#and that just describes him <3< /div> Explore tagged Tumblr posts

[penseesauvage]

No other name will sound as angelic as Elio De Angelis'

[voltaical-art]

im in agony. a little self indulgent but I think wyll deserves to be told he's loved and have a small breakdown about it

[kendyroy]

I love how Worst Wolverine becomes insanely attached to Wade almost immediately.

Worstie meets this guy at a bar and his first instinct is to poke him on the head and chug till he passes out, which ultimately leads to him getting kidnapped.

Worstie then never leaves this guy’s side despite repeatedly calling the guy annoying and a liar. Like he really had every opportunity to just abandon him, but didn’t.

Worstie realizes that this guy is literally all he has and that it would actually hurt if anything happened to him.

This guy is the only person who has given a crap about Worstie in probably several years, and the thought of losing him makes Worstie “break down a big heavy door and scream his name” levels of angry.

Worstie’s so insanely attached that, in a Madonna-induced emotional flashback, Worstie’s memories seem to only go as far back as he’s known this dude. This guy really gave Worstie his first sense of purpose in the longest time, and he’s literally all that matters to him. This dude has become Worstie’s entire universe.

[fox-guardian]

[ID: Digital drawings of the OIAR staff from The Magnus Protocol as anthropomorphic cats on a gray background. They are all full body drawings. Sam is a black and white tuxedo cat, Alice is an orange and white cat with a bob tail, Celia is a Cornish Rex with a purple and white mottled "salty licorice" coat. Teddy is a brown British shorthair, Colin is a light brown Lykoi, Gwen is a fluffy diluted calico, and Lena is a shorthaired grey tabby with a bob tail.

The first image shows Sam, Alice, and Celia. Sam is shorter and fat, and he has curly black hair, and he is smiling with his hand held in front of him lightly touching. He is wearing a cream mockneck shirt, dark brown cardigan, and dark red trousers. Alice is tall and lanky, and she has shaggy light brown hair with faded pink tips, two pairs of silver earrings and snakebites, and she is wearing a burgundy bra, a patchwork skirt made of flannels in shades of gray, brown, and pink, a few bracelets, and pink cat-eye glasses and pink painted claws. She is slouching slightly with one arm crossed over the other, smiling and waving. Celia is slightly less tall and slim, and has short black hair, gold industrial piercings, X-shaped earrings and snakebite studs. She is wearing a light green button-down, purple vest with gold buttons, dark green trousers, a black cuff on her wrist, and rectangular glasses. She is standing and facing slightly to the side, with one hand around her back holding her other arm while that hand fidgets.

The second image is of Teddy and Colin. Teddy is fat and has a goatee and mustache, and small gold hoop earrings. He is wearing a gold and brown argyle sweater vest, a pale yellow button-down, a gold tie, and brown belt and trousers. He is smiling and waving with his other hand holding onto the side of his belt. Colin is skinny with pale skin visible through patches of fur, and he has a mustache, large cat whiskers, blue eyes, and small silver earrings. He is wearing a yellow t-shirt under a blue button-down and light brown hoodie, blue jeans with brown knee patches, a couple bracelets, and rectangular glasses with yellow lenses. He is snarling and hunched with his ears back and claws bared, looking furious.

The third image shows Gwen and Lena. Gwen is shorter and mid-sized with long blonde hair in a ponytail, and she is wearing a white button-down, gray sweater, and black pencil skirt. Her hands are balled into fists at her sides and looks annoyed at the viewer. Lena is taller and slim, with light brown hair in a bun, and silver oval glasses on a chain. She is wearing a red button-down, a brown belt, and white trousers. She has a neutral expression and one arm crossed over the other while the free hand lifted and fidgeting with her claws.

The fourth image is a lineup of all of them. In order: Sam, Alice, Celia, Gwen, Colin, Teddy, Lena. end ID]

~~~~

the magnyas protocol. protocat. catocol. catnus protocol. k. kitties <3

[ruporas]

green haired guy that has haunted my character types for 10+ years

[fairsweetlonging]

just thinking about how binghe had no idea that without-a-cure even had a cure and he spent all his years as a disciple thinking his shizun would at best be disabled for the rest of his life and at worst die a slow and painful death, and it was to save him.

[androidkisser]

guys. they were laying on that bed together. Laura put them on a bed together and covered them with a blanket. knowing Wade, he was probably cuddling Logan in his sleep. I'm normal about this.

[astradyke]

I would adore a deep dive into your thoughts on Phil’s quiet but wonderful way of showing his love for Dan being through photos

hi, i’m sorry i’m responding so late to this, but i really appreciate you enabling me here because i do seriously think about this constantly. i don’t know if i have the words to articulate it, though, so… bear with me. i'd quite like to try.

nobody loves in just a singular way, that’s the preface to this. when i say that Dan loves through words and Phil loves through photography, i don’t mean that Dan doesn’t use photography as an act of love— because there is a polaroid, in their house, of Phil that Dan took— and i don’t mean that Phil has never said something profound about Dan, because we all remember how he talked about Dan’s book at the end of the haircut video (19:13). i, at the very least, never really left the parts at the end of what Dan and Phil Text Each Other 2 where Phil constantly amplifies the work Dan is trying to do, unmasking his own frustrations at the struggles Dan has to experience, and meets Dan's self deprecation with affection (here's that dissertation) (19:57). Dan may use words in a very abstract, artistic way, professing his love for Phil as a ‘soulmate’, an unmatched connection, but Phil still has a careful, casual way of endlessly maneuvering himself to stand by Dan’s side. etc. and of course, there are five thousand other ways to adore a person. Dan and Phil do a little bit of everything; we are lucky to see a spare few snippets.

all that said, let’s talk about photography, yeah?

there is a permanence to photography, even if it’s not always a tangible permanence. they are timestamps, living commitments; i refuse to accept the idea that photography is somehow a ‘stand in’ to ‘true human connection’, rather than a critical facet of it. ex. i know that my best friend is real even if i didn’t have a photo of him sitting beside me on a wayward bus, but it’s still important that i inscribed that memory distinctly into the fabric of my life by taking a moment to chronicle it.

Phil Lester uses photography as a way to immortalize a thousand different fragments of his forever with Dan. there’s a distinct thought process, right, to see someone you love and decide— i never want to lose this moment. that decision, in of itself, is enough of a love confession, but there’s another layer when you decide, on top of all of it, i want the entire world to see this. when Dan described his love for Phil as "more than just romantic", he opened up a piece of himself to show the world, this is how i love this person. this is how i see him. when Dan calls Phil bubby, or dear, this is him cracking a hard exterior to say this is how i see you.

the two of them, upon first meeting, took a selfie together at the Apple store— Phil was the one to press the button. when they sat at the top of the sky-bar, Phil was the one to take a photo of Dan amidst the golden hour light. maybe he didn’t know that Dan loved him back, yet, but he had a certainty in his own adoration of Dan— that regardless of whether Dan wanted him back, Phil wanted him. the image feels timid but assured, like swallowing down anxiety to look yourself in the mirror; you can feel that through the pixels of it, so transparently. Phil’s love of Dan was not conditioned on anything: it was a terrifying but beautiful thing, and he wanted to preserve it, so even if it all went wrong he could say this is how i loved you. this is how you are loved, to me. you don’t have to want me back, but know that you were wanted, here, crawling into your own head sitting across from me in a city i’d like to call home with you, someday. so let me. and when you look at this photo of heart eyes Howell, cradling a bear, it’s louder than a blood rush: i love you.

[ID: Dan Howell sitting in the sunlight, looking outside the window while holding his phone. end ID.]

[ID: Dan Howell in a fuzzy hat, holding a stuffed bear against his face and looking at the camera with a small smile. end ID]

(sorry. it was necessary to include).

every year, Phil spills this oath into his camera roll. when Dan’s birthday arrives, Phil has a thousand candids to show for it, a thousand of silly and unflattering photos— a “loving” selection (7:41). exposing my heart a little here, but when you are someone who struggles with insecurity at some level, photos of you that are unflattering circling around feels horrifying. you want to be composed, and pretty, and loved— but then, maybe, it settles in that you are loved someplace beyond conditions. Phil chronicles these casual, vulnerable moments with Dan, and he shares them, because he loves Dan to a level past the flat logic of if he is composed, if he is pretty, then he is loved. Dan may be unattractive at points, but he is never unloved. never again.

these photos also demonstrate how much Phil romanticizes the little moments with Dan. watching him play Skyrim in VR; sitting beside him while he plays Elden Ring (3:40); admiring an oddly-shaped tear in his pants (missing citation); taken aback by a large poodle jumping into his lap. there are hundreds of photos of Dan taken by Phil which have escaped. imagine how many more linger. if we can go off of this (admittedly horrifying) tweet, we can envision a camera roll overflowing with him.

when they go on vacation, Phil takes soft photographs of Dan. here’s this love in a new city, just like we did fifteen years ago in Manchester, before i knew the right way to hold your hand, the right way to counter your cynicism, the right way to systemically reject every pet name because saying your name like a promise is enough— i’m putting this love into the world because i no longer live in a world where i go a second without it. Phil saves photos of Dan looking at him like he hung the stars, and he saves photos of Dan walking in front of him— he would never save them, as an Orpheus, but thankfully he doesn’t have to anymore, not after 2019— and he saves photos of Dan happy, because he wants to save that, too. Phil will save photos from every era of Dan’s life, but he wants those photos the most.

Phil has seen Dan perform in front of thousands. he has seen Dan pass out from standing up too quickly in their living room. he has seen Dan stumble home from a unexpected solo walk, he has seen Dan try to hide his fear-to-death in Phil’s childhood bedroom, he has seen Dan try to use a laundry machine, he has seen Dan in every way a person could: i love you.

Dan knows all of this. Dan sends Phil photos of himself when he’s solo traveling for his tour; the two of them almost never call, not unless Dan’s in a cab, but they regularly facetime. Dan winces at old photos of himself, but Phil coos at them.

Phil Lester is a romantic. he likes to hold his love to his chest— sharing photographs, but careful not to share too much. i think we under-estimate the shift Phil had to make, sometimes, in 2019: coming out was a major deal to him, too, even if he had already been out to some. more than that, coming out while Dan was also out is a very different experience. still, he likes to stay private, which is why we’ve not seen what i imagine to be hundreds of photos of Dan in Phil’s arms, or Dan kissing him on the cheek, or Dan asleep beside him in his bed (because we know how often he takes photos of Dan asleep, but i can't even begin to get into that right now).

even still, from what we can see, God, it’s everything, isn’t it? i can’t imagine what it felt like, for Dan, first trying to reconcile all of this. when you go so long without experiencing a safe kind of love, your reality fundamentally shifts. everything is brittle: you have to be hard enough to survive it, but not too hard to break the little you have entirely. half of you is a secret, the other half of you feels like it should be— who you are shifts, when you are loved, so in the reverse: when you go so long without it you feel displaced internally. when you find that love, you throw yourself entirely into it, expecting nothing but wanting everything. you punch a wall only to feel the plaster cradle your touch; you tell yourself you’d never turn back and you hate that need to; you expect to hit the sea but the wax never seems to melt. impossibly, you are okay. maybe i showed too much of my own heart there, but when i look at 2009 Dan, i see all of that. eighteen years old, and for the first time since he was a tiny child, he actually felt safe.

because Phil says Dan like it’s the sweetest word in the world. because Phil has a hunger for everything Dan creates. because Phil held Dan when he dropped out of university, picked up his first radio job with him, moved in with him, and never left. because Phil never treated Dan like an experience to hide away. Phil loved parts of Dan back into life.

because Phil takes photographs of Dan, everywhere in his life, to say: this is my world, now. you can’t take a photo in the daylight without capturing the sun. you can’t take a photo in the nighttime without capturing the absence of it. Phil says Dan’s name in every video, and he takes another hundred photos, because he’s so fucking sure about this love. there’s not even a question to be asked.

this is only a fraction of what there is to say about it, some messily constructed analysis, but it's hard to capture. i'd call Dan a lucky bastard, but it's hardly luck, is it? Phil makes the decision to love Dan every single day, and it might look quiet, but it's so unfathomably loud.

[cathamburger]

missing the beach

[bunniebi]

outfits for the infamous ROs ^-^ (except O, Seb, E and LA... </3 but maybe in the future)

[beastwhimsy]

I think if he's an immortal cosmic deity he should get cool as flarp powers. to be honest.

[danikatze]

[ID in alt text]

I've made two Halsin and Tav sketches this week and I'm working on digitally colouring them, as I don't think I like them enough to post as they are, but this one I like very much :3

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[blaithnne]

This is their dynamic during and post S3

[lass-us-slay]

There’s a lot B-127 doesn’t know

He’s been down in sub-level 50 for Primus knows how long, so it’s certainly plausible that B doesn’t know certain words. By the Pits- B probably doesn’t even know what certain Cybertronian traditions are! Or even what there’re called (and probably even more-). He’s been down there that long.

Some words that he might have no clue of are:

Conjunx

Engex

Berth (there were nothing to sleep in down there)

Any vulgar words

Shanix (there’s no need for it down at sub-level 50)

Examine

Medical terms

Most likely emotional terms aswell

Sometimes B has to stop and remember what a certain items name is. But so far hes had no reason to, so he hasn’t had to ask anyone of what something is.

I imagine that he only knows certain word thanks to the data-pads that were thrown down to waste disposal. Although that doesn’t change the fact that many of those data-pads didn’t explain things such as a “Trine” or anything else. (Those are common terms to the regular Cybertronian, there’s no need for anyone to explain what they are)

But the word that I’ll focus on today is: Leader.

———

B-127 has heard of it, but not what it means. He ment to ask- he really did! But everyone got swept up with work and he found he couldn’t really find the time to ask.

So he guessed what it meant. And what did he think it meant?

A friend who many people knew and took advice from.

Did he confirm this? No. But did it sure look like one? Yes.

So he supposes Ori- Optimus and D-16 (or Megatron-?) will have to find themselves a new leader to help work through their troubles! And he’d be more than happy to help them, after all their all best friends aren’t they?

And best friends always have each others backs.

B just needs to find a way for them to talk to each other without fighting… Then they can finally all work together to rebuild Iacon together!

He bets it’ll be fun.

(Edit: I PUT B-126 INSTEAD OF 7 😭)

[sophaeros]

we were, y'know, 18 and he was maybe almost 20, or maybe just turned 20. my first thought was....it was just an immediate connection, i don't know how to describe it. it was like when you meet a girl and you fall in love, and you're just like, i wanna see this person. it was just as ambitious. it was so hard to find someone, to connect with someone like that. every single person i'd played music with, it was always kind of like...pulling, and not... no one wanted to dream with, or imagine it, y'know, and he was someone who was so talented and...i just loved the way he thought.

albert + meeting julian (julian's pov)

the strokes for les inrockuptibles, 2020 // albert hammond jr. on lipps service, november 2023