#and meanwhile all the other characters who are still learning their backstories and like I don’t understand why these two are together

[galaxywhale]

my character is connected to another character through our backstories and they’re like.. bonded, he has no choice but to stick with her bc if she dies, he dies and it’s SO much fun bc my character is a lying thief and his character is a law abiding investor and it’s been a looot of fun to ply so far :’)

[absolutebl]

This Week(s) in BL - yes yes I KNOW

Organized, in each category, with ones I'm enjoying most at the top.

Dec 2024 Week 1 & 2

Ongoing Series - Thai

Your Sky (Sun iQIYI) ep 3-4 of 12 - Them on the rooftop together (and cooking) learning how to flirt and be comfortable in each other’s space was so damn darling. Fah is so gentle and so enamored. its just endlessly soft. I love the nickname negotiation. And then next we got an illegally cute date!!!!! Yes this is slow but I don't care.

Love Sick 2024 (Sun iQIYI) ep 12-13 of 15 - I like we get more Phun/Dad conflict backstory in this new version. I'm chronicling my experience with 2024 as compared to 2014 here. (hasn't been updated, I'm struggling here)

Caged Again (Fri Gaga) ep 5-6 of 10 - Family (elder gays) to the rescue is a wonderful trope to see! So rare.

Also a v well done first kiss. 

Not gonna lie, I found the second episode overly weird and rather slow and drawn out. Did not need all the cartoon stuff. Also not really into the penguin outfit thing either. Not cute.

ThamePo Heart that Skips a Beat (Fri YT) ep 1 of 12 - Oh I absolutely adore it but...... it’s slow. But I don’t care because everyone’s so pretty. Po is a bit too much of a pushover for me and his sister (or whatever) is a bit too much of a sasang. So I don’t like that part. Hopefully these flaws will get rectified. But my oh my are they PRETTY.

Did I mention the pretty?

Fourever You (Thurs YT) ep 10-11 of 16 - These episodes were a bit better and I am warming Johan (if not to North). I think my issue with this story arc is I never love a tsundere seme. North's hair was epically bad, like 2008 Japan level terrible.

Hill & Ter’s make out and discovery scene was truly spectacular and very tense.

In ep 11 I got very confused because I thought we already saw the rescue from rape in the street scene? Or am I hallucinating? Anygay, most awkward kabedon ever in a BL.

Good kiss though.

And now we are in a very working girl a relationship. Cool if that's your thing, I guess.

The Heart Killers (Weds Gaga) ep 3 of 12 - I like the Khun Mehhh Boss lady character. I cannot stand the music in this show! Fake metal, fake tattoos, I'm getting Hollyoaks flashbacks. Lap sitting was cute and kink was a nice touch. Not sure about the dance tho. Fight scene was much better. Lots of action this ep. ALL the action really.  

Episode 4, however, I inexplicably couldn’t find. I clearly have to use my old-fashioned VPN work-around. And I don’t have access to that computer right now.

Perfect 10 Liners (Sun YT?) ep 6 of 24 - I did really enjoy the twist that the uke character (who is not in love) was more into having sex than seme character (who is in love). That was fun. And quite modern.

I do love them casually just walking around campus in waffle robes. For those who don’t know this is another dig at a BL trope. Frankly, now that there’s a lot more communication (and intentions have been made clear) between the two of them, I’m enjoying their relationship more. I still don't LIKE it. Also the ever present language play is making me happy. For those of you who missed it, the nuance of that krap from a prior perennially rude Arc is basically the equivalent of a semi-sarcastic but also kind of sweet “yes, dear.”

Meanwhile, Sea just popping up out of nowhere made me entirely too happy. I hooted with laughter, it was so ridiculous. Episode 7 I didn't pay much attention because the sound effects were particularly egregious - or was it just me? 

Spare Me Your Mercy (Thurs iQIYI) ep 2-4 of 8 - I went on a journey with this one this week. Ready?

2 - Ooo its very good. I like it a lot. The doc is soooo awkward it's almost believable and yet still sus. Such a great actor. I do keep wondering if they’ve already slept together at some point though. Like they once had a one night stand in college or something.  3 - I did not call the pharmacist and the hospital head kink. Nice twist. I do enjoy how very adult the relationship is between these leads, but I don't get a ton of chemistry. 4 - Well this show turned into something I was not expecting. I thought it was gonna be a sort of mystery but it’s not. It’s more crime thriller is he a serial killer thing. sorry all, but this is too dark for me rn. So I’m giving it a pass until it’s over and others have deemed it safe. 

Ongoing Series - Not Thai

Our Youth AKA Miseinen: Mijukuna Oretachi wa Bukiyo ni Shinkochu (Japan Tues Gaga) ep 5-6 of 11 - Oh it’s the classic flip halfway through so we get the other perspective. I forgot that was coming. Silly me. Anther one for the 2024 sniff test list list. Oh they gave such an achingly sweet sex scene Triggers are rough with this one. We are in for a world of pain. Why am I still watching?

See Your Love (Taiwan Weds Gaga) ep 8 of 13 - gosh they are so sweet. The Daddy/idiot-brat side pairing is epic. Wish they got more screen time.

Teenager Judge (Vietnam Sat YT) ep 11 of ? - finally stuff happened. 

Love in the Air: Koi no Yokan (Japan Sat Gaga) ep 6-7 of 10 - ugh, they kept the violation of the journal reading bit in the JBL version. It’s really hard to watch no matter what. I actually think the Thai version of that scene was better acted. But ho boy how do I ever like that character?

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues ????) 11-12 end - Went pretty dark. Both psychologically, emotionally, and physically. I still like how the leads remained loyal and connected to each other though. Nice to see battle husbands again after so long. We don’t get them very often in BL these days. it’s just us against the world is always fun to watch. All that said  there’s quite a bit of chin stroking dialogue that was v on the nose and twee for JBL. Pleasure to see Haruto fight like a man who can actually fight, like the actor had some training or something (no idea if this is true). The final ep was satisfying and all in all, an enjoyable show.

A fun little JBL about a repressed lawyer who partners with (and then falls for) a beautiful street-savvy conman. Charmingly, they both come out the better and stronger for the relationship. The return of battle husbands, this time in the courtroom. Thank you, Japan, we appreciate a look in on an oft forgotten trope. 8/10

Be Moon - Falling for my enemy's son (China YT) movie from HBD Studio airing in short bits - this is another series of shorts that popped up on YouTube. It’s very pulp I not wild about it. Although I do like a lot of the tropes. 

Eyes on You (Hong Kong YT) - trailer, oh it’s mostly incomprehensible and really not good. I'd tell you what it’s about but I have no idea. There seems to be some sort of mystery and some violence and people fighting and a pair of lovers at the center of it who are being reunited. Or something.

It's airing but......

Winter Is Not The Death of Summer (Thai Weds YT) ?? eps - Criminals who meet in prison fall in love. I did find it on YouTube, initially un-subbed, then subs happened by which time I got distracted. The first episode seems to be only six minutes long. It is very pulp. But it is intriguing. For now it's to the wayside until someone tells me it landed safely. Occasionally Thai pulps want to be edgy and it's not a good look on them.

Secret Love (? YT?) 13-?? of 81 eps - I don't know what's going on either.

0.5D (Japan ????) 10 eps - Supposedly started 12/4 I couldn't find it though I'd like to watch. "Sales ace, Sada, has a secret that only his junior, Daiki, knows. He has pretended to have a gf for years, resulting in him being a virgin. But now Sada has fallen in love. Confused, Sada seeks advice from his junior." I sense another queer Cyrano De Bergerac. Info here.

Bad to Bed (Taiwan Sat YT) 10 eps - This is a little too low production value even for me + just very very odd. DNF

It Ended But?

Blue Canvas of Youthful Days (China Sun Viki) paused at eps 9-10 of 12 - I have been told the ending is OK if not great. I’m gonna hold off for a bit.

Bad Guy My Boss (Thai Sun Gaga) 10 eps - I DNF'd at ep 7, did anyone stick with this until the end? Thoughts?

Next Week Looks Like This:

No cal for you. Mine is borked. LIFE. Interfering with my BL. Again.

End of year drops:

12/14 & 12/21 The Renovation (Thai mini One31) 2 eps - Writer turns his blossoming romance with holiday resort owner into a novel.

12/20 Eternal Butler (Taiwan Viki?) 12 eps - When Ever 4, a sophisticated AI robot, becomes the personal butler to Luo Bu Shi, a spoiled yet lonely young heir, an unexpected love story unfolds. (Spin off from the first season, new cast.)

12/29 Sangmin Dinneaw (Thai ????) ??eps - trailer Childhood friends (Thai & Korean) reunite after being apart for ten years. As the boys reconnect, their bond matures and feelings of romance begin to develop, in Thai.

Impression of Youth (Taiwan ????) ??eps - rummors are thsi is supposed to start this month.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

Peak humor. Very good.

STRAIGHT = wrong word

(All Perfect 10)

LOOK AT THAT FACE> GAH. (Fourever)

(2 weeks ago)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Don't complain you're lucky I got this done at all!

[quirkle2]

so one thing i rly like abt mob psycho (shocker !) is that the Incident between the kageyama brothers is kept entirely contained. like, most other shows—at least ones that i've watched—feature long monologues of characters traumadumping to other characters, sometimes in the middle of fights, and while that Does happen a lot in mob psycho, the kageyama bros never do this abt The Incident, and i think that's a fascinating choice bc The Incident is the entire reason why the show starts in the first place. it's the reason mob meets reigen at all, it's the reason mob doesn't fight back against teru, it's the reason ritsu goes through his character arc. it is arguably the Most Important Story Beat and the show has countless opportunities to let the characters spill their guts on screen for drama, and yet neither of the brothers let this spill. neither of them talk about it, except with each other

there's been numerous times i've watched shows where people suddenly traumadump and tell their life story unprompted when truly not a single soul asked, but with mob psycho, both the bros are Constantly berated with questions on Why they do these things; Why are you so off-putting and quiet, Why do you not use your powers, Why won't you fight back, Why do you want psychic powers so badly, Why are you ruining these students' lives now that you have them, Why are you helping me defeat my evil dad . all of these questions eventually loop back around to The Incident, and yet neither of them ever let it slip. neither of them Ever share, and the only time they come anywhere close to it is in the wd arc

it is the event that Shaped Who They Grew Into, and yet it is not known by the main cast at all. teru has no idea, even reigen doesn't seem to understand the full extent of it, even though The Incident is what caused mob to come to his office. their parents prolly don't even know

idk, i just think that's a good detail. the brothers both hold the weight of their troubles close to their chests. and even though that makes it seem as though they figure it out on their own, it couldn't be further from the truth

their own experiences with the people around them allowed them to grow and make mistakes and learn from them, all without sharing their deepest secret, and then both took those new experiences and lessons and applied it to this issue, and learned Again

meanwhile, the rest of the cast is largely clueless abt this Entire issue. it's Crazy to me that most of the cast has no idea what the main issue is, and i think it's a brilliant choice. these characters helped the kageyama bros without ever meaning to or knowing about it, no matter how big or small the role. you truly never know what somebody else is going through !

and even in the end, it's not like there's a big reveal that tells every character the kageyama brothers' Tragic Backstory. nobody fucking knows, still. like Yeah they should totally talk this out and go to therapy or smth but i just like the fact that the story doesn't treat it as some dramatic fanfare for Other Character's Shock Value and doesn't let them air their troubles to the ends of the earth. i appreciate that

[ladyloveandjustice]

Fall 2024 Anime Overview: Magilumiere Magical Girls Inc.

Premise: Monsters called Kai are threatening ordinary people, and only magical girls can stop them. However, being a magical girl is no longer the domain of teenagers, and has evolved into an actual career dominated by adult women. Companies employ magical girls and send them out to exterminate Kai. Kana is having a hard time getting her first job. But when she ends up helping out a magical girl, she’s invited to become one for a small, scrappy company. There’s a lot for Kana to learn…

This was my favorite magical girl show of the Fall 2024 season- and how amazing is it we had three new ones for once! There's a lot to love about Magilumiere! For one thing, it gave me something I always crave: Adult magical girls (or magical women, though they’re called magical girls in this show). Much like how classic mahou shoujo often explores the struggles adolescence and growing up, this show uses mahou shoujo as a way to explore what it’s like to be a young woman entering the working world. Kana struggles to grow her confidence and adjust to her new job, but with the encouragement of her boss and co-workers, she discovers her own talents.

All of the magical ladies are pretty fun, with my favorite being Hitomi Koshigaya, Kana’s senpai in the work place. She’s a brash and raucous woman who loves kicking ass with shit-eating grin, she only ever wears tracksuits when she’s not on the job, she talks like a delinquent, bursts with confidence, and she’s very protective and sweet towards Kana. Basically, she’s goals, everything I love about soft hearted delinquent girls only she’s actually a grown woman this time! Wow!

But we also get introductions to plenty of other cool magical ladies, all who approach their jobs in a different way where they can learn from each other.And the women are always treated respectfully, visually and by the narrative. No jarring objectification or anything like that.

The show has a bit more of a focus on men than you’d expect, since while the magical girls fight on the front lines, Magilumiere’s engineer/tech support team are men, and the boss and his mysterious backstory is a big part of the show. However, they’re all good characters! And the show does still put a big focus on women, exploring their relationships, their development, and all the cool magical girl fights they can get into. It is so nice to see some hype magical lady fights, and rather than the unfortunate animation poor Acro Trip got, this show does pretty well with its visuals and fight scenes. The story especially lot of fun with the transformation sequences, and I love to see it.

The show also has a lot to say about corporate world, and it feels like it’s only getting started on that. From the beginning, it makes sure to contrast the way Magilumiere operates from the more cutthroat business of larger companies. The company’s boss, Kouji Shigemoto, was previously a partner in a much larger business, but seems to have left because how they were doing things didn’t jive with his ideals, and now he’s in charge of start-up where he's very focused on the best possible experience for both his employees and customers. He’s contrasted to his previous partner, who’s gone on to grow a big company that only cares about efficiency and the bottom line. His old friend doesn’t care about property damage or the feelings of the people who need help, just getting it done quickly and going on to the next job. He fires his employees casually, and doesn’t seem to care about them.

Meanwhile, Shigemoto is a very encouraging presence in his company, who checks in with his employees, talks to them, supports  them, and really respects their input. Magilumiere makes a point of avoiding property damage and finding ways to help the customer, even if it’s a lot more trouble. He describes himself as wanting to “protect” peaceful moments where they can just hang out and have fun. It may come off as being a little too worshipful of start ups, but I don’t think it’s trying to say all startups are like this. Shigemoto started his with the specific goal of being kinder to his employees and being true to his ideals, and that’s not a thing that applies to all startups. 

It's not saying anything groundbreaking so far, like it’s definitely not deeply questioning the hellscape of capitalism right now, but the message is nice, and I’m interested in seeing where it goes. The fact magical girls are privatized despite providing a life saving service is interesting, and I wonder if the show’s going to touch on this too, since it’s been implied there’s a grim origin involved. And then there's lots of a little jokes about tech companies too. The fact the magical women suck monsters up into flash drives after defeating them is honestly so funny.

The story also gives some brief shout outs to struggles real women face in the workplace—it’s mentioned there’s people on not-Twitter who mock magical girls for being “old” and just seem to want to harass and criticize them. But this hadn't really been explored in depth so far, which I’d like to see from the show. It would also be nice to see exploration of gender on the tech side of things--- like in the real world, it’s really notably male dominated. We’ve gotten some focus on one woman CEO and one girl engineer, but the gender imbalance is very much there. 

 The show disappointed very slightly by briefly throwing out that men’s magic is “too aggressive” (whatever that means?) and that’s why it’s all magical girls, which is a too-common gender essentialist explanation for women dominating a fantasy action story (see: Claymore) that has weird implications. Why can’t a lot of girls just be really good at magic? Why can’t it just happen to be a female dominated career but there are some magical boys? (And the fact the the explanation has to be like, guys are just TOO strong, TOO cool, TOO manly is like. lmao okay.) But it is a throwaway line that doesn’t ever come up again (and it does at least frame it as a ‘mystery’ they might figure out someday).

That brings me to an issue that may be uncomfortable for some viewers- Shigemoto wears a magical girl outfit while he’s working, and when he’s introduced the angle and vibe is intimidating and Kana reacts in shock and possibly fear, possibly playing into transphobic stereotypes. The next episode, however, makes it clear she’s specifically be shocked that it’s a middle aged man wearing “cosplay” at work rather than ever saying it’s the dress, the other employees are chill about it, Kana gets used to it, and the narrative moves on pretty quickly.

However it comes up in a minor way a couple more times, with Kana saying she's surprised Koshigaya worked there after seeing the boss dressed like that (Koshigaya’s response being ‘hey you decided to too! People in this company are interesting, aren’t they?’). Another magical girl doesn’t seem put off by it at all, but immediately assumes it’s business related. It is implied there’s some sort of work related origin for his cosplay and it's possibly tragic, but he does definitely enjoys the clothing (and has a nice skincare routine) and the male characters are always 100% supportive, with one of them particular often discussing fashion with him, if there should be more ribbons etc.

So yeah, YMMV over whether it crosses over into transphobia (or edges into it) but I’ve definitely seen way worse. I feel the series is mostly supportive even if it’s like “hahaha it’s a little weird right!” it’s not outright mean to him about it (imo).

The pacing may be a little slow sometimes, really wanting to cover every moment of the manga, but it’s always a good time, and there’s plenty of hype moments. The concept is so interesting and has so much potential, and I feel like the show is running with it.

The show has been unfortunately been confined to Amazon Prime, where a lot of people probably missed it, but it seems to be doing well in Japan and a second seasons already been announced, to my delight!

Over all, if you’re a magical girl fan or are just interested in a good show that explores magi-tech, working adult issues, and has some cool ladies fighting and bonding, I really recommend this one.

[the-badger-mole]

Aang was a kid who was the sole survivor of a genocide. Why doesn't that factor in your opinion of him?

I've talked about this before, but his age and tragic backstory are irrelevant. ALL of the main characters are children with tragic backstories, and they are more empathetic, have more growth, and their tragic backstories...actually matter.

Listen, for all people whine about how often Katara talks about her mom (which isn't really that often), it's clear how her mother's death shaped her as a character. It's clear how witnessing her mother's death formed her worldview, and Kya sacrificing herself for Katara made a mark (she never turns her back on people who need her? COME ON! That is obviously her trying to save people the way she couldn't save her mother). Even her wanting to learn how to fight and not heal (which is an insane battle advantage, btw) speaks to her trauma around not being able to defend her mom.

Even Sokka's trauma around the loss of his father and not being deemed old enough (big enough/ strong enough/ smart enough) to go with Hakoda and the other warriors come through in his recurring need to prove himself (coming up with the big battle plan for DoBS, breaking his father out of prison, learning swordplay, etc.). It's woven so neatly into the narrative. His trauma matters to his story.

Toph is the least developed of the Gaang, and her issues with her parents have more impact on character than the destruction of the Air Nomads have on Aang. Heck, Zuko's entire arc hinges on compound traumas.

Meanwhile, Aang's trauma....? What trauma? Yes, the loss of the Air Nomads is a tragedy, but we, the audience, only know it's a tragedy because we have real world knowledge telling us so. Personally, I was in 3rd or 4th grade when I began learning about the Trail of Tears, and in kindergarten when I began learning about slavery (I was born in Harlem. The kindergarten I went to taught us accordingly). When I saw ATLA, I had a frame of reference for the genocide of the Air Nomads. But it didn't really seem to bother Aang all that much. Oh, sure, it did come up when it was convenient to the plot, but it mostly seemed to be a way for Aang to expound on the superiority of Air Nomad philosophy and society to whoever he's talking to. Aside from that, and his first rush of feeling when he found out what happened to them, the loss of the Air Nomads doesn't seem to effect Aang all that much. If he doesn't care about his tragic loss, why should I?

Aang is a fictional character. I don't have to extend the same pathos to him that I would to a real life person. It is the writers' duty to make me feel for him, and they did not. The way he's framed is the issue. And here is where I really start retreading things I've said before, but I think it needs to be repeated (again and again and again). Aang is not framed as someone who has a lot of growing up and learning to do. I could give him a pass on his worst traits because he's a child and still growing, but the show doesn't frame him that way. The show wants me to see him as a precocious imp who's wise-beyond-his-years but still has a cheeky lil' mischievous streak. It's not trying to frame his lying to the quarreling tribes in The Great Divide as a bump in his journey to becoming an effective leader bridging different people together. It wants the audience to laugh at him getting one over on the foolish tribes who absolutely went back to fighting as soon as Appa was out of sight. The show isn't framing his desperation to get the village in Avatar Day to like him as a foolish pursuit he needs to get over if he wants to be strong in the face of adversity. It wants us, the audience, to feel bad for him because his charm isn't immediately bringing the people over to his side. It wants us to be indignant that the villagers don't see how important Aang is and wont' support him. The show isn't framing Aang's non-con kisses with Katara as bad because it hurt her. It isn't making a point to that Aang needs to care about her feelings. It wants the audience to feel bad for Aang and hope for Katara to come around because he's A Nice Guy™️©️®️. Aang is never shown to be a particularly good friend to any of the Gaang, let alone him being kind to strangers just because that's his heart. All of that I would allow to be just him being a dumb kid with growing to do if the show hadn't made it clear that Aang was perfect and didn't have to change, and in fact the world should change for him.

Aang's age and tragic backstory are irrelevant because the show made them irrelevant. All they left us with was a Gary Stu character who hides his selfishness under a thin veneer of cheerfulness. It's not good enough.

[studiodrydock]

Interview With a Werewolf - A deep dive into the character of Westley Vuk from Wylde Flowers

We've put together an in depth look at Wylde Flower's fuzziest romanceable character, Westley Vuk! 🐺💕

Westley, the romantic werewolf bookseller, is one of our most beloved characters, and we had the privilege of chatting with several members of the team involved with bringing him to life, including Iona Vorster (concept artist), Desiree Cifre (narrative director), Mike Taylor (animator) and Ray Chase (his voiceover artist).

We discussed all things Westley including his inspiration, design, and what makes him so popular (and dreamy)! Enjoy! ✨

Writing a Werewolf

Questions answered by: Desiree Cifre (Narrative Director)

Q: Can you start by telling us a little bit about Westley?

Desiree: Westley is a bookish werewolf originally from Alaska. He became a werewolf due to a case of mistaken identity. His identical twin brother, Lou, was a marksman for a logging company, and shot at a werewolf who then returned and attacked Westley one full moon. Once Westley turned into a werewolf, he vowed to keep his distance from humans to protect them and himself, and found safe harbor in the magical village of Ravenwood Hollow. He hopes to find a cure for his lycanthropy and in the meanwhile, prove that werewolves can be positive contributors to the magical community.

Q: What was your process like, including inspirations and challenges, when creating Westley?

Desiree: Our original scope for the narrative limited the characters to the members of the coven and the other, non-magical villagers, so I was delighted when Amanda and Alex told me we would have the budget for a magical village with four residents. I knew right away that I wanted one of them to be a werewolf and that I wanted him to be a romantic interest for Tara. A bookseller seemed like a natural fit so that he could sell Tara the parchment and incantations she would need for her spellwork, and when Iona drew up some concept art of our nattily dressed Westley we all knew that was the right direction for the character. Once I learned we could support him having both human and wolf forms, that opened up the space to create a little mystery around his first appearance in town, and then we got to dive into his backstory a bit more later in the game.

Q: Do you have a favorite line that you wrote for him?

Desiree: Well, I was expecting players to love Westley, but even I couldn't have anticipated how much of a fan-favorite he would become. I have to say one of my favorite lines is one that only plays if you are partnered with him: "Tara, you're looking ravishing today! Not that I want to, or would, I mean, you know." The actor who plays him, Ray Chase, gave such a hilariously brilliant reading of that line and it makes me giggle every time I hear it! The thirst is real.

Drawing a Werewolf

Questions answered by: Iona Vorster (Concept Artist)

Q: What was the process like for designing Westley? How did you incorporate his personality and backstory into his design? Iona: Initially I started with sketching out ideas for all the Ravenwood Hollow characters in tandem. I wanted to make sure they would sit well together, and since they are all (mostly) fae, I wanted to make sure they felt consistent across their designs while figuring out “what do the fae look like in the world of Wylde Flowers.” Once I had a good idea of what they’d generally look like, I took each character one by one to work out the specifics.

With Westley, the process was a bit more complicated because I also had to figure out what his werewolf anatomy would be like and how far we wanted to push it. Since Westley is a romanceable character, I wanted his werewolf form to still feel personable and able to emote like the rest of the characters, so going very wolf-like with his design didn’t feel like the best option!

As with all the characters, I did have a wonderful character background to reference for Westley, written by narrative lead Desiree! A facet of his personality is that he likes dressing well, so along with him being a bookseller, a suit seemed like the natural choice!

Q: Which did you design first, werewolf Westley or human Westley? Did you have to put any considerations into giving him a (relatively) consistent appearance between the two forms? Iona: I started with his human form, since I knew his werewolf form would need R&D on aspects of his anatomy like his face and legs. However, eventually I moved back and forth between the two, because parts of his werewolf form, like his fangs and his fur, informed design decisions on human Westley. I wanted to hint at his werewolf form when he was in human form, and vice versa/

I also wanted to keep consistency in his outfit, especially since there’s the comical details of his suit not quite fitting his massive werewolf frame, which accentuates the differences between the two!

Q: What is your favorite part of Westley's design? Iona: His fangs! Designing all of him was fun, but I love that he has fangs in human form.

Animating a Werewolf

Questions answered by: Mike Taylor (Animator)

Q: What did the collaboration (if any) look like between you, Desiree and Iona? Mike: I wasn't involved very much in the concept of Westley. As with all characters, I was asked for feedback on each concept, but the concepts are always so good, I have very little to add, and Westley was no exception. Soo-Ling (Wylde Flowers’ 3D Artist) and I would discuss his model more and especially the hair, since we knew that was a big part of his design. We would work together to decide how to structure Westley's hair so we could have the most movement as efficiently as possible.

Q: What types of personality bits or other considerations were you trying to showcase in his animations, and how did you achieve them? Mike: Desiree and Elizabeth put together Casting Notes for all the characters, citing specific actors and/or roles that best exemplified the character. I always started there as the basis. For Westley in particular, I know I felt that he should be a little withdrawn and maybe a little brooding. He's an intellectual who has been cursed with being a werewolf, after all. From that I thought his walk - which is the animation that gets the most personality - should be pretty subdued, compared to the other characters, and he should be looking at the ground rather than straight forward. It's subtle, but hopefully reads just a little.

Q: And for Wolf Westley? Mike: For Wolf Westley, the goal was to make him more feral, without going too far. To do this, I added some exaggerated chest breathing to his idle, arched his fingers and turned his hands inwards, then made his walk very 'stompy' to highlight the extra weight he was carrying around.

Giving a Werewolf a Voice

Questions answered by: Ray Chase (Voiceover Artist)

Q: Can you describe the direction you were given when portraying Westley? What types of personality traits, emotions, etc. did you need to convey? Ray: Westley is a really deep character - and one who I was immediately drawn to. Going back through my auditions for this game, it looks like I only chose to audition for him and the reverend! I love how genteel he is - there's a huge part of me that wants to go run my own bookstore in a small village, so I'm playing out my own fantasies when I'm playing him. :D The voice director, Krizia, was a big help in dialing in just the right amount of werewolf into this character. He shouldn't be frightening, but rather be a warm wolfy snuggle.

Q: Westley's fans have become quite passionate From an acting perspective, what do you think is the secret sauce that makes him so appealing? Ray: I'm definitely using my bedroom voice most of the time for this guy. I have heard that it can be...most enticing....

Q: Are there any lines or beats with Westley that stick out to you? Ray: I'm a vegetarian, so it's always quite alarming when I have to do his butcher shop quotes! I can't believe he eats that much meat... But I guess it's better that he buys from a friend than go roaming the woods at night… And that's a wrap! Thank you for reading! Victoria and the Studio Drydock Team Find out more about Wylde Flowers Here

[princess-ibri]

Tangled Unbraided

For ages I've wanted to find a way to use the old fractured fairytale idea of "Rapunzel Unbraided" Disney was going to do in the early 2000s, and decided to just go ahead and show what I've got. So here's some sketches of how the main characters would appear in this hypothetical Tangled spin off movie:

The original synopsis for Unbraided ran as thus:

“An evil witch named Lucretia despised fairy tale happy endings and plotted to change all that. Meanwhile in modern day San Francisco, Claire and Vince are two vastly opposite teenagers who cannot stand one another. Claire is a short haired, fashion obsessed teen who was concerned with her looks. Vince is a stocky and crude pizza delivery boy on hard times. The two of them get on each other's nerves which gets the attention of Lucretia in the fairy tale realm. Lucretia takes Rapunzel and her prince Beau and transforms them into a squirrel and dog, respectively, while Claire and Vince find themselves filling their roles. Claire and Vince eventually team up with Rapunzel and Beau to defeat Lucretia and return to their respective places in time. “

---

And I'd want to follow the basic plot of that, though with changes with what we have from the actual Tangled movie. But basically two teens from 2007 San Francisco (why not make it a 'period' piece with all this Y2K nostalgia going on that makes no sense to me, a Y2K kid x) get reverse Enchanted and find themselves in the Everrealm. Searching for a way home, mentored by a talking squirrel and dog that claim to be famous fairytale characters also trying to regain their human forms.

The reason the witch tries to recreate the Rapunzel story with two people who are unlikely to give it a happy ending is that she's trying to make a spell to warp reality and bring about another golden flower (so that we can have the one that eventually shows up in Sofia the First) and so gain immortality for herself.

My ideas for the growth journeys each character goes on in this hypothetical movie is of course that Claire and Vince both learn to be more comfortable with themselves/find their real potential, as well as learn that its ok to trust others emotionally, both in a platonic sense with Eugene and Rapunzel mentoring them, and romantically with eachother as they get closer.

Rapunzel and Eugene would have this be an opportunity for them both to work through the concerns they both have about being parents. Sure they both have better parental relationships now, but both grew up with either abusive or absent parents (and then hyper protective ones in Rapunzel's case with Frederick) and though they both want kids they're afraid they might still mess it up. So, getting to help these two teens find themselves and their way home gives them a sense of the type of parents they'll be, and that they'll be ok in the end.

(They also all eventually find out Claire is their many times descendent and thats why she looks like Rapunzel so much, and why the spell called her into Rapunzel's place)

For the Witch I decided to change her name from Lucretia as I already had a character with that name for the Bluebeard story. I still wanted her to have some actual connection to the og Rapunzel fairytale, and a way to know about the Sundrop flower, and while I know we already had Cass as Gothel's kid, per my DisneyVerse she did have more then one over those many many years 😅😬

We already had a benevolent version of another Gothel daughter with my rewrite of Ginny, so I decided this time we'd get to focus on a malevolent one, so our villain for this story is Azalea.

(I based her looks on one of the tree nymphs from Gothel's backstory in OUAT, old Gothel/witch concept art and her name was inspired by Alice from OUAT being Gothel's daughter, just with a sharper sounding plant name x)

Also here's some original concept art of the Rapunzel Unbraided story treatment!

(Some of these might technically be from the Rapunzel treatment but I feel they fit the story anyway)

Also some video! A rough animatic overview of the whole story

And a more polished small clip of Claire and Squirrel Rapunzel

But yeah that's my rough little idea of how I'd incorporate the Rapunzel Unbraided concept/characters into the Disneyverse :)

[0wldn0]

Look you can't give us Earthspark Stunticons without giving us your take on this version of their characters. I wanna know what gets carried over, what's different, how would they, hypothetically, interact with the rest of the cast? Are they stuck on Cybertron while breakdowns on earth? How'd that reunion go?

I love it all so much I must know more! 😍

AHH this ask makes me so happy!! Bless you so very much! 😭 I just love the Stunticons so so much and there's so much I wish we could've seen when it comes to them!! Honestly, I was just going to be drawing them and leave it at that but... they have been occupying my thoughts for the last week and I ended up creating a whole Earthspark AU with them 🫠 ((I'm open to suggestions when it comes to naming the AU!!)) I really adore their origins in G1 so I took most of my ideas from there!! I have all of these paragraphs written about how they reacted when they were first given sparks by Megatron, how their psychological issues started, how these issues affected their teamwork and affected the mind of the Menasor when they combined, how they learned to cope with their issues, each of their individual journeys on getting better at understanding themselves, and then later on understanding each other, accepting one another as who they are and lending a helping hand whenever one of them needs it!! Gosh, so much to talk about when it comes to them!!

With the way I ended up giving them all their own backstories, I ended up kind of OC-fying them 😅But still did my best to stay loyal to their origins in G1! Additionally I wanted to do something with Earthspark's concept of "family" so I wanted these guys to become a family in the end too! ((Especially making Motormaster go through a huge character arc where in the end she treats the Stunticons more like a family! While also keeping her distance from them both physically and emotionally because she thinks she doesn't have the right to get into their personal spaces after everything she put them through)) I could talk about them for hours honestly!! I wanna do more drawings and doodles of them! I dream of writing down all my thoughts in a fanfiction one day, but I'm not sure if that will be a reality... So I may just share my ideas bit by bit in different art posts!! Also yes!! The rest of the Stunticons ended up being separated, with Breakdown being the only one on Earth! Motormaster tried to reach for him but unfortunately she wasn't fast enough to do so before the only entrance got blown up. It leaves the rest of the Stunticons in a weird place, they *just* learned to accept each other and work on their issues together, and now one of them is gone, and they aren't sure if he is even alive! But they don't repeat the same mistakes of the past and stick together instead, ignoring everything about Cybertron until they find BD. Meanwhile Breakdown, when he's first separated from them, has a moment where his paranoia almost overwhelms him again, like in the past. But he manages to calm himself and focus, finding ways to survive on Earth along with other Decepticons. Even though he commits dangerous acts and constantly seeks adrenaline ((joining races all around the world etc)) in an attempt to cope. When they do reunite, it is a happy reunion! With the rest of the Stunticons gathering around BD and celebrating!! Of course, Motormaster still keeps her distance, but if you watch closely, you can see the very small and shaky sigh that she lets out.

[20001541]

Maybe not much of an All For One focused question, but how was Yoichi able to avoid becoming codependent on his twin like afo was with Yoichi? It kinda makes more sense for Yoichi to be the codependent one since he's sickly and was the one being taken care of.

I think it's a really interesting writting choice by Horikoshi that adds a lot of nuance to them both as characters.

This is one of those instances where I wish we got more of Yoichi's pov during their backstory. Because of the circumstances they were born and grew up in honestly, I don't think Yoichi was able to avoid it in the beginning. I think there was a time where both twins were completely codependent on each other as they had no one else and no framing of what a healthy relationship should look like. Of course, I can't say this definitively because the only thing we're told about Yoichi's feelings regarding AFO during their childhood was that he wished to guide him on the path of goodness.

But I think the codependency was strong for both of them when they were younger as they had no one else and only a vague idea of what the world was like. However, as Yoichi grew older and began reading books and learning more about the world around him maybe he realized what they have going on isn't normal. There's also a whole world of people out there that he wanted to explore and get to know. I wonder if they ever fought about this, with Yoichi wanting to meet other people while AFO insists they don't need anyone else. Meanwhile AFO had no such interest to let anyone into his own little world. He just wanted it to be him and his brother. He even describes his ultimate dream of ruling the world empty without his brother by his side.

It all just boils down to Yoichi taking more of an interest of the world around him and the people while AFO only cares about the world and its people in terms of what they can provide him. Couple that with the sense of empathy Yoichi had as a child compared to AFO and you get one sibling who puts all his emotional needs on one person while the other is more open to being around others. So of course AFO ends up more codependent than his twin since he desires for all his emotional needs to be met by Yoichi and Yoichi alone. Its why he fights so hard to get him back because without him everything in his world is empty. He's had riches and many adoring followers throughout the years and yet none of it brings him any true satisfaction without his brother there by his side.

I do wonder if being separated from AFO for the first time in his life was rough for Yoichi after joining with Kudou and the others. Yes, he had to get away by any means necessary from his brother but I feel it would still be a struggle trying to get used to being without his brother there because he's so used to his constant presence. Besides I do believe Yoichi genuinely loves AFO and regrets not being able to save him from the path he was walking on. Maybe he felt guilt for leaving AFO like that even though it wasn't his fault AFO made him desperate to leave that vault. Not sure but it could be possible.

[utilitycaster]

I've gotten a couple replies of "and that's terrifying" on this post about the more stable members of Bells Hells, and, to be honest, hate that, so let's talk about it.

There's a couple reasons. The first that I still don't know who the fuck thought the Issylra half of the party split would be Team Levelheaded and not Team Abandonment Issues, because, well, it's the latter. The second is that there's been a near constant undercurrent from quite early in the campaign of "oh Orym...he's going to break...he's a powder keg" and while he's decidedly not a powder keg, we did get him finally breaking a bit, and suddenly everyone's like "HORRIFYING that the guy I kept claiming was uniquely angsty is now having a harder time with the party split than the other characters whose equally tragic backstories I've consistently ignored, diminished, and dismissed."

All three of the Bells Hells characters in Team Issylra have issues related to loneliness and being left behind, which is a common thread through the party, but notably, Fearne, FCG, and Chetney being more stable should not be surprising nor scary. Resilience isn't tied to whether or not you're somewhat chaotic, or have mechanically-induced loss of control, and that's what we're talking about here. The reason why Team Issylra is having a rough time of it - and specifically why Laudna and Orym are falling apart whereas Ashton is doing comparatively well - is because they've been constantly pretending things are okay. Chetney, meanwhile, genuinely does think the worst thing that happened to him fucking rules, and has the age and perspective and sheer survival instincts to pull through; FCG has, within the story, had to face some horrifying realizations about himself and so has some tools for this kind of situation; and Fearne is to be honest still learning that consequences are a thing that happens, but she has dealt with a few profound disappointments and is sitting with them - she openly admitted she's not terribly impressed by her parents.

On the other hand, I think Orym has worked through the earlier stages of grief, to be sure, but he's put a brave face on over it and tried to look at the bright side. Which isn't the worst idea, but it means when the things he's built that idea of a bright side upon - Keyleth's infallibility, his relationships within the Crown Keepers - are nowhere to be found, he doesn't have anything to take hold of. He adjusted to one devastating change by clinging to the constants, and now that many of the constants are gone too, he has no mechanism to process the change in their absence.

And this is Laudna's whole deal, right? I do in fact agree that her initial death was still the worst thing that's happened to her so far, but that doesn't mean she can't still be incredibly upset by major events. It's comforting to know you've survived worse, but it doesn't necessarily help you actually get through a slightly less terrible (but still pretty terrible) situation. She says she can't stop compartmentalizing or she'll cry - but like, she'd probably feel better if she'd just spent the second watch crying. Like Orym, Laudna's developed this idea that she can will things into being okay, and in the end, she can't. Leaning into the "Today SUCKS" attitude would, honestly, help her, and I'm hoping she does so.

Ashton meanwhile doesn't have healthy coping mechanisms, but they do have coping mechanisms that work in this situation (namely, drinking and hitting things). He also, more importantly, has no investment in pretending things are okay. Ashton thinks the world is full of utter bullshit that will fuck you over, and the point is to get through it, and sure, it's a very cynical mindset, but there's a reason why toxic positivity is, well, toxic.

As a sidebar, I also think that Ashton has, fascinatingly and despite their drunken talk with Laudna on the skyship, put their abandonment issues into perspective. Ashton is able to handle the current situation because, logically, they were teleported to a random location beyond their control and with no capacity to contact other people, so it's reasonable to assume the other half of the party is in the same position. No one abandoned anyone. To quote Ashton themself, actually, from episode 25, "Sometimes shit's just fucked up, and the only thing you can do because you didn't do anything fucking wrong, is get the fuck back up and do the exact same thing all over again knowing that there was nothing to learn." On the other hand, the fact that Milo saved Ashton makes that particular situation worse. If Ashton had been left to die in the street and a random uninvolved stranger picked him up? Then you can at least imagine the Nobodies had to leave, or couldn't pick them up for whatever reason, or even perished themselves. The fact that Milo was able to make this choice means the Nobodies also had the ability to make a choice, and the choice was to leave them behind, and that's what stings, and that's the unique loneliness, and that's why this situation isn't comparable.

So anyway, in summary, it's unsurprising the two people who have handled grief and tragedy by trying to quietly (in Orym's case) and not-so-quietly (in Laudna's) smooth it over are finding themselves completely unable to do so and barely holding together, whereas the people who allow themselves to be upset or, frankly, just go apeshit, are doing much better.

[lonelywretchjervistetch]

My DC Cinematic Universe - Creature Commandos: Part I - Introduction

In every comic book fanatic...there are two wolves.

There's the first wolf, the purist wolf, who has read all the canon, loves the comic book lore as it stands (no matter how ridiculous it is), and can tell you the unnecessarily complex backstory of that one character that no fully same person knows the backstory of (the Hawks for DC nerds, and any member of the Summers-Grey family for Marvel, for example). But the second wolf, the fan wolf, actively shares those characters and stories they love with other people, and thinks about those characters with its own headcanons and opinions.

Now, unlike the metaphorical inner wolves of normal people, these wolves are fed by external media. And when a comic book fan looks at a character or story they live, especially when its adapted, their wolves feast. The purist wolf feeds on accurately adapted characters, faithful to the page and to what they love to see. Meanwhile, the fan wolf just wants to see the adaptation, regardless of the changes, and loves to talk about it with other people who see it. Now, ideally, every comic book nerd has wolves that they feed in equal measure with books and media, especially if that media adapts comics well.

So, how are my wolves doing?

...Jesus Christ, when did the fan wolf learn how to walk on two legs? And use weaponry? And develop thumbs? And learn Spanish? And speak with the voice of acclaimed character actor Wagnar Moura? Well, shit, he's feeding pretty well as of late. Makes sense, there are a lot of adaptations nowadays, and comic books and associated media are considered mainstream! That means the purist wolf must be

Ah. It's dead.

Well, goddamn it, what the hell? Comic book purists have never really fed well, but it's not like they've been completely starved. As somebody who considers myself pretty flexible in my tolerance of character and story changes between media (different media means different narrative need and format), I often like the changes in adaptations. Plus, there have been plenty of changes that are at least faithful to the original spirit of the characters.

In Marvel, for example, every version of Spider-Man that we've seen in film has at least been faithful to the spirit of the character. Sure, Tobey's version wasn't very funny and created natural webbing, Garfield's version was arguably too cool for school and never said the whole responsibility thing, and Holland's version is way too reliant on other superheroes in his films, but ALL of them are still solid version of the webhead, in my opinion. Plus, hell, Into and Across the Spider-Verse are both more than enough fuel for a comic book purist, even with Shameik Moore's stupid-ass Tweets as of late.

And that's not even counting the Playstation Spider-Man, who's goddamn fantastic (BOTH of them in BOTH games), some of the animated Spider-Men (looking at you, *Spectacular Spider-Man*, unsurprisingly), and even fan-made versions of the character that have made the circulations as of late. Hell, adaptations have been doing better than the FUCKING COMIC BOOKS as of late when it comes to Spider-Man. But, OK, enough about Marvel. Not why I'm here. Just...bear with me, I'll get to the point.

DC has had plenty of faithful adaptations over the years, if not actual straight adaptations that also work all right. Young Justice, of course, is the most recently lauded animated adaptation, while older shows like Batman: The Brave and the Bold, the various shows of the DC Animated Universe (AKA the DCAU or Timmverse), and even more recent fare such as Harley Quinn shows at least an appreciation and familiarity with source material. That last one, admittedly, is a stretch, but Harley Quinn has genuinely surprised me with its attention to faithfulness, and its willingness to be more creative and funny with its alternate versions of classic characters. It was better in earlier seasons, though, just to be clear. But even then...passable.

There's also the animated film adaptations, which haven't been as good as they were in the late 200s and early 2010s, but still have some solid entries. The Crisis on Infinite Earths adaptations weren't perfect, but had their...sparse moments. The Long Halloween was actually quite a good adaptation of the difficult-to-adapt source material, as was Teen Titans: The Judas Contract (even if the TV series did it a little better, although much less accurate). Wonder Woman: Bloodlines is a recent adaptation that's actually VERY good, especially to those who love WW rogues. And if you haven't seen some of the older films, like Justice League: Doom, Justice League: Crisis on Two Earths, Justice League: The New Frontier, Batman: Under the Red Hood, Batman: The Dark Knight Returns, Batman: Year One, The Death of Superman and Reign of the Supermen, Superman/Batman: Public Enemies, Superman/Batman: Apocalypse, Superman vs. the Elite, All-Star Superman, and Superman: Red Son...uh, yeah, please do, they're all excellent.

But, OK, with all of those adaptations, some as recent as last year, why is the purist feeling so deprived? Well...because the bad FAR outweighs the good, especially as of late. Just talking about DC (because Marvel is a bag of angry, screaming Flerkens), the movies have only given us THREE decent adaptations in the last 5 years: the underrated Blue Beetle, which is a quite accurate iteration of the character; Matt Reeves' The Batman, and the associated The Penguin (which was so afraid of comic books that they changed the main character's name to be "more grounded"), and The Suicide Squad, which is...a fitting film to bring up. Oh, and Birds of Prey doesn't count because it fucked over A LOT of characters, especially Cassandra Cain. Just sayin'.

In terms of TV series, well...Young Justice returned, but kinda fell off in the process for a lot of fans. The CW series, with the exception of the excellent Superman and Lois, are...something for another post. And there is Peacemaker, which is...again, fitting to bring up, but also incredibly complicated, and not beholden to accuracy for various reasons. And anything else...doesn't really rate discussion. Yeah, it hasn't been amazing for DC fans, while Marvel fans were eating pretty well in the last decade-and-a-half. So, imagine our delight and joy upon hearing that the DC cinematic universe would be remade by a bonafide comic book fan who was unafraid of the source material: James Gunn.

With Guardians of the Galaxy, Gunn had already proven he was able to swing and swing BIG when it came to comic book characters, having successfully adapted the titular Guardians, and Ego the Living Planet, of all characters. Yes, he severely fucked up Ronan the Accuser and Adam Warlock (like...REALLY badly), and also kinda Drax, but he also adapted Mantis successfully. FUCKING MANTIS. At the very least, he showed that he was willing to go for it. And then, after the firing-and-rehiring from Disney and being brought onto DC as a result, he made The Suicide Squad.

Understand what a miracle this film is, OK? Gunn makes GotG, it's a massive success, and Warner Bros. and DC notices that. So, they make their own GotG with blackjack and hookers in the form of David Ayers' Suicide Squad, which is TERRIBLE, and seen for the rip-off it was. Then, Gunn's old tweets pop up and he gets fired by Disney, and JUST before he gets rehired, WB swoops in and snags Gunn to revitalize the film series that ripped off HIS film series IN THE FIRST PLACE. AND IT FUCKING WORKS. Not only does Gunn make a GOOD Suicide Squad movie that people actually LIKE, but he also adapts King Shark, Starro the Conqueror, and fucking POLKA-DOT MAN!!! And he gets Jon Cena to play Peacemaker, WHICH LAUNCHES ITS OWN FRANCHISE BY ITSELF!!! And with that, Gunn gets brought on to run the DC cinematic universe as their own Kevin Fiege. FUCKING POLKA DOT MAN??? It's incredible!

...Right?

Like I said, Gunn's The Suicide Squad seems like a miracle. Excellent performance, a lot of cool characters to introduce from the DC Universe, and a crazy-ass showdown that does DC Comics some justice. But, uh...hold on a second. The wolf is still starving over here. Because this film cleverly seems like a miracle. In reality, while Gunn made a fun film to watch, he also severely fucked over comic book nerds in a myriad of different ways with this film, because he set a dangerous precedent, while also continuing an irritating trend that he'd previously helped to promote. That trend? In-name only characters, AKA references for the sake of references.

...Fan-service. Gunn is a master of good-looking fan service.

Look, creative license is great, honestly. It's also incredibly necessary. But Gunn has found a way to put in superficial references that draw in comic book nerds, or the comic-book knowledgeable, while also not really even caring about the source material. Sometimes, it doesn't matter. Polka-Dot Man, AKA Abner Krill, is essentially a joke character that Gunn took and made into an actual character. No comic book nerd gives a SHIT that Polka-Dot Man was a Batman villain from the '60s who committed dot-based crimes, using various special devices and gadgets that he turned into dots that he wore. He's essentially a blank-slate of a character, and Gunn took that and changed it completely, but also made the character memorable and interesting (as did actor David Dastmalchian, of course).

In fact, Gunn did the exact same thing with a whole slew of bit characters in the beginning of the movie. Lemme give you a shortlist of the comic book characters that appear in The Suicide Squad, outside of the main cast of character.

Javelin*,Savant*, Blackguard*, Mongal*, Captain Boomerang*, Weasel**, Thinker*, Kaleidoscope**, Double Down**, Calendar Man**, Ratcatcher*, Starro the Conqueror**, and technically Arm-Fall-Off...Man*. Holy shit, that's a lot of characters! What's that you ask? What do the asterisks mean? Ah, right, sorry, I should explain. Characters with two asterisks have little more than a single brief appearance, just for a quick joke or a "hey look, they're here" appearance. And the single asterisks? Those characters die.

And yeah, OK, it's a "Suicide Squad" movie, death is part of the equation. But look at some of those characters again. Mongal? She's an extraterrestrial conqueror, and the daughter of a major Superman and Green Lantern villain. Definitely could be used better than dying LIKE A PUNK. And why is that character even in Task Force X? Starro the Conqueror? I mean, maybe they pull something off and bring him back for a later film, but that's a WORLD-ENDING THREAT, and a fucking JUSTICE LEAGUE villain! And...wait a second, did Gunn kill CAPTAIN FUCKING BOOMERANG???

One of the most iconic members of EVERY comic book iteration of the Suicide Squad (and therefore a survivor), one of the most iconic members of Flash's Rogues, and one of the only semi-decent things about Ayers' Suicide Squad? You gave Weasel, fucking Weasel, a post-credit scene where he survives the beach massacre, and Boomer is just fucking SHAFTED??? For what can only be assumed is a shitty SHOCK-DEATH? WHAT THE HELL KIND OF DECISION IS THAT???

Look...I actually like The Suicide Squad, I swear. It's a fun film, it is a Suicide Squad movie, and it does a good job with character development and the story of the team. Bloodsport and Peacemaker are great rivals and fun-as-hell characters, Margot Robbie gets a chance to actually shine as Harley Quinn, Ratcatcher and King Shark are great, and the fact that Flag and Polka-Dot Man die is actually genuinely affecting. Plus, shit, they made Starro the Conqueror FUCKING TERRIFYING, especially because he's a big dumpy STARFISH!!! I do like it! But...man, these are some controversial fucking choices, and I've never liked them.

And the big problem now? Gunn is running the DCU.

And again, I don't think that's inherently a bad thing, but...man, it has me worried. Hell, look at Peacemaker. While it was a great showcase for its eponymous character (and Jon Cena is stellar in the role), it introduces two characters that get kinda screwed, while also giving a kind of nothing-burger of a villain. I mean, I love Vigilante in the show, but Adrian was a fucking judge in the comics, not a complete sociopathic moron. Funny, yeah, but not the character. And Judomaster? Damn, did that character get completely shafted. Another in-name-only character, even though he's not a character I've ever been super-devoted to.

My problem is this: if Gunn approaches all of his projects, and the DCU at large, the same way he approached The Suicide Squad and Guardians of the Galaxy, this isn't gonna work. And that's not just in terms of how the characters are written or treated, it's his practices of pumping characters into his films, only to dump them and ruining them for the future of the universe as a whole. I mean, hell, he even did it to Marvel. Ronan the Accuser, Ego, and the High Evolutionary are gone from the MCU, despite being characters of enormous potential. But hey, is this a rational fear, or am I worrying for no reason? Well...cue the trumpets.

Earlier today, I finished watching Gunn's Creature Commandos, having kept up with it throughout the season. And understand, when this film was announced, I was super excited about it! I love the Creature Commandos in concept, and they've had a few incarnations throughout the years. It's a fascinatingly fun idea, and I was looking forward to seeing how the characters were adapted. I had my questions and concerns, especially about the roster, but I was intrigued. And what we got was...well, second after I finished it, I wrote this post. And that has sponsored what you're currently reading. So, uh...I have some notes.

Yeah, this is one of those rare occasions where something has made me SO irrationally frustrated, so very and incredibly irritated, I had to write a goddamn essay series about it. And yeah, this is only the first one of these. Can't help it. I'm kinda pissed off. Because Gunn wasted this team, ruined a fair number of characters for the DCU going forward, eradicated a pile of possibilities, and STILL GOT A SEASON 2 APPROVED FOR THIS SHOW. God, I'm worried. And I gotta tell somebody about it.

So, to the...I dunno, 1 to 5 people who actually read this essay, inclduing those whom I know personally (you know who you are, how ya doin'), thanks for reading and, if you're interested, stay tuned. A lot of unnecessary nerd-whining to come, believe you me. And more than a few headcanons, because I'm giving this the same treatment as my Superman essays. So, yeah, buckle in. It's gonna be a ride.

Part One: Introduction and Adaptation Part Two: The Original Creature Commandos Part Three: Amanda Waller and Rick Flag, Sr. Part Four: The Frankensteins Part Five: G.I. Robot

[blueikeproductions]

Some Chinese trading cards based on TFONE came out, and they show off models of two of the other ancient Primes.

Spoilers obviously.

The movie shows us all 13, but because of the nature of the story we don’t really get a good look at any of them besides Alpha Trion.

These cards show off the designs of Quintus Prime and Micronus Prime.

Quintus takes heavy cues from his Aligned design.

But simplifies it greatly and pushes the design into a clearer Hindu god like direction.

I like to think he sounds like Apu and, per a friend’s idea, did this to the Quintessons:

Because all the Primes had Cogs, they all can Transform (which runs counter to Aligned’s idea of Amalgamous Prime being the first one to Transform and pass down the Cog, but then Aligned contradicts this with Nexus Prime being able to Transform also, so…), but into what we don’t know. Once more Quintus eludes us into what he turns into, though this design has notable wings, so maaaaybe he turns into a jet? At this version looks capable of Transforming, vs his Aligned & EarthSpark designs.

I still kinda prefer the monk design of EarthSpark Quintus, and I still like to think he Transforms into a G1 style Quint ship.

But I’m hazarding a guess the upcoming Age of Primes toy line will probably use the TFONE design as a basis, so maybe we’ll finally learn what he turns into.

The TFONE Quints do loosely resemble Quintus, so maybe this toy is already a hint at what Quintus Transforms into.

Micronus meanwhile looks like this.

He looks like a hybrid of the RiD15 Micronus and ROTB Rhinox.

I like that they kept the RiD15 body type, as I prefer Micronus being a squat, bulky guy like Hey Arnold’s Ernie Potts vs the hard to read skinny design they had for Aligned originally.

Still don’t know what Micronus turns into in TFONE, though the RiD15 design implies he’s a Buzzsaw like Jetstorm and Slipstream.

Funny enough, like how the movie never clarifies if the Quintessons were created by Quintus Prime, Mini-Cons, Micronus’ descendants in modern media, are never referenced as existing on TFONE Cybertron. The Miners are tiny until they get their Cogs, but they’re not supposed to be Mini-Cons, so. -shrugs- Modern media also says the Mini-Cons are native to Cybertron’s moons, a nod to their original creator, Unicron, being disguised as Cybertron’s moon in Armada; so maybe the TFONE Mini-Cons are up there chilling on the Moons, lol.

The movie made the wise choice to keep things simpler for casual audiences, but the modern 13 Primes are themed around certain races, genders, powers, and technologies, and it feels like writers are never sure on what to do with them because of this. Onyx Prime still makes more sense as the main antagonist for RiD15 because of the emphasis on animal type Decepticons, but they used The Fallen for rule of cool and marketable reasons. I feel like Cyberverse could’ve had Vector Prime as a central character due to the show’s habit of flashbacks and time skips over Alchemist/Maccadam, and Quintus Prime to better tie things to the Quintessons. I feel like Liege Maximo would’ve worked well in Cyberverse too but I don’t know what he’d DO either…

Still now that we have a better look at the TFONE Primes, they look cool, and I want to talk about the other designs once we get proper character models, so stay tuned for that.

My current guess now, until we get toys that say otherwise, is the upcoming Primes toys might use TFONE’s designs as a basis, as the intent was to use TFONE as the new backstory anyway. I suspect aspects of Cyberverse and EarthSpark might influence things though, as those who got a good look at TFONE Alchemist say he takes most of his look from Cyberverse Alchemist Prime.

So hopefully we don’t have much longer to see toy wise.

[let-us-cultivate-our-garden]

So I don’t know if you know of Doug Walker, but recently released his Disneycember review of The Owl House.

While he praised a majority of the show, he criticized the main villain, Belos, of how he was written.

Many of the comments tried to defend the writing of the villain.

Doug Walker..

Now that's a name I haven't heard in a long time.

Yes, I am very familiar with Doug Walker; I loved his stuff along with Channel Awesome years ago and then the allegations came out and fortunately, the other contributors on that channel moved onto bigger and better things. Meanwhile, Doug just stayed the same, so I don't watch his stuff anymore.

Any way, I think it's funny people are scrambling to defend Belos' writing because, despite my own personal opinions on Doug as a critic, I actually agree with him.

For a show that is ostensibly about subverting tropes and not judging a book by its cover, by showing how people can choose to change or not, etc. Belos is a throwback to an earlier era where the Big Bad had basic motivations and characterizations. And for a show like toh, that actually ends up hurting the narrative.

I have categorized the comments I found defending the writing and here are my responses to them:

Belos does have a deeper layer, you just have to look for it.

While a show can certainly foreshadow and provide little hints about a major character, eventually all of that setup will have to pay off somehow. There has to be a reveal both to reward the viewers that have been paying attention and to inform more casual viewers who may not have. Fans analyzing every little frame to extrapolate a major character's backstory only for that backstory to really not matter in the end despite it being set up for a season is just bad writing. full stop. [A viewer should also not have to look on social media for crucial information on a major character.]

It's also not clever that the show left so much room for interpretation on Belos; it just means that they didn't make a commitment to what was being set up and reduced his character to glib one-liners whenever we learn something interesting about him (Masha's "little bro was jealous of big bro" line and Papa Titan's whole spiel).

2. Belos would have been written better if the show had more time.

The Toh crew knew about the cancellation during production of Eda's Requiem and wrote all of 2B with it in mind. So they knew they were working on a time crunch but still introduced elements like the Collector when they should have spent the time wrapping up their story. The cancellation is not an excuse for sloppy writing.

3. Belos as a villain works more on a meta level.

So the argument here is that Belos is the antithesis to the BI; it's accepting and diverse while he is hateful and only accepts things that conform to his worldview. The characters in the story change and grow, while Belos does not. The problem here is that a villain can't only work on a meta level, it has to work on a narrative one as well.

If the BI is place that accepts weirdos then how did someone like Belos come to power? Oh, he lied his way to the top and created problems that never existed? That just makes your populace look dumb and easily manipulated. The BI being so accepting also undermines the threat credibility of the Emperor's Coven because why should we worry about them if they have no real influence over how the BI residents think or behave aside from when the plot needs them to?

Also, I strongly disagree with anyone who says that toh has a "people are complicated and choose to do good and bad" theme when all of the good characters can blame their bad actions on being manipulated or on circumstances outside of their control OR the narrative ignores/downplays anything bad they did (cough cough Amity and Lilith). Meanwhile, the villains are just shallow with basic motives and this is supposed to be a deep message about how Some People Are Just Bad.

If you're going to contrast why your good characters are capable of growth then you need to show why your villain does not. What is stopping them? How do they react if given a legitimate reason to change (that isn't a cheap jab at Steven Universe)? What is their justification for their actions?

Whatever the answer is, the narrative has to support it and not undermine it with a stupid joke.

4. Belos is so refreshing when every villain character is redeemed.

Watch more shows. If you think that every cartoon villain post-Steven Universe is being redeemed then you're incorrect. Redemption of a show or movie's Big Bad is still in the minority while the redemption of the main villain's lackey is a dime-a-dozen.

Ultimately, I think the problem with toh is that so many of its fans take its thematic statements at face value without ever really stopping to think about the execution of those themes and if they really work or not.

Belos just happens to embody this little trick that toh does: it claims to have bold and timely statements and important themes, but the structure and execution of the plot, character development, and world-building undermines any attempt at a consistent or coherent message.

[insufferableprotagonistpoll]

Round 2

Propaganda why Charlie Morningstar is insufferable:

"Her entire personality was rewritten to be insufferable. She behaved like an idiot who didn't understand anyone or the problems they had. Her ideas were shit and so were her dramas."

"She was insufferable in the the Masquerade episode. It infanticided her so much, it ruined any enjoyment I might have had in her. She is supposed to be an adult woman trying to safe sinners meanwhile she acts and is treated like a toddler??"

"I know her whole character is naive and innocent. I even liked her at first. But with every rewatch I find her more annoying. She is waaay too naive and doesn't listen to anyone else's concerns like Vaggie's or Lucifer's, instead just believing everyone will listen to her. I might be alone in this, I just hate this archetype of naivety and innocence to this degree."

"Rich girl who doesn't consider other people's needs and boundaries until it gets too far. Literally builds an entire hotel to get sinners to heaven WITHOUT first seeing if her theory is actually possible. She tells Heaven AFTER it was built if they could offer some help or support instead of before it. Toxic to her girlfriend. Literally complains about having daddy issues when there's no issues to be found. Her father is depressed and although he doesn't like her hotel concept he never shoots her down for it. She acts like the world revolves around her rainbow ideas when literally noone cares. You being a princess means nothing to most people. Get off your high horse and learn what it means to be anything but princess of hell. The narrative wants us to sympathize with Charlie but gives us no reason to beyond Quirky™ and 'oh she's so nice' SHUT UP you're literally lying to the audience about Charlie. For all she claims to be, Charlie sure is a self-centered brat trying to live out some heroic fantasy with unwilling co-stars she forces to bend to her will."

Propaganda why Dean Winchester is insufferable:

"This man is racist against anyone other than humans and abused the people he was supposed to love the most. He literally abandons Castiel at his most vulnerable and never lets Sam leave the whole hunting monsters thing. Worst part is that the fandom will get behind him and defend him because what, he’s pretty? Pretty much a terrible person, more like. I sympathize with his backstory but Dean has ZERO character development during the course of 15 whole seasons. When he DOES have development it involves abusing someone. Sam tries to be a normal person and always gets punished for it. The only hint we have that Dean might’ve been trying to change is a piece of paper in the final episode AFTER HE DIES. then guess what? Sam lives out his whole life and has a family 😭 that’s very, very telling."

"misogynistic scumbag. theres also a few different times that dean finds teenagers sexy with the most recent and prominent example that i can recall being the scooby doo crossover episode in season 13 where hes super into daphne who in the version they chose for the episode is 15-16 and is interacting with her as if shes a real person cause they got magicked into the episode. he treats everyone around him like shit and the only time the narrative agrees that thats a bad thing is when he has the mark of cain put on him and hes acting no differently than he does usually its just now acknowledged that hes treating others like shit. ive been rewatching the show for shits and giggles with a friend and wow he really does not treat anyone well but i wanna focus on how he treats sam for a second cause dude's hobby seems to be ignoring what his brother wants and lying to sam about doing stuff that directly concerns him the demon blood and souless things are reasonable cause those were both Bad for sam but theyre still part of a wider pattern and the most prominent example of this being when dean tricks sam into letting gadreel possess him and actually gaslights sam about it with the whole ordeal ending when its revealed gadreel lied about who he was and while possessing sam murders a friend of theirs. his voice is just also stupid as fuck im sorry this is just petty but he just sounds like hes trying so hard to be gruff n intimidating but he just sounds like a kid pretending to be batman"

"Dean’s list of sins is crazy long because of how long the show ran, but the key thing for me is that post-locking Sam in the bunker (season 4 I think?), I just can’t enjoy their relationship anymore. I normally love their sibling dynamic, but Dean’s ultimate worst past-the-point-of-no-return moment for me was demonizing (pun intended) his little brother for being “addicted” to demon blood, which only happened because of a series of events that were either Dean’s or someone else’s fault, not Sam’s. I also really dislike how the fandom treats Dean like this angel (pun intended) who has done no wrong and even tries to justify the MULTIPLE times he’s beaten up and otherwise abused his little brother. Canon Dean is like the polar opposite of fanon Dean: he’s homophobic and racist (jokes about a Black man being sexually assaulted in prison), misogynistic (take a shot every time he calls a woman a slur and you’ll die of alcohol poisoning), and abusive."

"Misogynistic asshole and too many of the things he does get treated as not actually bad or even good by both fans and the show when he violates peoples autonomy and is incredibly abusive to the people he loves the most. And it wouldn't be as annoying if people didn't justify so many of his behaviors or if he ever changed or even just was seen as a bad guy in the show more than he is."

">Was a misogynist (loved to call women skanks, bitches, hoes)

>Used gay as an insult multiple time during the show's run (idc if he's gay an homophobic, that's still insulting)

>Beat up his brother for being possessed

>Beat up his brother for losing his soul (not his brother's fault)

>Used dubious consent to get his brother possessed in a different unrelated possession incident after possession was being used (badly...this is supernatural after all) as a metaphor for SA

>Threatened to murder his brother when he was hallucinating (yay we aren't ableist)

>Locked a child up in a box

>Threatened to kill the child he locked up in a box

>Made a creepy, sexual comment about a barely-legal high school girl

>Got the woman and kid he was living with memory-wiped"

"Really mean to Cas (called him a child, zero respect for him, calls him family and casts him out when the angels are looking for him), and an absolute dick to Jack (threatening to kill him CONSTANTLY)"

[yamayuandadu]

Can you talk about MikoSeiga and why you like the ship ?

I think at least for me the appeal of Miko/Seiga lies in the plot of the game itself more than anything. As I already said at some point in the past it’s bizarre that a pairing which is in no small part based on character a declaring character b coming back to life is going to be a bigger deal than Jesus doing it is so niche. And that’s even without taking into account character a does it after waiting for nearly 1400 years for said resurrection (which she facilitated, and which involves character b implicitly transitioning on top of it all; also going by SoPM Seiga’s interest in people is often brief which makes waiting for Miko’s resurrection all the more unusual imo). If this happened in a mediocre live action tv show there’d be 10000 fics on ao3. More under the cut.

I can't deny that a major obstacle is that despite the interesting portrayal of the connection between Seiga and Miko in the Youmu route in TD no subsequent Touhou media does much with it. Things are further complicated by SoPM throwing in the reveal that Seiga basically doesn’t have much camaraderie going on with the other members of the TD cast; the fact Miko basically became a one for two deal with Byakuren doesn’t help either (will admit I think that has outstayed its welcome, I’m glad they appear separately from each other in recent Detective Satori and Lotus Eaters).  With that being said, I nonetheless think Seiga is still the most interesting option when it comes to Miko’s shipping prospects - and vice versa. Granted, Seiga’s only other real options are… Yoshika, who’s dead and barely a character (and also waste of a name; her stocks would be higher in my eyes if she was anything like the legendary version of her namesake, who according to Oe no Masafusa called himself the “greatest madman under heaven”, enjoyed alcohol and company of women, decided to become an immortal after cucking his examiner a day before his civil service exam, and feuded with Sugawara no Michizane) and I guess Kasen, who she interacted with like once for two pages... which is not much compared to other WaHH-based Kasen pairings. Yoshika arguably does have a backstory to explore but the more takes on it I’ve seen, and the more I learned about her namesake, the less the fanworks focused on that interested me; meanwhile I still feel the same about the aforementioned plot elements from TD.

In addition to what is directly said or implied in the game, I think imagining how Seiga and Miko met and what their interactions in the past were like is another major draw of this pairing. It doesn’t seem like this is a popular position either though - Seiga doesn’t appear much in fanworks focused on Miko’s past even though you’d expect her to hang around for a while - you don’t learn Daoist secrets in a day, in legends immortality preparations might take decades. Granted, Miko’s pursuit of immortality honestly feels glossed over in most fanworks about her in general, even though it does reflect an actual legend. Tragic! Speaking of legends, funnily enough if you dig deep enough you can even find direct precedent for adding a romantic component to the transfer of immortality knowledge itself, “Daoist adept falls in love with a female immortal” is basically a stock type of Six Dynasties/Tang romantic and/or erotic poetry. I like to think Seiga would read or even write these herself and that she sneaked some into whatever more standard Daoist literature she provided her with. As a joke, of course. Totally not a suggestion or anything. I think even just the fact it can be a purely romantic relationship is interesting in itself in the context of Miko's backstory, tbh. Sure, if she is prince Shotoku, she has 4 wives - but most if not all of these marriages would be political (and let's not look deeper into the family tree, too). Romantic love and marriage were not necessarily the same, as the cases of many famous literary characters and historical figures attest. Also, do any of the wives have immortality elixirs to offer? Yeah, thought so.

A final angle I think offers room for interesting is considering what impact Seiga might have had on Miko’s decision to take the form she did. Fwiw, Ge Hong recorded a legend about an immortal named Liu Zheng who after being mentored by Change’s could change own gender (and also magically ripen fruit and vegetables and hide armies as animals to let them surprise enemies, among other things; I sadly think in context the gender fluidity is just meant to be an outlandish wacky power, based on that). The precedent for Seiga discussing magic hrt with Miko is there. A potential issue with exploring the last option is the common weird fandom opinion that Seiga is uniquely immoral or whatever, which might bring unsavory implications, but it’s not like I’ve ever endorsed this view. Save for the grave robbing Seiga isn’t really very different from how actual immortals act in legends, and her actively facilitating Miko’s transition would go well with the symbolism of an immortal choosing to stay out of heaven (which typically served as a way to display opposition to prevailing attitudes of the time and a desire for freedom - heaven mirrored the earthly bureaucracy, and historical texts about seeking immortality often reflect disillusionment with the latter).

[srhunt]

Haunted Mansion’s Biggest Issue (to me)

I was very excited to finally see Haunted Mansion this year. I had given up hope on ever seeing this new adaption in the 13 years since Guillermo Del Toro announced it with barely any news in between.

And I did very much enjoy it, it’s at least better than the 2003 film, which is all I wanted it to be.

However, there is one thing that stopped me from loving this movie, and that’s how they handled my favorite happy haunt, the Hatbox Ghost.

Now, design wise, he looks great. He’s intimidating, he’s creepy, all around they nailed it. Not thrilled that he’s played by Jared Leto, but thankfully he’s barely noticeable.

Where my issue begins is when they learn the Hatbox Ghost’s living name, Alistair Crump.

I’m not opposed with giving Hattie an actual name, mind you, and I do appreciate the nod to original Haunted Mansion Imagineer, Rolly Crump (though it’s kinda backhanded to name the villain of the movie after him). But from the moment they learn his name, he stops being the Hatbox Ghost and becomes Alistair Crump. Let me explain what I mean.

Alistair Crump was the child of a wealthy family. He was kicked out of his home by his father after crying too hard at his mother’s funeral. Cut off from his family, Crump had to climb his way back up from nothing. Meanwhile, he studied the dark arts. After his father died under mysterious circumstances, Crump gained control over his family estate. He’d throw lavish parties, inviting the people who turned his father against him. At these parties, he would murder the people he believed played a part in his father’s abandonment of him. Crump would bury the bodies under the house. This continued until his staff discovered his secret and turned against him, decapitating him and burying his remains in the same place he disposed of his victims.

Did you notice something was missing in this story?

Something very important to the Hatbox Ghost?

Like…a hatbox?

Yea, there’s no mention of a hatbox in his backstory.

This issue becomes even more glaring when the protagonists need to find an item that belonged to him in order to banish him.

You’re probably thinking it’s a hatbox, right?

No, it’s his top hat.

The top hat that’s still on his decapitated head.

Oh, is his head inside a hatbox?

No, it’s in the dirt under his old mansion.

Most of the time, ghosts are depicted with items important to them in life. Constance Hatchaway has her pearls and her hatchet, Madame Leota manifests in her crystal ball. And it’s not just the Haunted Mansion that does this, look at Thirteen Ghosts from 2001.

Each ghost has an in-depth backstory that can be found on the DVD’s bonus features, and each backstory explains how they died and why they were selected to fill a specific role in the Black Zodiac. They look the way they do because it reflects their past lives and their deaths.

So why does Alistair Crump carry a hatbox as a ghost if he had no ties to it in life?

This issue drives me nuts because it easily could’ve been fixed. Maybe when Alistair was kicked out of the house, he was only given a hatbox to carry what little he could, or maybe his staff hid his head inside a hatbox.

Crump only has the hatbox so he can do the gag with his head. That’s it. His titular hatbox holds no importance to him. He easily could’ve been swapped with any other ghost in the Mansion and nothing would feel out of place.

The hatbox is so unimportant to Crump that towards the end of the movie, he doesn’t even have it anymore. After we learn his backstory, he’s never seen with the hatbox again.

Even this new Funko Pop figure doesn’t have his hatbox but then labels him, “Hatbox Ghost.”

To me, Alistair Crump and the Hatbox Ghost are two different characters. Crump may look like Hattie, but he is not the Hatbox Ghost. Which is the biggest disappointment of this film to me.

Hattie is such a fascinating and mysterious character in the mansion. He has a backstory that’s never really explored. His role varies from story to story. Why is he in the attic with Constance? Was he one of Constance’s grooms? Why does he have that hatbox? Why did he disappear for so long in the context of the Mansion’s story? Where did he go and why did he come back? Was he a victim? A coconspirator that got betrayed? There were so many ways they could’ve taken his story and they picked probably the weakest one.

It does make me wonder what Guillermo Del Toro’s original vision for Hattie was. But alas, we may never know.

Maybe in another 20 years we’ll get a different take on the Mansion and Hattie.