#and maybe most aren’t

[chirpsythismorning]

Clown makeup fully applied, if hypothetically byler was endgame and there are a few really incriminating scenes of Mike and Will alone in s5 to be had, leading up to that revelation… the skeleton crew filming with Noah and Finn alone for the first couple weeks of filming does sound like something they could do… Otherwise, if they filmed those scenes sporadically all throughout s5 production, random PA’s leaking it would be likely (end of s4 cabin scene leak teas). However, doing a few of their most incriminating scenes alone before most of the casual production are even there: no leaks…

[equill]

The promise you kept.

Extra panel: (liked this version too.)

moving on to sakumo.

Panel 1: Handprint (an older drawing to share)

Panel 2: Punishment.

what if they went for kakashi to hurt sakumo instead.

decided to dump the rest of the drawings together, but the tone shift whiplash is real (I shall do it again)

Comic 2: Bias? Not at all.

extra:

He’s just in a silly mood (he feels no remorse)

Comic 3: Did you say something?

fun idea, kakashi actually picked up his behavior from his father (sakumo version is staring people down, while kakashi is verbal)

[chaoticallyfluffy]

Ok consider:

A new hero emerges and the Justice League watches him for a while who make sure he’s not a threat. They see this giant clumsy man who moves like he’s not used to his body, smiles goofily every time he saves someone, and is clearly inexperienced with his powers and they’re all just like. Ah. This is a child.

Except they don’t think he’s a ten year old or however old Billy is at the time, no no. Clearly this hero came into existence shortly before his first appearance, just a few months ago. They don’t know how or why but It’s not the weirdest thing they’ve seen so it’s pretty easy to believe.

But they can’t just leave this toddler with the powers of a god to stumble around and potentially hurt someone by accident, nor go down the wrong path and become a villain. So of course they decide to ‘subtly’ guide him without alerting him to the fact they’re onto him.

They introduce themselves but instead of inviting him to the league they pop by every once in a while to ‘subtly’ teach him about responsibility and power, but also about love and humanity. They try to teach him to enjoy life and that he doesn’t have to act like an adult around them, instead encouraging him to enjoy his childhood even if it’s not an ordinary one.

(Too bad the Justice League suck at subtlety.)

Billy is certain they somehow found out he’s a kid before they even met him, probably because of Batman’s freaky know-it-all powers, but he isn’t very worried as they seem nice and don’t treat him like he’s dumb or fragile. They respect him as a hero despite his age so he lets himself act like a kid around them after a while.

When he gets comfortable enough to detransform Billy thinks that’s his identity reveal. The league thinks that he magicked himself a body that’s more of a representation of his true self and fits his developmental age better, possibly as a way to blend in with humans and experience what it’s like to be a normal child. Good for him!

Basically Billy gets a bunch of super powered parents and the Justice League get a newborn man that they think they’re raising from scratch lol

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

[thechosenthree]

[mjsparkour]

yall…

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.

[cledubs]

i really don’t understand how some fantasy high enjoyers don’t see the very obvious metaphor for aromantic denial within baron from the baronies in sophomore year. baron is a nightmare creature that came into existence because riz lied about having a partner so his friends wouldn’t bother him about it? he made up baron when his friends were all talking about the people they wanted to kiss? how is that not aromantic to some people. maybe it’s more obvious to me because i HAVE been in denial about being aro and made up crushes for myself and tried to pretend i had them. just because i felt it was a thing i needed to do, that it was a thing that EVERYONE had to have a crush and that it was normal. how do you see the confrontation between baron and riz as anything other than accepting aromanticism. this thing, his nightmares personified, says to him “the years will go by, and everyone will find someone that matters more to them than you.” as an aro person yeah that’s gotta be up there with the top ten nightmares.

how do you look at this interaction and NOT see an aromantic boy.

(for further elaboration, yes i am aware that aromantic people CAN want to kiss others and hell yeah power to you, i’m just saying that it’s a common thing to not care about kissing/not want to do it)

and another thing with with the fhigh fandom is that like, some people will go through every loophole they can to try and pair up riz anyways. aromantic people CAN be in relationship, of course, but why would people take this specific boy, who has repeatedly expressed distaste in being in a relationship, and ship him with other people. especially since fabian and riz is a common ship. is it because they’re best friends? is it because people value romance over friendship? oh they’re such close friends they must have a thing! it’s so stupid. why is it, that when a character is asexual (riz, being confirmed asexual), people respect that. they don’t often go “oh yeah i know they’re asexual but asexual people can have sex! or want to have sex! it’s a spectrum!”. (that is true, btw, ace people can have sex and all that. but it’s different when allosexual people do it to try and just make up excuses to not treat asexual characters like they’re asexual.) why do i mostly see it done with aromantic people? one of this boy’s biggest fear is people pairing up and leaving him behind. how do you see that as a boy who WANTS to be in a relationship? do you think he WANTS to pair up as well?

just because it’s not been outwardly confirmed and directly said “riz gukgak is aromantic” doesn’t mean that it’s not true, y’know? there’s subtext, there’s symbolism, there’s metaphors, there’s DIRECT REFERENCES TO RIZ NOT LIKING ROMANCE! i don’t really know how people can see him as alloromantic

anyways thank you for coming to my ted talk, this is sam (confirmed aroace) signing off or something

(also some of my non-aro, romance enjoying friends have confirmed that the aro implications are very obvious so clearly it’s not just an aro brain thing to understand)

[consumeroflemoans]

I don’t think people talk about the fact Aha knows they’re in a game enough

Like. They and their followers have been shown breaking the fourth wall. Specifically in the Simulated Universe and with Sampo after Belobog.

The simulated universe is meant to, well, mimic the real universe so the genius society can learn about aeons and past events by simulating them. Which is why it’s so fitting that the simulated Aha realized they’re in a false universe so quickly. The real Aha has already climbed the world tree and witnessed the truth of their existence.

I’ve joked about them ascending to aeonhood because they watched a baby fall before, which is true. But a large part of their true elation comes from knowing they’re in a game. Nothing matters so they can truly do whatever they want. Why not just have fun? They can sow plenty of discord. They can turn a worm into an emanator. They can witness wars and just laugh and laugh. They know it’s all meaningless. That’s why watching everyone else try so hard to keep their fake universe alive is so funny to them.

And this is even shown through the Masked Fools. Sampo speaks directly to the camera and both he and Sparkle have referred to themselves as supporting characters. Their purpose is to put on a show and make the game more entertaining. Would Belobog been as fun without Sampo coming in and making us collectively groan at him obviously trying to scam people? Would Penacony’s events or ending be as mysterious or shocking without Sparkle’s meddling behind the scenes? Penacony would have ended with a pretty boring party if not for Sparkle’s antics.

Honkai star rail needs characters you can laugh at, groan at, and poke fun at. The elation is delighted to be the game’s jester, poking fun at their false universe and the ones outside witnessing it.

[ciderjacks]

I am always thinking about Marcilles whole deal as a half elf. How she was closer to her tall man father, how she genuinely seems to dislike Elven society and culture, how most of her friends are shorter lived races. Yet in her own identity, she leans into being an elf and you don’t even learn about her tallman half until the other elves clock her.

[pokemon-radical-red]

I hate it when I headcanon a character who’s canonically a girl as a trans man and make ships of him and a character who’s canonically a guy and I refer to it as a gay/mlm/guyxguy/whatever ship and someone gets mad. Like omg let trans people have FUNNNNN. Why are queer headcanons and genderbends cool until they’re saying that the character is trans???

“OMGGG you’re so misogynistic I can’t believe you would erase FEMALE representation!!!”

and like half of the characters in the franchise are women, and a total of… NONE of the characters are trans men. Also, my headcanon doesn’t change the source material. If my stuff upsets you, you can block me and go engage with the source or maybe every single other fanwork, since mine is the only trans man hc for this character that I’ve ever seen.

or when people are like “WTF??? this is so transphobic!!! how dare you imply that a character who looks like that could be a trans man?!?! do you think that trans men are women or something??? she uses she/her, and you’re misgendering her!”

No, I don’t think that being a trans man makes you a woman or vice versa. That’s why it’s a headcanon, and the headcanon is that this character is actually a trans man and not a woman at all! You’ll never guess what pronouns most trans men had to use at some point in their lives, and you really won’t like it when you find out about pre-(or no-)transition trans men… or trans men who are in the closet… or trans men who don’t know that they’re trans yet.

“But the character is a kid!!! Saying they’re trans is sexualizing them.”

I’ve seen this one from other queer people. Like did you miss when all of the homophobes said this about your identity, or do you think that bigotry is only bad when it’s directed at you?

“Why would you say ‘testosterone could fix her’??? Are you trying to call her a delusional woman?”

Why would your brain even go to that first? This literally has to be a bad faith reading, because there’s no way that someone could see what I said and get this unless they were specifically looking for something to be mad at me for.

(Note for anyone unaware: “Estrogen would’ve fixed him!” was a meme going around at the time I said this. I’m not sure if it’s still super big, but this was a joke to the effect of that.)

“So girls can’t be tomboys anymore? You just wanna trans everyone?”

This is like actual real life transphobic rhetoric. This isn’t even just shitting on my headcanon, but in fact, sending transphobic hate to a trans man. Thanks 👍. Maybe you should go send JK Rowling another message about how much you loved her essay instead of bothering me.

[uhbasicallyjustmilex]

feeling very grateful for the cute barista today who clearly clocked a) my fontaines d.c. tote, and b) the fact i was stuck on a spectacularly bad date, and proceeded to play me an entire playlist of fontaines d.c. and sneak me extra vegan marshmallows with my hot chocolate

[loki-loving-lesbian]

I’m still bitter about how people treated Asgore as a villain in a game about having the choice to hear everyone’s story and see their perspective and look beneath the surface instead of immediately reacting with hostility

[paintedkinzy-88]

Have a big ol’ info dump about Spirits and Ghosts in the Flicker AU! To get my thoughts organized mostly. It’s super long because these two classes are the foundations of pretty much everything else ᕕ( ᐛ )ᕗ

Think of this like looking into a bit of Donnie’s research, cuz this would basically be most of what he learned from Drax or at the mystic library.

There are also a handful of other paranormal entities in this world��� so if you want the full list, I’ll try getting that done as quickly as I can.

Spirits:

The spirit is the most common form of afterlife! They are souls that are fully satisfied with their life and don’t have any desire to stick around — they are ready to move on.

They are bound together by strong familial bonds, with or without blood relation. These bonds empower each other and create a space in the afterlife for souls to safely go to, but it also means they can still keep track of living family as well. If their bond is strong enough, like the Hamatos, they can also be summoned and visible in the living world!

On a few occasions, a spirit may come down to the mortal world on their own terms, though it takes a lot of energy. They usually have the backing of the other ancestors in the family.

Families with strong mystic connections are even more powerful, building with each generation as more ancestors are available to provide the living members that strength. (Despite the amount of mysticism in the world, this is fairly rare.) This also means the spirits can provide individual support by attaching themselves to a living person, similar to Karai’s bond with April.

Spirits in the living world are fully visible and, to a point, tangible as well. They can choose to hide themselves, or to only allow select people to perceive them, but it is fully in their control. Their appearance relies entirely on their sense of identity, manifesting into what they see as their truest self.

They can also fully see other entities, even if those entities cannot be seen by mortals.

Ghosts:

While not totally common, if you are not a spirit after death, it’s most likely you would be a ghost instead. These are souls that are not satisfied with their life in some way, whether that be unfinished business, or just a reluctance to leave the mortal world. Some ghosts know exactly why they are still around, whereas others may never know.

Ghosts are fairly weak. They do not have their full soul, as most of it is still trying to move on. Because of this, not only are they left with an empty, unfinished feeling, but they are not at all visible to the naked eye. Only the ones with a connection to death can see them, such as mediums or other dead beings. Some yokai will have the ability to sense their presence, such as skeletons… but otherwise not know who or what it is.

Certain crystals or spells can also provide mortals the ability to see/hear the dead, though they are very hard to come by.

They also do not have much control over the physical world. Touching objects can take a lot of energy and practice, as trying too much can drain them to exhaustion. However, though a bit trickier to get a hold of, messing with electricity is far less tiring, meaning lights, appliances, computers, and anything of the sort are all much easier for a skilled ghost to interact with!

Similarly, ghosts can easily manipulate small flames. They are the easiest thing to interact with, though only to an extent. Blowing out candles was always a yokai’s first reliable sign of paranormal activity.

Other signs are as follows: cold spots, moving objects, flickering lights, air movement, knocking, or, eventually, staticky screens, appliances beeping/malfunctioning, music, and even messages/emails/notifications.

Due to their lack of soul, a visual form is also harder to control. Where spirits are seen as their truest self, a ghost can only appear as how they were in the moment of death. For many, that may not be much of an issue, having died unexpectedly in their sleep or from an inner sickness. For others, such as Leo, it is a far more gruesome look.

A ghost can move on to become a spirit, if their needs/wants have been satisfied. Most do. Some never will. Others will transition into a different class, such as phantoms, specters, banshees, or poltergeists.

IT IS IMPORTANT TO NOTE: not every sign of paranormal activity is ACTUALLY a paranormal being. Some yokai have the ability to turn invisible. Some yokai are cruel and mischievous. You cannot always rely on physical means of confirmation, such as ghost hunting technology or Ouija boards. Mediums or spirits are the most recommended source, but spells and crystals can also do should you need visible proof.

[strawberrystepmom]

years ago kim cattrall did an interview and said that she doesn’t want to be in a situation for even an hour where she doesn’t enjoy herself and i was journaling this morning and thinking of it bc she is so correct for this

[shorthaltsjester]

i contain multitudes and can say that i am a little :( about vex and percy being teammates with benefits because i think there’s something particularly heartbreaking about the dynamic that was neither of them ever said a thing even though they both were aware of it and it took losing percy for vex to finally admit it and Even Then, she couldn’t say it to percy’s face when they got him back, percy was the one who had to make the first move (that they were both alive for at least) and he was only able to do that because he’d heard her confession, because he never would’ve thought otherwise. to be clear, i also very much enjoy the story being told, i think i just wish they’d maybe committed more significantly to This Is A Campaign-Inspired Story Rather Than A Retelling sooner in the show so that maybe there would be a bit more grounding or set-up for the storylines the narrative is focusing on (and i understand why they wouldn’t), because i think they’re doing very well with percy’s arc for example, because they started with focusing on his and keeping his beats mostly the same and that seems to be much the same case as some of his second wave of meaty character stuff has arrived. but with vex they’ve aimed for the same character beats but it doesn’t always feel as earned or really feel like much character at all; i think saundor particularly was a bit of an :/, since in the campaign it was really a catalyst for vex interrogating her role in the party and her morality and something she struggled to get over and that haunted her far beyond the walls of that tree, but in the show it hasn’t really had a clear impact on vex beyond the scope of the episode itself — syldor certainly has, but the challenge that saundor presented didn’t really have much weight beyond its moment. and obviously a large part of that’s also probably just, 7 protagonists and wanting to expand the perspectives to antagonists and give more room for side characters is a lot of things to cover. and, i say with love, perhaps a bit too ambitious for a 12 episode per season, ~22 minute runtime show if they want their characters to have the kind of depth that really makes campaign 1 shine the way it does.