#and so many complicated obscure experiences that are so different for so many people

[dogin8]

Post where I explain what Non Binary means to "It's just the third gender" people by using maths notation

our sets:

B (for Binary)

NB (for Non-Binary)

B = {0,1} which means, the set B is made up of the numbers 1 and 0

now some people think NB = {0.5} or NB = {2} but neither of these are wholly true

NB = {C U R\B} which means, the set NB is made up of every Complex number And every Real number (these two together means basically: every possible value in maths) EXCEPT for numbers in set B

So that means, NB includes EVERYTHING other than 1 and 0. which means 0.5 is included, and 2 is included, but so is 0.9 and 500000 and -π and 12i and e. Non-Binary doesn't refer to one specific gender, it refers to Everything outside of and between the binary which is literally infinite values.

If you wanted to be REAL thorough as well you could say

NB = {C U R/B, (C U R, C U R), (C U R, C U R, C U R), (C U R, C U R, C U R, C U R) (then continue filling brackets with an increasing number of C U R to infinit)}

which means that NB is everything outside the binary AND any pair of two numbers, any group of three numbers, any group of four numbers etc to infinity. This is the best way I could think to display people who identify with multiple genders at once through math notation.

But, my favourite thing about all this is that if you want to be a real math nerd about stuff, you could start just saying "\B" cause that's the most basic form of notation for "Not in set B" "Not in Binary" "Non-binary"

[angellayercake]

Banchetto: Formaggi e Frutta

Papa Emeritus III x Reader | NSFW

AO3 | Insalata | Masterpost

Selecting the pairings for cheese can be deceptively complicated. Anyone can put some cheese on a tray and call it done but for it to be truly good some serious thought needs to be done. Texture, flavour, sweet vs savoury, creamy vs crunchy, all build up to a well rounded dish. The first bite of a juicy grape paired with tang of a strong cheddar, or the sweet bitterness of cranberry with the mellow creaminess of a brie. Every element has to work together to create a bigger experience. If you make these choices with care then you will have a show stopping course and all you had to do was some slicing.

• • • • • • • • ✦ • • • • • • • • • •

You had been lingering in his office. He was perched on the edge of his desk with his arms locked around you, preventing you from leaving and ending your time together for the day. The two of you had been in this position for at least half an hour, every time you tried to extricate yourself he would pull you in for one last kiss which became two, then three, then he would remember another important matter you just had to discuss right now. So far you had covered Cabaret the musical, why linen was the superior summer material, his favourite type of pen to do signings and the lies he used to tell people about ghoul mating habits. And now you were discussing your favourite cheeses.

‘I honestly have to say I don’t think I have tried a cheese I didn't like,’ you admit after listening to him explain why Italian cheeses were by far the best in the world. He wrinkles his nose at you, shaking his head in disgust. As inconsequential as these topics were, you enjoyed hearing his typically outlandish opinions and his passionate defence of them. You may have even been guilty of disagreeing with him deliberately from time to time just to enjoy his attempts to convince you of his point of view. 

‘Even the stinky ones?’ He looks like even just thinking of them is a displeasure he can’t abide, the charmingly emphasised wrinkles above the bridge of his nose almost distracting you from his argument. ‘The French, thinking they can get away with crimes against dairy just because of a few good ones,’ he grumbles, pulling a laugh from you. 

‘I think the English are guilty of that too, I am afraid,’ you remind him. ‘Have you ever tried Stinking Bishop?’

‘Ugh!! Never and I never will,’ he shakes his head again refusing to even entertain the thought. ‘But, cara mia, that is why everything Italian is far superior,’ he says, lifting his eyebrows suggestively and you suspect he isn’t just talking about cheese any more.

‘With what I have learned in the last few months I can’t say I disagree,’ you reply against his lips as he is already reeling you in for another kiss. You don���t let him distract you for too much longer though this time. ‘I don’t think you should judge a cheese until you try it with accompaniments though. The right flavours paired with the right cheese can make all the difference.’ 

‘I suppose there is some truth to what you say, mia cuocoina,’ he trails off for a moment looking like he is waging a battle internally before he takes a deep breath and continues. ‘Speaking of cheese, did you know there is a farmers market in town this weekend? I have heard they have very many types of cheese on sale there.’

‘I had heard, yes. It happens every month.’ You think back fondly to those trips out of the Abbey with Mona. ‘We used to take it in turns to go and pick up some obscure ingredients as a challenge for the others. I haven’t had a chance to go for a while.’

‘Would you like to go to this one? With me?’ His hesitancy makes your heart melt. How this man could ever think you wouldn’t want to go with him you have no idea? As if you don’t willingly spend almost every moment of your free time with him.

‘Are you asking me on a date, Terzo?’ You tease, hoping to ease his worry a little. The two of you may have done everything backwards but you can’t help the little thrill you get from the idea of him taking you on a proper date. He had been watching you nervously as he waited for your response but at your gentle teasing the corner of his lips pulled up in a smile even as a light blush crawled across his cheeks. 

‘Si, I am,’ he says simply, lifting his head and looking you directly in the eyes, hypnotising you for a moment in his gaze.

‘I would love to go with you,’ you reply as soon as you snap out of it, not wanting to leave him hanging any longer. His wide smile always takes your breath away and you stand there for far too long, just grinning at each other before you realise you do really need to leave. You give him one last kiss before making your way back to your room, mind full of your upcoming date. 

The morning arrives and you are up early having explained to Terzo that the earlier you get there the better. It would be less busy, you got the best pick of the produce and all the tasters won’t have sat out for so long. Taking your advice he had agreed to leave the Abbey around nine, and also on your advice you both were skipping breakfast, not wanting to fill yourselves up before you get there. But his morning coffee is non-negotiable… 

After getting ready you let yourself into his rooms and start the coffee machine. You can hear him moving about already so you don’t worry about getting him up, but instead have time to fuss about… well, everything. You smooth your hands over your outfit as you wait letting your nerves get the better of you for a second. It’s not to say you didn’t usually make an effort with your appearance, you did, but your clothes and hair had to be practical when cooking even if just for him. This was the first time you had had the opportunity to dress up and for some reason it had your stomach in knots. 

You wore your hair down today, letting the dark waves cascade down your back where they were usually secured in a bun and your make up was light as you had considered the time of day - just a subtle base and some eyeliner, mascara and lipstick to add a little emphasis to your features. The dress you picked was one you had never worn before. It was black, as was the majority of your wardrobe, but the light cotton fell softly over your figure, the hem ending at your mid-calf. It was buttoned up from your chest to your knees, giving a glimpse of leg and decolletage you hoped would capture his attention without flaunting too much. The puff sleeves and broderie anglaise finish the look and make it, in your opinion, the perfect dress for a date at the farmers market.

Just as you finish the coffee you hear him come to the door. You turn around a cup in each hand to catch him frozen in the doorway. With one hand he is clinging to the door frame and then other is laid dramatically over his heart. He is looking at you as if he has never seen you before. He looks incredible himself, his hair slicked back as you had not seen it for a long time and his face surprisingly clear of his paints, given you were leaving the Abbey. He is wearing an off-white revere collar shirt, habitually unbuttoned half way down his chest over tailored linen trousers in a soft dove grey with black woven loafers. He has a matching linen blazer over his arm, and he looks like he has just stepped out of the pages of a Milanese fashion magazine.

‘Good morning, Terzo,’ you greet as you go to hand him his coffee but he ignores it in favour of pulling you in for a kiss, letting go of the door frame and instead wrapping his arm around your waist and letting his hand glide down your body over the smooth fabric. You hum into his mouth enjoying his attentions but slightly worried about spilling coffee on you both as you hold them over his shoulders. ‘I could get used to this sort of greeting,’ you say when he lets you pull away, still seemingly at a loss for words. 

‘Grazie,’ he whispers, finally taking his coffee and savouring the first sip before continuing, letting his eyes roam all over you. ‘You are, well… beautiful doesn’t even cover it, I think. Sei una visione di bellezza, come non ne ho mai viste.’ He does this every now and then, slipping into his native tongue when he can’t seem to find the words to express himself in English. You don’t understand what he is saying but the sentiment is clear, so you let the melodic words wash over you and let your smile widen in response. 

‘You are looking very handsome today too.’ You cup his cheek with your now free hand and let him nuzzle into your palm. ‘I have been looking forward to this all week.’ 

‘Me too, cara mia.’ He places his hand over yours before taking it in his. ‘Are you ready to go?’

‘I’ve got my coffee, I've got you, I don't think I need anything else. And if we leave now everyone will still be at breakfast so we shouldn’t be bothered.’ With a nod and a smile he leads you from the kitchen through his rooms and out to the corridor, pausing only to lock the door behind you. You realise then that this is probably going to be the first time he has left the Abbey since returning from the last tour and what a big step this must be for him, as well as the two of you. You walk through the corridors quickly, leaving a plausible distance between you in case you were seen by anyone but before you reach the main entrance he leads you down an old corridor that, as far as you knew, only led to an older unused wing of the Abbey. 

‘Where are we going?’ You ask him as you follow him along the twists and turns of the dusty corridor but he just shushes you and continues as though he is looking for something. To your surprise he ignores the few doors you pass coming to a stop at an old painting covered in dust, which depicts what you can only assume is a life-sized satanic knight posing in his armour in the landscape of hell. Without any further explanation he feels around the edge of the frame until you hear a click and the painting swings forward revealing a secret set of stairs leading down to a door where you can see slivers of daylight seeping in where it has warped in its frame. Taking your hand he helps you down the steps before having to give the door a shove once, then twice before it opens and you find yourselves at the side of the main Abbey just outside the tall garden wall.  

‘This is the way we used to go when we didn’t want anyone to see us leaving,’ he says, shooting you a mischievous grin. ‘When we were boys especially and the older sisters wouldn’t give us the time of day we would sneak into town…’ He trails off realising the story he was about to tell you and his expression turns a little sheepish. ‘Well, you know how teenage boys can be.’ You shake your head at him good naturedly but take his offered hand so he can lead you down what is clearly a well trodden path through the public gardens to a side gate that opens on the main road into town.

• • • • • • • • ✦ • • • • • • • • • •

The first and arguably most important consideration when preparing a dish like this is making everything bitesize. Slice things too small and the flavours will not balance well, slice things too big and you will end up with all sorts of mess, but getting it just right? A slice of cheese, a piece of fruit, a spoonful of chutney, a sliver of meat could all fit on a cracker and be eaten in one perfect bite.

• • • • • • • • ✦ • • • • • • • • • •

It is a short pleasant walk especially on a morning like this. The Abbey is about half a mile from the town and despite the occasional comment or funny look, the residents seem to have accepted sharing the area with a satanic church a long time ago. The residents of the Abbey brought a lot of business to the local shops and trades people, doing their best to contribute to the community they were fringe members of which served to strengthen the tolerance of their presence. You yourself had good relationships with the local food stores, avoiding spending your budget at the supermarket as much as you could, so you had never experienced anything but a sideways glance from some of the more conservative members of the community. 

After about fifteen minutes you reach the town square which is already bustling with life even at this early hour of the weekend. Rows and rows of stalls fill the usually open space and there are already plenty of shoppers drifting from stall to stall. Having finished your coffees, you take his and put them in the nearest bin before pausing so you can come up with a plan of action.

‘When I come with Mona we try to be strategic,’ you explain as you try and suss out what the closest stalls are selling.

‘Oh, and why is this? To get the best produce? The best deals?’ He asks inquisitively, tilting his head as he thinks. You wish you could say those were the reasons but it was much less professional.

‘Nope. It is so we don’t get too full before we have eaten everything we want.’ He laughs loudly, clearly surprised at your reasoning but you try your best to keep your face straight. ‘It is important you know!’ you insist as his laughter calms.

‘You have been training me up for this moment, no?’ he says, patting his belly and winking at you knowingly.

‘Bigger appetites than yours have been defeated by the farmer’s market tasters, I will have you know,’ you respond, doing your best not to get distracted by his insinuation.

‘Psh, I could eat one of everything and still have room for whatever delicious dish you have planned for tonight.’ He winds his arm around your waist pulling you against his side as you walk together to the first stall. You can’t keep up your serious façade, his confidence and manhandling bringing a flush to your cheeks, at least until you realise what he said.

‘Need I remind you it is Saturday and my day off.’ You prod him in the side in retaliation and he jumps slightly when you catch his ticklish spot. He grabs your finger before you can poke him again, a little tug of war ensuing before he lets you free with a stern look.

‘Well I can cook for you then,’ he says, snapping his fingers as the idea comes to him. You dip your head for a moment, your chest feeling full at his insistence you spend even more of today together. Until the reality of him cooking anything for you sinks in. You had long suspected that he lacked even the most basic cooking skills, which was confirmed the only time you ever let him try to help you.

‘And what exactly are you going to cook for me?’ You ask as you reach the first stall filled with assorted jars of conserves and jams.

‘I will cook…’ He pauses, looking around at the closet stalls. ‘Cheese!’ he exclaims loudly, drawing some looks and a chuckle from the cheesemonger a couple of stalls over. He clears his throat, quieting his voice. ‘Cheese, cara mia, like we talked about the other night. Cheese and crackers and fruit and chutney. Like this!’ He picks up a jar of spiced cranberry chutney from the stall.

‘That will be 55 krona please, sir,’ the lady behind the stall tells him. He hands the jar to you and fishes his wallet out of his pocket, handing her cash and insisting she keep the change. 

‘That’s not exactly cooking is it,’ you scoff, putting the jar in one of the many tote bags you had thought to bring along. ‘But that being said, I would be happy to join you this evening.’ 

‘Maybe not but I can assure you I will put a lot more effort into dessert,’ he replies with a smirk as he pulls you towards the cheesemonger. ‘Now, Signior, I need a selection of your best cheese for mia cuocoina, and a little advice.’ 

He leads the way around the market, insisting on tasting this and that and asking questions of the vendors about flavour pairings and serving suggestions until your tote bags are beginning to weigh you both down. You find a bench at the edge of the square and flop down onto it taking the weight off your aching shoulders. He follows after you, sliding the bags to one side so he can sit right beside you. 

‘Try this, cara mia,’ he holds a small pastry to your lips, one he has already tried if the tell tale crumbs around his lips were anything to go buy. You almost refuse, your tactical plan having flown out the window long ago at his insistence you taste test almost everything. He looks at you beseechingly though and you cave, opening your mouth and allowing him to feed it to you. Before he can pull away though you close your lips around his fingers, getting your own back the only way you can right now. He freezes, his pupils blown wide as he watches you suck the tips of his fingers. 

‘Fancy seeing you here.’ A voice you recognise breaks through your lustful haze. You almost choke between the pastry and Terzo whipping his fingers from your mouth as if they were burning. You swallow your mouthful without even registering if it was nice or not as you turn to see Lilly and Rich stood before you. You jump up quickly, offering them each a hug, then trying to stand between them and Terzo, wracking your brain to explain why you were out in public with Papa's fingers in your mouth. 

‘Hi guys, what a lovely surprise. You should really try the pastries from over there, they are very good…’ You can feel your face burning completely at a loss on how to explain away what they must have seen.

‘Will Papa hand feed them to us as well?’ Rich asks sardonically, looking at you with your eyebrows raised as if waiting for an answer. At least until Lilly elbows him sharply in the ribs. 

‘It’s so nice to see you and to see you too, Papa. Hello!’ She says leaning around you to offer Terzo a wave. He stands dusting crumbs from his face and his shirt and carefully keeping some space between you as he shifts to see them both. 

‘Hello, Sister…’ He glances at you and you realise he has never met them before and some introductions are in order.

‘Lilly, Ter… Papa, this is Lilly and Rich. We work together in the kitchens.’ Lilly smiles at him offering another wave which he returns but Rich still doesn’t look impressed, clearly wanting to confront you both on what he saw.

‘Ah, si. Hello, Sister Lilly and Brother Rich. And I can assure you those pastries are delicious whether fed from my own hands or not.’ He switches his Papa persona on, and it’s a little jarring after all this time. ‘Sorella here, I have tired her out having her carry all these bags of things I wanted. I thought I better not tire her arms any further.’ 

‘Right,’ Rich replies slightly at a loss for words. You don’t think his story has helped the situation at all but though he looks a little awkward and uncomfortable, it doesn’t seem like Terzo really minds the two of you getting caught, so you take a deep breath and relax.

‘All this shopping and eating… I could do with another coffee, I think. Si…’ He nods to himself, already heading towards the coffee stall. ‘Anyone else?’ He asks almost as an afterthought and you all nod. ‘Four coffees then, ok.’ The three of you watch him go but as soon as he is out of earshot, they both turn to you.

‘What the hell was that?’ Rich asks in an angry whisper. ‘I thought you were just doing your job and he was far too stressed about getting fired to try it on? Not that it looked like he had to try that hard…’ He had always been protective of the three of you, but you couldn’t help feeling defensive when he had no idea what had been growing between you.

‘Oh leave her be, they both looked happy while they were doing it. What does it matter?’ You smile at Lilly appreciatively, thankful for her understanding.

‘Guys, please just listen.’ You knew you had to explain something. ‘We, well, look, we just-’ You can’t even find the words to start. It’s not like with Mona where you can tell her everything and she just understands, not that you have time for that anyway. You glance over to the stall and see him standing in line, carefully studying the menu and certainly not looking back over every few seconds. ‘I… I can’t really explain what we are; not at the moment,’ you sigh. ‘But Lilly is right, we are happy, everything is fine.’ 

‘You do look happy, and he looks better too.’ Lilly says reassuringly and you breathe a sigh of relief. 

‘Yeah, no one can accuse you of slacking on feeding him.’ Both you and Lilly turn to glare at him.

‘Don’t be a dick, Rich!’ she admonishes him, treating him to another elbow to the ribs.

‘What?’ He says defensively rubbing his side. ‘He is looking a lot more well-fed than he ever did before.’ It isn’t an apology but it is probably as close as you will get from Rich. 

‘Could you guys just keep this between us, please?’ You feel like you are begging, but the last thing you want is people finding out about the two of you through gossip. You hadn’t really thought about it or discussed it but you were sure that Terzo would like to tell his brothers himself when the time was right.

‘Keep what? There’s nothing to tell anyway, right Rich?’ She threatens him with her elbow one last time but relents when he agrees with a flinch.  

‘Right, nothing to tell.’ The three of you look at him just as he looks away sharply and he gets handed the tray of coffees. You feel a little relief but the silence is awkward as you wait for him to make his way back over. 

‘Caffè for everyone!’ He announces on his return and you each take a cup.

‘Thank you Papa, that was very kind,’ Lilly thanked him genuinely. ‘But we better get going. We have a list. Mona has really taken to bossing us around since you've been gone.’ You know she is joking, but it still sends a pang through you. As happy as you are in your current position, you do miss them. ‘Anyway, it was lovely to see you! Bye!’ She grabs Rich by the elbow and drags him away with only one last glare over his shoulder. 

‘Terzo, I’m sorry,’ You say slumping back onto the bench.  

‘They didn’t know about us?’ He asks cautiously. He sits beside you but leaves enough space to be considered decent and keeps his hands to himself. You can’t decide if you are disappointed or not. 

‘No, they didn’t.’ You shoot him a sideways glance and he is looking down at his coffee, his expression unreadable. 

‘So, you haven’t spoken to anyone about…?’ He trails off, neither of you at a point of being able to define what is going on between you. ‘Even before, you didn’t seek out your friends?’

‘Well I did… Mona, but I trust her. She would never say anything.’ He holds up a hand to halt you and you feel a bubble of panic starting to grow in your chest.

‘That’s not what I meant, cara mia.’ He finally looks at you now and the bubble dissolves. His eyes are warm, full of care. ‘I am glad you spoke to your friend about this, just as I am glad of her discretion. I would hate to think about you being so upset and also alone.’

‘You were dealing with it all alone.’ His hand rests on the bench between you and you place yours over the top. It feels wrong not to be touching at all during such a conversation. 

‘Ah, I am used to it,’ he says, brushing you off. ‘I am used to it.’ He turns his hand under yours loosely lacing your fingers together. ‘And anyway, I am not alone anymore am I?’ It’s a slow smile that grows across his face, like he is only just realising it now. 

‘No you aren’t,’ you confirm, squeezing his hand and returning his smile. If you had your way he would never be alone again. 

‘May I ask,’ he pauses like he isn’t sure he wants to ask what he is about to say. ‘Why you didn’t tell your other friends?’ But this is something you can easily offer him an answer to.

‘Well it’s just… Lilly is young, she is only twenty. It feels a little odd talking to her about relationships when she feels like a little sister, and Rich? Well, he is the biggest gossip in the whole kitchen. It’s not that I don’t trust him, but he just gets a little carried away sometimes.’ You can’t help your fond smile. ‘And he is pretty protective of us, even if he can be a little bit of a dick about it.’

‘I see, I see.’ He seems happy enough accepting your reasons. ‘Are you ok?’ He inches a little closer now, already over keeping a sensible distance. 

‘Yeah, I am.’ You decide even as you are saying it. The confrontation with your friends could have gone better, but it could have gone a lot worse. And it’s better you get caught by your friends then any other random inhabitant of the Abbey. In fact, you should have foreseen this happening, going out together so close to home. You wonder if he feels the same though. ‘Are you?’

‘Si, I think it is time to go home though,’ he says and you nod in agreement. You think you have both had enough excitement for today. ‘I called for a car while I was waiting for the coffee,’ he admits a little sheepishly. 

‘Oh, thank Satan.’ Your relief is palpable, both your full stomach and your sore shoulders thankful. ‘I thought we were going to have to carry all of this back.’ 

• • • • • • • • ✦ • • • • • • • • • •

Presentation is the second most important consideration and for that you need a suitable foundation. Depending on the number of people you are catering for you need a vessel large enough to hold enough food. The material is less important, dictated by aesthetic preference, whether you prefer wood, glass, slate or porcelain. Consider whether you need vessels for particular ingredients, additional cutlery to serve. By planning for all eventualities you make sure the meal is a success.

• • • • • • • • ✦ • • • • • • • • • •

With a plea from you and an order from Terzo a ghoul assists in carrying the bags back to his rooms, leaving them on the kitchen table before departing to wherever it is ghouls go when off duty. You begin to unpack, starting to sort out the haul to put in the appropriate storage but he comes behind you taking your wrists in his hands and steers you back out of the kitchen. 

‘Mia cuocoina please,’ he murmurs against the back of my head. ‘I need peace for the art I am about to create.’ You try to suppress your laugh but it comes out an inelegant snort.

‘I can help,’ you reply, twisting in his arms to look at him. ‘Just tell me what you want me to do.’ 

‘No,’ he says, shaking his head. ‘It is my turn to make food for you!’ He continues shepherding you backwards towards his office. ‘Go have a nap, visit friends, whatever.’ he drops a kiss on your lips before spinning you back around. 

‘You may come back in two hours,’ he swats at your ass as he opens the door and lets you out into the hallway. 

You pause for a moment wondering where you even wanted to go. Going back to your rooms wasn’t very appealing, there were no distractions there and you knew the time would crawl by. The kitchens were out of the question right now if you didn't want to be subjected to the interrogation you were spared in town, something you were keen to avoid as long as possible. The gardens were an option except you could still feel the ache in your arms from carrying the bags around the market and you know for certain if Primo catches you in the garden there was no chance you would be leaving unencumbered by whatever vegetables he could give you. 

Your wandering takes you past the upper clergy offices, mostly dark and unused of a Saturday afternoon but you spot movement behind one of the doors and you are not surprised when you realise whose it is. There is only one person you know that would willingly work on a Saturday and fortunately that was a person you had been meaning to speak to. Since you and Terzo had joined his brothers for lunch in fact. You had no sweet treats prepared for him today but you were sure he could do with a break. He could always do with a break. 

Approaching the closed door you knock softly and wait for him to answer and the slightly frantic scuffling you can hear lets you know you won’t have to wait long. But a few moments pass before he answers the door. His exhaustion is plain on his face, sadly not much different than any of the other times you have seen him lately. 

‘Sorella,’ he says with a tired smile when he registers it is you at his door. ‘How can I help you today?’

‘I found myself at a loose end and saw you were working!’ You explain as he holds the door open for you and gestures to the seat before his desk. ‘And why are you working on a Saturday?’

‘There is so much to do and so little time,’ he says, flopping back into his chair with a heavy sigh. ‘I was not busy today anyway so I thought why waste time when there is so much to catch up on.’ The clergy’s decision to remove Terzo from his position has caused more problems than you had first thought. You can’t help thinking how odd it is that no new Papa had been appointed after all these months when there was clearly a need but you set that aside for now.

‘Even you need a break Cardinal.’ You struggle to keep the worry from your voice.

‘Well you are here, let's have a break now.’ His smiles grows more genuine as he speaks. ‘I wished to speak with you anyway.’ 

‘Yes me too,’ you agree. It makes it easier now that he has brought it up himself. ‘I have been meaning to come and see you since the lunch but well, you know Papa, he was keeping me busy. Even on my day off he had me going into town with him to the farmers market.’ You are starting to worry your blush is becoming permanent and you hope your smile isn’t as sappy as it feels. If you plan to continue keeping your relationship quiet you really need to get better at schooling your reactions. 

‘Si, I imagine Papa has lots to keep you busy.’ he agrees laughing but his face turns serious. ‘He is.. Well he is treating you well Sorella?’ He pauses, seeming to choose his words carefully, his fingers coming up to play with his moustache nervously. ‘Like a gentleman? When things are hard I think sometimes he can forget he is a good man.’ You sense that Copia may be talking from personal experience and having seen that side of Terzo yourself you are keen to reassure him.

‘I think I understand what you mean, Cardinal, he …’ You pause thinking over your wording just as carefully. ‘When I first began working for him he was different, while everything was fresh but he, we, found a compromise. He has apologised for some of his more thoughtless actions.’ Copia raises his eyebrows and you panic momentarily. ‘Oh nothing so bad and really, I had a lot of sympathy for his situation. I wasn’t expecting him to be at his best.’ 

‘It was regrettable what happened.’ He takes off his beretta and runs his hands through his hair. ‘It .. well it was unexpected for all of us, I think but it is good to see him doing better.’ He does look genuinely relieved even though the situation has clearly impacted him. ‘All this food seems to be doing the trick eh?’

‘The food probably has helped, yes,’ you laugh, and the rest you thought, keeping that to yourself. ‘But I think it is really just time, Cardinal.’ He would have improved with or without you over time but you do like to think you have helped him move on a little faster then he may have done otherwise. 

‘Now, can we discuss those notes you brought me to translate?’ His direct questions bring you straight back down from your romantic imaginings.

‘I was waiting for you to bring them up.’ You know you owe him something of an explanation  but you are not above waiting to see what he has worked out for himself.  

‘They, well I suppose I don’t know enough to say really,’ he begins confidently before tailing off. ‘But they didn’t read like professional recipes.’

‘That's because they weren’t but Cardinal, it’s not my place to say more, not that I even really know anymore.’ In this at least you can be honest. You could probably make a good guess as to who wrote out the recipes but you aren’t willing to voice that now. ‘He gave me some recipes and he never said where they came from or why that was all he wanted and I didn’t feel it was my place to ask. There were things said at lunch that might have given me some clues but even so.’ 

‘Si, before. I noticed that too.’ He takes a deep breath before continuing. ‘It has not been long since I was considered an outsider to them and outsiders really know very little by design. If it hadn’t been announced that I was also Nihils son then that would still be the case. But even though I never grew up the way that they did, well Secondo and Terzo anyway, I was here in the Ministry already and I saw what happened.’ 

You say nothing, waiting for him to continue sensing his need to unburden himself. 

‘I was brought up as an orphan you see and while most children in the church are brought up communally, orphan or otherwise, the Emeritus brothers were always separate.’ He switches into lecture mode but you still hang on his every word. There were very few people you mixed with who had been a member of the church for so long. ‘Primo has always been here, his mother was a Sister of great reputation chosen especially to birth an heir but Terzo and Secondo, their mothers must have met Nihil on his travels because they weren’t brought to the church until the were ten, Secondo only a few months before Terzo.’  

‘What happened to their mothers?’ A part of you feels bad even asking but your curiosity wins out. You would not feel comfortable asking Terzo himself this but it feels like the last piece in a puzzle you had been building since you had accepted this position. 

‘They just carried on with their lives I suppose. I know Primo fought with Nihil about it, that their mother’s should have been invited to join them or at least to visit but it was decided. No distractions, they had had ten years of normal life and now they were to prepare for their future as men of the Emeritus line.’ His expression turns wry as he continues. ‘It makes me almost glad that he didn’t acknowledge me until recently. I might have liked having brothers growing up though.’ You pat his arm where it rests on the desk offering what little comfort you can.  

‘Anyway I know Terzo’s mother tried for a while, sending packages of food and presents for him but I don’t know what happened after that. One day they just stopped coming.’ Your heart clenches, for Terzo, for Copia, for all of them. They may be in some of the most powerful positions in the Clergy but it was clear they had all been forced to sacrifice a lot for the privilege. 

‘It sounds like it wasn’t easy for any of you.’ Like any organisation there were machinations going on far above the notice of normal members like yourself, you weren’t naïve enough to think otherwise but you found it jarring learning that somewhere that had felt immediately like home and safety to you had treated these men so poorly.  

‘No I suppose not.’ He rubs his hands over his face, the conversation having turned heavier than either of you expected. After a moment he offers you a tired smile. ‘Now tell me more about this farmers market.’ You while away the rest of the time describing in detail the stalls and the tasters and when you eventually leave you hope you both are feeling a little lighter. 

• • • • • • • • ✦ • • • • • • • • • •

Once you have your vessel and your ingredients prepared then all that is left is the arrangement. There are endless ways to arrange the food enticingly. If you want your dish to be eye-catching and mouth watering you must consider the balance of colour and texture. You can create contrast with light and dark meats or cheeses. You may introduce pops of colours with fresh fruits and berries and mix textures with a soft cheese, a juicy fruit and a crisp cracker. Complimentary flavours could be grouped, the arrangement of your board encouraging certain combinations both traditional and daring. Your final result will be a visually appealing and delicious dish to present.

• • • • • • • • ✦ • • • • • • • • • •

It’s been a long time since you have had to knock before entering his quarters but it feels appropriate now, giving him a chance to finish the final touches to his creation before you enter. You almost reach the point of knocking again, wondering if he hadn’t heard you when he pulls the door open. He was still wearing his shirt and trousers but he had borrowed your apron.

‘This looks good on you,’ you tease, pulling at the strap around his neck, but he only takes your hand and leads you inside.

‘Now cara mia you are in for a treat if I do say so myself.’ When you reach the dining room he stops you, placing his hands over your eyes as he guides you the final distance. ‘No peaking now,’ He says as he positions you at the end of the table. 

‘Ta daaa,’ He uncovers your eyes and as you blink you can’t help but be impressed. The centre of the table is covered in what may be every plate in the kitchen; each one has a different cheese and its suggested accompaniments arranged around it. You had fought valiantly for any cheeses other than Italian but he had refused to budge keen for you to taste all of his favourites. He pours you a glass of wine, a deep red and hands you a glass. 

‘This is Barolo, aged in oak caskets it is the most decadent of Italian wines. The King of wines they call it.’ You take a sip and examine the flavours. It is rich, fruity and floral but with an earthiness that should pair well with your meal this evening. You were by no means a wine expert but your palette was well developed over your career and you can tell an expensive wine when you taste one. 

‘Terzo this is very extravagant,’ you stop when he raises his hand.

‘You deserve the best, cara mia, as does this cheese!.’ He gestures across the table and you survey all the options before you, savouring another sip of the wine. In the middle he has laid out a selection of crackers, water, butter and grain in a variety of different shapes. There was crumbling gorgonzola drizzled with honey to calm the bite of the blue veins and topped with quartered grapes and shelled pistachios. Slices of nutty pecorino sit between folded slices of ham generously filled with halved figs and walnuts. Cubes of provolone mixed with slices of olive oil, cured sopressata and green olives and taleggio and apple slices wrapped in salty prosciutto. Finally a bowl of whipped mascarpone, dark red cherry and balsamic dressing pooling between the peaks and whole cherries and pecans sinking into the soft cheese. 

He pulls out your chair for you, getting you comfortably seated then he goes to take off the apron before joining you at the table waiting as you take in the whole spread. It is strange being on the receiving end of such a gesture. You can’t remember the last time someone had prepared an extravagant meal for you like this, even if he had only sliced and arranged the food, it was clear how much effort he has put in to impress you.

He lets you start helping yourself to the plate closest to you when you struggle to decide where to begin with so many enticing options. The two of you are quiet for a time only pausing to express your pleasure with the flavours to each other. After trying at least two helpings of each cheese you sit back with your wine before your stomach begins protesting after your second round of overindulging for the day.

‘Thank you for doing this Terzo,’ you say as you watch him assemble another mouthful. ‘I’m not sure I remember the last time someone did this for me.’ He pauses before taking a bite, looking at you in surprise.

‘Is that so?’ He looks thoughtful as he finishes off his mouthful, getting every trace from his fingers. ‘You are very welcome, cara mia. In fact I enjoyed doing this more than I thought.’ 

‘Am I out of a job now?’ You joke just to watch his eyes widen in panic.

‘Hold on no no!’ He shakes his head emphatically. ‘I did not mean that at all. I will always prefer your incredible cooking.’ 

‘I suppose I will stick around then,’ you reassure him.

‘Thank Satan as much as this was fun. I could not imagine doing it everyday, multiple times.’ He looks exhausted just thinking about it. ‘You are a superwoman, mia cuocoina.’ 

‘I’m not, I just enjoy it,’ you explain. You always had since you were young and had followed your mother around the kitchen.

 ‘Why do you think you were so drawn to cooking?’ He asks. It wasn’t something you had thought much about before. It had just been a fact of your life. 

‘Well I like food obviously,’ you say with a laugh but you pause as you think of what it is you enjoy most about it. ‘I think it's just such a big part of our lives, we have to eat to survive so why not make that as enjoyable as we can?’ Of course it is your job and has been for the longest time but there is a more personal element to it, especially when it comes to people you care about. ‘And you know if you can cook you can make your friend a delicious soup when they are ill, you can make their favourite pasta dish after they just got dumped or you can bewitch a man by making his stomach fall for you first,’ you finish with a wink.

‘Mmmm I see,’ he says sipping his wine, his eyes going heavy lidded as he regards you. ‘So this was your plan was it?’ His voice goes deep and teasing and you shift in your seat. 

‘No, just a happy accident.’ You lean towards him without even noticing, so easily drawn into his orbit. ‘I think my food was just too good for you to resist.’ He nods in agreement, conceding to your point but this conversation is far from its end.

‘And what about you?’ He holds your gaze, keeping you attentive to his every word. 

‘What about me?’ You ask, tilting your head not quite understanding his question.

‘What made you unable to resist your Papa?’ You swallow thickly. There are so many reasons you wouldn’t even know where to start.

‘You don’t need me to tell you how irresistible you are.’ you say instead. You aren’t against stroking his ego usually but you know he is well aware of his affect on people and you in particular. 

‘I have my own charms. I am in no doubt about that.’ He says confidently and you know it is true. ‘You though? I think it is a little different than any I have seduced before.’

‘Oh?’ You have an inkling where he is going with this. You had your suspicions that there were a lot more feelings involved then either of you were used to in your past relationships but this didn’t feel like the build up to a heartfelt confession. He was looking at you as if he had been leading you to a trap and you had just fallen in. 

‘You like feeding me.’ he states, matter of fact, placing his wine glass down on the table.

‘Yes we have discussed that.’ You are sure the two of you had discussed how you enjoyed taking care of him even as early as your first dinner together.  

‘No we haven’t. Feed me.’ His voice is hard but not cold as he orders you but you hesitate.

‘What?’ You think back trying to clear your confusion and you remember the lunch or more specifically just before when you had been reassuring him in his bedroom. You had known then that he wouldn’t drop that forever but it still didn’t make you any more prepared. 

‘I am not yet satisfied. Feed me.’ You swallow again, unable to control your body's reaction to his strict demands. You want to obey him, to feed him but again you hesitate. 

‘Terzo …’ He gives you a stern look cutting you off before you can continue. ‘Papa?’ It comes out as a question but it seems obvious what he wants. He rewards you with a smirk. 

‘I want some more gorgonzola, si,’ He encourages as you take a water cracker and begin to load it with cheese. ‘Plenty of honey too per favore then be a brava cuocoina and feed it to me. Then I will explain.’ You offer him the cracker and he tuts at you shaking his head.

‘Uh uh,’ he sighs. ‘Do it properly.’ He pushes the plates to the side and pats the table in front of him. You stand uncertainly but he pats the table again until you sit before him and offer him the cracker a second time. He scoots his chair forward forcing you to spread your legs to accommodate him but now he is in the perfect position for you to place the food in his waiting mouth. He chews slowly, moaning low as the flavours combine and harmonise on his tongue. 

‘Mia cuocoina, I think the taleggio now, no?’ You take his suggestion, the rolls of prosciutto and apple are much easier to feed him. He watches you for a moment before continuing. ‘There were clues you see but I did not notice at first. Now though, now your Papa understands.’ You offer him the next bite but his warm hand closes around your wrist holding you in place. 

‘You kiss me differently, did you know this? After we have eaten, you like me tasting of food you made me I think.’ You feel like you can’t breathe as he begins listing all the things he has noticed. ‘And my clothes, you look at me differently too, when things get a little tighter, tighter than they used to be. You like seeing how I have changed with every meal you have fed me I think.’ You can’t deny it because what he says is true. A part of you had hoped he might not have noticed everything but with every word that hope gets smaller and smaller. 

‘And now here. Your heart is racing and yet all I have done is eat a little from your own hands.’ He pauses to take a bite, his teeth sinking into the soft cheese and crisp apple and just grazing the tip of your fingers. ‘You enjoy feeding me, more than you realise I think.’ 

‘Papa I …’ You don’t know what to say. He doesn’t look angry or upset but you feel the urge to apologise even as words fail you. He swallows the last bite freeing your wrist.

‘Shhh it is ok mia cuocoina.’ His hands trail down to your ankles tracing miscellaneous shapes into your skin. ‘Cherries now per favore. The balsamic cherries with the mascarpone. His fingers creep up your calves ghosting the shape of you before hooking behind your knees. He pulls you forward until you are sitting at the edge of the table. You lean across him, choosing a butter cracker, the thicker texture better to support the soft cheese. 

‘I am craving something sweeter,’ he explains. You bring it to his lips, the cherry juice starting to drip down your fingers and he catches it with his tongue leaving a sticky trail behind it before closing his lips over the mouthful. Your breath catches in your throat and his eyelids droop seductively as he sucks the last traces of juice and cheese from your fingers. 

‘That didn’t quite hit the spot,’ he says, hands already sliding your skirt up your thighs until he can clearly see your underwear and the wet patch there is little point trying to hide. ‘Ah so I was right. You do enjoy hand feeding your Papa.’ He spreads your legs even further so he can lean close enough that you feel his steady breathing against you. ���After all that fuss.’ He grazes his teeth over your clit, the material of your underwear protecting you but the threat still makes your thighs shake. When he does bite down it’s only on the hem of your underwear as he pulls them to the side leaving you bare to him for the first time.

He just looks at first holding you in suspense but in a split second his tongue is all over you yet somehow still not hitting any places you wanted him, needed him. Around and around he swirls his tongue over your folds, then the most gentle suction. Little sounds of enjoyment he seems unaware of that vibrate through you as he tastes you thoroughly. But his teasing as you fed him, his sucking and nipping at your fingers had already got you ready for so much more. Giving in you lace your fingers through his hair to guide him to exactly where you want his attention most but he resists all your attempts, making the frustration inside you build and build. You try another tactic grinding your hips against his face but he pulls away pressing your hips down onto the table and stopping any further movement and forcing a whine from deep in your chest.

‘Cuocoina, please. I am just trying to properly enjoy my meal.’ He pauses to lick a long stripe, tongue flat and broad to give you as much friction as possible. You can’t breathe, not for a moment, the sudden rush of pleasure the only thing your mind can comprehend but almost as soon as it starts it ends the only thing you can feel are the puffs of his warm breath.

‘But perhaps you would prefer to feed me this too?’ He positions himself that he is a hair's breadth away from you before his vice-like grip on your hips loosens. ‘Feed me’ he growls and you have to obey.

You grind your hips against him over and over, his tongue finding your entrance making your thighs shake as you fight to get him even deeper. Your foot loses purchase where it had settled on the arm of his chair and you scream as your clit catches the tip of his nose. One of his hands finds its way to your thigh helping to steady you but the other creeps up your body underneath your dress. He cups your breast over bra, his maddening fingers finding your already hard nipple through the light material pinching and twisting until you can't decide if you want to arch into his teasing hand or push back against his face. 

‘Papa! Terzooo,’ you moan his name in frustration, struggling as your pleasure builds to take what you need from him but he finally takes pity on you, hooking both your legs over his shoulders and lifting your hips clean off the table.

‘Fuck mia cuocoina,’ he growls against your core. He sucks your clit long and hard until you scream your toes curling against his back. ‘Sei la cosa migliore che abbia mai assaggiato, cazzo.’ You barely register his switch to Italian, too busy chanting his name in your pleasure fuelled delirium.

You are so close to the edge when his lips close over you sucking and sucking while his tongue swipes over your clit over and over again. You can feel it building, a charge shooting through your nerves from the soles of your feet to the palms of your hand and you continue babbling his name, repeating until it is almost meaningless. He pinches your nipple, hard, and you arch up from the table with a gasp just as he slides a finger inside you curling it perfectly to press against your g spot. 

Every bit of air is forced from your lungs as your orgasm overtakes you. Your ears begin to ring as the force of it pulses through your body and what feels like every muscle contracting and releasing as you gasp for air. Your hands are still gripping at his hair keeping him in place not that it is needed as he laps at you greedily, catching every last drop of your orgasm. 

‘Making sure you are well fed?’ You giggle deliriously, still feeling somewhat detached from reality. You release your death grip on his hair and he sets your hips back down on the table helping you ease the vice-like grip of your thighs around him. His face is wet with your slick but it only emphasises his flushed cheeks. He grins at you in satisfaction, his eyes sparkling as he takes in the state he has made of you.

He pulls you back upright by your hands after straightening your underwear and your dress but this time no one could mistake the treatment you had just received. Your balance has not yet returned and so helps you into his lap where you can lean against his warm body. As you get settled you can feel his hardness trapped beneath you but as you reach for him cupping him through his trousers, he catches your wrist gently and instead wraps your arms around his neck. He distracts you by stealing kisses and you discover you almost enjoy the taste of you on his lips as much as you enjoy the taste of the food you make him.   

He slows your frantic kisses down, only offering you slow pecks to help you actually catch your breath. He rubs your back soothingly over your dress and encourages you to rest against him but you still end up clinging to his shoulders to help keep you upright as the haze of your pleasure recedes leaving you exhausted. He tucks your hair behind your ear, his hand settling at the back of your neck.

‘Mmm, now I am satisfied,’ he whispers against your lips before distracting you again with his captivating kisses. 

[headspace-hotel]

3 questions:

1. How do you carry the heavy burden of having so many correct beliefs plus the rare combination of motivation and the right approach to making the world a better place? 2. Does your back hurt?

3. What do you think about David Pearce's utopian idea that a sufficiently technologically advanced future society could and should one day abolish (or at least minimize) suffering, partly by redesigning the biosphere and its inhabitants to be kinder and gentler to each other? IMO that could involve bioengineering predation out of existence.

Sorry if I already asked you about this. You seem very smart and seem to know a lot about ecology so I want to know your thoughts

1. Half the work is fighting very hard against starting to believe this very thing (that I have correcter beliefs than many other people). I hope my posts inspire y'all to read things that are not posts.

2. Not really.

3. The term you're looking for is "life on Earth goes extinct."

But, okay, I've seen this sentiment before, and it is—not that you are, just that the idea is— a naive and arrogant approach to ethics in nature

I don't think it's wrong to change the biosphere. That's what life DOES. It evolves.

But "ending suffering" is an impossible goal because we don't, and in some ways can't, understand suffering scientifically. Suffering is an internal state that is defined only by the perceiver's experience of it. We still do not know the ins and outs of how physical pain works in humans, let alone spicy, obscure emotions like Existential Angst.

People who are concerned with the problem of suffering in nature focus on predation and pain in the animal kingdom—understandable if you have thought about it for under five minutes, but hopelessly incomplete and arbitrary if you consider that a creature's ability to feel and perceive is not determined by how humanlike it is.

There is no reason to think a plant or a mushroom is less capable of "suffering" than a lobster is. Plants and fungi are different; they are not simpler or less advanced or less alive than animals.

The corollary to this is that being marginally more humanlike doesn't mean that a creature "suffers" in the way a human does. When you think about it, living things can perceive "negative" stimuli because the ability to do so helped their ancestors survive. A solitary creature, for instance, wouldn't experience loneliness because being with others of its species isn't really necessary or beneficial for it. It's very likely that a creature that can't change its behavior to accommodate for or help heal an injury, can't experience continuous pain like we can. Does that mean they don't "suffer" as severely as we do? I'm not sure. It's impossible to say. I'm sure we all experience the world profoundly—I'm sure the perception of light by a bryozoan colony and the subsequent growth toward the light and feasting on algae "feels" as potent and spiritual as any of my complicated chordate emotions.

Long story short, stimuli like pain were adapted as responses that help a creature survive by avoiding things that are injurious to its survival. To eliminate suffering, you'd have to invent creatures that don't want to be alive, which would die out and be replaced by creatures that do.

Inventing creatures that don't want to be alive somehow sounds way more fucked up than anything that already exists.

But, hi, we are social creatures. Our survival instincts are overwhelmingly oriented toward seeking safety with other humans. PTSD is a disorder of social misplacement; it develops when the communities we live in don't properly acknowledge and care for our hurt after a distressing experience. We evolved to be able to communicate pain and distress to other humans, which means being aware of our own suffering, and that others can suffer, which explains why we are having this conversation, because wanting to relieve other creatures' suffering is a quality of our species.

I get tags on my posts sometimes referencing how nature is a brutal suffering machine—often when I'm talking about plant cognition and awareness—and it's troubling because that's not the takeaway I want people to have at all.

Because first of all, a healthy ecosystem working "as intended" does a lot to minimize suffering. People see predation as this violent and brutal thing, but for a deer, death by festering injury or starvation or parasite overload related to overcrowding or even old age is a lot more nasty and painful.

A biosphere without predators is unavoidably worse. The buffer on prey populations that predators provide creates optimal conditions for prey, because otherwise, the animals just reproduce to the point where the population can't increase any more because the animals are too sick/starving.

Predation ensures a deer with a horribly mangled broken leg will get picked off instead of limping around for months in pain (something i actually witnessed!). It's not evil. It just is.

If you really wanted to eliminate suffering, you would have to eliminate being alive, and to be completely honest, that is probably not possible. We could not render the Earth completely empty of even single celled organisms if we dumped every toxic chemical into the atmosphere and bombed ourselves with every nuclear weapon. We would still have tough bastards like Deinococcus radiodurans around, and those guys would probably eventually evolve into organisms with the capability to experience pain all over again.

Abiogenesis may be a bitch but life, once it exists, is a Pandora's box that can't be unopened. The first thing to be alive also invented death, and there's no way around that. The monkey-typewriter-room of molecules that let you understand that you exist are going to write out "WOW, THIS FUCKING SUCKS" every once in a while.

When you think about it, the ecosystem as it naturally evolved probably is one of the most low-suffering possible ecosystems, assuming that things that can be considered "suffering" evolved as survival mechanisms, and unnecessary mechanisms for suffering would be eliminated over time due to the detriment they are to survival.

Living things develop survival mechanisms, and this means the ability to distinguish good and bad stimuli. Can't get around that.

Even with the existence of predation and parasitism as important modes of survival, such overtly ""antagonistic"" relationships in nature aren't even dominant. A staggering portion of the biosphere is engaged by necessity in mutualism—most plants form mycorrhizal symbioses and flowering plants are also symbiotically joined to pollinators, not to mention that plants need each other to thrive.

You can view this positively (plants have friends!) or negatively (plants can get lonely...)

[sirfrogsworth]

I really have not been enjoying The Acolyte.

At all.

I think it is my least favorite Star Wars show so far.

But then I look at many of the people who also dislike the show and I do not want to be a part of that group. They are just the most awful toxic group.

But I don't know how to convince my brain I like the show.

Like, even the costumes bother me.

I'm not really sure what it is. I guess they look like costumes and not... clothes the characters are wearing. The entire show has this weird artificial look that I can't explain. Like they wiped 3 layers of grunge off Star Wars.

And I hope that doesn't sound like some of the stupid nitpicks flying around.

Of course I would use my lightsaber for shit like that.

I bought a $120 SpyderCo pocket knife...

...to open Amazon packages.

And then this fucking A.I. art motherfucker made a 90 minute video trashing the fight choreo...

But the look of the show and the off-the-rack, perfectly laundered and ironed costumes do feel like a huge immersion-breaking aspect of the show. I don't think I am nitpicking.

I think the biggest difference between me and the toxic critics... I want the show to be good.

I am rooting for it to improve every week.

And I still hope the show pulls a Riker's Beard and turns things around. We don't give shows enough of a chance anymore and I'm not going to write it off quite yet.

But to these jerks, any criticism is another point in their favor. It feels like validation of their anti-woke crusade.

In reality, I think it's just really hard to make a good show. So many people blame studio interference or wokeness or CGI and all of these variables that *sometimes* contribute to poor quality.

But most of the time it's just a matter of difficulty. When even Steven Spielberg can churn out something mediocre, I think that goes to show how insanely hard it is to create something good at this scale.

And I think that is the issue here. I think the people involved are actually really talented. I can see the passion. I can see the huge risks they are trying to take. I can see how excited they are to have this chance. But I don't think they had the experience necessary to make a show on this level.

And I wonder if that part is something that can be blamed on the studio. Marvel and Disney like to pluck up and coming show runners and directors out of obscurity. But they try to push them from small indie films to mega-productions. And they say "Don't worry about all the complicated stuff. Don't worry about the VFX. We'll take care of that part. You just do that creative shit." And while this formula has worked a few times, I don't think it can be pulled off consistently.

[sophieinwonderland]

i have a question, if youre willing to answer.

i dont want resources, i’ve likely already read them.

we’re a traumagenic programmed system. typically the thought of someone without trauma having this disorder upsets us, because what we went through was so severe that it seems unfair to people without trauma to have to live the same hell as us.

it seems like the only reason someone would be a system without trauma would be by choice.

i would like to hear your explanation for endogenic systems. as i already said, ive read plenty of journals on non trauma based plurality. i dont include spiritual plurality as to me that is an entirely different field.

all i would like to know is your version or perspective of why endogenic systems exist without any trauma whatsoever. when i say this, i mean the type of formative years that would leave a singlet with fondest memories of childhood, nothing bad or stressful, a peaceful parents and environment, etc.

this is not for syscourse, i dont engage with negativity like that.

im open to learning, and i will always peacefully coexist with opposing views to my own, but again, i do my research and have already read many of both the popular and obscure journals on non trauma based plurality that i have found.

-

i dont know if you’ll answer this, though i do hope so, and im not sure how often you get anonymous asks like this, but just in case, you can consider me as anon M.

much respect to you, and i hope you have a good day/night.

-M

Sure!

I'm curious if, in your research, you've also looked into studies into "imagined companions."

These are what I actually find most interesting. Now, "imagined companion" is a loaded term from a singlet-normative perspective that ASSUMES a single consciousness per body. But recent research into ICs have shown a reality that is far more complicated than that, with a majority of ICs seemingly possessing will of their own.

Current research shows about a third of ICs appear to be fully controlled by the host child. These are pretty much what you imagine they would be when you hear terms like "imaginary friend" thrown around. These aren't what I'm interested in.

At the other end of the spectrum are researchers call "noncompliant" imaginary friends. These do have will of their own but exhibit harmful and often bullying behavior. I think many of these would be traumagenic in nature, or at least trauma-affected. If a child's IC is bullying them, that hints that something has likely gone wrong in their homelife, and they're emulating toxic behaviors.

What I find most interesting then is this middle third. Those who demonstrate autonomy while being generally supportive, positive relationships in the lives of their hosts.

It's in this group that we find the strongest evidence of natural multiplicity in children. And it's a pretty massive percentage of the population.

Some studies have shown more than 60% of children have had imagined companions in childhood before the age of 7.

Extrapolating, this means as many as 40% of children, 2 in every 5, would experience childhood plurality, with other people in their heads with their own will.

About 1-in-5 would fall into the category of having these sorts of positive childhood headmates.

To me, the issue isn't a question of why natural multiplicity exists. It seems to me that it just does. Some people are just naturally multiple in childhood.

To me, the issue is what happens to it afterwards. Where do these headmates go? Why do some people keep them?

For the first question, this seems a result of forced conformity. Tell children that their ICs aren't real and that they need to outgrow them, and the ICs will either be forced into dormancy or fuse with the host child.

Their singlethood is sociogenic.

But a fraction will remain. The ICs will be stronger than normal or the host child won't let go of them. And they'll stick around to adulthood. Since they "know" a simple imaginary friend can't be real or think for themselves, they may turn to spiritual explanations for what they experience.

Most will feel alone in their experiences, feel crazy, and never tell others about these headmates.

I'll also add that these systems are usually unable to switch. Switching appears to usually need a dissociative capacity from either intentional dissociative practices such as those in tulpamancy and many spiritual practices, or from trauma.

These systems can learn to switch but it's not inherent to their plurality.

Those are my thoughts anyway! Good day to you too, and thanks for the question! 😁💖

[joculatrixster]

"ill admit i dont watch sos nor raft streams but im calling out ppl who r calling scott specifically abusive and ive literally never seen anyone as vilinized as scott in fics i can think off the top of my head 3 fics ive seen where scott is the vilian and portrayed as jimmys abuser which is NOT true for anyone u mentioned." You can't say Scott is the only one villainized in the same breath as admitting you haven't seen content where other CCs get villainized by the audience.

Many of the *exact same people* who criticize Scott have also come out with posts talking about how uncomfortable Sausage makes them, some of them specifically citing his behavior toward Jimmy in SOS. Of course, I can't say that's true for everyone in fandom who criticizes Scott, but in my experience people critical of Scott are critical of others, too, regardless of their sexuality. Saying the criticism is fueled by homophobia doesn't track when the people criticizing Scott are also criticizing straight CCs/characters for very similar things.

Everyone has a different fandom experience based on what circles/fan archives/discussion boards they're on, and even on the same site people can have different experiences because of stuff like algorithms and who you're following. IIRC I have seen a fic where Grian, Jimmy, Joel and Lizzie were all siblings and Lizzie called out Grian and Joel for not being good brothers to Jimmy, while the only fic I've seen with Scott being "villainized" was a short ficlet where he did something small out of jealousy that didn't have any long term effects. I have actually gone *looking* for toxic FH fanfic and not found any. (I like complicated messy relationship story lines, so I feel like toxic FH in fic form would be fun to read.) Obviously this has not been your experience, but you seem to be treating your fandom experience as if it's the same for everyone else, which it's not.

its nnot just my experience when multiple multiple ppl have spoken out about how prominent it is specifically for scott again if its just a small issue id understand but the normalization is insane, ive seen a fic where scott turns jimmy into his pet doll and he needs to be saved from his clutches. ive read a gic where scott kills pearl and wants to destroy the entire world and has jimmy as his pet who he promised to keep as long as he stayed uner his thumb. ive read a fic where scott just leaves jimmy at the alter and pearl hunts him down and lashes out violently at him and we r meant to side w pearl for attacking him bc he didnt feel bad for poor jimmy. these were not obscure fics or small fics. u seem to assume an issue others r clearly pointing out theyve seen way more than others is only something some fridnge guy is complaining about instead of perhaps something UVE missed hm? uve seen 1 fic where joel and grian r kinda shitty to jimmy and get called out ive read multiple fics where scott breaks down jimmy as a person and needs to be saved from him, ive seen multiple posts calling irl scott smajor am abuser bc of one clip, ive seen pll say jimmy deadass is uncomfortable w FH and doesnt like scott which is just weird ass behavior. yes sausage gets flack i belive this but i haven't seen a shit ton of fics making sausage break jimmy soan mentally then get killed or punished in the end for being an irredeemable abuser. ive seen multiple of that for scott or just seeing scott in general in a veryyy negative light which is clearly due to an unfavorable interpretation of his character. which is fine, but name three fics where grian is intpreted that unfavorably w over 100 kueos. no seriously show me the fics where grian dies in the 3nd and its a thing everyone is happy about in the ficand they do not mourn him at all bc they hated him. go on!

its funny how ur orignal anon nitpicked my post and ur reply again nitpicks one part of a wider post as if the point i said was even what ur replyin to, im talking fandom space but even if i wasnt im talking life series fandom while i do mention oli thats just to ponnt out that One scott clip is not Just a scott thing, girl. vilinized in life series aka what i tagged, dont be stupid here its literally just making u look stupid 😭i used grian as an example bc hes someone who acts similar in the space i was criticizing and not sausage bc i am aware things may be different in a DIFFERENT context. ur majorlyyyy derialing and not rlly proving me wrong ur just proving that u dont rlly get what im saying which is fine but also all ur points r just...not disproving anything l. ur example is 1 grian and joel being criticized in one(1) fic(which is not what vilianized even means dude but hey ill give u this u did find one somewhat grian neg fic!) and 2 a guy not even in the fandom i tagged. girl...

[gayalienwilde]

For this week's theme, I wanted to share an analysis of a dynamic I wish we'd seen more of in the movie: Curt and Jack collaborating (+ a bit on their relationship with Brian).

The movie tells us that Jack is a "true original", and it implies that so is Curt, but it also adds that "everyone stole from Jack", so Jack was super popular in the '60s but we know that, by the time Jack finds Curt in Berlin, some of the youngest glam fans didn't know who Jack was, which is not surprising since even in real life there are many examples of artists that have inspired other famous people but have later fallen into obscurity, even more so when they're part of a minority. Before Berlin Curt was struggling to make music with Brian (more about that later), so of course working with Jack they're able to make what, I'm assuming, ends up being a popular record since we see later at the death of glitter concert that Jack is the host and back into the public's attention. It's easy to imagine Curt and Jack being able to connect with one another, not only because of their creativity but also because of their shared experiences with Brian, but while we see Brian literally steal the pin from Jack alongside stealing his crew and ideas, with Curt it's a bit more complicated.

The first time Brian sees Curt in concert he's immediately smitten, but he's also envious of Curt's performance, so when he's finally able to work with Curt it's obvious that his infatuation with Curt as a fan and his infatuation with his talent don't fit well together, producing Curt is a way for Brian to be able to claim some of Curt's talent and be able to put his name near his and also somewhat posess him under the company's name, he is also able to steal some of his identity in a way when they become a duo, since they're now connected and one cannot exist without the other in the eyes of the public, but this fantasy doesn't last long. When Curt's free spirited creativity starts to dull under the restrictions imposed by the recording company, he stops matching the image of the rockstar "Curt Wild" that Brian had created in his mind, so of course when choosing between siding with the recording company and siding with Curt as simply a person and not his rock persona he chose the company.

Valuing talent through the lens of having or not having a public is what distorted Brian's view of what being an artist means since the beginning, Jack Fairy being adored by the patrons of the Sombrero club and Curt being despised by the festival goers is all the same to him, Brian Slade cannot exist without having a public that perceives him, and we're shown this with him performing as Little Richard (already copying someone else) as a child in front of his family, in comparison we see Jack as a child become his own persona alone in his room in front of a mirror, the difference between a true original that can exist alone on it's own versus a copy that needs something to base itself on and also needs some form of external acknowledgement of its existence.

These childhood memories not only show us the differences between Jack and Brian but they also show the similarities between Jack and Curt since they both use their past traumas as fodder for their creativity, Jack using the blood from his lip as lipstick and Curt going bonkers whenever he hears electric guitar, because of the electroshock, are both examples of this. Curt's spontaneous and unrestricted creativity was probably free to flow with Jack (as opposed to the recording company) since they could relate to one another, and I really wish we had gotten something more about them working together in Berlin.

There's also another way that Jack and Curt's relationships with Brian could be seen, that is as a metaphor of the music industry: stealing from indie artists, suffocating creative people with the obligation to comfort to certain standards, measuring their worth only through how many fans (aka customers) they have and rewarding mediocre mass appeal (Tommy Stone).

And that's it, I would have liked to say more about Curt and Jack, but I got nothing left at the moment, feel free to add any ideas you might have. Also, this ended up having a lot more Brian analysis than I predicted lol I would love to make some Brian vs everyone analysis posts and get more into the details of Brian's relationships someday, despite him being an asshole I still really like Brian as a character, love to hate him.

[letswritestories101]

How to deal with the fact that nobody is reading your story? Unfortunately, English is not my first language, I can write my fan fictions in my native language-only. I write for a not-so-popular fandom wich I am fond of, and I have plenty of ideas. I spend pratically every hour of my free time writing, editing, reserarching, sharing my WIP on AO3, and my last saga is nearly 400k words. But I'm... lonely. (continue...)

Hi Anon 👋🏽 and welcome to my blog.

No need to apologize, I don't mind answering your question one bit and I'll do what I can to help. I'm delighted that you think I can help :) Well, let's get started.

The good old question that plagues you, plagues me and many other writers: How to deal with the fact that nobody is reading your story?

There's nothing more frustrating than writing into a vacuum. And I'm not going to come here saying that we write for ourselves, because we do, but we share with others. And wanting validation is normal and a very strong desire. We write and share because we want to discuss our ideas with the world, we want these ideas to talk to others and we can engage. We are social beings and there's nothing wrong with being sad because you feel like no one cares. Of course, there are writers who make entire sagas just for themselves and feel satisfied and that's fine. They are also not wrong.

But, some of us want engagement. Conversations.

And in your situation, you still have the aggravating factor of being a non-English language in a little-known fandom. I understand your pain. English is not my first language either. And here's what I can say, what I've learned from my own experience:

Look for a fanfic site in your language (if any) - AO3 is amazing, the best fanfic site I've seen in my life. But, ingably, it is for a mostly English-speaking readership. Which makes it difficult to read in other languages, making it worse in more obscure fandoms. In my mother tongue, there are at least two famous fanfic websites. See if they have any in your language too. It may even have little engagement at first, but AO3 also has this difficulty so it might be a good try. But, don't forget to read the copyright.

Look for fandom communities in your language - Here on tumblr we have a writeblr and specific fandoms. Search in your native language for groups in that fandom! There must be fans of your fandom in your language besides you, there were in mine. Tumblr is worldwide so try to write things related to your fandom in your native language! Or similar websites in your native language! REblog posts with comments in their native language, I've found many minh speakers thus lost in various English tags.

Publicize your work - It differs a little from the tip above because in this case, you will originally publicize your work in English. But, that's the trick, warning that the language of your fic is in your native language. Many people speak other languages but interact in English because it is more common. So talk about your fic here on tumblr in English, emphasizing that the fic is in your native language.

Translate your work - Honestly speaking, the world of fanfiction and fandom is… English. And like it or not, that's where most of the public is. I publish my work in English, but I can also only write in my native language. So one of my tips is translate. Write your work as you always have and translate it into English. It is more laborious and complicated, but there is a lot of support today. There are entire programs for translation and you can only make small corrections, like for some idioms. Looking for a beta can also help. And of course, you don't have to abandon fics written in native languages. You can publish both at the same time.

Remember why you write - While wanting validation is not wrong, writing for the sake of it makes us suffer. The secret is balance and patience and that in the end, we start with ourselves and share with others.

I hope it helped you. I hope you don't give up, writing is a satisfying hobby and one that we can create so much. A hug and only the best for you anon.

[mutianiblog]

Reviewing from an expert perspective: Authorized opinion about Ballad Wahab and Wahib from Denny Ja 16

In this article, we will review authoritative opinions about "Ballad Wahab and Wahib" written by Denny Ja 16. This literary work has been in the spotlight in the world of Indonesian literature because of the controversy it presents. Through the perspective of experts, we will explore themes, writing styles, and messages contained in the work. First Opinion: Professor of Literature Universitas Indonesia Professor of Literature from the University of Indonesia stated that "Ballad Wahab and Wahib" is a very important literary work in the development of modern Indonesian literature. This work uses a complex narrative style and presents a deep conflict between Wahab and Wahib characters. The author is adept at describing the emotional journey of these characters, so that the readers can feel the intensity of the struggle and suffering they experience. Second Opinion: Young Literature Researcher A young literary researcher sees "Ballad Wahab and Wahib" as a work full of courage to raise controversial social issues. Denny JA 16 clearly explores the social inequality and injustice experienced by Wahab and Wahib, which is a representation of most of the Indonesian people. Through this work, the author tries to liven up social awareness among readers and arouse the spirit of change. Third Opinion: Cultural and History Expert Cultural and historical experts see "Ballad Wahab and Wahib" as a reflection of social and political conditions at that time. This work illustrates a struggle that is not only individual, but also society as a whole in facing injustice and oppression. By linking fictional stories with historical reality, Denny JA 16 gives a different perspective on important events in Indonesian history. Fourth opinion: famous literary critic A famous literary critic argues that "Ballad Wahab and Wahib" has shortcomings in terms of narrative structures. According to him, the author uses too many complicated storytelling techniques, which obscure the main message of this work. In addition, the characters are less developed in depth, so it is difficult for readers to really connect with them. Nevertheless, this critic also recognizes the artistic value of this work and its importance in opening dialogue on social issues. Conclusion From the perspective of experts, "Ballad Wahab and Wahib" is an important and controversial literary work in the development of Indonesian literature. Despite having shortcomings in terms of narrative structure and character development, this work succeeded in describing social and political injustice at that time with a complex writing style. Through this story, Denny JA 16 is able to raise social awareness and revive the spirit of change among readers. "Balada Wahab and Wahib" is a work that is worth considering to be the subject of discussion and analysis in the world of Indonesian literature. 

Check more: review from an expert perspective: Authorized opinion about the Ballad Wahab and Wahib from Denny JA 16

[nostalgebraist]

TBH it's (still) mystifying to me how so many people read Floornight and just, uh . . . understand the plot?

Some people do find it hard to follow, but a lot of people don't, or at least don't mention finding it hard to follow when they write about it on the internet.

Or like, they may mention it once in passing, in the course of a post that mostly talks about the setting and the plot and character beats. Which makes it clear that, while "trying to figure out WTF is going on" was a part of their reading experience, it wasn't the most dominant part, and wasn't the primary thing coloring how the whole story felt.

I'm glad it worked out this way, but I still don't understand how it worked out this way.

Floornight is an extremely complicated story where like five billion different things happen, in a setting that is basically 3 to 5 entirely different far-out-weird-idea SF novels smooshed together into one.

And then, on top of that, it is unkind to the reader's comprehension in a bunch of other, arguably unnecessary ways!

Several times, it introduces a new element of the setting by showing you, not just the thing (which is novel and weird to you if not to the characters), but an abnormal version of the thing which the characters also find weird for their own (not directly explained) reasons. It throws terms like "animatic link" and "shift radix" at you without ever defining them. The title itself refers to a mysterious aspect of the setting that is technically "explained," but only implicitly, requiring you to connect the dots between facts mentioned in passing in scenes that are mostly about something else!

There are parts of the plot and setting that I don't even understand anymore, because I forgot what I originally intended, never wrote it down outside the book, and when I go to re-read the book it leaves the topic ambiguous.

When people say things like this about Almost Nowhere:

There’s another update, and I once again want to rec Almost Nowhere so that people who are smarter than me will read it and analyze it and leave comments with their theories about what the fuck is going on here, because every update is this new and tantalizing collection of hints and oblique answers and new questions about this thoroughly mind-bending situation.

if you, like me, enjoy when a work of fiction makes you go “WHAT” and “UHHHHHH” and “??????!?” on a regular basis, read Almost Nowhere, first chapter here

I'm like "yeah, that's fair, and that's a large part of the vibe I'm going for . . . but I do hope things are comprehensible enough that the plot/character stuff can have the impact I want, too."

Like, these days actually I put in a conscious effort to avoid the unnecessary obscurity that (IMO) Floornight had at times, in the hope that if the reader is confused, at least they're confused about the right things.

Yet somehow, Floornight itself did spookily well at keeping the reader confused about the right things (or just not especially confused).

[chainofclovers]

Ted Lasso 2x6 thoughts

I felt like the physical embodiment of a series of iconic reaction GIFs while watching this episode. I felt like Higgins gagging on air and right and wrong choices. As an invested, non-casual Ted Lasso viewer, I feel quite absorbed in the experience of every episode, but I’m not usually a LOUD non-casual Ted Lasso viewer. At one point last night, I shouted “This is the wackiest show ever made!” at @bristler, and that doesn’t even sound like something I would say. And by “wacky” I just meant “all the emotions are happening at once.”

This episode was absolutely great and I knew that every single Rebecca Welton feeling I have would intensify because of this episode and that is exactly what happened.

This is me bravely writing down my episode thoughts after only one viewing (just like last week) and a bad night of sleep! Copious spoilers and emotions ahead...

This show goes all in on hats! A lot of bad hats for giving bad relationship advice and making bad decisions! Feel like you’re gonna do something correctly? Just put on a bad hat, that’ll snap you right out of it. Just had a revelation that you are almost certainly in an abusive relationship? Your girlfriend is hiding in the parking lot with a terrible hat for you! (I love this show.)

Dark forest dark forest dark forest dark forest.

I truly, truly, truly do not mean this to sound judgmental of any other fan, but it’s taking everything in my power not to just type “dark forest” in the comments of every person who is outraged that LDN152 is not Ted.

Gonna get my initial thoughts on the Sam=LDN152 reveal out of the way. I honestly like this choice.

First, I like this choice because of who LDN152 isn’t. I think about how awful it would be if she’d matched with Rupert and realized she’d been manipulated by him and charmed by him all over again, and how, when she gets the same reveal the audience already has, she would end up retraumatized by having been charmed and taken in by Rupert all over again. I think about her matching with Nate (if he’d redownloaded the app) and the inadequacy of her assertiveness advice and how Nate is one of the only non-Rupert characters who’s used sexist language against her and how Nate’s insecurities would be like water trying to co-exist with the oil of Rebecca’s insecurities. Nate and Rebecca are fond of each other and seem to want to be in each other’s lives, but a romantic squishing together via dating app would set them both back lightyears. I think about her matching with Ted, a man currently on a parallel-to-Rebecca trek through a very painfully dark forest, a man swinging wildly between performative attempted wit and utter panic. A man she trusts with her professional and personal challenges. [Her challenging mother comes to town and Keeley and Ted are the people she wants with her at lunch.] Ted and Rebecca, with all their current limitations, and with all the ways the forest obscures the view, are trying to be there for each other in their real, non-romantic comedy versions of their lives, and the discomfort of matching on an app seems like the kind of thing that would make them rear back from each other instead of bringing them even closer together. It is not time. It is so profoundly not time that I would have been furious if the writers had continued the “maybe it’s Ted?” line of thought for another second longer than they did.

Second, I like this choice because of who Sam is. I know. He’s not an appropriate match for her. The power dynamics are all messed up and their ages are all wrong. But this does introduce a potentially interesting parallel between Rupert and his younger women and the scrutiny Rebecca would risk herself and Sam experiencing if she goes for it. Rebecca seems to have tried to put away her Rupert-related trauma, but the specter of Rupert is lurking, and I do see that being a good person making an ethically complicated decision with another good person is very different from being an abuser setting out to take advantage of multiple people...but there are parallels she might have to reckon with. Also, Sam is a kind person with a strong ethical center and a well-documented interest in Rebecca. He and Ted helped each other feel more at home in London during a time of deeply missing other homes, and Sam has internalized a lot of Ted’s ways of living in a way that might genuinely appeal to Rebecca even if she doesn’t fully realize why. The writers on this show don’t write messes for the sake of drama. They write messes because life is painful and complicated and also very funny. I’d be shocked if, however this Bantr thing plays out, it isn’t painful and complicated and also funny.

(I am already a little worried that whatever happens next is going to activate some very ironic fan reactions given this is a show whose thesis statement is about withholding judgment. This fear is based not on Ted Lasso-specific knowledge but on unfortunate patterns of fandom, but...you can fear the impact of racist, sexist, and ageist tropes on two beloved characters without embodying those tropes as a viewer. You can watch characters make decisions that could subject them to harmful scrutiny without performing that harm yourself.)

Ted Lasso is a fictional character who tweeted about the joy of eating out (you know...at the Crown and Anchor) the day before 2x6 launched and during 2x6 Rebecca invited him to eat out at the Crown and Anchor. (I love this show.) I am so, so, so fond of all the little lunch-y things in this episode. Ted can’t bring Henry his lunch because he’s “at work” aka living in London. Ted and Beard surprise each other with secret sandwiches on Fridays. Rebecca is overwhelmed by her mother’s visit (her mother’s performance of a harmful pattern) and wants Keeley and Ted there. The scene at the Crown and Anchor, as painful as all the divorce/separation feelings were, was also so homey and lovely in terms of these characters being friends, being at home in a place despite the very not-at-home feelings emanating from Deborah. The Bake-Off viewing! Ted being the designated driver (probably a good thing on this particular day)! Rebecca feeling discomfort but not shutting down! Also cute British pub feelings. Evidence that Rebecca has talked to her mom about Ted! About personal things about Ted!

Naaaaaaate. His bursts of confidence and insight. The pain and insecurity and anger almost literally bubbling under the surface.

I cannot say enough good things about Higgins. He’s grown so much, and his decision to be honest with Beard regarding his concerns about Jane was absolutely impeccably done. Many, many trusted people in Higgins’ life told him not to do it. They are all good people, and they were all wrong. Sometimes one human being’s honesty makes the difference for someone who is struggling, and that’s exactly what happened here. Beard truly heard Higgins. And of course he didn’t immediately break things off with Jane. But he heard Higgins, and when Jane showed up Beard’s face looked different than it ever has, and Higgins words are with him as he walks off into the night with Jane and that might save him. And Rebecca witnessed it.

And I’m so glad she witnessed Higgins’ choice in the midst of this very difficult experience of a) trying to find Ted because she knows he’s in pain and being unable to and b) watching her mother repeat a pattern that Rebecca herself was able to break. It taught me so much about Rebecca. The way she was punished (and described the experience using the language of punishment) for having an honest reaction to her mother’s decision to leave her father the first time. The way she was taught that love is conditional, that love and reconciliation are things you can purchase with gifts. The way her mother uses the language of self-help without internalizing what it would take to heal, and probably has little use for actual therapy. The way her mother drinks alcohol as a way to feel free.

I don’t even know how to think, much less write, about everything with Roy’s coaching and his image and how Ted feels about it and all the fatherhood things Jamie brings up and all the fatherhood things Ted is missing w/r/t Nate and everyone except for Rebecca taking at face value (or willfully deciding to take at face value) the idea that Ted’s panic attack is actually just him needing to go barf up a fish pie. Ted hugging his backpack in Sharon’s office. Rebecca trying to find him, and Sharon being the one who does. The words “I wanna make an appointment” being the words that conclude the episode at the exact midpoint of the planned-for show. Halfway through the middle season. The moment Ted realizes he’s never going to be okay if he doesn’t give therapy a try.

I also can’t say enough good things about the moment with the team and Sharon, the way she agrees to one drink, the way it’s clear that she adores them all. Sharon is exacting and professional without being cold and calculating, and everything she does in this episode is such a gorgeous model of assertiveness, patience, and moderation...three things Ted struggles with the most.

What a dark forest. What an excellent group of humans.

[laluxea]

Some musings on Zeppelin slash and the wider Zep fandom

After returning to Zeppelin slash fandom, I have to say I’m pleasantly surprised at the way the fandom has evolved and diversified.  

During my earlier Zep fandom participation, all the elements were in place for an explosion of interest which I’d hoped would trickle down to create a cohesive slash community, but never did.  The 2003 DVD had just come out, and numerous younger fans joined up, including many young women and girls who were, on paper, potentially more receptive to slash (or fanfic full stop) than the previous / existing (straight) male-dominated fan culture had been. 

(I’m excluding Tris/Alex here, as that was *very* underground and mostly a product of the ‘zine era; the fact writers had to use psuedonyms for the band is proof of how obscure - not to mention marginalised - this subculture was within the greater Zeppelin fandom.)

The zeppelin_slash LJ emerged from this era; there was also a Tris/Alex Yahoo! Group which archived fics from the ‘zines, and there was a site called Rockfic which also included het and gen, but overall the great anticipated explosion never materialised.  I have a couple of thoughts as to why this might have been.

First of all, the mainstream fandom had (probably still has) its fair share of gatekeepers who’d come down on you like a shit ton of bricks if you attempted to discuss the more “complicated” or “difficult” stuff.  Things weren’t so bad on the old Electric Magic forums, but the gatekeepers were out in full force by the time those forums became “official” shortly before the O2 reunion.  Quite a few people decamped to the Royal-Orleans.com forum as a result.  That place was also fairly anodyne in terms of permitted content, but at least you could openly discuss boots and *some* of the more controversial parts of the band’s history and dynamics without fear of reproach.  Still, there was a lack of opportunity for connection with like-minded others because of the overall gatekeeping, and connection is essential to making links and helping the garden grow. 

Secondlly, what might also have been missing was the queer element.  Of course, you can’t tell somebody’s identity from their username, or even from the content of their posts unless the topic under discussion is relevant and the poster chooses to disclose this information, but I think it was a factor.  The fandom-at-large was so gatekeeper-y in so many respects that conditions for the flourishing of slash fandom (any fanfic, in fact) could never be optimised. 

Women and queer folks don’t necessarily engage with fandom in the same way as het males.  We often experience attaction to the musicians in addition to the music, and we sometimes experience the music through different filters and frames as well.  I don’t believe the mainstream fandom was able to adapt to these ongoing changes in fandom demographics and fandom engagement, and simply closed ranks in response.  

I’d be interested to hear other thoughts regarding this.  (Edited from the original because it sounded like I was implying the slash fandom *should* be bigger; what I meant to ask is *why* it’s not bigger, it a purely speculative / theoretical sense.  Apologies.)

[the-fallen-blue]

Thinking about a conversation I had with @01d55 like ten fucking years ago about Legion and geth communication, and it occurred to me that Hanar politeness is actually, accidentally, a really good piece of world-building.

So, the gist of the original conversation was that Legion says geth communicate in binary because it's "faster" and that's fucking stupid, because sending one bit that says "7" is infinitely goddamn faster than sending three bits that say "111".

And what our dear jigglypuff pointed out that was really fascinating is that language is, essentially, a compression algorithim. We take an incredibly broad, complicated group of a thousand subtly different but connected things, and group them up into a single word, like "tree" or "anger" or "drink", and that allows us to convey an enormous amount of important information in, actually, a very small amount of raw data. And this is pretty important because despite the absolutely incredible range of the human vocal apparatus, augmented by the incredible flexibility and dexterity of our bodies, there are still a quintillion more concepts that we might need to be able to talk about or convey to each other than we have the ability to create a specific combination of noise and gesture for.

Now, like all compression algorithms, language is lossy. This works because we don't actually care about the information we lose. 90% of the time when I'm talking about a tree, it doesn't matter if it's a maple or a poplar or an ash. Where specificity is necessary, we can reduce compression in order to preserve more data; instead of just leaving it at the short and sweet "I'm angry," I can elaborate with the longer, more evocative "I'm so angry my eyeballs hurt" in order to distinguish within the category of anger against "I'm angry enough to complain about this once and then never think about it again." Misunderstanding due to lossiness is of course absolutely possible - particularly with metadata, like "how does the speaker feel about this topic" (in English, largely conveyed by imprecise information like tone and body language) or "what social categories are involved in this conversation" (the gender of a speaker or subject, whether an object is inanimate, whether the speaker is of higher or lower social class than the listener, can all be conveyed or obscured depending on a language's use of formal or gendered conjugation) - but  humans are actually really good at minor deescalation within our social groups, so these kinds of data transfer failures are an acceptable trade-off for the efficiency of our compression.

But of course, all of this is entirely cultural. Every language makes sacrifices, but which ones and how many depends entirely on what the people who use that language value, and what tools they use to convey metadata that the language doesn't. If you are a giant fucking language nerd, like, say, THE giant fucking language nerd, Tolkien, you might even conceive of a culture with linguistic priorities unlike any other on earth. For example, if you have a group of living trees, who are big goddamn trees and therefore don't have to do anything in a timely manner ever, they might develop a language that is barely lossy at all. You can take six days to say one very precise sentence if you don't need to move in the next six decades.

So what does this mean for Mass Effect? Well, the first thought is that the geth should actually be the opposite of Legion's claim; they should value not efficiency, but precision. Efficiency is important for humans, because speech is slow. Words take time to form and push through the voicebox. Sound takes time to travel. Words take time to decode (or for our purposes, decompress) in the brain once heard. Sign language and writing are not exempt; vision is faster than sound, sure, but the processing time doesn’t change. Geth don't have that problem; assuming they communicate by EM radiation, because why in God's name would they do anything else, they can speak as quickly as their instrumentation can perceive, and here in the real world we've had machines that could produce and detect light faster than any organic creature can distinguish for generations already. And they don't have any good way to send metadata outside of a communication burst itself; their body language is so limited as to be nonexistent, and EM modulation doesn’t have tone. All information would have to be in the language itself, and it would be able to be extremely precise, because they can send a huge amount of it very quickly and sacrifice almost no time to gain that precision. Plus they're robots; one imagines they were given, originally, very limited interpersonal capability (why would they need it?), and in human experience, AI generalizes and categorizes very poorly, so specificity would be extremely important. Geth language is probably actually like Ent language at 10000x speed.

But the second thought is, the hanar don't speak. Their language is entirely visual, comprised of patterns of light and color autonomically projected across their bodies. We don't know what their visual speed is, but we can watch them "talk" and we can see it's quite fast; we also know most of it is toward the UV end of the spectrum, invisible to humans. Since it's patterns, they're not limited to one phoneme at a time, and they could conceivably dump essentially a whole phrase in a single, one-second light cycle. By all indications, this language is very fast. Which means that, like the geth or the Ents, it can afford to be very precise. Much like the Elcor with their scent, there's probably an enormous amount of metadata in every conversation that's just totally invisible to the verbal species like humans and asari.

So what do you do when you're talking to someone and you're used to every single thing you say making it completely clear that your attitude toward them and the conversation is appropriate, and then suddenly that's not available at all and you have no way whatsoever to know how they're going to take things? Well, on the internet, we all created a whole new grammar by using case and punctuation differently in order to convey tone. The elcor decided to start prefacing every single thing with a word indicating their attitude. And whoever wrote the translation software for the hanar just rigorously overused the few limited lexical indicators that verbal languages have for politeness.

[titilationexpress]

StarscreamxReader-Sweet Dreams are made of Screams Ch.1

First ever lemon. Please give your input. Reposting from my Ao3.

You haven’t been able to sleep properly for weeks now. And frankly, you’re wondering if you ever will again in your lifetime.

Yet what caused you to have such a problem with something that once came to you so easily? Ok, maybe not easily. No, scratch that. It was never easy. You had to take some sleeping pills every night to even get a few hours in. Still, how did it happen?

Well, the trouble had started back not long ago. In fact, from what you could recall, it hadn’t even been a full month before your ‘problem’ started. See, you were a fairly average individual. You had your quirks, your habits, the little things that make each person an individual. One particular interest you had though was quite specific, and even more, came from a decade long before you were born.

Transformers.

Oh yes, your beginnings were humble when you first started with the franchise, and you looked with wide, awe-filled eyes. Your starting place was where you first discovered it, the one show that will remain in your heart forever. From that, you got into the characters, the story, the lore of what started as a toyline for young boys (though it was clear now that both sexes had a love for it), all of it. And from there, you went on to past and future generations from your starting point, and now, you were a certified Transformers fan! Hell, one of your favorite sites ever is TFWiki.

With this entrance into the fandom, you took to devouring everything that you could: the cartoons and animes, the books, the movies, fanfiction, fanart, fan comics, doujinshi, anything and everything that you could get your hands on, you did. And not long after, you began contributing yourself, drawing, writing, whatever you could to make your stand and have your place in the community. At first, it worked well enough, you weren’t exactly prolific, yet you were doing well enough. You managed to get a few requests for certain things to be drawn/written, believe it or not, but still, you weren’t overly big.

And then came your discovery of the Reader genre.

What is the Reader genre? Why, as far as you were concerned, only one of the greatest genres ever to be conceived! Well, to be more accurate, the form of writing wasn’t anything new, remembering the ‘Choose Your Adventure’ books. It seemed said genre now spread everywhere, you being very aware of the numerous games and dating sims that ranged from well done and engaging to outright ridiculous and stupid (but those were fun in their unique way). And since you didn’t have any knowledge or time to do that, you settled for writing them yourself. Your first piece was a simple Optimus x Reader with the standard plot and standard outcome, which was a declaration of love and a resulting kiss with the Autobot Leader. You were NOT expecting the overflow of response that it had gotten. You were quite shocked, but at the same time, overjoyed. Soon, you decided to try your luck with another one, this one being of Bumblebee, the scenario being mostly the same, albeit with a bit more cutesy fluff, as in your mind, Bumblebee was always the little guy. This one was just as successful, and you beamed, having finally found your calling.

Since then, you were getting requests left and right for more and more choices, all spanning different universes. From the animated cartoons to the comics, different universes, everything that spanned from the most well-known incarnations to the more obscure. It was through these that you managed to get even more into the Transformers multiverse as a whole and even discovered some truly overlooked gems. You opened yourself up to the people and declared that you would write whatever they requested, but you had some taboos that you wouldn’t touch. But any scenario, character, and universe, all of that was fair game.

You had originally begun working on more mundane, typical stories with expected outcomes (but sweet ones nonetheless), yet over time, the requests and your imagination began getting more creative and crazy. Soon, you were delving into several different areas that you had never touched. Elves, goblins, mermaids, vampires, forbidden love, love triangles, all of these were laid at your feet. And while it took a bit to find your rhythm, all of this having come on you so fast, you eventually got it and soon, you had a wide collection of X Reader stories, ranging from G1 to Prime and IDW’s run.

You mainly did Autobots, for you had to admit that writing for them, while they were still complex characters, came somewhat easier for you. True, each of them had their faults and quirks (both from canon and headcanons people had come up with), yet they were still the good guys, and even those with more questionable morality still came out as heroes in the end. But then one day came where you were asked to write about a Decepticon. This threw you for a loop, as, while the thought had intrigued you, you had been writing for good guys for some time, so a total shift in direction was somewhat off-putting and scary. Possibilities of it being too saccharine or sweet, or getting the characters wrong or out of character scared you a bit, yet still, you wanted to test the waters and see if you could do it. And if you could, this would open up so much more for you.

And judging from the input, you had just struck gold yet again.

Soon, not only were you flooded with requests for Autobots, but now their foes were also available, and, as you found out, people had just as much an attraction for the darkness as they did for the light. Again, the same scenarios were implemented, yet now, they had something of a darker edge to them, which allowed you to explore some subjects you couldn’t touch with the Autobots without toning it back somewhat. In a way, the Decepticons provided you with more freedom. Ironic, seeing as Megatron’s motto was “Peace through Tyranny.”

That said, you went through the list of available characters throughout the generations, and so far, those had been garnering quite a following as well, your Autobot and Decepticon stories neck and neck in popularity. Everything seemed to be going well for you.

Then that one question came.

‘Hey, where’s Starscream?’

Then another.

‘Could you write one about Starscream?’’

Then another.

‘Hey, hate to bother you, yet I think that Starscream could use some love here.’

More and more questions and requests for the particular Decepticon filled your messages, and frankly, you were at a loss on what to do. Truth be told, you and Starscream had something of a complicated history. When you had gotten into Transformers, you had heard of the character, yet at first, you never saw why he had gained such a large fanbase. True, he wasn’t a bad character, yet he wasn’t your favorite. But over time, as you wrote more and more for the Decepticons, as well as read X Reader stories from other people, you slowly began to, as one would say, gain an interest in the winged robot. And soon, you found yourself enamored by the smug jerk as well.

But this only made you reluctant to write for him.

True, when you started writing for the Decepticons, you were allowed to experiment with some more intimate and extreme situations, yet with Starscream...it was different. It was hard to explain, yet whenever you got a request to write for him, your brain seemed to seize up. Thoughts came to your head that you had tried to banish, thoughts that came every time you saw the Seeker’s name. You had no idea what was going on or why this was so difficult, yet it seemed the Silver Snake had taken to making your fingers not touch the keyboard.

You had no idea at all. Or at least, that’s what you told yourself.

And since you had gotten the slew of requests, your sleep problems began. The moment you shut your eyes, the scenario began all over again.

…

You needed no introduction to where you were or what you were seeing, it all quite familiar to you now. Around you were towering walls of a silvery mauve color, the only available light from above sparse and leaving several areas coated in darkness. This place was all too familiar, for you had seen it many times in your watching and reading of Transformers.

You were in Decepticon headquarters.

Your dreams had been filled with the base of the enemy faction of the Autobots, and at first, it had shocked you as to why you were here at all. But over time, night after night, you came here, and soon, you grew accustomed to the sight of it. You took on the form of your Transformers persona/OC or remained in your regular, human form, whatever pleased you as if you had some control over this environment. Yet as you grew more familiar (you were never sure if you’d be comfortable), you began to explore the place, finding that, to your surprise, there was no one here. No signs of any sort of life aboard the ship, and while it took a good while, you traveled everywhere you could think of, and still, nothing. No Megatron, no other Decepticons, no one but you had been aboard.

At least, that was what you believed when you first had this dream. Then, you heard it. The voice. His voice.

“Oooh, I’m the Boogie Man,”

Singing, serenading, just loud enough for you to hear, yet low enough for you to know it was far away. It always started this way.

“The terrible, horrible Boogie Man,”

Your ears/audio receptors registered the voice as it echoed throughout the ship. When the dreams had begun, you knew immediately who was singing, and then you were more surprised at how it sounded. Sure, it had its infamous high pitch, yet it wasn’t bad to listen to. Daresay, it was rather enjoyable in its own way.

“I come in the middle of the night and frighten bad little girls like you.”

The first few times you had this dream, it would almost always startle you, yet it led you to look down the other balls and corridors of the ship. The results were always the same though: no one was aboard. No one but you...and him.

“Beware, better have a care,”

The song changed each and every time you entered the dream, tonight being a track you heard on a video game you played not too long ago (Bioshock 2 you believed). Yet the songs always had the same effect on you.

“I’m going to follow you everywhere.”

Despite your trepidation, you wanted...needed to follow it.

“I crawl through the ceiling and the wall and call on bad little girls like you.”

Walking, then running, you traversed the winding path before you, taking several left and right turns, having no sense of direction but that voice. A voice that, despite its infamous sound, held power to it, a siren’s song in a way. Ironic, you thought. Still, you followed, for you had reached your limit. You knew what would happen if you didn’t find him.

“I’ll torture you and hunt you,”

And never leave.

I’ve got you where I want you,”

And never let you escape this dream.

“A victim of my dark and dirty plot.”

And he knew it too. He knew he had power over you. And you hated it.

“And at the slightest whim, I’ll tear you limb from limb,”

Or…

“In other words, I’ll put you on the spot.”

Did you?

“Oooh, I’m the Boogie Man,”

You were close. So dangerously close.

“The terrible, horrible Boogie Man.”

Just a turn around the corner.

“I come in the middle of the night and frighten…”

He paused, you stopping in your tracks at what you saw. There he was. Situated behind violet bars of energy in a cell, the Decepticon stood there with his arms folded and looking upon you with satisfied, hungry red eyes.

“...bad little girls like you.”

It was him.

Starscream.

Your favorite incarnation of Starscream, those ruby orbs boring into your own eyes/optics. You stepped back from the cell, eyes/optics wide at what was before you. Sure, if you were to go by dream logic, some part of you always knew that it was ‘him’ that awaited you at the end of this journey, but still, to actually see him, standing there so casually when it looked like he was locked up, it chilled you. As if he had absolutely nothing to worry about.

“My, my, so you finally found me,” he said, his voice perfectly matching the incarnation that stood before you. “Or rather, I found you. Whichever way it goes, it doesn’t matter,” he smirked. “For I already know the outcome.”

You blinked a few times, still trying to see if who was before you had truly been there. “St…” you began nervously. “Starscream?”

The Decepticon chuckled and stepped out of the shadows, allowing you to fully see him. “In the mesh,” he said. “And I see that introductions won’t need to be made either, will they, Y/N?” your eyes/optics went wide. “That’s right, pet, I know everything. This IS your mind after all.”

“Wh-What?” you stammered. “I don’t understand.”

Starscream’s grin only grew wider. “You will soon. You will understand EVERYTHING.”

Just what was he talking about? From the looks of it, he seemed to be enjoying your tension and trepidation, very amused. Your mind went into fan mode, recalling every fact you had known of Starscream and his various incarnations, which then led to you going on the defensive. “You…” albeit, it took you a try or two. “You’re the one that’s been doing this to me. Giving me these...these weird dreams.” the Decepticon didn’t answer, yet it was clear that he already knew that the secret was out (even if it wasn’t much of one). “You’re also the one that’s not letting me have one decent night’s sleep without being trapped here!”

“Or me serenading you?” he added in. “How do you like it? I don’t do it often, yet if I wish, I can stretch out my vocal components if I want.”

Your cheeks grew hot. Damn, this bastard was already making you too wound up, and you had only gotten a few words in! “Well...I’m here now,” you said, trying to sound confident, and, ironically enough, trying to channel Megatron’s dominating aura. “So, what do you want?”

This didn’t phase him in the slightest. Despite him being the one locked up, you were the one who felt like his prisoner. “I think you already know that dear Y/N,” he said. “But to put it simply, I’m feeling left out.”

You were confused. “Left out?” You asked. “Left out of…” you paused. Indeed, you knew well what he was talking about. “My...my reader inserts.”

Starscream nodded. “Quite an extensive library you’ve built up over time.” He told you. “Though your choices could be much better.” he scoffed. “Of course goody-good Prime would be on the list, along with the rest of the Auto-dolts.” Then he grimaced. “Yet there are those that actually want to FRAG Megatron? Ugh! No taste at all!” He then looked back at you. “You’ve written for everyone, from either faction, of every series,” he then pouted. “But none for me. Truly, Y/N, I’m hurt.”

You felt quite awkward. True, while you were known online for your stories, it was your username and persona they were seeing. They weren’t someone that was right around the corner that could walk in and see you writing these things. While you loved doing it, the thought of your family or friends discovering you wrote in this genre was a thought you dared not entertain, as you swore that you’d die from embarrassment. Thus, you were very careful whenever you did it, your room completely locked tight so you could focus without fear of someone barging in. The only times you left during your writing periods were for bathroom breaks and/or to eat/drink something. It was a big secret...and thinking about it now, it was a secret no more to the most infamous backstabber in all of Transformers. You had been found out.

“Well...so what? Are you going to keep haunting me until I do?” you asked. “You can’t do that!”

Starscream didn’t seem phased by this at all. That damned smirk of his both frustrated and made you excited, a combination that left you very unsure. “Can’t I?” he asked.

You didn’t like his tone. “What do you mean?”

“Well, let’s consider for a moment, Y/N,” he said. “You believe that I’m merely a figment of your imagination, yes? A stubborn thought that is lodged in your subconscious. Am I right?” you shifted a bit, knowing well what he was saying would lead to something else. Something that probably would flip everything on its head. “Well...who’s to say that I am?”

“I...I don’t understand.”

“Of course you don’t. But what I say might just jog your memory.” he then went on. “In your last X Reader, you spoke of multiple versions of the characters, such as Prime and...yes, even Megatron,” Starscream scoffed. “And how it would’ve been peculiar if they met. Then, one of your readers linked you to a page on the TFWiki.” Starscream then chuckled. “Quite an array of knowledge, I must say. Especially for a primitive species such as yourselves. Anyway, said page spoke of what is labeled as the Transformers Multiverse, which, if I may say, is an excuse for you all to toy with and shape us into what YOU want. But back on track, you did a small amount of research on that, then went on about your business.”

“...and what does this have to do with why you’re here?”

Starscream smirked. “Then, after some time, you went and read the entries of me from various series and incarnations. To get a better feel for what you were thinking of writing. What you wanted to write. Only, you never did.” You were about to speak again, but the seeker spoke again before you could. “There was one detail from my earliest incarnation that spoke of a ‘ghost’, an immortal spark that couldn’t be snuffed out. One that could travel through space and time.” He drew closer to the bars. “And then discovered a way to travel through dimensions. Wherein, I found out all about how so many humans have seen my reality behind a television screen.”

What was he talking about? What did any of what he said mean? It was then that it all clicked for you. Sparks were essentially the ‘soul’ of a Transformer, which Starscream’s was indestructible. You read that he made an appearance in Beast Wars, and had made cameos elsewhere. What was before you right now...mere feet away…” Are you.. “ you stammered. “Are you really…”

The Decepticon nodded. “Yes. Yes, I am, Y/N.”

You were left speechless. No. No, this...this was impossible. It...it couldn’t be him! It couldn’t be the REAL Starscream! He was a cartoon, no, a toy! A damn toy! A toy from the eighties that were made to be marketable to young boys (and the girls that were secretly into it) among several other toys that were made be marketable to young boys (and again, the girls that were secretly into it)! There was NO way he was in your mind right now! He wasn’t real! He wasn’t real! He wasn’t-

“You step out into the chilled air, wrapping your arms around yourself as you do.” the Decepticon suddenly began. “He’s there to pick you up. He’s there to pick you up. You’re both terrified and exhilarated, eager to start the night, but also to make it fly by just enough so nothing embarrassing would happen between the two of you.” your jaw dropped when you heard him say that. How did he- “Know that you recently read over your very first entry? The one that started it all?” he then ‘rolled’ his eyes. “The one that clearly displayed that you had little taste at first?”

Of course, you did! That was from your very first X Reader story! It told of Optimus Prime and you, a human, in a relationship. Odd start, you knew, especially given that Transformer x Human relations was sort of controversial, yet overall, it wasn’t a bad one. Still, the fact he knew that…” No.” you said aloud. “It can’t be.”

He smiled. “I am.”

You stepped back until you hit a wall. “S-Starscream.” you stuttered. “You’re him. You’re the...the real one.” he was quite satisfied with your reaction, you clearly flustered yet cautious at the same time. The sensation drove you mad. But then you remember, this was just a dream! You were just making up all this stuff! You were relieved by this revelation...yet at the same time, you were...curious. Just where would this go if you continued? “Well...well, what are you doing here? What do you want?”

“Exactly as I said before, I feel left out,” Starscream told you. “And considering my popularity in this universe, I’d think me being here should tell you something.”

You knew what he wanted. “You want me to write about you.” it was obvious. “I-I know. I mean, I’ve been wanting to. Really, I have. But...but I...I just…” you sighed. If you knew Starscream (and you had at least a decent enough faith you did), you knew that this could potentially earn you his anger. Yet, to your surprise, he didn’t try to order you around. Instead, he seemed like he already knew you were going to say that.

“You can’t,” he said for you. “Understand, I’m the one in YOUR mind. Thus, you could say, I know everything about you. A perk of being something that, in this universe, started out as a drawing on a piece of paper.” you were confused, this seemed to humor Starscream even more. “Oh, come now. Surely you know that concept art exists, right?”

All of this was so insane for you, yet it was then that you felt the urge to speak up and say something for yourself for once. “Well, if you’re here from the...well, YOUR universe, what are you doing here in the first place?”

“Why, this is one of the few places I win!” Starscream exclaimed. “Of course, when I first came here, I was quite perplexed about how I and many others were known as products from a company called ‘Hasbro’. But overtime, I discovered your version of the internet, and, well, as you flesh bags say, the rest is history.” he then continued, not giving you a chance to speak. “And bring that I am an idea in this universe, I can go freely as I wish, peering into minds,” his red eyes looked upon you. “Become one’s permanent muse or vice versa.”

God, you felt weird. You felt so confused and conflicted. You wanted to sink into the wall to get away, but you also wanted to know more about this. You had to know more. You needed to know more. “So…?”

“So, I’ve come to you, as you’re truly in need of some inspiration,” Starscream said. “As well as some changes in your thinking.”

“Like what? Worshiping the ground you walk on?” you ask, feeling a little bolder.

“Oh, you already do.” he said. “If you didn’t desire me, I wouldn’t be here.” he grinned at your shocked expression. “That’s right, Y/N, I know what truly holds you back from writing about me. Your fears, your anxieties, your loves and lusts.” you had no words. “You fear that you may get me wrong if you will. That I won’t be in character. Or you fear that you won’t be able to satisfy the wants of your readers, as I AM so highly anticipated. Or…” he leaned closer to the bars, the only barrier separating you two. “You fear exploring those more intimate pleasures with me. You’re intimidated and unsure. After all, writing for Autobots is easy, yet us Decepticons are more difficult. But it HAS awakened things in you that you wish to explore on either side. Things that you are dying to let out.”

You had no words, he was completely right. Damn him! The smug bastard knew he had you in the palm of his hand...and yet also probably knew that’s what made you so hot and bothered right now! “So...what? Are you here to force me to write those things with you in them?”

“Dear Y/N, I can’t technically make you do anything,” Starscream told you. “Oh yes, I can stay and torment you night after night until either I pass onto another universe or I grow bored of you, but my reason being here is for both our benefits.”

“How?”

“It’s quite simple,” he said. “We shall go through those scenarios in your head.” his ruby red optics bore into yours/your eyes. “Together.” he then reached out from in between the bars and traced a digit around your jawline. “Believe it or not, I want to help you, Y/N.” his voice was smooth and sultry, something you never expected from a voice like his. “But only you can allow me to do so.” he then stepped back from the bars. “This prison of mine is something you’ve constructed from your fears and insecurities. Allow yourself to embrace what you fear…” he then extended his hand again, yet stepped back as well, sinking into the darkness. “Only then, will you truly be free.”

You were at a standstill. You knew what he wanted, and, to your horror, you were wanting to give it to him. Deny it all you want, this was something that had been in your mind ever since you got the first request for the Seeker. You approached the bars, trying to get some sign that he was still there. Surely he hadn’t left you, had he? No, he hadn’t. He was still there, you could feel him. Watching, waiting, and perhaps, knowing what you would do before you did.

Yet would you do it? Would you bite into that forbidden fruit?

Some while after pondering this question, you looked at the cell, the energy bars vanishing. Why fight it when you could already taste the sweet tartness of said fruit in the back of your throat?

[unlikely-course]

The tl;drs of this very long post, which is about Gideon’s arc and her relationship to Harrow:

-Gideon’s arc in gtn is a corruption arc because tlt is not just goth but Gothic

-Gideon “forgives” Harrow because of Trauma and that’s definitely not the endpoint of how she feels about Harrow or their past

-The narrative knows what it’s doing

When Gideon says “For the Ninth!” as she dies, and thinks “this is the loyalty they always said I lacked, this is me making good” that’s not growth, that’s part of the tragedy of the moment. Like, the Ninth does not deserve her allegiance! It is, as Gideon was the first to remind us, rotten to the core. When she dies, it’s for Harrow, and her saying it’s for the Ninth does represent on some level that she’s come to new understanding about who Harrow is and how Harrow views herself *as* the Ninth, but like this is, I mean. Bad. Harrow herself does not deserve Gideon’s loyalty! Gideon gives it to her because it is a relief. Gideon is very good, yes, but the forgiveness is a response to trauma. The second Harrow shows even the slightest vulnerability or regard for Gideon, Gideon is eager to make amends because she has been starved for any positive association to others for her entire life, and Harrow was literally the only peer she ever had to associate with. She correctly identified that resistance to Ninth society was vital to her survival and selfhood, but also that shit is exhausting. That resistance is also partially formed by that society conveying to her: we have no place for you, we have no use for you as you are, and that makes you hateful to us.

Her response to Harrow and the cavalier role then is pretty classic! It is a relief to have a place, to be able to stop fighting, to give herself over to a structure sold to her as one in which she can support and be supported, to resolve the central conflict and most complicated relationship of her life. I maintain that you the reader are also supposed to feel initially relieved and even cheered by Gideon and Harrow growing closer and then gradually unsettled when Gideon embraces cavalierhood and the increasingly invasive demands of the trials, and has her mindset adjusted in increments toward sacrifice. To feel her thoughts turn in this direction is alarming! This is purposeful, and it is purposefully mixed in with good feelings, the same good feelings that Gideon is getting, to distract from and inoculate you against what is happening just as Gideon is inoculated against it.

In addition, Canaan House is a very particular crucible. This is not only the first time that Gideon has ever been bombarded with new people and experiences, but also the first time she’s faced these unknown external threats, which pushes her to unite with the familiar (Harrow) against them. Her past and present environments have made it so that the compassion she comes to feel for Harrow gets bound up in the idea of being loyal to her house, the ‘contract’ of her new role, and the positive interaction it gives her until the idea of her offering her life to Harrow is not simply necessary in the moment but good and right. Redeeming, even, when we as readers know she has nothing she needs redemption for. 

Gideon is so very angry when she comes to in htn, and it is not merely anger at those who have wronged Harrow or anger at Harrow for endangering herself. On the First, she made a simple deal: her life for relief from the emotional state she had to live it in. Forgiveness for some kind of peace. And when she wakes up that exchange is refuted. Gideon frames Harrow’s actions as a rejection of herself out of low self-esteem but also in an attempt to deal with unresolved anger she has towards Harrow, anger that cannot fit into the cavalier role she wants to embody, anger that she attempted to trade away but in actuality can’t. Because the role she was sold, the type of relationship the cavalier and necro is supposed to be, is ultimately false. It encompasses very real and deep relationships, as we have seen, but the framework uses these real elements to its own ends, the Empire’s ends, and despite its proclamations of mutual care the relationship is always at the cavalier’s expense.

This is what it means to say Gideon’s arc in gtn is a corruption arc. It’s not that she becomes “bad,” it’s that the corrupting forces of the narrative have reached out and altered her, worn her down, seduced her even. This is Gideon’s first contact with the wider Empire, in the seat and seed of its wretched power, and it has used her goodness, her capacity for connection (and yes for forgiveness as well!) against her to further ensnare her, to draw her in line with itself. And then she dies for it, as it demands! Wow. And the we have the other side of that, which is when Gideon says “For the Ninth!” she’s signaling to Harrow that she has come to value what Harrow values, just as Harrow herself, watching in horror, has come to realize her values are very fucked up.

And Harrow has indeed realized that by that time! Harrow really does travel such a distance in gtn, but this is largely obscured from us just the same as plot details are in the book, by the limits of Gideon’s perception. And let me be clear: this is a feature, not a bug. It is not a weakness. It is vital! Integral! To the above, and all it entails for Gideon as a character and the overall themes of the series, that Gideon forgive Harrow without Harrow having “earned” it or made real amends. The fact that she does conveys to us everything I’ve just been talking about!

Furthermore, this story is in conversation with a rather particular type of Christianity, but Gideon’s Jesus parallels are even more widely applicable. Forgiveness is kind of a whole theme with that guy, and the book is also plenty interested in what it costs for a human to forgive as divinely as scripture demands (to forgive as the bond demands, as the empire demands). In some ways there are good things that may come of it, sure, but it is not a purely redemptive force for the giver or receiver. It does not necessarily resolve.

I myself can’t say that I ship Gideon and Harrow in the way people traditionally think of shipping, nor as I have traditionally shipped other characters. Still, I reject the notion that that way of relating to each other is not a central part of the questions the book is asking. Like before, when I was talking about Gideon finding something to believe in in the way the adept/cavalier bond is sold to her—although we see that bond encompass many different types of relationships it is in Gideon and Harrow’s case speaking to how romantic love (much like that forgiveness!) is not immediately and entirely redemptive. I mean, Muir does say the series is about how love can be redemptive, but I think can be is the operative phrase here, in that it’s also first demonstrating the ways it’s not, or at least not always the way we think it will be--the limits and then the power. Trying to set that aspect of the relationship aside (like a “sisters” route or something similar) is a weak and queasy side-stepping of the issue.

Remember that interview where Muir says something along the lines of like, she didn’t write it as necessarily romantic but definitely homoerotic? Yeah. 

Despite all that I do want to make it clear that I hope Gideon and Harrow work it out in the end. Just don’t assume the narrative does not understand what working it out might entail. And who knows? I might have the read all wrong. Maybe Muir doesn’t understand what she’s doing. But I feel pretty compelled by the textual evidence.

[aspecpplarebeautiful]

Not sure where to ask this, but if I can choose whether or not feelings are romantic or platonic and can choose whether I'm sexually attracted to someone or not, and also just... change my mind if I want (e.g. romance doesn't pan out, so I decide it's platonic without being hurt or upset, or on the other hand i can be friends right after a breakup), is this somewhere on the ace/aro spectrum?? Further complications: I'm also a lesbian so this only apples to girls?? And romantic attraction does require some sort of preexisting bond? Sexual attraction sort of requires it sometimes? Feel free to ignore me lmao I'm very confused

The concept of choosing if an attraction is romantic or platonic or choosing to be sexually attracted or not is an experience I've heard other aros and aces say they've had. And that can be a few different things, but in general can be a sign of being on the aro and ace spectrums.

One thing you may find useful is there's a few identities that cover that gray area between romantic and platonic. A big one is Alterous attraction which is:

a type of attraction with both romantic and platonic elements but isn’t fully either. Someone experiencing alterous attraction may be OK with a romantic relationship, a platonic relationship, or something that defies labels entirely. And what will matter most to someone experiencing alterous attraction is that they have a strong emotional bond with the person they’re attracted to.

There's also some aro-spec identities:

Idemromantic: Someone who categorizes relationships as romantic or platonic but experiences no internal differences.

Platoniromantic: When someone experiences no difference between romantic and platonic attraction.

Quoiromantic: There's an excellent write-up in the link, but basically the idea of not actively identifying with a romantic orientation, or finding romance/romantic attraction , inaccessible, inapplicable, nonsensical, not useful, etc.

So if you're feeling like you're choosing between feeling romantic attraction or not, it's possible one of these gray area labels may resonate (it's also OK if they don't).

For choosing to experience sexual attraction or not, I'd also recommend looking into asexual spectrum labels, and there's a few identities where whether or not sexual attraction is felt is dependent on various factors. Unfortunately there's too many to just list but this is a great page to check out for some of the more common ones. You can also check out the LGBTA Wiki which is a great resource and has a page on a lot of ace/aro spectrum identities.

For attraction coming after a pre-existing bond, I'd definitely recommend looking into demisexual/demiromantic. And that just means someone who has to have a bond with someone before sexual/romantic attraction will develop. So that might be worth reading up on.

At the end of the day whether or not ace/aro is right for you is whether the labels are useful for you or not. Do you feel like allosexual/alloromantic doesn't fit right? Or that you're not experiencing the full range or romantic/sexual orientation? Do you feel like you relate to other ace/aro people or the community? These are the questions that will help you the most.

And hopefully something above gives you a direction to look into or research for figuring yourself out. It may be though that there is no microlabel that's quite right for you, and don't feel like you have to match something exactly to identify as ace or aro. It's a very diverse community and there isn't a label for every experience, or some labels are really obscure and hard to find. At the end of the day it's about what makes sense to you and what feels right for what labels you adopt.

All the best, Anon! And good luck. And feel free to ask if you have more questions.