#and no one ever questions anything

[villanellecter]

actually the show is called "House" because they break into every patient's house

[lazylittledragon]

i refuse to believe that boycotting is hard. my favourite thing in the world is ordering maccies after a late night at work/a concert/getting drunk. yes i do miss it sometimes. but the other night i ordered from a small place near my house instead and it was the most orgasmic burger i've ever had in my life. i very rarely say this but fucking suck it up people are DEAD

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[mellohiizz]

so, um. that spoke uu episode, huh.

[gilfodile]

let's lament

[idontmindifuforgetme]

I understand what older people mean so hard now when they say the only relationships worth getting into in your young adult years are the ones that make your heart steam and sizzle and explode and nothing less

[juaneloriginal]

A dream and a nightmare

@blackkatdraws's silly!

i just want him to be happy bro

by himself not only with black, honestly i like their relationship but most of the time (i think early in their relationship) he always comes out injured or dead and the fact that he doesnt even care about his own safety most of the time just to (me thinks) make black happy makes me so sad/pos

i like the fact that they are being more cute now but im not sure how much that its going to last

[vaguely-concerned]

merrill dragon age really reverse engineered an eluvian from first principles in a cave with a box of scraps and one single blighted shard. and STILL she gets no respect for it from anyone but potentially hawke, at least in a confused yet well-meaning 'are ya winning son' sort of way on the friendship path. dark days for women in STEM

(really though it seems the equivalent of a person in the middle ages putting together a nokia phone from rocks and sticks (and one coaching session from a spirit, fair enough) and then just not being able to figure out how to turn it on even though it is fully functioning. magically at least merrill is inarguably a genius. the tony stark of kirkwall. well not really that comparison falls apart pretty quickly but you see what I'm saying here lmao)

[ps-cactus]

HO 🎄HO ☃️ HO 🎁 it's your Secret Santa in town🎅🤶🔔🎶 coming down your chimney with questions about your MC ⬇️⬇️⬇️

I'm so excited to learn more about Alyn! I just got started on one of your fics but I'm dying to know what the dynamics are between Alyn and Ominis?? What do they do when they spend time together? Who's the more affectionate one? Do they argue a lot? Who apologizes first? I would love to know if you don't mind sharing ❤️❤️❤️❤️❤️❤️

Hellooo! Thank you for reading 🥹💖 and for the questions, Santa! 💖✨ HERE COMES THE BIG POST! ~800 words👇🏻

To not make it extremely big I marked with * places where there are some extra headcanons behind the statement and I can elaborate additionally if needed.

Amberlyn x Ominis

⋆˚⋆⌜ Dynamics ⌟⋆˚⋆

The only one who'd understand. Recognition of each other's complexities. Mutual respect. Quiet support. Nevertheless, push and pull of varying intensity. Something from their Pinterest board:

Their bond unfolds slowly, built on trust (since Scriptorium, Alyn always sided with Ominis*) and, much later, subtle expressions of affection. They find common ground in shared struggles (family issues among them*) and the guilt and grief lingering after the events of the fifth year.

Alyn has a knack for finding the right words to soften Ominis' sharp edges and gently coax him into vulnerability. Though both are reserved in their own ways, they provide each other a sense of safety and understanding. (exceptions in Conflicts below)

Alyn is more open with affection—small, casual touches like brushing her hand against his (or her knee against his, because yes, she would; she’s, lost, traumatised and overcaffeinated teen). She completes his notes sometimes, drawing schemes from the board for him, describes things that catch her attention in and out of the class—all this happens naturally and easily.

Ominis is more reserved but deeply enjoys her presence and is grateful for her small gestures of help and appreciation. At first, he starts to subconsciously lean just a little closer than necessary during conversations. Over months time, he becomes braver about returning her gestures—a hand brushing hers deliberately, his voice softens noticeably when he speaks to her.

⋆˚⋆⌜ Time together ⌟⋆˚⋆

✨Studying: Since around the end of the fifth year, they often sit together at classes, at the library, or meet in common areas of the castle. Ominis becomes attuned to Alyn's steps, her scent, her presence. He’s startled to realise one day the sound of her voice reading aloud calms him.

✨Spells and Dueling Practice: Ominis’ magic is powerful, and his wand never misses. Alyn learns new spells quickly, and is excellent in explaining. Their training sessions are focused yet competitive and somewhat playful, filled with mutual encouragement and a bit of teasing. Alyn would brush the dust from a shattered dummy off his shoulder, and Ominis, whether he admitted it or not, would think that if the entire castle crumbled into dust around him, he wouldn’t mind—as long as it meant she’d be this close again, brushing it away with her hand.

✨Walks: Both enjoy long walks through the castle or by Black Lake. In the sixth year, they always visit Hogsmeade together. Sometimes they are just walking or sitting in silence. They don't normally talk in big emotional outbursts but instead share small, meaningful pieces of themselves over time.

⋆˚⋆⌜ Conflicts ⌟⋆˚⋆

They feel connection because they understand each other’s pain and offer emotional safety, but that very depth makes them vulnerable to fear, mistakes, and misunderstandings.

⚡️Curiosity vs protectiveness: Alyn is still new to the magical world. It makes her eager to learn everything—seemingly dangerous or not—out of wonder, fascination, and a desire to understand and catch up. Ominis, however, sees such curiosity as naivety and feels an urge to protect her, especially from anything risky. Alyn grows frustrated when she feels he’s infantilising her.

✨ Resolution: Alyn may prove her curiosity is tempered by caution, reassuring Ominis that she won’t put herself recklessly in harm’s way. Ominis, in turn, may learn to trust her judgment while remaining a protective figure she can rely on.

⚡️Miscommunication: Both Ominis and Alyn struggle with communication. Ominis often needs time alone to process his thoughts, but Alyn interprets his silence as distance or blame and tries to pull him out of it. If she doesn't succeed, she can rapidly go to 'Oh, it's now me not talking to you.'

✨ Resolution: They need to compromise—Alyn has to learns to give Ominis the time he needs, trusting that he will come back to her. Ominis, in turn, has to learn to communicate when he needs space instead of leaving her guessing.

⚡️SeBaStIaN isn’t even at school during their sixth year. But, whenever he’s brought up, Ominis subtly redirects or shuts the topic down, even though he's not as mad at him as he used to be and still considers him a friend. Among other feelings, Ominis is unsettled by the thought of Alyn reconnecting with Sebastian and leaving him behind. Again. His worry isn’t just jealousy (though it is that too). He fears Sebastian might pull her into something dark and dangerous. Again.

Ominis might: a) Withdraw—not to punish Alyn, but to protect himself emotionally. b) Overcompensate—offer her small gestures of affection, lingering touches, or closeness during homework sessions as a subconscious reassurance of their bond. c) Act stupid and say something he'll regret.

Alyn, in turn, gets irritated by his lack of trust, and such an attack on her judgment.

✨ Resolution: Alyn may reassure Ominis that she was never anything more than friends with Sebastian, and that she’s not under anyone’s influence. Ominis needs to learn to differentiate between jealousy and genuine worry and to communicate his fears in a healthier way.

⋆˚⋆⌜ Apologies ⌟⋆˚⋆

Ominis apologises after angry outbursts, guilt-ridden over losing control—something he fears makes him like his family. His apologies are slow and a bit awkward but deeply sincere. Alyn, on the other hand, apologises gently when she feels she’s misunderstood his intentions or pushed too hard.

Some of these 👆🏻bring them to this 👇🏻

⋆ Christmas 1891 ⋆

...and the aftermath. The second half of the sixth year.

Extra overcompensating for his insecurities while being not entirely sober, Ominis actually kissed Alyn. It happened after an argument following the Christmas party, but as Christmas magic would have it, that time both sides felt heard and satisfied. Eventually, they found themselves sitting together on the windowsill, sharing a quiet conversation. Aaand the first kiss happened.

Afterwards, Ominis apologised so many times they almost had another argument. Alyn reassured him that he didn’t need to apologise—that she didn’t mind them trying this new relationship. But of course, they have to make sure no one finds out.

And here the 'Shades' story begins

[ Thank you for reading all this! Now the little side note and rambling (sobbing on the floor) I don't think I actually succeeded at writing their friends to lovers trope in 'Darkness' I wasn't ever even going to post it and it shows. Well, anyway, I figured I'm rather more interested in writing adventure/action and seasoning it with romance than the other way around. That's what I'm trying to do better in 'Shades'. At the same time, now I have clearer understanding of how to deepen and write their relationship and again, it will all be covered in 'Shades' . You are very welcome to read 🤍]

[hijinxinprogress]

Civilian Gothamites realizing they can get vengeance through Sword!Robin

Gothamites figuring out if they happen to mention a rogue treating animals poorly within hearing range of sword!Robin that rogue will be in custody with at least four fractures and a concussion and Damian being completely aware that like 63% of these people are lying but it’s the only way he can get experience with the nonlethal takedowns he’s experimenting with bc everyone keeps complaining about how he treats his opponents and allies 

Like he’s guiding a civilian to safety and they mention that “this would be the worst thing to happen to me today if riddler didn’t stab my fucking cat” and this civilian does not own a cat but they did own a car that was just paid off but riddler fucking crushed it with a stupid ass hot air balloon that’s shaped like a fucking question mark and Damian is aware of this bc he was the one that verified the insurance claim (but he’s been looking for a reason to punch Nygma in the throat since his last Arkham escape when he called Damian a moron)

And he also knows that if he plays along with it and says ‘as if I’d let that gaudy and tactless imbecile get away with committing such atrocities’ when prompted that he’ll get away with barely a slap on the wrist like he gets three half hearted but long lectures he’s not going to listen to and an online sensitivity training seminar he goads Tim into completing (Damian and Tim 100% try to trick each other into doing work they don’t want to do and full heartedly believe the other has no idea what they’re doing)

Bruce’s tendency for finding small crashouts at risk of becoming future rogues in Gotham and deciding they need love & supervision but what actually happens bc he’s so fucking awkward is they get almost the same amount of supervision just with like an hour of intense helicopter parenting a week but honestly besides that they just have more money and resources to do fuck shit

Tim 🤝🏾 Damian: using the manipulation tactics they learned from their mothers then later improved on with help from an assassin cult and bat/cape interrogation questioning techniques on the homies

[lupeloto]

ian gallagher + the face he gives when answering the question of if he loves mickey as if it is the most ignorant inquiry he’s received

doesn’t hesitate for a second “of fucking course i do” and “yes, obviously why are we even wasting time on this”

[kurithedweeb]

Here's the real question I gotta ask myself.

Of those I imagine have their swords sheathed at their hip, which ones, aside from Laurance, do the thing where they casually rest their wrists against the hilt of their blade while resting all their weight on one hip and making a very good point and/or emotionally devastating someone with a few simple words?

[salemoleander]

I do not care about celestial symbolism one iota but Joel's life series win as a major arcana is so so obviously The Chariot

(I will also accept arguments for The Lovers. That is the only other card I will accept any arguments for)

[teddybeartoji]

o wait before i start posting any pics.. i was thinking that maybe.. you guys could help me liquify this gender some more by switching up what you call me.... DON'T GET ME WRONG I LOVE . LOVE LOVE LOVE WHEN YOU USE HE/HIM AND JUST OVERALL LIKE MORE MASC STUFF THAT'S SOOO MMMMMMMMMSO FUCKING GOOD like i don't get to feel that irl at all so it really does make me so happy but i've just been thinking abt TRYING to switch it up more yk? does this even make sense...... . hhhh anyway i might won't even like it and i'll want to just go back to hehim but i wanna try... JUST TO SWITCH IT UP.

[liquidstar]

wait speaking of getting isekia'd via truck, a couple weeks back me and a friend on were talking abt portal fantasy/isekai tropes (mostly bc i was infodumping abt rz again), and it made me think abt a fun concept for an ocverse. tho its possible similar things have been done obvs with just how inflated the genre is, just hear me out OK

story starts in the normal world, with a typical Nerdy Guy going about his daily life, expositing about how he feels bored and longs for adventure and magic, just like in all of his favorite media. as he's crossing the street, distracted by his mobile game, he doesn't notice The Truck(tm) coming straight towards him. except he's not hit by it- he's pushed out of the way in the last second, saved by a passing girl who gets hit in his place. this is who the story is about now.

mc gets sent to that sort of intermediary dimension that some isekai have, where she meets the Goddess Lady or whatever that was in charge of the whole isekai situation. goddess lady proceeds to freak out, because she nabbed the wrong person, and she's going to be in SO MUCH TROUBLE. she starts questioning the mc, only to find out that this kid has a good social life, does well in school, is in sports, and has barely ever played a video game. basically the opposite of the socially introverted, underachieving, repressed, genre-aware guy she was supposed to have reincarnated. for the sake of fulfilling somekinda hero prophesy or whatever. and the mc kinda bargains to be sent to the fantasy world anyway bc, well, its that or death i guess. so the two of them kinda have to team up to course-correct this mix-up.

mc is kinda given a list of tasks to do that basically mirror how a typical story like this Would Go, expected to fall in line with the tropes in order to achieve the ultimate goal, but kinda ends up failing at all of them... or not? failing backwards, maybe. doing it in a way different from how its meant to go- using the wrong formula, but somehow getting the right solution. while sort of continuing to question the insanity of the whole situation, and the nature of this whole fantasy world. just fucking up all the tropes.

but a layer i'd wanna add on top of all that is the fact that the hero prophesy (or whatever) called for a man. so upon arriving to this new world, the mc is basically put into a "gender swapped" body and... doesnt seem to mind. this isnt an uncommon isekai trope either, but i hardly see it tackled with much care to really explore whole Gender Thing beyond gags about the "mismatch" (which can be in poor taste) or the conclusion that "well because their Body is now this gender, their gender identity changes to match" which i feel is a pretty shallow and binary take-away to draw abt bodies and identity.

but i think there can be more to explore w the prospect if you actually wanna get into gender stuff. in this case, i'd particularly wanna get into the idea of imposter syndrome. the main character was not MEANT to be... the main character. seen as a phony fighting tooth and nail to meet expectations, and constantly fumbling. not a real hero, or a real man. but its meant to be an act anyway, so why does that bother her? it was like that back on earth too, trying as hard as possible to be the perfect girl. a good social life, does well in school, is in sports.... but that good girl thing always felt fake too. or desperate. what was she trying to prove? how long as this BEEN bothering her, actually? why does it feel easier to breathe in this body, despite everything? the way this whole act makes her happy is scary, because its fake isn't it? but wait, which part was fake? the before or after? is it all fake? isn't this all just a mistake?

was it really a mistake? who is more heroic; a guy too focused on a mobile game to pay attention to those around him, or the person who risked their life to save a stranger? but the hero prophesy was for a "man," right? what does that even mean?

[silently-standingstill]

This isn’t an art request but I just saw your AMV and I loved it a lot! If you can, could you walk through the process whereby you color the animation? Do you have set color palettes and add overlays to create lighting or do you manually pick the colors via color theory? I want to know /nf

Hello!! I appreciate your interest :D I put a lot of thought into the colors so this may be a long one! It'll include other animation info too

Any color I use is never reused for any section, I pick them all manually and for a purpose, it's important to have something different for each section as it adds more meaning and so things don't get boring. I occasionally use overlays, only one section uses it though. I'll go over a bunch of parts where color was important.

I struggled with the colors here, it based it off of an old drawing (on the right), and I realized I couldn't make my old coloring style work again, especially with how I was going about it, nothing played off of each other and felt very icky? I opted for more natural colors, creates a better sense of what I was originally going for, this part isn't very significant but it was interesting to find out what works and doesn't, you can learn a lot from redrawing old works.

This was another part I struggled on, I purposely made One look wonky because I liked the sketch more than anything I could come up with. They really look stupid, don't they? I redrew it a bunch of times to incorporate the orange, but I did not want to base it off of the scene where One was counting down, that had a purpose for it, this did not. It was following the previous parts color, which has an overcast of orange, but I couldn't find a way for this to work without feeling unsatisfying. I opted for using a trio of blue+green+red, it could be seen as 123 but that wasn't intentional.. it was the only colors I thought could work with the lighting of One's TV, but hooray for unintentionality! It makes this part connected with the lore!

This part I put a lot of thought into! Something I found interesting about One's lounge is how it uses red+yellow+blue, the three primary colors, in design those colors are used to invoke a sense of familiarity and safety, and if you pay attention, these colors are used everywhere. this could or could not be intentional in the actual show, I do not believe they are, but I used this to my advantage as when One's walking past the figurines, the yellows increases, but when they figurines fall, the yellow fades into white to show while One tries to come across as trustworthy, their façade can be quickly broken. I put together a lot of notes for this part and drew a sketch for it too LOL

"The lights that shine" section's color were meant to be like this from the start, this was the first section I animated, they have a big contrast and yellow limbs, I only put that because I thought it looked cool, but the colors carried over to the other part where they look like this, and ended up using this palette to symbolize who was kidnapped by One. I had trouble deciding how the beams(?) that were coming out of the moon should look like though, this was what I was originally going to do. The placement of each contestant is important too, more to the front, the more they may be impacted by One. I wasn't sure between Gaty or Leafy to put in this section, since we don't know if either of them will/had contact with her, it was difficult to decide. I put Leafy instead because I didn't want to animate Gaty.

The chair for Gaty! No one mentioned this detail and I was a little sad about that - each time One's lounge is shown, there is a different chair for each contestant, if One took Gaty, it'd leave a bitter feeling if she used a similar chair to her and Two's hangout couch.. their hangout couch is already split in half, it's possible One could take half of it. The colors were based off of how the person who designed One's lounge uses colors, I used some of her personal artwork as reference, and also how the chairs shown in the lounge were designed, and each design has something to do with the characters, One's is big, to show importance and uses the primary colors, Fanny's is small and dark with shadows taking up most of it, Basketball's is big, modern and green to reflect her mechanic room, Gaty in TPOT is (unfortunately) mostly associate with Two and this couch, and is similar to a therapist's patients couch, it would fit her role and characterization in TPOT if I am right about this

This was the only section to use overlay, layer 6 and 5 were the only ones to be changing as stated in the notes, there's a lot of light changes in this sequence, and if you notice closely there's a red, a shadow casting from characters outside of ones shadow, and there's a bigger contrast between the lighting and shadows. The "lights that shine" section you'd think uses that, but everything was done manually, even the transitions colors

These are some storyboards for this, the handwriting is probably poor I apologize about that, I created this during school and I don't write neat/properly if I don't plan to show anyone it LOL