#and of course he’s still mad at that!!

[catjamming]

You guys know how every child of B’s stuck with the bird theme except for Jason? I feel like the widespread idea is that it was on purpose to spite Bruce. But wouldn’t it be funny if it was totally on accident?

Like Jason just went with Red Hood because of the pre-existing gang and thought it was cool. When he and Bruce mostly make-up, he can’t understand why Bruce refuses to call him Red Hood. Then one day he casually mentions it Dick and just has his mind thoroughly blown.

—

Jason approaching Dick in the kitchen: Hey, Dick. Can I ask you something?

Dick rummaging through the fridge: You mean other than what you just asked me?

Jason: Uh… yup.

Dick: Sure. What’s up?

Jason: You ever notice how B never calls me Red Hood?

Dick: Uhuh…

Jason: Do you know why? Dick turning around, scratching his head with some drink: Uh, pretty sure it’s cause you abandoned the bird theme.

Jason: …

Jason: …Huh?

Dick: Y’know. Cause I’m still Nightwing and Tim is Red Robin. You kinda stand out.

Jason: …What??

Tim putting down the book he was reading at the counter: Wait, you never noticed?!

Damian sharpening some weapon in the kitchen for god knows what reason: It wasn’t on purpose??!

Jason: NOO???!!

Damian: Hm. And here I thought you had mastered the skill of pettiness, Todd. Guess I overestimated you.

Jason now just thoroughly confused, mouth agape.

[circuitcircus]

in defense of kabumisu……..

addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have

listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh

kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?

kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao

he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-

they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"

you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen

mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other

i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name..also saw his face multiple times and didn’t recognize him when they talked for the first time)

mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’

(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)

taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.

that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.

+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.

+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:

also here we have him washing his own body

just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason

kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well

he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back

here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):

there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)

kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲

kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant

you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately

also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:

and this is just when they're first getting to know each other cuz there's a fuckload more

kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely

haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪

also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters

bonus kabru just looking at mithrun:

[swedenis-h]

Change

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[lilybug-02]

Artfight against @ejsuperstar ft. The Mad King and Chip. They're both so evil. I hope they have the most extravagant downfall of any onscreen villain.

This interaction is based on a little fic writing >:)

[ironmansbay]

…and I need a shovel to love him.

[dat-lil-shark]

Just to inform you, guys. I’m intending that, for the majority of our Sparkling AU, it’s an AU, so it’s not about the characters when they are actually babies anymore. It’s basically about the whole entire TFP story except it’s set in a universe where there are no actual wars. The whole ‘war’ thing is just some sparklings going into groups and play-fighting with their imaginations. Every character that ‘died’ in this universe are just either moving to another school (ex: Cliffjumper & Elita One) or got tired of the game and didn’t wanna play anymore (Ex: Skyquake, Dreadwing, and Breakdown). And all the human characters are all little ragdolls that are brought to life by the sparkling’s imaginations.

cause the actual show crippled me and this is my denial mechanism.

(read the tags)

[nelkcats]

Not so alive, after all

Jason Todd died, that's a fact. What no one notices is that he never revived. What came out of his grave was not a body, or a corpse, but a ghost, taking the form of his wishes. The only reason the League of Assassins was able to see him at first was their connection to the pits.

Ghosts take on the appearance they want, depending on how they feel. Which is why Jason's ghost kept "growing" during his training with the League. Everyone in the League could see and touch him because being submerged in the pits (toxic pools of ectoplasm) gave him the strength to manifest. Even though the ectoplasm was clearly tainted and diverted his obsession.

So, Jason Todd wasn't a zombie, or a revived human. He was a very powerful and remarkably sick ghost. Something that went unnoticed by his whole family (They could see him, touch him, and obviously he ate, his green eyes were the influence of the pits and that was all for them.)

Or at least it did, until he began to grow weak (he had spent a lot of time away from the pits and the ectoplasm on his environment wasn't enough), and his illness worsened. When Dick tried to take his hand during a discussion about his health and he went through it, Jason began to panic.

A week later, when a green note told him to "go to Gotham Cemetery to find out the truth" without further explanation, he decided to follow it. It was probably a trap and he should check his security system but what did he have to lose?

His humanity, apparently; "Phantom" looked extremely nervous when it came to explaining. But Jason had gone blank ever since he heard the "you were never alive" and "you need a doctor"

Well, fuck.

[xbuster]

IDOLM@STER Hand drawn MAD 「Who put the bomp?」 by heboPP and Lyot (Riyo)

[riza-hawks-eye]

[worstloki]

My issue with Thor not ‘realizing’ why Loki was acting off in Avengers 1 isn’t that Thor didn’t recognise Loki was acting unlike himself—Thor did note that—or that Thor didn’t figure out what was wrong—he did try asking—it’s more along the lines of Thor giving up, and that he accepted Loki was bad now within two days while knowing something was off when Thor himself behaved just as bad for much longer before without any specific compromising event.

[poorlittleyaoyao]

"Su She, you use this well-established not-uncommon spiritual tool, and he ALSO uses this well-established not-uncommon spiritual tool, so obviously you PLAGIARIZED."

WWX was one of those people who accused The Hunger Games novels of ripping off Battle Royale, wasn't he.

[lloydfrontera]

in a better timeline where theo is actually a character and not just a plot device he and rakiel develop this weird and confusing dynamic where rakiel is still very clearly theo's older brother except for those moments where his inner ahjussi comes out and he parents theo more than his father ever did and he slowly starts taking asterion's place as theo's father figure.

neither of them really notice because 1) lee han was an only child and he's not really that aware of what is or isn't normal sibling behavior and he doesn't really care either he just sees theo craving approval and being lowkey passively suicidal and goes "is anyone gonna take care of that" and then doesn't wait for an answer before doing it himself and 2) because theo has been neglected his entire life and doesn't recognize what rakiel is doing as 'parenting' because, well, asterion never did that with him so his first experience with that kind of care and treatment is from rakiel so he automatically files it as 'hyung behavior'. so none of them actually realize when their dynamic blurs the line between siblings and parent-child.

but asterion does. just... way too late. when he's already lost his chance with not one, but both of his children. when one son is forever out of his reach and the other has filled what should've been his place with someone else. only then does he realize what his neglect and putting his title as emperor above that of father has cost him. when there's nothing he can do about it.

he wanted his sons to grow up without needing him. and they did. they don't need him anymore. and he didn't realize how terrible of a thing that was until it was far too late to fix it.

[variousqueerthings]

there’s so many ways that queerness exists in texts, unintentionally and intentionally, coded and uncoded and partially coded and baited and confused and limited and expansive, and then there’s whatever is happening with Hawkeye Pierce, M.D. of the 4077th MASH unit

[bacchuschucklefuck]

oh fuck I got class swap fabian I think. I kiiinda know what I want him to look like now

[seri-tonin]

Y'all gotta stop immediately jumping to calling asagiri a misogynist for killing off a single female character