#and that i associate more with animals than i do with humans

[zara-renata]

Hook, Line, Sinker | ao3 | masterlist

I did a little holiday prompt requests thing, and some people were kind enough to send requests in. @starfallforest, @astracora, and several anons. Thank you so much for sending your requests. I combined the requests into one story, which turned out to be a lot more angsty than cute? But I hope you like it anyway. There's one prompt I couldn't fit in because this takes place between Christmas and New Year's, but I'm hoping to be able to do a little oneshot for the last request, depending on time. Anyway, there's a happy ending for everyone in this story, except for one fish and a guy who deserved it. @wearysparrows is the reason Sylus smells like he does in this story, and her fantastic fishing story set in hot springs got me thinking about fishing with Sylus.

Summary: Sylus invites you to a remote cabin in the woods for some fishing before New Year's. When the trip is over, you have a new boyfriend and a new addition to the Crow family. No, it's not a human baby. Sylus x gn reader, Sylus x mc. This story contains banter, fluff, kissing, angst, a happy ending. CW: canon typical violence. This involves fishing since Sylus likes to fish, so there are a lot of descriptions of fishing and what you have to do to a fish to uh, fish. There's also a pretty grave instance of animal injury/cruelty (not perpetrated by any of our favs), but the animal is fine in the end.

The prompts I received:

falling into soft snow to create snow angels, flailing wildly on the ground.

in a mountain lodge, snowed in from a heavy snow storm.

jamming out to a christmas song, and inflicting the pain of holiday songs on someone else

You see him, in the distance.

It is night. This far up north, it is night all the time, this time of year.

The moon hangs huge in the sky, its reflected sunlight reflected in the snow, a loop without end. Even here in this endless night, you have no trouble seeing him in the distance.

A lonely figure, surrounded by a vast frozen plane of blue and white. It’s strange, seeing him wrapped in blue and silver, when you associate him with lava glow, ashfall.

Circling the silent lake, mountain peaks thrust into the sky, carving into the horizon. The teeth of some great beast, its bones bleached white in the cold and dark, in the endless summer sun on the other side of every year. Between their jagged edges, stars bleed together, liquid gold and silver spilling across the sky. Time loses meaning in the endless dark, swallowed by the endless light, drowned by the dark again. A dragon eating its own tail. This starlight, too, reflected in the ice underneath your feet. Who needs the sun, when this much molten light illuminates the path forward to the man who has summoned you here? The only man you have been able to see since he wrapped his hand around your throat and squeezed.

As your feet crunch in the thick snow, as you approach the shore of the frozen lake where the man is waiting for you, you wonder how you got here. When did it start? With the invitation slipped through the mail slot of your humble flat, without address? Crimson wax, pressed with the seal of a crow in flight. The paper is heavy in your calloused hands. It smells delicious, like cloves. The scent is familiar to you now. You would know who this letter is from, even if you didn’t recognize its owner’s sigil, from its smell alone. You think of soft, pale skin. An open collar. A sweep of silver. The crimson wax seal stares at you like a glowing eye.

I need your expertise with a tricky problem. Your options are to come to me, or to come to me.

A plane ticket falls out of the envelope as you read the chaotic, sophisticated handwriting, almost indecipherable in its erudition.

You wonder how you got here. If not the invitation, was it before that? Opening the door every time Sylus stood on the other side. Watching him carefully as he moved about your flat, as he trailed his fingers along your houseplants. As he sipped from the wine glass you had bought in a set after the first time he showed up at your door and you realized you didn’t have any proper glasses for the wine he had brought as a gift to share. An apology? For his hands around your throat? For starvation, and thirst? The wine that tasted of sunspattered fields of flowers spilling down to a cliff, an abyss below. The taste of a memory you couldn’t quite summon, its shadows at the edges of your dreams every time you slept. Wine that warmed your body in the way this man’s eyes warmed you as they caressed you with touchless touch.

Since he released you, you wondered if he was playing a longer, crueler game of hunter and prey. Angler and fish. If every time he shows up at your door, he’s dangling bait, and the moment you wrap your lips around it, try to taste, he’ll hook you, jerk you from everything you’ve ever known, and flay you alive.

But you invite him in, as he requests. Come in, Sylus. You watch him, watching his gaze as it touches everything in your home, as it touches you as his eyes return to your face. He inhabits your flat in the same way he inhabits your mind. Fully. His presence an eclipse. His scent lingers after he leaves. He never asks to stay. He brings a gift to share—wine, a meal, a game of luck, a record. You sit on the couch next to him, and his body heat lures you like an open hearth, but you maintain your distance, the fear of what happens if you finally reach for the fire, if you finally take the bait—such fear gives you the willpower to keep a sliver of chill air between his skin and yours. He never closes the distance, waiting for you to be the one to choose. And when the record is finished, or the film’s credits are rolling, or the game has been won, lost, tied, he stands. Shrugs back into his coat. Only then does he run the knuckles of one big hand down your cheek. Only then does he lean down, whisper a kiss against the edge of your mouth, and then he leaves.

Eventually, he seems to grow tired of the confines of your small home. He begins to ask you out into the world. At twilight, where your world ends and his begins. Daylight bleeding out into night. Night drifting into ash as the day breaks.

Sometimes you say yes. You take his offered hand, his offered gifts of clothing for the occasion, the shoes he kneels to help you slip on your feet. You dress in clothing he buys for you, you sit in his box seat at the ballet, the orchestra’s layered notes flooding your senses but not drowning out your hand in his, your hand he doesn’t let go of through the entire performance. You turn and study his face in the dim light of the luxurious theater, as dancers flow like water, like gazelles, living art across the stage. His face is more fascinating to you than any choreography offered by the finest artists in the world. His profile, his long, uneven nose. The pout of his lips. His hair looks so soft, you want to lift your clasped hands and touch it. You resist the urge, turn your gaze back to the dancers. None of them are as beautiful as the creature lounging next to you in the dark.

Sometimes you know that if you say yes, this will be the time you can’t resist the dangling bait— your teeth, your tongue hungry in a way that frightens you for what he seems to be offering. You feel the hook come so close to your soft lips. The cold metal, like the barrel of a gun that you want to mouth so long as it’s his finger on the trigger. You spook, a prey’s instinct to flee from the lurking, patient predator. You turn down as many invitations as you accept. A compromise with yourself. You’re straddling the twilight—one foot in night, one in day. A knife’s edge that you know will eventually slice you in half if you don’t make a choice.

He accepts your refusals easily. Pretends to believe your flimsy excuses. You know that he knows through Mephisto, through the eyes he seems to have everywhere, that you’re lying when you say you have plans when you don’t. He accepts your fabrications with grace. The next day, a gift always arrives. If you had told him you were going ice skating with Tara, a new pair of skates, in your size, the leather supple, the blades sharp. If you had told him you were going to the arcade with Xavier, a limited edition plushie, one you’ve never managed to catch. If you had told him you were going to a museum with Zayne, a priceless artifact, once owned and cherished by someone who died tragically, along with the certificate of authenticity tucked into the jewel-encrusted box. If you had told him you were attending an art exhibition with Rafayel, an original painting by the featured artist would suddenly appear, hanging on your bedroom wall. The painting that would have been your favorite of the collection, if you had actually attended.

If you do actually go out with friends, the next day, there is a different gift. If you had actually gone drinking with Tara, then a full box of hangover remedies, self-care items for a home spa day. If you had actually gone for a jog with Zayne, then muscle-pain cream, a yoga mat and foam rollers, all to relieve the effects of being sore the next day. If you had actually had hotpot with Xavier, then medicine for indigestion, a fruit basket for supplementary vitamins skipped in a meat-heavy meal. If you had actually gone to the beach with Rafayel, then aloe vera, aftersun care for your sunburned skin.

You open each box. You swallow the remedies, eat the healthy food, massage the cream into your skin. If you imagine that it is his hand, and not your own—well, even Mephisto can’t see into your mind with his mechanical eye. Pulling the fabric of clothing he bought for you over your body, dabbing aloe vera onto the fragile skin under your eyes—this is as close as you will allow yourself to come to him.

Because you remember his hands on your throat.

You remember the sound of a human body bursting at the snap of strong fingers.

You’ve seen him quietly, efficiently, break the neck of an unscrupulous merchant.

Kick a man to his knees and execute him in the dark, the silencer rendering the gunshot a small puff of air, no louder than the last gasp from a pair of doomed lungs.

What scares you the most is not that he is capable of such ruthless, quick, vicious violence.

It is the way you feel, watching him kill someone.

You feel more moved by the dance of death Sylus leads than all of the ballet performances you could ever hope to see at his side.

You are a thirsty spectator, absorbing the line of his hands as he snaps someone’s spine, the delicate veins under his soft skin. The strength in his forearm as he pulls the trigger. The elegant line of his legs as he curb stomps any fool who violates Sylus’s code of ethics that only he knows the tenets of.

You watch him like you’d watch a nature documentary, shot in slow motion—the panther stalking the gazelle in the long grass, the satisfaction of teeth sinking into flesh and tearing.

You are fascinated, and terrified.

He may be courting you now. Fascinated by the challenge you present. Interested in the power you can offer him through your resonance. But how long will it take for this panther to turn from his current prey and begin to hunt you instead? He already almost killed you once. What stops him from doing it again? 

Can such a creature be capable of the unwavering love you crave?

What kind of person does it make you, if you think that you could accept him, the taint of his hands and all of the suffering they have wrought, if you could be assured that at least you would always be safe from his savagery?

The combination of these questions reinforces your resistance to the temptation of reaching out and taking his offered, bloody hand. Of swallowing the dangling bait, concealing the wicked hook.

You don’t know when it started. If it was the invitation. If it was the courtship. If maybe, perhaps, it was the first time you knelt at his feet, and he touched your body with such reverent viciousness. You don’t know what sequence of events has led you to this moment. As you step out onto the ice, soaked in moon and starlight, glowing blue in the night, the white bubbles trapped mid-rise in the frozen lake, as the ice grips attached to your warm boots bite into the ice, as you walk through the silence towards the man ahead, alone in the dark.

You received the invitation. You thought perhaps he was in trouble, and needed your resonance to navigate something dangerous. You didn’t think to refuse this time. Christmas was over—a quiet, lonely affair, even though it was filled with colleagues and friends. Sylus didn’t invite you to celebrate with him, seemingly content for you to attend your work holiday party with Xavier and Tara, the party thrown by Rafayel and Thomas at a gallery downtown, the party at Akso Hospital. Nothing could fill the gaping hole left by Caleb and your grandmother’s death. On Christmas day itself, you lit candles for them and drank two bottles of wine until you passed out.

The next day, the invitation arrived.

You held the heavy, silken textured paper in your hands. You felt the headache of your hangover pounding behind your eyes. You thought about the optional overtime you were considering taking between Christmas and New Year’s, just to relieve the solitude.

You think of the last time you saw Sylus, at the beginning of December. The rough knuckles of his hand along your cheek as he said goodbye, as he watched with ember-glow eyes as you walked to your apartment building’s entrance from the back of his motorcycle. As you looked out your window from your living room, saw him still waiting. As the engine roared in the quiet early morning street and he finally sped away, apparently assured that you were inside and okay. As if you were never not okay. No matter what happened, you’d be okay. 

You wonder when it started. When being okay no longer felt like enough. When did you start getting greedy for more than okay?

So you picked the plane ticket off the floor. Saw the destination—a place you never dreamt of going.

You packed as warmly as you could. You didn’t have much time—Sylus didn’t leave much margin for preparation. You received the invitation in the morning and were on a night flight that evening. 

The flights were long. Uneventful. On the last leg, you sat next to a woman with a little boy. He was sweet, with light colored hair like his mom and blue eyes. You looked into his sweet face and wondered what Sylus was like as a little boy. Tried to picture scarlet eyes in his round face. You wondered if you were ever so young, so small, so fragile. You’ve never felt young in your whole life. His mother seemed exhausted, but stayed awake the whole flight as the little boy fell asleep in her lap.

At the airport, the mother and boy were greeted by a dark-haired man about as big as Sylus with his son’s blue eyes, and he hugged them like it had been years since he had seen them.

You stood, looking around. There was no one waiting to hug you. To hold you in relief. You didn't know why you expected Sylus to be waiting on the other side of your flights.

You hadn’t planned this far ahead. You hefted your heavy carry-on backpack onto your back and followed the signs to the exit. Once satisfied that you knew how to get out, you were reaching into your pocket for your phone when you saw two familiar men standing at the baggage claim holding a sign that just said THE HUNTER on it in messy block letters.

Luke turned his head and caught sight of you, then nudged Kieran. They came loping over to you like two eager wolf puppies.

The relief you felt surprised you, seeing them. They had been nothing but kind, playful with you since Sylus released you, so many months ago, whenever you encountered them. They pulled you into their bets, into their movie nights, into their video game marathons, anytime you happened to visit the base while in the N109 Zone on a mission.  

“You came!” Luke grinned, the deep scarring along the right side of his face twisting his lip. It did nothing to diminish his handsomeness. 

“You should have told Boss. He wasn’t sure if you would take him up on his invitation. He has been an absolute mess,” Kieran scolded you, but also seemed amused at the emotional state of his employer.

You tried to imagine Sylus being a mess. Failed.

“I didn’t have much time to decide and prepare. Sorry.” You took in the twins, whom you’d only ever seen in black leather. They were wearing black parkas, fur-lined, thick ski pants, huge boots.

“Don’t be sorry, stupid. We’re glad you’re here.” Luke was cheerful, threading one big hand under your backpack strap and easing it off your back. “But Kieran’s salty ‘cause he lost the bet.”

“I thought you would refuse, just to vex Boss,” Kieran said, shrugging. “But Luke’s lying. I’m fine losing this particular bet.”

“C'mon, he’s waiting.” Luke took your hand and lead you into the dark, frigid night of the Arctic settlement you had never even heard of before seeing the plane ticket in the invitation. Kieran followed close behind you, pulling up his hood against the freezing wind. 

They herded you to a big four wheel drive SUV. 

“First we drive, then it’s just the snowmobile when the road runs out. Change into these,” Kieran thrust a pile of heavy winter gear into your hands as Luke maneuvered the SUV out of town on a thin ribbon of icy road. In the dark, there were only the vehicle’s headlights, the pale snow-packed hillsides on either side of the road, blue in the reflected light of the moon.

Christmas songs were still playing on the radio, despite Christmas having just passed. Kieran hummed along as Luke began to belt out, in a surprisingly gorgeous singing voice that rivaled Sinatra’s, Oh, by gosh, by golly, It's time for mistletoe and holly, Tasty pheasants, Christmas presents, Countrysides covered with snow…

You put on the heavy black parka over your clearly insufficient winter coat you brought with you. Pulled the ski pants over your jeans. Laced up the boots that fit perfectly to replace your own leather combat boots. You pulled the mad bomber hat over your head, its furred flaps immediately a relief over your cold ears. You were cozy. White Christmas came on the radio. Kieran sang this time, in the same beautiful tones as Luke, Christmas Eve will find me, Where the lovelight gleams, I'll be home for Christmas, If only in my dreams…

You hadn’t felt this settled since last year, leaning against Caleb on the couch, with your grandmother sitting on your other side, watching It’s a Wonderful Life.

You wonder when it started—when the twins started to feel safe, like home to you. Maybe it started the first time you woke up in Sylus’s theater room, with a twin on either side of you, both asleep as you just were, their heads resting on each of your shoulders. The sixth movie in the Alien franchise was just ending on the big screen. Sylus stood in the doorway, arms folded across his chest, just watching the three of you. You didn’t dare move in case you woke them up.

Help. You had mouthed at him.

One corner of his mouth had ticked up. The scarlet and ink of his evol drifted across the room, lifted both twins’ heads gently, positioned their big bodies so that they were resting against each armrest instead of on your shoulders. You stood, stretched, felt his eyes on you. 

Time to go, you said.

Must you? he asked.

Of course. Work to do. But you had just stood there, staring at him, the twins’ quiet snores filling the silence after the movie’s score ended. He looked so handsome in his soft sweater. Approachable. Human. Yours. 

You reminded yourself of his hands snapping a man’s fingers, one by one, until he gave up the information Sylus needed. You reminded yourself of his hands around your throat.

You wonder how much longer you’ll have the strength to resist the bait that Sylus is dangling in front of you. The hook, gleaming in the moonlight.

In the cozy cabin of the SUV winding through the endless, snowy night, with the twins’ voices softly singing Christmas songs, you gave in to the need to sleep. To sleep off the rest of your hangover that still lingered in the airplane, to prepare for whatever help Sylus needed from you when you finally arrived at your destination. You were safe with them, after all.

You didn’t dream.

You were awoken by Luke leaning over you, shaking your shoulder gently. The SUV was parked next to a small building with two snowmobiles parked in front of it.

“Time for part two of your winter wonderland tour,” he said, pulling you from the vehicle. Kieran was loading the last of a bunch of stuffed bags onto the back of one of the snowmobiles, the other one seemingly already fully loaded. He strapped your carry-on in with the rest. He had a large rifle slung over his back.

Luke produced a coin from his pocket. “Heads or tails?”

You didn’t even question him. “Heads.”

He flipped it, agilely despite the thick gloves he wore. He caught it, revealed it in his palm. “Tails. Damn. Kieran gets you this time,” he pouted.

Kieran let out a cheerful Whoop! and then beckoned you to him. “You know how to drive this thing?” you asked, a little dubious.

“Sylus taught us,” he smiled reassuringly.

He swung the big rifle from his back to his chest, so it hung diagonally over his torso.

He noticed your gaze. “Bears.”

“Of course,” you murmured, because what else could you say?

“Hold on tight.”

You had already come this far. You took his offered helmet, watched him put on his. You don’t know when it started. The trust you had in Sylus’s skills as a teacher. His faith in his men. Their loyalty to him.

You threw your leg over the snowmobile and let Kieran pull your arms around his waist. You leaned your head against his broad back.

The ride was exhilarating, even as tired as you were. Careening over the snow, the wind, the steep hills, the pine trees. Luke and Kieran maneuvered the snowmobiles competently, safely. You suspected that they weren’t trying to flip them or race to see who arrived first out of respect for your clearly exhausted state. You hugged Kieran tightly in thanks. You let yourself drift, and time passed like a dream.

The trees thickened. The hills narrowed. The snowmobiles passed along a narrow ridge, and then Kieran was slowing to a halt. He squeezed your forearm with a gloved hand, said softly into the now silent night, “You’re here.”

You leaned back, let go of him. Stepped off the snowmobile on wobbly legs. You took off the helmet and gasped.

A frozen lake, stretching, stretching, the far shore blurred into snow-covered pines. The mountains soared into the star-filled sky beyond the trees. Your eyes caught on a lone figure, in the middle of the icy expanse.

Luke moved to your side. “Lift your foot.” You did, again not questioning, trusting that he had a reason. He strapped ice grips onto your boot. Repeated on the other side.

“We’ll see you at the lodge,” he said as he straightened, patting your shoulder. 

“That’s it?”

“He’s waiting for you. What more is there?” he asked.

“Are you ever afraid that he’ll turn on you?” you asked, suddenly. You didn’t know why.

Luke just looked at you thoughtfully. Kieran moved closer, feet crunching in the snow. “No,” he answered for the both of them. “And if he ever does, we’ll have deserved it.”

“How are you so sure?”

“He doesn’t use violence without a reason. And once he makes a decision, he doesn’t go back on it.”

“What did he decide in your case?” you asked, not able to help yourself, out here at the end of the world, in the echoing silence.

“That we’re his, to use, to see if we’re up to the challenge to survive. And once he decides something is his, he protects it. Why would he break his own tools?”

“And he also loves us,” Luke added cheerfully. “Although he won’t admit it out loud.”

You searched each of their faces in turn, mirrors, marked and unmarked, trying to see if they were messing with you. They let you. 

“Do you love him?” you asked.

They turned and looked at each other. “We don’t know what that feeling is, even though we can recognize it in others. Because Luke is me, and I am him. Is that feeling love? If he dies, I die. But with Boss,” Kieran pauses thoughtfully. “I think it would feel like dying, if anything happened to him. Even though we’d survive. Is that love?”

He turned to look at you again.

You thought about Caleb, smiling at the end of It’s a Wonderful Life. Teasing you for crying, even as he had tears in his own eyes, despite how many times you two had seen the movie already. How you felt like you were dying, ever since he died.

You thought about Sylus, Imagined how you’d feel, if he never called again. If he disappeared as abruptly as he appeared in your life.

“I think that’s love,” you whisper into the arctic night.

“Then we love him.”

You nodded.

“Are we done with the heart to heart?” Luke teased.

You nodded again.

“Okay. He’s waiting. Don’t keep him waiting for much longer. It was funny for a while, but now it’s starting to hurt,” Luke said.

You looked at him, bewildered. “What was funny?”

Kieran gently knocked Luke with his shoulder. “We’ll tell you later. Go to him.”

With that, they turned, mounted the snowmobiles, and sped along the shore of the lake, not back the way you had just come, but toward what you presumed was the lodge they mentioned.

Now, you see him in the distance. The snowmobile engine roar fades into silence. Your spiked ice grips crunch loudly with each step. The sky is a bowl overflowing with diamonds, pouring over the rims of the mountains.

You find yourself walking faster, the eagerness you’ve been suppressing breaking its leash like an unruly dog now that you’re so close to the man you’ve missed since the beginning of December, despite yourself and all of your fears.

His figure grows in your field of view as you approach him, until you finally reach him. He turns his head. He’s wearing a thick band around his ears but no proper hat like you are, so his silver hair shines in the bright moonlight, in the reflected moonlight from the snow, a ricochet of pearl.

Your breath catches in the frigid air as you meet his eyes, gleaming in the diamond night.

“You came,” he says, as if surprised. Pleased.

“My choices were ‘to come to you,’ or ‘to come to you,’” you say softly.

“If I had known that was all it took to get you to stop refusing half of my invitations, I would have stopped leaving them open ended long ago.” He lifts an arm, beckons you closer with a gloved hand. “But Is that the only reason? The lack of choice?” He’s watching you carefully, and it feels like he’s standing above you, instead of sitting below you on a little camping folding chair. He’s holding a fishing rod in his hand, the line sinking into a small hole cut in the ice. A large black hiking backpack, a rifle strapped to the bottom, and what looks like a wine corkscrew made for a giant sit next to the chair. A thermos is in one of the chair’s cupholders. 

You consider him. Think about how careful you’ve been around him, for months now. How guarded. You think about the look shared between Kieran and Luke, about loving him, their faith in him. You think of how gently he moved them when they fell asleep during the Alien movie night marathon. You came to the ends of the earth for him.

“I missed you,” you admit. It feels like pulling a tooth that has been loose and hurting for a long time. You take a step forward, and it feels like you’re offering him the tooth, an aching, bloody part of yourself.

“I missed you too, sweetheart,” he says, accepting your offering graciously, with no trace of his usual impenetrable arrogance. He looks softer under the moonlight, the starlight.

You give him your gloved hand, let him pull you forward until you’re standing between his spread legs. Even in a camping chair, he sits like a bored king. Like at the ballet. Like when he forced you to resonate with him, when you first met him.

You look down into his upturned face, realizing only now just how true your admission is, how terribly you have missed him this past month. Showing up at your door. Inviting you out. His gifts in beautifully wrapped boxes. Just him. His eyes, warm and red.

“Have you been here, all along?” you ask.

He sets the fishing pole in what looks like a little stand dug into the ice specifically for holding it. 

“Yes.” He reaches for your other hand, now holding both your hands in his. You can’t feel his heat through his gloves, through yours. You don’t like it.

“Fishing?”

“Fishing. Hunting. Thinking.”

You freeze a little, not from the cold, but the finality of his tone. You don’t want to know what he has been thinking about. 

Maybe you never had to take the bait at all. Maybe he would have always grown bored, changed his mind in the waiting. Decided to destroy you just the same as if you had bitten what he was offering. Perhaps, like his latest invitation, you never truly had a choice at all.

You don’t want to know, yet. If he invited you to the end of the world to finally gut you, you don’t want to know yet.

“Your invitation said you needed my expertise. What’s your tricky problem?” you ask instead of asking what he’s been thinking about.

“Straight to business?” He lifts an eyebrow.

You try to memorize his face. Just in case. His wide mouth. His sharp canine teeth. His beautiful nose.

“The sooner your problem is solved, the sooner you can return to peacefully fishing without me scaring all the fish.” 

“You’re not that intimidating,” he teases. You scowl at him. “Have you fished before?”

“No.” You trace the beauty of his irises, the frown line between his brows with your eyes. “Either way, it’s cruel.”

His dark silver eyebrows lift in curiosity. “Explain.”

“You either torture a fish for your own ego and pleasure by catching and releasing it. Or you catch it to kill it. Either way, the fish is never the same.”

He tilts his head, eyes never leaving yours. “You eat meat with Xavier when you go for hotpot. You eat the steak on your plate when we go to dinner. Is it much crueler, to be the one to capture, kill, and eat the animal yourself?”

You know he’s right. If you cared so deeply for the welfare of the animals you eat, you’d be a vegan. 

“Maybe I’m a coward, for not wanting to be the one to butcher the animal myself,” you concede.

“Or maybe you’re afraid of how much you’d enjoy it.”

 Your breath is a cloud in the air, puffing into the still night. You watch it mingle with his, dissipate into the air.

“I don’t enjoy killing wanderers. Why would I enjoy killing a fish?”

“Because you admire the wanderers. Do you marvel at fish the same way?”

You don’t know how he knows how much you regret often having to kill beautiful, lethal beasts. The only comfort you have is knowing that they can’t hurt anyone else when you’re through with them.

“That doesn’t mean I enjoy their demise.”

“Perhaps enjoy isn’t the right word. Perhaps it’s simply that you’re scared of how little you care for the fish you’re killing for the necessity of your sustenance.”

You think about Sylus, snapping the neck of the merchant who was selling counterfeit protocore syndrome drugs in an N109 Zone neighborhood. 

You think about Sylus, breaking every finger on the man’s hand who Sylus knew was withholding the location of a human trafficker, luring victims in with promises of a steady job. By the time they realized that they would actually be fodder for illegal protocore transplants, it was too late.

You think about Sylus, kicking the human trafficker to his knees, executing him in the street, leaving his corpse for the scavengers or a more merciful soul to come and collect.

“I’m cold, Sylus,” you say.

“I think that’s the first time you’ve admitted weakness in front of me, kitten.” He draws you down into his lap. Opens the cap of the thermos and places it in your gloved hands. Wraps his arms around you. “Normally you just hide behind me when the wind is cold, when you could have just asked me to take you somewhere warm.”

You watch the steam rise from the hot drink inside. Take a sip. It’s mulled wine. You detect a hint of cloves, along with the citrus, cinnamon, star anise. It warms you almost as much as Sylus’s eyes.

“You’ve told me enough times now to just tell you when I’m cold.”

“And all it took was luring you to the arctic to get some obedience out of you,” he grouses.

You sink into him, let your head, still covered in the mad bomber hat, rest under his chin. It’s not close enough. All the layers of your clothes seem like an unacceptable distance between your body and his.

“You still haven’t told me about your tricky problem.”

“Would you like to learn how to ice fish, if I promised you that we’ll eat what we catch instead of needlessly tormenting them?” he asks, instead of answering your implied question.

As usual, it will take skill and finesse to get the truth out of him. Perhaps this is how he feels about you, as you accept half his invitations, refuse the other half. As you keep him at arm’s length, even as you imagine his hands working his gifts into your skin.

“I didn’t know you like to fish,” you say, instead of answering. A little petty.

He makes a noise of agreement. “There are a lot of things you don’t know about me.”

“Which isn’t fair, considering how much you know about me.” You take another sip, cuddled against him. It soothes your aching head. 

He hugs you tighter. “What would you like to know?”

“Why do you like to fish?”

He answers easily. “The quiet. The solitude. The simple pleasure of a job well done, the reward of sustenance. A feeling of self sufficiency. Enjoying nature. All things that are lacking in the N109 Zone.”

You hadn’t realized that he would crave such things, based on his lifestyle in the city he rules. You’re surprised. Pleased. As if you have a right to be pleased by how the things you love about hiking and camping, away from Linkon City, are the same things he enjoys about fishing.

He’s not yours to be proud of, to mirror. Not yet. Maybe not ever. “What else do you like?”

“How about I answer by inviting you along with me for each one, and you accept each of my invitations, as you did this one?”

You wonder what you’d be accepting, if you say yes to this proposition.

You think about the bait, dangling over your head. The hook flashing in the starlight. 

You stall. “Let’s see how teaching me to fish goes, and then I’ll give you my answer.”

“Ever cautious, kitten,” he murmurs. “A sample of the goods for you, then.”

You sit up, screw the lid back on the thermos, slide from his lap. You tuck the thermos in his pack, pick up his fishing pole and hand it to him. 

“I’ve been sitting here for over an hour without a bite,” he says. “Let’s move to a different spot on the lake and see if we have better luck there.”

“Okay,” you say quietly, and move to pick up the big hiking pack. He tsks, lifting it from the ground with his evol before you reach it. He straps it to his back, flicks the folding chair closed, and hands it to you.

“You can carry this.” He hands the fishing pole to you next. “And this.”

You roll your eyes. “You act like I’m incapable of carrying heavy things.”

“Just because you’re capable, doesn’t mean you should have to. When I’m with you, let me carry the weight for you.” He bends over, picks up the giant corkscrew. You look at him inquiringly.

“Ice augur. We’ll use it to drill another hole in the ice.”

You eye the wicked-looking edges, the handle for turning it, driving it into the ice. “You could kill a man with that.”

Sylus hums in agreement, turning to lead you to another part of the lake. Your boots, his boots, the teeth biting the ice crunch with each step. “But it’s inefficient. Messy.”

You admire the width of his shoulders—they look even bigger in his big puffy parka. “You’ve actually used it to kill someone.” You shake your head, in wonder, in disapproval, you’re not sure which.

“You’re the one who suggested it.”

You scoff. “You’re the one who actually did it, Sylus.”

He shrugs, as if the heavy pack weighs nothing on his shoulders. “I was bored.”

“What happens, if I accept all of your invitations?” you ask quietly. The wind isn’t blowing. The night is still. Your voice carries in the hushed silence, along with the white of your breath in the air. “Will you grow bored?”

He doesn’t turn. His hair shines in the liquid night light.

“When you accept is when the fun actually begins. I doubt I’ll ever be bored again.”

You stare at his back.

“Here,” he says. He shrugs the pack off his shoulders, lets it gently fall to the ground. Drives the fishing pole holder thingy into the ice. He turns to you, gestures for you to unfold the chair.

You flip it out, set it on the ice, as he sets the sharp tip of the augur against the ice and holds it in one hand while twisting the handle with the other. Slowly, it cuts its way through. The shaved ice begins to build, reminds you of snow cones. You want to put a handful in your mouth, but it’s lake water, so you resist. Barely.

After a few moments, he lifts the augur, leaving a perfect circle behind, revealing the water underneath.

You think about the way Sylus’s scent remains in your apartment, long after he is gone.

You think about his hand in yours, through the entire duration of the ballet. 

You think about Sylus slowly drilling through the thin ice around your heart, dipping into the frigid, still water underneath with his blood-soaked hands.

You wonder when being okay was no longer enough for you.

He interrupts your thoughts, his voice deep, soothing, seemingly loud in the snow-quiet. “Some people drill multiple holes around the same lake. Set up tip-ups, a sort of fishing pole system where you don’t have to hold the pole—there’s a flag that flies up when the fish takes the bait. The angler then knows to grab hold and reel it in. Some use more traditional spears. Others use sonar to detect where the fish are, and then quickly drill, ensuring a higher chance of a bite.”

You look at his simple fishing pole. His lack of fancy equipment. “You just use a standard pole, try your luck.”

He nods. “That’s the point for me. Simple. Peaceful. If they bite, they bite. If not, that’s my typical luck. I’ve enjoyed the fresh air, the pine on the wind.” His beautiful mouth tips a little at the corner. “It’s better with you here. Now there’s no losing, even if I return empty-handed.”

“It sounds like you were already winning, no matter what.”

He shakes his head, pokes your forehead with a gloved finger. You hate the gloves, even as they protect you from frostbite. You want to feel his skin on yours again. “As usual, you are wildly mistaken.”

He gently takes the fishing pole from your grasp, then kneels, rummages in his bag. He pulls out a little box, and using his teeth, pulls off his gloves. His hands are so pale they glow like the surrounding snow.

“We’re going to use flashy, bright bait. Maybe we’ll get a pike, or trout.” 

You think of jewel-encrusted boxes. Rubies around your neck, your wrists.

You watch as his nimble fingers, seemingly unaffected by the cold, thread the bright silver hook with radioactive-colored jiggly bait.

You imagine swimming in serene waters, the roof of the world crystal above you. Opening your mouth, trying to catch something delicious dangling in the water. You imagine the pain, the jerk. Being flayed open, your ribs cracked wide. 

You watch Sylus Qin, hair shimmering in the moonlight, eyes like hot blood, and think that even if you know what’s at the end of the hook, you’ll still bite, in the end. You’ll struggle, and struggle, but ultimately try to swallow him whole.

You don’t think Sylus is correct, assuming you’re afraid that you won’t care about the fish’s struggle in the same way you care about killing magnificent wanderers.

He lowers the bait into the water, unreeling the line. He hands it to you. You take it, reluctantly.

He puts his gloves back on, drags the folding chair closer to the hole, sits. “Come.”

You obey, sliding back onto his lap. He puts his gloved hands over yours on the fishing rod.

“And now we wait?” you ask.

“And now we wait,” he confirms.

You lean against him. There is only the moon, the spilling stars, the dark trees in the distance, Sylus’s breath, yours.

“You can’t be mad at me,” you shatter the muffled silence.

“What could you ever do to me, to make me mad at you?”

You breathe out, watch your own breath drift. “I hope we don’t catch anything.”

He’s quiet for a moment. “Do you hate it that much?”

You let go of the rod, turn in his lap. “I think I do.” You can’t bring yourself to tell him why.

He studies your face. “Then we’ll go back to the lodge.”

“I don’t want to ruin your fishing trip. Just tell me where to go, and I’ll walk. You can tell me why you brought me here later.”

He snorts softly. “Where you go, I go.”

“Seriously—” you protest, but then the fishing rod jerks in his hands. He grasps it tightly, eyes flicking to where the line is bending the rod in a long bow toward the hole in the ice, back to your face. Asking a question.

You were swimming peacefully in a dangerous, but mostly serene lake. You were pulled out by your tender flesh, terrified for days, and then thrown back in. And now the same angler is looking at you, asking you a silent question, if he is allowed to reel another living creature, just like you, into the cold, drowning air.

But you already care for him so much. So much more than perhaps you care for yourself, in how happy you want to make him. You find yourself nodding, despite the dread filling you.

He firmly, slowly, reels in the fish. It’s big—much bigger than you expect. You take a step back, give Sylus room as it plops out of the water, onto the ice. It’s mouth opens, closes. It has sharp teeth. 

He looks at you again. “It’s a pike. Do you want to release it? I’ll gently lower it into the water, let it swim out of my hands. As little trauma as possible.”

You’re staring at the pike’s sharp teeth. You think of your swords. Your pistols. Your fists. If he tries to put the fish back in the water, it might bite him. You know that Sylus will heal, but you don’t want him to have to heal himself during what is supposed to be a tranquil fishing trip.

“You came here to catch fish. Finish it.” You try to sound firm. Calm. 

Your heart is racing.

Sylus doesn’t waste time. He reaches into his parka pocket and pulls out what looks like a little ice pick. He bends down, grasps the fish with one gloved hand and drives the sharp point of the pick into the fish’s head. It immediately stops moving.

He does this with the same efficiency that he executed a man in the street. The same quiet, decisive coldness that he snapped a man’s neck.

He turns to you, eyes widening. “Sweetheart?” He sounds a little panicked.

The tears are hot on your face. They steam in the frigid air. You don’t know why you’re crying.

“Some people put their fish on the ice—they think that they just fall asleep and never wake up. But it’s a slow death. The most humane way is iki jime.” He gestures with the pick. “A swift strike to its brain.”

“I understand,” you say, because you do. What he did was the kindest thing, once you gave him permission to kill it. You quickly try to brush your tears away with your gloved palms.

He rummages in his bag again, pulls out what looks like a roll of wax paper. He carefully wraps the fish, making sure it’s tightly packed in the paper, and then slips it into his bag. 

“It’s so cold that we don’t need to pack it in ice. It will keep until we get back to the lodge.” He disassembles the fishing rod, which apparently has some sort of telescoping function so that it fits neatly in the pack. He unfolds the camping chair, straps it to the bottom of that pack. He has to adjust the rifle to add it to the pack’s straps. He picks up the ice augur in one hand, and takes yours in the other. You feel useless, like you wrecked his trip. You haven’t even been here on the lake with him for an hour.

You stop, the snow spikes digging into the ice.

“Why am I here, Sylus?”

He turns, studies you with his lovely eyes. “Because I needed you to be here, and you came.” His voice is deep, and soft. Tender. 

You clench your teeth. “But why?”

“Because I missed you. And it’s almost New Year’s Eve.”

You stare at him. Is it that simple? He missed you, and he wanted to spend New Year’s with you? “My expertise? Your tricky problem?”

He doesn’t bother looking sheepish. “Only you know how to make me happy. And only your presence can solve your absence.”

You stare at him, mouth slightly open. Your nose is cold, running a little from the tears, the harsh air. “You flew me to the arctic to spend New Year’s with you because you missed me?”

“Isn’t that what I just said?”

Your teeth start to chatter. Despite the parka, the fur cap, your warm boots, you’re suddenly exhausted and cold. As if hearing that Sylus doesn’t need you to fight wanderers, or take down some inhumane fur smuggling ring, your body feels like it’s safe to acknowledge your hangover from Christmas, your exhaustion from the flight, the trip out to this frozen lake at the end of the world, the grief of the past year.

“Why didn’t you just say so in the invitation?” you manage through your clicking teeth.

“Would you have come?” he asks, tilting his head.

You think about the fish. The swift plunge of metal into its brain. His hand, holding yours during a ballet. A record spinning in your small living room, Sylus having brought your favorite artist on vinyl to play for you while you played Scrabble. The bones of a thumb snapping, the squeal of a man in excruciating pain. A fish hook, gleaming in the moonlight.

“I don’t know,” you answer honestly.

“Do you want to leave, now that you know that there’s no crisis?” He sounds resigned.

You think about how you wanted to make him happy as the fish took the bait. His knuckles, soft on your cheek. His scent in your kitchen, long after he is gone.

You realize now that the hook has been in your mouth ever since he released you gently back into the water, after the auction. It’s been bleeding this whole time, as you refused some invitations, gave in to others. He has been letting out the line, reeling you back in. Making sure you don’t thrash yourself off the hook. A master angler, now looking at you with such sorrowful resignation.

“I won’t invite you again,” he says, and your heart stops. Your teeth stop chattering. The stars are diamonds spilling onto the ice, splashing back up, illuminating his hair, the wine glow of his eyes.

“What?” you whisper.

“It’s almost the new year. If you want to move into the future without me bothering you anymore, I promise to let you go. If that’s what you really want.”

He’s willing to let the line out again, to let you swim away from him.

But his hook is already in you, so deep, you’ll carry it for the rest of your life, no matter what choice you make.

Your teeth start to chatter even harder. You’re not ready. You’re not ready to say goodbye to him. You’re also not ready to make a choice, the fear filling you—the pike’s sharp teeth, your sharp teeth, the sheen of fish scales lovely under the moon, the sheen of lovely fabric draped over your body in a box seat at the ballet, the spike, the sudden stillness after so much thrashing.

“Take me to the lodge, Sylus.”

His breath puffs white. He doesn’t ask you again to make the choice now. He turns, pulls you forward by the hand.

The way back is a blur. You’re exhausted, cold. His big body shields you from the wind as he drives the snowmobile, deeper through the pines, until you burst into a small clearing filled with a decent-sized, but not huge, wood cabin. The lodge. Just as they call Sylus’s mansion ‘the base,’ these men can’t be normal about anything at all and call this wood cabin ‘the lodge.’

He parks the snowmobile under a covered area next to the cabin, next to three others. You wonder if he had the fourth one brought for you specifically, or if this is just the number of vehicles that come with the cabin.

He pulls you to the door, and the heat inside is a welcome relief to your cold, tired bones. He helps you peel out of the parka, the heavy boots. Hangs and arranges everything neatly in a large, stone-tiled foyer. He then strips himself. He’s wearing a soft sweater, soft dark pants underneath. He picks up the pack with one big hand, and yours in the other. It’s warm against yours.

Past the inner foyer door, the cabin opens up into a high-ceilinged, rustic space. Pale blond wood. Furred rugs. Comfortable, overstuffed leather furniture. Huge windows, just like his base, providing a view of the surrounding snow-covered pines. The mountains rising beyond. Open floor plan—living room, big kitchen. You turn, find a balcony overlooking the living room. The upper floor with the bedrooms, you assume.

There is no television.

You turn to him. “How do the twins stay entertained? How do you?”

He shrugs. “We bring books. Graphic novels. There’s a games closet. We hunt. Drink. A sauna.” His mouth quirks when you visibly react to the idea of a sauna. “We can do sauna after you’ve slept.”

You just nod, a little overwhelmed. Like you so often are around this man. You’re so tired.

“Do you want to learn how I prep the fish, or do you want to rest?” he asks after setting the hiking pack next to the kitchen island. The kitchen counters are large butcher blocks, the cabinets more blond wood.

“Rest. Please. I think I’m really tired after the trip.”

He lifts a warm hand, traces underneath one of your eyes with a fingertip. “You look tired.”

You scowl. “Thanks.”

He drops his hand. “You look no less lovely for it.” Then he turns, begins making his way up the open wooden staircase leading to the hall balcony above. When he notices you not following, he turns back. “Coming?”

You shake your head, accepting the feeling of warmth flooding you from his kind comment. You’ve come this far. You refuse to let him make you choose. You don’t know what you’re waiting for. But you know that you’ll just know, at the right moment, when choice must finally be made.

You follow him. He leads you to a bedroom with a huge bed. Polished wood floor. Large window, the night sky spilling onto a snow-filled balcony on the other side of the glass. Pale walls. A rustic dresser with a record player on it, a closet, an en-suite bathroom. Everything is simple. So different than Sylus’s normal style, but it still feels like him. Clean lines. Sylus, if he could relax. The room smells of him. Delicious. Cloves.

The bedding is piled high, puffy duvet, white. 

“Everything you need should be in the bathroom. Are you hungry?”

You turn back to him. “I’m not hungry, but I should probably eat. I can’t remember the last time I ate.”

He tsks, frowns. “I’ll bring you something,” he says grumpily. He turns to leave. 

“Thank you.”

He pauses in the doorway. Rests one big hand on the doorframe, looks over his shoulder. “For what, kitten?”

“For inviting me. For… tolerating me.”

He turns fully. Strides over to you. Places his warm palms on your upturned face. “If you don’t listen to anything else I say, listen to me now. You are the one person I never have to tolerate.” His thumbs sweep under your eyelids, along the delicate skin, just as you imagined when you’d dab aloe vera there, as you’d dab expensive face cream there. It feels better than you were ever able to imagine. “It’s almost New Year’s. I can go through another year, without knowing if you want to face it with me. I will wait for as long as I have to. But if you already know that you’re not going to keep me, it would be more merciful for you to tell me now.”

You stare into his eyes, and for the first time, see yourself mirrored in them. 

The uncertainty. The fear. 

Maybe you’re not the only one who can empathize with a powerful, deadly fish struggling on a hook. 

Maybe you’ve been looking at the trajectory of your relationship with this man from the wrong angle this whole time. That you’ve been missing something essential, all along.

You need more time. You try to memorize the dark striations in his lava-glow eyes. To warm you when he walks out of the room again.

“I’ll tell you,” you promise him.

He closes his eyes, and it’s like the lights go out in the room. He breathes through his nose and releases you.

Then he’s gone. You head to the bathroom, and he’s right. Everything you could want for your stay, waiting for you. You shower. The hot water never runs out. You wonder how big the generator is that powers this place. You didn’t see any electrical lines overhead.

When you emerge, there’s a tray on the bed. Meat and cheese, rustic bread, olives. A large glass of water sits on one of the pale wood nightstands.

You eat your fill, watching the stars shift across the sky. You then crawl under the big pile of duvets and pass out almost immediately.

You don’t dream.

You don’t know what time it is, when you wake up. The sky outside is still full of stars. You’re so warm. Waking up is peaceful, without an alarm. Without obligations pressing in on you. You think that you’ve been missing something essential, through all the hours, days, weeks, months, since Sylus came into your life. As much worry, confusion, dread that he has brought with him, he has brought an equal, if not greater amount, of moments like these. Opening a new pot of cream to soothe your chapped, thin skin. The feel of soft, quality fabric draped over your body. Biting into the chilled flesh of a perfectly ripe fruit, plucked from a gift basket delivered to your door. His hand, warm, enveloping your own cold one. His strong, sturdy presence at your side during missions that may have gone sideways, if not for his strength bolstering yours. Waking up to starlight pouring into a bedroom, a waterfall of crystals plinking onto the floor, the duvet, your upturned face.

You’ve been viewing these luxuries as shiny bait hiding a sharp hook.

What if they’re offerings from a man experiencing his own hook, leading to you, terrified that you’re going to rip it out of his soft mouth?

You turn your head from the window, and only then do you realize you’re so warm because Sylus is heating the space under the duvet with the giant furnace of his own body. Somewhere during your nap, or night sleep, whatever it was, as time has no meaning here, he slipped into bed next to you. He’s breathing quietly, eyes closed, head on the pillow next to yours. He’s not touching you, but his body heat feels like a caress.

You drink in his beautiful face. Imagine a hook caught in the plush of his full lower lip. It hurts you to imagine having to shove it in deeper, in order to dislodge it, to slip the vicious barbed point back through the wound to free him.

You think that perhaps, there was never any choice at all, for either of you.

“Like what you see?” His voice is thick, footsteps over gravel. Sleepy.

“I think you know,” you answer. What’s the point in denying it, here at the end of the world?

“It’s nice to hear, even so,” he murmurs. He opens his eyes. 

“I’ve liked what I see, ever since I saw you for the first time, Sylus.” You stare, openly.

“I wasn’t sure,” he admits. 

“Now you can be sure,” you say.

“But is it enough?” he asks.

You’re getting closer. After such a short time, but at the same time, an eternity, you think you can see your choice. Through the snow-covered pines. A shadow moving in the moonlight.

“It’s not a matter of enough, or not enough.” You touch his cheek with your index finger, let it drift down, along his jaw. He shudders, eyes not leaving yours. You realize that this is the first time you’ve reached out to touch him, and not the other way around.

You’re close. You’re really close. The universe will tell you. You know it. “What is on the agenda for today?” you ask.

He seems to accept your non-answer again. “Do you want to hear the good news, or the bad news?”

You lift your eyebrows. “There’s news?”

He nods, the silver of his hair falling across his forehead. Messy and cute.

“You choose.” You can’t bear bad news right now.

“It snowed after you went to sleep. A lot. It may take several days to dig out the snowmobiles.”

You let out a relieved breath. All at once, you know you were never going to leave.

“And the bad news?”

He looks at you funny. “That was the bad news.”

You laugh. “How terrible. Being trapped with a handsome man in his comfortable cabin, free from work and responsibilities.”

He looks like he’s in pain. “I thought you’d be upset.”

“You’re not the only one who can be unpredictable.” You smile.

He watches you, as if he’s waiting for more. He can keep waiting. He likes games, after all.

“What’s the good news?” you prompt him, feeling a little mean, but enjoying it.

“We have plenty of firewood for the sauna. Plenty of supplies for a long stay, if we have trouble digging out the snowmobiles. We can go for a walk, now that it has stopped snowing again.”

“Okay. Let’s go for a walk, and then do sauna after we’re cold and tired.”

He’s still watching you, as if you’re about to freak out. “What do you always tell me? Don’t overthink it? Relax?” You laugh, gently poke the tip of his beautiful nose. “Take your own advice, big boss man.”

That does the trick—he smiles, faintly. “Does that mean you’ll do as I order?”

You tilt your head, a maybe, maybe not look on your face. “Guess you’ll just have to see.” You roll away, yanking the duvet with you. He yelps from the cold, heretofore a decidedly non-Sylus sound. You like it. You want to hear it again.

“Up. We have snow to trudge through!” 

His evol, black and red swirls, yanks the duvet from around your shoulders, settles it back over himself. You blow a raspberry at him, slam the bathroom door behind you. 

You’re going to have fun, while you’re here. As you make him sweat a little, now that you know that the universe is on the cusp of letting you swallow his bait, just as he swallowed yours, months ago.

The snow has buried the overhang that sheltered the snowmobiles. The front door can’t be opened. After grabbing a simple breakfast in the kitchen, you and Sylus gear up for the cold. The parka, the ski pants, the heavy boots, this time with snow shoes instead of ice grippers attached. Your mad bomber hat, gloves. He slings the heavy rifle over his back, along with a backpack full of snacks and other emergency gear. He slips a headlamp over his own forehead. You hear whooping and cheering from outside the house. 

“You’ll see,” he says to your questioning look. He leads you back up the stairs, to a door at the end of the hallway. He opens it onto a bedroom which must belong to one of the twins based on the clutter of books and half-opened bags. You’re just in time to see one of the twins take a running leap over the balcony railing and disappear.

You hurry across the room, through the open balcony door, peer over the railing. Just a few feet below, lying in a huge snowbank coming up the side of the cabin, are Kieran and Luke, making snow angels and laughing their asses off.

“This is how we’re getting out of the house?” you ask, comprehension dawning.

Sylus laughs, low. “You can jump, or I’ll just lower you with my evol. It’s up to you.”

It occurs to you that with Sylus’s evol, he could likely simply disintegrate the snow covering the snowmobiles. That you’re not actually stuck here. That he’s playing games with you, just as you’re now playing a game with him. You no longer feel bad, or mean, for making him wait for an answer you think you could probably already give him.

You feel like being a little meaner, now. You turn, step toward him. You lift your gloved hand, grab hold of his headlamp, bring his face down to yours. “I think I’ll jump,” you whisper, your mouth a breath away from his. You take a long whiff of his skin. He smells so fucking good.  You hear his own intake of breath, a sharp little sound. He turns his head, brushes his nose against your cheek. But you gently shove him away, turn, and jump over the railing.

The twins whoop and holler as you land in the snow with a loud WHOOMP. You laugh, spread your arms and legs, try your best to carve a path through the snow, making your own angel. The snow is wet, cold. It bites your cheeks, makes you feel alive. After you’re satisfied, you stand, survey your handwork. Not exactly the most elegant snow angel, but it will do.

You’re suddenly covered in a spray of snow, as Sylus jumps over the balcony and the resulting shockwave from his big body hitting the powder covers you from head to toe.

You sweep your hand down your snow covered chest, form a snowball and then jump down into the hole he just made, right on top of him. You reach for his face, trying to pat him with the snowball, but he twists, rolling you. You wrestle, laughing, each trying to get the upper hand, but it’s not a fair fight in the snow. Maybe if you were on proper gym mats you could do some jiu jitsu moves on him, but he manages to roll you underneath him in the wet, powdery snow. He looks down into your face, cheeks pink from the cold and effort, smiling bigger than you think you’ve ever seen him smile.

“Truce?” You offer, a lie.

He leans down, his lips just above yours. “Why would I accept a truce when I have the upper hand? I’m playing to win.”

As he speaks, you let your hand drift through the snow. You lean up, just shy of pressing your lips against his. His eyes flick down, as if mesmerized by your mouth. You bring your hand up, shove the snow against his cheek.

He yelps again, glares down at you. You love that sound. You want to make him whine. “I see, what false sincerity in your offered truce.”

You lean up, lick the snow off his face. It tastes delicious. You always did like chewing on ice. “You were prepared to annihilate me, and you complain about good faith in negotiations?”

He’s staring at you again, but you just smile up at him, eyebrows raised. He looks like he wants to say something. You don’t want to give him the chance.

“Now off. I’m getting cold.”

“Making demands, after launching a pre-emptive strike.” He shakes his head.

You poke his cheek. “A warning shot. Get off, unless you want the full arsenal.”

“I see that I need to shore up my defenses if I’m to withstand a real assault from you,” he murmurs, rolling off you. You both lie for a few moments, admiring the night sky, side by side, in Sylus’s now ruined snow angel.

Eventually, he helps you to your feet. You brush the snow off each other, as best as you can, considering how powdery it is. You’re grateful for the snow shoes that allow you to walk over the surface of the snow without sinking in. You leave the twins to continue jumping off the balcony, hauling themselves up again. They’re daring each other to engage in ever more complicated aerial acrobatics.

“Don’t you worry they’ll break their necks?” you ask as you walk side by side with Sylus, into the pines past the clearing. He clicks on his headlamp, illuminating the way, but the now-rising moon, the blanket of stars overhead continue to illuminate the snow. You think you could see just fine without the flashlight.

“They’re not stupid,” he answers easily.

“What would you do, if something happened to them?” you ask.

“Have you accepted me in this gruesome little scenario, or have you released me?” he asks, not sounding upset at all. Just curious.

You stare at his profile. The bored curve of his lips. His long nose. He flicks you with a scarlet glance, then gazes ahead again.

“Would the answer change?”

“If you release me, I’d kill everyone in the vicinity and wait for you to arrive with the Association to put me down.” He shrugs one shoulder, stretching his neck. “If you keep me, I’d kill anyone responsible, and then entomb the twins in the hills above Linkon City. Build a university in their honor, since they never got to go. When I offered, they said it was too late. Stupid.”

You stare at him. “You love them.”

He snorts. “They’re useful.”

“You love them,” you repeat. 

You can’t unpack the rest. How his answer changed based on your presence, or absence in his life. Why he would want you to be the one to kill him, instead of killing himself.

“Think what you want,” he says, but he doesn’t sound upset. 

The walk is beautiful. Peaceful. Your feet crunch in the snow, alongside Sylus’s. You’re getting tired, are about to suggest turning around, heading back to sauna, when you hear a faint screaming. As if it’s coming from up ahead, and yet under the snow.

“Do you hear that?” You turn to Sylus. He nods. Begins walking in the direction of the sound. You follow. As you walk through the snow-covered pines, the screaming gets louder. A high, pained squealing that breaks your heart. 

Sylus stops, looks down. “Here,” he says. He drops to his knees, starts digging. You try to help, but he motions you away. “If it tries to bite, better me than you.”

“No—” you try to argue, but he just shakes his head.

“Not up for debate.”

Eventually, he manages to reveal a flat surface under the snow. He stops, sits back. The screaming has stopped. He slowly reaches up, turns off the headlamp that had illuminated his digging efforts. 

“What is it?”

“A weasel trap.”

You stare at him. “Why would someone want to trap a weasel, all the way out here?”

“Why do humans do anything?” he asks, strangely, with disgust heavy in his voice.

“Okay, fine. Let’s free it.”

“It sounds like it’s hurt,” he says. “It wasn’t screaming just because it’s caught in a humane trap. That’s the scream of an animal in pain.” His voice is strained. 

“Okay, then let’s look inside, and if it’s injured, we get it to the vet.”

“Even with a vet’s help, for a wild animal like this, the most merciful thing we can do for it is put it down if it’s permanently maimed.” Sylus can’t seem to drag his eyes away from the box.

You kneel down next to him. “Let’s actually take a look before we decide that there’s no hope.” He continues staring at the box. “Sylus.” You bite the tip of one of your gloved fingers, pull the glove off your hand. You touch Sylus’s cheek. It’s cold. You turn his face. “Sylus, I’m not going to kill it. And neither are you.” He finally looks at you. “If you don’t open the trap, I will.”

He searches your eyes, and then nods. He reaches down, gingerly lifts the top of the trap. He curses softly.

You peek over his shoulder, and see that it’s not a humane trap at all. Someone set what looks like a cross between a mouse and a bear trap within the box trap that could have been just as effective without actually hurting the animal. The weasel is cowering away from you and Sylus, its white fur stained red with its own blood. Its leg is crushed in the jaws of the vicious inner trap.

“We need to kill it,” Sylus grates out. “It’s in so much pain.”

Something moves through you, as you absorb the sight of the white fur, soaked in blood, so soft. The creature’s little red eyes, bright jewels in its white, cute little face. It looks like Sylus. His eyes, his hair.

The enormity of the cruelty it took to set a trap in the middle of nowhere, which by itself is terrible enough—in such a remote area, with constant snowstorms, the animal would likely have died a slow, painful death from starvation before whoever set the trap could come back to check it. But they ensured the maximum pain possible, by setting a trap that would crush one of its limbs.

Something moves through you, and it is blotting out everything else. Your skin feels too tight. Your body is hot, despite the cold of the air, the snow. It takes a moment for you to realize what you’re feeling. Rage. You feel like you could explode with it. 

“Sweetheart—”

You hear Sylus’s voice as if from a great distance. You turn your head, slow like you’re underwater. 

You want to kill something. 

You want to kill someone.

You want to kill the person who set this trap, and you want to make it hurt.

“Beloved, you need to—”

You slowly realize that the pine trees are too bright, the snow reflecting what looks like direct sunlight. The weasel has shut its red, red eyes against the bright light.

You look down at your hands. Your evol is swirling around your palms, up your wrists, twisting, snaking. It’s almost too bright to look at. You look at Sylus. He’s looking off to the side, squinting. You know how sensitive his eyes are. You’re hurting his eyes with the golden light of your evol.

“Sylus,” you say. You’re so angry. You’re so angry, you could bring down a city with it. The size of your anger is incomprehensible. “Is this how you feel?”

You think that this is it. The sign from the universe. The sign that it’s time to choose.

If this is how Sylus feels, as he snaps the necks of fraudulent, cruel men, as he puts bullets in people who don’t deserve to be called human, then who are you to judge him? Fear him? You are the same. 

Kindred spirits.

He closes his eyes. Turns to face you. “Resonate with me,” he answers, because why would he begin answering your questions directly now? Just because you feel such rage that you want to rip the spine out of the person who did this and impale him with his own coccyx?

“I don’t know if it’s safe—” your heart is pounding. So loud, it almost drowns out Sylus’s strained voice. The light is only getting brighter. You’ve never lost control of your evol before. Is this how Zayne feels? You’re terrified, but bigger than the terror, is the rage.

He reaches out, blindly, manages to catch your hand in his. He bites the tip of his glove, yanks it off his other hand. He then slides his naked hand against yours. You don’t even think. It’s not a conscious decision. Your evol rushes into him, a dam bursting.

You splash into the ocean of stars, of molten lava—resonance with Sylus. 

The confines of your body no longer restrict your anger. It pours out of you, unchecked, an oil spill across the shimmering net of the ocean of connection between you and him. He’s here with you. His compassion, empathy for this uncontrollable fury meets the oil spill, absorbing it, filtering it, letting it bleed out as fuel, something useful. He gathers it, as he gathers you in his arms, your cheek pressed against his chest. You can hear his heartbeat loudly, even though physically, it’s muffled by his parka. Here, in the endless night, the bottomless sea, your feelings are manageable, shared between the two of you.

Is this how you feel, when you’re snapping a man’s neck? Your questions flow out of you like your anger, unchecked. You can’t control the confines of your other feelings either—your fear, of taking his bait. Your fear, that he’ll grow bored with you. Your fear, that he sees you as a pathetic little fish to catch, easily spiked through the brain, tossed back into the water.

He squeezes you more tightly against him.

Let’s heal the weasel, and then I’ll show you how I feel.

You look up at him. We can heal it?

You can resonate with it, as you resonate with me. My healing ability will pass through you, into the animal. It will hurt. We will all hurt. But then its leg can be fully restored. It's still connected by a thread.

You don’t care. You don’t care that you’ll hurt too. But you don’t want Sylus to have to hurt in the process. Are you okay with hurting for an animal?

You don’t know what to expect. A response saying he’s willing to do it, because you want to do it. That he’ll do it for you, because you asked it of him. A response that shrugs off his own pain—he’s used to it, it’s not that big of a deal. You could have expected anything but the feeling he reveals through the resonance—a flood of empathy for the animal, chained by the leg, a part of its body crushed, the terror of being trapped, knowing that the only end is a long, slow death. 

Coursing around this island of empathy inside Sylus is a wide, rushing river, its current inexorable. A feeling that says If anything were to happen to you, I’d feel like dying. I’ve died so many times, drowning in your absence.

Love. He loves you so much. He has loved you so much, for so long. His love has only grown, as he watched you lose control of your evol because of the fury on behalf of this small, scared, crushed animal.

Your fury dissipates in the torrential river of his devotion. You nod, knowing now that he’s more than willing to heal the creature, to bear its pain as his own, just as you are.

You lean over the open trap, ready to rest a featherlight finger on the weasel’s little head, when Sylus stays your hand. The aether core in his eye glows, and he stares into the animal’s now open eyes. You feel a deep, burning pain in your own right eye, as Sylus’s feelings continue to flood into you, form a slurry, flow back into him, now mixed with yours. The weasel’s eyes begin to glow red, just as Sylus’s does. He then nudges you again. You reach down, rest a finger on its little head, and let your evol flow from you into its body.

Pain. Your leg crushed, its now separate parts only connected by a thin stretch of mangled flesh. Sylus, gaze never leaving the weasel, bites off his other glove. He snaps his fingers, loud in the snow-muffled forest. The trap dissolves into scarlet and ink ash. You pull Sylus’s own evol into you, push it into the weasel. All three of you make a low, keening noise in your throats as the flesh begins to knit back together, an agony of sutures pulling without anesthetic, a fundamental wrongness as you reverse nature, crush entropy into order, make something whole that’s not supposed to be whole, anymore.

After what feels like a lifetime, the pain slowly fades. You collapse back onto your ass in the snow, breaking the resonance with the weasel, but maintaining it with Sylus. Sylus remains kneeling, looking down into the trap. The light in his aether core fades. The pain in your eye fades.

You’re watching the weasel through Sylus’s eyes. He observes with a faint thread of pride how the little animal uncurls itself. Stretches its leg experimentally. Even wiggles its little clawed toes. It looks up at Sylus with its crimson eyes.

You and Sylus expect that it will now scurry over the edge of the trip, scrabble through the snow and into the night, away from this place of pain and trauma. But it just sits there for a moment, looking at Sylus.

It then sits up on its back legs like a meerkat, and lifts its little front legs in the air.

Sylus stares at it in confusion.

It wants up.

He turns to look at you, incredulous. You see yourself through his eyes. Your beloved, beautiful face, reflecting the moonlight. A face he’d die over and over for, if it prevented the look of fear and distrust that he has seen flash across it as you looked at him in the dark of a theater, over the white linen of a fine restaurant, from next to him on your couch, as you listened to the record playing that he brought for you, as you bathed in starlight on a frozen lake at the end of the world.

You’ve been looking at him from the wrong angle, missing something essential, from the moment you looked up into his disdainful face for the first time.

You haul yourself to your knees, crunching through the snow to his side again. You look down into the trap, where the weasel is still on its haunches, waving its little front legs in the air. You reach down with your ungloved hand, offer it your palm. It doesn’t hesitate. It simply launches itself onto your forearm, scurries up to your shoulder. It leaps from yours to Sylus’s shoulder. It scrabbles at the fully zipped up collar of his parka, and then literally weasels itself under the coat, and around his neck. It settles, then peeks out of his coat next to his jaw.

He grimaces. Its fur is still matted with its blood.

You shrug. What, is the coat dry clean only? You tease him. Small price to pay for your new pet.

Excuse me? He lifts his eyebrows.

You wrap your arms around him, hug him tightly, rest your cheek against his chest. His big body slumps, and you feel the relief, the affection, the hope that fill him.

What’s a good name for a little albino weasel?

Sylus hugs you tightly. How do you know it’s an albino?

Arctic weasels don’t normally have red eyes. This little guy has red eyes, so I doubt his coat will turn brown in the summer.

You feel his pleasure at your sharing your knowledge with him, his pride that his beloved is so smart. You snort.

Knowing trivia about cute, cuddly things isn’t necessarily a sign of intelligence.

Sylus dismisses your self-deprecation. I know you’re smart for other reasons, kitten.

You let it go. Let’s go home.

There’s a pause after your thought, as if Sylus is holding his breath, trying to keep a leash on his feelings.

You look up, resting your chin on his chest. Two pairs of bright red eyes look down into your face. Home? His question is tentative.

You send him an image of the cabin. Luke and Kieran. Of his own face.

Will you stay? For the New Year?

For longer, if the invitation is still open.

In answer, he leans down, squeezing you so tightly your booted, snow-shoed feet are lifted from the snow. He presses his full lips to yours. You feel him, feeling you. Soft lips, and then tongue, your mingled breath misting up into the still air. He kisses you, and you feel a little tiny tongue on your cheek. You pull back, and see that the weasel had licked your cheek curiously since you were so close.

Sehnsucht. We’ll call the little guy Sehn for short.

Sylus laughs. Is this some sort of jab at Mephisto’s name?

An open declaration of war. Poor Mephisto, named for something so cynical.

And where will Sehn live, beloved?

At the base. Luke and Kieran can look after him when I’m not around.

I can look after him when you’re not around. A petulant thread of jealousy is wrapped around his grumpy thought. Then he rests his forehead against yours. Does this mean that you’ll be at the base more often?

Your bait was too good. I can’t resist anymore. You’re stuck with me, now.

Sylus laughs out loud, a full, rich sound. It echoes through the trees. It took you long enough to bite.

Maybe next time don’t initially traumatize the fish you’re trying to catch.

There will be no next time. There has only ever been you, and I fucked up at the beginning. I can’t promise I won’t fuck up again. But I will never, ever want to release you. 

Good, no refunds. You tug on him. Bend down, pick up your glove and slip it back on your cold hand. Let’s go. I’m fucking cold. And I’m still pissed that we’ll never know what depraved piece of shit did this to Sehn.

Sylus hums a little, and you feel a wall drift into place around some of his thoughts, feelings. You look at him in confusion. 

Don’t overthink it.

You decide to trust him. If he wants to keep a secret from you, well. Not knowing every single thing about each other is healthy in a relationship

You, Sylus, and Sehn walk slowly back to the cabin in companionable silence, the resonance ocean soft and deep between you and your new boyfriend.

You don’t notice later, when he slips out of bed while you’re sleeping, returns to the place where you found Sehn. Places trail cameras with satellite links to several tree trunks in the area. Keeps an eye out for when the piece of shit returns to check on his trap.

You don’t hear the gunshot from a high powered rifle, meant for bears, in the quiet distance.

You don’t see the missing posters that go up in the nearest town as you’re passing back through on the way to the airport, when your holiday finally ends.

You just enjoy the snow. The quiet. The stars above. Finding yourself under mistletoe that the twins must have hung over every doorway in the house, even though Christmas was over. An attempt at helping their boss get what he had already, successfully reeled in. Because you had already spent a lot of time leisurely kissing him, his tongue hot in your mouth, his thigh shoved between your legs. 

You enjoy watching Luke and Kieran invent toys for Sehn to play with, Sehn who they’ve nicknamed the Noodle, who trips down the stairs like a slinky, and curls up in your lap as you read, before Sylus nudges him out of the way and puts his head there. Sehn then curls up on Sylus’s chest.

You enjoy the promised sauna. Holy shit, the sauna. The traditional wood burning stove heats the water that you pour over the hot stones with a big, wooden ladle—the resulting steam bellows, filling the space with the scent of pine, mint, whatever essential oils Sylus chose to drip into the water. You recline against him, naked, your bodies sweating, slick against each other, until you’re dizzy. You both run into the snow and you get to hear him yelp, whimper, over and over again, from the shock of cold. He drapes himself over you, claiming it’s to keep him warm as you stand in the snow for as long as you both can stand it, until you race back to the sauna, do it all over again. You feel thoroughly detoxed afterwards, and you sleep like the dead in his arms.

On New Year’s Eve, you wake up, find Sylus in the kitchen singing at the top of his lungs. You think it’s supposed to be Auld Lang Syne.  It’s absolutely earsplitting. You will never understand how someone with such a rich, deep, beautiful voice can butcher a song as thoroughly as Sylus Qin can.

The twins are placidly reading on the couch. You look at them in astonishment as Sylus warbles, pulling something out of the oven. It smells delicious, some kind of roasted meat. They look up at the same time, mirror images, and smirk at you. You narrow your eyes. They point at each others’ ears.

Ear plugs. Luke mouths, as Kieran nods sagely.

If you hadn’t known you loved him already, based on how you felt, imagining never seeing him again, you would know that you love him because you refuse the twins when they offer you a pair of your own earplugs. You sit at the kitchen island, head propped up in your hand, and listen to him sing for the rest of the morning as he cooks a feast for New Year’s Eve dinner. He bends down, squints at his phone at the cooking tutorials—apparently his phone has some sort of fancy satellite reception since there is no cellular reception—that he’s consulting to prep the meal. You tease him, call him ‘old man’ as you make your way upstairs, fetch his gold-rimmed reading glasses, and bring them back down to him. He looks so happy when you sit back down to continue listening to his atrocious serenade—it’s worth all the damage to your already damaged eardrums.

At midnight, Sylus pulls you into his arms, kisses you softly. You’re slow dancing in the warmth of the bedroom. A record is playing softly on the dresser. Something instrumental, piano. The Northern Lights fill the sky through the expansive window. I would have taken you to see the fireworks, if we were in Linkon City. But for once, my luck is good. We get to see nature’s fireworks instead. Satisfaction pulses through him, through you, as you resonate together again.

You kiss him, slowly, your bodies soaked in the curtains of light drifting through the arctic sky as you sway together. A thought occurs to you.

Why didn’t you come meet me when I arrived at the airport?

He hangs his head. Rests his forehead on your shoulder. I didn’t trust myself not to level the place if you didn’t walk off the plane.

You can’t stop yourself from asking the obvious question. The question he has already answered, in so many ways, in every gesture, in every invitation, in every sent gift.

Why?

He lifts his head, looks into your eyes, savoring the way they glitter in the night’s light. You admire his eyes in return, his wine gaze more intoxicating than any of his fancy labelled bottles.

You should know by now how much I adore you. No love is purer than mine.

You smile, relieved. Let your own feelings wash through you, into him. Happy New Year, Sylus.

He smiles in return, kisses your forehead, continues to sway you slowly under the arctic stars. We'll ensure that it's the first of many.

[clueless-fan-critic]

Why Helluva Boss Surpasses Hazbin Hotel In the Best Way Possible

The Helluva Boss Christmas episode dropped and I caught up with Season 2. I love this show so much for so many reasons. But that doesn't diminish Hazbin Hotel in any way at all. In fact, because of the show, it gives us a much deeper appreciation for what Helluva Boss is doing. I mean Hazbin Hotel was cool on Prime, but I want to talk about why Helluva Boss is the "Shrek 2" of the R-Rated animated musical series by a YouTube Animator. And that's a weird mouthful.

Getting Better with No Reward

Helluva Boss makes pretty clear that the "evil" demons of Hell are basically regular people with problems. Whether a majority of demons are born in Hell or damned souls, it's clear that they grow up from children to teens to adults. They have jobs, families, homes, and all the mundane things in our lives. And do in fact die. Possibly? That part is vague in whether they just get erased from existence or reincarnate Chainsaw Man style. But with those in mind, what would exactly be the point of being a "good" or "bad" person?

Throughout the series, many of the demons have some moral code, ethics, empathy, or rationale that sets them apart from the more chaotic and stereotypical demons. What I saw with a lot of characters is they willingly try and change for the better, all without Charlie Morningstar or the promise of Heaven, but redemption. This is especially in the case of Blitzø with a silent O.

Blitzø is one of the more unhinged characters you would see as a demon: immoral, selfish, hedonistic, all those demony things. But we, the audience, get to see his life, his failures, and his pain and how it shaped him. While it doesn't excuse his actions, it does make us understand. Once realizing these feelings, Blitzø tries to confront the consequences of his actions, with some trial and failure. Reconciling with his twin sister Barby: failed. Apologizing to his exes: failed. Talking with Fizzoralli: okay but still some scars, literal and figurative.

In fact, both Blitzø and Charlie share one major quality: attempting to change the status quo of Hell. But Blitzø wants to be seen more than a lackey to other higher demons while Charlie wants to prove people can change for the better. While Charlie's reason is more rooted in selflessness and hope, Blitzø's feels more human and genuine. From what I could see from the show so far, Hell is getting a whole lot bigger in what it can offer.

What's The Big Difference?

Helluva Boss is a more grounded and relatable show than the epic musical of Hazbin Hotel. The show allows for a lot of worldbuilding moments with the different rings of Hell along with their functions and associated demons. We're introduced to imps at the bottom of the demon hierarchy, demon royalty through Stolas and the Goetia royals, and six of the Seven Deadly Sins.

It seems the Seven Deadly Sins hold the most authority compared to the Overlords. It might be that the Overlords are more rich people like CEOs, industrialists, and entertainers while the Sins are like government officials, both holding power and influence but in different areas of life.

Whenever Hell is used in a show, it's represented in a myriad of ways ranging from classic burning pits to existential or nihilistic despair. It does make it clear that Hell is more a dark reflection of life on Earth, but more dirty, vibrant, and chaotic nonetheless. Even the Earth depicted in the show isn't really different aside from the whole demonic powers and magic stuff.

What Makes it More Interesting than its Predecessor?

Helluva Boss uses episodes as vehicles for their characters. Basically, getting to know who we're watching, why they're important, how they are as people, and so on. It doesn't have an overarching story that builds to a final battle. They're just chilling with exploring characters and their impact to others and the present stories in different episodes. Although there are interconnecting plots and stories, the show is mostly episodic.

Its strongest element include the characters, its main cast, supporting, and even one-off jokes, they all leave impressions on anyone who sees them. Millie is given more exploration in later episodes with why she always put up with Blitzø and believes in their business despite his total incompetence and hangups. You think Millie is just this bubbly tank, but shows a much more vulnerable side who wants to be seen more than her "intended role."

Stolas is another character is breaks the mold of his role. With disastrous results for everyone he cares for. Stolas is the love interest of Blitzø who aids IMP with his magic. He slowly breaks out from being a prince into someone else he hasn't found yet. We see his royal comfort implode in the Sinsmas finale, he loses his status, power, and even his daughter because of a perceived fantasy or escape that would free him. But, like a lot of caged birds, he doesn't fare so well in the real world. Now left with truly nothing but the very person he made his "sacrifice" for. Even uncertain of that as well.

But, the songs from both shows are incredible!!!!

My favorites include Loser, Baby performed by veteran Keith David and newcomer Blake Roman and U 2 Me performed in "Apology Tour" by Bryce Pinkham. Both those songs really connect with me while conveying character moments. The songs in Helluva Boss develop and explore character like a musical would use them for those big "Declaration of Something" anthem. Defying Gravity, We Don't Talk About Bruno, even Cell Block Tango, all are songs that explore one's mindset, opinions, and personal struggles.

Why Should I Watch...?

The Characters, the plots, the songs, the animation, so much F^$King things to admire and love that I can't... I just... 😣 😩 ... I don't know.

Just Watch It and See for Yourself!!!

[scalefeathers]

A few more headcanons I have since come up with (cw self-harm/domestic abuse/animal abuse, depending on how you look at it; also arguably inappropriate parent-child relationships; also spoilers for season 2 of Arcane, and for The Secret Commonwealth by Philip Pullman):

• After the Cannery, Rig disappeared for a long time. (If you haven’t read The Secret Commonwealth, this does happen sometimes; dæmons will just leave their humans, temporarily or permanently, because of emotional turmoil, inner conflict, or various other reasons). In this case, it was because the shock and trauma of what she’d done was too much for either him or Jinx to accept. This freaked the fuck out of Silco’s people, having this empty-eyed, dæmonless child around, but Silco never shied away from taking care of her.

• Rig did come back eventually, but afterward he and Jinx would hurt each other sometimes, him pecking or biting or clawing, her digging into him with her nails or pulling out his feathers or his fur.

• Sometimes Silco was able to intervene before things got too serious; he would hold Jinx, and Sintilla would wrap Rig in her coils until they both calmed down.

• Other times, Rig would simply disappear again for a few days, and Jinx would be especially sullen and especially inclined to be close to Silco, as if *he* was her dæmon.

• The first time Jinx reached for Sintila during one of these times, Silco was too shocked to reprimand her and ask what she thought she was doing. And then while he was still working through his thoughts, Sin slid up Jinx’s arm and coiled around her shoulders, tucking her head beneath Jinx’s chin just like she did with Silco. And Silco forgot whatever he was going to say, and just held them both close.

• Sometimes, also, Rig would approach them while Jinx was elsewhere, and would bump his black-feathered head against Silco’s hand or squirm, rat-formed, underneath it, and Silco would stroke him absently as he worked.

• Silco and Sintila never initiated such contact, but when Jinx or Rig reached for it, they would always provide; although when others were around, they of course respected the taboos against touching someone else’s dæmon.

• In addition to the effigies she made of Mylo and Claggor, Jinx also made dolls of their dæmons: a monkey for Mylo and a dove for Claggor. (Claggor’s dæmon settled shortly after Vi’s did. Mylo’s hadn’t settled yet but she was almost always some kind of monkey.)

• In the alternate timeline, Rig is a rat with soft, light-grey fur. He settled a few months after Vi was killed, and is generally smaller, paler, softer, and cuter than Rig’s rat form in the main timeline.

• Both rats and crows are highly intelligent, adaptable, social and inquisitive; they are also especially well-adapted to urban environments. However, they have a lot of negative cultural associations, with rats being seen as pests and carriers of disease, and corvids as harbingers of disaster or ill fortune.

Arcane Daemon AU:

Character: Jinx/Powder Dæmon’s name: Morrig / 'Rig' Dæmon’s form: Various (see below)

Though the daemons of children can change form at will, they eventually settle on a fixed form around the time the child reaches adolescence. At the time of Act 1, Rig hadn't settled yet, but the form he used the most often was that of a brush mouse (Peromyscus boylii)

Rig, however, did not settle, though after the explosion at the docks he never took the mouse form again. By the time of Act 2, he spends most of his time as either a large Norway rat (Rattus norvegicus) or as a hooded crow (Corvus cornix). This is a reflection of many things: Jinx's mercurial nature, her arrested emotional development, and the conflicted nature of her identity.

In both of these forms he typically perches on Jinx's shoulders, which are pretty much constantly covered in little claw-scratches and talon-pricks as a result. She doesn't seem to mind.

At the end of Act 3, Rig finally settles on the crow form, as Jinx ceases to be in conflict over who she is.

I took the name Morrig from Morrigu, another name for the Morrigan. Neither Jinx nor Powder ever called him Morrig, though; he was always just Rig.

Rig's eyes have changed as Jinx's have: first to blue after the warehouse explosion, then pink after her 'resurrection' via Shimmer.

[angelgendered]

I wanna start trying to make a fursuit again. I got so far last time and had to stop cos of my back and then I lost my mojo for my sona so... maybe now I have a new sona and some new ideas.......

[great-and-small]

When I was in vet school I went to this one lecture that I will never forget. Various clubs would have different guest lecturers come in to talk about relevant topics and since I was in the Wildlife Disease Association club I naturally attended all the wildlife and conservation discussions. Well on this particular occasion, the speakers started off telling us they had been working on a project involving the conservation of lemurs in Madagascar. Lemurs exist only in Madagascar, and they are in real trouble; they’re considered the most endangered group of mammals on Earth. This team of veterinarians was initially assembled to address threats to lemur health and work on conservation solutions to try and save as many lemur species from extinction as possible. As they explored the most present dangers to lemurs they found that although habitat loss was the primary problem for these vulnerable animals, predation by humans was a significant cause of losses as well. The vets realized it was crucial for the hunting of lemurs by native people to stop, but of course this is not so simple a problem.

The local Malagasy people are dealing with extreme poverty and food insecurity, with nearly half of children under five years old suffering from chronic malnutrition. The local people have always subsisted on hunting wildlife for food, and as Madagascar’s wildlife population declines, the people who rely on so-called bushmeat to survive are struggling more and more. People are literally starving.

Our conservation team thought about this a lot. They had initially intended to focus efforts on education but came to understand that this is not an issue arising from a lack of knowledge. For these people it is a question of survival. It doesn’t matter how many times a foreigner tells you not to eat an animal you’ve hunted your entire life, if your child is starving you are going to do everything in your power to keep your family alive.

So the vets changed course. Rather than focus efforts on simply teaching people about lemurs, they decided to try and use veterinary medicine to reduce the underlying issue of food insecurity. They supposed that if a reliable protein source could be introduced for the people who needed it, the dependence on meat from wildlife would greatly decrease. So they got to work establishing new flocks of chickens in the most at-risk communities, and also initiated an aggressive vaccination program for Newcastle disease (an infectious illness of poultry that is of particular concern in this area). They worked with over 600 households to ensure appropriate husbandry and vaccination for every flock, and soon found these communities were being transformed by the introduction of a steady protein source. Families with a healthy flock of chickens were far less likely to hunt wild animals like lemurs, and fewer kids went hungry. Thats what we call a win-win situation.

This chicken vaccine program became just one small part of an amazing conservation outreach initiative in Madagascar that puts local people at the center of everything they do. Helping these vulnerable communities of people helps similarly vulnerable wildlife, always. If we go into a country guns-blazing with that fire for conservation in our hearts and a plan to save native animals, we simply cannot ignore the humans who live around them. Doing so is counterintuitive to creating an effective plan because whether we recognize it or not, humans and animals are inextricably linked in many ways. A true conservation success story is one that doesn’t leave needy humans in its wake, and that is why I think this particular story has stuck with me for so long.

(Source 1)

(Source 2- cool video exploring this initiative from some folks involved)

(Source 3)

[snapcracklepop-myjoints]

wow haha you* think this large area of land is uninhabitable and empty ? wow thats so funny that sounds so much like this fucked up terra nullius thing but surely you arent all mindlessly peddling that colonial narrative of australian land as uninhabited and therefore free for the taking, right ? that would be silly.

and its not like there's a common law doctrine that was only legally discredited in the last 30 years that literally refers to "desert and uncultivated" land as a justification for taking land that is inhabited but is deemed to not have "settled" inhabitants or "settled law" according to colonial standards, right ?

because if there was then it would obviously be super fucking racist to continue to legitimise and perpetuate the erasure of indigenous presence by reaffirming the conception of large swathes of land as desert and uncultivated empty and uninhabitable.

and obviously it would be not only racist but factually incorrect to identify an area as "uninhabitable" purely on the basis that that it was deemed less compatible with colonialist + capitalist agricultural and settler projects and practices, (putting aside the fact that nonnegligible areas are, in fact, settled and used as such) because that would not only continue the erasure of a diverse array of indigenous ways of life, but would also continue to give legitimacy to the idea that presence on land must be identifiable by colonial signifiers thereof, otherwise it is not real and does not count. so obviously you would not do that, yeah ? good talk <3

*"you" as in the ppl in screenshots/ppl who are saying this shit, not op. Just to clarify.

[homunculus-argument]

Worldbuilding idea: Different cultures with climate overlap should have different cultural associations to the same animals. Like one culture looks at a specific kind of a migratory bird like "these birds are the divine messengers of the Gods, they are more intelligent than humans, as they have souls like we do but they are free of sin. They only visit us in the summer because they spend the winter in Heaven :)"

And on the other end of the birds' range the people are like "these feathered little bastards are too smart for their own good, can and will eat your trash. Some say they taste great when fried with scallions, but I wouldn't eat them after seeing what they eat. They always disappear for rainy season - nobody knows where they go but at least they are gone."

[triptychgardener]

What does becoming a furry in Homestuck mean? (In reference to your recent Nepeta post)

Okay so the thing is the way that Homestuck treats furries is honestly kind of equivalent to how it treats queerness. As in, Homestuck initially treats it like a joke or a thing to mostly sneer at. Homestuck was very much part of the wave of disaffected ironic assholes of the Newgrounds and Something Awful type, especially to start with, and that sort of relied on shitting on demographics that were seen as weird and permissible to find cringe and make fun of.

Jade comes onto the scene, and a lot of people sort of groan at her whole furry shtick. Jade is largely, however, just a pretty sincere character, and even though she feels some embarassment over the idea of BEING a furry (i.e. her distaste for the idea of actually wearing a fursuit) she nonetheless begins the admirable refrain of combining the finest qualities of humanity with the elegance and nobility of the animal kingdom.

Her earnest affection for all things anthropomorphic sets up more than just her excellent taste. And as much as she is a bit of a pattern-breaker, one pattern she doesn't break is that of having a Signature Animal.

The four beta kids have a bunch of different things associated with them: the four elements, four items, four musical instruments. But the animals are practically integral to who they are as people and characters.

John's attachment to the bunny is obvious, and helps to spur on one of the most emotional scenes in the comic. (For him. Him specifically.)

It's also something deeply precious to him, as it's a gift from every single one of his friends in a very roundabout fashion!

For Rose, Jaspers is half the reason she decided to play the game in the first place. She missed her dead cat so dearly she was willing to play a game that might end the world for it.

(Pictured above, Rose lying about her feelings, water is wet.)

Dave seems to at least feel some affection for crows, or at least shame when he kills them.

And his fusing to become Davesprite is what allows him to survive as a "copy" of the original Dave. Once again, Dave's disaffected irony giving way to the necessity of becoming a furry to save the world.

And for Jade, of course, Bec.

And it's notable that, by the end of the comic, at least THREE of our main beta kids have merged with their animals, and, in a way, become the best versions of themselves.

Jade obviously gets to achieve her dream of becoming a furry, and in doing so gaining power and agency that she was always denied due to her position in the story.

Davepeta, as I stated in a previous post, is the true Final Form of Dave, the pawn that made it to the end of the board, the only surviving character from Homestuck's "original" timeline, and is truly happy with themselves.

And Jasprose appears to have fully hurled herself through the walls Rose put up around herself to protect her image, and thus absolutely mortifies Rose. She just seems to be having a great time.

Homestuck evolved from a story that was deeply cynical and mean-spirited about furrydom, to a story where three of our four starting protagonists, in their truest most powerful forms, combine the qualities of man and beast to achieve self-actualization. And to bring this back around to queerness, these three characters also happen to be canonically queer. So there's that.

This isn't even to get into how this might relate to Troll Lusii and the concept of "growing up" to be more like one's parent on a planet raised by animals, but that's for another day.

[obae-me]

Human Things that Confuse the Non-Humans

I've seen a lot of headcanons on my feed recently that are all about demonic traits and things that seem to scare or facinate MC, but what about the opposite? So I was wondering what sort of typical human things might either unsettle the non-humans, confuse them, or enchant them in some way.

Most of these are based off of personal heasdcanons I already have, so it's very self indulgent.

If ya'll have any other ideas, feel free to share, I'd love to hear them.

Also not proof read cuz I'm writing this at like 5 am due to sleep issues.

------

Circadian Rythem. I've always wanted to bring up how I headcanon that the Devildom doesn't even follow a 24 hour schedule, since the 24 hour thing is entirely based around the sun, and since they don't have a sun, it makes sense that days would follow some other set rule (I always think that Devildom days are much much longer, hence why MC is caught so many times in canon just taking naps wherever even when Belphie is not around), but that's a headcanon for another time. Anyways, I think the fact that Humans almost need to follow a certain sleeping schedule would totally confuse the demons. Demons only really sleep to stay at their strongest, it's not as vital to them. And the fact that humans can die if they don't get the proper sleep? Totally freaks them out. If MC ever pulls an all-nighter, they all think they're one foot in the grave. Having Solomon and MC getting naturally sleepy more often than the non-humans do might seem pretty adorable at times though.

The fact that human hair does indeed shed. I don't personally think demon or angelic hair would, I feel like hair is something they can change at will within reason (There is a chat with Mammon about him getting his haircut, but he said he was going to change it, so I like to think he made it grow back instantly and cut it like normal again). So I like to think that MC or Solomon leaving strands of hair behind is shocking, because the non-humans only ever associated that trait with animals, but they also find it weirdly cute in a way. The demons and angels do try to ask to comb or brush Solomon's and/or MC's hair from time to time. They feel like they're helping.

Being able to roll (curl? Fold?) your tongue. I think it would be hilarious if despite the millions of other things demons and angels can do, none of them can roll their tongues. And then they get confused too when they discover that not every human can do it either, just certain ones. Solomon can do it and treats it like a party trick.

Allergies. I don't know if it's said in Canon anywhere that demons and angels can have allergies...I hope not because (as much as it sucks) it would make sense for it to just be a human thing. Just the concept entirely would have the non-human's heads spin. What do you mean certain things can just have your body essentially attack itself? And it's different for every human? It can be quite literally anything? (The non-humans would absolutely have a heart attack if they knew about mine)

Human mimicry. I think we as humans just have a natural instinct to mimic or repeat certain things. It's a lot more noticeable with internet culture and memes and references and things, but I think a very human thing to do is repeat or mock things we come into contact with. For example, if we hear an animal noise, we try to repeat it like we're talking to it. If we see something in a weird position, we might try to pose like it, etc. We try to relate to things, which is why personification is so prominent in everything we do. (Like how some of us tell wobbily objects to stay or loud machines to shut up) The non-humans think this is very cute. They don't really do that. The closest thing they might relate to is a current trend, but those pass by rather quickly. Mammon probably thinks we're almost like a bunch of crows.

Emotional control/suppression. Hear me out. It's well known in canon that the brothers blow up easily. They'll fight someone over miniscule things. Even Lucifer, who says he prides himself on his control, loses his temper quite often. And Mammon, while seemingly the best at controlling anger, is very open about all his other emotions. The only two demons that clearly have the best control overall are Barbatos and Diavolo who are the two most powerful demons in the Devildom. It probably takes so much energy and power to keep themselves in check. We hardly ever see that dark aura around them if at all in the game, which seems to give the two this unspoken common respect. As for angels, it was already mentioned once that the angels do have magical methods forcibly controlling emotions, and despite that, I'm sure it takes ages of training and practice to get to the level of "patient perfection" they're supposed to exhibit. Now, humans aren't perfect, and of course, there's a lot of nuance to this like mental illness I won't get into, but generally speaking, we quickly learn how to regulate our emotions or how to supress them for society's sake. At the very least, when we get angry we dont suddenly get surrounded by a dark shadow or shift into a different form. And I like to think this terrifies the non-humans to a degree. They don't know when humans are angry or upset until it's blatantly obvious. They already are off-put by Solomon because they never really know what he's up to. And what if it's not even because he's doing "weird" things, what if it's just because he seems to be so calm all the time and no one knows how to read him? None of them know how to read human body language. There's no aura to see, no puffed up wings, no glowing eyes, no whipping tails. Humans can just...stand there, sometimes with a blank expression, sometimes just staring. It can give even the stronger willed beings the creeps. Bonus points if MC is great at masking too. You mean humans can just...take extreme emotions and tuck them away for later? I'm sure that's an absolutely wild concept. Most of the non-humans are just not capable of that kind of control. Albeit its not always the healthiest option, but just the fact that humans have the willpower to just sometimes choose or force themselves not to feel at all is Barbatos level intimidating.

[scoriarose]

There's something important I've been wanting to share with fellow snake caretakers, and it's that if you have been sweet to your snake and love them, they have probably told you hundreds of times they love you- but because we speak different languages most won't understand. It makes me a little sad thinking how hard they try to tell us, and some folks just don't recognize that and they hope their serpentine friends love them but never know for sure- or even believe the lie snakes aren't even capable of love at all. They are, they have brain structures similar to birds and not only are physically capable of feeling love, they also regularly display traits associated with love including empathy and self sacrifice to protect others they care about both in captivity and the wild.

Snakes express love through touch. Through cuddling, and vibing (being near someone not touching just happy to be in their company). There's another outdated lie that snakes cannot and will never enjoy being pet - likely this comes from someone seeing cats and dogs lick their young and enjoying being pet because it feels similar to what is natural to them but since snakes do not lick their young it was believed they could not enjoy this sensation outside of their nature.

But that's wrong. It IS their nature! They just don't use their tongue, they use their whole body! Thing is, a lot of people who see them slither over another snake don't realize it's more than just them going somewhere, and they think they're carelessly going over another snake. Sometimes that may be the case, but touch is also how they bond. I read an article detailing how a mother snake was tolerant of her babies climbing all over her. Tolerant? It's like if a toddler hugged their mommy and said they loved her- tolerant would be such a strange word to use. They are telling their mommy they love her through their very limited means of communication.

Isn't it incredibly sweet that a creature who is so so limited in communication made sure to have a way to say, "I love you." I think that's just the best news ever.

If you doubt what I'm saying well, a number of snake keepers can vouch for me they've also accidentally discovered that touch can also be romantic if you touch the wrong place where most wouldn't expect it to be.

But the point I'm trying to make is, I bet there's tons of people with pet snakes who are telling them over and over they love them, hoping their human understands. If your snake doesn't do this action it doesn't need they don't love you- it would come from them not having figured it out. They learn not just from instinct, but from each other. Not having a parent snake to teach them (like some species including rattlesnakes) they have to figure out everything on their own for the most part.

Many figure out how to express, "I love you" through touch. Most snake caretakers I imagine don't recognize the attempt to communicate as anything more than the animal slithering around- but if you look for it you might see your pet telling you! If they are on you and start slithering around but not going anywhere in particular (sometimes back and forth) ESPECIALLY if you pet your snake and they relax/enjoy it- they are probably trying to pet you. And in doing so, show they care about you too, that they love you.

Scoria pets me with her chin, and I've never heard of anyone else's snake do this. She has, however, taught this to her sister who now pets me both ways.

It would be neat to hear if anyone sees their snake doing this and realizing what it really means. (Your snake might have even learned another way if you don't pet them and show them love another way- sometimes they learn by copying us too.)

Hope this helps someone- please share if your snake has a way they show they love you, I see very little on this from other caretakers and would be so happy to hear if others have similar experiences.

[edenesth]

The Way to His Heart [15]

Pairing: general!Seonghwa x wife!reader

AU: arranged marriage au (Joseon era)

Word Count: 3.5k

Summary: Life has been hell ever since your mother's passing many years ago. Despite being from a prominent family, you've never received the privileges associated with it. It only got worse with the arrival of your stepmother and her daughters. When the intimidating General Park was in search of a wife, your father seized the opportunity to dispose of you, simultaneously securing a connection with the powerful general—killing two birds with one stone.

Part 14 | Fic Masterlist | Part 16

"I still don't understand why you had to creep around instead of just approaching her and introducing yourself properly," Jongho remarked, rolling his eyes as Wooyoung clicked his tongue in frustration, "Oh, come on! Can you blame me? She's so beautiful, I got nervous, alright?! I've never had to talk to her before, and I just... I panicked!"

The assistant squinted at his friend, "You do realise if the general catches wind of any of that, you'll be out of a job. Don't tell me you have a crush on our mistress..."

"And you don't?!" The private investigator squeaked, eyes widening in disbelief as Jongho shook his head, unamused, "That's inappropriate. Don't you ever suggest such a thing again."

Wooyoung kept his mouth shut, realising that his friend would be the last person interested in hearing him gush about how pretty he found you. He was fully aware that you were his employer's wife and therefore off-limits. Still, it wouldn't hurt to indulge in the innocent fantasy of being a secret admirer.

Besides, he still valued his life, and it wasn't as if he was actually in love with you or anything. Deep down, humans are all visual animals, and he found his tiny crush on you completely justifiable.

Turning serious, Jongho inquired, "So, what did the mistress need help with? She's been secluded in the study ever since Prince Yeosang's departure and hadn't spoken to any of us until you showed up. Something must have happened."

With a smug nod, Wooyoung responded, "Ah, it seems I already know more than you. How does that feel, senior assistant Choi?" His grin disappeared when the younger man did not react as expected, only staring him down intimidatingly, as if daring him to continue with his playful shenanigans, "Ugh, fine, sheesh. The fourth prince invited her to his birthday banquet happening next week. She's really anxious since it's her first royal event and without General Park. She wants guidance on dealing with the royals."

Head shooting up at the revelation, the assistant knitted his brows together in concern, "The fourth prince... invited her to his birthday banquet? Did he say why?"

The private investigator shrugged, a hint of nonchalance in his tone, "He mentioned that since General Park is away, he hoped Lady Park could represent him this year."

A troubled expression clouded Jongho's features as he processed the information, his mind racing with possible implications. The idea of His Highness extending such an invitation seemed out of the ordinary, sparking unease within him.

Noticing the younger man's troubled demeanour, Wooyoung nudged him on the shoulder, concern evident in his voice, "Why do you look so bothered, man? What's on your mind?"

Jongho's stomach churned as he mulled over his thoughts, his voice tinged with apprehension as he responded, "I wouldn't have been surprised if it had been any of the other princes. But Prince Yeosang? He hasn't hosted a single birthday banquet in years. And besides, his connection with the general is minimal at best. So... what do you think he wants with our mistress?"

That revelation made the private investigator sit up straight, suddenly grasping the complexity of the situation. If what his friend said held true, it meant the fourth prince was plotting something. A surge of protectiveness for you washed over him, wanting to ensure your safety and not let his role model down.

Turning to the assistant, he asked, "Damn, I don't like the sound of that. So what's our move? Should we warn her?"

Jongho shook his head adamantly, "Absolutely not. She'd panic, and that's the last thing we need. I'll fetch the dressmaker; he's one of the general's closest friends, and along with Physician Jung's help, we'll try to figure this out."

"Oh, one more thing!" Wooyoung interjected, grabbing the younger man's attention, "Lady Park did mention that it would be great if she could somehow get in touch with Royal Secretary Choi. It seems she believes he's the only one who can offer helpful advice for navigating the royal event."

Pondering this information quietly, the assistant nodded, "Fortunately, I've corresponded with him on behalf of the general several times. I should be able to reach him easily."

Jongho furrowed his brows, noticing the unsettled expression on the investigator's face, "What's bothering you now?"

Wooyoung sighed, his expression clouded with uncertainty, "The lady also expressed her doubts about whether the royal secretary would even consider helping her. She's unsure if someone as busy as him would take the time to assist her."

Shaking his head, the assistant offered reassurance, "Don't worry. Royal Secretary Choi is genuinely one of the kindest people you'll ever meet. He shares a friendship with the general and will certainly lend a hand to our mistress if she needs it."

That would soon be clear to them all when San arrived to grace everyone in the general's estate with his presence in just a few days, leaving Hongjoong, Yunho, and Wooyoung in awe as they watched the handsome man with an exceptionally fit physique—perhaps a little too fit to be a mere secretary—walk past the three of them, who were sitting in the living hall, with a respectful nod and courteous smile.

Jongho exchanged knowing glances with them as he ushered the royal secretary into the estate and towards the study, where you awaited his guidance with your studies.

"Am I the only one who thinks that guy seems more suited for the battlefield than the royal office?" Wooyoung quipped, prompting a reluctant nod from Hongjoong. For some inexplicable reason, he found the private investigator mildly annoying, almost like a younger brother, "As much as I hate to admit it, you're right about that. He does give off that vibe."

Yunho, known for his wisdom and maturity, offered a shrug in response, "We shouldn't judge someone solely by their appearance. Perhaps the royal secretary excels in matters of intelligence rather than physical strength."

Rolling his eyes, the dressmaker fired back, "Obviously, we're just joking. Lighten up a little, Yunho, or you'll never find a wife with that boring ass attitude."

The physician pursed his lips at the jab, while Wooyoung watched with amusement as the banter between the two friends unfolded, "Says you? You're older and still single. Perhaps the problem lies closer to home."

Hongjoong scoffed in disbelief and placed his hands on his hips, "Excuse you, I'll have you know there are plenty of women vying for my attention every day. It's not my fault I have standards."

"I could say the same." Yunho retorted.

Before the banter could escalate, Jongho intervened with a heavy sigh, "I leave for a minute, and you're already arguing. How is it that all of you are older than me?"

"I agree, assistant Choi. Their behaviour was rather immature," The investigator remarked, feigning innocence when the doctor raised an eyebrow, "You're the one who instigated the whole thing."

Just as Wooyoung opened his mouth to defend himself, the assistant rubbed his temple wearily, "Oh my god, enough. Let's not forget why we're here today—to figure out the intentions of Prince Yeosang regarding our mistress."

"Is that the purpose of this gathering?" Eunsook queried as she appeared by the entrance of the living hall.

The four nodded in confirmation, and the head maid sighed before joining them, "If that's the case, I believe I may be of help. I was with the mistress in the palace on the day the master discovered he had to depart for war. Something happened with the prince while we awaited the general's return from his emergency meeting."

As she recounted the incident at the cherry blossom garden, a dawning realisation settled over all of them. Suddenly, it all clicked into place: why Yeosang, known for despising his own birthday due to its reminders of his painful existence, was now planning a celebration and extending an invitation to Lady Park, of all people. It was clear to the group that the prince had set his sights on the general's wife, and this elaborate scheme was likely his attempt to lure you away from Seonghwa.

"I understand we're all concerned about what His Highness might attempt to win over our mistress, but I believe we should have a little faith in her. Her devotion to General Park is undeniable. I don't think she would easily forsake him after all he's done for her." The physician suggested, hoping to ease the tension in the room.

As the others visibly relaxed with the reminder, the dressmaker appeared to be the only one still troubled, "Yeah, about that..." The dread in the room heightened at Hongjoong's uneasy expression.

"What is it?" Jongho inquired cautiously.

With a frustrated expression, the eldest man among them ran a hand through his hair before recounting the recent encounter with Jinjoo, your stepsister, and the doubts you were starting to entertain about your husband, "I'm sorry, it's all my fault."

The elderly woman's stomach sank at the revelation, but she shook her head to reassure the dressmaker, "No, Hongjoong, it's not your fault. You couldn't have known her stepsister would be there. No matter how much we deny it, the truth has a way of surfacing. We can't hide it from her forever."

The others nodded in agreement, though filled with worry at the implications. They knew Eunsook was right. Eventually, you would likely discover the truth. They just hadn't expected it to happen so soon, especially with Seonghwa away at war. The thought of you being possibly swayed by the fourth prince's charms sent shivers down all their spines.

Well shit, that's not good at all.

"San, you're an absolute lifesaver. Thank you so much." You expressed with gratitude after the lengthy crash course he had just given you on dealing with royal figures when attending such events, offering a smile that didn't quite reach your eyes.

Returning the smile, the royal secretary noticed the fatigue and stress evident in your expression. He sensed there was more to your distress than just the fourth prince's sudden invitation to his birthday banquet. Perhaps his close relationship with his elder sister had sharpened his perception of women's emotions.

Observing your troubled expression, San gently inquired, "Are you feeling quite alright, Lady Park? If you're worried about the general, I can assure you that he is being partnered with only the best military strategist in all of Joseon. They have yet to lose a single battle thus far, I'm sure this time would be no different."

A wave of conflicting emotions washed over you at his words. On one hand, you appreciated his attempt to ease your worries about your husband's safety. On the other hand, a nagging curiosity gnawed at your mind, Jinjoo's words still lingering, urging you to delve deeper into the mysteries surrounding your family's punishments.

San's position as the royal secretary and his close friendship with the general made him an ideal source of information. Surely, he would know the intricate details of the case and could provide you with the answers you sought. However, the thought of uncovering the full truth filled you with trepidation.

What if reality's more than you could bear?

You wrestled with your inner turmoil, unsure of whether to broach the subject with Royal Secretary Choi. Part of you yearned for closure, to finally understand the events that took place without your knowledge. Yet, another part hesitated, fearing the potential consequences of unearthing Seonghwa's carefully buried secrets.

As you glanced at San, who was patiently awaiting your response, you grappled with your decision. Would you dare to confront the shadows of your fears, or would you continue to dwell in uncertainty, afraid of what truths lay beneath?

To hell with it.

Taking a deep breath, you responded, "Thank you for your reassurance regarding my husband's capabilities. However, that's not precisely what's weighing on my mind..."

He arched a curious eyebrow, intrigued by what other concerns could possibly be bothering you besides Seonghwa's safety, "I'm all ears, my lady." He offered, inviting you to share your thoughts.

Lowering your head, you recounted your recent encounter with your stepsister and the unsettling doubts it had stirred within you. Then, with a hesitant tone, you inquired, "May I seek clarification from you regarding my husband's role in the Jang family's punishments?"

San maintained a composed smile, betraying no hint of shock at your revelation. With a calm demeanour, he laced his fingers together before him, "I empathise with your concerns, Lady Park, and I want you to know that they are valid. While the details of the case are confidential, I can offer some clarity to ease your worries."

You held your breath as he continued, "The truth is, His Majesty was responsible for determining your family's physical punishments, but the general took charge of overseeing the entire process."

So, it's true.

Your heart sank at the confirmation.

"Understandably, you may find his involvement frightening. However, you need to know that this has always been the nature of his job. If you think him cruel, remember that every drop of blood shed was in service of this nation's security. He's doing what only a few have the guts to do. And in this case, it's out of love for you that he was determined to ensure that those who harmed you and your mother faced justice. My lady, can you truly fault him for that?"

His words struck you like a boulder, and you realised he might be onto something.

The royal secretary grinned as he observed your expression, knowing his words were making an impact, "Besides, you've been here long enough to witness how good he can be to those he cares about. That includes you, all the staff in this estate, as well as his loyal friends currently seated in the living hall. Surely, there must be a good reason why these people choose to remain by his side, wouldn't you agree?"

Noting your silence and contemplative expression, San understood that you needed time to digest everything. While he hoped he had made a valid point, he knew that your conflicting emotions wouldn't dissipate so easily. Nevertheless, he had done his best to encourage you to keep an open mind and speak the truth.

Ultimately, the next steps were up to you.

"As much as I'd like to stay and chat, I have another appointment scheduled in an hour, so I should probably head to my next destination." He announced, rising from his seat opposite you.

His words snapped you out of your reverie as you got up after him, "Ah, yes, of course. I can't thank you enough for everything, San."

As you escorted him towards the exit, he smiled warmly at you, "You're most welcome, Lady Park. Don't fret too much about the royal event next week. I'm sure you'll do splendidly, especially considering you've already managed to impress the fourth prince. He's not an easy royal to handle, so that's quite an achievement."

Prince Yeosang is... not easy to handle?

Before you could ask him to elaborate, the royal secretary was already boarding his carriage. With a defeated sigh, you waved at him as the vehicle began to pull away.

Heading back inside, your mind reeled from his words. His Highness had never seemed difficult around you, so you struggled to comprehend what San meant. Besides his slightly playful demeanour, you didn't find the prince hard to handle in any way.

Before you knew it, your head began to throb with the endless thoughts swirling around. Eunsook rushed over in concern when she saw you swaying, your hands pressed against your temples.

"Mistress! Are you feeling alright? Oh dear, you look exhausted," She exclaimed, her worry evident in her voice, "That's enough studying for today. Go and rest. I'll bring you dinner when it's ready."

Throughout the rest of the week, Jongho and the others couldn't bring themselves to warn you about the potential advances of the fourth prince. They noticed how visibly stressed you were, dedicating all your time to refining your ladylike etiquette and practising formal speech with the head maid. Your determination for perfection in your debut at a royal event was clear as day.

After receiving all the help you needed, you were finally ready for the banquet. Standing before the mirror, you inspected yourself, admiring the delicate red flower the dressmaker had once again helped you paint on your forehead, perfectly complementing your new hanbok, "Are you pleased with the look, Lady Park?"

You nodded enthusiastically, "Absolutely, Hongjoong. You never disappoint, and you know that."

With newfound confidence, you departed from the general's estate, accompanied by Jongho and Eunsook. Mentally reviewing the list of potential royals in attendance, you appreciated Wooyoung's efforts in the past week as he assisted you with retrieving specific books from the public library and studying the royal family tree.

The private investigator lingered near the estate's entrance after seeing you off, his jaw slightly agape. He had always found you pretty, but seeing you all dressed up and with the flower on your forehead, he was struck by your ethereal beauty. Just as he was about to entertain the thought that Seonghwa must have saved an entire country to deserve someone like you, he realised that might actually be true.

"Excuse me, Jung Wooyoung. That's not your lady to be ogling like that. Behave yourself, or I'll have to whoop your ass on behalf of the general." Hongjoong warned, rolling his eyes as the younger man pouted before sulking back inside the estate.

As your carriage approached the familiar high palace walls, Jongho and Eunsook exchanged determined glances. They had agreed to stick by your side at all times, wanting to protect you from whatever schemes Prince Yeosang might have planned for the event.

"We've arrived, mistress." The assistant announced as the carriage came to a stop.

With the head maid's assistance, you stepped down from the carriage with slightly less ease than when your husband carried you, feeling a pang in your heart as you were reminded of him. Despite your complicated feelings, you couldn't deny the longing for his presence. You hoped he was safe and well while you attended the birthday celebration of another.

Approaching the grand entrance of the hall hosting the fourth prince's birthday banquet, you noticed that the palace staff responsible for announcing guests had recognised you immediately, sparing Jongho the need to introduce you. As you reached the entrance, the staff announced in a loud voice, "Miss Jang, eldest daughter of the former Minister of Military Affairs, has arrived."

Your shock was palpable as the announcement rang out, your eyes widening and your stomach sinking at the unexpected introduction. The last thing you wanted was to be associated with your father, especially not at such a prestigious event. You had been specifically told by the prince that you were here to represent your husband. So why would they announce you like that, using your past title, when you now held a new and official one as the general's wife? The discrepancy left you feeling uneasy and out of place as you stepped into the grand hall.

What's the meaning of this, Your Highness?

« Preview of Part 16 »

"General Park! Letters for General Park!"

The messenger's urgent cry echoed through the camp, drawing attention to the main tent where Seonghwa typically conducted his affairs between battles. Bursting into the tent, the messenger gasped for breath, his eyes darting around, "Sir, may I enter?"

"Come in," A deep voice replied, but it wasn't the general's. Officer Song, the military strategist, sat alone inside, his gaze fixed on the newcomer, "General Park is uhh... preoccupied elsewhere at the moment. What brings you here, soldier?"

Handing over the stack of letters he carried, the messenger answered, "The general has received a few missives, one from his assistant and another from His Highness, the fourth prince."

Mingi's brow furrowed in confusion, "The fourth prince?"

The messenger nodded vigorously, "Yes, His Highness mentioned it's regarding an urgent matter and should be delivered to the general as soon as possible."

Officer Song nodded in acknowledgement, "I see. Leave it to me, soldier. I'll ensure it reaches him as soon as he's available."

As soon as the messenger departed, Mingi's curiosity overwhelmed him, and he unfolded the letter from Prince Yeosang. His breath hitched as he absorbed the concise yet weighty message. The prince started off by conveying gratitude for Seonghwa's service to the nation and extended well wishes, reassuring him not to worry about returning.

However, the content took a surprising turn with his final paragraph.

'Out of respect for you, I am writing to inform you that I will be proposing to Miss Jang. I believe she deserves the freedom to choose her own husband. Perhaps what she needs is someone who can remain by her side and not cause her any worry. If you truly care about her happiness, you would understand.'

Once again setting the stage for the main event HAHA sorry for the (sorta) filler chapter, but I promise there will definitely be drama in the next part.😈

Also, thank you so much for 1.3k followers! As always, thank you for reading and please let me know your thoughts! <3

Tag list (1/9): @huachengsbestie01 @evidive @weedforthoughtz @ssrnghwa @yunnieo @sunnyhokyu @lynnsqueendom @frobin4ever @chwesuh-imnida @thunderous-wolf @itstheghostofmypast @professormingisglasses @deltamoon666 @avantalem @famishalll @yungilia @soobiverse @joongified @scuzmunkie @http-gyu @mentoslol @atinyreads @angel-hyuckie @anxiousskylar @onedumbho3 @narashii @ddaeing @sanstreasure0305 @sohnfile @scarfac3 @dreamingofyeo @puppyminnnie @tinyteezer @vantediary @satsuri3su @mismatchfluffysocks @aliona124754 @bts-army380 @lilactangerine @atinyniki @pay13 @1117promises @xoxkii @st4rcig4r @hikarii02 @nescaffei @xdolls-crownx @ashrocker123 @skzline @minkiflwr @starssongs98 @baeksofty @skz1-4-3 @kawaiikels @madnpan @maoyueze @en-happiness @cheolliehugs @persnyako @startinystay @chngbnwf @fatspecimen @christinerose380 @stfu-rina @kyukyustar @taytayy178 @appleschre @brielle-in-the-galaxy @kamabokogonpachro @laurenwidjaja @yangwonielvrs @n1k1mura @idkwgoh @loveateez @linosllvr @wolfgurl2600-blog

Tag list (cont.): see comment/reply section

All Rights Reserved © edenesth // DO NOT REPOST, TRANSLATE, PLAGIARISE OR REPURPOSE.

[raayllum]

She Must Pay the Price, or A Drop of Mercy :: A Rayla and Leola Meta

Quick:

You're a young elven girl, and you show mercy and compassion to a human that you definitely weren't supposed to. When it's found out, you're punished, with elves even calling for your execution (6x09, book 1 novelization). Your father does what he can, but there's only so much. You're put on trial. You're found guilty regardless of intent, and only by association. You die for this; you die for them. You're a star. A guiding light. There's even a Great Fall off a precipice (though only one of you hits the ground).

Your name is Leola, or Rayla.

You're the beginning and the end, respectively.

So let's talk about it.

Tests of Love

For years, I had wondered where Aaravos' assessment of "Those who fail tests of love are simple animals. They deserve to be motivated by fear" (2x09) came from, cause you don't drop in a line like that if it's not going somewhere. It's quite a statement and worldview, after all. Now, with Leola's trial, it seems we know.

We can see, then, perhaps that Leola's gift giving was the first test of love — are you willing to break the Natural Law, the Natural Order of things? — to help another? To show another a source of power in order to share, to be compassionate, and in Rayla's case, to be merciful (though we'll get more to that in a minute).

We also know that the love Leola had was powerful and all encompassing:

She didn't care to follow the order set in the stars. Though she was born an immortal being from the Heavens, she loved this world... and all its flaws. Her heart was warm and open.

And she befriended mortals. Animals, elves... and humans.

ETHARI: Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. (Bloodmoon Huntress)

Okay, so Leola and Rayla both have big compassionate hearts and befriend creatures from all over the place. So what? So do Callum, Ezran, Soren, and most of our other main good guy characters. Even Claudia to a degree (though she could work on not using magical creatures for spell parts).

Well, specifically, it's because of how they intersect currently more with anyone else on the concept of

Mercy

KOSMO: Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled. (6x05)

Rayla sparing Marcos, as noted in multiple interviews by the creators and by myself in previous metas, is ultimately the inciting incident / lynchpin of the entire series. Without it, there would've been no soulfang proposal or Ez running away to find the egg or any of the number of other elements that had to come together to make achieving peace possible.

While we still have details to discover regarding Aaravos' Fall and development of dark magic, we know that a lack of mercy was ultimately what sent him on his path of vengeance. Leola was not shown mercy, and while it seems there were already "flaws" for an imperfect world, things were (probably) better than they currently are in Xadia in a variety of ways. Then, to kick off the entire Saga, we have Rayla sparing Marcos in a soundtrack literally titled "Mercy" and have Kosmo, seasons and seasons later, spell out directly what a big deal this was for well, the ocean of time.

None of this is to say Rayla can't act out of revenge — she did ("when I first came here, I was on a mission for revenge") and she has ("but I became so obsessed with revenge"), much like Aaravos ("he isn't doing anything out of love, he's doing it for revenge") — but that her general compassion and love for others has always been stronger than her grief or rage, and that even when she had every social and personal reason to, she was and is fundamentally unable to hurt someone innocent.

Even when she's shamed or punished for it by herself or by others. RAYLA: The human looked up at me, and I saw the fear in his eyes. RUNAAN: Of course he was afraid, but you a job to do! (1x01)

EZRAN: Yeah, but then you saw he was scared, and you knew he was a person, just like you. RAYLA: That shouldn't have mattered. I had a job to do. (1x08)

The Cosmic Council — and to a degree, the Silvergrove — say that the reasonings or motivations, the intentions, behind Leola and Rayla's actions do not and should not matter when it comes out to doling 'Justice'. So Leola faces her justice, being literally killed in the one manner that can kill a Startouch elf, and so does Rayla, being metaphorically Ghosted / 'murdered' by her community, regardless.

Neither are enough to ultimately quell their light or their love/power, however.

A Star

RAYLA: That beautiful shining star you just pointed out? We call it Leola's Last Wish. (5x02)

So both Leola and Rayla are stars in season 6, literally and metaphorically respectively. Leola's is more self-explanatory, whereas Rayla's is mostly about the role she has in Callum's life as a guiding light and star. I don't think it's a coincidence, though, that just as Rayla placed Callum on his path of being a primal mage, though, that Leola did the same for humanity. I also don't think it's a coincidence that Callum's love for Rayla restores Callum's own light and agency amid Leola giving humanity the same through light and fire.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. (TDP shorts, Ripples)

In this way, we see the manifestation of a repeating parallel of Rayla representing Leola, a gift giver of life, magic, light, unjustly punished/killed, and Callum representing humanity, looking to the kindest brightest star for guidance, magic, restoration, and salvation if he's just given the chance to grasp it. After all, presumably, Leola's last wish would have something to do with primal magic and humanity, and who represents that better than Callum, with two arcana under his belt and possibly more on the way? With that in mind, I want to return to another quote from earlier but with a different focus on

Ripples

Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled.

The wisest of the humans looked upon the water. His own reflection smiled back at him, and he dared to imagine what such power would feel like in his own hands, should he be allowed to hold it. Imagine, he thought, if I were more than what I am. With a trembling hand he touched the surface of the water. Ripples spread from his fingertips. [...] I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand. In this, the humans taught me another lesson. And so I touch the surface of the water. I watch the ripples spread.

Water in TDP is a strange beast, symbolically speaking. There are some more straight forward motifs (reflections, "don't try to control where the river [of life] goes, there's one thing you can know and control: yourself"). For Aaravos, it's connected to deep loss but also his own sense of patience in playing and winning his game, as illustrated above. For Rayla, it's linked to shame, self-reflection, bravery, and loss. Aaravos weeps and creates a sea upon losing Leola; Rayla says goodbye to her family by the lotus pond times three.

We don't know what water represents for Leola. Not distinctly, anyway. The best we can figure though, is that by following the through line of the Rayla and Leola parallels, that the ripples Leola wanted to send out or did send out — not the distortions caused by her father and his grief — are ones that Rayla received, and then continued.

Rayla has always been a foil to Aaravos, and this hasn't changed. She is the one who set Callum on the path initially of being a mage, which put him in Aaravos' machinations as prey; she retrieved his Key; and she's the reason Callum's done dark magic, twice. At the same time, much like the moon, Rayla carries Leola's light as much as she shoulders Aaravos' dark. She literally represents light in Callum's life, helps lead him through the darkness, and him being a primal mage and it's possible growth to other humans is the best possible thing that could've ever happened to Xadia.

Sol Regem says that "no one can save" Xadia or fix what is deeply broken. The Cosmic Council said that Leola had broken the Cosmic order and had to pay the price. Rayla has repeatedly been willing to pay the price for both hers and other's actions in hopes of making things right, of sparing others' pain. Sometimes to her detriment, but—if Rayla as Callum's one Truth could fix the darkness within him, if she's the lynchpin for breaking the Cycle, for bringing back Runaan and fixing her family's souls, in opposing and presenting mercy amid the Council's lack of mercy, in the face of Xadia's violence—

Then Rayla's act of mercy in 1x01, and potentially beyond in S7 with Callum, will be what fixes Xadia.

Leola's gift of magic is what 'broke' Xadia, and her execution is what literally did so, leading to the division of the continent. She wrongly paid the price in the absence of mercy and love. Rayla is therefore her thematic successor — welcomed this time as Light and Truth — as the carrier of Mercy and Love, and she will 'fix' Xadia through her ripples and dynamics. She will mend them back together. There will, at last, be no price to pay.

Misc. Thoughts / Predictions

One thing I was always curious about going forward into future seasons was the prospect of a 'trial' or reunification of the Silvergrove. It felt like a no-brainer the Silvergrove would have to change in order to reflect Runaan's character arc, much the way we see Katolis and the Sunfire elves change to better accommodate the new, more compassionate world order. Pre-S4 a trial felt a little strange as an idea, though post-S4 the parallels it could provide to the Lucia tribunal made more sense about why include either (or both).

However, Leola's trial seemed to hammer home the almost necessity (as this is still a prediction, after all, that may not happen) of Rayla and/or Runaan saying their peace to the Silvergrove leaders. This would be a great opportunity to provide a contrast to the Cosmic Council, reaffirming that Xadia is ultimately better than them because the Moonshadow elves and everyone else can change, and the Cosmic Council seemingly cannot or will not. But I guess we'll have to wait for S7 or beyond (#GiveUsTheSaga) to find out if this'll come to fruition or not.

I also wanted to touch on what we see with Leola ("I'm so scared!") and the repeated emphasis on "recognizing fear as a moment of empathy and personhood" and the horror that can come if you don't have that moment of recognition. This is something I've touched on before most notably as a striking difference between S1 Rayla and S5 Claudia, but I thought it was worth mentioning as S6 added to it specifically with Viren towards Soren and Lissa. This is another point in the "Rayla is an inversion of the Council's lack of mercy" column, as Leola's — a child's fear, and Aaravos willing to pay the price and take her place — earns her no mercy. Rayla, meanwhile, sees someone innocent that she has 'every right' to execute is afraid of her, and that strays her hand; it steadies her sword, and she spares him. Because if someone is afraid of you, it's worth asking yourself why, and what you might want to do instead.

Last but not least I wanted to talk about Leola's parallels to Callum and Ezran as well, since they are very much there (though yet not perhaps to the same extent).

Ezran has Leola's friendliness to animals and soft heart. He too is a child whose death is called for as a means of Justice, and he is granted mercy through Rayla and the discovery of the egg, able to live and grow and help usher in peace. He is, I think, what Leola might've been allowed to be if she'd lived in different times. Callum, meanwhile, carries the gift giving motif through his cube, staff, and tokens he both gives to (moon-phoenix bracelet) and receives (the moon opal necklace) from Rayla, and previous 'human-Leola' magic dynamic. Callum being able to break free fully from Aaravos' and dark magic's control in S7 and turn his eye instead to primal magic will be what helps bring true justice to Leola and hope for humanity / Xadia in righting the Cosmic Council's fundamental wrongdoing. Hopefully, anyway.

Conclusion

I hope you enjoyed this deep dive into some parallels and potential narrative goings-on between Leola and Rayla as characters. TDP loves its historical and ironic layers in TDP (Ez and the Orphan Queen, Viren's arc from S1 to S6) and I think this layered thematic dynamic between the two merciful young girls was a good, brilliant choice by the creative team. I'm excited to see where this thematic thread goes in the future and how it may continue to be woven into the story. As always, thank you for reading, and I'll see you in the next one.

[transformers-spike]

Heyy I noticed that you put TFO among the stuff you might write for. Pls pls, if it's alright w/ u, Megatron x reader angry sex? Like, you might be a human he found after being banished and kept with him, and he trusts you bc u are nice, pose no real threat and ur good to blow off some steam :))))))))) but ofc he cares abt u, so it's more like angry sex + tender aftercare thank uuuuuuu i love my big metallic man with anger issues

My brain decided to do its own thing and for the sake of not writing a full length novel about it, I had to cut it short (and of course I made it sad because the boy is just dripping with angst - so I'm going to give him more.) So here:

He was advised to abandon you. Found in the deepest recesses of a Quintesson ship they’d shot down, you were still shaking from the crash. Not Cybertronian. Nor Quintessonian. A completely different being, with soft mesh, warm extremities and strands of something falling from your helm. An animal perhaps? Much like the strange quadrupeds traveling the surface? No, your optics move with intention, taking in your surroundings and wrinkling your optical ridge in clear contemplation. You are incredibly tiny, even next to a cogless miner. He wondered, briefly, when he first saw you, if you were another casualty of Sentinel’s tyranny, a forgotten being he sold off to the Quintessons without a second thought. He does not understand your language, nor can you speak his, but you observe the context and carefully come to associate certain words with objects, actions and designations. You cannot reproduce the subtle tones of Cybertronian with an organic vocalizer, much like the Quintessons – but you do not reject it. You learn to live despite your muteness. Many times he’s watched you draw figures in the sand with a twig the size of your arm, depicting what he could only assume to be a spaceship flying away from a distant planet as the Quintessons surround it. Sometimes you draw more of your kind, together in an embrace. You would stand over your creation, watching wistfully as the wind erased the fine traces of sand. A memory of your people. He wishes he could tell you about him and Orion, the pain of losing him, the crater in his chassis that will never mend – but guilt keeps him at bay. Soon enough, your provisions will run out. What they found on the Quintesson ship were rations made for your specific type of biology, with no guide to recreate them from, not even Shockwave could reverse-engineer the process. It’s simply too late. One orbital cycle, your life will come to an end, but he will give you the dignity of dying at his hands, painlessly. He is no stranger to starvation, but unlike him, you must refuel at various intervals during an orbital cycle, else he senses how you grow restless on his shoulder, fiddling with your servos, mesh growing pale and optics sluggish, growls emanating from your inner mechanism. You are not made for suffering Your life will come to an end, and you know this better than any other Decepticon; as though reading his thoughts behind the permanent scowl scratched into his face. Perhaps this is why he indulges in you even if he’s been advised against it. You’re eager despite your size, pressing yourself against his frame, ignoring your discomfort. He’s still getting used to his new body, including his strength for better or for worse. Yet you do not fault him when he leaves bruises. You kiss him and rub up against his spike, transfluid trickling down to his valve even before he comes undone. You squirm and laugh and pull him into a hug, helm to helm, a moment so perfect he’s ready to rip the cog from his chassis if it means staying like this forever, servos clenched into fists as he curses at Primus for the happiness he will shatter.

[three-realms-archive]

A Weak Wrist

Second oneshot of Scars, Wounds and Minor Inconveniences: a oneshot series featuring slice-of-life snapshots of the aftermath of Lesson 16. Naturally, features spoilers for OG Obey Me! up until that point. Each oneshot will have an associated headcannons post, which will be linked when it goes up!

“You will tell me what happened, Leviathan.”

Lucifer raises an eyebrow at the scene before him. You, on the floor and clutching your wrist. Leviathan, on the other side of the room and in demon form, holding a first aid kit he had taken out of the cabinet. Lucifer had opened the door just as Leviathan had taken out a bandage and started swinging his arm, as if to throw it to you as if feeding a scared, wild animal. When Lucifer had asked, his younger brother suddenly couldn’t look him in the eye - instead, Levi looks to you for a response.

You say nothing. This is hardly new to Lucifer, who had noticed that he only tends to see you in shared classes or family dinners recently. He’d watch you joke and laugh with his brothers so easily, which was pretty good news. Finally, the human was behaving themselves. Strangely, though, Levi’s face takes an uncharacteristically serious expression. As if steeling himself for your sake.

“W-We, uh, were trying out this new video-game I got for family game night. There’s, like, a mat… A mat! With arrows you hop on. To, um, play.” Levi explains. “But they… they fell. Their wrist, they fell on it and it got hurt. Badly.”

“I’m fine, Levi. My wrist is - ah, ah - weak, anyway.” You try to respond, growling through gritted teeth when you try to roll your wrist around. Your heart softens when Levi mumbles what seems to be “… because of me.” and shake your head. You clamp your eyes shut to prepare and attempt - again - to rotate your hand about your wrist.

The pain is brutal… but at least it distracts from the even-more painful memories of a quiz with a demon; and the injury to your wrist that resulted in it being so prone to injury.

“You’re not going anywhere like that. Here.” Lucifer sighs, massaging his forehead. Weak, vulnerable humans. He doesn’t see you freeze. “Take my arm. We’ll go to the dining room, get you some water and sit you down with an ice pack.”

“…”

You don’t respond. This is hardly new to Lucifer, yet he finds himself irritated.

“MC. That’s not a request.” He raises his voice, moving closer and offering his hand to you - and you flinch. Away from him. Lucifer is confused because what had he done, other than offer you assistance?

You, frozen as solid as ice, provide little to no answer to that question. Out of the corner of his eye, Lucifer notices Leviathan gulp, holding his breath, eyes darting between his older brother and his best friend. His concentration flickering and one can almost see the imaginary cursor struggling to choose between two options of the visual novel scene playing in his mind.

‘Say something.’

‘Say nothing.’

Levi chooses the latter, but turns to you. He opens his arms rather awkwardly. And then, you have to make the choice instead.

Inwardly, Lucifer huffs. Levi had caused your injury then, and he had caused it now. And offering a hug, of all things? How naive. Lucifer let his eyes meet yours, not feeling the need to offer anything more than he already had.

… But Lucifer feels something foreign and unpleasant in his chest when he watches you walk across the room - and into Leviathan’s arms. He watches the third-born brother stutter in shock, taking a few minutes to process - before scrambling to meet you halfway. And why wouldn’t he need to process that? Why wouldn’t Leviathan be surprised, after being the reason for your weak wrist in the first place? After all; Lucifer had been right there, the eldest’s arm slightly bent at the elbow, ready for you to place your hand. Ready to lend you support. Irritatingly, annoyingly ready to do anything for you… and for you to do anything - anything - remotely significant to him.

Ready to receive the forgiveness you seemed to give to everyone else so damn easily over the last few months. Had you forgotten that all of his family, in one way or another, had a part to play in your hurt just as much as Belphegor?

You, Diavolo’s exchange student, had finally been behaving, ever since Belphie. Lucifer had been proud of himself for taming you, because murder was commonplace in the Devildom. He had thought that witnessing it for yourself was just the lesson you needed to stay away from danger. You never speak to him unless spoken to. You had stay in your room when he was home. You freeze when he’s near. You let yourself be cradled by demons who had almost snapped your arm in the midst of a fit of envy; and would rather that than even come within six metres of his arm. You stayed far away from danger. You stayed farther away from Lucifer. And the combination of his pride and distance from you had made admitting that impossible for him. Admitting that his brothers had been spending the past few months trying; reaching out to you.

Lucifer, Avatar of Pride, had not.

So - having met in the middle of the room - Lucifer watches as you stay with Leviathan. Levi doesn’t quite know what to do with his arms, so the two of you huddle together like penguins looking for warm, under Lucifer’s icy stare. Every now and again, you cautiously peer over Levi’s shoulder. Your knuckles turn white from gripping Levi’s hoodie fabric. Your eyes meet with those of the Avatar of Pride - you immediately look away.

Lucifer stands apart from you, still by the room’s entrance. The arm he had offered for you to is retracted, as it’s nowhere near enough to reach you. And nowhere near a hug.

A horrid, awful truth dawns on him, making his stomach drop like butterflies turning to lead inside.

His would only ever allow him to take half a step forward.

And, in return, you would take ten steps back - far, far away from him. Even farther than from the demon who had broken your wrist.

And it would be a long, long time before you would let him get close enough to reach you.

…

…

“… Lucifer.” You murmur; voice barely above a whisper. His eyes meet to yours faster than he would like. “C-Could you, um… Could you get me a glass of water? Please.”

He stays there, for a few seconds. His breath hitches.

He… eventually nods, turning to leave the room. He gets the water; and doesn’t realise he’s slightly rushing.

He returns a few minutes later. He sees that you’ve detached yourself from his brother and, when your eyes meet his, you take half a step forward. He glances away.

He doesn’t look at you when he makes his way across the room to where you’re standing. Nor does he realise he’s walking quicker than normal.

Suddenly, the sound of gentle scales scraping against wood echoes to break the deafening silence and Lucifer finds Levi’s tail at his feet. Right in front of you, and right in front of him. A barrier.

He glances at Levi, one of his beloved baby brothers, and sees that he’s holding his breath again. His eyes are trained on you.

And when you smile at Leviathan, your shoulders relaxing a millimetre, Lucifer realises this is as far as he goes.

… Then it happens.

He hands you the glass of water.

You take it.

He feels your fingers brush. The tiny, minuscule contact sends electricity through his gloves, down his fingertips, and the feeling surges through his arms and straight to his heart.

After a few minutes, Leviathan gradually begins to say something about new video-game suggestions for family game night. The words are hazy and unclear - Lucifer’s too busy focusing on how it felt to be near you; to touch you; to hear you speak to him without being spoken to first, for the first time in months. The first time in what had felt like millennia.

It would be a long time before you would let him get close enough to reach you.

But, as you give him the smallest of smiles as thanks for the water, he’s somehow reassured that the time would come.

The least he could do, after all he’s done, is wait.

(i know wanted to see some lucifer-centric stuff, so here it is! they specifically mentioned mammon and satan, and those will come in a later chapter since i more see them as stuff lucifer doesn’t pick up on; or, at least, stuff that doesn’t require him to face you directly, so he gets to keep his pride. all of the brothers have hurt mc in one way or another, so i wanted something clear and concrete and emotional that set lucifer apart. i figured, the phrase ‘to keep your pride’ is used often used to stop people from apologising, taking responsibility or doing something with humility - so i figured it would be the same with the avatar of pride. he won’t be the first to address it.)

(please look forward to the next chapters, as well as their accompanying headcanon chapters! some people have also asked to be tagged in the posts relating to this series, so please comment below if you’d like to be tagged too)

(finally, massive thanks to @kittylilyheart for submitting the original idea and check out Phantom Pain in the pinned masterlist post to see it! my ideas inbox is still open, so please read the rules in the pinned post and submit something obey-me related you’d like to see me write!)

Taglist:

@kittylilyheart @gallantys

[springtyme]

𝐂𝐨𝐥𝐨𝐫 𝐓𝐡𝐞𝐨𝐫𝐲 ♡

Spencer Reid x reader || Main masterlist || Spencer playlist

summary: You spend a lazy sunday with Spencer.

word count: 765

𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝐂𝐡𝐚𝐥𝐥𝐞𝐧𝐠𝐞: 𝐃𝐚𝐲 𝟏𝟕) 𝐋𝐚𝐳𝐲 𝐒𝐮𝐧𝐝𝐚𝐲

You stretch out on the couch, snuggled in a soft blanket, letting the warmth engulf you. Sunlight streams through the window, casting a golden glow across the living room. It’s a lazy Sunday, and the world outside seems to slow down, matching the rhythm of your day.

As you glance over at Spencer, who’s sprawled in the armchair, you can’t help but smile. He’s buried in a book—one of those dense, scholarly tomes that only he could find leisurely. His hair is tousled, and there’s a forgotten mug of coffee on the table nearby, steam still curling lazily into the air.

“Spence,” you call softly, your voice almost a whisper.

He looks up, his brown hazel eyes sparkling with a mix of curiosity and amusement. “Yes?” he replies, shifting in his chair, his attention torn between you and the captivating pages.

“What’s the topic today?”

He beams, the sparkle in his eyes intensifying. “It’s about the psychological impact of color on human behavior. Did you know that studies show blue can create a sense of calm?”

“No, I didn’t know that, but it’s interesting.” You chuckle, shaking your head playfully. “Only you would spend a Sunday learning about the psychology of colors, Spence.”

“Do you want to know more?” he asks, his voice animated, and you can’t help but love how passionate he is when he talks about his interests.

You sit up, pulling the blanket tighter around your shoulders. “Sure, but first, there’s something we can do to test out that ‘sense of calm’ theory.” You gesture to the blanket, the soft blue fuss of fabric draped around you, inviting him over to join you.

He hesitates for a moment, torn between his book and you, but your smile is irresistible. With a small laugh, he sets the book down and pads over to the couch, slipping in beside you. You nestle against him, resting your head against his shoulder as he wraps an arm around you.

“This is much nicer,” he muses, leaning his head against yours.

You close your eyes, enjoying the peaceful atmosphere, inhaling the comforting scent of his shampoo. The world outside fades away, leaving just the two of you in this cozy bubble. “So, tell me more about how colors affect our mood,” you say, nudging him gently to continue.

Spencer goes on, the words spilling out with delightful enthusiasm, but you find yourself drifting in and out of his explanations, comforted by the cadence of his voice. His talk evolves into a blend of colors, emotions, and the psychological associations various hues evoke. He mentions how warm colors, like red and orange, can elicit feelings of excitement and energy, while cooler colors, such as green and blue, promote relaxation and calmness. You listen, occasionally catching snippets of data and studies, but even more so, you’re enchanted by the sound of his voice and the way he lights up when he discusses his passions.

“Did you know,” he continues, his fingers gently stroking your back, “that yellow is often associated with happiness and optimism? But too much of it can actually lead to frustration and anxiety. It’s a delicate balance.”

You nod, slightly drowsy, but still invested in his words. “Sounds like colors are more complicated than I thought,” you murmur, a soft smile playing at the corners of your lips.

As the afternoon rolls on, you both decide to take a break from deep discussions, opting instead for a movie. Spencer adeptly picks one from your collection, and you laugh when he chooses a quirky classic rom-com, probably unaware of the irony.

As the film plays, you snuggle deeper into the blanket, resting your head against Spencer’s shoulder, feeling the warmth radiate between you. The opening credits roll, and you can’t help but smile at the familiar soundtrack—the kind of feel-good music that reminds you of lazy  afternoons spent on the couch together.

Spencer’s hand finds yours, fingers intertwining effortlessly as the movie unfolds. The lighthearted banter on-screen makes you chuckle, and you steal glances at Spencer, whose eyes twinkle with amusement. You appreciate these moments, finding joy not just in the film, but in the shared experience, the little moments of connection that weave your lives together.

As the credits roll, you find yourself wondering how you got so lucky. The day has been simple yet perfect, filled with laughter, warmth, and a sense of easy intimacy. You turn to him, brushing a stray hair from his forehead, and he looks at you with a gentle smile, his eyes reflecting the soft glow of the afternoon light.

[kiddotarot]

Why you are your future spouse made for each other

Explanation = We only brings our personality ( Ascendant) and 7H according to our past life karma and this is why you and your partner made for each other to balanced the complete you . Check your Ascendant and sign sitting to your 7h . Thank you jay for jay ( astroid) regarding too much help and teaching and learning from his vedios .

Aries = Libra

Aries = person are more related to themselves. " me" is a perfect word to describe them cause this associate with ego , level of growing, what can you do to yourself. If you ask this person to do charities and donations they may be not intrested in this but if you ask them to help in surgeries and body related help they surely going to help for example = Salman khan do a lot of donations for operation and also donate is born marrow for a child. So this thay have opposite sign libra in there chart because you alway think about yourself and focus on only you with your future spouse you going to learn how to work in a partnership and work for others and manage things and resources in a relationship you can fi d ot difficult but it is the basic rule which god decided to teach you .

Libra = you are a person who always focused on relationship and how to satisfy everyone need . You can always find yourself stuck in a web of relationship from your family and friends and society because you think you need to make good relations with everyone . And with libra ascendant you have gain house leo (11H) so you want popularity from there but you need to understand that you are slowly loosing yourself in this that's why you have Aries as a partner which can show you how and what you can do to yourself always doing for others not always give you acceptance. They can show you to take desion for yourself too first look at yourself then others.

Taurus = scorpio

Taurus = you are more focused on external things family, society and recourse and outher validation . You always work for them or always think about them and of by chance your ascendant in afflicted then sure you going yo have problem from speaking for yourself your own people can insult you but you are not able to answer back. You always pit more focus on those things like you want your name mention in a donations if you do charity . That's why you have scorpio in you 7h because sure you future spouse going to teach you to go silent and why you need to be alone and cut out from others. Because god want you to learn internal expension. And these people spouse stand up for them and speak no matter if your family stand against you . If they have strong moon and venus as scorpio ascendant they going to be a obsessive lover. I am sure your sleep cycle is disturbed now for sure but after marriage it going to be improve.

Scorpio = you are a reserved person and sure rigid also . You have a bigger world in your innerself than outer world . Very private person you always cut off from society and peoples it make you feel you are enough alone but that's not it we are humans the social animals we need to do coperative with each other so your 7H Taurus person going to show you how to put efforts in a family after marriage because familys runs from both side and efforts they will sure bring you out of your zone and make you a coperative person . Because your partner know how to deal with enemies and diseases and coperative situation these three things going to add in your life for sure.

Gemini = sagittarius

Gemini = you are immature by subconscious mind like a kid so this is a little baby Mercury house which is not mature enough do your nature is like that . You either take desion very fast or always stay confused in your life even in your career. And your 2H rule by moon regarless its position in chart you always dpeak by your emotions and you less you mind in speaking caure you are pure heart like a child can be emotional speaker. Always take random action. Thats why you have sagittarius in your 7H according to me it is best placement cause your future spouse is really mature and knowledgeable going to tach you a lot of thing and act like a guide throughout the life they are the best person to take advice in life. Your luck can be rise after marriage cause they are supportive towards your desion are correct them . If you have bad 7h still check your partner jupiter it can still give good effect in some cases.

Sagittarius = you are always lucky and ethical and most of the time right in tyiur life but its make you a person who never be so experimental and may be find it difficult to accept chsnges. Its a jupiter ruled sign and no other planets is exalted here so we can say you never listen to others. You can have habit of procrastination in trying new things and experience. That's why you have Gemini in your 7h your partner is going to shake your world . They going to teach you how to be more changable and accept it. They going to teach you who be easy going on life and chill and be curious sure you going to have a hard time for that but they will be bright and open up your world.

Cancer = capricorn

Cancer = you are very emotional person and carying people often take advantage of it. And you may be get ashamed up for showing your emotions and you learn how to keep thing to you only not share them. That's why your house have capricorn 7h your spouse belives in more taking action and karma. They really don't have any filter when it comes to speak of fight for what's right in there eyes. And if Saturn placed goid your spouse can take stand for you always no matter what throughout your life.

Capricorn = you are always rigid and can have not do good experience in your life. Which can make or developed your mind set in a way thst you believe thst if i want something i need to do work hard and neglected your own emotions. You never forgive a person and aldo not forget what they do you believe in punishment that's why you have cancer in your 7H your person going to show you do not be hard on yourself and others . And you can believe in uour emotional side and not to shut it . They make you believe that innocence and purity still exists. You can work for others without selfishness.

Leo = Aquarius

Leo = you are wtical and may be main attraction in your own group . You carries a king qualities and believe in doing justice but on the negative side it can give you too much overconfidence and rudeness you are not ready to surrender in front of someone thsts why you have 7H Aquarius your future spouse going to make you humble and grounded cause Aquarius is mixture of rahu + saturan so its make a eclipse situation to a leo person but don't worry you are blessed by god only ehy this person can control you by his duality and expension. You sometimes you can't understand or can't handle there duality because they are always two step ahead from you.

Aquarius = you are a person who is deciplined but also have a great social contact you are like mass personality which is just expanding. And if your saturan placed bad i am sure you are not ethical. You can have a low immunity system and that's why you always fall sick fast and have some mysterious decease. That's why you have 7H leo your person going to show you how to be more ethical and justice. Because god give solution not punishment so your spouse is solution they ga e great immunity or they can creat a environment that can help you to stay healthy. Like tsking care of you routine and food a lot of good stuuf included a great person.

Virgo = pisces

Virgo = you are always more technical in your life because you always deal with enemies and problems so your mindset is developed yo use a strategy often and may be you get succeed most of the time and jave a thought that i am god or i am enough that's why you have pisces in 7H because your partner is a perso who never think. They will teach you how to get free from your active defence system and urge to controll everything they hsve a very flowing energy which make you to leave yourself in life flow. And everything is not logical something are out of our mind and in god hands.

Pisces = you are a person who believe in spirituality and often judt dream about things . You mostly not use your mind and think its all god wish but god is busy so thats why you have virgo in 7H your partner going to teach you a lot about how to work logical mostly in matters of enemies and life. They going to teach you its ok to make plans and give your hundred percent because as a human atleast we can do what's in our hands.

©️ kiddotarot