it. That’s why so many Tech fans insist he deserved better treatment: not only was he not present in one third of the show physically, but he lacked any sort of presence even in death. His absence was never processed or grieved by any of the main characters and so by extension by the audience.

And before anyone starts with the whole ‘they are soldiers/they had no time to grieve/etc’ arguments, it is the responsibility of the writers to provide the space for all of that emotional impact. It they don’t, there is no impact.

A few reactions here and there, moments of missing Tech as a person and a brother, not an asset, anything would have made this whole thing easier to accept.

The lines that we did get, from Omega mentioning the stuff Tech taught her to Echo commenting on how decryption would be easier if Tech was with them to “Clone Force 99 died with Tech” from Crosshair - each and every single one of those lines linked to Tech’s functions as part of the squad, his usefulness, but we didn’t get a single line in remembrance of him as a person of his own, no one missed or remembered him for himself or his personal impact on them.

Just one line from Omega about how he taught her about change being a constant part of life or whatever, or Wrecker making a comment on how Tech used to info dump about stuff, anything would have instantly provided that much needed sense of “he was here, he was a person and is still a part of us”. Instead, Tech was killed off to show that messing with the Empire is dangerous and risks are real, I guess, and immediately lost any and all presence within the story.

We never even got to see Crosshair’s or Phee’s reactions to losing him.

Speaking of Crosshair, that’s a whole other example of complete lack of closure: they never closed the loop on the family being reunited again after initially leaving Crosshair behind, and with Tech dead, it’ll forever stay broken.

They could’ve given this a bittersweet yet meaningful spin if they developed the angle of Tech dying on a mission to bring Crosshair home, making a sacrifice so Crosshair had a chance.

Instead, the moment Tech dies, we get Hunter (and through him, the narrative) immediately abandon the idea/plot thread of going to rescue Cross all while saying “let’s not waste Tech’s sacrifice”. Sacrifice for what? Clearly Hunter doesn’t see it as a sacrifice for Crosshair’s sake, so, what, to make sure the rest of them makes it from the mission? The mission to save Crosshair. That mission. Right.

I see people talking about Tech’s noble sacrifice that ensured his family got to live and eventually have their happy ending, but all I can think about is how the creators chose to have him die on a mission that was immediately abandoned and the only take away from that whole sub plot was Tech’s own demise.

And after Crosshair is back with the Batch, his reaction to Tech’s death is never explored at all.

So yes, to me Tech deserved so much better. If you are going to kill off a major character, it must be necessary to be compelling. The way I see it, Tech’s death was not necessary at all because it didn’t change anything. And if it was meant to, the creators failed to communicate that by choosing not to explore the emotional impact of it and not structuring certain story beats in a more precise manner.

To wrap this up, if the way Tech’s death was handled was satisfying for you, that’s valid and I’m glad for you. For me, unfortunately, it’s completely the opposite and will forever remain the biggest and most unfortunate low point in the story.

And while I welcome anyone to share their own perspective if they wish, please don’t take this post as an invitation for debate, since there is no one right or wrong way to interpret or be affected by art.

[morwaldblog]

And now, 4 drawings of Smiling Friends:

I made these during the weeks when Season 2 was airing, pretty much unrelated to the episodes and drawing whatever I wanted to:

-The first one is a mix of the "So retro" meme, the "If Mario, then only Bros" one and this tweet by this guy who is obviously human

-The second one is self explanatory

-Third one is just a hypotetical giant critter, well, an OC lol

-And this last one is a reference to this YTP

I don't usually share small drawings or doodles here (as main stuff I mean), but I think they're pretty nice, so, enjoy these jolly dudes :)

[teencopandthesourwolf]

yeah so my brother was over tonight and after we'd had a heart-to-heart and a gossip i stuck TEEN WOLF on—which he is aware of and knows it's one of my shows, but has never actually watched himself—just for a bit of background bc it was there in my 'continue watching' as i'm never really not watching it lol.

ANYWAYS we continued chattering through it for a while (the majority of eps 1&2) but then he started sporadically paying it more and more attention, till he was eventually commenting and asking me questions etc.

here are some of the veritable golden nuggets he dropped:

“well, that coach fella's my new bestie.”

“the hammy lad with the face (jackson) is giving me such biff from back to the future vibes.”

“why is clark kent (he knows hoech from superman & lois) being an autistic male model with serious pmt?”

(still taking about hoec) “oh, bloody hell, he's actually really good looking, isn't he?!”

"the sfx in this are so fuckin bad they actually double back to being terrific.”

“so, are we, like, supposed to not give a shit about the main guy then, or what?”

(more scott talk) “although i do actually kind of want to hug him—but i feel that's somehow unrelated to his character.”

“pretending to do back flips off a roof is cool af i don't care what anybody says.”

(about k*te argent) “hoho, she's gonna turn out to be a massive cunt, isn't she?”

“this is fucking brilliant, they (the wolf transformations) look like were!fonzies!”

“jesus, we're like, 3 eps in and there's already what looks to be the beginnings of quite intricate character arcs? this show should honestly not be this intriguing, wtf.”

(commentary on the acting chops) “oh, wow, so the one that's playing scott is pretending to be scott... while the one playing stiles just IS stiles!”

(scene at the start of magic bullet where stiles is talking to scott about derek):

stiles: okay, sorry, no more talk about alphas or derek; especially derek—who still scares me.

my brother: yeah, that's because he quite clearly makes your willy hard, mate.

also my brother: OH, SHIT! THAT'S STEREK, RIGHT?! well, it's no fucking wonder that that's a thing.

AND HE HAS NOT EVEN MET PETER YET

so yeah my hope is now obviously that he'll go home and get obsessed and spank the entire 6 seasons in 4 days and become one of our most prolific fanfic writers.

[cluelessrebel1988]

If I Ran The Zoo (or how I would plot out an Animorphs TV/streaming series if I had the time/ability/resources)

So this is something I've been kicking around in my head on-again, off-again for a couple years now, and I thought I'd put it out there, just for the lols (do people still say that?)

My thought process is for a 5 season arc, with each season being somewhere in the neighborhood of 13-15 episodes long, give or take. There would be a few changes with the order of things, and a few minor characters would play a bigger role. I'm not going to go episode by episode, but just sort of outline the big arcs for each season. I'm not in any way suggesting that this is the best way to do it, just that this is how I would do it.

Season 1

This season obviously would start the events of The Invasion and would primarily incorporate events/plot points from the first 10 books, including finding Ax in his crashed ship (though I would move that to either take place in the first episode, or in the second half of the two-part premiere), Tobais getting stuck in his hawk form (and getting an episode or two dedicated to him coming to terms with that), and introducing Erik and the Chee (Erik would be introduced as a friend of Marco's early in the season, with his identity as a Chee being revealed in the second half of the season).

The only major plot point from that run of the series I wouldn't put into play just yet is the reveal of Marco's mother as Visser One (although I would be very much establishing her through flashbacks, dreams, etc., so people will recognize her when Visser One does show up).

The main arc of the season would involve the Kandrona Ray and the events of The Stranger, with the team meeting the Ellimist and learning about the ray and its significance and plotting to take it down to try to end/expose the invasion. Erik and Ax tagteam providing info about the ray and its use, but it's the vision from the Ellimist that gives Rachel the final clue, again, as in the book, with that occuring at the end of the penultimate episode. The season finale is solely focused on devising and executing the plan to destroy the ray. The plan would succeed, which would prompt Visser One's return, revealing her host to be Marco's mother as the cliffhanger for the season.

Obviously, we would be exploring the kid's home lives more, with the relationship with their families and friends and the whole 'work-life balance' thing that comes with fighting a guerilla war against an alien invasion. Not to the point where they're having to fake illnesses to skip school every episode, but enough to show that it's putting a strain on their relationships. I would also explore Rachel's relationship with Melissa Chapman more and have Melissa be a bigger supporting character in the show. We'd also introduce Karen and Aftran in this season, revealing her to be a controller early on, but something that Cassie doesn't find out until the end of the season

Season 2

Season 2 would pick up a few weeks after season 1, as The Alien did with The Stranger. The kids learn that their hope that the invasion would reveal itself with the Kandrona ray destroyed were in vain and that Ax knew that. The premiere would largely follow the plot of that book, with the Animorphs attempting to integrate Ax into society and attempting to take the fight to Visser Three with the help of a Yeerk traitor, and Ax telling the others about the Law of Seerow's Kindness. Ax would get a lot of development this season, with the events of The Deception coming into play.

Tobias would help free the Hork-Bajir as in The Change and get his human form back as a morph, and the reveal that he is Elfangor's son would be included in this season as well (Obviously we're tapping into the Andalite Chronicles for flashbacks in at least one episode this season to help set that up).

Marco's main character arc would revolve around learning that his mother is Visser One, keeping it a secret, only to have the others find out later, thus incorporating The Predator and The Escape. Also Visser One is the big bad for the season, delving more into her conflict with Visser Three. The season would end with her supposed death following the Animorphs' thwarting of her plans

For Cassie, we cover the utilize adapted versions of The Departure and set up for The Sickness, with Karen/Aftran and Cassie perhaps getting trapped somewhere and forced to work together to get out of it, laying the groundwork for Aftran to be captured by Visser Three. The season finale would also center around the efforts to rescue Aftran.

Jake and Rachel will have arcs and roles to play in each of these stories as they each start to fall into their respective roles as leader and fighter, respectively. If they get their own arc, it would be around trying to save Tom specifically.

Additionally, Melissa is still around in her expanded role, but with a new friend: David, who would be introduced fairly early in the season in a recurring role (Melissa is also recurring at this point). She and David will have a B-plot where they become friends and are together when David finds the morphing cube, the discovery of which also occurs in the finale.

Season 3

Obviously, the primary source for the main arc of season 3 is the David Trilogy, with The Discovery in particular serving as the source for the season premiere. It plays out mostly the same, with the Animorphs learning that David and Melissa have the cube and plans to sell it online. They try to retrieve the cube before the two of them can attract the attention of the Yeerks, but ultimately fail, leading to the battle at David's house. They manage to get Melissa and David out of the house before they can be captured, and are forced to reveal themselves and tell them what's happening, essentially recruiting them into the Animorphs.

The events of the rest of the trilogy, with the threat to the UN summit or some similar event involving world leaders as a target that they have to keep the Yeerks from taking advantage of -- as well as with David and Melissa's reactions to being Animorphs -- would take up the majority of the plot this season. Obviously Melissa becoming an Animorph opens up some new potential for her arc, especially around her relationship with her dad and trying to come to terms with him being a controller (and the fact that Rachel has been keeping this a secret all along). She and David would have similar arcs around their parents being controllers, but while David ultimately turns against the Animorphs, Melissa does not (although David tries to convince her to). The season ends with the gang trapping David in a rat morph, as the books do.

One of Melissa's major character traits is her interest in technology, something she used to bond with her father over (working together to take things apart and then put them back together before be became a Controller to try to keep her safe) and I imagine her and Ax developing something of an awkward friendship as she tries to ask him about the morphing technology and other Andalite technology, with him being reluctant to share due to the Law of Seerow's Kindness. But, as he's grown closer with the Animorphs, he would eventually acquiesce and they would begin to bond. The two big relationships (Rachel and Tobias, and Cassie and Jake) also take major steps this season

The other major arc for the season involves other Andalites, incorporating The Arrival and The Other, with the reveal that other Andalites are on earth and some are there to help...or are they? The season would also end with Tobias getting captured by the Yeerks to begin the laying of the groundwork for the discovery that the Animorphs are not, in fact, Andalite bandits.

Season 4

The events of The Illusion and The Test would be adapted for the season premiere, including the introduction of the Yeerk resistance (led in this series by Karen/Aftran) and Tobias's capture and torture, with the main difference being that it is Tom (who has largely been a secondary or tertiary villain thus far) being the one who conducts the torture. During the interrogation, Tobias lets something slip that most of the controllers in the room don't pick up on, but Tom does, leading him to investigate and setting up for the finale, which would be largely and adaptation of The Diversion, with the race against time to save their families taking up the majority of the episode. Melissa is able to save her parents, her father proving to be an asset in the final season with his knowledge of how Yeerk technology works.

This season as a whole would focus on escalating the war between the Animorphs and the Yeerks. The stakes become higher, as are tensions following David's betrayal. Visser One returns, learning that Marco is one of the Animorphs and we incorporate the events of Visser, seeing the Animorphs rescue her.

Following Tobias's capture and torture, Rachel becomes more angry and vengeful, setting up for her arc over the final season (we've seen hints of her violent streak over the series up to this point, but it gets more intense this season).

Season 5

With their secret out, the Animorphs regroup in the Hork-Bajir valley and try to figure out their next move. The final arc of the series would play out largely how it does over the course of the final books, with the team recruiting more Animorphs to help them with their mission, and even trying to recruit government and military officials to aid in the fight. Tom gets the morphing cube, adding controllers with the ability to morph (other than the newly appointed Visser One) to the threat against the Animorphs. The final battle would be a multi-pronged attack, with the bombing of the Yeerk Pool being part of the final assault and not a separate battle.

Rachel gets aboard the blade ship and kills Tom before being killed herself. In an effort to make up for the harm he caused, Hedrick Chapman sacrifices himself to both ensure the Yeerk Pool bomb goes off and to save Melissa one final time (the pair of them were in charge of building/detonating it, along with Ax), and Jake orders the flushing of the Yeerk Pool on the the Pool ship, alienating Erek and the rest of the Chee going forward. All of this is in the penultimate episode.

The series finale follows the aftermath of the war in The Beginning, and, as the books did, the series would end with Jake, Tobias, and Marco (and probably Melissa) being recruited to help save Ax from an as-yet unknown threat.

And there you have it, my outline for how an Animorphs series could/should play out. As I said at the start, this is just my idea and others might have different thoughts about what order the arcs should go in and what significant changes (if any) would be made. Please be kind with any criticisms, and if you'd like to share your thoughts with me, my inbox is open. I also did a fancast for the series a few years ago if anyone's curious about who would play who

[gakucchis]

how would mephisto's route look like?

so, i already got it all planned out. i was actually very very active in the fandom back in early 2020-mid 2021, where i was drawing and writing headcanons of mephisto when he was still just a mentioned character (see my pinned if you’re interested, thought it’s really old!). i got into it again because of nightbringer, but oh my god, my disappointment when after two years i looked up if mephisto was finally dateable… i’m actually slowly losing hope because nb is already on season 3 but who knows!! :') the devs hinted on reddit that they should be dateable at some point.. ANYWAY

i do have this potential story line, which i’m pretty sure could actually become reality some day, especially because of this post

here it is!!

- obviously, because of his noble status, we'll have to go for the route that could probably only be used for diavolo as well: arranged marriage (i hate this trope)

- two possibilities:

1. mephisto comes to RAD, looking really pale, worried, anxious, just not at all his usual self. after some prodding, he reveals his parents want to set him up for an arranged marriage with another noble demon

or

2. MC and the others catch wind of it themselves, e. g. through the news (obviously not the newspaper) because it’s a huge thing in the noble society

- mephisto, even though having been prepared for this his whole life, seems totally unready, and he’s secretly dreading it — he doesn’t want to talk about it either

- after some closer moments, he reveals that something is holding him back. he knows it’s his duty, he has known this for his whole life, yet something in him is screaming no

- MC can try all they want, but it’s not easy to convince someone to do what their heart tells them to do when they’ve been told they will have to do it one day

- it’s actually pretty weird, since he always wanted a suitable demon to marry one day, and was very picky with who he’d consider having around

- diavolo is just as worried for him, asking MC to keep an eye on him and support him, even if he says he doesn’t want any help

- this could also lead to some tension! like mephisto being even more rude and hostile towards MC, shutting them out of everything

- mephisto doesn’t understand why he’s so irritable, why he’s acting this way at all, he feels guilty for pushing MC away, but he has to

- but why does he feel this way? he was always a bit rude towards them, but now he feels like something else is there, like he’s building a wall up — but why would he need a wall for you when he never cared about you?

- days go on, and there’s no sign of the arranged marriage stopping. everyone is getting more and more worried, even the brothers, but the more MC tries to help, the worse it gets

- there was only one last plan, one that could ruin it all, especially for mephisto; it’s to infiltrate a ball hosted by mephisto's family, because since he can’t be emotionally reached… maybe his parents can be?

- (this would also make for some funny scenes too, because you’d have to sneak in and all lol)

- at some point, as mephisto‘s parents marvel about their son and how he’ll be married soon, one of the brothers (mammon…) will probably trip and direct attention to himself, and mephisto will be outraged to see them, and especially MC

- but before he can say anything, MC will chime in and say how distraught mephisto has been, and how they can feel he doesn’t want this, he doesn’t want to marry someone or even be with someone he doesn’t love, just because it’s his „duty��� he was assigned to doesn’t mean he has to fulfill it for the sake of his status

- mephisto is completely stunned, but he knows you’re right, so he stays silent

- now this can go two routes again:

1. the literal „but daddy i love him!“ way of the parents hating MC, thinking that they’re the cause for mephisto‘s recent development, commanding to throw MC and the brothers out; mephisto could chime in and be honest, though his parents would not approve

2. the slightly comedic and not so overly used choice way: his parents recognize MC (since there are only two humans around, both being powerful sorcerers), being confused at first… before being understanding?? and then even… suggesting that MC is the one mephisto actually loves? mephisto would of course deny it, the brothers would be furious, but the parents are actually gushing about the cuteness of the situation, how MC tries saving her „lover“. it would end with the parents being like „alright! when are you gonna marry them then?“ and mephisto being like „MARRIAGE?“

- obvvvv i like the second way more, the first trope is so so overused. yes, his parents are strict as hell but it would be funny and cute to see them naming reasons why MC would be perfect for mephisto, that they should arrange the marriage soon, etc.

- afterwards mephisto would of course pull MC outside, talking to them honestly and thanking them for saving them even after he pushed them away so much

- this would, of course, also be the moment where he’s actually honest, revealing that the thing that was holding him back and that was making him dread the thought of being in an arranged marriage… was his love for you, which he desperately tried to hide away and didn’t even realize for months

- he'd also apologize for his parents, because now they keep on asking him about MC and how their love is blossoming

- he'd of course end it by saying he knows how many rivals he has, but he’s sure that a noble and handsome demon like him is sure to sweep you off your feet!!

please i love him so much, just give me any route i am sick of collecting memory cards for devilgrams where i can’t even romance him

id love to hear your opinions, corrections, suggestions, love for mephisto <\3, just anything !!