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Sergey Kir - Conceptivism and The Art of Technology

Conceptivism is a new art style invented by artist Sergey Kir. The model uses many different Conceptivisms and techniques derived from art history and recent technological advances. This creates a bridge between the old and the new. Combining the digital processing of computers, the strategy of money laundering, and the love of bright colors and history, the concept is an insight into the art of this changing age. I have always been interested in art. At one point, I changed jobs in the office of my new investment bank next to MoMA. It was a big step in my Fashion and Art development. I spent my lunch break and after work at MoMA for months wandering the floor. One day in 2014, I learned that a Jeff Koons tour was to be held at another local museum, the Whitney Museum. I went to the exhibition and became aware of his talent and desire to change. It really got me interested!

I learned that Jeff, like me, had worked for many years in the financial industry and, before that, had worked for many years at MoMA in New York, spending time in the same building where I became a guest too week. I was surprised to find myself in a position similar to that of a famous artist. At that time, I was struggling in the middle of life, looking for a way to express myself and find purpose - this show and Jeff's story really inspired me and showed me what I can do with my life do.

That's when the thought came to me: I too should try to create art and share the thoughts I want to express. I finally met Jeff and talked to him about the inspiration he brought. I think my story is similar to the one Jeff Koons met many years ago with Salvador Dali, which inspired him to become the most successful artist of our generation.

How did financial modeling and analysis lend a hand in your creative development?

I spent a lot of time thinking about how aspects of financial modeling and portfolio optimization techniques, knowledge which I acquired in my professional career in financial and quantitative risk management, could be integrated into the artistic process. I want to combine the world of art and research, creating the power of manual drawing, digital photography and scientific methods.

Many of my artworks combine the common structure of the financial quantitative model, its limits and its goals, methods and parameters, as well as identifying the representative subject, and the model is organized and works in a certain degree of freedom to create a visual representation. This model produces an image or part of an image by "magic" from the computer, the artist creates the ultimate model, which can be used as a final product or as an intermediate step in 'to create the latter. An artist can repeat any number of designs until the work is done. The artist's artwork aims to create the look and feel of a handmade work, but is designed digitally.

What is the connection between your work and that of Roy Lichtenstein?

The goal of conceptualism is the opposite of the goal of artists such as Roy Lichtenstein, who created art that looked industrial but was made by hand. In my work, I come around the world and try to create a look that is similar to the human hand but using a production process like grass. Therefore, the final work must be done by hand in order to be able to clean imperfections and shine.

Sometimes it's a computer system that optimizes the color combinations and textures of a work of art. Other times, the work begins as a hand drawing.

What led to Conceptivism?

The Conceptivism was born from my passion for bright colors, money and technology. Much of the inspiration for creating this style comes from the work of the Fauve artists who tried to capture the changes of light in their paintings.

Other influences include the work of artists from the Russian Futurist movement in Italy. These people celebrate the creative process, the love of speed, the interest in machines and the spirit of the youth without the definition of ancient Conceptivisms and artistic values. So, among other things, the Conceptivism of ​​Zaum. Zaum preached that art must overcome the barriers of language to affect the viewer.

What is the relationship between theory and architecture? We can reveal the concept better by comparing the architectural differences between the Romanesque and Gothic building styles. Romanesque architecture defines a large, free-standing style that is often built on a strong concrete foundation that can support large stones and walls. If a block of stone, or even a whole part, is removed from a Romanesque building, nothing will happen to the whole structure. He will continue to stand, leaning on his great wall to hold himself together. Gothic architecture is very different. Each part of Gothic architecture is a reservoir of energy embedded in a network of interconnected elements. These components, along with the forces passing through them, hold the structure together. Excluding any individual component from a Gothic structure will most likely result in the collapse of the entire structure. This is because every stone has a special place of purposes and purposes. To learn more about Sergey Kir and his work, visit the official site: www.sergeykir.com