#and that was what five years ago?

[zombiemollusk]

listen

we're gonna do it

we're gonna normalize disability aids: canes, crutches, helmets, wheelchairs, you name it

and we're gonna normalize them AS DISABILITY AIDS

we are NOT gonna do like what we did with glasses and have health insurance not cover them because "lol it's just glasses"

and while we're at it, we ARE going to normalize glasses as disability aids too, and therefore cover their cost

GOT

IT

?

[non-plutonian-druid]

[ID: a doodle of old, Commission-era Five lounging in a bathtub with cucumbers over his eyes and a glass of wine in one hand and a bottle in the other. He has several scars, including one that starts at his collarbones and goes all the way down his torso. End ID.]

i missed old five this season so bad. where was he!!! Where was my old man!!! I took it upon myself to answer with "in the bath, chilling" because he deserves it. old five people, you're welcome

[renatapatata]

reading anything that steve blackman has to say regarding five and lila’s plotlines in season four like

[screebyy]

Part 6: The Summit Prev | Next (Soon™️) | Start

Two parts left! sorry to end on a lil cliffhanger of sorts. also sorry i'm going to continue to be very mean to jolyon. also also sorry i will not be finishing this before tfs launches lol 🥲

ID below cut like and subscribe etc

Panel 1: Wide shot of Crow and Jolyon sitting on a rock on the summit of a mountain, looking down at the dreaming city below. The sun is starting to rise over distant mountains, and the dreaming city is covered in taken essence, with black taken orbs hanging all around it. Jolyon is leaning forward with his arms crossed and his elbows resting on his knees, while Crow is leaning back on his hands. Jolyon: “Thanks for doing this with me.” Crow: “Of course. It’s been… really nice, catching up.” Jolyon: “Yeah…

Panel 2: Close up of Jolyon’s hand from the side. He is curling it into a tense fist where it’s resting on his bicep. Jolyon: “... Can I ask…”

Panel 3: Close up of Jolyon’s face in profile. He is staring straight ahead with a pained expression on his face as he speaks. Jolyon: “Why now?”

Panel 4: Side view of Crow as he turns to look at Jolyon. He has a curious expression on his face. Jolyon (offscreen): “A few years ago… I heard about what happened, with Savathun. That you had remembered your past life.”

Panel 5: Side view of Jolyon. He is turning away from the Crow, and his expression is not visible. Jolyon: “When you didn’t reach out… I guess I just assumed you hadn’t remembered me.”

Panel 6: Side view as Crow looks at Jolyon with a mournful expression. Crow: “I…”

Panel 7: Crow turns forward again, looking down at the ground with a sad expression. Crow: “I’m not sure I did, at first.” Panel 8: Flashback of the Radiant Accipiter, idling in empty space. Crow is visible through the windshield of the ship, he is hunched over in the pilot’s chair with his head in his hands while glint floats beside him. Crow (Present day): “He was so far gone at the end - whenever I tried to think about his life, it was like a bomb going off inside my brain.”

Panel 9: Close up of Crow looking down past the camera. He is clutching his face with both hands, one hand is tearing desperately at his hair while the other is covering his cheek, nose and mouth. He has a horrified, distant expression on his face, and a tear is running down his cheek. In the background, a cracked surface shows many scenes from Uldren’s rampage. One fragment shows a close up of Uldren’s eyes as he turns towards the viewer with a hateful expression. Black rivulets of corruption are flowing from his eyes like tears, and the sclera of his corrupted eyes are black and seeping into the iris. Another fragment shows several dead corsairs lying on a stone floor in pools of blood. Another fragment shows a close-up of Cayde-6’s face, staring up at the viewer defiantly. His face plates have been badly damaged. The final fragment shows a close up of Uldren’s hand holding the Ace of Spades hand cannon, with smoke coming out of the barrel. Crow (Present day): “Nothing made sense, all I could feel was… what he felt. The things he did…”

Panel 10: A wide shot of Crow lying in bed, bundled up in his blanket. The room is dark, and a window is open, with bright sunlight shining in through the curtains. Crow (Present day): “But eventually…”

Panel 11: A close up of Crow holding Glint with one hand. Glint’s eye is closed, and he is humming gently. Crow (Present day): “I was able to start picking up the pieces.” Panel 12: Closer shot of Crow lying in bed. He is clutching Glint against his chest with one hand, rubbing his shell gently. With his other hand, he is holding a golden ring on a chain. He is staring blankly at the ring with a sad, tired expression. Crow (Present day): “To put together who he had been before.” Panels 13, 14, 15, and 16: A sequence of fuzzy, incomplete memories. The first is a shot of Jolyon in his uniform, from his waist to his chin. Most of his face is not visible, but he seems to be scowling. He is partially obscured by a misty, dark blue background. The second memory is a shot of Uldren lying back in green grass on a sunny day, eating raspberries. He is looking to his right, at someone just offscreen. He is laughing lightly, and looks peaceful as he holds a raspberry up to his mouth. The third memory is a shot of Jolyon’s dark blue Supremacy rifle leaning against a wall, next to where his green cloak is hanging. The fourth memory is a partial shot of Uldren resting on his hands and knees above Jolyon, who is not visible. Uldren is shirtless, and a golden ring is hanging from a chain around his neck. Jolyon’s hand is reaching into frame, holding the ring in his palm where it hangs. Uldren is smiling down at him warmly. Crow (Present day): “You were… A puzzle that took me a long time to figure out. A face I couldn’t quite name, a feeling I couldn’t quite place.”

Panel 17, 18, and 19: Another sequence of memories, which are more clear than before. The first panel is a head-on shot of Uldren, staring up past the viewer with a confused, strained expression. The scleras of his eyes are black, and the corruption is starting to seep out of them. The second panel is a head-on view of Jolyon, staring down at Uldren with an intense, searching expression. The third panel is of Uldren, who is looking away to scratch at his right eye with the heel of his hand. His hands are cuffed together at the wrist, and he looks frustrated, and distracted. Crow (Present day): “When it finally came together, And I realized how terrible he had been to you… I was too ashamed.” Panel 20: In the present day, Crow is leaning forward, and staring distantly down at the ground, while Jolyon watches him talk. Crow: “To let himself fade away like that, to forget you, while you were standing right in front of him…”

Panel 21: Close up of Jolyon as he looks away, and stares sadly into the distance. His brow is furrowed and he looks conflicted and tired. Crow (offscreen): “I didn’t think I could face you, after that. I didn’t think you’d want me to.” Jolyon: “...”

Panel 22: front view of Crow and Jolyon sitting side by side. Crow is leaning forward heavily, looking down at the ground with a grim, slightly frustrated expression. Jolyon is turning slightly towards Crow, though he is not looking directly at him and is expression is sad and distant. Jolyon: “What changed your mind?”

Panel 23: Close up of Jolyon’s face. He looks slightly surprised and is looking directly at Crow, offscreen. Crow (offscreen): Petra.

Panel 24: Shot of Crow as he hunches away from Jolyon, rubbing his right arm self-consciously. He is glancing out of the corner of his eyes back at Jolyon with an uncertain, guilty expression. Crow: “Last week, hunting Riven’s eggs took us… Somewhere that reminded me of you.”

Panel 25:  Close up of Jolyon as he watches Crow out of the corner of his eyes. His brow is slightly furrowed, and he looks uncertain.

Crow (offscreen): “After we got back, I asked Petra how you had been, and…”

Panel 26: Close up of Crow. He is smiling lightly, staring down at the ground with a distant, soft expression and blushing faintly. Crow: “She talked some sense into me. Reminded me that I shouldn’t just assume you were better off never knowing me. That I at least owed you the chance to make that decision for yourself.”

Panel 27: front view of Crow and Jolyon sitting side by side. Crow is turning back towards Jolyon with a soft smile. Jolyon is also looking at Crow, smiling faintly. Crow: “I guess… some things haven’t really changed, right?” Jolyon: “Ha.”

Panel 28: Close up of Jolyon’s face from the side. He is staring straight ahead again, smiling faintly. Jolyon: “Right…”

Panel 29:  Jolyon looks slightly down, his smile has fallen and his brow has furrowed as his expression grows distant. Dark, scratchy marks are bleeding into the edge of the panel, fading out the edges. Jolyon: “...”

Panel 30: extreme close up of Jolyon’s eye, squeezed shut. Dark scratchy marks surround the panel, creating a chaotic background and bleeding into the panel. Voice offscreen: “Jolyon…”

Panel 31: A younger version of Jolyon turns towards the camera from the side, with a confused expression. His hair is pulled back into a bun, and he is wearing a light green sweatshirt. The background is faded purples and blues, and Jolyon is outlined in surreal surreal shades of pink and purple. The panel is outlined by dark scratch marks, spiky thorns, and black flowers outlined in vibrant shades of pink, purple, and green. The text bubbles appear to be glitching out, with scratchy fragments coming out of them. Voice offscreen: “Why’d you do it?” Jolyon: “What?”

Panel 32: Shot of Uldren sitting on a rock, from behind. He is leaning forward, resting his hands on his knees, and staring down at the ground. His hair is falling over his face, and his expression is not visible. The surreal lighting continues in this panel, and Uldren is outlined in pinks and purples with the panel being surrounded by dark scratch marks, spiky thorns, and black flowers outlined in bright colors. Uldren: “Why did you come with us, Jol?”

[literallyjusttoa]

Realized I've barely talked about like, any characters in the riordanverse other than Apollo and Meg, so here's a list of my top ten riordanverse characters in order.

Apollo

Meg

Jason

Annabeth

Leo

Grover

Thalia

Commodus

Hazel

Octavian

I am very biased in some regards lol. If y'all want some general hot takes send me an ask I feel like being kooky and crazy today lmao

[odetojupiter]

this is a surprise to no one but i’m thinking of the twins again. cause i don’t know whether we’re told when tilda developed her drug addiction but considering her erratic behaviour surrounding the twins birth im assuming she was already using prior to the twins arrival. and if she was using before, during, and after giving birth, that introduces so many heartbreaking possibilities for the twins.

this one ran away from me (they say, as tho they don’t always)

i see people saying they just couldn’t take andrew or aaron seriously because they’re five foot even cause that’s a funny height apparently and i just think: did u know a long term impact of prenatal drug use is impaired growth? add that to potential malnutrition and yeah suddenly it’s not that funny anymore. besides andrew being short probably made him seem like an easy target to his abusers which is what made it necessary for him to learn to defend himself in the first place sooo

other impacts of prenatal drug use: altered brain development, cognitive and behavioural issues, damaged communication/language development, newborns can be born addicted and subsequently go through withdrawals (called neonatal abstinence syndrome, which has a long list of symptoms and can cause newborns to be hospitalised or worse). in any context, this is a horribly traumatic thing for a baby to go through but then consider this:

andrew’s brain is already struggling to develop properly thanks to his mother’s drug abuse. and then you add on frequent repetitive abuse including but not limited to several occurrences of child sa. already a 7 year old brain is not wired to be able to cope with that. tie that in with his significant abandonment issues stemming from first his mother and then every subsequent family he stays with giving him up. his own narrative tries so hard to doom him, and he responds to that the only way he can: through anger. violence. how else was he supposed to respond? yes this is more andrew defence bc it seems there’s been a sudden influx of andrew hate and it boils my piss

that brings me to a new point: andrew as a newborn. and his foster family does not want to give him the extra attention he needs as a baby born through prenatal drug use. so they give him up. again and again. so

but to talk about aaron for a sec - not only could he have been born addicted, but being breastfed by a drug user (it’s up in arms whether tilda would breast feed) also has its symptoms - can make the baby sick, can ruin its sleep, cause later behavioural issues and even transfer the drug to the baby. aaron, living with tilda, was also doomed to follow the narrative.

[warmsol]

deleting cc just consists of me going “but what if i need it later” .. and i never need it later but still keep it anyway

[zishuge]

Do you have any candy? Give me a few pieces... Every time I come here, I bring him some. Mysterious Lotus Casebook (2023)

[essenceofarda]

#WIP! I'm losing steam on this tonight, but i felt like sharing it :>

you ever think about how there were probably tons of paintings and sculptures and art of Arwen around Rivendell, considering her beauty and status as the daughter of the lord of the house,, and how little Estel (Aragorn) probably grew up looking at these pieces of art, falling in love with her and the stories about her,, i have a whole story idea around this concept :'>

and then the lucky guy gets to grow up and marry his blorbo how absolutely iconic of him

[vargaslovinghours]

And never let you go ♥

Bonus without the overspill lighting:

[incorrect-hs-quotes]

CA: it really pisses me off seein poor people broke people n homeless people

CC: )(U)(?

CC: —ERIDAN.

CC: B–E V–ERY CAR–EFUL ABOAT YOUR N–EXT WORDS. 3>8(

[thelosthighway]

There’s nothing I love more than when Nadja and Laszlo are wearing matching outfits. They’re so in love. They wake up and they discuss how they’re going to co-ordinate for the day. They had custom made suits and dresses so that they can match.

[so-very-small]

the tiny, inside the walls, hyping themself up: It’s totally fine. Everything I’ve seen from this human shows that they’re kind, level headed, and normal. There’s utterly nothing wrong with this human, and I can totally befriend them! I shouldn’t be scared at all!

the tiny: *peeks out hole in the bathroom wall, looking up at the giant before them*

the giant, in front of the bathroom sink, obliviously doing their nightly routine: *removes their dentures*

the tiny, has no concept of what dentures are, who just saw this behemoth remove all the bones and flesh from its own mouth in one swift pull, without a flinch of pain: what the fuck what the fuck what the fuck

[uncanny-tranny]

My dad and I had a really productive conversation about identity and labels and I thought sharing it here would be helpful...

The thing about identities isn't necessarily to tell everybody everything about who you are. It is to communicate what you think is important to share. For instance, I don't think it's important to identify as a vegetarian or any label like that, so I don't apply them to myself, even if the labels apply to what I practice. However, I claim manhood because I value it. I decided that I wanted to communicate my personhood and identity with that label. Take what you like, and leave the rest behind.

You don't need to feel as though you have to have a label for everything if you don't want. You can have a couple labels, you can have a million. It's all about what you decide to share about your personhood. The labels are for you to communicate and relate not only to society, but to yourself.

[unforgivingchorus]

Think it’s underrated how when five was in the apocalypse and all he had was Viktors book to cling on to remember the family. It wasn’t a happy book. In 60 years as memories faded and deteriorated, what could have became memories tinted by nostalgia into something happier was grounded by the only physical remnant of them left. A sad book that realistically talks about how broken the family was. A book where the wallflower of the family drills into the cracks of the public images.

[lavernius]