#australian witchcraft

[stormbornwitch]

Communing with Spirits to Create Personal Correspondences

Buckle up witches, we're doing spirit work!

So over the last ten or so years I've been working on connecting with spirits of the land in order to create my own personal set of correspondences.

Now, I'm not going to just list my personal gnosis about the various flora and fauna of where I live because unless you also live in Gubbi Gubbi Country, it won't be of much use to you. Instead, I'm going to give you the tools to do this for yourself so you can take your witchcraft from a beginner level where you're using common correspondences written in books, to an intermediate level where you're making your own.

Let's do this thing!

So, first you need to step away from the witchcraft books, with their carefully curated lists of correspondences, and step outside. It's important to note that most of the common flora and fauna used in traditional witchcraft originates from Europe. If you live in Europe, this makes it easier for you to make your own correspondences. If you don't... well be prepared to do a bit of hard yakka yourself.

"Using what is local and connecting with one's own land is fundamental." (Horne, 2019)

Step 1: Take a Walk

I know it might seem simple but you're going to walk around your local area. Wear some sensible shoes; fill a water bottle; bring your phone and keys; a plastic bag to put rubbish in; and a small notebook with a pen/pencil. I like to put all of this in a backpack but use whatever works for you.

If this is your first time doing this, you're not going to be making any correspondences. As you walk, reach out with your magic and introduce yourself to the local spirits. It will take time for them to be open to you, so the more often you do this, the better.

Don't pick any flowers or plants on these early journeys. Just take your time and if you see any litter, pick it up. This is a great offering to local spirits and helps pave the way for your connection to the land.

You will soon begin to 'sense' local places where there are stronger / more cognisant spirits. I like to call these 'places of power' and have made a hand drawn map of my local area with little symbols showing where these spirits reside.

Step 2: Learn Your Spirits

Now, learning the 'personality' of these spirits will help you to create correspondences later on down the line. Here are some general guidelines that I've found for my local spirits. Yours may be different.

Because I live in a colonised country, many local spirits don't like colonisers and will be actively hostile towards people who are not indigenous. For example, during the 1700s and 1800s there were massacres of the local Gubbi Gubbi people on this land by colonisers. The spirits of the land remember the blood of their cousins spilt by outsiders. In the 'lifespan' of older spirits like rivers, islands and mountains, these atrocities didn't happen that long ago... so you can understand why they wouldn't like non-indigenous people.

Water Spirits

Rivers tend to have strong spirits associated with them. They are slow moving, often nourishing, revitalising and cleansing. They're also OLD, like thousands of years old. The age of the river usually dictates the wisdom of the spirit. But you also need to do research into the history of the river, what plants and animals call it home and how it's been treated by humans as this often dictates how hostile the spirit will be with you when interacting with it. Most of the time river spirits will ignore you. Don't be discouraged, but understand that you are just one of the millions of entities living on their banks. Be respectful and persistent. It takes time.

Creeks and Streams are much younger than rivers most of the time and their speed reflects this. They often have more energising, almost playful spirits but this is not always the case. For example, there is a creek in Gubbi Gubbi Country called Murdering Creek... It's called that because in 1862, approximately 25 Gubbi Gubbi men were simply fishing in canoes during bunya season only to be ambushed and massacred by the Manager of the Yandina Station, Walter Taplock Chippindall, and five other stockmen (Gibbons, 2014). The spirit of this creek understandably does not like white people and did not want to work with me. That is totally fine and I respected its wishes. Just like people, not all spirits are going to like you. That's okay.

Lakes are often more calm spirits. They nourish the land around them and are often more reflective and quiet. You often have to really listen closely to connect with the spirit of a lake. Do not expect a quick response from a lake... let them ruminate for a while and come back later.

Swamps are simultaneously teeming with both life and death; with fallen trees, rotting logs, buzzing mosquitoes and all manner of wildlife. Spirits of swamps are slow and stagnant like the water that inhabits them. Not much phases them most of the time as they are used to the quickly turning wheel of life and death that lives in or around the swamp. They don’t really care about you most of the time… almost like an indifference that tastes like death and rebirth.

Freshwater springs are usually lively spirits bursting with energy bringing forth life-giving, generous refreshment from beneath the surface of the earth. They are cool and bright with an almost ‘mineral’ taste. There aren’t really many freshwater springs where I am that don’t have bottled water companies taking the water so admittedly, my connection with these types of spirits is limited.

The Ocean… Stand in awe at the majesty of these spirits. They are both life-giving and devastating. I love the ocean and feel safe when in its waters, but I also know it doesn’t give a shit about me. It is vast, ancient and tumultuous. There is deep, deep wisdom here… be respectful and you’ll be fine.

Earth Spirits

Mountains here are often proud and headstrong. The spirits of the Mountains on Gubbi Gubbi Country often have stories associated with them. The most famous are the volcanic plugs known nowadays as the Glasshouse Mountains. They’re a family: Tibrogargan, the father, and Beerwah, the mother, had many children. One day, Tibrogargan was gazing out to sea and noticed a great rising of the waters. He ran to his children and told them to flee inland. He told his eldest son, Coonowrin, to help his mother Beerwah, who was with child. But Coonowrin fled, leaving his mother behind. Enraged, Tibrogargan pursued Coonowrin and hit him in the neck with his club, leaving it crooked and bent. When the floods had subsided the family returned to the plains. Feeling ashamed, Coonowrin begged Tibrogargan for forgiveness, but filled with shame at his son’s cowardice, Tibrogargan could do nothing but weep copious tears, which, trickling along the ground, formed a stream that flowed into the sea. Then Coonowrin went to his brothers and sisters, but they also wept at the shame of their brother’s cowardice. The lamentations of Coonowrin’s parents and of his brothers and sisters at his disgrace explain the presence of the numerous small streams of the area. Tibrogargan then called to Coonowrin, asking him why he had deserted his mother. Coonowrin replied that as Beerwah was the biggest of them all she should be able to take care of herself. He did not know that she was pregnant again, Then Tibrogargan turned his back on his son and vowed that he would never look at him again. Even today Tibrogargan gazes far out to sea and never looks around at Coonowrin, who hangs his head and cries, his tears running off to the sea. His mother Beerwah is still heavy with child, as it takes a long, long time to give birth to a mountain.

Trees here in Australia have all sorts of different spirits and personalities. For example, most paperbark trees feel revitalising, like a snake shedding its skin, they are often spirits of renewal and change. They are also protective and healing as paperbark was used to make waterproof shelters,bedding, bandages, rafts, containers and more. The leaves were also used to add flavour to cooking, and a traditional ground oven will often include layers of paperbark leaves. Tea Tree spirits are also cleansing and healing. They often live beside lakes or swamps that are traditionally called “healing lakes”. The tannins of these trees leach into the water making the water change to a tea color while infusing the water with antibacterial and medicinal qualities. Eucalyptus or Gum tree spirits are often cleansing and protective as the leaves have traditionally been used in smoking ceremonies for millenia and their wood for shields. These spirits are also closely associated with fire as the leaves and bark don't decompose and are filled with a highly flammable oil. Eucalypts are therefore destructive, protective and even regenerative as our landscape needs fire to survive with many native plants requiring heat and smoke to crack open seed pods and help them germinate in the new carbon-rich soil.

Step 3: Write your Correspondences

I’m not going to go into detail here as Bree @breelandwalker has an excellent post all about Creating Correspondences which I will direct you to look at.

So yeah ~ hope this was helpful!

~ Marci 

References

Gibbons, R, 2014, ‘Deconstructing the Myth of Murdering Creek’.

Horne, R 2019, 'Folk Witchcraft: A Guide to Lore, Land, & the Familiar Spirit for the Solitary Practitioner'

[witchynyx]

2025 Witches Calendar

Seasonal Festivals: Southern Hemisphere

❤️ Lammas/Reflection: Feb 1 (traditional) / Feb 3 (astrological)

🩷 Autumn Equinox: March 20

💜 Samhain/ShadowFest: April 30 (traditional) / May 5 (astrological)

💙 Winter Solstice: June 21

💚 Imbolc/Quickening: August 1 (traditional) / August 7 (astrological)

🌿 Spring Equinox: September 23

💛 Beltane/Floralia: Nov 1 (traditional) / Nov 7 (astrological)

🧡 Summer Solstice: Dec 21

(Dates given are based on GMT+8 - Check the dates/times of the seasonal festivals in 15 different timezones)

...

Seasonal Festivals: Northern Hemisphere

💚 Imbolc: Feb 1 (traditional) / Feb 3 (astrological)

🌿 Spring Equinox: March 20

💛 Beltane: May 1 (traditional) / May 5 (astrological)

🧡 Summer Solstice: June 21

❤️ Lammas: August 1 (traditional) / August 7 (astrological)

🩷 Autumn Equinox: September 22

💜 Samhain: Oct 31 (traditional) / Nov 7 (astrological)

💙 Winter Solstice: Dec 21

(Dates given are based on GMT - Check the dates/times of the seasonal festivals in 15 different timezones)

...

New & Full Moons

🌑 December 31

🌕 January 14

🌑 January 29

🌕 February 12

🌑 February 28

🌕 March 14

🌑 March 29 - Super new moon

🌕 April 13 - Micro full moon

🌑 April 28 - Super new moon

🌕 May 13 - Micro full moon

🌑 May 27

🌕 June 11

🌑 June 25

🌕 July 11

🌑 July 25

🌕 August 9

🌑 August 23 - Black moon

🌕 September 8 - Total lunar eclipse

🌑 September 22

🌕 October 7

🌑 October 21

🌕 November 5 - Super full moon

🌑 November 20 - Micro new moon

🌕 December 5 - Super full moon

🌑 December 20

(Dates given are based on GMT+8 - Check the dates/times in your local timezone)

...

About the Calendar Wheel

The image on this post is the calendar I made for 2025, based on my location in Boorloo (so-called Perth, Western Australia), on Wadjuk Noongar boodjar.

From the centre, outwards, you'll see:

The 6 Noongar seasons

The 8 seasonal festivals (I've used the common names for the cross-quarters, since I'll probably use this on my business socials)

The 12 months of the year

The 52-ish weeks of the year

The 365 days of the year

The new, full, and quarter moons for 2025

Depending where in the world you're from, you might also notice some things look a little different than you expect...

The wheel is arranged Southern Hemisphere sunwise. Because the sun skewing towards the equator at midday take it to the north, the sun's path over the course of each day appears to move counter-clockwise (because clocks were made based off northern hemisphere sundials).

The quarter-moon icons seem inverted, because we're viewing the moon from a different vantage point. Southern hemisphere moon phases look like:

🌘🌗🌖🌕🌔🌓🌒

Likewise some dates might seem a little off - Astrological events occur at the same instant, regardless of where in the world we are, but how we mark that instant on our calendar will depend on what timezone we're located in (and which side of midnight that timezone places us).

I'm located ~12hrs ahead of the Eastern United States, so a lot of the events above might be the date before for folks in earlier timezones (likewise for folks in Eastern Australia and New Zealand, a handful of events might be the date after if they're in the early a.m.)

[the-evil-clergyman]

Walpurgis by Norman Lindsay (1924)

[weirdlookindog]

The Demon is a Hag - Gredown, Australia, 1978?

source

[lachailills-journal]

📗📗ＴＨＥ　ＦＩＲＳＴ　ＧＯＯＤ　ＤＥＥＤ📗📗𝚋𝚢 𝙻𝙾𝙺𝙰𝙻𝚈𝙻 𝙼𝙲𝙻𝙴𝙽𝙽𝙰𝙽📗📗Short Australian Horror.

If you like my videos please subscribe on Youtube.

[maxpadelchampion]

MAX AND LEWIS OUT AND OCON HAS A SMOKING BREAK????? WHO CURSED THESE MEN IM SO SERIOUS

[the-stardust-thread]

In person (MELBOURNE VICTORIA) and video call tarot readings 🫶

10 minute reading: $7 AUD

20 minute reading: $15 AUD

30 minute reading: $20 AUD

1 hour: $40 AUD

[devildevotee]

the magpie-lark

disclaimer: the following information is purely my own interpretation of what this animal means on a spiritual level, due to my own experiences in both witchcraft, and general knowledge on wildlife and wildlife behaviour in my area. i encourage people to do their own witchy research if they feel compelled to, you might learn something different from me!

the magpie-lark is a bird native to australia from the family monarchidae. they are medium-sized, black and white pied birds, known for being particularly territorial against larger birds, and sometimes people. an interesting fact about them is they're one of the few species of birds to sing in duets with one-another!

the energy of the magpie-lark can be worked with surrounding magic of the home and hearth (the territorial behaviour), particularly keeping a safe, homely environment. for this reason, they can help inspire protection magic, or aggressive magic of any sort. due to their marbled appearance and singing behaviour, they can also be interpreted as being a spirit of communication, with others who are alive or deceased.

the black and white being both present on the bird can also indicate working with extremes and opposites - thus, as the magpie-lark can be an animal of aggression, it can equally represent much-needed compromise and seeing eye-to-eye.

if you see a magpie-lark, it can indicate a multitude of things depending on your situation. it could be an indicator of:

overreaction, due to its extreme territorial behaviour.

a need for cooperation between yourself and someone else.

a spirit or family member wishing to communicate something important with you.

peace being needed in a situation of conflict.

the spirit wishing to assist you in defensive magic.

[stormbornwitch]

Connecting with the Land ~ Australia

Most of the folklore about witches and the practice of witchcraft originates from Europe.

The idea of 'witchcraft' wasn't a thing here in Australia until Europeans brought it with them. However, Indigenous Australians (as far as my research and interviews with elders have gone) follow what Western society would describe as 'animist beliefs' and 'magic rituals' were common practices.

Modern perceptions of animism, particularly in the Western World, are quite negative and viewed as "something hippies believe in." This perception is primarily caused by ingrained racist ideologies stemming from a colonial past (i.e., in order to justify subjugating people, you have to believe you're better than them) which perpetuated beliefs in colonised countries of the "primitive savage" and the "enlightened colonist." That's also not even mentioning the demonising of indigenous beliefs by missionaries of Christianity...

I find it ironic that in Eastern countries like Japan, where Christianity was not historically allowed to spread (banned in 1580s and hundreds of Christians were cruicified), animist beliefs like Shinto are now seen (in the Western world) as cool and mystical, and all the tourists want to visit the shrines of local spirits when they visit...

I'm getting off track, but hopefully you see my point: it is really hard to connect with a land on a spiritual level that is not yours, and was stolen from its traditional custodians on both a physical and spiritual level. I was born here in Australia, and so were my parents, but my ancestry is Scottish and British. I feel torn between two worlds that are so dichotomous from one another...

So, how do I connect with the spirits of the land?

Slowly, and with permission and guidance from local elders because there is a disconnect. I don't speak the language of the land and The Dreaming or 'spirit world' that accompanies our physical one. It doesn't help that much of the local language of the Gubbi Gubbi was lost due to the Stolen Generations, but there are general rules of thumb to follow when working with the Land:

We are a part of the land, and the land is a part of us. We are born from it, and so like our mother, we must care for and protect it. If you take care of the land, the land will take care of you.

Everything is about balance - never take more than you need and always give back what you can to ensure that the land is cared for for the next generation.

Ask first. Everything has a spirit, and you must ask before you take anything (I.e. like a branch from a tree). Thank the spirit for its gift / sacrifice (especially important if you have killed something).

Our ancestors watch over us our whole lives both from The Dreaming and in the physical world in the form of a totem (normally a whole family is represented by one animal). They are our guide, and your family must never hunt/eat your family's totem animal. It is your job to protect that species.

Many of the local landmasses and animals are represented by powerful ancestor spirits or creator spirits. Mooroo-kutchi (meaning red-bill, the name of the spirit of the black swan and an aboriginal girl from The Dreaming who transformed into a black swan searching for the spirit of her beloved Coolum who was killed by Ninderry.)

Smoking ceremonies are usually conducted as part of a 'Welcome to Country'. Each mob has their own traditional plant they use for cleansing the area of bad spirits and promoting healing and protection of visitors, but most use a species of eucalyptus or gum. The ceremony invites you onto the physical land as a guest and asks the ancestor spirits of that mob to watch over and protect you while you're there.

Corroboree (storytelling gathering) ~ knowledge of the land and its spirits are told through song lines and dances, and using the traditional language helps to connect better with these spirits.

Thank you to the local Aunties and Uncles for teaching me these and so much more over the years!

*'Uncle' or 'Aunty' does not mean we're related. Here, it is used as a sign of respect that recognises the age, wisdom, and knowledge of aboriginal elders. Though it's recommended that non-Aboriginal people ask the elder how they would like to be referred to as normally, it's not considered appropriate to refer to them as such unless a strong relationship has been established.

[kenziemeadowscottage]

Full Moon in Virgo meditation!

Things haven’t been going so well for me recently and it’s been rough.

I managed to go Spirit Sky’s group meditation for the full moon in Virgo, and as someone with 6 placements in Virgo I can get very overwhelmed by the moon energy in Virgo.

For anyone in Western Australia, I highly recommend checking out Spirit Sky! Carmen is an amazing woman who provides such a safe, loving, and supportive environment for all who join!

During the meditation I had to face some shadows that I knew were going to come up, and I bawled my eyes out.

On and off during the meditation I was crying. This release was so intense and I am proud of myself for being open not only to myself, but for allowing Carmen in while I was vulnerable. (Which is something I try not do around others).

One thing that helped a lot was the support I had while I was speaking about my experience afterwards. 🥰 One of the women even gave me a hug and now follows this blog! 😮💕

Our journey isn’t always linear and we will always have our ups and downs! That’s a part of our journey! 🦋

I feel more inspired and motivated as I follow Carmen’s advice of self care and being creative. 🥰

[bwots-reblog-grimoire]

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A post shared by Brooke Styles (@brookestyless)

I need so much more spring Halloween content

[therinforest]

🦇♥️ If anyone is good at deciphering dreams, pretty please inbox me.. ♥️🦇

[juneaupaws]

A commission for RayneDog !

[vampfuzz]

[maxpadelchampion]

somewhere some powerful tifosi cursed the rest of grid for this grand prix and it’s SHOWING

[umbrae-sortilegium]

ℐ𝓃𝓉𝓇𝑜𝒹𝓊𝒸𝓉𝒾𝑜𝓃 𝒯𝑜 𝒮𝒽𝒶𝒹𝑜𝓌 𝒲𝒾𝓉𝒸𝒽𝒸𝓇𝒶𝒻𝓉 ℬ𝑜𝓉𝒶𝓃𝒾𝒸𝓈 𝒫𝓇𝓉 𝟸 Aɴ Aᴜsᴛʀᴀʟɪᴀɴ Gᴜɪᴅᴇ Tᴏ Usᴇғᴜʟ Hᴇʀʙs﹐ Fʟᴏᴡᴇʀs ﹠ Oᴛʜᴇʀ Bᴏᴛᴀɴɪᴄᴀʟs. Australian native plants are a rich source of botanical diversity, offering a multitude of herbs, shrubs, and trees that have been utilized for various purposes, from culinary and medicinal to spiritual and ritualistic. In the realm of shadow witchcraft, which is often associated with dark and mysterious practices, many native Australian plants hold a sacred and sometimes even poisonous significance. These plants are revered for their unique properties and the connections they establish between practitioners and the spirit world. Many plants, herbs, flowers and other botanicals Witches use in the Northern Hemisphere are not available in Australia- the following are commonly found throughout Australia and are respectfully used by the custodians of the land, and its sacred Elders.

One of the most iconic and potent Australian native plants associated with shadow witchcraft is the Brugmansia, commonly known as the Angel's Trumpet or Daytura. This plant contains alkaloids that can induce hallucinations and visions when ingested or inhaled. For shadow witches, Brugmansia is often used in ritualistic settings to commune with the spirit world and gain insights into the mysteries of the beyond. However, its poisonous nature makes it a plant to be handled with extreme caution.

Another plant with a deep connection to shadow witchcraft is the Duboisia hopwoodii, commonly referred to as Pitcher Plant. This carnivorous plant produces toxic compounds, including scopolamine and atropine, which can induce hallucinations and delirium when ingested. Shadow witches are known to use this plant to enhance their psychic abilities, gain insight into the hidden realms, and enter altered states of consciousness.

The Tasmanian Devil's Marbles, scientifically known as Euphorbia obesa, are a group of succulent plants native to Australia. Their peculiar appearance has led them to be associated with mysticism in the realm of shadow witchcraft. These plants are believed to contain energy that can be harnessed for protection, divination, and banishing negative influences. Ingesting any part of these plants can be toxic, making them a powerful but perilous tool in the hands of shadow witches.

The Stinking Roger, or Tagetes minuta, is another Australian native plant with a connection to shadow witchcraft. It is known for its pungent odor, which is said to repel evil spirits and negative energies. Shadow witches often use this plant as a protective herb in rituals and spells to create a barrier against malevolent forces. It is not inherently toxic but should be used cautiously due to its strong aroma.

The Sandpaper Fig, or Ficus coronata, is a bushy native Australian plant that has been associated with shadow witchcraft due to its unique texture and appearance. The leaves of this plant have a sandpaper-like texture, symbolizing the concept of "rough magic." Shadow witches may use the Sandpaper Fig in spells and rituals to manifest change, overcome obstacles, and disrupt the status quo. Ingesting the leaves is not recommended, as they may cause digestive discomfort.

The Smokebush, or Conospermum stoechadis, has significance in shadow witchcraft due to its ethereal appearance and the mystical aura it emits. Its unique, cloud-like flower clusters give it an otherworldly quality, making it a plant associated with the veiled realms. Shadow witches may use the Smokebush in spells and rituals to call upon the spirits of the departed or to enhance divinatory abilities. While not inherently toxic, it should be used with respect and care.

The mysterious Black Kangaroo Paw, or Anigozanthos manglesii, is a plant associated with shadow witchcraft due to its striking dark color and its symbolism as a gateway to the hidden realms. Shadow witches may use the Black Kangaroo Paw in rituals to explore the shadow self, work with the energies of transformation, and connect with ancestral spirits. Ingesting any part of this plant is not recommended, as it can be potentially harmful.

The Australian native Sturt's Desert Pea, or Swainsona formosa, holds a sacred place in the practices of shadow witchcraft due to its striking crimson flowers and its connection to the spirit world. This plant is believed to be a bridge between the living and the deceased. Shadow witches may use the Sturt's Desert Pea in rituals to communicate with the souls of the departed and seek guidance from the other side. While the plant itself is not poisonous, it should be used with reverence for its spiritual significance.

The Purple Loosestrife, or Lythrum salicaria, is a plant native to Australian wetlands and is linked to shadow witchcraft due to its vibrant and alluring appearance. Shadow witches may use this plant in love spells and enchantments to manipulate the emotions and desires of others. While not poisonous, it should be used with ethical considerations and an awareness of the potential consequences.

The Sundew, or Drosera spp., is a group of carnivorous plants native to Australia, known for their glistening, sticky tentacles that trap insects. Shadow witches may incorporate the Sundew in their practices to harness the energy of entrapment, binding, and control. While not poisonous to humans, these plants are fascinating symbols of the shadowy aspects of nature.

The Tasmanian Blue Gum, or Eucalyptus globulus, holds significance in the world of shadow witchcraft due to its association with protection and purification. Shadow witches may use its leaves in rituals to banish negative influences and ward off malevolent spirits. While not toxic, the essential oils from this plant should be handled with care and diluted properly.

The Blackwood, or Acacia melanoxylon, is an Australian native tree with dark wood and a deep, mystical significance in shadow witchcraft. Its timber is often associated with transformation, as it is used to craft ritual tools and sacred items. Shadow witches may seek to connect with the spirit of the Blackwood tree to channel its energies for personal growth and empowerment. While not poisonous, the tree's wood should be sustainably harvested to honor its sacred connection.

The Wollemi Pine, or Wollemia nobilis, is a rare and ancient conifer native to Australia that has a profound connection to shadow witchcraft. Its status as a living fossil and its resilience throughout history make it a symbol of hidden knowledge and endurance. Shadow witches may use the Wollemi Pine to gain insight into ancient wisdom and connect with the spirits of the past. Harvesting this tree from the wild is strongly discouraged, as it is a critically endangered species.

The Velvet Bush, or Lasiopetalum schultzei, is a native Australian shrub associated with shadow witchcraft for its velvety, dark foliage. Shadow witches may use this plant in spells and rituals to connect with the energies of mystery and transformation. While not toxic, the Velvet Bush should be used with reverence for its symbolic significance in shadow magic.

The Grey Spider Flower, or Grevillea buxifolia, is a native Australian plant with spidery, otherworldly flowers that have a mystical quality associated with shadow witchcraft. Shadow witches may use this plant in rituals to communicate with spirit guides and to tap into the secrets of the unseen realms. While not poisonous, the Grey Spider Flower should be approached with respect for its spiritual significance.

The Black Kangaroo Paw, or Anigozanthos manglesii, is a unique and striking Australian native plant that holds a special place in shadow witchcraft due to its dark color and symbolic connection to the hidden realms. Shadow witches may use the Black Kangaroo Paw in their rituals to explore the mysteries of the shadow self, facilitate transformation, and communicate with ancestral spirits. While not inherently toxic, this plant should be handled with care and respect for its sacred associations.

The Devil's Twine, or Cassytha glabella, is a parasitic plant native to Australia that has gained notoriety in shadow witchcraft due to its enigmatic growth and ethereal qualities. Shadow witches may incorporate the Devil's Twine in their spells and rituals to enhance their psychic abilities and explore the boundaries between the living and the spirit world. While not poisonous, it should be used with caution, as it is a plant that embodies both mystery and connection.

The Finger Lime, or Citrus australasica, is a small, citrus-bearing tree native to Australia, and its unique fruit is associated with shadow witchcraft for its symbolism of hidden revelations and unexpected knowledge. Shadow witches may use the Finger Lime in rituals to reveal hidden truths and access concealed information. While not toxic, the fruit should be used with intention and respect for its symbolic significance.

The Desert Bloodwood, or Corymbia opaca, is a native Australian tree with dark, gnarled bark and a connection to shadow witchcraft. Its resilience in harsh environments and its deep-rooted nature make it a symbol of inner strength and transformation. Shadow witches may use the Desert Bloodwood in rituals to access their inner power, overcome obstacles, and harness the energy of change. While not toxic, this tree should be approached with a sense of reverence for its symbolic associations.

The Australian Shepherd's Purse, or Capsella bursa-pastoris, is a plant with small, heart-shaped seedpods and is associated with shadow witchcraft for its symbolism of hidden desires and secrets. Shadow witches may use the Shepherd's Purse in spells and rituals to uncover concealed truths and tap into the realm of the subconscious. While not toxic, it should be used with a sense of intention and respect for its symbolic significance.

The Queen of the Night, or Selenicereus grandiflorus, although not native, it can be commonly found. Queen of the Night is a cactus with night-blooming, fragrant flowers that have associations with shadow witchcraft. The mysterious and ephemeral nature of these flowers makes them symbols of hidden desires and forbidden knowledge. Shadow witches may incorporate the Queen of the Night in their practices to access the hidden aspects of themselves and explore the depths of their desires. While not poisonous, the cactus should be handled with care due to its spines.

The Flannel Flower, or Actinotus helianthi, is a native Australian plant with delicate, daisy-like flowers that have connections to shadow witchcraft due to their ethereal beauty. Shadow witches may use the Flannel Flower in spells and rituals to invoke the energies of enchantment, attraction, and the hidden mysteries of nature. While not toxic, this plant should be approached with respect for its symbolic associations. Eucalyptus, often referred to as gum trees, is an iconic Australian genus, comprising over 700 species. It has a long history of use by Indigenous Australians for medicinal purposes and forms an integral part of their cultural heritage. The leaves of many Eucalyptus species are rich in essential oils, making them valuable in the production of traditional remedies and modern pharmaceuticals. Additionally, the bark and leaves of various Eucalyptus species have been used in indigenous medicine and witchcraft practices. Kangaroo Paw, or Anigozanthos spp, is a group of plants native to southwestern Australia and is known for its strikingly unique flowers resembling a kangaroo's paw. In Aboriginal culture, the plant holds significance due to its use in traditional medicines and rituals. Its vibrant colors and distinctive shape make it a powerful symbol in shadow witchcraft, often associated with transformation and adaptability. Banksia, a diverse genus of shrubs and trees, is also deeply rooted in Aboriginal culture, with numerous species being used for food, medicine, and tools. The Banksia serrata, known as Old Man Banksia, is particularly noteworthy for its gnarled appearance and is associated with ancestral spirits in Aboriginal mythology. In shadow witchcraft, its seeds and woody cones are believed to possess protective qualities. Acacia, commonly known as wattle, is a diverse genus comprising over 1,000 species in Australia. The Golden Wattle (Acacia pycnantha) is the national floral emblem and has cultural significance for Indigenous Australians. Acacia has a long history of use in both traditional medicine and magical practices, with its fragrant blooms often employed in spells related to love, purification, and psychic enhancement.

The Tasmanian Blue Gum, or Eucalyptus globulus, is a species of Eucalyptus tree known for its aromatic leaves and distinctive blue-green foliage. It is often used for spiritual and cleansing rituals in shadow witchcraft, particularly for its association with psychic insight and dream work. In some Indigenous Australian cultures, the Tasmanian Blue Gum holds significance as a source of timber, tools, and medicines.

The Black Wattle, or Acacia mearnsii, is an invasive species originally from Australia but now found in various regions around the world. It has significance in both traditional Aboriginal medicine and shadow witchcraft, where it is often used to enhance one's psychic abilities and intuitive insights.

The Waratah, or Telopea speciosissima, is a striking native shrub with brilliant red flower heads that are a source of great beauty and significance in Australian flora. It has been used in Indigenous culture for its vibrant appearance and in shadow witchcraft for its associations with love, passion, and transformation.

The Xanthorrhoea, commonly known as grass trees, are iconic Australian plants with tall, slender trunks and tufted, grass-like leaves. These plants have various uses in Aboriginal culture, from making tools and weapons to providing food. In shadow witchcraft, the resin produced by Xanthorrhoea is often used for its protective and purifying qualities.

The Snake Vine, or Hibbertia scandens, is a twining climber native to eastern Australia. It gets its name from the twisted and serpentine appearance of its stems. This plant has been associated with various magical and medicinal uses in both Indigenous and witchcraft traditions, often linked to its sinuous form and its connection to the serpent archetype including the Dreamtime Serpent and other Australian ancestral spirits and deities. The Stinging Nettle, or Urtica incisa, is a native Australian plant known for its stinging hairs that cause discomfort when touched. In some forms of shadow witchcraft, this plant's stinging properties are harnessed for protective spells, curses, or rituals involving pain and transformation.

The Native Violet, or Viola hederacea, is a small, creeping plant with dainty violet flowers. It has cultural importance in some Aboriginal communities and is associated with protection and healing in shadow witchcraft, particularly in matters of emotional well-being.

The Pigface, or Carpobrotus spp, is a succulent plant with colorful, daisy-like flowers that are found in coastal regions. In some Indigenous cultures, the Pigface has culinary and medicinal uses. In shadow witchcraft, it is associated with protection, especially in coastal areas, and is believed to have grounding properties.

The Geraldton Wax, or Chamelaucium uncinatum, is a shrub known for its abundant pink or white flowers. It is used in shadow witchcraft for its qualities of purification and protection, often used in rituals and spells to cleanse spaces and ward off negative energies.

The Bush Tomato, or Solanum centrale, is a small fruit-bearing plant found in arid regions of Australia. It has culinary and medicinal uses in Indigenous cultures and is often associated with fertility, abundance, and nourishment in shadow witchcraft.

The Hakea, a diverse genus of shrubs and small trees, is native to Australia and has significant cultural and ecological importance. In shadow witchcraft, the Hakea is associated with resilience, adaptability, and protection, especially in the face of adversity.

The Poisonous Gimpi Gimpi, or Dendrocnide moroides/excelsa, understood to be a Kabi Kabi- a word meaning 'devil'- is notorious for its intensely painful stinging hairs, making it one of the most feared plants in Australia. In shadow witchcraft, its venomous nature is harnessed for curses and hexes, symbolizing the power to inflict pain and suffering.

The Desert Rose, or Gossypium sturtianum, is a striking, pink-flowering shrub native to arid regions. It is used in shadow witchcraft for its associations with transformation, resilience, and blooming in harsh conditions.

The Sturt's Desert Rose, or Gossypium sturtianum, is a hardy shrub native to arid regions of Australia, known for its striking pink flowers. Shadow witchcraft, is often associated with endurance, survival, and the ability to thrive in challenging environments.

The Balaustion, or Callistemon spp, is a genus of shrubs commonly referred to as bottlebrushes due to their cylindrical, brush-like flowers. It has significance in Indigenous cultures and is used in shadow witchcraft for its symbolism of cleansing, purification, and renewal.

The Blackthorn, or Bursaria spinosa, is a native Australian shrub with sharp, thorny branches and white flowers. It has been used in Indigenous medicine and holds a dark symbolism in shadow witchcraft, often associated with protection, barriers, and defensive magic.

The Fairy Fan Flower, or Scaevola spp, is a delicate, trailing plant with fan-shaped flowers. It is used in shadow witchcraft for its associations with grace, adaptability, and the whimsical world of the fae.

The Kangaroo Apple, or Solanum aviculare, is a native Australian plant with greenish-yellow fruit. It has been used in traditional medicine by Indigenous communities and is associated with transformation, shape-shifting, and altered states of consciousness in shadow witchcraft.

The Weeping Myall, or Acacia pendula, is a distinctive tree with pendulous branches and has significance in Indigenous cultures. In shadow witchcraft, it is associated with emotional release, healing, and purification.

The Yellow Alder, or Turnera ulmifolia, is a small shrub with bright yellow flowers. It has been used in Indigenous medicine and is associated with enhancing intuition and clairvoyance in shadow witchcraft.

The Tea Tree, or Leptospermum spp, is a group of evergreen shrubs and small trees known for their antibacterial and healing properties. In shadow witchcraft, the Tea Tree is often used for cleansing and protection, especially in rituals involving purification and banishing negativity.

The Silver Banksia, or Banksia marginata, is a coastal shrub with silvery leaves and cylindrical flower spikes. It is used in shadow witchcraft for its protective qualities and its ability to ward off negative energies. The Grasstree, or Xanthorrhoea spp, is a group of slow-growing, tree-like plants with tall flower spikes. It has cultural significance in some Aboriginal communities and is associated with longevity, wisdom, and protection in shadow witchcraft.

The Emu Bush, or Eremophila spp, is a group of shrubs with colorful, tubular flowers. It has been used in Indigenous medicine and is associated with healing, transformation, and psychic abilities in shadow witchcraft.

The Dorrigo Pepper, or Tasmannia stipitata, is a native Australian shrub with small, peppery berries. It has been used in traditional Indigenous cuisine and is often associated with spicy, transformative energies in shadow witchcraft.

The Quandong, or Santalum acuminatum, is a small tree with bright red fruit. It holds culinary significance in Indigenous cultures and is used in shadow witchcraft for its associations with vitality, passion, and protection. Australia's native herbs and plants encompass a vast and diverse botanical tapestry, with deep roots in both Indigenous culture and the realm of shadow witchcraft. The connections between these plants and their spiritual and magical attributes are rich and complex, reflecting the intricate relationship between the natural world and the human psyche in this unique and ancient land. Whether used for healing, protection, transformation, or other mystical purposes, these native Australian plants continue to play a significant role in the spiritual and cultural fabric of the continent. Should you have any questions about any native flora in your area and what magical/spiritual qualities they hold- feel free to ask the questions and I will answer to the best of my abilities.

My qualifications are rooted in an in-depth understanding of Australian medicinal plants, their profound medicinal values, and their sacred applications within indigenous practices cherished by the ancestral people of this land. Through years of dedicated research and engagement with indigenous communities, I have acquired a comprehensive knowledge of the unique flora found across Australia and the remarkable healing properties they possess. This knowledge extends beyond mere botanical expertise; it delves into the cultural, spiritual, and traditional significance of these plants in the daily lives and sacred rituals of indigenous peoples.

In addition to my hands-on experience, I have also earned an advanced diploma in herbal medicine, which further deepens my expertise in harnessing the therapeutic potential of native Australian plants. This formal education has enabled me to apply a scientific perspective to the rich traditional wisdom I have gained from indigenous communities, bridging the gap between ancient knowledge and contemporary herbal medicine practices. It equips me with the skills necessary to analyze, extract, and prepare medicinal remedies from these plants, ensuring they are used safely and effectively.

My immersion in the indigenous communities of Australia has been a transformative and invaluable aspect of my journey. By sitting with numerous indigenous families, I have been fortunate enough to witness and participate in their sacred rituals and medicinal practices, thereby enriching my knowledge with first-hand experiences and insights. This unique opportunity has allowed me to not only learn about the medicinal properties of these plants but also understand the spiritual and cultural contexts in which they are utilized. This profound connection to the sacred land and its people has deepened my respect for their traditions and their incredible contributions to the field of herbal medicine, making me well-equipped to honor and preserve this rich heritage. © Dʏsʜᴀɴᴋᴀ/Oᴅᴇᴛᴛᴇ ₂₀₂₃