#and she takes fucking forever

[prettyboysmlm]

i’m gonna put a hole thru the wall

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[pineflowerart]

Life after Crestwood

[nicollekidman]

buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).

and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???

meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.

and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.

[starry-bi-sky]

more incorrect quotes for the stillborn danyal au - dpxdc

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Student: so like,, *gesturing to Plasmius* is he like,,, your dad or...?? Phantom: he would be if he wasn't such a BITCH Plasmius: excuse me Phantom: YOU HEARD ME

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Under the Bleachers: Danny and Dash smoking in solidarity Dash: Danny: Dash: do you have notes from Lancer's class today Danny: since when do I ever have notes from Lancer's class Danny: I can ask Tucker but only if you have notes from Abernathy's class Dash: deal

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Sam and Tucker: *making s'mores with Danny's lava hair* Danny, as Phantom: >:I Sam: you're just mad because you didn't think of it first Danny: yEAH

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Danny, freshly ghosted: .... Danny: well. at least i dont need to waste money on lighters anymore

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Tucker: with how long your hair gets we may just have to start calling you rapunzel Danny: don't you dare Sam: rapunzel, rapunzel, let down your lava hair Danny: NO

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Danny's hair tie breaks in the middle of a fight Danny: fuck Skulker: language child Danny, pushing lava bangs out of his face: fuck you! just for this im turning your suit into molten slag Skulker: waitholdonwecantALK--

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Danny: you know, by your logic Maddie is equally as guilty for abandoning you as Jack. She also never visited you while you were in the hospital. Vlad, had put his infatuation with Maddie aside but still kinda had feelings for her: Vlad: you're right Danny, not used to an adult agreeing with him: I-- huh, I am? Vlad: yes. If Dr. Walker had cared about me -- even if only as a friend, she would have tried to remain in contact with me. But she didn't. She is also as equally guilty for the accident that took your life too since she also failed to properly check over the portal for flaws and any improper wiring. Danny: wait- wait, i mean-- Vlad: this means only one thing Danny, bewildered: ??? Vlad, extinguishing all lingering feelings: I have to kill her too (somehow) Danny: nO.

[donamasu]

"My child, how you've grown!"

Is a parent someone who teaches you to hold a spoon? Who apologizes when they hurt you? Who takes care of your body? Who's just glad you're here?

[danwhobrowses]

You know, as much as I would've loved a massive catharsis-led triumph over Athion Zathuda in battle, possibly left at the mercy of the vibrant flames of Fearne's Titan form reiterating herself with aplomb as Fearne Calloway, I actually kinda love how the narrative chose to defeat him. In many ways it is just hilarious, but also ironically in-character. Man talked all about wanting to prove himself, had a grandiose title of 'Sorrowlord' and was looking to be both a physical and mental adversary after threatening to torment Fearne into becoming Exaltant by targeting her loved ones. But then when he is pit against Bells Hells he barely does a thing; he tries to talk his way into turning Fearne again, gets jumpscared by Ira, the 'farm girl' he mocked to Fearne commandeers his dragon, he loses a leg and is thrown off his dragon, and the Hells even opt to keep him alive for some reason in 107 before kinda accidentally offing him in 108.

He thought he was the shit, but enemies of true threat like Ludinus, Otohan and Liliana (a threat before she was turned) looked down on him, and thus his attempts to prove them wrong - while also falling into the same trap as Ashton's father in seeking out a personal destiny and being willing to see their child as a tool to do it - bore no fruit at all, he was practically an afterthought through and through, his dragon really being his entire threat level. In the end, he got killed running (well, hobbling) away, and while Gloamglut's keening was a little sad in a way that a pet cannot fathom the moral complexity of having to kill their owner he still had it coming, plus following his eternal torture in the Tiki Bar of Ligament Manor, the last sorrow he wrought was his own; he achieved nothing, everything he hints he did to get to his position was for naught, and for all the fear and danger he tried to make himself possess he truly had no power over anyone, especially not Fearne - who can only pity him and, as further proof of being better than he ever was, hope that he takes the time to reflect on his sorrows.

[caligvlasaqvarivm]

Do you think if the trolls all came back, like everything in the main comic did happen and they were alive again. Do you think Feferi would actually forgive Eridan? Or want to even be his friend after everything? I don't personally like the erisol and fefertasprite interaction…felt rushed…..so I just wanted to know your opinion if things were different! :)

Yeah, I think they would be! Feferi is one of the trolls who takes dying the least badly (relentless optimism) and Eridan does genuinely feel bad, which means a lot when it's Eridan. I think she really is genuine when she says she wants them to be friends and also that she's really not the type of person to hold a grudge, and like... death is SUPER cheap in Homestuck, it's really not the horrific, irredeemable, irreperable damage that it is IRL - and if you're talking about (Feferi) and (Eridan), then they're both dead (and irrelevent) now, so the score is kind of even.

In general, the fandom - I mean, people in general, really - tend to have difficulty divorcing themselves from other people. We tend to assume that the people and characters they like will hold similar opinions to themselves. This is how people who like Karkat and don't like Eridan can mentally gloss over or even block out their clear, close friendship, or how people who dislike Cronus can end up overlooking that Meenah actually takes his opinion seriously and unironically defends his wizard thing. Feferi really isn't mad at Eridan or upset about dying the way we probably would be, because she's friends with the horrorterrors, relentlessly cheerful, comfortable with death in general, and death is also just not really that big of a deal in this setting. "I'm really sorry about that, that was shitty of me" is honestly probably all the apology she needs, especially if they came back to life anyway.

[carnivalcarriondiscarded]

Kinkajou!!! i miss her!

[lovegrowsart]

"aang didn't tell katara to forgive just to let her anger out and let go" ?!?!?!?! litcheraclly the WHOLE false dichotomy presented by the narrative of the episode (using AANG as the primary mouthpiece) is forgiveness vs revenge like please watch the episode again and pay actual attention to the words coming out of aang's mouth.... so many tsr takes ignore the words in aang's mouth to interpret him more positively while putting words in zuko's mouth to view him more negatively, all the while pretending katara never said anything at all about HER OWN TRAUMA

[fortjester]

the prevalence of "yes or no" in The Locked Tomb Series

bonus!:

[luescris]

I'm actually fucking crying right now you guys holy fuck holy fuck holy fuck

[safety-pin-punk]

yall Im so fucking tired. This month has been exhausting. I promise Im alive, just barely functional atm.

[stuckwith-harry]

i am handing in my b.a. thesis (on motherhood in gothic fiction) in a few short days and though i have been complaining about having to write it for six months straight, right now i am actually feeling bereft of future opportunities to write academic papers about my silly little interests. for instance right now i really want to research & write about dracula daily & genre & the impacts of the newsletter format on the narrative (the addition of a timeloop)

i think about format and the specifics of narration a lot when i'm writing my own little things and i loooove when the narration - not just the narrator, but the act of telling the story - is part of the narrative. love when the narration is diegetic! love an epistolary novel (like dracula!) for this reason. should read more of them

inventory by carmen maria machado (short story! read it immediately!) is a GREAT example of this. the format of the narration is so integral to the story. does more than elevate it imo, i would argue the story genuinely wouldn't work any other way

g*d. i'm gonna have to become a video essayist

[perigilpin]

That's me in the corner, that’s me in the spotlight, losing my religion

[outlying-hyppocrate]

i have officially returned. ask me anything.