#and should i start tagging things with

[sapphicscience]

idk thinking about how sometimes you have to show up for people you aren't that close to, because sometimes you're just the person who's there. sometimes you invite a new friend to a party and end up having to sit with them through a panic attack. sometimes you run into an acquaintance on their worst day and they need to talk about what happened. sometimes someone is crying in a stairwell and you're the only one around to ask if they're okay. and none of this is "trauma dumping" or whatever the fuck it's just being there for people because you're the one in the room with them.

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.

[theoldkyokodied]

[Hi Dennis. How was the lion feeding?...?]

This has been something I've been working on for quite a while now, as some people who look at my insta story might know, but I'm finally done!! those text messages from s14ep5 are so unhinged, they haunt me every goddamn day. To drop "i love you so much" just to follow it with what essentially is a "no homo.. for u... even tho u r so hot and i like you so much!". exploading them with my mind into a million pieces, okay?

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[pencil-n-pen]

SPILL YOUR GUTS

˚₊‧꒰ა . ——— ˗ˏˋ ✮ ˎˊ˗ ——— ˖ ໒꒱ ‧₊˚

practice boyfriend! eddie x fem! reader

summary: eddie’s your practice boyfriend. you’re positive he’s upset at you and you’re waiting for him to get mad. however, he has a different response in mind.

cw: references/allusions to past child abuse but extremely vague, references/allusions to bad relationships (also pretty vague), reader acts on a learned response and assumes the worst about Eddie, anxiety

tags/tropes: angst, hurt/comfort (my brand!) sappy sappy romantic idiots, they kiss and figure their mess out at the end

a/n: this came to me in a vision

summary makes this sound smutty but i promise it’s not. this accidentally became disgustingly romantic. read at your own risk :)

࣪˖ ࣪ ⊹ ࣪ ˖

You’re positive Eddie’s mad at you.

Okay. Maybe positive is a strong word. But still.

You’ve only been fake/pretend/practice dating Eddie for about two weeks now. He’s the one who approached you with the offer— when you were in the Upside Down together, you’d made an off-hand comment about how you might die without ever having a real boyfriend- not one that mattered, anyway. It’s always kind of been a sore spot for you for a good portion of your life. Growing up, you didn’t really have the best relationship with your dad (Robin likes to call that “The understatement of the year, and we almost died.”) and out of the incredibly small handful of guys you’ve gone out with, none stuck around longer than a month and all ended in such equally, specifically, and uniquely horrific ways, you finally came to the conclusion you had to be fucking something up. What are the chances of all them ended so completely horribly?

After you all had decidedly not died in the Upside Down, Eddie approached you with an offer: pretend date him. You’re popular and well known enough that it’ll help get people off his back about the whole Chrissy/murders thing —even though he’s been absolved of all charges, the people of Hawkins hold grudges— and in exchange, you get a trial run of a relationship that won’t end unless you both agree too— you get to figure out what you’re doing wrong.

You feel bad about it, because even though you spend so much time together, you feel like a nervous wreck. All. The. Time.

You’re constantly waiting for the other shoe to drop— waiting for him to tell you that you’re too weird, that you’re not considerate enough, that you’re selfish, or that you talk too much.

But he never says any of it. All he ever tells you is the good things. He tells you how sympathetic you are, how kind you are, how good you are at remembering little details that matter. He tells you that you’re a good kisser.

(Yeah. Your first kiss, even after those failed relationships, ended up being with Eddie ‘The Freak’ Munson. You’re not quite sure you’ll ever forget how you felt when his lips —just a little cracked, but not rough— met yours; when his hair tickled your face and you could faintly smell the cigarette smoke that stubbornly clings to all of his clothes, no matter how many times he washes them. You didn’t tell him he was your first. That’s something you decided you couldn’t bear to share.

You kind of have a feeling he knows anyway, though.)

It all sets you on edge. You’re under no reassurance that you’re perfect. You’re currently questioning if you’re tolerable, from a romantic standpoint.

You know how you are. You’re clinging and you drink up reassurance like a dying man in the desert. You linger in his casual touches like it’s the first and last time you’ll ever feel them. You know you’re a lot. You know. You know that guys in a relationship don’t want ‘a lot’, they want a pretty thing to hang off their arm and laugh at what they say.

But you just… can’t.

You tried, and you tried, and you tried. But you always ended up being too much, or it didn’t work out for some other reason. You want more. You want to feel safe, and happy, and cherished and loved and all those things that only happen in the movies.

The ironic part of all of this is that when you first started setting out terms for your arrangement, Eddie had told you flat out: “This will only work if you are completely and one-hundred percent yourself. You gotta lay it all on me, angel.”

And so you had, and now you regret it because he’s upset about something.

You’d come over to his trailer at his request to ‘hang out’ while he went over DND stuff for his next campaign. Eddie does this a lot— he calls them ‘Neutral Dates’ where you’re not really doing anything in particular- most of the time, you’re both doing seperate things, but still just being in each other’s presence.

It’s nice. The majority of your friend circle consists of everyone involved with the Upside Down and that entire mess. You two are no Steve and Robin (you’re convinced those two have the kind of bond no one can replicate or break. Like the kind of bond stray cats get and then they have to be adopted together) but it’s still nice. To just be with someone.

Even if you feel like you’re walking on eggshells.

It’s not always eggshells. Sometimes, for a a few moments, you forget. You forget it’s all pretend. You forget he’s just a friend helping a friend fulfill a goal. That’s all.

You’ve almost forgotten just now, too— you’re too concerned about what you might’ve done.

He’s not acting angry, per-se, but he’s definitely upset. You tend to pick up on this kind of thing: small changes in someone’s personality or body language. Most of the time it’s not a conscious habit.

Most of the time.

Right now, he’s run his hands through his hair about a million times. It’s become a frizzy mess behind him, and when you’d made an offhand joke about it —an attempt to lighten the mood— all he’d done was scowl. Not at you, really, but the message was there. You’d snapped your jaw shut so fast you’re pretty sure he heard your teeth click.

After that he’d frustratedly made tea for the both of you, which consisted of opening the cupboards faster than he usually did, closing them slightly louder than he usually does, and drumming his fingers impatiently on the stove-top while he waited for the kettle to boil.

All of this you observed from the corner of your eye while ‘reading’ on the couch.

And if all of that wasn’t bad enough, when you’d finally mustered up the courage to speak again, a little joke about a part in the book you were reading, all he’d said was a flat:

“That’s great, babe.”

You’re starting to get antsy. Nervous. Maybe you should go? Unless he gets upset at you leaving. That would be bad. But he’s clearly upset with you being here, so maybe you should go.

While you’re debating the pros and cons of leaving, you try to remain as still and silent as possible. No need to upset him anymore by moving too much or being too loud.

You flip a page in the book you’re no longer reading (he might notice you’re not paying attention to it anymore) and decide to test the waters again.

“The author just spelled restaurant wrong. That’s the third spelling mistake I’ve caught in this book.”

“Hmm.”

Okay. So that was worse. Talking to him is out of the question, then. It must be something you did, to warrant this kind of reaction.

You wrack your brain, trying to think of anything you could’ve done in recent hours to make him upset, but you can’t think of anything.

You glance slightly to the right— not far enough that he’ll see you looking at him, but far enough to get a better look at him in your peripheral. He’s glaring down at his campaign notebook. Shit, he looks so angry.

Unbidden, tears begin to well in your eyes and you try to shift, trying to angle yourself away from him enough that he can’t see the tears in your eyes.

But your hand shifts, knocking into his leg.

Fuck. “Sorry!”

You yank you arm back as if burned, jolting back on the couch so you’re in no danger of touching him. “I’m sorry!”

He sits up, immediately snapping to attention at the desperation coloring your voice. “Woah woah, hey. Hey, what’s going on? Are you okay?”

You take a steadying breath. “Did I do something wrong?”

He blinks blankly at you. Oh shit, you’re supposed to know that you’ve done something wrong.

“I mean,” You hurry to correct, “I know I— Can you tell me what I did wrong so I can fix it?”

Understanding floods his features and you brace yourself, ready for the reprimand.

“Can I touch you?”

Now it’s your turn to stare with confusion. You nod once, briefly thinking about how weird it is to ask for permission first.

He sits up on the couch, facing you with his legs crossed, the couch springs squeaking loudly at his movement. You resist the urge to wince. He reaches out with a slow hand, taking the hand that’s still clenched, held away from him and up near your chest.

He stares down at your hand, holding it with his left hand and tracing delicate shapes on it with his right. His ringed fingers drag lines around your knuckles and veins, lingering occasionally over the odd, old scar.

“How long did you think I was upset with you?”

Your heart is racing, muscles tensed and ready to bolt. “Um. A few hours? Maybe?”

You’re hyper-aware of the grip he has on your hand, and how quickly and easy it could become crushing.

It doesn’t.

“Bug,” He says slowly after a moment. At first he used to use pet names as a joke— it was something you’d laugh at, between the two of you, since the relationship wasn’t real.

But recently, he’s been saying them with a different inflection in his tone. A little less teasing, a lot more fond.

“Have you spent the past few hours afraid that I was mad at you?”

He sounds… sad. Which is confusing. It doesn’t— he was. He was.

“But you were,” You say, suddenly unsure about anything and everything. “You were upset.”

“I was upset because I couldn’t work this part of the campaign out, and i’m dramatic. I was never mad at you, honey. I was never mad at you.”

You frown, gears turning in your head. “When I made that joke about your hair, you glared at me. And then when I tried to talk to you, you were upset. You didn’t want to talk.”

“I was jokingly glaring at you, I’m so sorry you thought I was serious. I wasn’t, I promise. I didn’t mean to be dismissive, I was really focusing on writing.”

You’re both silent for a moment. A beat too long. You want to squirm in the unwelcome space the silence has created.

“What did you think I was going to do?”

That is a loaded question.

“I don’t know,” You pick at a loose thread on the couch cushion. “I don’t— I don’t know. That’s the problem. You don’t yell at me, or get angry, or tell me when i’ve made you upset. I don’t know what you’ll do.”

He makes a wounded noise in his throat.

“I know you get angry,” You bulldoze on, “I’ve seen it. You’re so… loud, in everything you do. I know you get angry. But you never get that same kind of loud angry at me and I don’t know what to do because that means that I upset you and you don’t tell me about it and then I don’t know how to fix it. I have to fix it, Eddie.”

His eyes, deep and brown, search your face. He reaches up a hand, painfully slow, to cup your face. Your eyelids flutter shut, and you tip your head to the side, leaning into the job.

“I’m gonna tell you something, Bug. Are you listening?” He waits for you to hum in confirmation before continuing. “You’re not responsible for my moods. Or anyone else’s for that matter. That’s not your job. You don’t have to fix it.”

He reaches his second hand up to cup the other side of your face. “You know why I don’t get angry at you? Not all loud and dramatic like that? Because I’ve seen how you react when people do. And I never, ever want to be the reason you get that look in your eye. I never want to make you afraid. I never want you to believe, with proof and confidence, that I’ve grown sick of you.”

You open your eyes, eyes darting across the planes of his face. Searching for even the smallest hint, the smallest giveaway that he might be lying.

You can’t find any. In its place, you find eyes, shining with pure determination. You find lips parted ever so slightly, a sad-sort of smile being etched into being. You find two hands on your face, thumbs delicately sweeping across the skin of your under-eye, of your cheekbone. Smoothing away the steady tears that had begun falling, wiping away the hot trails they leave on your face.

And you realize all at once that love isn’t like the movies. It isn’t picture-perfect kisses. It isn’t ball gowns and dresses and kisses in the rain. It isn’t like the love you thought you were supposed to have: empty and hollow; a life of hanging off of arms and praying your next slip-up didn’t cost you your relationship.

It was this.

It was just being. Just being and knowing the other person is there for just that— for you. It was not raising your voice. It was carrying extra hair-ties. It was making two cups of coffee. It was steeping tea for an extra couple of minutes, just the way he liked it. It was playing your favorite music in the car, and looking over at each other during the bridge, belting the lyrics with the same, toothy-smile. So full and so happy you just keep screaming the lyrics, because you’re filled with so much you don’t know where to put it all.

Your tears begin to fall in earnest now. Your heart is thudding in your chest, but for a different reason now. You’re struck with the need to convey all of this to him— to tell him you understand, you know, you feel the same.

“These hair ties,” You shove your wrist up to his eye-line. “They’re for you. Because you always forget your own. And— and I steep the tea for a few extra minutes, because you like your tea strong, and you didn’t just find that tape in your van, I bought it ‘cause I know you lost the old one in the Upside Down, ‘cause it felt out of your pocket.”

You’re babbling, nearly choking on your tears and your words, rushing them all out of your mouth in an aching wish to be understood, in this very moment.

“I know,” He says, voice a little hysteric and eyes a little too bright. His lip wobbles. He presses your face tighter in his hands. “I know. I know. I see you. I see you.”

You stay like that for a little while. At some point, your hands find his wrists, and then you’re just two fools, smiling like idiots with tears streaming down your faces, staring into each others eyes.

Eventually, Eddie clears his throat. “The next time you think I’m upset at you, you tell me, okay? You can ask. You can ask me and I pinky promise I won’t get mad.”

You giggle wetly. “Pinky swear?”

“Pinky swear,” He says, taking his left hand away from your face to hold up his pinky. You intertwine yours and his together, the both of you laughing at the ridiculousness of it all.

He gets quiet for a moment; removes his hands from your face and instead clasps, your hands together, resting in your lap.

“You know why I never tell you when you’re being a bad practice girlfriend?” He says, his voice low and soft.

“How come?”

He smiles, full and good. “Because you’re not. You’re so sweet and kind and loving. And if you’d let me, I’d really like to kiss you right now.”

You furrow your brows. “The real kind? The I-love-you kind?”

Your face flushes over the words ‘I love you.’

“I’ve always kissed you for real,” He says, words laden with fondness. “Ever since the day we met and you slapped the shit out of me for being stupid. I’ve been hopelessly obsessed ever since. I’ve just been waiting for you to notice.”

You suck in a breath. “So all of this— the, the dates and the hanging out and the kissing— that’s all been real?”

“Every last bit.”

“Then in that case,” You say, squeezing his hands. “I would very much like you to kiss me.”

He leans in, slotting your lips together and everything just clicks. Like this is where you’re meant to be. Maybe it’s puppy love. Maybe it’s not.

All you know is that Eddie Munson is kissing you for real, and he always has been. You couldn’t ask for anything better.

˗ˏˋ ★ ˎˊ˗

[blujayonthewing]

awright here we go

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[why-the-heck-not]

me, a responsible being, working on the coding project as I should vs. me, a dysfunctional shithead, getting distracted by reading about brains (once aGAIN damnit (it's my favorite "I need to study my field but bc I should do that it's an impossible unthinkable feat now, so I'm reading about something else to fool my brain I'm still being productive"-topic))

[cosmicredcadet]

All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.

[soyunmago]

sooo... i like to doodle things from time to time.

this time it was just azula in a dragon onesie, and i gonna post it like a real man would.

with and without the rest of the doodles. I don't know if tmblr will mess up the quality, sorry if it happen tho ( ╯︿╰).

To be fair is done on paint so there's no much quality to beging with.

[valtsv]

I think if there was a patron saint of self destruction they would have an ouroborus as a halo

yes but also a crumbling arch collapsing in on itself and a dying star imploding and a hand circled around a throat

[laurellala-comics]

A Shakespearean comedy of errors

bonus:

[withdenim]

I may never finish this so before I forget to post it. Have my contribution to dragons rising.

[vaguely-concerned]

fun detail I only put into context after seeing the post-fade jail romance scenes with all the companions: lucanis is the only one where rook is surprised when they realize he's there as he starts talking, because they didn't hear him come in haha. (Bellara and Neve knock before entering, like relatively normal people fhsda. Harding's scene starts in medias res but from the staging my vibe is that she and Rook entered the room together. Taash walks into the room ahead of Rook. Davrin comes in through a door left open for him -- Rook is standing with their back turned but they clearly expected him, they just smile a bit and don't seem surprised. Emmrich of course takes you to the Grand Necropolis for the top goth hookup since Mary Shelly fucked on her parents' graves, the man quite simply never misses.)

lucanis has also closed the door behind him without rook noticing. old assassin habits die hard I suppose lol. he totally still accidentally jumpscares the others without meaning to all the time because he moves around quietly when he doesn't think about it, I know this in my heart. I wonder if he was just... looking at them for a while before he spoke up.

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[copia]

endless ghifs 11/? ⛧ source — "I don't wanna end like this—"