#and occasionally remember to post them here

[combefier]

the thing that really gets me about how bad the writing for rook in particular is is that it would take so little effort to make it better. and it would probably make the writers' jobs a lot more interesting, too. you should be able to piss off your companions. in every other dragon age, you can piss off your companions. you can piss them off so badly that they try to kill you. if you just sort of fail to impress people one way or another in da2, you can end up having to fight your best friends to the death, or have one of them peace out after prompting an invasion of your city. the ability to have conflict with your companions wasn't always handled WELL (trying to talk to cullen about mage rights in dai comes to mind, as does trying to talk to dorian about slavery beyond the one conversation), but the option was there. it seems like the only way you can piss off your companions here is by making tactical disagreements they don't like. there's no room to have a personality some of your companions find off-putting, even though there are multiple points where your companions are put off by one another. purple hawke we're so not back. and the reason can't be "well you had to be someone varric would choose," because varric's best friend was hawke and there can be very many different kinds of hawke.

you're given a fascinating backstory and it will not come up beyond occasional comments relevant to your faction. mourn watch rook why does your backstory almost never come up i would tell people that story all the time. it's like dming for a player who came up with the most rich backstory you've ever seen and then watching them ignore it every time you dangle plot hooks in front of them. bioware do you remember what you wrote. bioware u good???? the sanitization of various factions aside because that's its whole own post, it would be so easy to give a dialogue here and there where rook could show more of what sort of rook they are by letting them reflect on their backstory. it would be so easy to write aggressive answers that are actually aggressive.

i've spent enough time in editing that i've just been trying to figure out if there's any possible motivation beyond a lack of investment in their own story, or a shocking paucity of good editors in their work environment. is it because the way they designed the game necessitates that everyone be there at the end? but you can still fuck up the ending by making the wrong choices there, à la me2, and you were allowed to piss people off in me2. if you can get people killed at the end anyway, why not let the choices you made and the responses you chose matter beyond "did you do enough sidequests?"

at a certain point, it's just confusing. they know how to do this, even if they don't always do it well. the lack of any real room for agency or personality or conflict is just... odd. this is also leaving aside how easy it would have been to incorporate SOME past choices from past games per their previous work. bioware i just want to talk

[say-hwaet]

That's The Way it Is

Chapter One Chapter Two Chapter Three: Secrets Kept Summary: Arthur takes you to Horseshoe Overlook, where your supposed family for the last fifteen years has been. Who are these people? And what will you learn about yourself along the way? Warnings: Mature themes, mild language, interrupted cursing Word Count: ~8,400 words Author's note: This is an Arthur Morgan x You story, but I do have some character design/creative license. I wanted to experiment with the element of pretending to be someone else, so the MC does have a given name and character descriptions. Just wanted to give you a heads-up in case it doesn't fit your vibe. I hope you'll decide to give it a chance anyway!

You wish you had a paper and pencil. So many names, though slow and steady they come, and your head hurts too much to keep track of them all.

Arthur has gone down the list. John. Hosea. Dutch. Susan. Pearson. Strauss. Javier. Bill. Abigail. Jack. Uncle. Mary Beth. Tilly. Jenny. Mac. Davey. Charles. Karen. Sean. Molly. Micah. He gave his perspective on how you met them, how they've treated you, and their role in the gang.

You try to hang on to each name, each story Arthur spins, a thread you’re desperate to weave into the fabric of your lost memories. But it's overwhelming, like drinking from a firehose, and you feel the familiar ache behind your eyes intensify with every new piece of information.

"Slow down," you plead as you hold onto him. The scenery passes by you at a steady pace, but with the tender knot building on the side of your head, it’s almost dizzying. “I can’t remember them all.”

“Sorry,” Arthur replies. “I got carried away.”

You find yourself clutching tighter to his jacket. “I don’t know if I can do this.”

“You can, Kit,” Arthur’s voice softens as he reassures you. “We’ve got time.” His gloved hand gently pats your hand. His touch is comforting, familiar in a way you can't yet understand but makes you feel safer nonetheless. “We’ll take it slow,” he continues, “If people start crowdin’ ya, I’ll be there to ensure they back off.”

You manage a smile. “Somehow, I don’t doubt that.”

The rest of the ride is quieter, your head resting against his back as the landscape shifts around you. The endless stretch of dusty roads, framed by the occasional group of trees, seems to mirror your fragmented memories — vast and somewhat desolate. You close your eyes and try to focus on the warmth Arthur provides, the color under your eyelids changing as shadows cast down on you over the trees.

And soon, you leave the train tracks and enter through some trees, going down a soft slope.

And suddenly, you hear a voice, quickly recognizing it as the drunken cackle you heard during the fight in Valentine. “Who goes there!”

And Arthur answers back. “It’s me! Arthur!”

You open your eyes, but try to remain hidden behind Arthur’s back. You’re here.

“Welcome back!” the man replies, almost cheerful. And you hear his voice draw closer as Arthur continues to ride.

It is then that the man sees you. “Ho-ly sh—!”

“Shut up, Bill, you want the Pinkertons to hear us?!”

Drunken Cackle, now identified as Bill, fits how Arthur described him. Brutish, boarish, with a thick beard, leather duster, and plaid shirt. He looks like he had just rolled in some mud, and you wouldn’t want to be in his sights if he wants to fight. He quickly runs back into camp, rifle held tightly in his hands. “Hey! It’s Kit! Arthur has Kit…!”

Here it comes.

“I can’t tell if he’s happy or not,” you say under your breath.

Arthur clearly heard you, for his warm laugh rumbles his body beneath your cheek.

"Either way, we'll handle it," he assures, his voice a low murmur as he steers the horse smoothly into the heart of the camp.

As you enter the camp, a wave of curious and astonished faces turn toward you. Some of them you recognize from Arthur's descriptions—like raggedy-faced Uncle with his sluggish posture.

“Oh! It is Kit!”

“Kitka’s alive!”

Arthur pulls Montana up by a hitching post and dismounts first. Tying him off, Arthur approaches you and lifts his arms. You accept his gesture and placing your hands on his firm shoulders, he helps you down.

You remain close to him, as he wraps a protective arm around you and escorts you further into the camp.

You see several tents pitched, and a couple of lean-tos. There is also a large chuck wagon and a cauldron over a fire, cooking some kind of stew.

These aren’t the wagons and tents that were in your memory. Maybe Arthur was right. A different time, when you were younger.

You look at all their faces, most smiles and bright eyes as they begin to gather around.

One woman steps forward, her graying hair styled atop her head. "Well, if it ain't a ghost," she says, her voice surprisingly tender. "Welcome home, Kitka."

You try to place her, but struggle. So many names and descriptions to sort through, and your brow pinches.

The woman, seeing the vacancy in your eyes, looks at you with worry. “What’s wrong, girl?”

You feel Arthur pull you closer to him, and while this would normally concern you, you prefer it in the midst of this confusing sea of faces. "Nothing's wrong, Miss Grimshaw," Arthur answers for you, his voice steady but filled with an undercurrent of concern only perceptible to you. “She just…don’t remember us. She got shot really bad and, erm…forgot everything up until Blackwater.”

Susan. This is Susan.

The woman’s eyes widen and she looks at Arthur with concern. “What? How the hell does she forget us?”

A woman, full-figured and blonde, scoffs at the old woman. “Can’t you just be happy she’s alive? For all we knew, she was dead!”

Susan scowls at her. “You watch your tone there, missy…! I missed her just as much as you did, if not more so! I’ve known her since she was a girl!”

Another woman, honey-blonde and slender, comes between them. “Let’s not fight, please!” She turns to you, offering a soft smile that twinkles with empathy as she steps forward. “Kit, I’m Mary Beth, it’s really good to see you standin’ here.”

Mary Beth, a kind soul, as Arthur described her. It was clear by the way he spoke that you and her had a deep friendship. And by the way she takes your hands, there is a true fondness that she has for you. No ill will or misgivings. Maybe someone you can trust.

“You were my friend,” you say, trying to will a memory into your conscious mind.

Her eyes brighten at your words and she squeezes your hands. “Yes, we often shared stories we’ve written. You were teaching me some Czech phrases.”

You remember some words that were spoken to you in your memories with that tongue. You hope that you will learn to speak it again.

Arthur's hand tightens around your shoulder, grounding you as your mind whirls with the fragments of the life you once lived. The words Mary Beth mentions stir something faint within you—a distant echo of laughter and whispered secrets under starlit skies. "Maybe," you venture, hope threading through your tone, "we could try that again.”

Mary Beth nods, and gently backs away.

Another woman, young with dark hair in a tight bun, holds the hand of a little boy.

You smile, deducing who they are. “Abigail and Jack…”

The little boy, with a twinkle in his eyes, beams at the mention of his name. “Aunt Kit!” And breaking free of his mother’s grip, he rushes to you and hugs you at the legs. “I missed you…!”

“Oh!” you gasp, more so at the name rather than his gesture. You look at Arthur. “Am I…?”

He shakes his head. “It’s…kinda hard to explain.” Arthur’s eyes are filled with that old, familiar pain—the unspoken torment of truths too tangled to unweave in a moment. Abigail steps forward, her expression soft and understanding, as she gently retrieves Jack, allowing him back into the safety of her arms.

“Sorry,” she says. “He’s just excited.”

You look at her apologetically, imagining the restraint she must feel to know you and not react similarly to how the boy had. “Don’t be,” you say.

And suddenly, come in a flock of questions, by voices you can’t yet identify.

“Where have you been all this time?”

“Did the Pinkertons get you?”

“Have you seen Mac? or Sean?”

“We thought Arthur was crazy!”

“Hey, hey!” Arthur barks. “Didn’t you hear a damned thing I said? She don’t remember!”

“And that includes you, don’t it, Cowpoke?”

There is a hush over the flock of voices as they turn to look at the one who just posed the silencing question. Your eyes fall on a man. Blonde, with a long mustache, white hat, and pot belly. He’s leaning against the table in front of the chuckwagon, eyeing the sharpness of his knife.

The feeling he gives you is evidence enough. Micah Bell.

Arthur remains still, his eyes narrowing. “Just say it, Micah.”

Micah laughs, a slick, demeaning laugh, as though he has all the cards in his hand. “Must be real hard, watching your plans fall apart, Morgan. The woman you love wandering back from the grave with no memory of any of us, especially you.”

The tension could be cut with a knife. Arthur’s jaw tightens, his fists clench at his sides. You feel an inexplicable urge to defuse the situation, yet you are more curious than anything. Love? What does he mean by that?

“I don’t know what’cher talkin’ about, Micah.”

Micah lifts his chin, like he isn’t worried about having his neck slit. “Oh, I think you do. You really thought you could keep that under wraps? All that sneakin’ off and…whisperin’…you were plannin’ to leave us, weren’t you, Morgan?” And he points the blade of his knife at you. “With that…circus whore.” And he cackles. “Must be real good…all flexible under them sheets.”

And the next thing that happens is a blur. Arthur leaves your side, a blur of brown, black, and green, as he body slams into Micah.

Fists fly, a dance of anger and old grudges, playing out under the heavy gaze of the setting sun. Dust swirls around them as your heartbeat echoes the rhythmic thumping of boots against the dry ground. You stand frozen, watching as each punch from Arthur seems to carry a year's worth of suppressed fury as he lands punch after punch at Micah’s face.

There are several cries from the women and you watch as Charles and John try to break them up.

Arthur roars with a rage that sends goosebumps up your spine. “I’LL KILL YOU, YOU SONOFA—!!!”

“ENOUGH…!!!”

The command rings loud enough for Arthur to pause for a second, just long enough for Charles to pull him off of Micah. Arthur doesn’t resist, but the fire in his eyes does not leave.

You feel gentle hands on you, and you whip your head to see Mary Beth on your left, and another girl, Tilly, on your right. They try to escort you away, but you remain planted, your only concern being for Arthur.

And that is when someone steps out of the largest tent. Tall, imposing, with dark hair and a dark vest with a gold chain. Rings on many fingers.

Dutch. It is Dutch Van Der Linde.

He doesn’t look in your direction, immediately walking over to the restrained Arthur and downed Micah. “What the hell are you doing, Arthur?!” he roars. “Is this what we do now? Start fights? Nearly beat our own men to death?!”

“Micah started it, Dutch!” A young man says. “He was saying things about Kit!”

Your name seems to do something to Dutch, as his eyes widen and his body tenses. “….Who, Lenny…?”

Lenny nods and points at you. “Kit! She’s back! She’s alive!”

“Didn’t you hear the commotion, Dutch?” Susan asks, almost perplexed that he didn’t hear it.

Dutch turns, his gaze finally landing on you. For a moment, the world seems to hold its breath. His eyes remain intense, a mix of disbelief and confusion washing over him. "Kit?" he murmurs, his voice barely audible over the murmur of the crowd.

You nod, feeling a tightness in your chest. This is the man you wanted to see. He was on that boat. He may know what happened to you. He was there. “Yes, Dutch. It is me.”

And suddenly, there is a shift in his demeanor. His body relaxes, and he opens his arms. “My child, you’ve come home…!”

Arthur looks on, confused, and Charles lets him go. He remains still and watches Dutch carefully as the leader approaches you.

Unsure what to do, you make your way over to him and accept his embrace as he holds you tightly. “We thought you were dead!”

“It is a miracle I am alive, Dutch.” You come away from his embrace and look him in the eyes. “I’ve been in Blackwater all this time.”

“Really?” Dutch asks inquisitively, his eyes reflecting a sudden interest. “And how did you find your way here?”

You look over at the still-seething gunslinger. “Arthur found me.”

Dutch's grin widens as he turns to face Arthur. “So, he did.” He turns back to you and places a firm hand on your shoulder. “Too bad Hosea had gone off to Emerald Ranch for a score, he’d love to be here while we celebrate!”

“But what about Micah?” Bill interjects, breaking the jovial atmosphere. “You still have that fight to deal with.”

Dutch's smile fades as he narrows his eyes. “I’ll deal with that, Bill,” he says in a low voice filled with determination. He looks back at everyone else gathered around him. “But for now, we’re going to have ourselves a party!”

There is a collective cheer and people begin gathering around you, their faces a mix of curiosity and joy. The sense of community, something you've been missing for so long, wraps around you like a warm blanket.

“We’ve missed gossipin’ with you, Kit!” Karen says, a laugh bubbling out of her lips. “We got so much more good stuff over the last month or so.”

Tilly, still holding your arm, escorts you to a place to sit down. It is a large log, lying in front of a small fire. Mary Beth and Karen sit close by, giggling like school girls.

Music starts somewhere in the distance and looking over, you see Javier playing a guitar, and he comes over to you. “Mind if I join you, ladies?”

Tilly giggles and that seems to be permission enough.

Javier settles down on the ground near the fire, his fingers already caressing the strings of the guitar, pulling a melodic tune into the air that gently swirls around the growing firelight. The song is a soft, happy thing that somehow carries a thread of love through its core.

But the soft moment is quickly ended when Uncle comes lopping over. “Play a good one! One I can actually sing to…!”

Javier rolls his eyes moaning, “Ay, way to ruin a moment, amigo!”

Uncle doesn’t seem to care, waving his bottle of beer in the air. “This is a party, not a soiree!”

“Dios Mio, fine! What do you want to sing?”

“Ring Dang Doo!” he cackles and by the reaction of the girls, it is clear that it is very undesirable.

Amidst the groans and laughter, Javier strums a few hesitant chords, his expression a blend of amusement and resignation. “Alright, Uncle, just for you,” he mutters, and the first notes of “Ring Dang Doo” echo into the night, bringing with it a raucous cheer from some of the other men who are in the vicinity.

The words are rather distasteful and you are relieved that you don’t know the song at all. As the laughter rises and falls around the flickering flames, your mind drifts, tugged by the playful mockery in Uncle's voice and the indulgent frustration in Javier's strumming. It’s moments like these that sharpen the edges of what you've lost—memories that feel just beyond your grasp, lingering like shadows at the fringes of the firelight. You feel a pang in your chest, a dull ache, as if your heart knows what your mind cannot remember.

The stars above twinkle with an indifference that feels almost cruel in its beauty, the vastness reminding you of everything that is missing. As the song ends and the laughter dies down, you find yourself wishing for a melody that could carry you back through the years to the moments that are now just ghosts in your mind.

Then, as if summoned by your longing, Javier switches tunes again, this time to something slower, more melancholic. The notes are deep, resonating with the unspoken sorrows.

And Karen, bobbing her head softly, begins to sing the tune.

I ain't got no father

I ain’t got no father

I ain't got no father

To buy the clothes I wear

And Pearson, the gang’s cook, joins her.

I'm a poor, lonesome, cowboy

Poor, lonesome, cowboy

I’m a poor, lonesome, cowboy

A long way from home

You swallow hard, the lump in your throat growing as the words seem to amplify your own sense of displacement. How aptly they resonate with the tide of confusion that has been your companion since waking up in this unfamiliar life. The song, meant for others' longing, mirrors your fragmented memories, flickering like the campfire before you.

And you look at these faces, faces you should know, and you realize that one of the most important is missing.

Arthur. Where is he?

You sit up straight, looking around, but you don’t see him at the table, or by the chuck wagon. You slowly rise to your feet and begin to leave the group.

“Hey!” you hear Uncle call. “Where you goin’?”

You don’t care to answer, as the music and light fade away from you as you leave. You walk back toward Montana, he’s still here. Arthur must be—

“...And I need you with me on this, son. You and Micah need to get along.”

You freeze. You have just started walking by Dutch’s tent, and no doubt he doesn’t expect you to be listening.

And you hear Arthur, speaking with great agitation. “You know how I feel about him, Dutch—”

“You went and got him out of that jail, and I am thankful, but now is not the time for grudges. Kit is back now, but I can’t have any distractions.”

“She ain’t a distraction, Dutch, but—”

“But what?”

“You—you said she drowned, Dutch.” And there is a sudden silence. “Why did you tell me she fell off the boat and drowned?”

Drowned? He thought you drowned? Can you swim? You don’t know, you can’t remember, but you’d think by living in California, playing in tide pools, you would have such a skill.

Dutch stammers and you can hear the growing frustration in his voice. “Well—well—a lot happened that day, son! Some did fall off that boat, and I didn’t see her after that! Was I to go into that water lookin’?”

“Well, no, but—”

“But nothing! She’s here now…” And then Dutch’s voice lowers, bordering threatening. “…and if what Micah said is true about you—”

“It—It ain’t true! I weren’t gonna leave, and she and I—” He stops mid-sentence and sighs deeply. “I said I have your back, Dutch. Always will.”

There is another pause and Dutch speaks with a deep satisfaction. “Good. Now go and join the party. I’ll make sure Micah lives to fight another day.”

You hear heavy footfalls draw near you, and you take a few steps back until they stop again.

“Just for the record, Dutch, I don’t regret punchin’ him.”

And Dutch replies with a great agitation, exhaling deeply. “Just go.”

You motion to hide, and you do just in time to see Arthur head off not toward the party, but into the trees. You are tempted to follow, but you can’t risk Dutch seeing you. So, you decide to return to the party. It’s best you find Susan to find out where you will be sleeping.

As you weave your way back toward the lively sounds and flickering lights of the party, your mind replays the troubling conversation. Why did Dutch say you drowned? And why would Micah say that he was planning to leave? With you? The uncertainty muddles your thoughts, mixing with things you know and what you are trying to remember.

Micah said Arthur loves you and that he tried to keep it a secret. Is it true? Or, more importantly, do you want it to be true?

You don't have a solid answer, and the gnawing uncertainty fuels a dull ache in your chest. As you approach the periphery of the gathering, laughter bubbles over from the crowd, mixing with the clink of beer bottles and the strumming of a guitar. It seems alien, almost surreal, given the storm brewing within your own mind. The warm, yellow light from the lanterns dances across the faces of the revelers, casting long shadows that sway with the music. You feel detached, an observer of their joy rather than a partaker.

Susan finally comes into view, and as she turns her head to the rhythm of the song, her eyes catch you.

You smile and approach her. “I am getting tired. Where can I sleep?”

She clicks her tongue and rises to her feet. “Say no more, girl.” And she begins to lead you away from the gathering. “Come with me.”

As you follow Susan through the throng of dancers and revelers, the smell of tobacco and whiskey mingles with the evening air, heavy with the scent of pine and earth. The sounds of the party fade as you walk further away, replaced by the soft crunching of leaves underfoot.

Susan leads you to a lean-to with other bed rolls lying there. “This is where you’ll be until we can get you a separate tent. Mary Beth and Tilly also sleep here.”

You look at her, with saddened eyes. “I left none of my things here?”

Her eyes soften and she shakes her head as she explains. “When everything had gone to hell, we didn’t have much time to pack. We took what we could, and when we thought you had died…” She shrugs her shoulders. “It didn’t make much sense to grab those things.” She rests a hand on your shoulder. “I’m sorry, hon.”

You nod. It makes sense. You can’t begrudge them for fleeing for their lives. As far as they knew, you were dead. Why would they bring a dead person’s things when they needed the bare essentials first?

Susan bids you goodnight, and calmly walks away. Alone for the first time this evening, you go to your knees and take hold of one of the blankets. Wrapping yourself in it, you bury your nose in the wool, taking in a deep breath through your nose.

It doesn’t smell like tobacco, leather, and pine, and you can’t help but feel greatly disappointed.

You curl up under the blanket, your mind swimming with fragmented memories and fleeting emotions. The night air is chillier than expected, seeping through the gaps in the lean-to. Stars peek through the slits above, a stark reminder of how small your problems seem under the vast, indifferent sky.

Despite the comforting warmth of the blanket, you shiver, the cold seeping into your bones as if chasing the warmth of the memories you strain to recall. Somewhere deep within, a flicker of familiarity stirs each time you close your eyes—visions of firelight dancing on a rugged face, laughter mingling with the crackle of burning logs, and the solitude of just two bodies being intertwined together.

Who? Is this you? What memory is this? Your head starts to hurt, but you try to push through it, follow it, will it to make itself clear to you.

Yet, as vivid as these flitting images are, they dissolve into the crisp night air before you can grasp their meaning. A frustration builds within you—a yearning to remember, to understand who you were before the world turned its back on you. The shadows of the past loom larger in the darkness, your heart beating in sync with the slow, methodical drip of a leak somewhere outside your temporary refuge. Each drop sounds like a clock, each tick marking a moment lost to the fog of your forgotten life.

***

It’s morning and you find yourself the first to rise. Sitting up you see the sleeping form of Mary Beth next to you, eyes closed and peaceful. You wonder when everyone has turned in for the night, and can only imagine that it will be a while before they join you. 

You carefully rise, pulling the blanket away from you as silently as you can. Finding your footing, you rise to your feet, and coming out of the lean-to, you stretch out your arms and arch your back. 

You feel muscles relaxing, tempting you to bend backward farther than would seem natural.

…all flexible under them sheets…

Micah’s voice rings in your ear, and you quickly straighten, feeling uneasy and disturbed by his suggestive language. 

You move quickly as your mind goes to what happened. The look on Arthur’s face, like a protective wild animal, as he showed no restraint in beating Micah’s face in. You haven’t seen Micah since, and you didn’t hear where he was taken to recover from the ordeal, or how bad the damage was. You’re curious, the temptation to explore and find out for yourself pricks at you, but you decide against it. 

You walk deeper into the camp, sneaking by sleeping figures and passing the chuck wagon and the table, which has poker cards scattered all over its surface. 

As you continue, a soft, glowing light gathers your attention, and following it, it leads you to the edge of the overlook. You see the rising sun, the glowing orb rising into the sky as it paints pastel colors behind it. 

And you see Arthur sitting on the edge. 

A soft “oh” escapes your lips, loud enough for him to notice and look over his shoulder. “I’m sorry,” you say. “I didn’t know anyone else was awake.”

His eyes meet yours and you feel a small wave of relief wash over you. His gaze is warm, and it's almost as if he understands your unspoken struggle. "I've always been an early riser," he says with a gentle smile.

"Even after the party last night?" you tease, trying to break the tension.

He looks away for a moment before meeting your gaze again. "I didn't..." He trails off, looking pensive. "It's not that I didn't want to celebrate," he explains. "I just...”

“I understand,” you say softly, sensing the tension emanating from him. “It was a long day for both of us. It must not have been easy to see me and find that I didn’t remember you.” You see him tense up even more at this and you recoil slightly, giving him space. “About Micah…”

“Don’t worry about that,” he interrupts.

You blink in surprise. “Why? He may be slicker than an oil slick, but his words clearly affected you.” You take a cautious step closer. “What he said was either a pointed deception…” your voice trails off as you nervously swallow. “Or it could be the truth.” As you study the back of his form, the sound of birdsong fills the air and the leaves rustle gently in the breeze. “Which one is it, Arthur?” You wait anxiously for his response, searching for any clue in his stoic posture.

A heavy silence hangs in the air, broken only by the sound of your own breathing. You stand there, rooted to the spot, as each second ticks by with agonizing slowness. Your heart pounds against your ribcage, almost audible in its frantic rhythm. A million thoughts race through your mind, but you push them away, focusing on the one burning question: What is the truth?

You try to keep your voice steady as you ask again, "What would you rather have it be?" Your words hang in the air, filled with uncertainty and hope. If it’s a lie, then everything stays the same. You have friends who know you and a plan to stay with them until things calm down after the events in Blackwater.

But if it is the truth...

Then the man in front of you is keeping something from you. Something between you two, something that happened. 

Arthur scooting away from the ledge, rises to his feet. After a moment he turns around to face you and you eagerly search his eyes for an answer. He takes calm steps toward you and offers his hand. “Come with me.”

What? No, you don’t want him to change the subject. “Arthur…”

“C’mon, I forgot to introduce you to someone.”

You feel miffed but he’s piqued your curiosity once again. And the temptation to hold his hand is greater than you thought it would be. 

And just like that, you slip your hand into his calloused palm and he begins to lead you back into camp. 

You’ve made the inference that Arthur doesn’t share anything he doesn’t want to. If he’s as secretive as Micah implied, then he isn’t going to give you an answer until he’s ready. 

But are you willing to let it go?

For now, you will. Just long enough to see what he’s on about. 

Though his stride is broad, his footfalls are quiet and steady. You try to keep up, but your feet shuffle too loudly in the grass. 

He looks back at you and places his forefinger over his lips. “Shhh….”

Your brow furrows, how dare he tell you to be quiet, when you have a reason to be upset? You are about to slap his arm, but a golden color up ahead catches your eye.

He’s led you outside of camp, near a patch of grass where some horses graze. In the center of them, is a golden palomino American Saddlebred mare. Her coat shines in the sun, her legs strong and graceful, her mane is braided in unique plaits and her tail is long like a bridal train. 

You know it. In your gut, you know it. She’s yours. She’s your Odliv. 

“Say somethin’ to her,” Arthur whispers softly. “You used to have a tune you’d whistle to her.”

You shake your head. “I don’t know it,” you whisper back, an emptiness filling in your stomach. 

That’s when Arthur leans close to you and his lips close to your ear, hums the tune only soft enough for you to hear. 

Your ear begins to ache, triggering a memory. 

Your dark hair wildly dancing in the wind, riding bareback across a field, hands held out like wings of a bird. 

“I’m flying!” you cry. “Arthur, I’m flying!”

You hear a second set of hoofbeats catch up with you and you look to your right to see Arthur, younger and more carefree as he rides beside you on a beautiful blood-red mare. 

The memory fades and out from your lips, comes the soft whistle. 

And in an instant, Odliv’s head perks up and she knickers curiously. When her eyes fall on you, she pounds the ground excitedly and whinnies loudly. 

You feel Arthur nudge you toward her. “Go to her before she wakes everyone up!”

You hurry your steps, maneuvering between the other horses who have also lifted their heads. You reach her and as soon as your hand rests on her forelock, she calms down, her whinnies turning into soft snorts. 

She’s soft to the touch, and you’ll let your fingers spread out and fold in, scratching her softly. She brings her head closer to you, communicating her desire to be loved. 

"She missed you," Arthur says, breaking the peaceful silence that had enveloped you. You turn to face him, but your eyes are still drawn back to the majestic creature in front of you.

"She was red, wasn't she?" Your voice is soft and filled with awe.

Arthur blinks, slightly taken aback. "Who?"

"Boadicea," you reply, barely able to tear your gaze away from the beautiful mare standing before you.

With a quiet chortle, Arthur corrects you, "Liver Chestnut."

You shrug nonchalantly. "No matter, at least I remembered."

After a brief pause, Arthur clicks his tongue and begins to walk away. "Well, I guess I'll leave you to it then." The sound of his footsteps recede as he leaves you alone with the horse, the only sounds now being the gentle rustling of leaves and the steady breaths of Odliv.

You flip around, nearly spooking Odliv, and he is walking in the direction of Montana. “What? Where are you going?” You leave your mare and hurry to catch up with him. You still have your question that needs answering. 

He doesn’t answer immediately, reaching Montana and slipping him a sugar cube. “How’ya doin’, boy?” And he gives the stud a good pat. 

“Arthur…?”

He mounts Montana and looks down at you. “I gotta meet up with Hosea. Was supposed to already…but got a little sidetracked.”

Meaning you. You are the distraction, just like Dutch said last night. Is that what he means?

You don’t want to see him go. But you don’t want to get him in trouble. “Can’t I…can’t I go with you?” You’ve come to find that you can hold your own, albeit quite suddenly, with those makeshift explosives you threw at those bandits.  

His eyes soften at that, but he shakes his head. “I’m sorry, Kitte—erm—Kitka, it’s probably best that you take it easy for a while. Spread your wings, as they say. Maybe once you get back on your feet.”

Your brow pinches. “But I’m already on two legs.”

He shakes his head, chuckling to himself. “You did take things too literal sometimes.” He takes the reins and spins Montana around, the horse’s broad muscles moving in powerful ripples. “I’ll be gone a few days. Hopefully, you’ll be meetin’ Sean before too long.” And before you can say anything more, he makes a clicking sound with his mouth, and Montana canters on out of camp. 

You watch the wake of his departure, feeling an unsettling mix of frustration and abandoned hope gnaw at your insides. Left standing alone amidst the camp's morning bustle, you wonder if your past will ever truly circle back to embrace you, or if it is destined to keep galloping ahead—just out of reach like the dust kicked up by Montana's hooves. You let out a breath you didn't realize you'd been holding and turn away from Arthur's fading silhouette.

The camp seems full yet oddly hollow as you meander back into camp, still silent while everyone sleeps. You feel rather peckish, and you remember that there were some canned goods in Pearson’s chuckwagon. You suppose it won’t hurt to have a bite, after all, you haven’t eaten in over 24 hours.

You go towards the back of the wagon, an area of camp you haven’t explored yet, and as you look around.

You stop in your tracks.

A young man, bent over and head down, is tied to a tree.

You gasp loudly, which stirs him to awaken. He lifts his head and when his eyes meet yours his eyes widen.

“Please…” he begs. “I need some water.”

You know that you are amongst a gang of outlaws, but you couldn’t imagine why a young man would be tied to a tree with a rope.

He has long, brown hair to his shoulders. It looks like it hasn’t been washed in days. His eyes are bloodshot, either from crying or fatigue, perhaps both.

You think through all the names and descriptions that Arthur gave you, and none seem to match this stranger. You take a quiet step forward. “Who are you?”

He replies with a lilt in his voice, true panic as he whispers. “Nobody! I ain’t done nothin’!” Then his head hangs low. “I am so thirsty…”

You aren’t above helping someone, regardless of why they may be tied to a tree. You see a water bucket with a ladle and walk over to it. You fill the ladle with cool, clear water and bring it to his parched lips. He drinks greedily, water dribbling down his chin and wetting the dust at his knees. After a moment, he seems somewhat revived and lifts his head again, his eyes meeting yours with a mixture of fear and gratitude.

"Thank you,” he gasps. “I thought I was going to die…”

“Who tied you here?” you ask. “Why?”

“Dutch had me tied. I…was with Colm, but I ain’t never liked that feller…!”

Colm. You don’t recognize that name. But you can only figure he’s an enemy to Dutch. But why?

“Hey…!” A bark comes from around a lean-to, and you whip around. It’s Bill, grumpy and hungover, and he’s caught you helping his prisoner. “What do you think yer doin’?!” Bill stomps over, his heavy boots stirring up small clouds of dust with each step. His eyes are narrowed in suspicion and anger as he peers at you, then at the ladle in your hand. You feel a shiver of apprehension, but your grip on the ladle tightens slightly, a defiant gesture you can't quite explain yourself.

"He needed water, Bill," you say calmly, meeting his glare with a steady gaze of your own. The air thickens with tension, the only sounds the distant calls of crows and the soft rustle of the dry grass underfoot.

Bill snorts, his mustache twitching in agitation. “Dutch says no food or water ‘til he talks!”

And you suddenly bristle, memories of unkindness shown to you your entire life flooding in quick flashes. What would you have given for just a bit of water or food when your brother was sick and dying? Despite your headache, your fist clenches around the ladle and you swing it to hit Bill hard.

The ladle connects with a satisfying thud against Bill's temple, and he staggers back, more from surprise than pain. His hand instinctively goes to his head, and he scowls fiercely at you. "Kit, what the hell—?"

"Blázen! You know as well as I do that a man's got a right to basics!" you spit out, your voice thick with emotion. "Water is not a privilege. It’s a necessity…!"

Bill stares at you, his anger simmering down into something resembling grudging respect or perhaps confusion. He rubs the spot where the ladle struck, eyes never leaving yours. "Yer memory ain’t all there, so I am gonna spell it for ya…” And he leans close, snarling a threat veiled thinly behind a whisper. "Dutch's orders are law here, Kit. Don’t forget your place, or you’ll find yourself out there with nothin’ and no one."

You swallow hard, the sting of his words biting deeper than the chill in the air. How many times had you been cast out before, left to fend for yourself in the harsh world of indifference and cruelty? You don’t know, but the thought sends a cold wave through your spine. And yet, at the same time, there's a flickering flame of rebellion within you that refuses to be smothered.

"Maybe my memory isn’t fully restored, Bill," you reply, your voice low and steady, "but my sense of what’s right hasn’t faded one bit." You hold his gaze, unflinching, the intensity of your conviction casting a palpable sensation in the air between you.

Bill's eyes narrow as he assesses you, the standoff drawing a curious crowd from the nearby tents. Whispers weave through the other members as they’ve woken to your row, the poor prisoner in the middle, shaking in his boots.

Finally, with a snort, Bill turns away, dismissing the gathering with a wave of his hand. "See to it that he don’t drown," he mutters under his breath, loud enough for only you to hear. There's something akin to admiration in his tone, albeit reluctantly given.

As the crowd disperses, you sigh deeply.

You feel a sudden hand on your arm, and you turn to see Mary Beth, her eyes a mix of gratitude and worry. “I’m glad someone else feels the same way.” And she begins to lead you away from the prisoner. You walk beside her as he links her arm with yours and she leads you around the tents. “I’ve been sneakin’ Kieran some water and scraps since he’s been here.”

Kieran? That’s his name. And since Mary Beth has been helping him, she must know more about it. “Who is he?”

“An O’Driscoll,” she explains. “They are a rival gang. Dutch and Colm go way back, been fightin’ for a while.”

“Oh. Who is Colm, exactly? Why are they fighting?”

“You were there, when it all started. You are one of the original ones.” Mary Beth stops by the horses and you eye Odliv while she grazes. “I wasn’t there, but from what I’ve been told, Dutch killed Colm’s brother and he killed Dutch’s lover, Annabelle.”

Annabelle. You think hard about the name, but it doesn’t register. You shake your head.

Mary Beth continues, “Colm is evil. He’s killed innocent women and children, and shows no mercy, like we do.”

Your brow furrows. “How is tying Kieran to a tree mercy?”

Mary Beth hesitates, her gaze shifting to the ground before she meets your eyes again. "It's not, I suppose. But sometimes..." She trails off, searching for the right words. "Sometimes we have to make choices that don't sit well with us. You know that better than anyone, Kit."

You nod slowly, unsure of what she means.

She sees the confused expression on your face and offers to enlighten you. “When there was plannin’ for the ferry robbery in Blackwater, there were conflicting ideas. Hosea and Arthur were working on a con of their own, some sort of trick on some real estate brokers. And then there was Micah and Dutch, talkin’ about the ferry. You wanted to help Arthur and Hosea, you have always been good with costumes and performances. You can distract the strongest-willed of men…!” She giggles, most likely thinking of a specific instance. “We have always been a great team.”

But you want her to continue about Blackwater. “But what happened? Did I go with him?”

She shakes her head. “Dutch said he needed you with him. To act as a hostage when he robbed the ferry.”

Your eyes widen. “That sounds…dangerous.”

“That’s what you had said. I remember you telling me how worried you were about the whole thing. You said that something didn’t seem right…” Her eyes fall. “You…seemed different. I wish there was something that I could have done, maybe took your place.”

You shake your head, patting her arm. “No. It is as it was. You can’t change the past, Mary Beth.”

There’s a long pause as the air between you thickens with unspoken thoughts, a tangle of regrets and old wounds that no amount of talking can undo. But the soft smile returns to Mary Beth’s face and she pats your hand that rests over her arm. “Let’s do the wash. Us girls always do the wash in the morning, to let the clothes dry. Miss Grimshaw gets on our tails if we aren’t busy come sunup.”

You nod. ��Okay, it will be good to keep busy.”

Together, you and Mary Beth gather the worn fabrics and soiled garments scattered around the camp and find the other girls by the washboards and buckets. The fresh morning air is crisp, pinching at your cheeks as you find a place to sit among them.

The chatter among the women is light, yet it carries a weight of shared history that you can't fully grasp. You try to focus on the task at hand, scrubbing at stubborn stains that mar the fabric. As your hands move in rhythmic motions over the washboard, snippets of conversation float around you.

"Molly’s lookin’ at her face in the mirror again…” Karen says while gnawing on a long blade of straw.

The girls look over near Dutch’s tent. Molly, with red hair more blazing than fire, eyes her own reflection as though it were an unfamiliar face, one she's trying to understand or maybe memorize. You can't help but notice the way her brows furrow together, crafting a silent narrative of self-doubt and contemplation that seems all too familiar.

"Molly always did take to heart what Dutch says about appearances being as important as a loaded gun…” Tilly snarks. “But I always thought looks weren’t everythin’.”

“It’s different when you got a man to please,” Karen argues. “I should know. The better you look, the better the pay.”

Mary Beth gasps at her brazenness. “Karen!”

“What? It’s true! Any woman who has had a man knows that.”

You remain silent, the conversation drifting over you like fog settling on a meadow. The practicalities and pitfalls of love seem a distant concern to your current predicament. Yet there's an ache inside that resounds with their words, a ghostly echo of a love you can scarcely remember but feel profoundly.

As you scrub on the shirt in your hand, you notice its color. Blue. The same blue shirt that Arthur had worn when you saw him in Valentine. Your heart skips, caught in the clutches of your most vivid memory, flitting at the edge of your consciousness like a shy bird. The fabric under your fingers suddenly feels heavier, soaked not just with water but with the weight of unspoken words and a past life that might as well have been someone else's dream.

You swallow thickly, thinking about how to word your question. “Did we…Did we talk about a lot of things…like secrets?”

Karen’s eyes sparkle at your question. “Oh yes! Not much gets past us girls!”

And Mary Beth, sweet and sympathetic as ever, can sense what you are getting at. “Is there something you want to know, Kit? Something you told us and want to remember?”

You feel your hands trembling, the words building in your body making it nerve-wracking. “Am I…Am I a virgin?”

There is a sudden stillness when the girls pause their washing.

Tilly is the first to speak, her voice raised higher than her normal range. “What?”

And Karen gets to the meat of the matter. “Why do you wanna know? You pregnant or something?”

You shake your head, you feel instant regret for even asking, but you can’t back out now. “No! I just…been having these dreams…”

“Oh…? What dreams?” Karen asks with a gleam in her eye and a mischievous grin.

“I don’t know…I think they’re memories, as that is how they usually come to me, but I can’t seem to put it all together.”

Mary Beth still looks softly at you, as she wrings a flannel shirt. “You always told us you wanted to wait until marriage.” And before you can doubt her answer she adds, “You were very adamant about it. You said being a performer taught you that.”

Performer? You remember being called circus trash, and also what Micah called you yesterday. 

It lines up. If you had your heart set on waiting…

You let the shirt go for just a moment to look at the ring on your finger. “And I’m not married.”

Tilly shakes her head. “No, Kit. You ain’t.”

“It’s strange,” you laugh. “Being 29 and still…” You work on scrubbing the shirt again, tucking your chin to hide your face behind your hair. “Oh, I suppose it doesn’t matter.”

“There ain’t no shame in waitin’, Kit.” Karen says, her voice more gentle than her usual teasing. “It’s better with the right person than the wrong one.” She laughs. “I should know.”

Mary Beth sighs, lifting her head and looking all dreamy. “I’m still waitin’ for mine, too.”

At that, Tilly chortles. “Mary Beth, the right one ain’t never gonna happen for you unless they come flyin’ right outta them books you write!”

The laughter that bubbles from Mary Beth is light and unburdened, a stark contrast to the heaviness of your own heart. "Maybe I do expect too much from a man. But a girl can dream, can't she?"

Your thoughts spiral back to your own dreams, fragmented and shadowy as they are, filled with fleeting touches and whispered names that dissolve as you awaken. There's a haunting familiarity in those hallucinatory moments, a sense of belonging that you can't yet place. Perhaps, buried deep within the cobwebs of your memory, there lies an answer. They feel so real, yet so far away, making you wonder if even you kept secrets from these girls who you call friends.

You girls finish the laundry, hanging the linens on nearby branches and a line strung up between two trees. You’re surprised to see the day half gone, and while you are grateful for the passage of time, you wonder what else you could possibly do.

And as you walk past Susan, she sees you and eyes your skirt. “Just a minute, girl!”

You freeze, and brace yourself. From what the girls have told you, you prepare to be given another chore to do.

She rises from the table where she has been working on sewing a patch and gestures to your skirt. “Just what do you think you’re doin’, wearin’ clothes like that?”

You look down. You had forgotten that you cut it all up for the explosives. While it is the right explanation, it isn’t the easiest one. “I…erm…must have torn it.”

“I should say so! We need to get you something else to wear.”

You shake your head. “I don’t have any money. Or other clothes.”

Susan motions for you to follow her and she leads you to the back of Dutch’s tent. On a barrel, sits a box.

“This is the money box. Everyone pitches in money from jobs and such to take care of camp needs.”

“But this is for everyone.”

“You’ve come back from the dead and are in need of new clothes.” She opens the box without a qualm, takes out five dollars, and hands it to you. “I’d say that is a good reason.”

You hold the money in your hand. It isn’t the thirty dollars you left behind in Blackwater, but you figure you haven’t really been familiar with large sums. “Thank you, Miss Grimshaw.”

“I’ll have Strauss go to town with you. Since you’ve been back, he wants to talk about nothing but resuming business with you.”

You look up, your brows pinched. “Business?”

She nods. “Just get yourself ready and meet Strauss by the wagon. He will take you to Valentine.”

Your heart hitches. Valentine. Where it all started.

Tag Requests: @photo1030

Thank you for reading! Feedback is always appreciated.

[deliriante]

Harrowhark “I could fix her” Nonagesimus vs. Gideon “I could make her worse” Nav

[skeletoninthemelonland]

cw // possible eyestrain

.

.

.

.

.

.

.

.

Sound Sensitivity

[grimark]

i realise that the 2010s were a very different time, and a lot of fanfiction at that point was being written by heterosexual women who wanted to fuck richard armitage and i guess lacked the ability to project themselves onto any fictional character who wasn't also a heterosexual woman that wanted to fuck richard armitage. but. what the fuck was up with the insane amount of heterosexual genderbent bagginshield fanfic.

[rainingincale]

.

[heyclickadee]

There’s this binary set of attitudes I occasionally come across when talking to people who rarely come across wild animals any bigger or more varied than a robin or a squirrel.

On the one end, you’ll get people who think any carnivorous animal bigger than a fox is just itching to murder every living thing that comes across its path—especially the humans. I beta-read a story written by this guy who had grown up in suburban England. He had one chapter where his protagonist had to fight lions, another where he had to fight wolves, another where he had to fight a bear. And each time the animals really were just out to kill because the writer saw “kill” as an automatic action these animals would take; they came at this guy’s protagonist in CoD-esque waves just because.

I actually came across the same thing a lot while working at a state park; people would come up to me incensed that we allowed bobcats (yes, they would complain about the bobcats) and rattlesnakes in the park. Didn’t we know those things attacked people?

Pushing the idea that the state park staff needed to make sure *checks notes* animals were not present in their natural habitat in what was basically a nature preserve…well, yes, animal attacks do happen, and they can be dangerous or even deadly, but they usually happen for a specific reason. Humans are big, kinda weird animals, and there are not that many predators left that see us as prey (though they do exist). Hiking in some (some) parts of North America you’re a lot more likely to be attacked by a large herbivore like a moose than a large predator like a mountain lion (it’s still not that likely, but even so). Something like a rattlesnake isn’t going to going to attack you because it’s wired to kill.

The other side of this I’ll come across sometimes is that all animals are harmless, misunderstood puppies who want scritches. It’s maybe more common in the internet, but it bleeds over into real life sometimes. You get people trying to pet bears and bison. And I get it—we’re just human. We try to pack bond with everything and bears and the like really are just so damn fluffy.

But that’s really just the opposite end of the same misunderstanding. Barring an outlier in personality, wild animals aren’t murder machines, but they aren’t harmless, either. They’re just animals trying to live. Many animals—from insects and arthropods to big mammals—will attack if pressed by the right circumstances.

A prairie rattlesnake, for example, is rarely be actively aggressive. They’re shy, we’re large and more or less impossible for them to eat, biting us for no reason is a waste of energy—they rattle to get predators and larger animals to back off before they have to—and they’d just as soon leave us alone. That’s not the same thing as saying a prairie rattlesnake poses no danger; they do. Get in a rattlesnake’s face or step on it by accident, and it will bite you, because you’re a threat and it’s trying to stay alive.

I don’t know. Something something about not replacing the idea that wildlife is out for murder with the idea that wildlife is fully domesticated. Something about understanding, distance, and respect.

[britneyshakespeare]

throughout the series of drake and josh it pretty consistently implies that josh nichols is a christian (josh peck is jewish) and in the finale of the series helen (played by yvette nicole brown, not jewish[?]) is portrayed as a practicing jew

[kenobihater]

ok, so in more than blood, there's luke, leia, cal, boba pops in and out, a certain someone will temporarily bunk with the crew for long enough to get returned to their family, i've written a bit for ANOTHER character who joins up but doesn't swear the resol'nare, and i just now had a BIGBRAIN idea that will make the crew feel more balanced and add some compelling conflict. that said, i genuinely do NOT know how i'm gonna fit five permanent residents plus obi-wan and cody for a total of seven, AND two temporary residents (boba and the other character). also, the bigbrain idea i had would require me to engage with a mid piece of media that i have zero interest in besides this one character in order to get a grasp of their motivations, even if i'll greatly alter the direction their life takes as an adult.

truly idk how many fuckin traumatized children i can fit on this goddamned ship and it's beginning to feel crowded and like i'll be juggling far too many characters to do them all justice. luke, leia, and cal are non-negotiable crew members, and i'm leaning towards the character i just had a breakthrough about becoming a permanent fixture. boba is like an honorary member i think at this point, bc he's quite independent, and the temporary member will only appear briefly, but the one who doesn't swear the resol'nare i'm beginning to think i should leave to their canon storyline to avoid character overload, and perhaps switch the concept of them not swearing the tenants to the new character that i'm really considering bc i think the decision to not convert could thematically fit either of them.

i am AWARE this is vague as hell bc i don't want anyone to get their hopes up about certain characters appearing and then just not doing that. the more i think it through via writing this post, the more i'm leaning towards removing that one character i originally had not swearing the tenants bc dear god it's getting comedic how many strays the tanos are acquiring at this point 💀 four feels more manageable than five, especially bc luke and leia aren't even talking during this fic even tho i do try and give them some personality. so, two young characters and the main pairing feels doable, i guess? i'm feeling less overwhelmed now that i've typed this up but still a bit clownish when considering how ambitious this stupid fic is 😭

[little-shiny-sharpies]

*through gritted teeth* don’t trust how you feel about your life after 9 pm or during your monthly hell, don’t trust how you feel about your life after 9 pm or during your-

[unproduciblesmackdown]

today days old faun/fauna same etymology (equivalent to pan roman god faunus &/or fauna)

[darkclouud9]

is 6.5k words for a oneshot too many /silly

it's not even done yet. do you think it'll hit 10k. sighhhhhh

[fierykitten2]

Sometime two years ago (I specifically remember it was so early on in the SV hype cycle we didn’t know Paldea’s name yet. So basically anytime in the first two thirds) I made a post where I assigned starters to the trio I refer to as “the Afterthoughts” (Falcon, Samus and Fox. I call them that because Nintendo doesn’t seem to like their sci-fi series much. Metroid’s an exception now but it’s had some problems with it in the past too). Now, I want to assign starters to the characters I ship them with the most - Robert, Madeline and Falco for the sake of this post I’m gonna pretend I prefer SamusxMadeline to FalconxSamus. There are some patterns again I’ve unintentionally fallen into - Falco almost always has the same starter as Falcon even in regions without a birb start, Madeline frequently has the same starter as Samus and Robert… well I guess he tends to default to Fox’s starter but I’m not really noticing when that happens as much as I am with the other two (I am slowly noticing every time I fall into that trap). Also I could have waited an extra few months so that I could make sure to assign them starters in a way so that they each get a Z-A starter like how I’m doing for both trios with the Hisui starter trio but I came up with the idea today so I’m doing it today

Kanto:

Robert gets Bulbasaur

Madeline gets Squirtle

Falco is left with Charmander

Johto:

For some reason I’m really tempted to give Robert Cyndaquil (this has nothing to do with their eyes I just think until it evolves Cyndaquil gives off some kind of Fennekin vibes and there’s no way I’m missing the opportunity to pair the guy who owns the Golden Fox with a starter that reminds me of Fennekin)

Madeline gets Chikorita

Falco is left with Totodile (I swear I’m not always saving him til last)

Hoenn:

Falco has to have Torchic

The other two are hard to pair up but I think Madeline only just works better with Mudkip than any of the other three possible pairs

Robert ends up with Treecko. This annoys me because this is who I paired Falcon up with (for reference he does end up with Blaziken it’s just I decided there would be a whole trade thing going on in Hoenn after they’ve all had the chance to fully-evolve their starters). The strange thing is, this is the only pair in Hoenn that annoys me for that reason despite all of them having the same starter as their partners pre-trade (Samus starts with Mudkip and ends up with Sceptile while Madeline gets Mudkip, Fox starts with Torchic and ends up with Swampert while Falco gets Torchic, Falcon starts with Treecko and ends up with Blaziken while Robert gets Treecko)

Sinnoh:

Falco gets Piplup

I just think Robert makes most sense with Turtwig out of all the Sinnoh starters (even Piplup)

Madeline is left with Chimchar. I hate it too but someone has to have that ugly monkey

Unova:

Robert and Snivy

This is mainly because I worked out the other two Hisui starters first but Madeline gets Oshawott

Falco is left with Tepig. I don’t understand this pairing either

Kalos:

Robert has Fennekin. There is no way he doesn’t get Fennekin

I guess Madeline and Chespin makes sense. Why not

Falco is once again left with the starter I paired up with Falcon - Froakie

Alola:

Falco and Rowlet (this one was obvious bc birb but can I please pair him up with a starter that I haven’t paired Falcon with)

Somehow I just think Madeline most makes sense with Primarina so she gets Popplio. She’s either nicknaming it Melissa or Samus even though it’s most likely male

This leaves Robert with Litten. Given out of the three of them he matches Incineroar’s build most… idk what to say about that I just wanted to point that out

Galar:

I’ll be honest this one was the hardest to pair up. Robert and Madeline both seem like they’d be sympathetic enough to choose Sobble but in the end I decided to pair Robert with Sobble

Madeline gets Grookey

Falco finally doesn’t share a starter with Falcon as he gets Scorbunny instead (genuinely this is the only region he doesn’t share with Falcon. No one shares with their partner in this region bc they all get the starter weak to their partner’s choice. Also somehow I forgot that my ships and who seems to align most starter-wise is not the same for the blue birbs and gold foxes so I accidentally ignored how both Robert and Fox have ended up with Sobble)

Paldea:

Falco once again shares a starter with Falcon - Quaxly (good choice though. Not that I ever give them a bad choice the two worst starters belong to Samus/Madeline although I don’t like Totodile that much)

Robert and Sprigatito. It makes slightly less sense but I actually prefer pairing him up with Spriggie than I do pairing him up with Fennekin (few reasons: a) I prefer the Sprigatito line, b) it matches my insistence on Falcon having a Quaxly/Quaquaval, c) I tend to ignore Skeledirge’s existence while thinking about Meowscarada and Quaquaval and this just gives me an excuse to do that)

Madeline is left with Fuecoco. Once again, I hate that I have to do this but someone has to end up with the ugly croc

And then Hisui is Robert with Cyndaquil, Madeline with Oshawott and Falco with Rowlet

Yeah sure I can count up just how many times Robert shares with Fox, Madeline shares with Samus and Falco shares with Falcon:

Robert shares five six out of eleven (I’m gonna count Hisui separately and I’m counting Hoenn twice) with Fox - Bulbasaur, Turtwig, Fennekin, Litten, Sobble and Sprigatito

Madeline shares six out of eleven with Samus - Squirtle, Mudkip (pre-trade), Chimchar, Chespin, Popplio and Fuecoco

Falco shares nine out of eleven with Falcon - Charmander, Totodile, Blaziken (post-trade), Piplup, Tepig, Froakie, Rowlet, Rowlet again and Quaxly

[coridallasmultipass]

i love how much you talk in tags. i love reading your words and how you talk and what about. might sound strange but its true. i like your mouth words dawg.

Technically, they're finger words.

[valwrote]

PICK YOUR DOMESTIC HUSBAND 🛒

WHICH HUSBAND IS ON THE DOMESTICITY MENU TODAY?

featuring: diluc, alhaitham, zhongli, wriothesley, neuvillette.

synopsis: glimpses into married life with the genshin men.

warnings: implied fem!reader, occasional pet names, ooc (I have a sparse idea how diluc works, mention of "activities" (just mention I can't write smut pls), silly goofy ah loser coded men, mild swearing (damn, heck)

a/n: *stretching my back and crunching my neck.* I'm back from the dead. apologies for the choppy writing. thanks for the support on the other posts, if only I could write 50-page essays thanking everyone. <33 :')) not proofread.

DILUC 🍷

PRODUCT NAME: BREAKFAST AND KISSES IN BED. Diluc always hated the Knights of Favonius… 

He hated how most of them just stand around like buffoons and do not partake in any actual work that involves saving Mondstadt. He wouldn’t admit that he enjoys playing Batman. He hated them all except for one.

One he was willing to forgive all flaws of. "Knight of Favonius…always so inefficient,”  He scoffed at the pathetic sight of the hilichurls trying to dry roast a few knights roped to a wooden stick for their dinner. “Seriously, You’re so right Master Diluc.” Diluc’s head turned so fast at the sound of a new voice. When did you get here? Were you always there and how did he not sense you around?

That’s simply how you always were. A hard worker amidst slackers – he always termed despite Jean trying to explain that others work hard too. Perhaps that’s what caught his attention, honestly, he would never know what did. “G’morning…” He murmured against your skin, head buried in the crook of your neck, your flushed bare back pressed against him. “5 more minutes…” he heard your soft and groggy voice evoking a chuckle from the usually passive man. “Have I ever told you…how beautiful you are?” Diluc muttered against your skin. You smiled and turned around, “You always do. I remember my Dark-Knight Hero crying at the altar.” You pressed a finger against his chest, while he scoffed at the memory. “Don’t remind me about that, Kaeya doesn’t let me live that down…” He sighed, his brother consistently brought up the matter of him crying whenever he was losing an argument. Foul play if you ask anyone. “So…breakfast downstairs or in the bed?” He planted a kiss on your cheek while you hummed out a response, “Bed, you didn’t exactly go easy on me the previous night.” You recalled the events of the passionate night the day before. The honeymoon phase never seemed to end. “I am so sorry–” He panicked,” You're not in pain are you? I promise I’ll be gentle– I knew I should’ve been more considerat–” You stopped him by pressing a kiss against his lips. He groaned at the feeling of your soft lips touching his hands tangling themselves in your hair.

“I’m kidding silly… you should stop taking things so seriously unless you want me to start searching for grey hairs amidst those red locks of yours.” You snickered out seeing him release a breath of relief.

If the Darknight Hero really does exist, he's probably just someone in disguise. When he gets up in the morning to brush his teeth, it's the real him. He was his real him in front of you. People may call him a loser for such vulnerability…he was a loser for you.

ALHAITHAM 🌱

PRODUCT NAME: READING BOOKS OUT LOUD. One would say married to someone like Alhaitham was nothing short of a nightmare. They weren't 100% right. Shrouded beneath the aloof and meticulous personality resided someone who was in complete denial towards being loved. He loves it.

Who was he kidding? Nobody in a million years thought someone could put up with his insufferable personality — said Kaveh, his unpaying tenant. That was until he ran into you during his time as the newly appointed Scribe. You were like a painter, splashing heaps of paint in his 90s black-and-white life. Was eating ice cream always this enjoyable or was it because it was with you? Was the gossip between co-workers always this interesting or was it because it included you?

Why was his heart having an entire Queen’s rock and roll concert talking to you? Was it cardiac arrest or– He almost shuddered at the thought of it being what they called love.

“You’ve got flour on your face, sweetheart.” His teal eyes blinked amusingly into yours, a faint smile curling up his lips. You must have saved a nation in your previous life to land this man as your husband. Beige shirt perfectly sculpting around his abs – contrary to him calling himself “feeble,” hair slightly tousled and slight sleepiness in his eyes. He might not act like it but he was a little child whose needs had to be tended to like the coffee mug in his hands which you made, like usual. You wouldn’t want a cranky Alhaitham now, would you? “Hmpf, not my fault, this cooking book is completely bogus!” You rubbed your cheeks with the back of your hand, wiping away any remaining flour. “This is so boring…if only someone could provide their poor wife with some entertainment.” You always resorted to theatrics to get him to do things for you, albeit begrudgingly. “No, the same tactic is not going to work again.” “Please…” “No…” He groaned, tone almost pleading not to put him through the torture again. “During better or worse!” You resorted to the ace up to your sleeve. WEDDING VOWS! “Stop quoting the wedding vows.” He sighed in defeat. The most intellectually gifted man in the nation couldn't win against his own wife. Ironical. He got up and grabbed a book out of the bookshelf; a small fraction of his much larger library.

“Miss Elizabeth,” Alhaitham lazily flipped through the pages earning a rebuke. “More emotion! You are ruining the scene.” Alhaitham sighed and cleared his throat, “I love you most ardently…” His tone was feathery soft, emotion surging in it. A smile crept up as he stared at you endearingly.

“That’s much better. Though I seriously think Mr Darcy should’ve said– Miss Elizabeth, allow me to kiseth thy lovely lips.” You mimicked the deep voice of the character with the failing British accent. “Please have mercy on Jane Austen’s ghost and let her enjoy the afterlife.” Alhaitham chuckled and continued reading as you continued baking.  It was a shame that a man of such talent only paid attention to the truth itself and not to the people around him. If only the searching eyes of the ordinary say the exception to his indifference, you.

This was your biosphere, just you, him, novels and food encapsulated inside your small home.

ZHONGLI 🪨

PRODUCT NAME: ALWAYS ON HIS MIND. What is the best but the most useless flex you have? Being married to the Geo Archon. The inability to just tell the whole world that you are married to the frigging god was painful. You yourself were surprised by your ability to control yourself. Zhongli was a man of carefully curated words. Instead of words, straight-up poetry flew out of his mouth. Everyone knew how much he adored his wife, every vendor, every acquaintance, heck even Venti. Wangsheng Funeral Parlor's mysterious consultant. Handsome, elegant, and surpassingly learned. Excellent memory. A master of courtesy and rules. The amount of poor women who have tried to grab his attention. "Mr.Zhongli, how does this look?" the woman, who he remembered meeting over a history discussion 17 days ago. "Hm?" his amber eyes shifted to gaze at the hairpiece the lady was holding. "Most exquisite.." He remarked, seemingly going into deep thought. Instead of a compliment, he said something that made the woman back away, "Such beautiful craftsmanship...may I ask you to tell me where you found this? I wish to buy one for my wife–" he paused, seeing the lady vanished after pointing at the shop where she got it from. "Zhongli, you should be able to tell why people approach you..." Hutao sighed, standing beside the rather oblivious gentleman. "Let's just continue...we've got customers to find!" Hutao started walking alongside the railing, hoping to find people in need of funeral services. "Maybe we should go and ask peopl– Zhongli??" Hutao looked around for the Consultant, who was caught up chatting with a shopkeeper over some earrings. "Zhongli!" Hutao called out to him, causing his head to turn towards the director. "Oh, apologies...It seems I got too carried away. These earrings caught my eye...I'm sure [Name} would love them.." he mumbled, staring at the jewellery. "I'll take them." "Mister Zhongli? What about the payment..." The shopkeeper meekly asked, causing Zhongli to turn his head fully at Hutao; gazing expectantly. Hutao should've expected this... "Zhongli, we are out here to find customers! Not buying gifts for [Name], her birthday is months away!" "They say the best things should be done first. After all, why must I wait for one specific day to express my love for my beloved?" Zhongli asked curiously and Hutao shaked her head; love was clearly out of her expertise. Zhongli, he is particular about everything. He only attended the best operas and focused on the perfect ratio for the creation of an authentic dish.  On a typical day, all you will glean from him is a few pieces of useless trivia, because he particularly enjoys sharing these fun tidbits with you. He was particular about you and your likings. A smile on your face was what he wanted by the end of the day. For being someone alive for 6000 years, he could proudly say that he loved and cherished something– someone.

"Wait here, Director Hu...Perhaps I should get those flowers over there to accompany the hairpin and earrings..."

WRIOTHESLEY 🐺

PRODUCT NAME: BATTLE TO BUY A DOG OR NOT.

"Wriothesley, I want a dog!" You crossed your arms, staring down at the Duke who was glued to the chair in his office. “But why? That’s just unnecessary responsibility…” Wriothesley sighed, rubbing his temples. This was the 3rd time this month you’ve brought up this topic. Was he that incompetent in terms of filling his role as your significant other? Perhaps not with the never-ending paperwork. Oh, how he wished people would just stop committing crimes. “I get lonely in the Fortress…I want a child.” You put forth your point by using the term ’ child’. Child, dog same thing. You hoped to finally convince him this time.

“We have Sigewinne.” Wriothesley pointed at the head nurse prepping tea in the room with the back of his pen. “I am sorry, Your Grace but playing the role of the child is out of my job description.” The Melusine replied indifferently, pouring freshly seeped tea into the three cups. “Fine, we will go get one…I’ll schedule a meeting with the owner of the pet shelter. Happy?” He asked you, chin resting on his palm. Perhaps getting a dog was a good idea as he was guilty of being unable to spend quality time with you… “No way…” “Isn’t that..?” “The Duke of the Meropide–” “He rarely appears in public..” Wriothesley held out the door to the shelter for you, hoping you would go in and it would finally save him from the gaze of curious onlookers. The two of you walked in, only to be pounced upon by a big dog. “Kal! You sly dog! I knew I shouldn’t have let you out!” The caretaker yelled at the big ball of black fur who had tackled Wriothesley to the floor and was aggressively licking his face, tail wagging in delight. “Are you okay?” You asked your fallen husband, who just chuckled in response. “I am good just– Okay stop! I understand your gesture of love.” Wriothesley got up as the dog encircled him. “This one is so adorable…” you gasped at the cuteness radiating from the dog and its big brown eyes. “You’ve got a keen eye! This is Kal, Shiloh Shepard, one of the finest dogs out there.” The caretaker combed her fingers through the thick and groomed black coat of the canine. “He seems to have taken a liking to the Duke.” The caretaker continued as the dog ran back to Wriothesley, peppering his face with licks. “He even looks like you.” You teased as Wriothesley stared at you in disbelief. You did not just compare him to a dog…he even did a double take at the dog to confirm. “We will take this one then…” He chuckled in amusement. Never had he imagined marrying you and on top of that getting a four-legged beast. Needless to say, Wriothesley proudly walked out of the shelter, holding the big dog in his hands like a child. It felt complete ever since getting Kal; like your own little family. Wriothesley wouldn’t admit it but he loved the dog, despite it hogging all of your love and attention. He didn’t expect to be fighting over cuddling rights with a dog!? 

He watched you and Kal sleep peacefully on the couch, keeping him company while he finished up his work. He felt a sense of gratitude…people of the Fortress knew little of the crime he once committed. The only one who still remembers it like yesterday is Wriothesley himself. And no matter how much glory or repute he has earned, he still considers himself to be the same old Wriothesley he's always known.Neither a good person nor a complete villain. He's just another soul, still living on in this world. However, your eyes always reassured him in ways he couldn’t describe. Everything was perfect…

[Name]!! YOURDAMN DOG PISSED ON MY COAT!! Maybe not that perfect…whoops.

NEUVILLETTE 🌊

PRODUCT NAME: HELPING THE OTHER DRESS.

Monsieur Neuvillette, The Iudex of Fontaine, always wondered how his life had come to this. 500 years of serving his position as the Beacon of Justice, a lovely, beaming baker somehow broke the monotony. Well, calling you just a baker was now an insult. With your ring finger bejewelled, with one of the rarest gems– an ode to his undying loyalty and representation of his eternal love. “It’s astounding how a covert mission conducted by melusines could’ve landed someone such as myself a lady like her…” He muttered to himself, seeing his full form in the mirror. “Talking to yourself, again?” You leaned against the door frame, lopsidedly smiling at the peculiar antics of Fontaine’s most distinguished man. “Ah, apologies…I didn’t think you would notice me conversing with myself. Now I find myself in a rather awkward predicament.” He chuckled. Dear god, this man was so beautiful that his beauty was almost blinding with the morning sun perfectly hitting his face.

“Say ah,” You requested and he complied. Who better to take constructive criticism from other than your husband? “New filling?” He covered his mouth while chewing on the croissant. “Yup, how is it? I was experimenting with some Rainbow Roses and these Inazuman berries I bought.” You blinked curiously, waiting for some input. “Hmm it is very pleasant, it is fascinating how you manage to maintain the freshness of the fruit…” You smiled at his compliment, before noticing him struggling with the jabot around his neck. “Need help?” You offered and he nodded his head. “This is absurd..it usually isn’t this difficult.” He frustrated replied, it was amusing to see the cool and collected man all worked up about clothing. “I suggest simplifying your outfit.” You attached the jabot and secured it in with the teardrop brooch, fixing the ruffles. 

“Thank you. I do prefer my outfit as it conveys the message I wish for it to convey.” He explained before staring at you. You knew that look, he looked at you with his eyebrows slightly creased when he was hesitating from saying something. “What is it?” “Do I get a goodbye kiss before I leave?” “Pfft! I didn’t think you would take that seriously!” Conclusion: this man was wayyy to cute.

Neuvillette is a solitary person. Neuvillette is not known for his personal desires.

He was deemed as someone with unassailable impartiality. If only they knew that perhaps the Iudex was just a wee bit biased.

a/n 2.0: the crust will come off...hopefully. i wonder if it's possible to guess which one of them is my favourite??

don't steal, copy, plagiarise, or translate.

©definitelysel

[but-a-humble-selfshipper]

I find it kinda funny kinda silly how there's some places where I let L.L. be but I just... Can't list the characters they interact with as f/o's of ant kind bc their relationship is just... Kinda, nonexistent? Like there sure is something but it's far too complicated to treat it like one of my casual partners.