#These two are literally so evil. They just show it in different ways.

[lilybug-02]

Artfight against @ejsuperstar ft. The Mad King and Chip. They're both so evil. I hope they have the most extravagant downfall of any onscreen villain.

This interaction is based on a little fic writing >:)

[musclesandhammering]

If the Loki writers absolutely had to have an unnecessary romance baked into the plot and weren’t cowards, they would’ve paired Loki and He Who Remains together.

He could’ve made it to the Citadel at like the beginning of episode 5 and had more time to build a dynamic between just the two of them- whatever dynamic it would’ve been.

And then that would solidify Loki a major role in the Kang storyline in the main mcu, because in addition to being the one to open the multiverse (sylvie doesn’t exist in this au shh) he’d have an emotional history with the only “good” variant of him.

[vaugarde]

my barest thoughts is that. im sorry idk if i like the rebellion ending

[fruity-phrog]

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 

[hotvintagepoll]

Propaganda

Ava Gardner (The Killers, The Barefoot Contessa)— She's so goddamn hot. Her and Frank Sinatra could've sandwiched me and I would've thanked them for the privilege

Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Ava Gardner:

Ava Gardner is one of my favorite actresses of all time. Although a lot of her roles in movies are about her being beautiful and nothing else, there are some films where her acting truly shines.

Gifset: https://www.tumblr.com/pelopides/721438308726603776/ava-gardner-as-pandora-reynolds-pandora-and-the

Gifset 2: https://www.tumblr.com/portraitoflestatonfire/731899355804598272/if-the-loustat-reunion-doesnt-look-like-this-then

HER FACE. LOOK AT IT. Also was a life long supporter of civil rights and a member of the NAACP, had lots of fun love affairs with other stars, bullfighters, married several times but was also happy in between to just have lovers and was unapologetically herself.

I literally gasp every time I see her.

Between 1942 and 1964, Ava Gardner was credited in no less 50 films, and is still considered by some to be the most beautiful actresses that ever graced the silver screen. Despite life-long insecurities regarding her talent as an actress, she weathered public scandal, industry hostility, and outright condemnation by the Catholic Church with fearless grace. She would later in life talk candidly about the reality and pain of living through two (studio approved!!) abortions during her short marriage to Frank Sinatra, and while the two of them could not make their relationship work, they remained in each other’s lives for nearly 30 years. She would forever describe herself as a small-town girl who just got lucky, but always felt like a beautiful outsider.

Really genuinely one of the most beautiful human beings I have ever seen. An autodidact. Had amazing chemistry with Gregory Peck to the point where I do think about watching On The Beach again sometimes because they're so good together even though that movie did destroy me. Was a great femme fatale in many movies.

Anna May Wong propaganda:

"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."

"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"

"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"

"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."

"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"

"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."

"Incredible beauty, incredible actress, incredible story."

"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"

[3d-wifey]

This is such a niche ask, but I saw that you do Mortal Kombat. Can I ask for some flirty intro dialogue? You know like the conversation the characters have b4 the fight? But like with a Goddess!reader who's basically Hecate? like a Nyx/Hecate fusion if that makes sense. Oh and can you do what some of her taunts would be? I feel like those and her fatalities would be illusion and tarot based :)))

Flirty Intro Dialogue

Pairings: Johnny Cage x Reader; Noob Saibot x Reader; Erron Black x Reader; Dark Raiden x Reader; Cassie Cage x Reader; Shang Tsung x Reader

A/N: (Back to using gifs for headcanons). This is just for the MK 11 timeline. Once MK 1 comes out, I'll do new ones. Had to do a little research fan fiction-wise for this one, but I got a good amount out (plus some taunts the reader would say during the fight). I put a lot of thought into the reader's backstory in the MK universe, even though it'll never be used lol. Please, feel free to request more of these characters or some intros for different characters. Maybe even request a one-shot? Who knows ;)

Behind the Scenes: You know how when Erron Black shows up in the intro, he's looking at a Wanted poster of his opponent? I feel like Goddess!reader has something like that where she's looking at a tarot card that's different for each character before it disappears into mist. Another opening is the reader strutting in shapeshifted into her opponent, before turning back. Her friendship fatality has her stirring a comically large witch's caldron and Noob Saibot pops out in a cloud of mist.

You: Jonathan Carlton

Johnny Cage: Sexy witch goddess.

You: I…Hmm.

-

You: I can feel the magic coursing through your veins. You are one of my Night children, Jonathan.

Johnny Cage: You don’t mean that literally, right? Because it would suck to have the hots for my mom.

You: (sighs)  And what a waste.

-

Johnny Cage: Somebody pinch me, I must be dreaming.

You: Do you dream of me often, Mortal?

Johnny Cage: Ohho, absolutely.

-

Johnny Cage: Somebody pinch me, I must be dreaming.

You: (sighs) How many times must you make that joke?

Johnny Cage: You know you love it!

-

Johnny Cage: So…what are my chances of getting you into my next movie?

You: I’ve told you. I have no desire to appear on your “big screen”.

Johnny Cage: I was thinking we’d make a different kind of movie.

-

Johnny Cage: Goddess of dreams, huh? Can I call you Sandman?

You: You may call me whatever you please, dear mortal.

Johnny Cage: Oh, you do not wanna give me that kind of power.

-

Johnny Cage: Heard you and Shinnok had a thing.

You: A…thing?

Johnny Cage: You two boned! Get it? Cuz he’s a skeleton.

-

Johnny Cage: Tarot, huh? Card tricks are cool and all, but do you got any other witchy gimmicks?

You: I'm particularly fond of palm reading.

Johnny Cage: ...So what I'm hearing is, you're good with your hands?

-

Johnny Cage: You, Fujin, and Raiden go way back, huh?

You: Since the dawn of time.

Johnny Cage: (grimace) Yeesh, they've been friend zoned that long?

-

Johnny Cage: Not so fast, Hermonie.

You: Must you always spout such inane drivel?

Johnny Cage: Someone's been using their word-a-day calendar!

-

Johnny Cage: I've never met a non-evil Eldar God.

You: Evil is quite subjective.

Johnny Cage: I'll remember that next time I'm kicking one's ass.

Noob Saibot: My Goddess.

You: Bi-Han.

Noob Saibot: The shadows cling to your presence. 

-

Noob Saibot: Many have wanted me to yield to their command.

You: Oh?

Noob Saibot: Only you have succeeded, My Goddess.

-

You: You are not touched by the Night, dear Bi-Han. You are shrouded in it.

Noob Saibot: What better way to show that I belong to you?

You: It certainly seems that way, doesn’t it?

-

Noob Saibot: The shadows whisper your name.

You: (smiles) What do they say about me?

Noob Saibot: That your beauty is combated by no other. They speak only the truth for their Goddess.

-

You: You have been a steadfast worshiper, Bi-Han. How shall I reward your loyalty?

Noob Saibot: I only ask for one thing: to be your consort.

You: Hmm. That could be arranged.

-

Noob Saibot: I do not want you to be upset with me, but I will not take back what I said.

You: Your brother cares for you, Bi-Han.

Noob Saibot: Yet, here we are.

-

You: Why must we fight?

Noob Saibot: I wish to prove to you my might, My Goddess.

You: Oh, dear wraith. For you, my love is freely given. You have already earned it.

-

Noob Saibot: You're different than the other Eldar Gods. You...care.

You: Do you think me weak?

Noob Saibot: Never.

-

You: Care to spar?

Noob Saibot: I'd be honored.

You: Then don't take it personally when I beat you.

-

Noob Saibot: The shadows crave your touch.

You: Only the shadows?

Noob Saibot: I'll always long for you, My Goddess.

-

You: Do you fear me, dear Bi-Han?

Noob Saibot: I respect you.

You: (sigh) That wasn't a no.

Erron Black: You've got quite the pretty penny on your head.

You: Are you here to kill me then, Erron Black?

Erron Black: With a face like that, I wouldn’t dream of it.

-

Erron Black: You got any love spells up your sleeve, witchy? I swear ’m good for it.

You: Love is not something to take lightly. Who do you have in mind?

Erron Black: (smirks)  Look in a mirror, darlin’. 

-

Erron Black: You the Goddess of lust, by any chance?

You: That is not a purpose I was created to serve.

Erron Black: Pity. You’d certainly suit it.

-

Erron Black: You had something to ask me, beautiful?

You: Yes. What is “reverse cowgirl”?

Erron Black: (smirks) How ‘bout I show you the ins and outs after this?

-

Erron Black: ’M not usually one for marriage, darlin’.

You: Neither am I.

Erron Black: I don’t have to be the only one, as long as I’m your favorite.

-

Erron Black: You ever find out why Shinnok offed you?

You: I believe he wanted to turn me into his revenant bride. He became rather desperate after I declined his proposal.

Erron Black: (chuckle) Well, I guess I can’t blame the guy.

-

Erron Black: Why don’t you take a peek into ol’ Erron’s dreams? Swear you won’t be disappointed.

You: I’ve seen your dreams. I must say, you give me very generous proportions.

Erron Black: Then you must know I’m a very generous lover.

-

Erron Black: I've struck gold

You: How so?

Erron Black: Well, you're here, ain'tcha?

-

Erron Black: You cast a spell on me, Goddess?

You: I have not, Erron Black.

Erron Black: Do you want to?

-

Erron Black: How 'bout you and I see where the night takes us?

You: Do you think you can keep up?

Erron Black: Trust me. I may be fast on the quick draw, but I don't shoot quick.

-

Erron Black: You've got the magic touch.

You: A good deal of my powers flow through my hands.

Erron Black: I want 'em on me.

You: I’ve heard of how you…disposed of Shinnok.

Dark Raiden: After what he did to you, after how I mourned, I would behead him a hundred times over.

You: It isn’t judgment you sense in my voice. I would have killed him myself if you hadn’t beat me to it.

-

You: Do you still desire me, even as you are now?

Dark Raiden: If you need to ask, then I have failed to show you my devotion.

You: Hmph.

-

Dark Raiden: Will you abandon me too, my love?

You: It is not in my nature.

Dark Raiden: They do not deserve your blessings.

-

Dark Raiden: How have you…How are you here?

You: I sensed my presence was needed and returned to my corporal form just in time to be put in Kronika's void.

Dark Raiden: You could not sense how much I needed you, how much I mourned?

-

You: We are in such uncertain times, my vision is clouded.

Dark Raiden: I’m sorry for the part I play in your duress, my love.

You: You are only doing your duty. It’s how you’re going about it that leaves me weary.

-

Dark Raiden: How can you find such beauty in their shortcomings?

You: The Night welcomes all into her shadowed embrace.

Dark Raiden: You are wasted on them!

-

Dark Raiden: I was so lost without your guidance.

You: When I died?

Dark Raiden: When you were taken from me!

-

Dark Radien: How did Shinnok do it?

You: He lied to me and attacked me when I let my guard down.

Dark Raiden: (growls) If I could, I would bring him back to enact justice upon him once more.

-

You: I have but one wish.

Dark Raiden: Anything.

You: I wish for you to come back to me.

-

You: Is it true? What you've done?

Dark Radien: It was the only way.

You: You have lost yourself.

-

You: We've never fought before, have we?

Dark Radien: We never needed to for me to know you're the stronger between us.

You: Flattery will not save you.

Cassie Cage: You know, I think I’m finally understanding why Raiden lost his marbles.

You: How so?

Cassie Cage: I think I’d lose my shit too if someone like you was taken from me.

-

Cassie Cage: Are you a good witch or a bad witch?

You: I’m…afraid I do not understand.

Cassie Cage: Oh, you have got to let me take you on a movie date.

-

Cassie Cage: Who’s your favorite: Fujin or Raiden? Come on. You can tell me.

You: I’m a Goddess. Why would I limit myself to one lover?

Cassie Cage: You dirty girl.

-

Cassie Cage: What are you the Goddess of again?

You: (hesitates) …It would be easier to list what I am not the Goddess of.

Cassie Cage: (whistles) And I thought my parents expected a lot of me.

-

Cassie Cage: Come on, just one kiss!

You: I am older than you could possibly imagine.

Cassie Cage: An older woman. What’s not to love?

-

Cassie Cage: I heard you died. So, how are you standing here in all your godly beauty?

You: I have much power over death and the comings and goings of the Underworld. My soul simply dispersed there.

Cassie Cage: Yep. That’ll do it.

-

Cassie Cage: So…You didn’t happen to see that one dream, did you?

You: I’ve seen all your dreams, Cassandra. And I’m flattered.

Cassie Cage: (clears throat) …Right.

-

Cassie Cage: It’s a full moon

You: She calls to me and all who feel her light.

Cassie Cage:…You’re not gonna turn into a werewolf, are you?

-

Cassie Cage: You gonna turn me into a frog, Goddess?

You: It’s a possibility.

Cassie Cage: (shrugs) As long as you change me back with a kiss.

-

Cassie Cage: Heard you hung out with Jacqui.

You: Yes, though she didn’t mention you at all.

Cassie Cage: She is the worst wing woman.

-

You: You’ve come to my crossroads. Do you need my guidance?

Cassie Cage: Just wondering if you could teach me a trick or two.

You: So it’s my protection you seek.

Shang Tsung: Your beauty entices me

You: My power entices you.

Shang Tsung: Two things can be true at once.

-

Shang Tsung: Soon, you shall be my bride.

You: You cannot tie down a Goddess; you cannot tie down the Night.

Shang Tsung: I can try.

-

Shang Tsung: Do my powers impress you, Goddess of magic?

You: They certainly intrigue me, Sorcerer.

Shang Tsung: Allow me to give you a closer look.

-

Shang Tsung: Every time I invoke my magic, I do so in your name.

You: Your loyalty changes with the moon’s phases.

Shang Tsung: I devote myself to you, my Goddess.

-

Shang Tsung: I want something more valuable than your soul.

You: Such as?

Shang Tsung: Your love.

-

Shang Tsung: You forgave Shinnok, but not I?

You: I did not forgive him. He killed me when I refused to be his bride.

Shang Tsung: I will succeed where he has failed.

-

Shang Tsung: I kneel at your altar, my Goddess.

You: You needn’t prostrate yourself before me.

Shang Tsung: It is never a hardship to be on my knees for you.

-

You: Do you fear me?

Shang Tsung: I’d be a fool not to.

You: Then why challenge me?

-

Shang Tsung: You have the godly brothers on quite a tight leash.

You: I demand no loyalty from them.

Shang Tsung: It’s doubtful that they stray far from you.

-

You: Kronika spared me in hopes of using my powers. When I refused, she cast me into the void.

Shang Tsung: We have been similarly wronged by her.

You: That is why we must aid Luai Kang in defeating her.

-

Shang Tsung: You are the last Eldar God.

You: Yes. And I shall help Luai Kang in his creation of the new timeline.

Shang Tsung: Then this will be goodbye for now.

Taunts

You: The Wheel of Fortune comes for us all. You: Your future is uncertain. You: You cannot hide from the Night’s embrace. You: Knell in repentance. You: Your path ends here. You: You are lost. You: It is simply an illusion. You: You challenge an Eldar God? You: Will you make an offering? You: You are forgiven. You: I will lead your spirit through the gates of the Netherrealm. You: You shall not pass. You: Are you seeing double? You: Allow me to guide you.

[year2000electronics]

i think obsessive/selfish/misguided love or “harmful” love in general as an antithetical theme to gravity falls’ theme of love and family makes so much sense. if you think about it, a lot of the conflict in the show is born out of selfishness and obsessiveness and loving people as objects or means to an end. obviously, you have the big examples like gideon for mabel and giffany for soos, but every time both sets of the pines twins have butted heads, it’s usually been because of that too. just in like, a different way.

stan and mabel are both relying on dipper and ford to stay anchored to them forever to secure their happiness, and even though it’s a totally okay thought to have and dipper and ford weren’t in too much of a rush to consider their feelings, it’s a bandaid solution at best! dipper ends up NOT leaving because that’s the right thing for them but it’s not totally because the pines twins are a “set of two” who can’t be separated. it’s a decision they make mutually! mabel even says that she would be okay with dipper taking the apprenticeship, she just needed a minute to be frustrated!

and then of course you have stan and ford where stan leaving ford meant stan would lose his only friend, but even in their adult years, they clearly still love each other (ford and stan both apologizing profusely every time they land a devastating enough hit) but their selfish desire to have the other admit they’re the “villain”, to have a scapegoat to blame a whole series of factors on, overtakes them and buries that love. even as old men they’re still trying to get something out of the other before anything else (ford’s house and name, stan’s “thank you”). stan and ford want to love each other deep down so badly but this giant means to an end is in the way

you even see that sort of motif with characters like dipper and pacifica, where dipper’s crush on wendy almost always has negative results because, not only can it never be due to the age gap, but every time he tries to court her, it’s usually in the way a prize is to be won. he makes an itemized list of a process that is “guaranteed” to impress wendy, he literally brakes the laws of space time just so robbie won’t date her (as if one single snow cone is keeping him from his success), gets a job at the pool just so he can hang out with her, and jumps at the opportunity to prove robbie is evil. etc etc. and with pacifica it’s clear that her parents’ love is very transactional and conditional. if EVEN that.

so the fact that book of bill is setting up bill to be like a clingy ex to ford- more than that, it’s setting up ford to be the only human bill cares about THIS much! it feels like the ultimate way to tie bill to that theme of how love can harm as much as it can heal. like, he’s always been an obstacle to the pines’ happy ending, but this way, we see his reaction to love in his psyche play out, and you understand why he’s the opposite and obstacle to the pines. the stan twins hurt each other and it takes an entire show’s worth of growth for them to fix it. gideon hurt mabel but him letting dipper and the group into her bubble proves he’s willing to change. bill hurt ford and he throws a temper tantrum and denies everything, trying to use force to get things back to the way they were because in his own twisted way he really does love and care for ford. i’m sure even a traumatized millenia old dream demon could change but for now bill doesn’t! and that kinda makes him and ford’s relationship the perfect tie in to the themes in the show

[kiapet2]

Alright, it’s less than a week since the Owl House finale aired and as expected I’ve already seen two direct comparisons to Steven Universe’s ending and several more vague-blogs, because one of this site’s hobbies is using other queer shows to put down Steven Universe. So let’s do this, then. Let’s compare the endings of Owl House and Steven Universe, and what each is ultimately trying to say.

Steven Universe and the Owl House are both shows that deal heavily with the clash of individualism and self-expression vs. socially-mandated conformity, and both shows’ final villains ultimately embody this conflict. One major difference, however, is that Owl House approaches this from the perspective of legal/societal structures, while Steven Universe approaches it from the perspective of family structures.

Steven Universe has always been about family--and particularly the ways traumas and biases are passed down through a family--and it has always heavily used the language of metaphor to discuss these topics. The Diamonds are the ultimate extension of this theme, something a lot of bad-faith (or just bad) takes on the ending miss; they interpret the diamonds in their literal capacity as dictators, rather than the way Steven Universe always portrays them, which is as matriarchs, i.e. the heads of a family who dictate and control all the family’s other members. This metaphor becomes more and more blatant until it outright becomes text, with the Diamonds turning out to be Steven’s literal family members, with whom his part of the family is estranged because of their previous controlling behavior.

In accordance with this theme, we ultimately find out that the Diamonds’ toxic ideology, with its rigid standards of perfection, are not only something they enforce on the gems below them, but also on themselves. They are suffering from the system in their own ways, unable to live up to the standards they themselves created. And who among us hasn’t known someone like that? A parent or grandparent who grew up under a cruel, oppressive worldview, and instead of rebelling against it internalized it--who turned around and said “I dealt with this, and so can you”? And so the ending of Steven Universe is the Diamonds realizing exactly how toxic the rigid ideology they’ve spent their lives perpetuating really is, and confronting the fact that their adherence to this ideology is what destroyed their relationship with Pink, and that the only way they’re going to have a relationship with Steven is if they’re willing to commit to changing both themselves, and the family structure they’ve enforced for so long.

Emperor Belos, in contrast, is not suffering from the structures he created, because his rules were never meant to apply to him. He sees the witches (and demons, and so-on) as lesser beings, evil beings, who exist to be controlled, and ultimately, exterminated. And every element of the society he built--the schools, the government, the police force, the religion--he intentionally constructed to keep these lesser beings under his control. The real-world allegory isn’t hard to see, here. And because what Belos represents in the story is, in fact, a fascist leader, the story shows that he can’t be reasoned with in any way that matters, and instead he is ultimately ground into paste beneath the boots of the people he sought to destroy. Different themes, different endings.

Now the usual argument that comes up here is as follows: but the Steven Universe ending isn’t as realistic! Not everyone is going to change, not everyone is going to be able to be reasoned with. Not every older, conservative family member is eventually going to accept you for who you are. And while that is true, ultimately SU isn’t meant to be realistic; it’s meant to be a power fantasy. Rebecca Sugar has come out and said before that they wrote a world in which there was good in everyone, because that’s the way she wishes the world could be. That’s the world they want to be able to believe in. And I am never going to begrudge a person, much less a queer person, for finding healing in writing that kind of world.

But you know what else is unrealistic? What else is ultimately just a fantasy? Grinding your government’s fascist leader into paste under your boot, then taking over and remaking society into something that accepts everyone. Sadly, Trump is not likely to get his ass beat any time soon. And more generally, punching fascists, while ideologically sound, is something most people are not going to get to do, due to real-world consequences such as “getting beat up by the fascist’s angry friends” and “being arrested for assault”. And even if you did depose one leader, our very society is set up in a way that perpetuates all manner of injustices, and systemic change is a complex and lengthy process that almost certainly won’t be completed in our lifetimes. But it’s fun to imagine we could, isn’t it?

Both endings are power fantasies. Both show the way they want the world to be, rather than the way it is. They are very different power fantasies, which fill very different--and at times conflicting--needs. And in situations like that, internet culture really likes to pick one to be the right fantasy, the right way to look at the world. 

But the truth is, both fantasies are needed! Some people need stories about your queerphobic relatives finally realizing the error of their ways and taking the necessary steps to accept and reconcile with you. And some people need stories where you get to grind fascist bastards beneath the heel of your boot. It’s okay if you prefer one type of fantasy over the other! But in the end, both are valuable, and both are important. 

And isn’t it wonderful, for us to have such a diversity of great queer stories? That we can explore both of these deep, conflicting needs? Let’s appreciate each of these fantastic works for what it was meant to be, rather than trying to pit them against each other or make them conform to a single, “best” way to tell a story.

[qqueenofhades]

I understand how important it is to be able to criticize the President, and am not at all of the belief he should be beyond critique, but the critiquing of Biden makes me so nervous. (That's not to say I agree with every decision he's made - I absolutely do not). But I feel like people see things he's done wrong and decide they won't vote for him because of it. I'm not sure if enough people have the ability to see that he's done things wrong but also is our only hope of staving off literal fascism.

So many people talk about how sick they are of it constantly being a lesser of two evils situation, constantly having to vote for a candidate they hate because the other side is worse (I heard it in 2020, 2022, etc), and I guess I just- I don't really get it? We're here because they didn't do that in 2016. All of this could've been avoided had the result been different then. I just feel like people don't comprehend how different of a place we'd be in if Hillary won and engage in all this cognitive dissonance to make themselves feel better about being part of the reason she didn't.

Like.... this has been a long-running topic of discussion on my blog, not least because it is so inexplicable and maddening. It also shows how terribly shallow most people's understanding of the American political process is, and how toxic the "I can only vote for a candidate if every single personal belief/position of theirs matches mine" belief is, as well as how much damage it has done to American democracy even (and indeed, especially) by people who technically don't identify as right-wing. Yell at Republicans all you like (God knows I do, because they're the worst people on earth) but they vote. Every time. Every election. Every candidate. Whereas the Democratic electorate still holds out for Mister Perfect, and it very definitely is Mister Perfect. The amount of "evil HRC!!!" Republican-poisoned Kool-Aid that so-called progressives drank in 2016, and then afterward when they insisted they could have voted for someone like Elizabeth Warren and then didn't do that in 2020, is... baffing.

Frankly, I don't care if Hillary Clinton's personal positions on XYZ issue were the most Neoliberal Corporate Centrist Shill to Ever Shill (and Online Leftists' intellectual skills being what they are, I seriously doubt that they were using any of those words correctly and/or accurately). American policy is not made by "personal dictate of the ruler," or at least it shouldn't be, because we are not an absolute monarchy. We rely on the operation of a system with input from many people. As such, if Hillary had been elected, we would have 2-3 new liberal justices on SCOTUS and have secured civil and environmental rights for the next generation. Roe would be intact, and all the other terrible rulings that SCOTUS has recently handed down wouldn't have happened. We wouldn't have had January 6th, the attempt to stage a coup, all the tawdry scandals, our national security being at risk because of Trump stealing classified documents and probably selling them to Russia and/or Saudi Arabia, etc etc. If you think that's in any way an equivalent amount of evil to what would have happened if Hillary was elected, or if she was "still evil!!!," then I honestly don't know what to tell you. She could fucking murder puppies in her spare time if she had preserved SCOTUS for us, WHICH SHE WOULD HAVE, BECAUSE SHE WARNED US EXACTLY WHAT WAS GOING TO HAPPEN.

(Hoo. Sorry. Still steamed. 2016 war flashbacks, again.)

In short, Hillary would have been a solid continuity Democrat and she would have signed whatever legislation a Democratic House and Senate passed, not to mention been hugely inspiring as the first female president. But because it's so important to the Online Leftists' moral sense of themselves that BOTH PARTIES ARE THE SAME!!!, they can't possibly acknowledge that ever being a factor, and/or admit that they have any culpability in not voting for her in 2016. It's like when you read the British press about any of the UK's equally numerous problems, and they BEND OVER BACKWARD to avoid mentioning that Brexit might be a factor. They just can't mention it, because then that means they might have made the wrong choice in pulling for it as hard as they did, and blah blah Sovereignty.

Basically, if HRC had been elected president, everything would be so much less terrible and terrifying all the time, we would be talking about her successor in 2024 as someone else who could be the "first," we could explore handing the reins over to Kamala as a Black/Asian woman, we could promote Buttigieg as the first gay president, etc etc. But because 2016 was so catastrophically fucked up, we are in damage control mode for the immediate future and every election is just as pivotal. And yet, because people think that the only thing that matters is a presidential candidate's personal views, we're stuck having the same old arguments and desperately begging people over and over to please vote against fascism, since that somehow isn't self-evident enough on its own. Yikes on Bikes.

[mythica-ithaca]

the fact that I see some of y'all posting more about how important it is to vote for Biden than you ever have about Palestine just shows that you fucking "vote blue no matter who" people genuinely don't give a fuck about anyone but yourselves.

you only choose to speak up when YOUR hypothetical rights are threatened. you love to fear monger about how much hypothetically worse it would be under trump than acknowledge the actual atrocities that Biden is committing and condoning every single day. how exactly is he the "lesser" of two evils for?

do any of you actually look at the images coming out of gaza, or are you too fucking ~triggered~ to fully acknowledge other peoples suffering rather than your own. have you seen the video that came out recently of the little boy whose brain is exposed, about to be laid next to his dead family members, only to twitch and seize in his fathers arms as he screams and runs in horror to find a doctor, because his son is alive. his brain is literally falling out of his skull but he is still alive. that is one brief example of the most horrific shit you've ever seen in your life coming out daily for almost a year. how on this earth can you watch that and possibly claim that Biden is in any way shape or form "less" evil.

instead of demanding that the dnc force a different candidate, you're trying to guilt trip people who have actually seen the mutilated bodies of children on their timelines every single day and watched the press briefings of bidens administration denying genocide and defending Israel at the expense of literally everything else for the last 8 months, into voting for a man who supports it 100% and has not and will not be convinced otherwise.

this is where allowing them to push widely unpopular and centrist candidates has gotten us. it didn't work with Hillary in 2016. it BARELY worked in 2020. and hate to break it to you, but its probably not going to work again. so congrats. your "vote blue no matter who" rhetoric has got them thinking that they can push the most right leaning liberals on us and think that we'll vote for them just because they're in a blue tie instead of a red one.

if you care about democracy like you say you do, then the Democrats should be fucking TERRIFIED that you won't vote for them if they don't deliver. not constantly reassured that they can commit literal fucking genocide and still get your votes if they dangle abortion rights over your heads. you realize they see those posts too right? the ones that say "Yes! protest vote in the primary but make sure to actually vote for the guy in the general!!" like. you are literally telling them how performative your activism is.

if every election at this point is the one where democracy is on the line then we are already fucked. if they don't get it through their heads now that we will not support this shit, then every election to come will be between a fascist and a fascist who cares slightly less about whether gay people get married or not. but that's all you care about right? as long as your domestic policy is in your favor then the rest of the world can suffer at your tax dollars.

this isn't about morality voting. this is about recognizing that there is not actually a "lesser" of two evils in this situation, just because you think that the causes that you personally care about will be less affected one way or the other. because what if it was abortion rights? what catholic Joe Biden was firmly against abortion and was threatening to ban it completely and throw anyone getting or giving one in prison for murder. what if it was videos of lgbt people being slaughtered coming out every single day for a year. genuinely fucking ask yourself if you'd still be saying "vote blue no matter who" and that he's the "lesser" of two evils.

vote for whoever the fuck you want. and I do genuinely urge you to vote for the most progressive candidate you can for the house and senate and your local elections. but for the love of god, stop trying to convince people that there is, in any sense of the word, a "Lesser" evil in this situation. stop trying to absolve yourselves of the fact that you are CHOOSING evil. it's genuinely sick.

[beenbaanbuun]

punishment w/ poly!woosan

words - idk but it’s not long

genre - smut

warnings - degradation, thigh riding, dom!woosan, sub!reader, edging, dacryphilia, they’re mean

choking on my SPIT RN!!!!!!

like i’m sorry but san would just sit and watch wooyoung be literally so mean to you with a smirk on his face, and when you turn to him for help he’s just coo in the most condescending way I FEEL SICK AHHHHHHH.

like imagine, wooyoung just has you naked on his lap with his hands on your hips as he gets you to ride his thigh. you’ve been at it for ages now and every time you’re close to cumming, he just pins you in place and watches you squirm as your impending orgasm floats away into nothingness. you’re crying by this point, and all he can do it spit out his evil little words.

“fucking slut needs to learn a little patience,” he frowns as you let out a sob at yet another lost orgasm, “i’m serious. maybe we spoil you too much if this has you crying like a baby.”

you shake your head with a sniffle, completely denying his accusations even though you know it’s true. they’re too nice to you, even when you’re being a little brat. perhaps you flew a little too close to the sun today, thinking you’d get away with it. you should’ve known there’d be consequences sooner or later.

you let out another cry as wooyoung begins to guide your hips again, rubbing your bare pussy up and down the fabric of his pants. there’s barely any resistance anymore with how much of your wetness now coats it. the sound it makes as you rub up against it is humiliating, but wooyoung just smirks like it’s music to his ears.

“hear that sannie?” he calls out to the man who lays on the couch behind the two of you, simply grinning at you as he palms himself through his pants, “she’s so fucking wet right now, anyone would think she’s enjoying this punishment!”

you sob as wooyoung flexes his thigh against your oversensitive clit and san lets out a dark chuckle.

“poor little baby, hm?” his voice drips in sarcasm, “you don’t like it when we’re mean, do you? don’t like it when we have to take control because you think you’re too good to listen to us?” you nod in agreement. san just laughs, “your slick little cunt says different.”

you cry out as wooyoung speeds up, somehow knowing that another orgasm is quickly approaching. this time he shows no sign of slowing at all so maybe this time he’ll let you cum. you mentally cross your fingers as you place your palms flat on his chest and screw up the material of his shirt in your hands.

“maybe, if she hates it so much, she should’ve thought about that before she was bad,” wooyoung spits out as he watches your eyes roll into the back of your head and your jaw go slack. he listens carefully for the very start of a high pitched moan that he knows means you’ve reached your high, and then he stills. your orgasm comes crashing to the floor, once again abandoning you when you were right on the cusp.

you hiccup out a sob as you collapse onto wooyoung’s chest. he catches you in his arms, letting go of the harsh grasp he has on your hips, and his shirt catches your tears. you can only hope it’s not one of his expensive ones as you use it to wipe at your mess of a face.

“aw, babe,” san coos, “have you had enough now? does our precious girl need to cum?”

you nod as you sob into wooyoung’s chest, and you’re grateful for the way he pats your back, even though you can hear the chuckle that’s rumbling around his chest.

“go on then, baby,” he mumbles into your ear, “show us how bad you want it.”

[wastemanjohn]

i'm not at all bothered about people disliking john because entirely valid tbh and someone else's opinion changes nothing for me. i just think the militant anti john brigade - that is, those that make up textually unsupported and entirely leftfield reasons to dislike him - are really missing out.

the thing is, we've got an absolute buffet of an interesting and irreparably fucked up character here. we could debate the absolute Horrors of john winchester and his a+ parenting for days on end literally from the two seconds of screentime he had. because he does suck! it's totally fair to say that canon john is selfish, neglectful and at best emotionally abusive. now i'm defo no apologist (see username) - but he's also the furthest thing from a cardboard shitty abusive dad. there is serious context for the things he does and the way he thinks.

john's life was hell man. his own dad, for all he knew, abandoned him. he went to war young and almost certainly came back with ptsd. these things alone don't exactly make life easy but then your wife burns to death on a ceiling and you're left a widower and a single dad to a baby and a pre schooler before you're even thirty? then discover that it couldn't even be a plain old housefire but no - there is actual Evil out there and you and your children are not safe and never will be?

the desire for revenge is understandable. the desire to do stupid and paradoxically dangerous things to protect your children are understandable. right, good or healthy? no. but understandable. and that's what makes a good sympathetic character.

basically i think a lot of negative readings of john exaggerate the badness of his intentions and ignore his humanity. it's also understandable that john is not a beacon of emotional regulation. it's also understandable that he cant always balance being emotionally and physically there for his kids with Fighting The Horrors. pour alcohol misuse onto this dumpster fire and you're not getting a perfect person, or a perfect parent. you're getting a broken human who was focused only on keeping his kids safe, alive, protected, and able to protect themselves. sure, he had tunnel vision about it. he did it very badly. he controlled sam as the youngest and parentified dean as the oldest. he made sam feel misunderstood and smothered. he made dean feel completely responsible for the welfare of his brother and dependent on john's praise and approval as his second in command.

john fucked his kids up IMMEASURABLY. he thought he was doing the right thing.

also - remember young john? remember how he's softly spoken and loves his cars and adores his girlfriend and respects his fucking elders and, to quote mary, "believes in happy endings"? remember the doting dad we see for like a minute in the pilot? is that not meant to show us that, had his life not taken the turn it did - he would likely have been an entirely different person? how is the tragedy of that not also completely DELICIOUS??

so why homophobic john? why john who beat dean senseless regularly? why john who gave no shits and wanted his boys to be miserable? why these embellishments that make him someone else, someone with nothing good inside of him, when what canon gives us is so much better?

come on guys. the tragic messy sad angry selfish HUMAN john we got in the show is an absolute treat. why are we making him an irredeemable, unfeeling and uncomplicated asshole who doesn't give a shit about his boys. ya'll saw him spending a good 50% of his screen time crying about how much he loved them right? and sam and dean KNEW he loved them. they also knew, or in dean's case came to realise, that he was a terrible father in many ways. real life is messy and nuanced. families are messy and nuanced. and imo spn got this so right.

[drenched-in-sunlight]

Can I just say how in love I am with the way you draw Marika? Like every art you post of her has my jaw dropping…you add such a beautiful layer of humanity to her with her dynamic expressions and poses—it’s so refreshing to see especially when so many fan arts of her needlessly sexualize her or dial her down to a one-dimensional stone-faced villain (which a villain she is—but she is still complex)

And I adore how you draw her partial nudity as something natural, meaning that you don’t draw her without a top for the sake of objectifying her,

Your art is overall so pleasant and colourful and fun to look at, and your takes of Marika’s character in your fanart is literally what made me more interested in who she is in-game.

Thank you for drawing her the way you do! (And for drawing Elden Ring fanart in general💕)

i've been letting this ask stewing in my inbox for a while because it makes me so emotional 🥲

if you look at how i drew Marika before anything in the DLC was announced, it did fall into the two categories you were talking about, because despite having a little more positive view on her than the rest of the fandom at the time, i still had no idea who she was as a person. and by that time i were more interested in Malenia, so even though i did try to envision how Marika was, it's a very distant and vague image. which is what i love about Elden Ring lore in general: we see Marika via how her children see her.

it was easy back then to conclude we'd never get her, and "mother" is a distant term that will always be overshadowed by "God", so i just went along with the general haha evil sexy girlboss thing that the fandom was doing. but then the DLC teaser dropped the another elusive (possibly firstborn) child of her, with a statue of her holding a baby in his boss room, she started to get more little quirks that's so human in my work (the small smile, the little lock of hair that curls gently) because for the first time, we see her through the eye of a son that evidently adores her, so she gets a bit more human, because someone views her with emotions that are not fear nor distance.

then the DLC drops, and it's not just through Messmer's eye (or the entirety of his being that carry so much of her love it weighs him down and twist into the most horrible curse in the end), it's through the eyes of her family that were no longer there at all. it's the jar innard enemy that huddled in a jar and clutched at a piece of raw meat, it's the Grandmother's gentle smile as she rest among a sea of flowers, it's the solitary minor erdtree that bathed the whole place in the kindness of gold, it's the Fire Knights and soldiers that clearly viewed her as Mother as much as she was God, it's Miquella throwing away his love and doubt because he didn't know how to deal with the revelation that his mother was once a fallible human just like the rest of them, it's Trina's entreaty that Godhood was just a cage that would kill him slowly, it's the final boss music with the female voice belting "Hail, Marika the Eternal" - in the place where she had to wade through a sea of flesh and blood, her family included, to ascend to Godhood. it's finally understanding that to her, Eternity is to live for all her loved ones that have fallen down.

and somehow, it all comes back to this portrait at the base game, right at the Roundtable Hold, of a woman with permanently lowered eyes.

yeah i know after the DLC i've put on such a Messmer-style protective glasses for her, it shows very clearly in my art. now she could cry, looks sad, small smile, big smile, looks silly, looks cute, looks serious, her hair is pulled up in twenty different ways, she jokes and talks to animals and goes back to be just a simple young girl rolling around in the grass, blah blah... im drawing all these with eyes wide open. and i have no intention of stopping lol.

sometimes, things that already come alive will never go back to be a cardboard cutout anymore. if ppl don't like it, block me or whatever, in my space, i'll do that makes me happy. and im very glad that other ppl could find their own happiness and solace with my work too :) thank you for such a thoughtful and kind messages!

[twiixr4kidz]

PRAYING YOU GIVE US SOME THE EVIL EXES X A DUMBASS S/O PLEASEEEE

Like they're so dumb it's not a joke- like imagine Roxy asking her s/o about the menu at a restaurant they're going to and they go "babe....I'm a lesbian." And it takes a full FIVE MINUTES for them to figure out what she meant

OMG YES i am a certified dumbass so this was very easy to write

matthew patel:

listen....... he gets it

he isn't the sharpest tool in the shed

it's like when you're around each other, your brain cells disappear

most discussions end in the two of you looking at each other, very confused, whatever conversation you were having being long forgotten

he doesn't mind re-explaining thinsg to you if you don't understand them

he thinks it's kinda cute honestly

lucas lee:

he is the himbo-est himbo to ever himbo

honestly most of ramona's exes are dumb but in different endearing ways

i can tell you for a fact that he'll tease you for one thing and then proceed to do it immediately after without even realizing

OR HE'LL TRY TO LIKE SHOW YOU WHAT YOU WERE DOING WRONG AND HOW TO FIX IT AND THEN HE MESSES IT UP HIMSELF LMFAO

"babe, that's not how you do a kickflip. THIS is." (he bails and breaks his board)

todd ingram:

todd is probably one of the most confused people you will ever meet

sometimes you say things that completely baffle him

im talking something so dumb his jaw is hanging wide open and he's rendered completely fucking speechless

and you're confused as to why HE'S confused because you thought you explained what you were saying really well

but you very much did not

there are so many conversations you have with him that are cut short because he doesn't know how to respond

"hon... look at me... what?" "huh?" "did you hear a word you just said?" "wait... what did i say?"

roxie richter:

she thinks it's cute!!!

most of the time

other times, she's genuinely concerned for your sanity

"so... whatcha wanna eat?" "babe, im a lesbian" "...what?" "what do you mean what?" "i know... you're a lesbian... i was asking about the food..." "OH"

you cannot hear apparently

she thinks it's funny whenever you do that thing where you hear her but you don't process what she said so you go "what" and then you cut her off when she tries to explain cuz you finally have an answer

she thinks it's HILARIOUS

kyle katayanagi:

he thinks it's hysterical

like you know this motherfucker is the ultimate tease

you don't know the answer to a question? you say something that sounds dumber than you intended it to?

you know damn well he's getting on your case about it

and honestly he loves it

he knows he's smart but he's fascinated by your sheer stupidity

he doesn't mind explaining things to you either

but you aren't getting out of an explanation without him calling you, and i mean this in the most affectionate way possible, a dumbass

ken katayanagi:

he's ALSO very fascinated with the fact that none of your millions of brain cells work

even when it comes to what he thinks is a simple concept, it takes a lot of explaining for you to understand

this is explaining that he doesn't mind doing

maybe his knowledge is just a little TOO advanced

he can never tell if he's the one whose too smart or if it's just your natural dumbness

it confuses him

he's enamored

literally say one dumbass thing around him and he's gonna have you pinned to a wall in the most intense makeout session of your life

gideon graves:

listen... gideon isn't as much of a douche as everyone makes him out to be

he thinks you being dumb is adorable

something about his weird thing for control and how he loves to explain things to you

he doesn't wanna control in a toxic way, let me just get that out there

he just loves how you never seem to know what's going on

god he loves it HE LOVES IT

[sir-davey]

King Saul’s evil spirit, also known as the Ruach Ra’ah

I want to show some of the characters from my Saul retelling, The Book of Saul, and one of the major ones that take part of Saul’s life is Ze’ev, who is King Saul’s evil spirit but personified as a spirit always taking the form of a wolf in Saul’s visions.

I have yet to properly introduce him, but I will now lol.

I draw him frequently with Saul and I have a lot planned for him. He’s his own character instead of simply being the vaguely mentioned evil spirit that attacks Saul in the Bible lol. In the story, there’s some heavy lore that Ze’ev carries, and when he first actively interacts with Saul (right after being rejected as king), he becomes Saul’s conscience, and a guide, as he twists truths for his own benefit and amusement.

To summarize Ze’ev’s character, Ze’ev can be interpreted in many ways. He is basically the essence of Saul’s subconscious containing his deepest fears and regrets. Saul’s mentality will be reflected on Ze’ev who guides Saul, seeking truths he desperately yearns for, through 7 seven visions. No matter how hard Saul tries, he cannot escape the spirit always appearing before him. And also, those 7 visions are basically Saul’s hell with different truths revealed to him. Ze’ev finds so much joy in watching him suffer, yet he is able to have Saul always running back to him for help. Ze’ev knows very well that Saul has absolutely no one to turn to as he takes advantage of his helplessness.

As for Ze’ev’s appearance, he is usually a wolf, and there are two reasons why Ze’ev appears as a wolf. One being the tribe symbol for Benjamin, the tribe Saul’s from, which is represented with a wolf, and in the past I had called Ze’ev the “Wolf of Benjamin”, but I ended up changing his name lol. But the second reason resonates with Saul more deeply, where in the story, Saul is terrified of wolves due to traumatic experiences with them, and it comes off basically as a phobia Saul has (I believe the phobia for wolves is called “lupophobia”, that’s what Saul would have oof). But ironically, Saul is from Benjamin, and he’d be surrounded by wolf symbols as a benjaminite king ruling the place. And plus, Ze’ev is almost always a wolf, and if you recall what I’ve said, Ze’ev is the essence of Saul’s mind made up of his darkest fears and regrets while appearing in Saul’s visions.

I could literally go on and on about the evil spirit Ze’ev, but I would be crossing spoiler territory if I do loll.

But some small things about him: Ze’ev shapeshifts a lot, and his form is always moving in place. And he has a HUGE tail that constantly flows.

But lastly, this one means a lot to me lmaoo, but hear me out on this. When it comes to Ze’ev’s voice, I usually either have him speak with both a male and a female voice that intermingles at the same time (for reference, it’s just like Satan’s voice from that creepy Mark Twain clay animation movie. Look it up if you’re curious lol). Or, Ze’ev speaks as a distorted version of Saul’s voice.

Butttt, I can’t help but headcanon his voice as Will Wood when it comes to visualizing him in my head. Ze’ev sings as well (he sometimes sings to lure Saul), and whenever he sings, all I can hear is Will Wood. Ack, Will Wood!!! 🔥 And I know I’m being biased because I LOVE Will Wood (pls if you’re a Will Wood fan you gotta let me know 😭). But outside of the book, I imagine Ze’ev’s voice as Will Wood’s lolllll.

I already have a bunch of Saul and Ze’ev animatics planned, but if I do make an animatic/animation with Ze’ev, it’s going to be a Will Wood song.

[55sturn]

✮ CRYING ON SATURDAY NIGHT

pairing: psycho!matt sturniolo x fem!reader [ implied/past tense ]

synopsis: in which matt has always leaned towards all things horrifying and brutal his entire life, his very obvious issues coming out in the form of a deeply disturbing interest in gore, murder, death. he’s always known that he needs help but he’s also always been capable of keeping his instincts under control, until that fateful saturday night.

warnings: angst, blood, gore, death, guns, fire, slightly descriptive murder, swearing. literally nothing happy.

THIRD PERSON POV

everyone knows that there are three extremely distinct signs of something evil, dark, and severely fucked up manifesting in someone. and they primarily show during one’s childhood.

the signs are bed-wetting, cruelty towards animals, and some sort of obsession with either fire or something that can seriously harm, maim, or even kill someone.

and for matt, he never showed those three specific signs, but he did show a heavy and deeply twisted interest in horror, gore, death, and murder from a young age. he loved watching horror movies from as young as six. he would grow giddy as the fake blood spewed across the screen, he would even laugh as the victims in the movies died gruesome deaths.

his traits manifested in the sign of extreme intelligence despite struggling horribly in school, a strong lack of remorse and empathy, no genuine emotional connection to anyone or thing, extreme poorly regulated anger, narcissistic behaviour, and ease when it came to manipulation paired with an unbelievable level of charm.

he was never harmed or abused as a kid, in fact he grew up in an extremely stable and loving family, so when his parents started noticing how…different, matt appeared compared to other children his age, especially his brothers, they were concerned. at first they thought it was a phase, him trying to be like the effortlessly cool guys he saw in the movies he loved, until he “accidentally” set his family home on fire one day while playing with matches.

he was striking the matches, letting them burn out until they were nothing but nubs before tossing them to the floor, and chris had walked into the room, ignoring matt’s actions until he got nervous, and then chris proceeded to yell for matt to stop and that just egged matt on, so instead of listening, he took a handful of matches, struck them, and threw them in the recycling bin full of cardboard boxes and newspapers before holding chris in his arms, preventing his brother from ratting on him. matt forced chris to watch as the flames grew to a increasingly dangerous height, his eyes glistening at the sight of his creation, before letting chris run to warn their parents.

from that moment on, matt’s parents were deeply worried and took matt to therapy, in hopes that it’d help, and it did, until the one saturday night that ruined everything.

THERE’S FIFTY-TWO WAYS TO MURDER ANYONE, ONE AND TWO ARE THE SAME BUT THEY BOTH WORK AS WELL.

matt mulled over every way he’s seen someone kill another person in the movies in his head, trying to figure out what the fuck to do with the unconscious douchebag in the trunk of his car. he knew about fifty-two ways to kill someone total.

if he had taken his meds this morning, he wouldn’t have hunted the guy that you went on a with down, he wouldn’t have picked the lock and snuck into the stupid asshole’s closest, holding a police grade flashlight in his hand, the weight of the metal cylinder heavy beneath fingers, waiting until tyler opened the door to clock him over the head with it.

but he had no time to dwell over what he didn’t do, and instead he drove to his family’s cape cod house, the first two ways that popped into his head were suffocation and strangulation, but considering tyler’s build, it’d take far too long. he took a moment to breathe as he reached over and popped open the glove box, finding a box of matches sitting atop the insurance papers and the glock that he bought as soon as he turned eighteen, and an idea came to him.

as he pulled into the driveway of the family lake-house, he pocketed the matches and tucked the gun into his waistband before popping open the trunk and dragging tyler over to the fire pit, throwing his body in the middle of it before grabbing the rope from his trunk, quickly binding the guy’s arms and legs together. as he waited for him to wake up, he texted you, telling you to come to the cape house, stating it was an emergency.

when tyler woke up again, he was quick to knock him out again, planning to lead you in through the front of the house. but when your car pulled up, matt wasn’t sure what to do because you were quick to climb out and run over to him, your body trembling as you realized what matt had done.

I KNOW WHEN YOU’RE HOME, I WAS THINKING ABOUT YOU // YOU GO VICIOUSLY, QUIETLY AWAY.

your hand shook as you covered your mouth, you couldn’t fathom what you were seeing. you knew matt had some issues, and that he had a few dark fantasies but you never thought that matt, the quiet, seemingly gentle boy from your history class, was capable of murder. there was no way that your best friend, your matt, was capable of something so gruesome but he was.

“what the fuck is wrong with you matt?” you scream, unable to move your feet, feeling anchored to the spot you stood in.

“listen i didn’t want to do this, but seeing you with him set me off. i wanted to drop by your house and surprise you because i was thinking about you and i know when you’re home, but you weren’t home. so i checked your location. and then i drove by and saw you with him.” matt spits, his mind racing as he tried to reason with you.

“so what? did you ambush him in the fucking parking lot?”

“no. i tracked him down and whacked him with a flashlight and drove him here before calling you. it wasn’t hard to track him down considering how well known his family is.” matt scoffs, rolling his eyes as if that was the most obvious answer.

“you’re sick. did you call me here so you could kill me too?” you seethe, growing angry with matt’s audacity and terrified of how dangerous matt truly was.

“no. i called you here to prove that i’m doing this for you. for us. without tyler, there’s nothing standing in our way and we’ll be able to finally be together.” matt hums, his demeanour eerily calm as he flicks a handful of matches, throwing them on to tyler’s now dead and gasoline soaked body, matt had underestimated how hard the last whack to tyler’s head was before dumping a can of gasoline on him.

your sobs echoed in matt’s head as the flames grew, once again finding himself entranced by the way he could cause such a beautiful thing.

“you’re fucked in the head! i could never love someone like you!” you scream, watching as matt laughs at your comment before turning around and walking over you to, taking you face in his hands, you wanted to rip yourself away from him, to push him off of you, but you stood frozen in fear as matt looks at you.

“you don’t mean that, sweetheart.” matt whispers, pressing a quick kiss to your lips, bringing you back to reality as you shove him away.

“don’t touch me you sick bastard! i will never love a demented monster like you. you should’ve been locked up from birth or even worse, i wish you died in the fire you started as a kid.” you screech, watching as matt’s jaw clenches, his hand slipping beneath his sweater, your heart pounding as you see the gun sitting in his hand, realizing it’s now aimed at you.

“take it back you bitch. say you don’t mean it and i can spare you and we can run away and live together and fall in love.” matt whispers, his voice cracking as your words cut him deep, all he wanted was for you, for someone, to actually love him, but the things you were saying were making him think you couldn’t and if he couldn’t have you, no one else will.

“no. i don’t want to love someone as severely fucked as -“ your words were cut off as a gunshot rang through the air, and you could hear your heart pounding in your ears, and suddenly you felt something warm dripping down the front of your body. you went to wipe it away but in the gleam of the fire you see the thick, dark liquid coating your fingers, as you slowly fall to your knees.

matt had shot you in the chest.

“no no no. fuck!” matt mumbles as he pulls you into his lap, his hands trembling as he brushes your hair back, the blood in your mouth gurgling as you struggle to breath. the blood pools in your mouth causing you to cough and spit up a mouthful of blood.

“i’m so sorry sweetheart.” he whispers, tears falling down his face as he feels a strong sense of guilt for the the first time in his life, scared of what was going to happen.

“if you’re really sorry-“ you start, pausing to spit out more blood,

“you’ll turn yourself in.”

matt sobs against your shoulder, holding you tight to him as your body grows colder by the second, your breathing growing ragged and short, the time between each breath growing longer than the last. matt holds you for a long time after your last breath, softly brushing his fingers through your hair, whimpering as it grows matted with blood.

BUT THE BACKSEAT OF THE DRIVE-IN IS SO LONELY WITHOUT YOU // THERE WAS SOMETHING I FORGOT TO SAY, I WAS CRYING ON SATURDAY NIGHT, I WAS OUT CRUISING WITHOUT YOU, THERE WERE PLAYING OUR SONG.

as matt drove back to the city, his head filled with everything he forgot to tell you before you died in his arms. he had taken what you said in your past moments seriously, deciding that if he wants to genuinely make peace with himself and what he had done, he needed to confess to his crimes.

but a song on the radio caught his attention, BRIGHTSIDE by the lumineers, which was coincidentally yours and matt’s song. and subconsciously, he headed toward your favourite place. the drive-in theatre just outside of the city.

as he parked in the back row of the drive-in, he climbed into the backseat, listening to the rest of the song play as he sobbed against his hands. he knew what he had done, and there was no way to undo what he had done, so as the song finished, he climbed back behind the wheel and drove toward the police station.

AND THE COPS WONT LISTEN ALL NIGHT, AND MAYBE I’LL BE OVER JUST AS SOON AS I FILL THEM ALL IN.

as matt sat in the interrogation room, he mulled over what he could do if they set him free while the cops investigated. he figured he could possibly stop by your house, and sit in your room and smoke a cigarette, like you two used to do in highschool, one last time.

or maybe he could find a way to end his life, so he could see you one last time and hug you again, and apologize for how irrationally he acted.

but the one thing he did know was that he was coming clean for you, honouring your last words.

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