RWRB Book Thoughts: Ellen and Oscar
Re-reading RWRB and thinking about Oscar and Ellen. The thing is book Ellen and Oscar's relationship scares me because it's like the worst-case scenario of my own parents (they're a lot better now but covid was hell) So I understand it.
Ellen and Oscar are soulmates. As in they are both intelligent, stubborn and headstrong. They are very similar people. Unfortunately this is a case where it's like forcefully pushing two North ends of a magnet together: Ellen in particular wants and needs a complimentary relationship instead of collaborative relationship, which is why Leo works for her: Leo is meek compared to Oscar. He really just listens and generally agrees with Ellen. His appearances are limited in the book but when he does show up he doesn't really have his own opinion. Ellen wants/needs someone who won't speak up against her.
Honestly? I, kinda feel sad for Oscar. He said it himself, "We're both too fucking proud. But God, that woman. Your mother is, without question, the love of my life. I'll never love anyone else like that." It's sad to know that he never stopped loving Ellen while vice versa isn't true, and to know that she's it for Oscar.
When it comes to parenting I honestly think Oscar is the better parent. It was really shitty of him to leave without telling Alex and June and that evidently really hurt Alex til this day, but when it comes to the other parent things? I was re-reading/listening to Chapter Four today when he goes to DC for Christmas, and both Alex and June are so much more comfortable with him. Part of that is probably because he doesn't carry the inherent pressure of being the fucking president, but part of it is that he really cares about his kids as they are. Ellen downplays June's passion for journalism and pressures her into a political job that she didn't want at all, while Oscar "raved about June's latest blog post for The Atlantic". Ellen immediately started piling up all the political consequences of firstprince literally minutes after Alex plucked up the courage to come out to her while Oscar gave him relationship advice. This isn't to say Ellen isn't a good mother, she is flawed, as Oscar is, as all parents are. But if we're looking at non-crisis moments, Oscar's actions are more comfortable for his children.
There's a reason June initially wanted to go to California and be close to her dad. Yesterday I talked a little about how I hated how Ellen and Alex treated June at the earlier chapters of the book. Well in the rest of the book it's implied that she has a much closer relationship with Oscar, jumping into his arms when he arrives at the White House, him picking her up and spinning her when they arrive at the lakehouse.
Either way, Ellen and Oscar clash becasue they're too alike, and my opinion is that Ellen tends to fan the flames more, see Christmas dinner where Oscar suggests campaigning with them to help and she immediately shoots it down with "you can't be serious". Anyways, the children suffer the most. And uh, speaking from experience here, that shit never goes away. My parents are still together and are a lot better compared to the past, but I flinch at any sound of argument/angry yelling because of all of their fighting.
And there's this one paragraph in the book: "Even before Alex's parents split, they both had a habit of calling him by the other's last name when he exhibited a particular trait. They still do. When he runs his mouth off to the press, his mom called him into her office and says ' get your shit together Diaz.' When his hard-headedness gets him stuck, his dad texts him, 'Let it go, Claremont'" and God that's so shitty? To know, to be reminded that one parent hates the part of you that is from the other parent. Even if that's not what Ellen and Oscar's intention is, that's what it feels like, and it's really, fucking, shitty.
I wonder how would book Alex feel if he know that there was an alternative universe out there where his family was functional. I wonder how would he feel if he knew that movie Alex doesn't have his loving sister, but has loving, gentle parents who have a healthy, functional relationship.
My guess, is that he would say that he'd choose his life and his sister no matter what, and he means it because he does love June, but deep down a part of him would be jealous of movie Alex for having a smaller but healthier and happier family.
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RESIDENT EVIL → THE WESKER FAMILY
To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?
For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.
Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.
The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.
In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.
Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.
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