#and talking to her is difficult

[balkanradfem]

I just spent two hours fixing a cabinet door, which sounds so ridiculous, it should be a 10-minute job, but one of the screws got stuck in it so badly and would not come undone, and also I had no tools, I was using old broken scissors and a knife.

I had to fix it because my last roommate was a bit too violent with the doors and they got all wacky and unstable, and I'm getting a new roommate today; it would look so bad if her cabinet is immediately broken on the day she moves in.

Anyway I managed to fix it! I assumed it had to be an obvious easy solution because they're all designed for m*n to put together, and I was right, it was easy and obvious and I guessed how to deal with it just by looking at it. Feeling proud of my first cabinet fix!! I've never done it before or seen it done and yet I did it. And it only took 2 hours with appropriated tools.

[ashyseapancake]

Hong Kong high schooler Miku 🇭🇰

[hinamie]

playing around w slightly different hair renders

[shigayokagayama]

happy one year anniversary to the most insane week in internet history

[aalghul]

I can't find my post but I still think the reason a lot of jason and cass interactions feel off is because we need to address that they're the exact opposite in that cass killed and was changed by the toll it took on her to take a life, and spends so much time believing she needs to give her life to atone. meanwhile jason was killed and was changed because he knows what it is to die and lose your whole life, and he willingly becomes a murderer to save people.

even in respects to the emphasis being on victims vs mourners? cass (who has taken a bullet for a murderer) allowed a killing to occur when she could've stopped it and it was when a murderer was on death row but the mother of his victim told cass she had to let him die because her daughter died. Cass wasn't happy about it, but she stepped aside. jason kills specifically to stop there being future victims. this is what motivates his first kill and every other kill in lost days. when he asks bruce to kill joker, it's not so that bruce or anyone else will be at peace knowing someone who hurt others is dead. it's so that jason (the victim) will, theoretically, be content. so that there won't be other ppl who become victims of the joker's.

their case isn't as simple as loving or hating the other. they have to exist in a weird grey space with each other unless you're forcing them to not think about themselves entirely. their relationship would honestly have to be more complicated than the average bat relationship and that's saying a lot.

[cowchickenbeefpork]

here’s a Claudia!!!!!! First piece of fanart for this fandom aaaaaaa I wanted to be able to give this fandom something for now….i do plan on drawing and even writing more for this fandom since I adore this series

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon (she/her). her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[salty-an-disco]

Cuz like. Nightmare didn't choose to become this. She didn't want to be this. But no matter what, no matter how good of an impression she makes, no matter how nice she first appear, you can still say 'No. I don't trust this, actually–' and from that point on, it doesn't matter what she was before, she might as well never have been anything else before, because all you see now is an untrusting figure who can somehow end the world through unknown methods.

And so, that's what she becomes.

And despite it all, all she wants is for you to understand her.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[lesbianwithchainsaws]

Sometimes watching Community is like "Abed's just like me fr 😃" and sometimes it's "Abed's just like me fr ☹️"

[radioroxx]

funny thing about aus in which another one of the party joins the loops with siffrin is that, while the others are 10x more likely to mention the loops, i cant imagine any of them would go to siffrin first.

[temeyes]

[OC] Logan said modern era!Maria would be a Gamer Mom, and i couldn't agree more……..

[dvrtrblhr]

What is your opinion on old man yaoi? 🤔✨️ ( and by old man yaoi, i mean Lambert/Rodrigue )

i like it! i like the idea of rodrigue being engaged to his wife since infancy (like glenn!) and they love each other as friends (i also imagine she was best friends with lambert's first wife and she was the one who introduced them)! though i do believe lambert likes women too and really was in love with patricia/anselma! i imagine lambert being the kind that falls in love very easily (and with more than one person at the same time) and that would be a torment to rodrigue lol

anyway, i'm a multishipper at heart so there are very few ships i won't at least consider ;)

[hauntingsunshine14]

summer olympics 2028 in a universe with no exy we have:

star gymnast neil josten

heavyweight champion andrew minyard

tennis pro kevin day

rugby goddess allison reynolds

d pole laxer matt boyd

marathon swimmer renee walker

volleyball libero aaron minyard

hockey forward dan wilds

synchronized diver nicky hemmick

[bi-scottsummers]

Hi, hello, just came here to say that I love your fic "trending in Japan". I was wondering if you had headcanons regarding Kenji or Emi or interpersonal relationships and stuff. Many hugs for you.

hi hello, thank you for the encouragement and hugs! After some thought ive realized I do in fact have some hcs about some of the character dynamics in the movie as well as just kenji himself, cause hes captivated my entire brain:

Kenji & Emi

Emi does not have teeth but she does inexplicably have a teething phase. kenji is forced to hide all his (salvaged) fancy cars in the garage bc the corvette's already been chewed to hell and his heart is gonna give out if he has to watch any more classics get wrecked

he reads her bedtime stories. A lot of aesop's fables, because theyre short and fun and hes trying to raise his monster daughter with good morals. emi goes hogwild for these but its unclear if she actually understands what hes saying; kenji's pretty sure she just likes the silly voices he uses for different characters

they go flying together! they go first thing in the morning before breakfast - it helps kenji shake off the grogginess of sleep and emi gets to stretch her wings. shes not able to go very far for very long initially, but as she grows and gets those cardio gainz she almost gets to be quicker than him. they have races and play air tag :)

while she doesnt have the vocal range to speak english herself, it becomes clear that emi does understand it well. (kenji also develops an ear for her chirping/squawks, though body language & facial expressions play a big part in communication for both of them) during her (much later) rebellious phase she'll simply pretend not to know what's being said when kenji is telling her to do something she doesn't wanna do, which frustrates him to no end

Kenji

developed a pretty massive chip on his shoulder after moving to the states. it wasn't just bitterness over his dad staying behind, though that was a part of it. this is canon but he was picked on in school for "how [he talked], how [he looked] and what [he ate]." he felt like he had something to prove to both his father and the world. he threw himself into sports - specifically baseball - and his academics, and he did so well that it forced everyone to shut up about how he was different from them and focus on how he was better than them

^ playing off this: kenji had a bonkers fucking yonkers routine when he was a kid/in highschool. he'd get up hours before school started to practice his swing, go for a ~1hr run, workout, study, etc. He'd go to school, come home, and do it all again. this is exaggerated but my point is that this kid was DETERMINED and had the discipline to see that determination through to the end

didnt have many friends because of all aforementioned things. he had acquaintances, and he was invited to parties and outings and stuff (never went), but he spent most of his free time hanging out with his mom. he never really had a "parents are so embarrassing" phase. he always liked to do anything with his mother: going to the bank, going grocery shopping, watching cheesy telenovelas till ungodly hours in the morning, etc. she was his no.1 supporter, confidant, and best friend

he played for his university's baseball team and got scouted at 19. his mom forced him to finish his bachelor's first so once he graduated with his degree in kinesiology at 21, he was drafted to the dodgers

Kenji & Ami

both of them, up until meeting each other, were totally dedicated to their career (and child) so they had basically 0 time for friends. theyre both borderline losers but theyre juuust good enough at what they do for people to admire them instead of finding them sad and lowkey pathetic

kenji is way more into the idea of being friends than ami is. hes pretty enthusiastic about it; he thinks that they have a kind of rapport, since they share a similar work ethic and are both (unbeknownst to ami) single parents. he calls her to chat abt random things. ami initially isnt superrrr into it; she thinks kenji is kinda lonely and desperate for human connection, & it isnt until her mom points out that she has not spoken to anyone outside of work-related reasons in 10+ years that shes like oh shit, i am also lonely and desperate for human connection. so she grudgingly acquires a friend. theyre both really bad at it

need to clarify that in my mind their dynamic is 95% kenji yapping about work and drama in his personal life (circumventing the 8m baby kaiju hes raising) while ami goes "mhm mhm" and takes notes until kenji notices and is like What are you doing. at which point ami is like...... right . nothing. im listening. and forces herself to put the notepad away. she has a hard time disengaging from the reporter mindset and just hearing something intriguing without turning it into an article. the other 5% are the rare moments where theyre connecting super well - ami's psychoanalyzing the hell out of whatever kenji just said and hes like what are you my therapist. over time she starts opening up to him, too, and eventually theyre comfortable enough to be having philosophical discussions over breakfast just for funsies

before kenji reveals that hes ultraman, ami thinks hes in a gang. he keeps showing up to their lunch "dates" with like bruised eyes and fractured bones and gets all shifty when she tries to ask about what happened. when she eventually confronts him about it, hes so offended that she thinks hed be involved in something like that that he tells her about being ultraman

thats about all i can think of rn, though im sure ill think of more after rotating all the characters in my head for a while. thanks again for stopping in, i appreciate the support :)

[laufire]

kinda want to make a list that's "good comic arc, I wanted to give bruce a swift kick in the nuts during it, 10/10 would recommend" but there's a chance it'll be "every good comic arc I've read that happened to include batman in it." no hate, I just think the man has a very kickable ballsack.