#and really i have no reason to suspect that specifically. it's just one of the potential causes for the enzyme abnormality we found

[utilitycaster]

I basically agree with what you've said wrt C3/Predathos, but I've had a theory for a while (since at least the initial decription of magic being weird during the solstice) that Predathos getting released would be the in-game Watsonian explaination for switching to, say, Daggerheart as the system of choice for C4. Which wouldn't make BH choices any more narratively satisfying, mind, but at least then I'd understand the impetus behind the choice, you know? (Granted, I also thought this would be a Suicide Squad campaign so what do I know. This theory is probably completely bunk.)

I also suspect some of the "release Predathos" sentiment is just, like, curiosity about what Predathos is. Which in an above the table way I can definitely see. There's been such a build up to Predathos, I definitely get the urge to press that button, even if I think it's absolutely an objectively terrible choice for the characters.

This is not an uncommon theory but must admit I think it's one that lacks any justification, slash, if it does end up being the reason I think that would be an extremely stupid creative decision.

The specific idea that this campaign is here to set up a new system/leave D&D has been around for, honestly, years, but there's no actual reason to set up the switch diagetically and in fact if you force a particular ending for that, I think that's a horrible narrative decision. I don't actually think diagetic/watsonian reasons for a real-world switch are necessarily better than just being like "so we switched systems because we wanted to" and I think it's particularly unwise in an improvised form; it would be a pretty massive squandering of goodwill because part of why I'm drawn to Actual Play is that it's usually not subject to The Suits At The Network. Additionally, Daggerheart as a system was only recently finalized, has the concept of gods/divine casters within it, and the Campaign Frame system makes it highly customizable by setting. They would have had to be aiming for a moving target that does not actually require killing the gods.

Additionally, I think Critical Role's origins as a game among friends, rather than something that was a little more calculated as public-facing, is often a strength but at times, and especially at points during this campaign, a weakness. However, I think that is a good argument against the idea of "hey, can you guys do this specific thing so that we can sell Daggerheart?" There's just...no reason to do this. Honestly, I suspect they've lost some fans during C3 who would have watched a totally new system and setting after C2, when faith was high, and are now like eh I've moved on. This is all a really long way to say "I'm not saying this won't happen but it will be stupid if it does."

I also must admit I cannot relate; I love a big red button but like. I am very task oriented in TTRPGs (and, I am finding, RPGs generally). I'm curious, but like, if I am in Curse of Strahd I'm gonna fucking kill Strahd. I think perhaps the game should have offered more opportunities to discover more about Predathos, or perhaps the characters should have done more with the opportunities they had.

[orcelito]

Actually we r at 6 months now without any major deaths in my life, which is great! That's the longest I've gone without any major deaths since last May! The second longest was 4 months between July and November last year. Wow !

[narwhalandchill]

having terminal narwhal brainrot is kinda the worst actually bc. sometimes my brain just gets Stuck on all these tiny things and observations that are Very Funny Indeed but also like. i have no actual clue whether its Intended to be significant at all in terms of implication or if im just losing it but its rent free either way and its not going away like. take this one for a completely coincidental example i definitely havent had swirling around my head rent free for like the last 3 weeks nopers no way uhhhhh

so act I of fontaine AQ right???? first narwhal mentions we get from childe in the story???

"it" right?? which like fine yeah makes sense. mysterious massive eldritch sea creature wouldnt consider that out of place for a choice of pronoun. in no small part prolly due to ajax just taking after skirk in terms of how she refers to and views the narwhal. its not rly carrying any connotation of personhood and/or sentience purely in terms of the language used

Now. if its such an unsurprising choice. why am i fixated on this

WELL. lets say purely hypothetically. wouldnt it be like. really funny if after Multiple languages. explicitly went for a non-human moniker when it comes to childe speaking about the narwhal. that he would then like. possibly. the Second they make actual direct and personal telepathic connection with one another. pull a complete 180 on that. in like act III mayhaps

"someone" calling him??????

Like. isnt it Interesting. that he went from "it". to IMMEDIATELY assigning explicit personhood to whatever originated that whalesong call.

Its telepathic connection. Right??? like these mfs are Literally in each others heads. right??? and yet. Somehow. PURELY off of that call that single moment of fleeting impression and feeling that gravitational pull towards one another. youre Instinctively assigning sentience personhood and character to that voice. Huh

(so based and narwhalpilled ajax i knew you were a truther and an ally)

and like what makes me fixate on this so much and not just go oh its prolly nothing is just. they didnt HAVE to write it that way right??? they couldve made it "something calling me..." . or even for intentional ambiguity something like "i hear a call somewhere..." . but Nooooooo its. someone. they made ajax go from "it" to "someone". in the exact span it took for him to make direct metaphysical contact with his narwhal.

obviously like. yes ive made my case against the "lmao dumb pet that overeats" misconception Many Times Before for obvious reasons bc thats My beloved and theres Plenty enough canon material even excluding this one to very much suggest the narwhal is indeed a fully sentient immortal being capable of complex thought i just. for ajax of all people to seemingly note that so instinctively the moment they make contact as well............

yeah let me scream real quick thanks im just. HHHHHHHHHH these 2 kill me irl

and NO its not just english i triple checked. like first i checked german and that shit goes from es/etwas to jemand. non-human to explicitly person-specific

(beyond the obvious. whale as a masculine noun)

& then w chinese obviously not a speaker but i took the same lines from project ambr, got the translation and pinyin with google and as long as im not missing sth huge and/or wikipedia isnt lying about how chinese pronouns work. its explicitly non-human 3rd person to very much person-specific interrogative "who" too.

so like. that sure is a very specific and curious choice to make with the writing. multiple times. in multiple languages. when there very much were Multiple very easy ways to write it Not in such a way. for the one (1) guy with undeniably the closest and most personal bond to the narwhal. to say That. in response to its call. its just a little bit of an inch resting detail to have. just a bit

yeah ajax mister im actually going to need you to explain this one to the class as well in addition to all the OTHER shit you have the audacity to spew thanks

[andromedasummer]

every now and then i remember im somewhere on the aroace spectrum and i just kinda stop in my tracks and go 'huh!' and try not to sit on it for very long

[drchucktingle]

On your blog you've talked about dealing with chronic as a result from the stress of masking your autism.

It's a bit of a different situation, but my little sister (who we've begun to suspect has adhd) has been experiencing chronic pain in her arms and legs. I may be totally off base, but I was wondering if a similar stess might potentially be a factor in her pain.

If you're willing, would you mind talking about how your pain affected before you found a way to manage it (I tried searching your tumblr, but not much came up, so sorry if I'm asking a question that's already been answered)?

Thanks either way, I love your books. Love is real!

sure buckaroo GOOD QUESTION. i have had chronic pain in some form or another for LONG TIME in a number of STRESS RELATED WAYS. in past it has been cracking teeth from clenching dang jaws while i sleep and things like that, but a few years ago it was FULL ON BODY PAIN AND TIGHTNESS like every muscle was clenching up. went to the doctor over and over all kinds of dang specialists and it was very difficult to figure out what was going on. eventually landed on a sort of nebulous trot of STRESS but i can get more specific.

there are several things about me that you would never know just from looking or even talking to me for long times. i am a bi buckaroo, i am a non-dysphoric trans buckaroo, i am an autistic buckaroo. EVERY SINGLE ONE OF THESE THINGS IS EITHER HIDDEN AUTOMATICALLY OR I AM SUCH AN EXPERT AT HIDING THAT IT IS SECOND NATURE

autism presents its trot in many ways, so my words do not apply to all, but my version is EXTREME ORGANIZATION AND ENDLESS WORK ETHIC. in way of freud (which is a silly way but sometimes good for symbolism talk) i have what you would call an OVERDEVELOPED SUPER EGO which is a double edged sword. i can write 100s of books at an incredible pace, but also feel like my body is constantly collapsing in on itself

this is not really something i consciously think about much, but eventually these health problems started creeping up. it was all from carrying this mystery tension in my body, because while it feels EASY for me to mask i believe all that tension goes somewhere and it stores up and stores up and stores up.

so i think the HEALTHY way that i have found to deal with this (i think of it as releasing the steam valve a bit so the boiler does not break down) is ART. this space where i am allowed to be CHUCK TINGLE and write without obsessing over the spelling or punctuation, or to loudly express my queerness, or explore gender, and to let my neurotypical mask down DIRECTLY RELIEVES my chronic pain because it literally makes my muscles relax.

when i started out this ARTISTIC TROT as chuck i used a LOT of metaphor to keep my privacy, with different words or different versions of people for different things, and buckaroos found this very funny. as a way to express myself artistically i also liked this metaphor trot a lot, but i have also found that the LESS metaphor i paint over my life as chuck, the better it is for my health. if you have noticed, i talk less about some of the parts of my life that were metaphors, or maybe you have seen that my voice has relaxed a bit in interviews, or that i carry myself a little differently over time, this is partially why. (there is another artistic reason that was a planned trot from the beginning and it has to do with my feelings as a young autistic buckaroo of not fitting in on this timeline, but we can dive into that later).

anyway, as PRACTICAL ADVICE i would say that FINDING A SPACE TO EXPRESS YOURSELF WITHOUT FEAR OR MASKING has been the number one trot for me. that can be a pink bag over your head writing hundreds of erotic shorts, or that can be just laying on the ground howling your heart out, or doing whatever stim you need to do.

i will also say that ONCE I REALIZED IT WAS MUSCLE TENSION getting a physical therapist helped a lot. because there are two sides, you have to start releasing steam from the steam valve, but at the same time youve also gotta start HEALING THE DAMAGE. so i think stretching and techniques like that can be very helpful.

hope that helps buckaroo LOVE IS REAL

[blindbeta]

Exploring How Toph Beifong Could Be Played By A Blind Actress and Refuting Reasons Some People Believe She Couldn’t

[Image Description: Toph Beifong from Avatar: The Last Airbender. She is waving her hand in front of her face after joking that she spotted the great library, tricking the Gaang only to remind them that she is blind. She rides on Appa who is flying above a desert landscape. End I.D.]

The live-action adaptation of season 2 of Avatar: The Last Airbender is underway. This means people are discussing Toph again, much like they did during pre-production of season 1. I have seen and even participated in promoting the idea of Toph being portrayed by a blind actress. Similarly, I have come across push-back against the idea.

Instead of if Toph Should Be Portrayed by a Blind Actress, Let’s Focus on How She Could

(should and could are bolded for emphasis)

This post will address common misconceptions that serve as barriers to the idea of a blind actress portraying Toph.

A Few Notes Before We Start

These points come from posts on online forums, YouTube comments on videos related to the casting of Toph, and tumblr posts. No one will be specifically called out here, as while these points may be attributed to certain individuals online, they represent much wider views that are shared by many, even without malicious intent. These common misconceptions stem from unchecked ableism and general lack of information. Keep in mind that my intention is not to call out any individual person, as ableism is a widespread, collective problem. The reasons I refuted in this post showed up repeatedly and were not isolated opinions of one or two people.

1. No, it would not be too difficult to find an actress who is Asian, blind, and the right age

[Image Description: Toph as The Blind Bandit uses earthbending to create three pillars of rock that shoot at an angle from the ground and smash into her opponent, throwing him against the arena wall. End I.D.]

This point suggests that it is difficult to find candidates fitting Toph’s description. I suspect this is due to racism and ableism, in that a white and abled person is considered default and therefore believed to be more common, especially by Western studio standards. This is not truly the case. People of color and disabled people are auditioning, especially for the comparatively few roles that seek them out specifically, such as Avatar: The Last Airbender.

Blind Asian people exist. Some of these people are also actresses. Some have backgrounds in dance or martial arts, especially because many actors do similar activities to increase endurance and versatility. Finding a pre-teen or teenager to play Toph would not be as challenging as many people believe, especially those who already underestimate the amount of blind people in the world and their abilities.

Those who argue this point may be under the impression that a blind actress would be out of reach due to low numbers and lack of interest in auditioning. Blind people are auditioning. The reason you don’t see them on screen is because most of them are ignored in favor of abled actors. For example, in this video, Molly Burke discusses not being chosen to play a blind character whom she was told was based on her own life. The actress chosen to play the character was not blind. You can watch it here.

Additionally, Netflix has the ability to hold a widespread casting call. They are not a tiny studio doing productions in someone’s backyard. They have access to a wider pool of actresses than the average person might think, particularly if said person is not familiar with the resources big studios often have at their disposal.

In fact, Netflix is doing just that. Below is a link to their casting call, which encourages blind and low vision actresses to audition.

Link to casting call here with alt text.

2. Some people believe Toph isn’t really blind and therefore the actress who plays her needs to be able to see

[Image Description: Toph as The Blind Bandit using bending, with shots showing her hands and feet. As her bare foot slides sideways across the ground, the camera zooms out to show her sensing vibrations. The image turns greyscale, with circles of white vibrations emanating from around Toph’s body, where they expand and flow outward. End I.D.]

The rationale behind this is probably the same as it is for Daredevil, meaning some don’t consider Toph to be blind because of the way she uses her bending.

An argument could be made that Toph’s powers erase her blindness or that her powerful abilities make her less relatable to the average blind person. However, I suspect that many sighted people engaging with these discussions of Toph’s casting are not also concerned with questions of erasure or relatability. In discussions questioning her blindness, the evidence given mostly centers on Toph’s physical abilities rather than relatability to real blind people.

Her bending aside, Toph is certainly blind. She experiences ableism from her parents and general community. Blindness shaped her life in a lot of ways, even with her bending, which is also influenced by her disability.

We see Toph being guided while running on the airship, needing assistance while walking on ice, and struggling to travel in a desert. She uses her other senses, including hearing and tactile senses. She has limitations regarding how she is able to interact with an unaccommodating world, such as inaccessible reading and writing systems.

There are also lifestyle and cultural implications of blindness extending beyond the inability to see. Being blind is not only about what one can and cannot do, which is true of Toph’s experience as well. Blind people may have different values, experiences with family and friends, different senses of humor, or may place higher value on other sensory experiences compared to sighted peers.

Whether or not Toph is good blindness representation can be argued. However, she is still a blind character. Her blindness influences her whole life, even as she is more than her blindness at the same time. Her life as a blind person is about more than limitations and abilities. Reducing her, and any blind person, for that matter, to only these facets of her experience oversimplifies what it is like to be a blind person.

Claiming that she isn’t a blind character because of her ability to do x, y, and z can be incorrect for a lot of reasons.

Blind people are more than what we can do or what we produce. Our experiences are rich and varied. Our lives are inherently meaningful no matter our abilities or limitations. It is both ableist and inaccurate for sighted people to attempt to put us all into boxes.

Additionally, blindness is a spectrum. [Bolded for emphasis.] You can read about it at the following posts on my blog:

here

here

here

and here.

Here is a good list of legally blind YouTubers with various types of visual experiences.

According to various sources on the blindness spectrum, about 85% to 95% of blind people have some remaining vision:

93% according to RNIB

This Perkins School For the Blind fact sheet estimates about 90 to 95% of blind have some remaining vision

American Foundation for the Blind estimates about 15% of blind people are totally blind and discusses the spectrum of blindness here

The spectrum of blindness is important because our experiences become even more diverse when the spectrum is considered. This means that assumptions about what we can and cannot do become even harder for sighted folks to guess accurately.

This accuracy is important if sighted people are going to try to put limitations on blind people, which they have no business doing anyway. They are not the authority on what blind people can do, what we cannot do, or what is good for us. Only blind people can answer that for themselves.

Lastly, blind people are already used to navigating and interacting with their surroundings. They have had anywhere from months to a lifetime of experience, which would translate better to Toph’s ease with her blindness and confidence in her bending.

While an actor wearing contacts to obscure their vision might stumble around and have difficulty on set, someone who is actually blind could lend Toph’s character a much more relaxed, confident attitude in addition to possessing experience navigating in a way that works for her. She is used to being blind. Therefore, an actress who is also used to being blind brings a lot to the performance in terms of physicality, attitude, and the ability to focus on portraying the character, rather than simulating blindness.

Which leads me into the next point.

3. The idea that Toph doesn’t move like a blind person relies on stereotypes of blind people

[Image Description: A GIF from the episode “The Runaway”. Toph, Sokka, and Aang all con some con artists and cheer after their victory, Toph raising her arms high before snatching the prizes. They all run away. End I.D.]

There is no specific way of moving like a blind person. Like sighted people, the way blind people move may be influenced by many factors, such as level of vision, how long they have been blind, their mobility aid, navigation techniques, familiarity with their environment, level of confidence, feelings of safety, other disabilities, energy levels, cultural factors, and more.

While there are mannerisms that are recognizable to blind communities, there is no one way to move like a blind person. Just as there is no one way to look blind.

The ideas of “not moving like a blind person” or “not looking blind” come from stereotypes of blindness. In fact, these ideas can be so pervasive that blind people who don’t fit stereotypes may be accused of faking. I explore this subject here.

In this video, Sam from The Blind Life discusses the experience of performing blindness or being pressured to act more blind than he is. Link here. He explains while he has some vision, he uses his cane to indicate to others that he is blind. This is one of the main functions of a cane. Sam explains feeling pressure to adhere to certain stereotypes about blindness or risk being accused of faking.

Similarly, in this video linked here, Molly Burke discusses the stereotype that blind people’s eyes look noticeably different from sighted eyes. This includes the inaccurate belief that all blind people have cloudy eyes, blank eyes, eyes that are always closed, or eyes that simply must be covered in dark sunglasses to protect the sensibilities of sighted people. Molly explains that while blind people can certainly have these attributes, not all of us do. Molly laments that the phrase, “You don’t look blind,” is either used to invalidate her or to praise her for passing as a sighted person, which is ableist.

Just as blind people don’t look the same way, we don’t move the exact same ways either. That applies to Toph as well. For example, she prefers to keep her feet on solid ground for bending purposes, orientation, and possibly due to cultural factors valuing stability and connection to the earth.

4. The idea that accommodations would be impossible to provide is rooted in ableism

[Image description: A GIF of Toph and Zuko sitting beside each other on the floor at the Ember Island theatre episode. Toph punches Zuko’s arm. Metaphorically for the purposes of this post, she is punching ableist ideas that have nothing to do with Zuko. End I.D]

Here is a thread I shared in the early days of this blog, wherein the topics of blind actors and accommodations are discussed. The entire thread might also be helpful for this post, as I explore the same points, which shows how common these misconceptions are. While this may seem to be an isolated online disagreement, none of these arguments are new. That is why I believe this topic is important— these arguments about accommodations being too difficult or a burden on others also pop up in conversations about other workforces and other disabilities.

A blind character not being played by a blind actor is one thing. A blind person not being hired for a job they are qualified for due to resistance to providing accommodations is not so easy to ignore, not so seemingly isolated a concern. These barriers don’t only apply to blind actors looking for work. They apply to all blind people looking for work.

That means most of this isn’t really about Toph, nor the opinions of random people online. Instead, I hope to highlight common patterns in ableist thinking and dispel these ideas using a character people care about. This is, of course, in addition to my own desire to have a blind actress play Toph.

With that said, let’s explore what work accommodations might look like using examples of blind actors.

Dionne Quan is a blind actress who has an extensive filmography for voiceover work, including popular characters such as Kimi from Rugrats. In this article from when the character was first introduced, she discusses how she performs. Link.

Quote from the article: “Most of the recording was done in a studio with just a mike and a stand for the script. I had the lines in braille, and I would read them on the way over to get into character. You have to have your bag of tricks ready to go.”

Most of the work Quan discusses involves typical acting stuff. The accommodations given to her are similar to adaptations that might be made in an office setting. Additionally, with all the technology available now, it is easy to make a script accessible through large print, VoiceOver and memorization, Word document instead of a PDF, a Braille display, etc.

And as of August 2024, Quan can add adult Toph Beifong to her list of characters. Which is super exciting and, I thought, an appropriate fact to include in this post. You can read more here.

To continue the discussion of accommodations for actors, I would like to discuss Ellie Wallwork. Wallwork is a blind actress who has performed on Doctor Who.

She describes her experiences on set, such as blocking scenes and using tactile accommodations in this short video from the SeeSaw podcast. Link here.

Transcript:

Elie Wallwork speaking:

“Obviously, markers are just normally flat bits of tape on the floor. I had to have some sort of tactile ones so I knew where I was stepping onto. And it takes longer. It definitely takes a bit longer. I guess the thing that frustrates me about the industry is that sometimes casting directors will think, ‘Well, how could a blind person possibly do this, do that? How could they do stunts? How could they even navigate around set?’ But it’s perfectly possible if you— for example, with the crew that I had on all the productions I’ve been on, they’ve all been really kind, really patient with me and able to understand that, yeah, okay, it might take me five minutes longer to block a scene, but that’s fine because it means it’s authentic.”

End transcript.

You can listen to the full episode here.

Lastly, I find that many sighted people are not generally knowledgeable when it pertains to what blind people can or cannot do. Examples of this lack of knowledge include frequent questions about how blind people read, exist in online spaces, cook, etc—and these are simply from posts on my own blog.

Here is a link to a discussion thread that explores ableist assumptions people often make what blind people are or are not able to do. It particularly relevant for this topic. Link can be found here. Please remember that while I did respond to some folks who expressed opinions colored by ableist assumptions, that post is not about them. Just as this post is about addressing ableism in general rather than from a specific source.

The point is: consider why abled people are so comfortable stating what blind people can and cannot do, when one of the most common questions about blindness is still “how do you use a phone or the internet?”

People who aren’t blind often fail to grasp what our limitations actually are. Many people are still surprised to learn that technology or accommodations exist for us, despite having access to various forms of technology themselves. They struggle to understand that we can live our daily lives, possibly because they personally cannot imagine themselves without the vision they rely on, such as that time a professor asked blind content creator Stephanie Renburg [quote] “How do you live?” when the conversation was supposed to be about school accommodations [Link here].

This brings me to an assertion that is often made when sighted actors obscure their vision in order to play blind characters. It is often noted that it was too hard for them emotionally, mentally, and physically. Because of this reaction, the assumption is made that a blind person cannot possibly perform the role.

For example, in the article linked here, this is stated about Jamie Foxx in his role as Ray Charles. “Some actors, including Jamie Foxx as Ray Charles in “Ray” (2004, best actor) and Blake Lively in “All I See Is You” (2017), have chosen to wear ocular prosthetics, rendering them literally blind during their performances. But this creates a new problem: Unlike real blind people, who can spend years honing their orientation and mobility skills, the blindfolded sighted person becomes lost, confused and frightened with the sudden loss of sight — Foxx told interviewers he began hyperventilating as soon as his eyes were glued shut with the custom prosthetic eyelids that the filmmakers affixed over his eyes.”

Being blind is different from a sighted person temporarily obscuring their vision. Blind people have a better handle on being blind because we’ve been doing it longer. Blindness is part of our lives. Of course blind people are going to have an easier time portraying blind characters. This means most of the concerns people bring up when discussing sighted actors struggling with being unable to see won’t actually apply to blind people who have been at this for far longer.

I also wanted to address the idea that hiring blind actors would cost more, according to the assertion made in that thread about hiring blind actors, which you can read here if you haven’t already. While I can understand why someone might believe hiring a blind actor would cost more, I believe it would actually cost less.

Blind actors can use their own canes or other assistive devices used by the character, which saves money on expensive materials

Blind actors likely already have experience with O&M training, saving money and time that would otherwise be spent training a sighted actor, such as described here

Blind actors don’t need contacts or prosthetics, which may otherwise be used help an actor simulate blindness

And blind actors would have an easier time navigating sets, dancing, or doing required physical activities while blind, which reduces the learning curve that sighted actors with obscured vision need

A few Disclaimers:

1) Blind people learn from our communities and through life experience. While we naturally have more experience being blind, our knowledge is enhanced through learning from other blind people and participating in training designed to improve our life skills. I maintain that a sighted person obscuring their vision for a few hours will not have the same level of experience.

2) Reminder that blindness is a spectrum that a blindfold cannot replicate.

and 3) This post is not to say that sighted actors cannot do well or cannot put effort into their performance. According to the article above, Charlie Cox won an award from the AFB for his commitment to portraying Daredevil. However, just because there are sighted actors willing to put in the work does not mean blind actors can’t. I wanted to include this disclaimer in case someone sees the AFB article I shared and worried I’m trying to disparage actors who have already portrayed blind characters and happened to do a good job. After all, I love the original performance we received from Michaela Murphy, who originally voiced Toph. That doesn’t mean studios should not make an effort to cast more blind actors moving forward, nor does it justify any of the silly or explicitly ableist reasons people give for why sighted actors must be chosen over blind ones.

Let us return to refuting those excuses with the last thing I wanted to address.

5. Some people are concerned that a blind person might get hurt doing martial arts, but so can literally anyone else

[Image description: GIF of Toph dressed in Fire Nation attire. She punches through a rock.]

Kids can get hurt in any kind of sport, yet society doesn’t try to keep children from these activities for their own safety. However, disabled kids—and adults for that matter—are often reminded that we are being kept out of spaces for our own protection. Which we didn’t need, nor ask for.

This need to protect disabled people can be not only infantilizing, but hypocritical as well. For example, a blind person might be discouraged from playing recreational sports in a misguided attempt to protect them. Conversely, structures that keep blind people at risk are allowed to stay firmly in place, such as discrimination around transportation, inaccessible infrastructure, and poverty.

Blind people play sports anyway. Often, these sports carry their own risks of injury, as most sports do. Blind people have the agency to understand this and consent to it. Examples include blind football [link] and goalball [link].

Here is a video of Sadi the Blind Lady discussing goalball with Eliana Mason, a Paralympic athlete who plays goalball professionally.

Transcript: “Goalball is sport for blind and visually impaired athletes. It was created after World War II for blinded veterans and is now a Paralympic sport. The coolest thing about it is that everyone wears eyeshades so no matter what your level of vision loss is—because blindness is a spectrum— it equalizes it. The ball has bells in it and the court is straight with tape over it. It’s on a volleyball sized court. It’s three on three. And basically in offense, we are throwing the ball as hard as we can with a lot of technique involved, about 30 to 45 miles an hour to have it hit the ground and roll and hit the other players on their bodies. And on defense, you are throwing your body out and diving in front of this 3 pound ball and blocking it. So essentially you want to get hit with the ball.”

End transcript.

Getting hit with a ball, especially in the face or stomach area, is going to hurt. That is okay, because as long as safety precautions are taken, pain might be part of the experience depending on the rules and anticipated possibility of injury.

Martial arts and dance, which are backgrounds sought specifically in the Netflix Toph casting call, can also lead to accepted forms of pain or discomfort. While one could argue that sports injuries could and should be preventable, this post is more concerned with the expectation of pain, injuries, and what steps are taken to prevent them, such as protective gear or an experienced coach / teacher.

A blind person auditioning for Toph knows that martial arts will be involved. She will spend time learning choreography, building trust with co-actors, and figuring out works best for her. This structure is similar for blind people playing football or goalball or tennis or fencing or whatever else they want to do.

Lastly, people who aren’t blind also experience pain or injury during sports. Same with martial arts or dance.

The actress who plays Toph might get hurt. She might not. Some pain might even be an expected part of training. That is no reason to exclude a blind person from participating. That is no reason to say Toph couldn’t be played by a blind actress. [Bolded for emphasis]

Lastly, anyone training actors on fight choreography already knows how to do so safely. That fact that this is choreography is also helpful, allowing for memorization of actions and reactions. Conversely, the sports and physical activities I listed above are not choreographed, with the exception of dance, and are therefore less predictable. Therefore, if blind people can get head injuries playing on a recreational blind football team, a blind actress can handle fight choreography.

Closing

Thank you for reading all of this. My points still stand whether or not a blind person is actually cast for Toph.

Too Long, Didn’t Read:

Unchecked ableism can lead to oppression even if it is unintentional

Blind actors exist

A blind actor would better capture Toph’s ease and confidence with her blindness

Blind people can do a lot more than sighted people usually think they can

Blind people also face discrimination and limitations that sighted people may not have considered

Blindness is a spectrum and most blind people can still see something

There is no one way to look or move like a blind person

Accommodations are not that difficult to provide

Hiring a blind person would actually cost less money

Most of the popular reasons people believe Toph cannot be played by a blind actress are rooted in ableism

This post is not only about Toph or actors, but an example of how unchecked ableism can be harmful

For example, low employment rates for blind people, inaccessible online resources, or Toph-related posts shared without image descriptions

Toph Beifong could totally be played by a blind actress

[hello-eden]

dead on main #3

destabilized Ellie and Dan are Jason and Danny's kids except Jason gives his permission to help stabilize the two when he's dead and when he's resurrected he has no memories of it.

 Danny and Jason met while he was dead and had a teenage puppy crush sort of thing. The two of them had a lot of things going on with one still being a vigilante in their town and one being recently murdered, So they never really were able to get together before Jason was resurrected. The two of them are from different dimensions and only meet due to the fact that the ghost zone is every Dimension afterlife. 

There is a bad reaction from Vlad finding out that Danny used someone else's DNA to stabilize the kids, Which leads to a very Reckless fight that leads to his parents finding out that the kids are halfas. The parents don't know that he is also halfa so they try to cure the kids. Danny flees To the ghost zone specifically to frostbite to make sure the kids are okay. While he's there Clockwork decides that was the best time to basically tell Danny that Jason's resurrected in his home dimension and that is probably best if he settles down there. Of course because Clockwork is still a menace before Danny goes through the portal he says that Jason does not have his memories of being dead and then pushes him through. Danny sets up his life there with Ellie and Dan.

Plot twist Danny ends up being neighbors to Roy in Star City. Danny is a trans single father of twins that appears to have run away from home due to bad situation. With all the Vigilante scars that Danny has it's a reasonable conclusion for him to suspect an abusive home.

Danny babysits Lian when Roy has missions and Roy babysits Ellie and Dan When Danny does work.  of course not always do their schedules so occasionally they have to call in another babysitter and when that fails we have the Red Hood himself. the unknown father of the twins( not really twins) and the Godfather of the other child( yes I made him The Godfather).

 Danny doesn't instantly recognize him due to the very obvious change. Two of them meet a couple of times through Roy. Danny usually just accidentally stopping in at a bad time before Roy introduces them together and Danny hears his name.

Danny does not tell him that he's the father of the children because one he was dead which means he's going to have to explain what he was doing while he was dead. and two because Clockwork told him he had his memories erased. Danny of course has a lot of feelings about this and Jason instantly gets a crush. Jason occasionally babysits the kids when the regular babysitter isn't working Nor can watch each other's kids because of schedules.

A situation happens with Ellie where she needs to go to the hospital and Jason brings her. this leads to an emergency blood transfusion. The transfusion goes badly and isn't working so Jason asks if his blood will work. It works perfectly. Jason questions for a little bit. Danny, whose phone was broken in  a villain attack two days ago and hasn't gotten replaced, shows up at the hospital after finally being contacted. Jason questioned him a little bit  Danny freaks out a lot which raises Jason's alarms quite High. When Danny's getting some food for Elle and talking to doctors Jason does a DNA test. Jason gets the results a week later when Ellie's finally back home which reveals he is the father. He has a lot of questions about this.

[nattikay]

Neteyam's first birthday!

Language notes under the cut:

so, the third panel there: Jake doesn't forget what day it is, he just has no idea how to express "May 28th" in Na'vi, so he switches to English.

The Na'vi of course don't traditionally use the 12-month calendar we have here on Earth. However, there is a way to express such dates in the language...mostly, I suspect, for the convenience of us nerdy fans who want to talk about our humany matters in Na'vi lol, but I believe the in-universe explanation is that they learned about it from Grace and only really use the terms if they need to talk in sky people timetables for whatever reason.

Because it's a borrowed concept, the terms are quite literal descriptions: "month" is vospxì, which is short for vosìpxì zìsìtä, literally meaning "one-twelfth of a year". To name specific months, you just add their number: May is therefore vospxìmrr, essentially "one-twelfth-of-the-year number five".

As for the day, that's actually a little trickier because Na'vi counts in base 8, not base 10. Instead of thinking of this number as two-tens-plus-eight like we do, they'd think of it as three-eights-plus-four: pxevosìng. Unless you're very good at math (which I am not lol), these decimal-to-octal conversions can be really hard to keep track of/calculate on the fly even before you try to start applying the Na'vi vocabulary!

All that to say, "May 28th" in Na'vi would be something along the lines of trr apxevosìve vospxìmrrä - 28th day of May, or most literally, "28th day of one-twelfth-of-the-year number 5".

...yeah, I don't blame Jake for just switching back to English for this 😅

on a much smaller note, I am not 100% certain that the adverb nìpxi can be used in this sense of "exactly/precisely", but I asked around among some other speakers and they generally agree that it's the best option available so I'm gonna roll with it. If it turns out to be wrong, well, I can always fall back on the "it's Jake" excuse lol

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[prismalmelonman]

Touching on Gale, Wyll, and Halsin's traumas being a bit undermined in parts of the fandom

So one thing I notice on Twitter is how some people act about the bg3 characters whose abuses were perpetuated by women.

Gale specifically for this reason (but I will touch on others)bbecause I see him dismissed super often as "can't get over his ex".

But Gale's case obviously be has the line of Mystra being like "she was my muse, my teacher, and then my lover" and sure to some that's a red flag in itself (when it comes to adults I don't really give a fuck about teacher/student) but if you view it from not only Gale's own words "ive been connected with the weave for as long as i can remember"

And that doesn't distract from his genuine love of magic of course. And it also doesn't mean that he's actually been in connection with mystra for an amount of time.

However, if you ascend Gale, and he becomes a god, you get a bunch of new little things. Tara reminiscing of course, but you get a letter from Elminster, detailing that Mystra had Elminster scope out Gale when he was eight!

And sure is that pretty cool that he's a prodigy that got the attention of the goddess of magic at that age? Yes. Mystra is, however, known in forgotten Realms lore to seek young young boys who are in tune with magic to make into her chosen. And from context clues, her chosen can be anything from Elminster and Volo, dedicated wizards who try to keep things in check, etc etc. or they're somewhat of playthings to her.

Minsc also has a conversation where me mentions that weave-touched boys in his homeland were hidden away to hone their craft, then suspecting that it was because of Mystra, given Gale's case.

Gale always seems so proud that he got to bed a goddess, and on the surface, hell yeah, that's cool.

Gale continued to have her attention even as he went to Blackstaff Academy, and Mystra eventually did take him on as an apprentice directly to her, later making him her chosen, and sleeping with him.

The reason it bothers me that people dismiss all of Gale's stuff to just "he can't get over his ex" is because that's is like almost textbook grooming? She was in his life from a young age, shaping and moulding him up as he grew up to be her perfect chosen, rewarding him by sleeping with him, and so on. And then of course casting him away when he has his folly with the netherese orb (and to be fair, it very well could have looked like to her that he was trying to seize the power himself and yes the orb does siphon off weave. That is a problem for the mistress of the weave yes).

But she also tells gale to KILL HIMSELF for her forgiveness.

Gale is much more than "unable to be over his ex" this woman was in his life since he was a kid. She's almost all he has ever known. If course it's going to be difficult for him to 1. Say no to her. 2. Get over the fact that he's lost someone that he spent his literal entire life dedicated to. Honestly if asked, I don't even think Gale would acknowledge or really see that what he went through was, in fact, abuse until it was spelled out in front of him. (Which does happen somewhat with the player character pleading to him that killing himself for mystra's forgiveness is actually horrific and that he should in fact be angry for how he was treated)

Similarly, and this one has been discussed a lot, Wyll and Mizora. Wyll was 17 and actively trying to help his people. 17, in a vulnerable state, willing to do anything to help and prove himself. Mizora very clearly took advantage of him, and regards him as a "pet", refers to him being "leashed", and so on. Personally, I do dislike the sexualization of their relationship, because it very much is also grooming (although a different type. Rather than manipulating and shaping his life from the ground up, she takes advantage of a vulnerable and desperate state to manipulate and contract Wyll into doing her bidding. I won't go too deep I to this one because it has been discussed to hell and back. But I did wanna touch on Wyll's situation as well.

Also, Halsin as well, though that has also been discussed in many retrospectives by a very good friend of mine. Halsin's trauma often get dismissed due to his polyamory, open sexual nature, and his own somewhat diminishing/dismissal of it, which honestly I love the representation of, cause for a while I did that with my own trauma. Halsin was a sex slave to a house of Lolth-Sworn drow, a matriarchal society, where the men are generally used as fodder or for breeding, though male Lolth-Sworn drow can be wizards and rise in the ranks if wizardry, but are limited everywhere else. (Minthara mentions that the third male, and every subsequent male child after third are killed for being"useless"). Halsin often referred to them as "hosts" rather than being captors, (though he does touch on that if the Player Character threatens to sell him back into slavery). Again, everything I'd have to say here for Halsin has entirely been discussed top to bottom by a friend, their link is below!!

Anyway, long story short, I dislike it a lot when Gale, Wyll, and Halsin's traumas and abuses get diminished, even if/when the character themself doesn't see or acknowledge the abuse in the same lens that we, the players, do.

[giritina]

I think sometimes about how so many people discourage labels and specificity and pathologizing anything about yourself and frame it as countercultural. Meanwhile, people in the mainstream will tell you the same. I think about this because I have talked with a lot of people about the schizophrenia spectrum who absorbed the idea that diagnosis doesn't matter, labels don't matter, just get help for who you are... and they felt empty and hopeless. The therapy wasn't working, the medicine wasn't working. Their symptoms didn't make them look different than other people on the outside, but on the inside, their experience was specific. The specificity is the only thing that gave them the chance to find any solace at all.

The DSM is flawed, but I question those that seem to want to abolish psychiatry and specificity and claim we're all experiencing one thing. We're all experiencing the trauma of the outside world. There's no reason for these words. Etc etc. There's clearly some scientific flaw in categorization when most people will walk out of a psych eval with a long list of disorders, but I resent those who say that the simple discomfort of seeing a long list is what's wrong there; that specificity, "pathology", is the enemy. When you have a word for a specific experience, you can research it, you can help it. If we name every bacteria, we can understand each one, but naming mental illnesses seems to make even mental health professionals uncomfortable. So many people deny us specificity. They hate it when we come and ask to be treated for X thing we suspect we have. They hate when we form an identity around our mental condition. They fold everything into one big name. Anxiety. Depression. CPTSD. Then we accept that and try to get help, and we feel nothing. We try to form an identity, and we're told that forming an identity around a diagnosis is pathologizing and wrong. Even some leftists want to tell you it's wrong. It's unnatural. There's no point to it.

Meanwhile, I always remember reading how people with schizophrenia spectrum illnesses seemed to benefit greatly from narrative therapy where they related and made community over their collective oppression. They used schizophrenia and ableism to unite and be more than an individual, but also to be something that really tangibly in the world at all. Disability theory brings us together, a refusal to view the self as any different from abled people often only isolates us.

(From Recovery of the Self in Psychosis)

[xoxochb]

nyx reader x percy were they have stereotypical girly sleepovers bc the reader doesnt usally sleep at night bc nyx is the goddess of night so she can only sleep at night if shes realllly exhausted and maybe she is and falls asleep while hes telling a story or like in his arms or somthing like that and it really fluffy

😭 i love fluff idk how i used to almost only read angst

— midnights ꣑ৎ ༉‧₊˚.

♪ ༘⋆ now playing… sunsetz by cigarettes after sex

warnings: none! pairing: percy jackson x daughter of nyx

“it was really cool, you should’ve been there.”

“I bet,” you murmur, your voice muffled from your boyfriend’s shirt.

percy continues, “anyways, after that, we went back home and my mom made cookies. unfortunately, she said I couldn’t have any until I finished studying— the bribery is crazy— so I finished two hours later and there was only one cookie left. I ate it, of course. I asked my mom to make more after that but she said no and I had to bake them myself.”

you laugh lightly. “how’d that turn out?”

“well— I was stained blue nearly everywhere for the next day and a half.”

“I suspected as such.” you nuzzle your face impossibly further into percy, sleep creeping upon you quickly.

and it wasn’t that you didn’t want to sleep, it’s just that typically when your mother is the goddess of the night sleep never comes easily to you. you wish sometimes it had been hypnos instead. tonight, not different from others, percy had been eager to sleep at your empty cabin (though his was too, whatever, you didn’t argue with him) so you allowed him happily to do so. and it appeared that laying in his arms as he rambles is the medicine to cure your sleepiness.

your eyes grow heavy and harder to keep open, the realm of hypnos taking you in quicker than you’d like. luckily, percy yet again snaps you out of your trance,

“fallin’ asleep on me, sweet girl?”

you sigh. “‘m awake.”

“I won’t be angry with you, y’know.” he pecks the top of your head “if you fall asleep, that is.”

“I know. but I like listenin’ to you talk.”

“I’m flattered, truly.”

you hit his chest and mumble an almost incoherent ‘idiot’ he catches it though, and pinches your waist softly. to your dismay, you’re too tired to fight back.

“would you mind if I told you another story?”

you shake your head. so he does.

“last weekend I was playing with estelle, paul bought her a huge tea set, she had me join her tea party. apparently, my apparel wasn’t party appropriate so she chose my outfit for me— it was horrendous, nothing matched— but anyways, instead of real tea she used water and put chocolate in it to make it look like tea. I gagged on it twice, but she had cookies which was cool and…”

to your mind, his voice trails off into nothingness. your eyes shut closed and all sounds tune out of your ears. it isn’t until ten minutes later when the story has ended that percy realizes you fell asleep. he frowns, knowing you missed his epic story, but regardless doesn’t help the growing smile at your sleeping self, peaceful and tucked away tightly into his skin.

with his free hand, he tucks the hair falling over your face behind your ear, kissing your forehead and then your nose in the process, then again your forehead for no reason in specific.

his voice, couldn’t been anything over a murmur, whispers a quiet ‘I love you’ before soon enough, the realm of sleep taking him along with you.

[venuslarkspur]

Teen Hero Shenanigans

(The Prologue)

Fall Of Girl Wonder

Summary: Your Damian’s Twin Sister who arrived 3 years after your brother, because of your late arrival you’re never excepted to become Robin, until your brother runs away and you volunteer to take his place in his absence, things are going well until Damian returns and you are thrown under the bus completely by being told you can’t be Robin anymore, after bottling up your anger you decide to go solo by running away and stealing a Batgirl costume. But you’re not alone, your sort of boyfriend joins you; which would be okay if it wasn’t your brother’s best friend of all people.

Pairings: Batfam x Batsis (platonic), Jon Kent x reader (romantic). Very bittersweet tbh, you love your bf but you’re also proving your worth to your family.

Notes: Reader and Damian are very on and off but do love each other ofc. (they only really had one another growing up in the league) To clear things up Bruce has a genuine reason for discharging reader of the Robin mantle but that’s an epilogue thing I fear, Reader is 16 so is Jon. I’d give this series maybe a 15+ rating as there will be be some heavy topics involved and some “problematic” language icl. Reader also is closest with Cass and Jason specifically, all of this isn’t at all comic book accurate but does include elements from the comics. (Also very fanony when it’s comes to the Batfam and Superfam) (I don’t own any of the characters this is fan-fiction 💙)

Warnings: Mentions of panic attacks, Damian runs away from home for a bit. Unless count Bruce being a semi shitty father then not a lot of warnings tbh. This is just the epilogue we haven’t even got to the real drama yet. 👏

Words: 1.4k

6 months, 2 weeks and 3 days. That’s how long you’ve held the Robin mantle, you trained none stop before even having volunteered for it. You wondered what your plan even was, as long as Damian had it you couldn’t. Then he ran away and it was all too convenient, you got the mask, the gloves and the cute boy. Were you worried about Damian? Obviously, you had panic attacks about it mid patrol, which meant whatever member of your family that was unlucky enough to be awake at that time, had to take your shift. You knew Barbara and Tim would track him eventually and were doing everything in their power, but that didn’t ease your worry, you even considered alerting your mother but you knew if she got wind of this she would force you to come back with her for your own safety, and you didn’t feel like going to back the small, sad, isolated girl you were before.

You had also gotten closer to Jon Kent, a best friend of your brother. In truth, you are immediately lovesick, so was he. But it came as a bit of bittersweet shock to you both that over your course of searching for Damian you had given up along the way and became invested in one another. Eventually it become so much more than just a mutual love for Damian, soon the Damian questions become You questions. Things progressed quickly, it went from “Do you think my brother is close by?” to “My dad and siblings aren’t home, do you wanna come over?” He makes it over every time, Alfred knows and you know that he knows. You begged him not to tell your father or anyone for that matter, he respected your decision to wait for the right time but would occasionally come in asking if you wanted anything. (You know it’s a ploy to check on you two) Clark and Lois 100% know and they approve but have been sworn to secrecy by you, you weren’t ashamed; of course not. It’s just that if you told even just one of your siblings, knowing them they would spill and accidentally tell another one of your siblings until the cycle continues and eventually reaches Damian. Though you were sure Cass already knew and you suspected Jason was catching on, but you weren’t even surprised that he was beginning to find out. He knew you well, after a good three years spending time and training with him and his group of people it became hard to keep secrets, although your weird duo did start off as a result of you being upset and jealous of Damian’s close relationship with Dick, you’re sure you’d still pick being Jason’s dysfunctional- unofficial sidekick.

As for Cass you knew there was a mutual appreciation for the fact you were both less outnumbered in terms of Bruce’s female children, sure Barbara was like an older sister to you and she always supported you over the com line on missions. But it wasn’t the same as having an actual sister, but it was unusual to call any of them your siblings, not just Cass. It took a while but the first time you remember calling one of them your brother or sister was when Dick had to come all the way and pick you up from school because of a “skiing accident” with your father, you knew immediately something must of happened because Alfred was always on time to get you, So when Dick came along you told your teacher your brother was here to pick you up instead, she waved you goodbye and as you entered the car you noticed the slight grin of his face, looking like he wanted to tease you, but he knew you weren’t so like Damian and wouldn’t even deny accepting him as a brother. You adapted much quicker than Damian, even if you have to get used to having 5 more siblings from now. (Yes I included Duke. <3)

—————————

It was the start of Christmas month and you were just doing your rounds with Stephanie and Barbara around the mall, Steph had gotten distracted a couple of times whilst window shopping but you and Barb managed to tug her along. You were nervous as your 16th birthday was also approaching, Jon had already turned 16 and you got to see him on his birthday; by masking it as going on patrol. It was fun but the question was popped at the party on when you were planning on telling your family about your relationship, you tensed up but luckily Lois took your side and encouraged you to tell Bruce and the rest when you were ready. This is why you like her. But right now you couldn’t think of that, you had to look for a present for Jon without being suspected.

Luckily Barbara had gone in the nearby cafe to get you guys some drinks, but that still left you with Steph. Maybe if you played it calm she wouldn’t even notice, so you started searching around looking at stuff and you thought that maybe you were safe. “Whatchu got there?” She bubbled, you took about a 5 foot jump backwards before blushing intensely. “Nothing.” You said calmly whilst shoving the item back on the shelf, she put her hand on her chin as if she was inspecting you. “Sooo who’s the lucky guy then? Or girl.” She smirked, “There’s no use lying is there?” You asked, “Absolutely not, so spill.” She leaned in and studied your face, “I can’t tell you who, but I’ve been seeing someone and before you ask I’m not in any trouble.” You confess, she shrugs as if wanting to ask more; but Barbara called out to you both drinks in hand, you swiftly looked back at Steph just for her to do a zipping motion with her lips, which satisfied you enough. “What have I missed?” Barb asked, you let out a sigh you didn’t know you were holding in and spoke up. “Well I was just wondering-“ You were cut of by a notification sound on Barbara’s phone, “We need to get back to the manor, now.” She said without a hint of warmth in her voice in order to calm you. What has happened now? You had quickly all changed into costume, excepting the worst.

——————————

You hastily made you way through the manor, Steph and Barbara in tow. Tim was waiting at the entrance to the kitchen and he tried to stop you, “Hey-don’t go in yet-“ you shrugged him off and continued on and Barbara eyed him suspiciously. You wished that you had waited, you weren’t prepared to see your newly found twin brother sitting on one of the stools with an ice pack above his brow, deep cuts layered across his arms and bruises across his neck. He must of put up a good fight against which ever one of your siblings found him, you assumed it was Dick as he was in costume and had slashes of his own. Alfred sat next to him, tending to his wounds whilst your father was stood next to him; checking out the marks Alfred wasn’t attending to, the room had now fell silent as everyone had now realised how awkward it was for Damian to see his twin sister in a Robin get up, this is the worst. You simply only stared into each other’s matching green eyes until you made the first move, you ran over and collapsed into him, giving him a bone crushing hug, he sat all tensed up before slowly returning the hug. “I’m sorry brother-I-I just.” Tears welled down your face before you threw off your mask and let it land on the other side of the room, you had never felt so relieved and guilty at the same time.

——————————

That night you stayed with your brother as long as possible, you had so many questions but right now you just wanted to embrace his return. Since it was an uncomfortable situation for everyone, most of the family decided to stay the night. You had crossed paths with Jason mid kitchen trip and he checked in on you first, but you couldn’t pin why it felt like he was holding something in. “You know you could forget all about this Girl Wonder thing and just join me, like old times.” He proposed, you looked at him puzzled. “By old times you mean a couple months ago? Also why are you asking me this? did something happen?” You questioned but watched as he couldn’t meet your gaze, “Bruce wants to see you downstairs, but you don’t have to go-“ “Okay fair enough, I’ll go see him now.” You interrupted and walked past him and ignored his muffled rejections, as you were now approaching the main office.

You should have listened to Jason, you should have gone with him. You’d regret not listening to him.

————————————

“Good news, you can put away the Robin costume for good now.”

————————————

Taglist: @waterwyne @venusmorning

(Part 1 is out!)

[ultraericthered]

Out of four consecutive Disney Villains that were defined by plot twists regarding them, I've often thought: what made Turbo and the Cybug he merged with in Wreck-It Ralph work out so well and deliver a villain so infinitely stronger than the villains that followed? I'd concluded that mostly it was because Turbo got to be around as an active and characterized antagonist as King Candy and the twisty nature of his villainy was more comparable to Judge Doom than following the Stinky Pete, Henry J. Waternoose, and Lyle T. Rourke route of only being revealed as a villain in the third act and getting to be actively antagonistic for a limited time while taking on drastically different characterization than before like the later Twist Villains (or in Bellwether's case, in only the final minutes of the third act!).

But there was something else too, and it recently struck me.

Hans, Callaghan, and Bellwether all adhere to basically the exact same formula, with only the specifics of their roles differing due to each movie being a different type of story - Frozen is a fantasy adventure-thriller, Big Hero 6 is a superhero story, and Zootopia is a buddy cop mystery. The formula is that not only is the villain introduced as a friendly character in the first act and ultimately shows their true villainous self in the third act, but during the story there's another villainous character thrown at the viewer to serve as the red herring. In Frozen, it's the Duke of Weselton. In Big Hero 6, it's Allister Krei. And in Zootopia, it's Mayor Lionheart. All of these characters seem more like the sort of villains you'd typically expect to pop up in stories of these films' natures, radiating such obvious evil energy that the viewer is naturallly meant to have their suspicions drawn to them rather than the unassuming nice person who turns out to be the real villain of the piece. I'd argue it worked best when first tried in Frozen because the Duke ended up having absolutely nothing to do with the main conflict or how it got resolved, his main contribution being to tell two men to be prepared to kill Elsa at one point and that's it: he was a red herring in the purest sense. With Krei and Lionheart afterwards, they both had increased prominence in the narrative, the former being responsible for what drove Callaghan into grief-stricken, vengeful supervillainy, and the latter at first being Bellwether's boss and actually serving as a secondary antagonist in the plot with his unethical captures and coverups in response to Bellwether's Night Howler conspiracy. And they both are such obvious suspects for being behind evildoing even in-story that it loops around to becoming obviously NOT the true culprits at all. (Not helping is how both the Duke of Weselton and Allister Krei are voiced by Alan Tudyk, at the time still most known for King Candy/Turbo!)

Whereas with Turbo, I think it was so effective because it was sort of flipped around. The story was leading us to look at King Candy as the red herring or ultimately just the diversion, continuing to remind us that the Cybug that Ralph accidentally brought with him into Sugar Rush was lurking below and breeding, which we knew could become a true threat to the game and to the whole arcade world given the way Calhoun talked the Cybugs up. Even when Felix goes into the backstory of "Going Turbo", we're not really linking that to what's currently going on with King Candy, who we at that point had not been given reason to think is anyone but who he appears to be, and King Candy's such a silly, whimsical doofus of an antagonist that we suspect he'll amount to nothing more than food for the Cybugs. How King Candy goes on to manipulate Ralph and the revelation about him as a usurper turns our perspective of him on its head as is, but then it's revealed he's not just any usurpeeeer - he's Turbo! This on its own makes him that much more villainous, but then still we get the kicker: Turbo gets eaten by the lead Cybug, just as we might've predicted would befall him....and his code overwrites the Cybug from within, making him even more dangerous and malicious than ever! So while the Cybugs do indeed become the endgame threat, they're also used as the actual diversion to get you not looking harder at King Candy and figuring out both his true identity and his true nature as the primary, most menacing villain in this story. It is ingenious.

Pulling off a Twist Villain is easy. It takes a lot more thought, skill, style and polish to pull off a Turbo-Tastic villain as Wreck-It Ralph did.

[honoura]

Shaaloani: The Land of Enchantment Part One

Hello again! It's another lore-adjacent post from me about a niche special interest of mine. This time it's Shaaloani, the American Southwest/Northern Mexico inspired zone in FFXIV's Dawntrail.

I want to disclose a few things right at the start just to temper people's expectations: I will not be definitively ID'ing any of the indigenous-inspired structures or visuals as inspired by any specific tribe. That's not my lane! I'm going to link to things that they remind me of, for sure. But otherwise my hyperfocus is going to be on the physical environment, some animals, and the ceruleum as petroleum industry. It's what I recognize best! And what I know best, truthfully.

"Hon why are you doing this?" A variety of reasons honestly. After DT dropped I saw a lot of folks who did at least one of the following:

Commented on the Old West theme park aspect

Called it "miqo'te Texas"

Generally just called the whole map "Texas"

And if I'm honest... it bugged me! Not because I thought anyone was being malicious about it (it's mostly pop culture saturation I'd suspect), but to me it stung a bit that this zone, which I grew up on the fringe of, was... kind of flattened by a lot of people?

I don't know, the response to me just felt like people assumed they knew everything about it because they'd seen it already in movies or TV or Red Dead Redemption rather than the same open-mindedness about what was presented in places like Urqopacha.

This zone isn't just Texas -- yes there are some bits and pieces here (because it's pulling from the Chihuahuan Desert and the Sonoran Desert), but so much of it reminds me of New Mexico, Mexico, and Arizona. There's some Colorado, Utah, and Nevada there too! And the background story going on there is something that still happens in a lot of those states, by both the government and corporations alike.

That variety deserves to be celebrated! So come learn with me about the inspiration for Shaaloani!

Shaaloani Geography

Shaaloani has three major regions in the zone -- Eshceyaani Wilds, Pyariyoanaan Plain, and Yawtanane Grasslands. To get this out of the way, I'm going to tell you the one that reminds me most of Texas.

Ready?

Lake Taori of the Pyariyoanaan Plain.

It's river-fed, with canyons on both ends of the Niikwerepi. The trees crowding around it are cypress trees, as you can tell by the little nubby off-shoots called knees. To compare, here is a photo of cypress trees along the Frio River:

This is also reminiscent of places along the Rio Grande and Pecos Rivers, two significant water sources in West Texas. I also would not call them bayous! Bayous typically have brackish water, are slow-moving, and are way too far east.

However, it could be partly considered a ciénega -- which according to its wikipedia article:

"Ciénagas are usually associated with seeps or springs, found in canyon headwaters or along margins of streams. Ciénagas often occur because the geomorphology forces water to the surface, over large areas, not merely through a single pool or channel."

As a caveat, ciénegas generally don't have trees around them, but I also know that you can't really drown a cypress and they love sunshine. Regardless -- if you see trees in the desert they are typically growing along a water source. Balmorhea State Park has some cottonwood trees native to the area that are going strong.

Yawtanane Grasslands reads as a mix of the Chihuahuan Desert and the Eastern Plains of Colorado. Both are rather arid and home to a variety of grasses that can thrive in such a climate -- which has historically made both areas home to large cattle industries (whether or not this was ever a good idea is debatable, since cattle are very thirsty animals).

Meanwhile the Eshceyaani Wilds looks similar to the Sonoran Desert -- the red-hued soil and rocks, the abundance of cacti with the scrub brush and some drought-tolerant grasses. Here's a shot of the Sonoran within Saguaro National Park in Arizona:

Saguaros also only grow in Arizona in the States! As well as the organ-pipe cactus, which you see in Tender Valley. And prickly pears grow just about anywhere they can get a chance -- as well as barrel cacti, both of which we see in Tender Valley (along with what could be agave!).

You could probably make a case for it being a piñon-juniper scrubland -- everything's very short compared to those cypress trees, including the juniper trees! Piñon-juniper scrubland's found throughout the Southwest. There are also piñon-juniper savannahs and persistent woodlands intermixed in the same places. The difference lay in what plants you find with the piñon pines and junipers.

Visually, aside from the Sonoran Desert, I can also see a lot of New Mexico, like the Ghost Ranch in Rio Arriba:

It matches up with the mountains you can see, and both Yowekwa Canyon and Tender Valley. And of course, Tender Valley is likely a Grand Canyon reference, going by the sheer height of the cliffs. But you could also make a case for Canyonlands National Park in Utah.

There's a shot from Grand View Point Overlook within the park -- the closeness of the canyon walls and the warm earth tones also evoke Tender Valley!

There's also a lot of these sandstone formations in Utah that better fit Shaaloani -- like here in the Valley of the Gods:

Shaaloani Structures

I also at this point want to call attention to one of the two sites with cliff dwellings & adobe structures. We just saw Tender Valley above, which is confirmed to be old Yok Huy structures. But check out these Tonawawta buildings below.

As I stated before, I don't want to state which tribe these two styles remind me of. But I do want to say this again strikes me as another New Mexico and Arizona callback; both the Gila Cliff Dwellings and the Puye Cliff Dwellings are found in two different areas of New Mexico. And the Gíusewa Pueblo, also in New Mexico! Montezuma Castle is found in Arizona, and is pictured below! Look at that rich reddish earth color.

I also want to call attention to the place of worship for the Tonawawta in Yowekwa Canyon:

When I saw it my kneejerk response was to call it an ofrenda. But that's ultimately an incomplete response -- that was just the vibe I felt after seeing them during my life! What it also reminds me of are pictographs and petroglyphs. You find these all over the Southwest (the climate helps preserve them!), but I'm going to link some really great examples. I won't provide images to all though!

Crow Canyon Petroglyphs:

Piedras Madras Canyon at Petroglyph National Monument (New Mexico) Petroglyph Point Trail at Mesa Verde National Park (Colorado) Petroglyph Panel at Canyon Reef National Park (Utah) Nampaweap at Grand Canyon-Parashant National Monument (Arizona) Horseshoe Canyon at Canyonlands National Park (Utah) and the Hueco Tanks State Park (Texas)

In contrast, I don't want to spend a ton of time on the boom town structures in this zone; they are pretty straightforward references to mining towns during the different resource booms (gold, silver, copper, oil).

Similar blocky shapes, built out of wood. One thing I noticed as a neat addition are the decorative patterns painted on it -- again, I don't want to presume if there's a specific tribe tied to this. But I do think it's a neat touch and I want to think that's a design choice to convey the underlying theme that this is a zone at odds with advancing technology and wanting to keep hold of important traditions.

I WILL talk about the ceruleum wells and pumping though. Mostly because I'm impressed that they went with structures that so closely resemble early 20th century oil derricks. Those were also predominately made of wood (including the barrels, yikes!). The pump part of what's called a pumpjack were covered in the old days -- the ones we're most used to seeing now are made of metal and are thus left uncovered.

However, as you can see from this century old rig, even the wheel's made of wood:

I don't think ceruleum gushes the same way oil did -- it seems to behave more like natural gas. However, most natural gas pipelines do burn off excess, which can be seen as a little spout of flame atop.

Oil's occupied an awkward spot in the Southwest, and still does. Aside from the heinous crimes committed in Killers of the Flower Moon (where members of the Osage tribe were murdered for their oil shares in Oklahoma) and the Teapot Dome Scandal, oil is just... well.

Bear with me, I'm about to rag on Koana a moment.

The people who make the most money and have the most power over the average roughneck's life never live in the Southwest. They work in the c-suite and have more money than sense.

I find it very fascinating that DT chose to recreate this dynamic, this uncomfortable push-pull of a region rich in a resource, and it's being harvested at the suggestion and behest of a power that is physically removed from the area. And to some NPCs it's with a certain level of disregard to traditions and practices in place before, with the focus on the nebulous quantifier of 'progress'. Progress how? It depends!

But the folks at the highest seat of power never have to grapple with those questions, because to them it's a fairly cut and dry answer. This is the way to proceed, and if they want to take this nation into the "future", then this is the clear way to do it. It speaks to Koana's fixation on foreign technology to the point he de-values his own (partly due to his childhood trauma, which kind of prepped him to be susceptible to it).

Meanwhile the locals are the ones grappling the most with this change -- how it affects their plants and animals. Sometimes pits open up in the earth and ceruleum burns (which, Santa Rita New Mexico sank multiple times into the earth thanks to copper mining). On the map there's even discolored plants -- and they only occur in the vicinity OF the bulk of the ceruleum pumps.

This is at odds with core beliefs, keeping up with traditional practices. It puts people in the place of 'do I participate in this system, which promises work and the means to take care of my family, even as it pits me against my cultural heritage?'.

Growing up in West Texas, one of the weirdest things to me (to this day) is how many people will claim they love the land. They do! They love the outdoors, they worry over how certain species of animals have become scarcer. But they also work in the single most damaging industry because it pays the most money. It lets them cover bills and give their kids what they never had.

That same push-pull is in Shaaloani narratively; when progress has been thrust upon you, how do you survive it? How do you make sure what's dearest to you comes along with you?

In Conclusion

I want to call it here for Part One -- Part Two after this will cover more observations I had regarding flora and fauna in the Shaaloani zone, and how that also shows the attention to detail given this zone! It's a good time! There will be dinosaurs!

[darkcircles4lyfe]

it's a story about hands (reprise)

Yeah, okay, today's the day.

I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.

Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.

Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.

I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.

The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.

It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…

…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.

Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:

Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.

Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:

As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,

…but what about the little boy inside Izuku? Who saves him?

This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.

It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.

Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.

As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.

I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.