#and most of the people i was friends with on here no longer use it

[dailymanners]

Tips and ideas for how to respond when someone is being rude to you

For personal reasons I won't get into, I have a history of just freezing when some is rude / hostile / aggressive / condescending / patronizing / etc. It's obviously not something I'm happy about at all, most people who freeze or fawn aren't happy about it and would change it if they could.

One day I confided in my co-worker, a middle aged woman in her 50's, that this is something I struggle with. Considering how confident and assertive she always struck me as, I was shocked when she told me this is also something she's struggled with.

The advice she gave me is to just memorize and practice a few broad statements or reactions that you can pull out of your pocket so to speak when someone is being rude or disrespectful to you. It's not easy if you're someone who's been conditioned to freeze or fawn, but practice helps. Practice saying these things when you're alone. Put up a sticky note next to your bed or on your bathroom mirror with these phrases and practice them when you see them. Practice saying these with a partner or trusted friend, role-play scenarios where you might need to use these phrases.

Here's a few phrases that have worked for me. The nice thing about them is that they tend to shut down the situation rather than escalating, while still letting the aggressor know that you don't find their behavior acceptable.

"Are you okay?"

This works well in professional settings, because it's not like your work place's residential bully can run to HR about you asking if they're okay (but they might if you try to retaliate and give them a taste of their own medicine). However, it still effectively sends the message "I think there's something wrong with your behavior and don't accept it". It's also not likely the response they're expecting, so it'll likely throw them off and prevent further verbal aggression.

"Could you repeat that for me? I didn't catch what you said."

This one is most effective for people you believe to actually have a conscious and might regret what they said if they actually thought about it a little more. I find that often when I do this one, when people repeat the rude/snippy/patronizing/etc thing they either shamefully stumble over their words and show some remorse, or they change altogether what they say. In the off chance they don't regret what they said and end up repeating exactly what they said, this at least buys you some time to think of a better reaction since you're no longer caught off guard by a sudden rude and snippy remark.

"Can you explain what you mean by that?"

Similar logic to the last one. Often when people are being rude/snippy/patronizing/etc they're caught up in their own emotions in that moment and didn't think it through. This is a polite and civil way of putting their rude behavior in the spotlight and making them reconsider what they said. The other advantage to this one is that in case you did misread their intentions and they meant no harm by what they said or did, this gives them an opportunity to clarify that, instead of you just feeling bad over a statement or actions they actually had no ill intentions with.

If anyone has any further examples of reactions / responses / statements that have worked for them, I'd love to hear about them. I'm new to studying the art of how to civilly yet effectively shut down bad behavior from others, so I'm always open to hearing more suggestions.

[austenpoppy]

I mean. Personally I think it was a great idea to have Dick be a cop, but apart from that, why is that job more important than others Dick has had ?

First of all, there's the role it plays in the story. Dick being a cop and then being fired from the force is a very important plotpoint over many, many issues. It just lasted longer (both in-universe and out-of-universe), and we have more moments of Dick being a rookie cop than we have of Dick doing almost any other job. Bartender ? It lasted a few months when he was working for Hog. Blackjack dealer ? It was over in one or two issues, Dick was undercover and it didn't have that much significance. Exotic dancer ? It merely lasted hours, it was a way for Dick to get into a building incognito. Trapeze instructor ? A few scenes here and there were included over several issues, but overall it was more in the background. Meanwhile, there are entire issues dedicated to Dick's time as a cop - like this time he was assaulted then accused of murder by corrupted cops.

It also ties with the overall theme regarding Blüdhaven : unlike Gotham, Blüdhaven doesn't have a lot of psychopaths, but the corruption is rampant. Dick had to fight against dirty police officers almost as much as he had to fight against supervillains - it's significant that two of Dick's enemies, Soames and Redhorn, are corrupt cops.

As an aside, as much as I liked the way Dick managed to get his hand on Redhorn's little book, I think that from a narrative standpoint, Dick should have won against the onslaught of corruption as a cop, and not as Nightwing (even if he knew who to trust because he was Amy's partner).

Speaking of which, Amy is one of the most memorable characters Dick's ever worked with - and again, the building of their relationship, from Amy being distrustful and scornful to trusting Dick entirely to feeling betrayed then protecting him at the cost of her integrity, took months, lots of issues, and is very touching.

I like Hog (and that guy never died, damn it, he didn't live in Dick's building) - but he was barely present. Cheyenne and Shawn were above all love interests, more than coworkers (even if we can skip Cheyenne because those three issues she figured in were...weird...and forgettable). Dick's circus friends ? They have names, but they're still more background characters representing the lost childhood of Dick than actual characters with character development. Dennis ? Seemed like a nice guy, I guess ?

Third, Dick put in a lot of effort to get into the B.P.D. He had to go through the entire police academy and take tests. Museum curator ? He got the post through his personal relationships, even if he had the skills for them. Trapeze instructor ? He was noticed when he helped a kid. Circus owner ? Come on, yes, he invested his money, but it wasn't about what Dick wanted to be "when he grew up", it was about Dick keeping his past alive. Model ? An accident. Taxi driver ? First time around it was the first job offer he could find. Second time... *cough* Ric Grayson era *cough*.

Fourth, being a cop had an impact on Dick's other relationships. Bruce hated that he was a cop (for multiple reasons : he loathed the idea of Dick using a gun, was worried about him, and thought Dick was risking their secret identities). Alfred was initially supportive, but he also started to get worried. Babs hated it because she didn't want her boyfriend to risk getting killed 24/7.

And despite this, Dick remained a cop even after the corruption got brought down, in spite of his loved ones not liking him endangering himself all the time. And thus this is the fifth reason for me saying Dick being a cop has a lot more narrative significance than Dick being an exotic dancer or a bartender, Dick loved being a cop. Genuinely. It wasn't something he did because he needed a job to remain connected to people and still be Dick Grayson. It wasn't "just" an undercover job. He was ecstatic when he got hired at the B.P.D. He was happy doing it, and at one point it became more than an undercover job - though was it even a job, guys, considering he was doing it for free (that absolute madman I swear to God) ? He kept postponing the moment he'd have to resign after his "undercover" goal was achieved. He was crushed when he got fired.

You have to see, for Dick being a cop was about helping people at their lowest/learning information about people he'd be able to help as Nightwing. And Dick loves nothing more than doing that, so doing it 24/7 ? Sign him the fuck up. Like, some of Dick's most significant "cases" at the B.P.D. were about 1) stopping an act of police brutality, 2) being there to stop a domestic abuser and getting back as Nightwing to tell the guy to flee the city, or 3) getting a letter from a little girl, Kesia, who wanted Santa to help her Dad, crying, and spending the time before Christmas investigating so he'd be able to track her (and if that doesn't move you nothing will).

So yeah, Dick's time as a cop was significant. Now you don't like it ? Let Dick do something that would have the same effect. Let him be in child protection services. Let him be a nurse in the I.C.U. Let him be a firefighter.

Now I know people will say that the gym he opened at one point in the Rebirth continuity had to be something he held dear. It's not false, but I don't think he prioritized it the same way or that it was shown to be as important to him as being a cop was. At that time in that continuity, doing so was also an act of independence (considering he was younger) and of convenience (it allowed him greater flexibility to be Nightwing, something being a cop did not, at least in terms of working hours).

I'm still angry about "Dick is a cop". Thing going on.

Dick hasn't been a cop in 21 years (he stopped in 2003) He had numerous jobs since and before that and he was doing it at the time to try to fight the corruption from inside (whether that was a good idea is up to debate it wasn't in my opinion) and he was written as cop by Dixon (deregatory).

Devin Grayson continued and stopped that.

His most common job is being a barista followed up by a gym teacher.

[kandadze]

Ep 27 loose thoughts

Well, that's one way of snapping someone shell-shocked out of making a drastic decision. I feel like PSJ snapped something in herself at this moment, too. Anyone else found the ancestor's commentary going on in the background while the girls are bawling their eyes out hilarious? Just me? Okay.

While I was waiting for the ever burning wood to activate or something, the moment WX opened the box to reveal dried flowers I choked. ZYC!!!

Baby!Yichen breaks my heart, so impressionable, so open to learn. It's interesting to see that the phrases about suffering we've seen him use as an adult might have come from WX... Not a fan of telling people in mourning to stop dwelling in misery and sadness like it's as simple as flipping a switch (not to mention, she apparently *just* met him for the first time? The heck?), but at least the rest of her words seem to have helped him... so much that he kept the flowers 😭 The irony of her snow metaphor contrasted with their current predicament is indeed exquisite, A+ for that.

Are they going to be saved by the power of lurrrrve??? (At least this time. Still holding out for how that's gonna play out in the finale.) I mean, what other way to sway an ancient creature who's seen pretty much everything there is to see, than to show them something new? What's that? A test for a future event? (I'm getting really paranoid about nothing we've seen so far being real. It's like Alice in Wonderland on a bigger scale. Or Finnegans Wake on a smaller scale. I don't know.)

Oooh Bingyi and Ying Long, our original doomed couple (of self-sacrificial idiots)! I would watch a whole drama just about them. And damn, I can definitely see where Zhao Yuanzhou got his masochism from. Stoppppp not "Just let me be the first star"! (Especially since I just remembered ZYZ's "I'll be the rain...") It's not supposed to be literal! 😭😭😭 Ahhhh this scene just broke me, also because it seems to reinforce the idea that ZYZ *has* to be killed for the greater good. The visualssss in the execution- sacrifice? What the heck do I even call it?- scene though, soooo good!

"Let me do it myself." LET ME DO IT MYSELF??? FUCKKKKKKK DAMNIT HE JUST- ::head in hands, crying forever::

"Remember. This is my choice, not yours. You don't have to bear any blame or guilt." That's not how that works. That's not how any of that works!

Again, we're dealing with choices. But the fact that ZYZ choice was the same as Ying Long's... the fact that YL says that neither he nor Bingyi had any regrets... oh this is going to hurt.

Oh? ZYZ's future is not what he wants? (And wouldn't that be funny, considering ZYZ's own words while schooling ZYC in the very first ep... 9 times out of 10, things don't go our way?)

"You two are really like us." 😭😭😭

I was wondering if they were going to show us what ZYC saw, and not only does the image of ZYZ's body on that dark floor mirror Ying Long's body floating in the water, both ZYZ and ZYC wear the same clothes as in the very few scenes from the trailer that didn't happen yet... These poor sods, they've been Going Through It for almost a decade now with the only end in sight being yet another tragedy (even if the drama seems to suggest that they don't see it that way at this point.) ::head in hands, crying continues::

"My friend is here. We'll go together." The *sound* I made. Everything else this drama has given me aside, the growth of these characters and their bonds is so well done, and absolutely precious to me.

I want Ying Long's hopes and wishes for them to become true. Seeing how there's hints everywhere in this drama, I hope the words of one of the most powerful beings in existence will count for *something* in the end! (Am I grasping at straws? Maybe. Let me be delusional for a bit longer.)

What do you mean, five, ZYC? What's Ying Lei, chopped liver?

Oof this *almost* hug before WX starts feebly hitting ZYZ. It's relief, it's anger, it's fear for the next time, it's all the feelings that became too big to contain. I feel her so much. (I would've started whacking both him and ZYC way earlier tbh 😅) And ZYZ allowing her that release before pulling her in for reassurance, patting her as if she was a scared child. 😭 Cut to PSJ, looking as if she wanted nothing more but to be the one offering the reassurance to WX. Cut to ZYC, remembering that willingly or not, he's going to hurt WX beyond reassurance. Once again, the bonds in this drama!

Wait hold up hold on what? You just removed Bingyi's blood from him, that should mean that ZYC will not have to become a demon, right? So what's that about developing the inner core? (Also, I just realized that so far all they got from this trip was "go east and ask for a dragon scale" lol) Thankfully him and ZYZ had their conversation(s) about titles and identities so being asked to make that particular choice was not completely out of left field at this point. And all he cares about is whether that means that the last trace of Ying Long will disappear! 😭 (I'm so with Bingyi on this one... I would hold onto that last shred of my friend's existence, too, *especially* if they offed themself via my goddamn sword.)

What's with that look after he says that he thinks he has it - the inner core - is there a joke here somewhere? (I *gotta* go back to learning the language, the things I'm undoubtedly missing on!) The only thing I can think of is - did they think he said he's pregnant??? ::dies:: "So what's your true form?" "Must be dragon." "I say you're a mule." "Better than being a monkey." "I'm a white ape!" ::dies again:: Nice to see we still get a friendly ribbing between all of them, and I can breathe after all the angst. Fingers crossed? There's still 5 minutes left...

Oh good, let's talk about getting Bai Jiu back! (I knew there was one more character from the opening credits that didn't show up yet... guess it's the rebel princess.) While Ao Yin is eavesdropping! Talk about good hearing. Sigh, here it comes, another goal they have that will conflict with Li Lun's; they want the scale to restore the sword, and LL not only doesn't want that to happen, the scale could potentially help him get rid of the poison.

Oh for fuck's sake, I think I was subconsciously waiting for Chongwu Camp to show up, knowing that they've eavesdropped on the gang earlier, and here they are. ZYZ should really think of putting up some sound barrier when they discuss important plans, everyone seems to know exactly what they'll be doing at any given moment!

Ahhhh we're getting a nod to that little cough and stumble WX had shortly before this trip. Something's wrong with Baize token? Or with her connection to it? We only have 7 episodes left, drama!

(ZYC is such a good little brother.) Oh great, it was the rebel princess who killed WX's dad? I repeat, we only have 7 episodes left!

Sigh... with only 7 episodes left, we *also* find out that the goddamn 3-face-mask has history with the princess? And has everyone and their mother sat on that little bridge???

This feels like the endless final scenes in Peter Jackson's "Return of the King," my head is spinning.

Note to self, *stop* looking at previews. Ying Lei, what the absolute fuck?

[vigilskeep]

give me the Sol good & bad endings in detail pretty pls 💖

sol as a character is defined by the crows and the blight, so here’s a spread of what i might have to work with

some bad sol endings:

crow version: the Widow Dellamorte. sol commits to being first talon lucanis’ right hand, but fail to protect him when the rest of the crows go to war with the ascending dominance of the dellamorte-de riva-cantori block. desperate to cling to whatever they have left of him, they allow themself to be possessed by spite—a fuller meld than spite/lucanis ever was, more in the anders/justice style—and become a vengeful winged monstrosity effectively haunting the dellamorte villa. black veil over golden heavy armour. for now, they still recognise their friends

blight version: the blight finally catches up. sol was intensely careful about fighting the blight right up until the final days, where there was nothing for it but to cut blindly into blight cysts. obviously it’s awful and pointless for them to suddenly die after all that, which is why i think we should at least explore the possibility. for awful and pointless drama. the ending they were kind of hoping for, just when they no longer want it??

alternate blight version: okay this isn’t an ending per se but i still think ghilan’nain should have gotten to turn them into a sick crow-themed blight monster at some point, as a special treat. this can also be a neutral or good ending depending on how much of themself they retain and how much of a monsterfucker lucanis is. sorry for saying that

some neutral-ish sol endings:

crow version: the First Talon’s Executioner. this is the version where sol goes back to the crows and it’s essentially business as usual. i can’t imagine this as good, but with their renewed appreciation for what they have and the lifetime of focus and activity ahead in order to just keep their heads above water, it could be survivable. and lucanis is there. but then i think about how permanently damning the step is where you start raising the next generation for it and i feel a bit sick

blight version: warden sol! sol finally gets up the nerve to cut ties with the crows, making the necessary choice for themself even if it means losing the people they love most. they take the joining and build what life they can alongside davrin, evka, and antoine, slaying darkspawn and finding a new path for the wardens following the tracks of a changing blight. it’s ugly and terrifying and hard, full of horror they never get used to, that will still be making their skin crawl until the day it kills them and drags them down, far from the comforts of home. but as a life, it is, at least, theirs to choose

some good sol endings:

crow version: a newly re-energised sol takes their place at lucanis’s side but considers things in ways they never could have before. why does going back to the crows have to mean they’re locked in place? they aren’t the underdog just clawing for survival that they once were, and they don’t have to act like it. they can do better! they have viago and teia and lucanis and people listen to them. if the dread wolf can change, can’t the crows? through a certain connection via the wardens, they make a contact who has very interesting ideas on the crows’ future

blight version: sol accepts they can’t stay with the crows, does a whole tear-stained confession to a shocked and distraught lucanis, and walks away. they settle into helping davrin, evka, and antoine against the changing blight. nobody actually requires them to take the joining because, hey, they’ve already gotten rid of more than enough archdemons for one person (showoff), and sometimes it is actually helpful for them to do their crow thing as the combatant the darkspawn can’t sense coming. maybe a year or two later, the world’s most miserable first talon (“they don’t even let me do my own assassinations anymore!”) quits his job, thoroughly disappoints his grandmother, thrills his demon, hands all his power to teia, and shows up somewhat nervously with as many antivan delicacies as he fears forgiveness will require

[biancadoes1]

Just a little perspective/opinion regarding whether or not N will be forced to admit who she’s dating (from a long-time Harry Styles stan who has only, in recent history, labeled one relationship publicly): It largely depends on her chosen marketing strategy.

In the early days of 1D, Harry used social media much like N does — charismatic persona, joke around, keep connected/engaged with fans. However, the more people insisted on crossing his boundaries, the more he drew the line (he no longer uses social media now, unless he’s touring, and never in a personal capacity) and the more he learned to swerve questions on his personal life.

Did that hurt his popularity with the fanbase? Mixed reviews. Some people feel it alienated him, some people feel it’s fine — essentially, it depends on how much you appreciate his raw material (music) versus having access to him as a fantasy boyfriend (a lot of his fanbase values this more).

What I’m saying is, it’s not impossible for N to stay popular whilst peeling back on social media/keeping mum about her dating life, but the fact that her draw is both that she’s talented and accessible/relatable/unbelievably charismatic, a very obvious choice will have to be made on whether she continues to ‘entertain’ the fandom at the expense of her privacy, or shuts it off completely and decides she’s ‘just’ an actress when on duty.

And yes, fans are going to turn on her if she decides the latter (fans who feel entitled to things never take boundary setting very well), but it will eventually die down. What will matter is that she stays consistent in her decision (so fans know what they will get/not get from her) and not go back and forth. I believe she’s working on making that decision now.

Ultimately she has a career to protect in this as well, one she’s worked hard to get. Fans are not at the top of the list here. We are not what’s most important even though some truly believe they take precedence over everything.

If Nicola decides to pull way back, it will probably be based on what’s best for her own mental health and career over what her fans want which is how it should be.

Everyone should respect that decision as well even though we know there a few who think they’re “friends” with her or “have a rapport” with her after meeting her a hand full of times.

We’re just going to have to wait and see what happens.

[universalzones]

"Really? And here I thought they came all this for a fucking tea party with scones. Obviously I know GUN isn't here to just fucking talk, and I'm sure they have their own plans to be a pain in the ass. Though in case you forgot YOU'RE the hero, even to their bitch ass's. How do you think they'll react if you go off the fucking rails. At least if I do it then it'd be way easier for The Restoration to cut me off real quick." It was a blunt and harsh truth, though being such a loose cannon came in handy in a situation like this.

"What do you take me for, a fucking idiot? I'm well aware that I'll have to convince Kit NOT to fight GUN and let them arrest me, and doing that will be like pulling fucking teeth. That doesn't change the fact I trust only you to get him home and to keep your mouth shut just where it is. I'm not telling saying you can't be angry, though take it from me, you don't want it controlling you." Until today most of Surge's choices were driven by her anger.

"Look, I know you ain't happy about my choice, though believe it or not it's for me too. I got shit I need to pay for, and not everything is as easy as changing and running around helping people. Sometimes jail time is need, though I'm sure we both know some crazy threat will come up to force GUNs hand to let me loose to help which could help me get out faster." Surge main reason for doing this was clearly for Kit, though another reason was doing it for herself.

"So if you're done arguing with me then lets get to this fucking checkpoint and make sure GUN knows trying anything stupid will piss both of us off." Surge was ready to start telling GUN to pack it up and go the fuck home, if only for the fact it would get Drippy home faster. "Besides, in case you forgot we got giant Momma Wisp up there." The tenrec doubts GUN wants to fuck with a Wisp that side.

===========================================================

"Belle Bot wasn't designed programming of hacking, and it was something we put on the back burner as it was made mainly for defense purpose's. Simply put, it can't do something on this scale, though I suppose it'll work for at least jamming their communication and airships if need be. Belle Bot, run program delta nine B on all GUN communication devices and airship within range."

Belle Bot's eyes would glow green for a moment. "Executing command and calculating time until completion. Calculation complete. Command will be fully done in six minutes. Recommending to avoid conflict until process is complete." The bot would then put it's focus on completing the command.

"Why? It's not like you did this to me, and honestly I couldn't care less about your existence by this point. At this point my dislike for you is only because of how continue to let Sonic act so foolish and not convince him to end Eggman. Heroism is fine, though there's a clear line between heroism and stupidity. You and I both know if Sonic really wanted to he could end Eggman at anytime. I'm sure even you can, though you don't." For the most part Kitsunami had gotten past Starline's programming expect for a voice every now and then.

"So there's nothing to talk about as I just don't like you, though I can also admit I don't trust you either. Mainly because our points of view are so far apart and so different. If it helps I can say it's no longer personal as I apply this logic to Sonic and plenty of your friends." Kitsunami could now say he was mostly thinking for himself, even if most of his motivation was to help Surge.

All Sonic could see in that moment was red, and that anger was bubbling up like geyser ready to blow. He didn't have much in this world that he cared for, and he knew Amy was a tough girl. But seeing her like that just flipped a switch for him. Maybe it was that curse that linked him to her, or maybe was just his own protective nature as a guardian of his world. He didn't know but he'd never felt such a desire to put someone in the ground. Even despite the fact that he was hyper aware Surge was trying to prevent him from making a huge mistake. It didn't really register completely.

He grit his teeth and leaned in close to Surge and was seconds from speaking, telling her where she could shove her worries. If she knew Abe like he did, if she had any idea of all the awful things he was party to. She'd have wanted to put him in the ground to. GUN drove Gerald mad, tossed shadow in a damn stasis pod, killed maria in cold blood and so much more! there was alot they would never atone for in Sonic's eyes---all of this was just another drop in the bucket.

" Talkin' ain't ever gonna be GUN's language! I am so sick of tryin' to talk with those people! they only language they get is force, so i'm just gonna speak there language!?! "

He had no qualms busting Surge's face wide open to get to them either! Luckily Tails voice was perhaps the one he needed to hear most, mostly because of how close they were. But despite that it didn't make him less angry, it just made him bury it again and hide away like he always did. When he thought about it, he was kind of a coward wasnt he? always hiding, always tucking his tail and running from all that pent up aggression.

Surge could see his hostility ebb away, it was likely the first time she'd seen him so worked up. Yes he did care for Amy, like he cared for Tails, and anyone who threatened them was on his shit list!

" ... Mark my words, they ain't here to talk Surge... those bastards are a bunch of child killin' life ruinin' sacks of absolute shit. I'll play nice... but the moment i find out Abe was behind Amy's attack... the gloves are off... i ain't puttin' that to the side. You'd do the same if it was Kit... "

He looked away from her to the airship that was just within sight of them now.

" They ain't here to help... you an i both know it... this is gonna be us vs them... i'll wait... and i keep my promises. So you can relax... "

He was still very obviously pissed off, and only holding back for the time being. One wrong move by GUN was likely to set his ass off. But he knew if GUN had his way they'd lock them both up for sure. His eyes went to Surge though and narrowed as he realized something important and, as he needed some way to direct his anger he snapped at her instead.

" and YOU need to tell him the damn truth! because i sure as fuck ain't gonna explain it to him. Do you think for a moment he'd listen to me or tails anyway? You need to tell him, and soon..."

===============================================

Tails wasn't sure if it was Belle in control or an auto pilot in truth it was hard to tell. But he was pretty impressed by the over all craftsmanship of the bot. It was impressive and showed how far she'd come! He was always impressed by her work, and it was proof in his mind that Eggman's bots could do good given the right program and incentive.

" And who do you think designed the artificial Chaos? Doctor Gerald Robotnik... Eggman's grandfather. Lots of Eggman's technology was inspired by Gerald, even if Gerald's intentions were pure... alot of his tech was turned into weapons for GUN or worse... locked up for being to dangerous. But i guess you know more about it then i do... just hard not to see the similarities "

Tails had been working the entire time he was talking. He connected the satellite to the Belle Bot which gave her access to the eye in the sky. This also allowed her to interface with the restoration com network fully, and reconnect the broken bits from the EMP with the satellites network.

" I got it, i do hope Belle doesn't mind me using the belle Bot as a relay... but, that should reconnect Restoration communications. Also you should be able to use the belle bot's signal to connect to the satellite using it as a proxy. That should limit any risk to your own equipment... "

Not that there was any risk to begin with, but he hoped it quelled Kit's paranoia.

" I... know i probably shouldn't even say anything. But... I'm Sorry you know, for everything that's happened... Deep down i guess i just want to find some middle ground for you and I... I just want us to be able to talk ... work this all out somehow. "

He sighed and gave Kit a side glance with one of his ears falling over

" When this is over... do you think... we can talk? Not asking for anything else... just a chance for us to talk, "

[theoriginalivyannazimuth]

I actually have been doing stuff these past few years

[steviescrystals]

i seriously need to get a new job and start making money again asap bc i cannot keep living at home much longer it’s driving me insane

(wrote an entire essay in the tags without meaning to oops)

[lavender-femme]

someday i won’t have to cry myself to sleep. someday i’ll feel warm and loved and wanted and i’ll be wrapped up safely in my beloved’s arms and there won’t be anything worth worrying over. someday i’ll be loved. someday i’ll be seen.

[wishful-seeker]

I would like to see more people talk about how jobs treat disabled employees.

I used to prep, wash dishes, and cook at mellow mushroom. I had chronic pain that wasn't NEARLY as bad as it is today, but it was still very debilitating. I told my employer "i cannot stand more than 4 to 6 hours. I CANNOT do shifts longer than this due to my illness." And even though i made my boundaries VERY clear, everyday i worked it was 8 hours at the least and 10 or 12 at the most. I would go up to my manager and say "look i really need to leave, my shift is over, my chronic pain is killing me." And he'd say "we really need to here, you HAVE to push through." And so i did, and after one, ONE month of that job my crps got incredibly worse to the point where i could no longer walk my dog around the block which was .5 miles. I quit, and that was FOUR years ago, and ever since that day I HAVE BEEN BEDRIDDEN AND HAVE TO USE A WHEELCHAIR. It is my biggest regret in life.

My best friend who has seen my whole journey has recently developed undiagnosed chronic pain, and she is in the EXACT same scenario i was 4 years ago. Busting her ass at a pizza place with extreme pain that hurts her so much she tells me "im in so much pain i don't even feel like a person." She doesn't feel LUCID. And her manager and coworkers are saying the same thing "if you don't help us you will let us down, we'll be in the shit."

That job thats hurting you isn't fucking worth it. I promise you no money is worth losing all your physical abilities and never getting them back. Your coworkers and boss do not give a shit about you, so don't you dare suffer for them. They will never understand your struggle and they will never try. They truly think being understaffed is worse than whatever pain you experience. They would rather you permanently damage yourself than inconvenience them. FUCK THEM. DON'T FUCKING DO IT!

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[bladeofthestars]

.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[opencommunion]

read and reblog please

I want to make sure this information gets through to everyone: the racist genocidal German state could deport Bilal @bilal-salah0 within the next week, after he lost his job and home, heaping cruelty after cruelty onto this young man who has been working nonstop to provide for his family facing genocide in Gaza.

he's supporting 18 people there, including 8 kids under age 16. now Bilal needs to finish fundraising for his family before August 15th when he could be deported. that's one week from today.

Bilal needs to raise €25000 in the next 7 days to make sure his family has enough to survive if he can no longer fundraise. Bilal shared this dire news with us on Tuesday, but in spite of thousands of notes on @malcriada, @appsa, and others' posts about the situation, the campaign received only €3650 in the last two days.

it seems like people are somehow not seeing the urgency and severity of the situation. donations also slowed over the past week because Bilal couldn't be online to promote the campaign, and because of the recent racist attacks against fundraising efforts here. there's a lot of ground to make up and very little time, but we can do it. please donate any amount you can, those €5s add up if enough people help. reblog this as well as the posts linked above, and tell your friends and social media outside tumblr. and most importantly, seriously, please donate whatever you can. we need to come through for Bilal's family now, not later. please take this seriously, please help them.

August 8th: €75,467 / €100,000

plain text and tags under the cut

PT: read and reblog please

I want to make sure this information gets through to everyone: the racist genocidal German state could deport Bilal @/bilal-salah0 within the next week, after he lost his job and home, heaping cruelty after cruelty onto this young man who has been working nonstop to provide for his family facing genocide in Gaza. now Bilal needs to finish fundraising for his family before August 15th when he could be deported. that's one week from today.

Bilal needs to raise €25000 in the next 7 days to make sure his family has enough to survive if he can no longer fundraise. Bilal shared this dire news with us on Tuesday, but in spite of thousands of notes on @/malcriada, @/appsa, and others' posts about the situation, the campaign received only €3650 in the last two days.

it seems like people are somehow not seeing the urgency and severity of the situation. donations also slowed over the past week because Bilal couldn't be online to promote the campaign, and because of the recent racist attacks against fundraising efforts here. there's a lot of ground to make up and very little time, but we can do it. please donate any amount you can, those €5s add up if enough people help. reblog this as well as the posts linked above, and tell your friends and social media outside tumblr. and most importantly, seriously, please donate whatever you can. we need to come through for Bilal's family now, not later. please take this seriously, please help them.

August 8th: €75,467 / €100,000

/end PT

lmk if you don't want to be tagged next time. ty!

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[girlscience]

I just finished my first non-fiction book in probably years. It was 277 pages long. I can read a fiction book that short in about 2 and a half hours. This took me 3 months to complete. I do wish I was faster with non-fiction, I've got a huge list of science and political and historical books I want to read, but I have to remember these books require more brain power so it's not bad they take longer. The learning is important not the time.