#and not giving your all

[deux-jared]

getting into a healthy relationship CAN make you unkin kaworu from nge.

[atinymexicanbird]

Ark siblings in all universes 🪐

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[mlm-blues]

dear gods please take my pain, double it triple it quadruple it and give it all to neil gaiman and then do that 10 more times

[phantom-shell]

I think it's super interesting how Jimmy's fear of Anya and the baby manifests in his mind as the Pony Express mascot.

Unlike every other character, Anya ISN'T in Jimmy's guilt/regret hallucinations near the end. He sees Daisuke walk towards the dark, he sees Swansea chase him through a cemetery, he sees Curly on fire in front of him but ANYA? Anya isn't given that kind of treatment. No, instead, we see a hallucination of the baby, a tiny horse in a womb that has no face attached to it (Anya's face specifically, all he sees is the womb), turning into a deformed monster that hunts him down the moment it's born.

Polle (the baby) is seen as a danger in Jimmy's head in the beginning of the game too, after he walks out of the cockpit. The more he walks, the louder the baby noises get and the more deformed Polle looks when he runs into it!

Jimmy doesn't give a damn about Anya, nor does he regret anything he did to her, but he is scared of that baby and what it means. The living proof of what he did to Anya, manifesting as a monster that hunts him down throughout the game.

[brainrotcharacters]

That's that shit eating grin that practically screams "Harder! HARDER!" except the homoerotic subtext is a tripwire they're crash landing through

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[aenslem]

👀looking at Agatha like👀

[soldrawss]

Something something 16yo 2k12 Mikey gets sucked into a portal and sent into the RISE universe and ends up helping raise the RISE kiddos AU

[sga-owns-my-soul]

reblog to give ur mutuals a soft lil kissy on the head

[shotmrmiller]

sex pollen trope where you're the one affected, having been exposed to some dense gas while on an op that felt like harsh sandpaper across your throat and lungs, and now you're a feverish mess on some ratty cot in a safe house and with only ghost as company, it's miserable, as the saying goes.

hair sticking to your sweaty skin, plastered onto your forehead and neck, every swallow feeling like you've got a mouthful of sand, your fluttering pulse wild and deafening in your ears, and the throbbing ache deep in your core, the blistering heat right below your navel— it'd only been uncomfortable in the beginning, the faint throbbing incredibly familiar, but the more you ignored it, the worse it got.

and now you're here, with arousal sticking your underwear to your pussy, unable to do anything about it because your lieutenant is seated in a corner that lets him have both you and the front door within his line of sight. a quick, discreet rub under your clothes is not an option.

someone put you out of your foggy misery.

"squirmin' like a worm on a 'ook isn't gonna help." his staring doesn't either, yet he does it anyway.

"got to make sure ya aren't dyin' on me." you want to snap that you don't think proof of life is on the darkened stain between your legs, the retort pressed behind clenched teeth but another thick wave of bestial need rolls over you and god, you're about to shove your hand into your underwear, propriety be damned—

"best you don't do tha'." why the fuck not? "you'll only get relief for a moment 'fore it comes back twofold." he says as if he's reading off the morning paper and not watching you fight tooth and nail to not fuck yourself against the pillow your head is on. (soap's offer to be friends with benefits is only looking better by the hour.)

you hastily decide that it'll be better than nothing. you'll just have to rub your pussy raw until this drug runs its course and you're telling him to piss off or don't, but you've had enough. you're stuck here with him anyway, no flight home until the morn and you're not about to spend it writhing around.

"if tha's wha' you want," ghost bites his gloves off, spitting them out onto the ground before curling his hands around your ankles and dragging you toward him. "i will help." your entire world narrows down to the feel of him touching your skin, his fingers searing as they hook into the waistband of your pants, and you almost kick him in the mouth trying to get them off faster.

"but 'm not fuckin' you." the bite of disappointment is quickly forgotten, his breath warm against your slick pussy, and after three quick glides of his tongue over your pearl, your orgasm crests, pulse after pulse of pleasure so potent it stung.

in less than a minute you're burning again, need thrumming through you and with the heady push and drag of his middle finger over your sensitive nerves, curling in you until he can fit two, three—

you're lost.

(ghost telling you that he's not doing anything else because if he's going to fuck you then you're going to remember it falls on ringing ears.)

[crystallized-cheese]

so like imagine Undertale characters but they're all crafts supplies Part Two Electric Boogaloo (Sans and Papyrus) (Toriel and Asgore) (Frisk and Flowey) (Napstablook and Mettaton)

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[stil-lindigo]

group project🕸️

prints

[angelsaxis]

a prisoner worked for 136 hours to make a collective 17 bucks, all of which they donated to Palestine. and some of y'all can't even boycott starbucks.