#partly ofc

[mellohiizz]

so, um. that spoke uu episode, huh.

[mearchy]

On my rewatch of TLOU I realized there were some details that I missed before that help to paint this huge picture about the importance of the preceding Tess/Joel relationship. The first and most obvious is that Joel mentions passingly that he and Tommy met Tess pretty early on, and it sounds like she stayed with him when every other group they were in fell apart, and even when his own brother left. So they’ve been surviving together for at LEAST 15 years, probably longer than his daughter was even alive, which is a length of time I just didn’t fully process before.

We never hear the full goodbye/suicide letter from Bill, but a lot of people have pointed out that over Joel’s shoulder you can see Tess’s name mentioned at least twice at the end — including something about her deciding what to do. We know that basically every time we saw Tess directly interacting with Joel before she died, she was the one giving him directives and making the final decisions. She says outright that he listens to her. This is not a man who trusts fucking anybody after everything he’s been through. But he trusts Tess. She comes up behind him in bed while he’s sleeping, and in a world of raiders and robbers where hypervigilance is a necessity, he barely even stirs.

Now, one of her last lines before she dies is “I never asked you for anything, not to feel the way I felt—“ and he tries to say something and she shuts him down. But here’s what gets me: before that, before they realize she was bit, she turns around and in her dying frantic anger she yells “that is NOT MY HOME!” about the QZ. And it’s like okay… where else could she be thinking about, if she’s spent all these years on the road with different groups, with Joel, and then at least a decade in the QZ? What is she defining as home right now? Why is this correction so intense? And it could be about Detroit, about where she came from and isn’t (apparently) attempting to go back to. But then. But then she turns and she looks directly at Joel. And she’s got the most tragic expression on her face. And I wonder if in that moment Joel knew she meant that he was her home, even if she had never said it that openly before. Wherever he went, she would go. Haring off on a wild chase after his brother across the country? She’s there. She’ll do anything to make it happen. She’ll beg and barter and kill for this truck battery, for a mission she doesn’t even have half the same stakes in. She was his direction and his driving force and a safe place for him, but he was her home.

Thinking about this almost changed the tenor of the remaining story with Joel and Ellie to me. The hospital massacre felt perfectly in character the first time I watched, but when I rewatched with both the Sarah and the Tess story in the forefront of my mind it felt even more fucking inevitable. Joel is Orpheus. This couldn’t have gone any other way. He could never have done anything else. He has failed the two most important women in his life. He has failed a daughter, and he has failed a partner twice over- first by letting her die, and second by letting her die believing she was unloved. How can he fail Ellie now? He has to burn the entire world, tell any lie, just to keep her alive. There is no other option, no other outcome. There is no living Joel post-canon without the hospital massacre.

And the revenge for it will be what kills him.

[kettlefire]

A Panic in Time (DP x DC)

This is all thanks to the awesome @tkiesai for basically being the foundation of this idea! This is probably going to be long, and probably won't delve that deep into my ideas about this idea. Largely so it's not insanely long. But here I go!

°•°•°•°

Bruce's head felt like it had been shoved through a straw and spit out on the other side. The throbbing was annoying, but it wasn't anything the man couldn't handle.

His mind was muddled, memories of what happened prior to him awaking was blurry and unsure. Bruce knew it wasn't something good.

He vaguely remembered a league meeting, a threat, something looming. It wasn't world ending, or at least that's what Bruce remembered. It should have been something they could handle.

But now, here was Bruce. Waking up in the grass of some random park. He was dressed in casual attire, something he'd wear in public as Bruce. Although last he remembered he was in the Batsuit.

The sun felt too bright in the sky. The sound of families filled the air and children's laughter. No one seemed to blink twice at Bruce as he pulled himself together.

It took a moment to steel himself, to gain composer again. It took a few sweet lines, and a charming smile for a nice mother to slide him a few painkillers. The lies rolling off his tongue like second nature.

To his luck there was a newspaper at the top of the trashcan. He was in some town called Amity Park, and the year... the year was the problem.

It was 1996. Whatever had happened had sent Bruce back in time. There was a few suspects Bruce can think were the cause of this. But something in his gut kept drawing his train of thought to the Flash.

It seemed like each time the League had any time related problems, Barry was in the center of it. Which also leaves Bruce with the question if he was the only one sent back in time.

God, he could only imagine the nightmare if the others were sent back in time. Yes, they can be professional. They understand the risk of changing things in the past.

But Bruce also understands that his team can be less than... intelligent at times.

Despite that, Bruce needed to find a way to get back to Gotham. He might not know for sure where everyone was right now, but he knew Alfred was the safest bet.

A plan laid out in Bruce's mind, a list of people he knew wouldn't be a risk to approach. He just needed to find a way to get to them. He had barely made it to the gates of the park before a shrill cry pierced the air.

There was just one loud outcry, before it quieted down. Bruce glance around the space, spotting a young boy curled on the ground. Tears streamed down the boy's chubby cheeks.

And no one even moved to the boy's aid. Not a single mother spared more than one glance in the kid's directions. No parents came rushing over to the boy's side.

Bruce almost walked away, he really did. This wasn't his time, anything he does can cause immense damage to the timeline. But when Bruce caught sight of blood bubbling from a scrape on the boy's knee, Bruce couldn't ignore him.

Maybe it's just the father in him, but Bruce barely even notices when he's crossing the small distance. His mind zeroing in on a hurt child that needed help. Kneeling before the small boy with a gentle smile, and pulling his handkerchief free from his pocket.

"You're alright there, buddy. It looks like you took a bit of a tumble there." Bruce slipped into the same tone he used to use when his kids were young. Gentle and understanding, as he pressed the handkerchief to the small scrape.

The boy sniffled, tears slipping from his eyes. Bruce was more focused on the way the kid was looking at him. Like he couldn't fathom someone coming to his aid.

That look had Bruce's heart breaking slightly. He's seen a similar look before. The few times he's come to the aid of a hurt child that wasn't used to getting help.

Something no child should ever feel or experience.

"Where's your parents, kiddo?" Bruce asked after a moment of silence from the boy. He had waited until the kid's breathing settled down when the boy's chest stopped pumping so quickly.

Except his question only seemed to bring a new wave of tears to the boy's eyes. The small child just seemed to curl into himself further, ducking his gaze away from Bruce.

And as much as Bruce didn't want it to be true, it was clear the kid didn't have the support he needed. It might not as be as far as some of Bruce's kids have had in the past.

But it was clearly not good.

"That's okay, it's alright. What's your name?" Bruce tried again. The boy's silence was leaving an uncomfortable pit in Bruce's stomach.

"D-Danny..." The boy spoke out his name between sniffles, and Bruce felt a wave of relief hearing the boy speak.

In hindsight, Bruce can see how strange the scene might look. A slightly disheveled man comforting a lone young boy in a park. It wasn't exactly perfect.

But with the lack of reactions from the parents around, Bruce had a feeling the town had an idea who this boy was. The whole situation just didn't feel that right for him.

It took a few more comments before Bruce managed to get the boy to crack a smile. A laugh had felt like breaking a massive wall.

Before long, Bruce had Danny actually like any other boy he's known. Carefree and happy, just like a child should be.

"You didn't tell me your name, mister." Danny had suddenly cut down the relaxed moment they were in. A pout laced the boy's lips as he looked up at Bruce, almost accusatory.

"I'm Bruce. Bruce Wayne." Bruce responded without missing a beat. He knew this might cause problems in the future. He wasn't supposed to be here.

But when his gut is telling him something, he can't just ignore it. He checked his pockets, finding no business cards anywhere. So, Bruce fell back in plan B.

"No matter how long it's been from now, you can come to me for help. Just look for Bruce Wayne in Gotham City, and when you find me... just say Fairbanks sent you."

Bruce wasn't sure if he'll ever see Danny again when he goes back to his own time. Wasn't even sure if this was the same universe as his own. But he couldn't walk away without at least offering the boy help in some way.

When Danny's eyes filled up with tears again, Bruce thought he said something wrong at first. That was until the boy was suddenly clinging to his shoulders in a tight embrace, muttering 'thank you' over and over again.

Bruce felt himself almost close to tears just from that alone. His heart was aching for the small boy. Even if Bruce couldn't help Danny anymore than this, he was hoping the boy would have a better life.

One where he wasn't clinging to a stranger for comfort that family should be providing him.

THWAMP

It didn't hurt, but it did cut their hug short as Bruce suddenly pulled away. Turning his head to see a young girl wielding a wiffle bat, and another young boy standing behind her.

Her purple eyes glared at Bruce like he had done the worst thing in the world. Her grip on the bat was threatening and ready to swing again. Her knuckles white from the tight grip alone.

Maybe leaving this time era might not be as easy as Bruce thought as the young girl probbed him with angry and scolding questions. Not that Bruce could blame her.

He just hoped this hiccup didn't get back to the league. They'd have a field day hearing about how Batman got scolded by a child with a wiffle bat.

°•°•°•°•°•°

Danny wasn't sure if this was the best idea. It's been years since he met Bruce Wayne. So many years. Danny had just been a kid, not even ten, when Bruce had introduced himself.

When he had an adult, actually check in on him. Yet, it was a memory Danny couldn't forget. Maybe it was just the kindness that Bruce radiated.

Or maybe it was when Sam came to his "rescue" near the end. Regardless, it was cemented in his mind. A core memory that Danny cared with him through the years.

Now, here he was, roughly seven years later. Standing in front of a manor that put even Sam's place to shame.

It took a lot of courage for Danny to knock. Barely a second later, an old man answered the door, an accent Danny was certain Bruce hadn't had.

A stuttered explaination of being here to see Bruce Wayne, that the man knew him, barely left Danny's mouth before the old man ushered him inside.

The man, Alfred, told Danny to wait by the door before vanishing further into the manor. It took a lot for Danny to not just vanish.

Being half ghost nowadays had its quirks, Danny could just vanish, and no one but Alfred would know. But he couldn't.

It had taken a lot for Danny to make the journey to Gotham City. He hadn't even thought to look up a current picture of Bruce either. Which was probably a big mistake on his end.

Danny didn't even know if Bruce was offering this kind of help. But Danny didn't have many allies to turn to. He needed help.

Not just for himself but for his family. For Amity Park. He couldn't be afforded the ability to run away. Not now.

Danny felt all the air leave his lungs when Bruce entered the area. The man didn't look a day older than what Danny remembered. Bruce looked a bit more put together, not like he had just jumped out of a moving car, but it was Bruce.

"Uhm... I don't know if you remember me. But my name's Danny... we met when I was a kid." Danny started trying to explain himself before Bruce could speak. He recognized that confused look anywhere, and Danny didn't have the guts to go through with this if Bruce asked any questions.

"You told me if I ever needed help, to come find you. Bruce Wayne in Gotham City... you, uh, told me to tell you Fairbanks sent me?"

That came out more like a question than Danny would have liked. But it did ease his nerves a bit as he watched Bruce's slightly confused expression turn to alarm and surprise.

Danny wasn't sure what this would do. If Bruce could truly help him. But he was out of options. Just seeing Bruce recognize something he said was enough to calm the teen's anxiety slightly.

"I'm sorry, Danny... I don't remember you. But I believe you and I want to help you. Come inside, have a seat, and tell me what's going on."

That response was enough to have Danny's eyes fill with tears. His chest filling with a sense of hope he hadn't felt in weeks now.

Maybe, just maybe, everything would be okay.

[sidewalk-cracks]

literally please give Battison a Dick Grayson in the Batman Part II.

The first movie was about Bruce's journey from not wanting to be Bruce Wayne, to realizing that he does in fact need to be Bruce Wayne, and that Bruce Wayne can be a force used for good just like Batman. Logically then, the second movie should explore the next immediate question on the table: okay, he needs to be Bruce Wayne. So who is Bruce Wayne? What kind of man is Bruce Wayne going to be? Bruce still feels defined by his trauma of his parent's death. Bruce Wayne still feels defined by his parents' shadows, by his father's legacy. He still feels defined by his grief. How does he make Bruce Wayne be something different?

Dick Grayson would serve as the PERFECT device for Bruce to discover who he can be. Because Dick Grayson is literally just a young Bruce, and Bruce sees that instantly (it's why he takes him in in the first place). So throughout the movie, as Bruce tries to help Dick process his grief, he's inadvertently processing his OWN grief. Dick Grayson unknowingly helps Bruce process his own trauma, and through their developing relationship shows him that Bruce Wayne can be more than a recluse, a failure, a man drowning in his own head- he can be a protector, a friend, a parent.

When Dick points a gun at Tony Zucco's head, Bruce talks him down, and all the words that he gives him are words he had wanted when he was a kid and his grief was fresh. Even though they're gone, you're not alone. I understand.

BATTISON NEEDS DICK GRAYSON TO BE ABLE TO TAKE THE NEXT STEP OF HIS CHARACTER GROWTH.

[heteromerous-rhyming]

i think that i've figured out why i don't like show sally.

ok like don't get me wrong, virginia kull?? she ATE with that interpretation. her acting?? amazing. like i could truly get the core of her character.

it's just that i don't like the character the writers give us.

cw: discussion of abusive relationships, of toxic family dynamics, probably a good bit of generational trauma. I don't really get into details except with stuff shown on the show and written in the books but i wanted to be safe.

as someone from an immigrant household, as someone whose mom works a part time minimum wage job, as someone whose seen and been there as my parents fought, i just really really dislike sally's portrayal in the show. and it's partly because of poseidon and partly because of gabe (mostly because of her character in general but yeah, lets get the men out of the way first)

I feel strongly about poseidon in his relationship to sally very specifically. i don't mind his relationship to percy either books or show. but it's pretty damn clear to me that this show was written by someone who's never experienced sally's situation, of being the single working parent with an absentee partner (or in gabe's case a partner who literally ahHHHHHh). because from the beginning, from sally's reaction and snark to gabe, I felt like something was wrong or off, and it was Specifically the show because i read the books and i watched (some) of the musical and i never felt that way towards either of those. i'm not saying that my family situation is sally's (don't have a god for a father for one), but. by all accounts sally knows that this is an abusive relationship, the only reason that she's with gabe is because of the protection he offers percy. i have to assume that this is true because sally jackson turning gabe to stone is something i'm assuming is staying in the show, and i remember this being mentioned by grover? or someone in the first few episodes. and the cord that struck in me was not the traditional (that is, visible, defined, i don't like this word but i don't have a better one) abusive relationship but relationships in my community, of women staying with husbands because of their children, women outright saying this, women who know the world is cruel to single women and to single mothers specifically. sally, to me has never been under any illusions that gabe is any sort of relationship material. she has never been under any illusions that poseidon would be able to help in any way.

and that crux of sally's relationships made her first scene in the show all that more jarring. but it's not anything specifically that i can put a finger on. and maybe i'm wrong for this or maybe i'm expecting too much. but. sally doesn't have the resentment or the quietness or the bitterness or even the loudness that i expected. you have been the only true caretaker for your child, the only one in the house that really puts food on the table and on top of that is expected to do emotional labor? to cook and clean or at least pick up the food?

but she treats gabe like he's an annoyance. someone to brush off. and you see the manipulation tactics from gabe, you do, but.

its not that i want sally's spirit to be crushed. my mother's spirit wasn't crushed. the women in my community, they laugh, they cry, they watch silly tv shows, they have lives that they live, and in many cases they live well.

but the women that i know are also angry. they are either on fire or they used to burn. when they banter with their partners it often turns ugly because they are tired of the same damn argument day after day, because often the trivial things that are asked are compounded and compounded and compounded because you live in the same house, there is no escape, there is no private space, not really.

it's new york and sally works a job to support an apartment and her family. they are not well-off. sally has no support network we can see, and how could she? poseidon mentions that she has no one to talk to about these things, her parents are clearly out of the picture. all this to say. there is a certain understanding of class that exists within the books that was excised, i believe unknowingly, from the show, and it is the worse for it. there is a tiredness, a worn-down-ness from being low income that sally had in the books, but in the show i only see a struggling first time single parent. i don't see the complexity of a woman who literally gave up on finding a fulfilling relationship to be with a man for her child. i don't see the complexity of a woman working fulltime and still getting demanded from at home. and i didn't realize that I wanted to see that until I saw the show. i didn't realize that that was what i loved about the books.

i hate that they tried to bring poseidon back into sally's life as this perfect man who through cosmic forces can't help. i hate that sally calls him, i hate that he says he'll listen. but most of all i hate that sally just accepts him, falls into him. it's really hard to be a mother when your partner doesn't seem to help you parent in any way, even if he cannot help you. he's a greek god, there's no way in hell that he can begin to understand the lengths that sally has gone through to sacrifice and survive, the very human things that she's done. sally in the books thinks of poseidon as a sweet memory, almost a fairytale, and it's clear that this story is the one that brings her comfort. poseidon is a one night stand, a sweet stranger, she understands he's not coming back. but this poseidon comes when sally calls, and that i cannot believe. i cannot believe that she still thinks of him as the fairytale man, that she accepts him so easily if there isn't that distance. i cannot believe that there is no resentment, that she still puts faith in him as her god (the first episode when she talks about him just felt so wrong to me) if he's not a memory, but a recurring figure. this is not a story of star-crossed lovers, sally feels too real as a human being for that.

sally finds trust, finds contentment, in the books after percy leaves home, after she no longer has to put up with gabe for his safety. she does not find poseidon again. she marries a human man, a very ordinary human man who cares for her. poseidon visits after she is in this relationship and its an amicable one. he is percy's father but also distant memory all in one. sally has the strength to survive a terrible relationship and still find a way to heal and live fully after that.

but the anger. the fire was there. she turned gabe to stone. she reclaimed her life with her two hands.

you don't kill a man for no reason. you don't kill a man without emotion.

but it's that reason and that emotion that i don't get from the writer's room. and it just makes me deeply sad.

[du-sailarar-nerilia]

Have you ever thought about what life must be as an elf? To have all your basic needs met and having literally all the time in the world as you are an immortal being. At that point picking up a time-consuming hobby must become a necessity just to keep yourself from going insane

Something something behavioral sink and Calhoun Rat Utopia Experiment

[thegayestaddams]

Okay so like… hypothetically… if i were to write a byler x hadestown/orpheus and eurydice fic, how interested would y’all be? I feel like it could be cute and i do wanna write it eventually. Buttttt i have a lot going on and i dont wanna write it for a nonexistent audience

[gojoest]

satoru getting hard every time you breastfeed your little ones calling them “you lucky bastards” is canon to me

[ladyloveandjustice]

I had to stare at the page for a while trying to figure out what Shuro's even apologizing for. He's not close enough to Cithis to have bumped into her, so I guess he's actually apologizing for screaming when there's a loud noise. Which I guess annoys Cithis probably because it's an unnecessary apology and she is probably tired of Shuro being Like That.

Or perhaps he's just apologizing for any bad thing he might have done at any point. Specifically to someone who took him hostage. "sorry for the inconvenience of kidnapping me". The people pleasing is real.

[palaceoftears]

Magnificent Century Rewatch: One Picspam per Episode

Episode 17: The Double Joy

-My dear mother used to say "walk barefoot on earth and it shall take away all your troubles and sorrows, earth shall give you happiness and joy"

-Your mother spoke well, one can only find peace in earth. But I'm not sure if it is on earth or in it.

[aibouart]

i drew a streamer i started watching recently who was playing LN1~

their name is obakechan !

[batsplat]

love your aesthetic post! vale and jorge… truly another level of divas. i do appreciate it when riders are committed to being visually identifiable on track. curious about your thoughts on the ass patches as part of the aesthetic?

also iirc marc’s cartoon ant was designed by the same guy who did vale’s turtle + stuff (back when he was managing his merch), it used to be on his helmets when he first started motogp. rip cartoon ant… another victim of sepang 2015 😔

(aesthetic post) ass patches very cute distinctive motogp thing!! like the cheesy championship celebrations... or hand grabbing on cooldown laps... or how the leathers have weird humps and look deeply awkward to walk in but inexplicably motogp keeps making the riders shoot almost all the promo material in them... tbh motogp really did need valentino because the sport is just conceptually too fruity to be allowed to remain the reserve of the hyper masculine sphere. like it's a shame that it's still just heterosexual men riding those bikes - but at least it got that sorely needed injection of camp and fun. actually I should've mentioned the ass patches thing in the original post because of course that too is something valentino heavily influenced, concurrently with a similar evolution in motocross (x)

the camera thing is also funny and I kinda want them to keep doing it forever, just a very dumb motogp thing that adds to the specific quirky appeal of the sport. ik on this website they're appreciated as like. showcasing an attractive attribute of the male form. which obviously I personally have no real thoughts about but if they introduced dyke riders I think I'd probably be pro. idk I think they should have dyke riders

anyway on the cartoon ant thing. that does sound about right, I kinda suspected it might have been another casualty of sepang but did not want to spread Misinformation On The Internet and couldn't find a source. so. though I will say I also can't really remember seeing that ant on stuff 2013-15, idk in general it kinda feels like marc could've integrated it into more stuff. and if he didn't want a cutesy cartoon ant post-2015 fallout, he should've gotten himself another ant!! just ANY stylised ant. I feel like having an animal associated with you is such an easy slam dunk in terms of branding... acosta's doing a good job with it right now, like he's got a cute stylised shark and it's something you could reasonably see yourself buying merch for and it's just something fun they're associated with

in general I really am just pro riders having Things. I also think jorge's 'the martinator' thing very finely straddles the line between cringe and camp... and camp ofc in the truest sense is failed seriousness, like it's very campy in the disconnect between the attempted coolness and the profound silliness of what we are witnessing. idk part of the joy of motogp 2 me is watching vinales dress up as a gorilla between my fingers or hiding my face in my hands as pecco pulls out a guitar or sliding off my chair and hitting the mute button whenever marc starts dancing on podiums. the artifice and the performativity and the drama is what gives the sport life... it wouldn't be the same if it weren't so dumb

[razzle-zazzle]

Whumptober Day 14: Left for Dead

"'Cause I want you to know what it feels like to be haunted" -tiLLie, kooL aiD mAn

2367 Words; Divergent AU

TW for attempted emotional manipulation (pythor)

AO3 ver

The ocean was just as blue looking from sandy shores as it was looking from the lighthouse.

Well, no, not exactly the same—it was much closer, now, the sense of distance he was so used to gone. But the white-capped blue looked almost the same as ever, so he turned his attention to the rest of the beach behind him. To the trees further on, and the jungle further beyond that.

Cole—the bulkier of the two humans who had found him—and Morro—the human with the green streak in his hair—had disappeared into the trees a while ago to check on something. This left him with Pythor—the Serpentine, a species that he had never seen before—who had taken to lying on a particularly warm boulder higher up on the shore, eyes closed.

It was… it was all so new.

(“Do you want to leave?” Morro had asked, after Cole and Pythor had—with his instruction—helped get his leg and arm working again.

He had. He wanted to leave so badly.)

His name… Father had named him Zane, but when he had proclaimed that to the group, they had all exchanged looks he couldn’t decipher. Cole in particular had looked at him so strangely, and kept tripping over his name, like something was knotted up in his mouth. That was new, too.

But the group’s boat had ferried them westwards to this island—not the mainland Father had once lived on, which was to the east of the lighthouse—and Cole and Morro had disappeared behind the treeline fairly quick, leaving Zane and Pythor behind.

He ambled over to Pythor, careful of the shifting sand beneath his feet. His joints creaked, not particularly happy with the boat trip and the sea air, but they didn’t give out. He poked Pythor’s head, and waited for a response.

Nothing. He poked the white-splattered scales again, and Pythor grumbled. Violet eyes opened barely a crack, squinting blearily up at him. “Oh, what do you want now?” Pythor demanded, rolling his tail over slightly. “I can’t entertain you all day, you know—these tired old bones need their rest.”

Zane considered his words, mulling them over. Pythor’s eyes slipped closed, a low hiss escaping his mouth like a sigh, and Zane spoke.

“Does my name bother you?” Well, Pythor had seemed more surprised than bothered, but he surely knew Cole better than Zane did, and would be able to remedy any confusion.

Pythor’s eyes opened again. “What?”

“Does my name bother you?” Zane repeated, like he would for when Father didn’t quite hear him, or forgot the question. Then, after a moment, he started to elaborate, “When I introduced myself, you all looked at me funny—”

“Yes, yes, I heard you the first time.” Pythor held up a hand. He hmmed, his head lifting up to regard Zane more closely. “As for your question… not particularly.” He answered, lazily waving his hand. “I find it more ironic, maybe even amusing.” His head fell back to the rock, his eyes starting to close—

“Does my name bother Morro?” Zane asked, no less confused than before. “And why do you find my name ‘ironic’?”

Pythor stared at him reproachfully. “My, you ask a lot of questions.”

“It is part of my purpose, so that I can help aid Father’s memory.” Zane stated. “Does my name—”

“I wouldn’t know.” Pythor shrugged, cutting Zane off. “You’d have to ask the boy yourself.” He sat up a bit, readjusting to bring his tail around in front of him so that he could rest his neck upon the coil. “As for why your name is ironic—well, it really only makes it clear that you’re a copy.”

“I do not understand.”

Pythor chuckled lowly. “I imagine you wouldn’t.” He yawned, then spoke again. “Tell me, did this Father of yours ever mention any other… children, of his? Other creations, other sons?” He sounded lightly amused, though Zane wasn’t sure why.

Zane took a moment to think over his answer. “He would often tell me of his time on the mainland,” he started, “but he never mentioned any other sons. Why?” Well, no, Father had once mentioned having a son, but always brushed it off or insisted that Zane was his son, his only son.

Pythor grinned. It was slightly unsettling. “You really don’t know?” He reared up, neck twisting to bring his head closer to Zane’s. “You’re not the original Zane.” He crowed, looking Zane up and down, “You’re clearly just the copy cobbled together from scraps.” At once, his pleased demeanor vanished, replaced with something more sympathetic. “I imagine your Father must have been lonely, in that lighthouse. No wonder he rebuilt the son he loved so much.”

Now it was Zane’s turn to be perplexed. Thrown, even. “What…?”

Pythor reached over, patting Zane’s shoulder. “I’ve met him, you know. The first Zane. Fought him, even.” His eyes slipped closed in remembrance, “Ohhh, it was certainly a time. You know, I didn’t even know he was a nindroid until… hmm… I suppose it must have been sometime after being swallowed by the Great Devourer.”

“Nindroid?” Zane asked, feeling incredibly lost. Then, discarding the term as unimportant—“What do you mean, anoth—an original Zane? I’m Zane.”

Pythor hmmed, tapping his claws against Zane’s shoulder. “A copy.” He declared. “Made of scrap and abandoned when the original came along—”

Zane punched out, knocking himself over. Sand caught in the cracks and seams of his back as he got back up, and Pythor stared at him.

Zane decided he didn’t like the serpent. He opened his mouth—to say what, he didn’t even know—

“What the fuck are you doing, you old bag of scales?” And there was Cole and Morro, slightly muddy from their trek, coming out of the treeline. “You said you would watch the boat!”

Pythor pointed out to shore. “Well, it’s not like it’s gone… any… where…” He trailed off as he realized what Cole and Morro had already noticed: the boat was gone, the tide higher than it had been when they arrived. “Hm.” Pythor looked at Cole, then shrugged. “Well, it’s not my fault you didn’t haul it in far enough—”

“Pythor is a liar.” Zane stated, uncaring of the current conversation. “He’s been saying that I’m—that there’s—he says there’s another Zane!”

At once, Cole froze, eyes wide. Morro shuffled off to the side, and Pythor laid his head back down on the rock. “I—” Cole started, jaw working, then, “I’m sorry.”

That… no. No no no, why was Cole acting like Pythor was right—

“You… knew?” Zane asked. The world seemed to tilt, but that didn’t make sense—his body hadn’t moved at all, and was still standing perpendicular to the ground.

“Why, of course!” Pythor interjected, “He and Zane are—or were, I suppose—the best of friends! Brothers, even.”

“Pythor.” Cole growled, “shut up.” He turned back to Zane. “I’m sorry, I didn’t know how to say it—”

“To say what? That I’m just the replacement?” Zane demanded. Then, against his better judgment, he asked, “What is the other me like? Is he…” So many different questions flashed through his processors, and he settled on, “Is he better than me?”

“Absolutely not,” Morro cut in, from somewhere behind Zane. “Look, as someone who’s older than Pythor, and thus wiser—”

“You are not older than me!” Pythor argued, only to snap his mouth shut when Cole gave him a look.

“—take it from me.” Morro continued, “You’re not him.” He looked Zane up and down. “Pythor’s full of it.” He added, and Zane opened his mouth to ask what Pythor was supposedly full of—

“You are like him.” Cole said, the look in his eyes similar to Father’s eyes when he reminisced about the mainland. “But you’re also different.”

“You mean worse.” Zane accused.

Cole shook his head. “No,” he said, voice hard, “You’re… you, and that’s not a bad thing.” He sighed. “None of us knew.” He said. “When we found Professor Julien at the lighthouse, he never mentioned—” He cut himself off, looking at Zane with something an awful lot like sympathy. “I’m sorry.”

“You… were there?” Cole had been in the group that had taken Father away, that had left Zane behind—

“Yeah, yeah, so Rusty here was made because Snowball’s dad was lonely, whatever.” Morro slung his arm over Zane’s shoulders. “You’re not gonna be stuck in Snowball’s shadow, okay?” He nodded, “I’ll make sure of it.”

Zane shrugged Morro’s arm off of his shoulders. “I don’t want—I just—don’t call me rusty.” It was true, he was rusted at parts, thanks to the sea air, but—it felt like an insult. He bet the other Zane wasn’t rusty.

Wait. “The other Zane…” Zane started, “Is he mechanical?” Or was he flesh and blood, like Father, and Zane was simply made in his image?

“He was just as mechanical as you even before he blew himself up.” Pythor answered. Cole glared at him, and he raised his hands in surrender. “All right, shutting up now.”

“It doesn’t matter.” Cole groused. “He’s him, and you’re you. Neither of you is better than the other.” He turned to where the boat had been, and changed the subject. “Well, we’re stuck here until we build a raft. Do we start right away, or do we wanna continue,” He gestured towards Zane, “figuring this out?”

Zane would have crossed his arms if his joints allowed it. Truthfully, he didn’t exactly want to go out to sea again so soon—but he wanted to think about this new revelation even less. He was angry—but at what, he wasn’t sure.

“Well, if I can’t call you Rusty,” Morro started, “How about Copper?”

“Too close to cop.” Pythor shot it down. “Why not Echo? Since he’s a copy, and all.”

“Absolutely not.” Cole cut in, then turned to Zane. “What do you want to be called?”

Zane had no idea. “My name is Zane.” He stated. “I’ve never had another.” He frowned. “But I don’t want to just be… his copy.” His name was Zane, but that name bothered Cole—and was starting to feel weird, to Zane.

“It won’t be replacing your name.” Cole said softly. “It’ll just be a nickname. Like Breezy.” He gestured at Morro, who huffed.

“Or Dirtclod,” Morro added, gesturing to Cole.

“I… I think I would like a nickname.” Zane agreed. He didn’t want to give up his name, the one that Father had given him—

(“Zane is my son,” He’d say, though now Zane wondered if Father had only been talking about the other Zane—)

—But he didn’t want to be called by it until he met the other Zane, and convinced him to take another name. If this other Zane was so great, he could surely bear to part with his name. Of course, that plan necessitated meeting him, which… Zane wasn’t sure he wanted to do.

“I don’t know what, though.” Zane added. How was he supposed to pick a nickname?

“Gold, maybe.” Morro suggested. “Because you’re not gonna be second best to that goody-two-shoes.”

“Why not Pyrite?” Pythor suggested. “It sounds similar to pyro, setting you apart from him and his ice powers.”

“His… what?” Ice powers? Like the way Morro had bent the wind to his control to power their boat’s sail?

“We are not naming him for fool’s gold—” Cole interjected—

“Lux, since he grew up in a lighthouse.” Morro suggested.

“I—” Zane started, as they continued listing potential names.

“Junior, he’s the younger Za—” Pythor suggested, as Cole grabbed him by the neck. “Ack—!”

“Cole, you’re the mineral nerd, is there another word for gold?” Morro asked.

Cole, still holding Pythor’s neck, rattled off several words, ignoring the way Pythor was hissing at him. “Uhh, aurum, I think, oro, kin—”

“STOP!” Zane yelled, bringing everything to a screeching halt. “Please, just—let me think.”

They stopped. Cole let go of Pythor’s neck, and Morro scuffed his shoes on the sand.

“I think… I want to be called Echo.” He said. “Not because I am a copy, but because… I was built to protect those who cannot protect themselves. I was built to remember the things that Father could not.” He had been alone in that lighthouse but for Tai-D for so long, slowly rusting apart as he waited for something to change. “Nobody should be alone.” He decided. “So I will be the echo that reminds them they are not.”

“Okay.” Cole agreed. “Echo it is, then.”

Echo nodded. Echo. Echo. He liked the way that sounded. He was still Zane, of course, but now he was also Echo.

Pythor grinned, quite pleased with himself. “Let it be known that I suggested that name—” He started—

“Let it be known that you lost our boat.” Morro interjected. “Of course, it’s what we get for entrusting it with someone too young to handle the responsibility—”

Echo watched as Pythor and Morro launched into a full argument, Pythor lunging at Morro and the two of them starting to tumble around in the sand. It wasn’t quite the same as how they had bickered on the boat ride here—in fact, it was much louder.

Cole watched them fight for a moment, then sighed heavily. He turned to Echo. “Let’s get started on that raft.” He suggested. “While they get sand up their asses.” He added drily. “Does that sound good, Echo?”

Echo nodded. He had never built a raft before! “Yes, let us. You will have to show me how.”

A gust of wind-blasted sand hit the spot where Echo was moments before, and Cole, holding Echo in the air as though he weighed very little, walked back several paces. “Oh.” Echo commented, as Cole set him down out of the blast zone. “Thank you.”

“Of course.” Cole mumbled, already moving towards the trees. Echo trailed after him, eager to see how building a raft worked.

He was out of the lighthouse, and ready to see the world Father had described to him. There was so much he still didn’t know—and someone he wished he’d never learned about, and did not want to think about right now—

But he would make it work. He was no longer alone, after all.

[astralleywright]

usually i like to think i have a bead on what's motivating any particular cr fandom habits or talking points, but i only have a vague idea for why a lot of people just refuse to engage with luda & the rest of the vanguard as they're presented. and instead are focused on undermining not just their competence but like, the idea that they provide the narrative any depth that it wouldn't get from generic raider band #200 or an evil foldable chair. i thought we were all cool objective media analyzers who clap and cheer on characters who do bad things now

[jimmyspades]

[ssaalexblake]

It's actually very funny that 13 could barely stand Sarah in Eve of the Daleks considering that Sarah was the Yaz metaphor in this situation.

And also funny that Yaz found the Doctor metaphor, Nick, kinda creepy.

It says something that Yaz appeared to like Sarah and 13 likes Nick.