#and it's fascinating to me how they each interact with the other so differently in s4 because of it

[autumndragon]

not to be delusional, but, in a way, viggo and hiccup remind me of will and hannibal—there is just something in their dynamic that keeps taking me back to the episode 'mizumono', to that one famous line,

hannibal: do you believe you could change me, the way i've changed you?

will: i already did

in 'enemy of my enemy', hiccup mentions viggo changed him, got inside his head, like hannibal did to will. hiccup starts to try to be more like viggo, to be ruthless, to go to extremes, to keep pushing until the dragon hunters are all gone.

but in 'triple cross', it's proved that hiccup is not the only one who changed.

viggo: i spent my whole life hunting dragons, killing them, and i've come to respect them as equals. you taught me that, hiccup.

in the end, hiccup changed viggo as much as viggo changed him.

throughout the series, viggo comments on hiccup's innocence, his naivete, how he needs to be more ruthless, or the people he loves will die. viggo even tells him, in 'triple cross', that hiccup is more ruthless than he realizes. but that's not really it. hiccup isn't ruthless, and he doesn't have to be. it's exactly his compassion and bravery that helps defeat his enemies. it was his lack of ruthlessness that stopped him from killing toothless in the first place.

it reminds me of the episode, 'digestivo', the conversation between will and hannibal

hannibal: you delight in wickedness and then berate yourself for the delight.

will: you delight. i tolerate. i don't have your appetite.

viggo wants hiccup to be more ruthless, he believes that hiccup is capable of it, but even if he is, hiccup doesn't want to be. he doesn't see the point of it.

a little food for thought; it's just that every time i watch viggo and hiccup on screen i find myself wishing for another five seasons of them with a higher rating and bigger budget.

[if-loki-was-a-fox]

it has just been vaguely floating around the back of my mind for a while, how John doesn't really reciprocate or echo Arthur's usage of the word love for the longest time, despite Arthur nose diving into that framing of their relationship So Hard, after part 20 and the King's "and yet you love him" + challenging him on loving john + separating him from john. John clearly cares about Arthur too, says as much and calls him his friend plenty often, but he doesn't use the word "love" until part 43, when he has his own experience being challenged on it with the Witch

[chron0ph0bia]

you parents constantly telling u the shit that you've been trying to unlearn surely is smth

[alsofoundinpeas]

The View from Here

Summary: After a few chance encounters, Spencer finds himself developing a crush on Y/N. When he discovers she lives across from him, he spends countless hours admiring her from a distance, too nervous to make the first move. But when her package is mistakenly delivered to his door, it sparks the beginning of something more than just a crush and stolen glances through the window. (Part Two)

CONTENT WARNINGS: 18+ MDNI!! This fic is intended for adult audiences. This could be considered dubcon (Spencer watches reader through her window but doesn't realize that she actually wants him to) so please be aware of that! Masturbation (both m and f). Use of a sex toy/penetrative use of a sex toy (f!receiving). Perv!Spencer (he means well truly, but alas he is a man) but also a hint of Perv!Reader (since she's intentionally doing things to grab his attention?? I'm not quite sure how to label that I'm sorry!!) Themes of voyeurism/exhibitionism (they both watch each other get off). Sub!Spencer (gotta squint for it now but it'll be more prevalent in part two). Both fluffy and smutty

Pairing: Spencer Reid x fem!reader/afab!reader

A/N: This was started to fill a request for sub!Spencer but I got carried away forgive me LMAO but part two is almost complete and will be out soon :') I wrote this with season two Reid in mind before the writers (further) traumatized the absolute fuck out of him. This is a bit different from my usual writing, so I truly hope you guys enjoy it! As always, please let me know what you guys think and if you do enjoy it then please like, reblog, and share it with your friends. <3 I truly do appreciate each and every single one of you and the feedback I get from you guys, I promise :') <3 Thank you and I love you all!! :)

The door slammed behind him as Spencer stormed into his apartment, tossing his satchel onto the couch with an angry groan. The stress of work had been wearing him down for weeks, but today had pushed him over the edge.

He’d just wrapped up the reports for their latest case and was on his way to deliver them to Hotch when an oblivious agent from the sex crimes unit collided with him. The force sent the cup of scalding coffee in her hands flying, drenching him and his case files. Instead of responding to her blubbered apologies, he had just stomped off to the bathroom to clean himself and calm down. Not only was it painful and humiliating, but it also destroyed all of his hard work. Work he'd now have to redo tomorrow.

Spencer exhaled sharply, fingers raking through his hair as he trudged toward the bedroom. All he wanted was to strip off his coffee-stained clothes and lose himself in the pages of his new book, anything to escape the tension of the day. Once inside, he moved to close the curtains but stopped short, his eyes landing on something unexpected just before he pulled them shut. His body went rigid, his heart racing as an unfamiliar warmth spread through him. He blinked, barely able to believe what he was seeing.

There, in the apartment directly across from his bedroom window, was Y/N.

Spencer had bumped into her a handful of times—their first meeting happening at the library just down the street when they'd both reached for the same book, then a few chance encounters after that at his favorite coffee shop, and the most recent interaction being one of the most mortifying moments of his life.

He’d stumbled over the sidewalk on his way to work, and he’d never wanted to disappear into the ground more than in that moment. But she had been there, her smile warm and gracious as she helped him gather the scattered books and case files that had spilled from his satchel, her kindness leaving him flustered and breathless. He’d been captivated by her the first time they met, but it was that moment that truly cemented his fascination with her.

Spencer’s breath caught in his throat when he realized how wrong it was to be watching her through her bedroom window. But despite the guilt creeping in, he couldn’t bring himself to look away. It was as if he were under some kind of spell, captivated by the sight of her spinning around her room, carefree and radiant.

She wore a loose t-shirt that slipped off one shoulder and the tiniest pair of shorts he’d ever seen, completely at ease in her own space. She held something in her hand, singing into it like a microphone, completely lost in the music. Spencer didn’t realize when it happened, but a smile tugged at his lips, the stress of the day forgotten as he watched her. Her joy was so genuine and infectious that it pulled at him in ways he hadn’t expected, leaving him momentarily breathless.

His thoughts were interrupted when Y/N twirled around, singing as she faced her window. Spencer released a startled yelp, frantically yanking the curtains shut before she could catch him staring. His heart raced in his chest as he dared a quick peek through the fabric, anxious to see if she had noticed. Thankfully, she seemed oblivious, still happily dancing around her room, unaware of his presence.

"Oh my God," Spencer muttered, a wave of relief washing over him as he realized he hadn’t been caught staring like a complete weirdo at the woman he’d developed a crush on, despite having barely exchanged five sentences with her.

He was sure she didn't even remember his name. Why would she? All he'd managed to do during their brief interactions (besides busting his ass on the concrete the one time) was stutter out barely audible attempts at conversation before hastily retreating, his face scarlet and slacks uncomfortably tight.

Spencer had assumed Y/N lived nearby, but he hadn’t realized she was this close.

The day's weight melted away as Spencer peeled off his work clothes and slipped into his pajamas. He grabbed his book from the nightstand and sank back into his pillows, propping himself up against the headboard. But as he tried to focus on the pages, the image of Y/N dancing in her room kept invading his thoughts. His mind refused to settle, consumed with ideas of how he might run into her again now that he knew that not only was she just a building away—she was right across from him.

As the weeks passed, Spencer’s routine began to mirror Y/N’s more and more as he grew increasingly familiar with her schedule.

He began waking up earlier, noticing that she typically left her apartment an hour before he needed to head to work. With the extra time, Spencer found himself watching her with quiet awe each morning while she got ready, fascinated by how the soft light from the window seemed to illuminate her features as she did her hair and makeup. He also started visiting his favorite coffee shop daily instead of just once a week, hoping for a chance encounter before his workday began.

Night after night Spencer found his gaze inevitably drawn to her window, the soft glow of her bedroom lighting luring him in like a moth to a flame. He would trace her movements, pretending to read his book as it shielded his face, should he need to feign innocence. Something was alluring about her, even in the simplest moments—whether she was folding laundry or typing away on her computer, she was impossible to look away from.

Spencer couldn’t shake his curiosity about Y/N’s habit of leaving her curtains open.

Did she know he could see her? Was it intentional? Their apartments, situated at the ends of the buildings on the top floors, offered a level of privacy that made him feel certain (or at least, he desperately hoped) that no one else could be watching. Perhaps she’d noticed his frequent absences and simply stopped caring about keeping them shut.

The first case away from D.C. after Spencer learned Y/N was so close was more difficult than he expected. As he lay awake in his hotel room, his thoughts kept drifting to her, and the longing grew with each passing hour. He missed her. The only thing driving him was the need to finish the case quickly so he could return to the familiar comfort of his bed, where he could silently admire her from a distance.

The longer he thought about her, the tighter his boxers got. Spencer huffed out a pitiful whine, his hands clenching and unclenching beside himself as he tried to fight his shameful thoughts. This wasn't the first time he'd had these thoughts about her since meeting her, no. But it is the first time he's had the mental image of her undressing to go along with his fantasies.

The first time it happened, Spencer had all but thrown himself off his bed in his haste to close his curtains. His heart had pounded so hard his chest ached as he'd squeezed his eyes shut, willing the sight of her raising her shirt over her head and tossing it carelessly to the ground out of his mind. The second time, he took a little more time to slink over to his window and draw his curtains, his pulse racing at the sight of her bare back and the smallest glimpse of lacy panties as she began to shimmy out of her pants. The third time, he had crouched by his window, peeking out despite having pulled his curtains closed, and watched as she stripped completely before heading into her conjoined bathroom.

That was the first and (so far) only time he'd touched himself to what he'd seen.

The moment her bathroom door had clicked shut, Spencer sprang to his feet and hurried into his own bathroom, tearing his clothes off before stepping underneath the stream of hot water. One of his palms smacked the wall while his other hand frantically pumped his aching cock, whimpers and groans flowing freely from his lips as he imagined Y/N's hand around him instead of his own. It didn't take long for him to spill into his hand, and unfortunately, it took even less time for the guilt to slam into him at the realization of what he'd done.

After that night, Spencer had vowed to himself that he wouldn't let it happen again, knowing just how inherently wrong it was to jerk off to the sight of his neighbor (the woman he secretly admired) getting undressed when she had no idea she had even been watched.

But tonight, alone and frustrated in his hotel room, he was struggling to stick to that vow.

After another hour of tossing and turning in bed, Spencer released a resigned sigh. "Just this once," he murmured to himself, swallowing hard. He let his hand slip underneath the waistband of his boxers to push them down his thighs before spitting in his palm, hissing at the contact as his hand wrapped around his arousal. His eyes fluttered shut as his imagination began to take over, his hand slowly increasing its pace as images of Y/N and her lacy panties raced through his mind.

Spencer's mouth hung open as his thumb swiped over the swollen tip of his cock, a bead of precum oozing out and aiding his movements. He pictured her hovering above him, her gaze teasing as she stroked him faster and faster. He imagined how she'd sound as she talked him through it, her sweet voice luring him closer and closer to the edge. His hips bucked into his hand as his climax took hold of him, a choked moan of Y/N's name ripping its way from his throat as he painted his heaving chest with his cum.

With shaky hands, he cleaned himself, still dizzy from the aftershocks of his orgasm. After wiping himself off, he collapsed onto the bed, surrendering to the exhaustion that weighed him down. That night, his dreams were filled with Y/N—her radiant smile, her captivating voice, and the tenderness in her eyes whenever they met his. When he woke the next morning, breathless and murmuring her name, he realized he was in deep.

What Spencer didn’t know was that Y/N had known exactly what she was doing all along.

From the moment she reached for the same book as him—an act carefully planned to give her an excuse to talk to him—she’d been captivated by the stuttering genius. New to the neighborhood, she had noticed him a few times before finally gathering the courage to make her move. All it took was his flustered "Oh! I-I’m so sorry, here—" paired with furrowed brows and those wide, innocent eyes, and she was utterly entranced.

When Y/N discovered that Spencer lived right across from her, it felt like she’d hit the jackpot.

After their previous encounters, she’d quickly noticed the effect she had on him, and from that moment, she devised a plan to capture his attention. She began with subtle moves, leaving her curtains open one night so he’d realize she was the one across from him. She chose an outfit she was sure would draw his gaze, and when he nearly ripped his curtain rod off the wall, convinced she’d caught him looking, she knew she’d succeeded.

When Y/N noticed he was waking up earlier, watching her get ready with curious eyes over what he clearly thought was a cleverly placed book (which, in reality, did nothing to hide his attention), she decided it was time to raise the stakes.

The first time she undressed with the curtains open, she sank to her knees cackling at how quickly Spencer had scrambled out of bed to shut his own. The second time, she relished in how he hesitated before shutting his curtains so he could catch a glimpse of her lacy panties (ones she’d chosen with him in mind), but it still wasn't enough. By the third time, she was done teasing. She’d stripped down completely bare in her room, grinning smugly as she turned to walk into her bathroom because she’d seen Spencer not-so-subtly peeking through his curtains.

When Spencer still didn’t make a move after that, Y/N decided she was done waiting.

With him away on a case for the past three days, she saw the perfect opportunity to set her new plan in motion. After work one evening, she made her way to his building, quickly locating his apartment number—a detail that, to her surprise, matched hers. Smiling to herself, she placed her order and waited for him to return, ready for the next phase of her plan to unfold.

After nearly twelve grueling days away, Spencer finally returned late Friday night, aching for the comfort of home—and, more importantly, the sight of Y/N. Exhausted, he stumbled up the stairs to his apartment, eager to collapse into bed and wake up to her face rather than the grim case photos that had dominated his thoughts. His eyes half-lidded with fatigue, he fumbled with the key, unlocking the door before shoving it open.

“Oh! What the-“

Spencer cursed under his breath as he stumbled, his eyes dropping to the package at his feet. Frowning, he bent down slowly to inspect it. He hadn’t ordered anything, and there was no reason to expect anything from his mom. So... what was this?

The package was a light pink, medium-sized bag. Spencer nudged it onto its other side to check the sender, and his breath caught. It was addressed to Y/N, though she’d written the wrong number in the street address, causing it to end up at his door. He instantly recognized the name of the online boutique, having (unfortunately) heard Emily, JJ, and Penelope brazenly talk about ordering sex toys and such from this place.

What could Y/N have possibly ordered from there?

Spencer was wide awake now, his pulse quickening as he grabbed the package, slammed the door shut, and locked it. He carried it into the kitchen, turning on the light as he went. There was no way he’d open it—he knew that would be both illegal and downright creepy. But his curiosity got the best of him, and he couldn’t resist running his hands over the package, trying to guess what was inside.

His tongue poked out of the corner of his mouth as he carefully handled the package, giving it a slight squeeze. He could feel the soft outline of fabric inside a smaller plastic bag, his mind spinning with possibilities about what kind of set Y/N might have ordered. A small, involuntary gasp escaped him as his fingers brushed against something hard, separately wrapped from the lingerie. Was that… a dildo? Vibrator, maybe?

A quick glance at the clock told him it was far too late to return her package now. He swallowed, setting the bag down on the table with a mental note to take it to her first thing in the morning. He had the weekend off, and he knew she didn’t work weekends, so it wouldn't be a problem bringing it over. The only problem was going to be looking her in the eyes without turning into a complete mess.

Spencer rushed to his room, his excitement growing as he headed to bed, knowing he’d finally see Y/N tomorrow—in person, not just through her window.

The morning arrived quicker than he had expected, but for the first time, he was happy to hear his alarm. It was 9:30 a.m., giving him enough time to shower and get dressed before making the short walk to Y/N's apartment. More importantly, it would give her a chance to wake up before he just showed up at her door with her package in hand and rambling like a nervous mess.

Spencer’s nerves began to take over as he finished his shower and started getting dressed, his hands trembling as he pulled on his sweater. The last time they'd spoken was when he'd all but face-planted into concrete in front of her and then practically bolted off once she'd helped him gather his things (after a lengthy, awkward apology of course). What if she thought he was a freak?

Before he could talk himself out of it, Spencer took a deep breath, grabbed the package, summoned the last of his courage, and walked out the door.

A hesitant knock at her front door had Y/N grinning smugly as she rose from the couch and headed toward the door. She’d been waiting for this since she’d seen Spencer’s light come on late the night before. Her package was finally here.

The door opened to reveal a nervous Spencer, his eyes lighting up when they landed on her. He instinctively adjusted his glasses, his nose twitching as a small, shy smile appeared on his face.

"Spencer! Hey! What brings you by?" Y/N beamed, stepping aside to let him in. She had to suppress a giggle at her innocent act—she knew exactly why he was here.

Spencer blinked in surprise, both at her invitation and the fact that she remembered his name, pausing briefly before stepping into her apartment. His gaze wandered around, taking in the cozy surroundings with quiet admiration. When he realized she was waiting for him to speak, he cleared his throat, his face flushing as he held up the package.

"I, uh… I just wanted to return this," Spencer stammered, his words tripping over each other. "You had one number wrong on the street address, and, funny enough, we have the same apartment number, so it ended up at my door. I thought the least I could do was bring it over, especially after you helped me when I… well, fell." He offered a shy smile, his nerves still running rampant.

Y/N accepted the package with a smile, her fingers brushing lightly against his before he quickly pulled his hand back. "I could’ve sworn I got the address right this time," she said with a teasing laugh. "You’d think after a few months here I’d have it down by now, I'm sorry."

Spencer quickly shook his head, trying to ignore the rapid beating of his heart and the lingering sensation of her touch as he waved it off. "You don’t need to apologize, Y/N. It happens," he said sincerely, his fingers nervously twisting the ends of his sleeves now that the package was no longer in his hands. "Honestly, I wouldn’t mind bringing your mail by anytime. I just hate the thought of it sitting at my door or in my mailbox while I’m away," he chuckled, his eyes crinkling as he gave her a warm smile.

"Well, aren't you quite the gentleman?"

Y/N placed the package on her coffee table and then headed toward the kitchen, gesturing for Spencer to follow. He blushed profusely, swallowing hard as he willed away the dirty thoughts that were caused by that simple comment before trailing after her. She turned to look at him over her shoulder as she reached into her cabinet for two mugs, smirking to herself as she noticed him quickly avert his gaze from where it had landed on her ass.

Y/N placed the mugs on the counter, then turned to Spencer with a genuine smile. "Thanks for bringing it to me instead of just sending it back like most people would," she said. "How about a cup of coffee as a small token of my appreciation?"

Spencer nodded, thanking her as she fixed them both a cup. She raised an eyebrow, watching him add enough sugar to send a horse into cardiac arrest, but she kept quiet. Once they’d both prepared their cups to their liking, they headed back to the living room, Y/N sitting close enough that Spencer could feel the warmth of her body radiating toward him.

"So... did you take a peek inside of it?"

Spencer coughed violently, choking on the sip he’d just taken, his face turning a deep shade of scarlet as he frantically shook his head. Y/N’s expression shifted to concern as she patted his back, gently rubbing in soothing circles to help him catch his breath.

"What? N-no, I would never! That's literally illegal and so invasive—" Spencer sputtered, his eyes wide as he stared at her, clearly taken aback.

Y/N's brows furrowed briefly before she erupted into laughter, her head tilting back as she laughed loudly. Leaning in, she rested a hand on his thigh, her tone softening. "Spencer, sweetheart, I was just joking," she said, wiping a tear of laughter from her eye.

He relaxed immediately, fighting the urge to lean into her touch as her hand lingered on his leg. "Thanks for that," Spencer said with a playful roll of his eyes. "Just what I needed this morning—choking on my drink and desperately hoping you knew the Heimlich maneuver." His cheeks were still flushed, a mix of embarrassment from her teasing and the aftereffects of his coughing fit.

After a pot of coffee and hours of conversation, Spencer left with a grin so wide his cheeks ached and Y/N’s number saved in his phone "just in case any more of her mail ended up at his door." He silently thanked whatever force had kept him from backing out earlier that day, grateful for the time he’d gotten to spend with her because of it. He’d found himself falling even harder for her, already yearning for her company despite having just left her place.

That night, as Spencer climbed into bed, something caught his eye from his window. He frowned in confusion as he noticed Y/N’s curtains were open even though they’d been closed just an hour ago. He’d assumed she’d already gone to bed, but apparently, he was mistaken.

He craned his neck, searching for her. She wasn’t in her room, as she usually was when the curtains were open. Where could she be? His jaw nearly hit the floor when she finally appeared, his eyes widening in awe at the sight of her.

Y/N walked into her room from the bathroom, wearing the most stunning lingerie set Spencer had ever seen. The lilac fabric complemented her skin in a way that had him almost drooling on himself, and the thin lace left little to the imagination (though he'd already seen what was underneath it once before and knew exactly how incredibly sexy her body was bare). The sight had his cock stiffening in his boxers, and his teeth dug into his lower lip in anticipation as he watched her.

Spencer nearly toppled out of bed as he watched her crouch down to grab her torn-open package, her hand reaching inside to pull out a light-blue rabbit vibrator. He knew he should get up, close the curtains, look away—do something. But he couldn’t bring himself to move.

Instead, he watched in an almost trance-like state as Y/N crawled onto her bed, swallowing hard as she settled back against her pillows. His hand wandered down his body, palming at his erection over his boxers as a whimper slipped from his lips while he watched her legs spread slowly open, propped up and giving him the perfect view of her clothed pussy. He felt overwhelming guilt, especially after the morning they'd shared, but he was powerless against the pull she had on him.

The close proximity of the buildings had always annoyed Spencer, the narrow space between them so tight he swore he could reach out and touch the other building if he tried. But now, he couldn’t have been more grateful. His bed was on the opposite side of the room that Y/N’s was, leaving her perfectly positioned for him to see her from his spot.

Y/N dragged the tip of the vibrator up and down her inner thigh, teasing herself as the fabric of the lace dampened with her arousal. Her head lolled back against the pillows, and her chest rose and fell with a sigh as she finally placed the vibrator against her clit through her panties. Her back arched at the touch, and her lips opened around a moan he desperately wanted to hear.

Spencer considered himself a sane man (for the most part). But he had never been more tempted in his life to leap through a window than he was right now. If it meant landing in her room so he could at least have the chance to beg for a taste of her, he'd happily do it.

His hand halted its movement, instead moving to his waistband so he could wriggle out of the constricting fabric. He kicked his boxers to the floor like they'd scorned him before his hand wrapped around his cock once more. He leaned forward, letting saliva dribble from his lips to coat himself before stroking himself slowly, teasing himself the way Y/N was right across from him in her room.

When Y/N dipped the vibrator into her panties, Spencer's breath hitched in his throat. He watched in rapt fascination as she paused her movements, her free hand shoving the lace down her thighs before she continued. With the fabric now out of the way, Y/N began to run the tip of the vibrator up and down her slit, collecting her arousal and spreading it around before she slowly eased the toy into herself.

An obscene moan ripped its way from Spencer's throat at the sight, and his hand sped up while his eyes struggled to stay open. He watched through hooded lids as she began to fuck herself in earnest now, her hips rocking into the toy and her eyes squeezed shut in pleasure as she brought herself to the edge. Spencer whimpered as his body began to writhe against his sheets, sparks of pleasure zinging up and down his spine as he worked himself toward his climax.

All it took to send him over the edge was the sight of Y/N's legs thrashing as she came around the toy, a sight that left him both so aroused he couldn't breathe and so jealous of a toy he debated just how truly sane he considered himself to be after this. With a swipe of his thumb over his flushed head, Spencer came in spurts across his tummy, his hand pumping gently through the aftershocks until he was trembling and gasping Y/N's name like it was a mantra.

Once Spencer could finally open his eyes, he looked over at Y/N's window and saw she was no longer in bed, the soft light spilling from under her bathroom door the only sign of where she was. He rolled out of his bed to indulge in what was now becoming a routine walk of shame to his bathroom to clean himself off, his head spinning from what he'd just seen. He knew the shame of his actions would catch up with him in the morning, but for now, exhaustion and elation kept him from caring.

Spencer stumbled back into his room, half-asleep and ready to crash when his phone buzzed. Crawling into bed, he reached for it, curious about who would be contacting him at this hour. His heart stuttered in his chest, eyes widening in shock as he read the message on the screen.

Glad to see that you enjoyed the show, sweetheart. Next time, just come over. <3

Continued A/N's: AHHH I truly hope you guys enjoyed that! The next part gets FILTHYYYY and I can't wait to finish it hahahaaaa. Please let me know what you think because I'm thinking of doing more in the future that would be similar but of course I want to make content you guys will actually enjoy as well <3

REMINDER: I do not give permission for my work to be re-uploaded to any other platforms (c.ai, Tiktok, ao3, etc.) under any circumstances. If you'd like to translate my work, then please just ask me before doing so. I know it sounds whiny, but I (as well as many other fanfic writers) spend so much time on these and it's genuinely not okay to take credit for work that isn't yours. It's insulting and completely unnecessary. If I do see my work uploaded anywhere without explicit permission, I WILL say something.

[pinkmoontaco]

It all started at a Set || KMG Pt.1

Pairing: Actor-Idol Mingyu x Actress-Idol Reader Genre: Fluff, Idol romance Summary: This story is a heartwarming slow-burn romance between Mingyu and Y/N, a senior idol. It begins with them being cast as co-stars in a drama where their contrasting personalities—Mingyu’s vibrant, outgoing nature and Y/N’s reserved, composed demeanor—become the catalyst for an unexpected connection. Throughout their journey, they face professional challenges, emotional conflicts, and growing feelings for one another. Author's Note: This is the second story of my series, "It All Started..." As I was writing, the story evolved into something much bigger than I initially imagined, so I decided to divide it into three parts to give it the attention and depth it deserves. To everyone who has supported my series so far, thank you from the bottom of my heart. Your encouragement and feedback have been a driving force behind my writing, and I can’t wait to hear your thoughts on this part of the story. Stay tuned, because there’s so much more to come, and I promise the journey will only get more exciting from here. Thank you for being part of this adventure with me—I hope you enjoy this chapter as much as I enjoyed creating it!

If you have any requests for any member or any other groups feel free to do so

M.list Part one _ Part two _ Part three

Mingyu wasn’t sure what prompted him to accept the role this time. At first, it seemed like any other offer—another chance to showcase a different side of himself. But something about the script resonated with him on a deeper level.

The character's struggle to balance vulnerability and strength mirrored his own challenges in navigating fame. He felt an unspoken connection to the story, as if it was calling him to confront parts of himself, he had kept hidden.

Perhaps that’s why, despite his initial doubts, he agreed to take the leap. Maybe it was the persistent urging of his members, maybe it was his own curiosity, or maybe, just maybe, it was the script that had managed to tug at something deep within him. Either way, he found himself on the set of "Between Us," his first lead role in a drama, both nervous and excited.

The buzz around the project had been immediate, not just because of Mingyu but because of his co-star. Y/N, a senior idol, had been cast as the female lead. She was a name that carried weight in the industry—the leader of her group, a revered idol with an aura of mystery. Known for her icy demeanor and guarded nature, she seemed to embody mystery and restraint, creating an intriguing contrast to Mingyu’s radiant, extroverted charm. While her reserved nature drew admiration, it also set the stage for a fascinating interplay with Mingyu’s infectious energy, sparking curiosity about how their opposite temperaments might evolve together. It was a pairing that intrigued fans and critics alike.

When they met for the first table read, Mingyu was struck by how composed she was. She greeted him with a polite nod, her expression unreadable. Mingyu, ever the extrovert, tried to break the ice with a joke.

“Looks like we’re going to be spending a lot of time together,” he said, his signature grin in place. “I hope you’re ready for my bad jokes.”

Y/N raised an eyebrow, the faintest hint of a smile playing at her lips. “I’ll brace myself,” she replied coolly before turning her attention to the script.

From that moment on, their interactions were polite but distant. On set, Mingyu would try to engage her in conversation, but Y/N kept her responses short. It wasn’t that she was rude; she just seemed... guarded. Mingyu couldn’t help but be intrigued. What was she hiding behind that composed facade?

As the weeks went by, they began filming scenes that required emotional depth and vulnerability. The plot of "Between Us" revolved around two people who initially clashed but slowly fell in love as they unraveled each other’s secrets. The parallels between the characters and their real-life dynamics didn’t escape Mingyu.

One evening, after a particularly intense scene, Mingyu found Y/N sitting alone by the set, her gaze fixed on the horizon. The sun was setting, casting a warm glow over the scene.

“Hey,” Mingyu said, approaching cautiously. “You okay?”

Y/N glanced at him, her expression softening slightly. “I’m fine. Just... thinking.”

Mingyu sat down beside her, leaving a respectful distance between them. “You were amazing in that scene,” he said sincerely. “I felt like I was watching your character come to life.”

She looked at him, surprise flickering in her eyes. “Thank you. You did well too.”

It was the first time she’d offered him a genuine compliment, and Mingyu felt a small thrill of accomplishment. They sat in silence for a while, watching the sky change colors.

“Do you ever get tired?” Y/N asked suddenly. “Of being... this?”

Mingyu frowned. “What do you mean?”

“Of always being expected to be perfect. To smile, to perform, to never let your guard down,” she explained, her voice barely above a whisper.

Mingyu thought for a moment before replying. “Sometimes. But I think it’s okay to not be perfect. People connect with us because of our flaws, not despite them.”

Y/N looked at him, her expression unreadable once more. But something shifted that day. She began to open up, little by little. Mingyu learned that behind her icy exterior was someone who cared deeply about her members, someone who carried the weight of leadership with grace but also with a heavy heart.

The rest of the cast and crew began to notice the change in their dynamic. During breaks, they often saw Mingyu and Y/N sharing quiet conversations or laughing at inside jokes. One day, a crew member walked in on Mingyu patiently teaching Y/N a card game to pass the time, his enthusiasm contagious as Y/N, known for her reserved nature, playfully accused him of cheating.

“Cheating? Me?” Mingyu feigned shock, placing a hand on his chest. “I’m wounded, Y/N. Truly.”

“Wounded or not, you’re still losing,” Y/N shot back with a rare grin.

Another time, during a particularly chilly outdoor shoot, a makeup artist caught Mingyu draping his jacket over Y/N’s shoulders without a word, brushing off her protests with a casual, “You’ll catch a cold.”

The director, amused by their growing rapport, once joked, “If you two don’t win Best Couple at the year-end awards, I’ll be writing to the network myself.”

Even the extras started to notice their synergy, with one commenting during lunch, “Their chemistry isn’t just acting—it’s real.” Mingyu’s consistent warmth and Y/N’s subtle but significant thawing became a favorite topic of conversation among the crew, adding a special layer of excitement to the production. The once distant co-stars were now sharing inside jokes, supporting each other through difficult scenes, and even eating meals together during breaks. Mingyu’s patience and warmth had managed to crack Y/N’s walls, and she, in turn, became a grounding presence for him.

The turning point came during a particularly grueling shoot. It was a night scene set in the rain, with both leads expected to deliver emotionally charged performances. As Y/N sprinted down the wet pavement for a pivotal chase sequence, her ankle twisted, sending her collapsing onto the ground mid-scene. The crew froze, and for a moment, the only sound was the rain hammering down. Mingyu, standing nearby, dropped his prop and sprinted to her side.

“Cut!” the director shouted, but Mingyu was already kneeling beside Y/N, his voice tinged with panic. “Are you okay? Does it hurt a lot?”

Y/N tried to sit up, brushing off the mud on her hands. “I’m fine,” she said through gritted teeth, though the pain was evident in her eyes.

“No, you’re not,” Mingyu said firmly, his worry overriding his usual easygoing demeanor. He gestured for the on-set medic, his brows furrowed in concern. “You need to rest. This isn’t something to push through.”

Despite her protests, Mingyu carefully helped her to a nearby chair, his hand steady on her arm. His genuine concern was clear, and the crew exchanged knowing glances, murmuring about how protective he had become of her. In that moment, something shifted—not just between their characters, but in their real relationship as well.

The injury had forced Y/N to take it slow, and Mingyu took it upon himself to help her. He’d show up to set early to make sure the path was clear for her crutches, brought her snacks during breaks, and even offered to rehearse lines with her to save her unnecessary movement.

“You’re going to spoil me,” Y/N said one day, watching as Mingyu carefully adjusted her chair.

“Maybe,” Mingyu replied with a grin. “But I don’t mind.”

As “Between us” progressed, the romantic tension between Mingyu and Y/N on-screen began to mirror their growing connection off-screen. Their characters, who started out as strangers, gradually developed a deep emotional bond, with Mingyu’s warmth gradually melting Y/N’s cool exterior.

One evening, during a late-night shoot, the scene called for a quiet, intimate moment at the café. Mingyu’s character, Jae-min, had just confessed his feelings to Y/N’s character, Seo-yeon. The air was thick with tension as their eyes met, both characters hesitant yet longing.

“Are you sure you want this?” Jae-min asked, his voice barely above a whisper, as he reached out to gently touch Seo-yeon’s hand.

Y/N, as Seo-yeon, looked at him, her expression unreadable, before slowly nodding. “I don’t know, but I’m willing to try.”

In the next moment, Jae-min leaned in and kissed her softly on the lips, a gentle but tender kiss filled with the promise of something new. The director yelled “Cut!” immediately after the kiss, but both actors were left momentarily frozen, caught in the vulnerability of the moment.

Mingyu quickly stepped back, awkwardly scratching his head. “Uh, sorry, was that too much?”

Y/N, for the first time in a while, let out a soft laugh, something that startled Mingyu. “No, it was good,” she said quietly, her cheeks flushed. “You just… surprised me, I guess.”

That night, as they wrapped up filming, Mingyu couldn’t stop thinking about how natural the kiss had felt—how it wasn’t just an act but something real that he had experienced with her. Y/N, despite her usually cool demeanor, had shown a glimmer of warmth, and it left Mingyu wondering if the lines between their characters were blurring.

The next scene that stood out was a pivotal moment in the drama, where Jae-min (Mingyu’s character) confesses his love for Seo-yeon (Y/N’s character) during a stormy night. They were supposed to be alone in the café, the rain tapping against the window as Jae-min, drenched from the downpour, walked in to find Seo-yeon sitting by the window, gazing out at the rain.

“Seo-yeon,” Jae-min said, his voice shaking with emotion. “I’ve loved you from the moment I saw you. You’re the only one who sees me for who I really am.”

Seo-yeon turned to him, her eyes softening but still guarded. “But you know I’m not the person you think I am, right?”

The tension in the room was palpable as Jae-min walked toward her, his every step determined. “I don’t care,” he whispered, his face inches from hers. “I love you.”

The kiss that followed was more passionate, a moment of release for both characters. The scene was so intense that even the crew stayed silent as they filmed. When the director yelled “Cut,” both Mingyu and Y/N stood frozen in their positions, the chemistry between them undeniable.

During a break, Y/N walked off to the side, away from the set, clearly trying to collect herself after the emotional intensity of the kiss. Mingyu, sensing her discomfort, followed her quietly.

“Are you okay?” Mingyu asked softly, standing a few feet away.

Y/N paused, looking at him for a moment before nodding. “Yeah, just… it’s a lot sometimes, you know?” She shrugged. “This role is… difficult for me.”

Mingyu gave her a gentle smile. “You’re doing amazing. I can tell. I know acting can be hard, but you make it look effortless.”

Y/N looked at him, her walls slowly starting to crack. “Thanks, Mingyu,” she said quietly, her tone sincere.

As she turned back to the set, Mingyu watched her, his heart unexpectedly racing. They might have started out as strangers, but something was beginning to stir between them, something neither of them had anticipated.

One of the final scenes in the drama was another intimate moment between Jae-min and Seo-yeon. The two characters had gone through their fair share of struggles, and in this scene, they finally gave in to their feelings for one another. The script called for a tender, lingering kiss under the moonlight, where Jae-min pulls Seo-yeon into his arms as they both acknowledge their deep connection.

As the cameras rolled, the chemistry between Mingyu and Y/N was undeniable. The kiss was gentle at first, with both characters hesitant, but as the scene progressed, their passion deepened. Their lips met in a slow, sweet kiss that was both vulnerable and full of longing, capturing the emotional weight of everything their characters had been through.

When the director finally called “Cut,” the entire set seemed to hold its breath. Y/N, who had usually kept a distance from Mingyu, seemed to soften in his arms, the connection between them palpable even off-camera.

During the next break, Mingyu found himself sitting next to Y/N, who had become noticeably more relaxed around him since their first interactions. They were both exhausted from the intense filming, but the mood between them was no longer cold.

“I didn’t know acting could be like this,” Mingyu admitted, his voice low. “It’s… more than just saying lines. It feels real.”

Y/N looked at him thoughtfully. “Yeah, it’s like… you let yourself be vulnerable for a moment.” She paused, then added, “You’re a good actor, Mingyu.”

Her words caught him off guard. He smiled, not able to hide his feelings anymore. “Thank you. That means a lot coming from you.”

There was a comfortable silence between them, and for the first time, Mingyu felt a genuine sense of connection to Y/N—not just as his co-star, but as someone who understood the depth of their roles and the emotions they had shared through their characters.

One memorable day, they filmed a scene where their characters shared their first kiss under a canopy of stars. The setup was breathtaking—fairy lights hanging from the trees, a gentle breeze rustling the leaves, and the soft strumming of a guitar playing in the background.

Between takes, Mingyu leaned over with a grin. “They really went all out for this, huh?”

Y/N glanced around, her lips twitching into a rare smile. “It’s beautiful. Almost makes you forget we’ve been here for hours.”

The scene required them to hold hands, exchange lingering gazes, and lean into a kiss that felt as natural as breathing. When the director finally called, “Cut!” he looked up from the monitor and clapped. “That was perfect! The chemistry was off the charts.”

Another day, they filmed a playful sequence where their characters spent an afternoon at a seaside carnival. From riding the Ferris wheel to playing ring toss, the scenes were filled with laughter and lighthearted moments. While filming a shot where Mingyu’s character won a giant stuffed bear for Y/N’s character, he jokingly handed it to her and said, “This is the closest you’ll get to me spoiling you in real life.”

Y/N rolled her eyes but couldn’t hide her smile. “I’ll cherish it forever,” she quipped, hugging the bear dramatically.

The most challenging yet rewarding scene to film came toward the end of the drama, where their characters finally confessed their feelings after a heated argument. The emotions ran high, and even the crew found themselves holding their breath as Mingyu and Y/N brought the raw vulnerability of their characters to life. By the time the director called cut, there was a moment of stunned silence before the set erupted into applause.

“You really outdid yourselves,” the director said, visibly moved. “This is the kind of performance that stays with people.”

Through these scenes, their bond grew stronger. Whether it was the stolen glances that felt too real or the way they naturally gravitated toward each other during breaks, it was clear to everyone that something special was blooming between them.

[moghedien]

I've been so fascinated with how the movie pulls off the emotional climax at Ozdust, because I think its not nearly as simple as is seems to a lot of people. Like you can reduce it to "Elphaba did something nice and Glinda felt bad" and then one dance routine later they're friends

I think its a lot more than that though, and I think the movie kinda trickles things in gradually to show it throughout. And that kinda reduces it down to Glinda's guilt motivating the entire friendship, which I don't think is accurate either. Its less "Glinda feels bad" and more "Glinda and Elphaba realized they were playing entirely different games and had entirely skewed their reasons for hating each other" which included making Glinda also realize that she was being a bitch for no damned reason

Like, even their reasons for their rivalry are different from each other and so are their reasons for "maintaining" that rivalry. Their first interaction was them both mutually embarrassing each other, though only Elphaba was trying to embarrass Glinda. Which, to be clear, I'm not saying puts Elphaba in the wrong. Elphaba is very clearly in the right for I'm pretty sure all of this, and even if Glinda wasn't trying to embarrass Elphaba, it doesn't make her promising to degreen Elphaba in front of everyone any better. It's just important to understand their different perspectives on what is going on to understand the different places they're coming from. Glinda was putting on a performance of being a good person, at Elphaba's expense which she didn't even consider. Elphaba was pointing out how stupid that was and embarrassing Glinda to prove she's unbothered and correct.

That is kinda that best summary of how their rivalry goes. Glinda is performing, while Elphaba is responding to that but specifically in ways to piss off Glinda and show she's wrong. But they don't realize what the other one is doing. Glinda is performing to look like a good person and maintain the admiration of her classmates. By putting on this front of suffering by having to be in Elphaba's presence, she gets an easy win with her peers. In What is This Feeling specifically, you see them over and over again validating Glinda for just existing in the presence of Elphaba.

And given the girl sings a whole song about how "its not about aptitude, its the way you're viewed," you can assume that putting on a good appearance to her peers is probably the most important thing to her, period. Literally nothing matters more than that, and Elphaba provides an easy win. But she also has some clear attraction draw toward Elphaba that is strange and unspecified (she's gay), because she doesn't just suffer by being Elphaba's reluctant roommate, but clearly goes out of her way to partner with her, to find her at lunch, to make a scene with her in class repeatedly. Like she almost doesn't even count just having to privately live with her, she needs to bring it out in public too and spend time around her even when she should be happy to finally not have her around.

And making it all the more clear to me that all of this is, in Glinda's eyes, just a performance, we have the "looks like the artichoke is steamed" line, which is definitely one of the meanest things she says to Elphaba, but the way it goes down is fascinating. Because let's look at how that goes down:

Glinda makes a scene because Dr. Dillamond mispronounces her name.

Elphaba defends Dr. Dillamond and tries to embarrass Glinda.

Artichoke comment.

everyone is laughing at Elphaba.

To Glinda, this is what they do. They poke and poke at each other in public until one of them folds and wins, and if its her she gets public approval. But, what makes this clear to me that this is a performance is Glinda's immediate actions after the artichoke comment. When everyone is laughing, she exchanges a look with Elphaba, and the look is not mean at all. She doesn't look like she's gloating or like she just won, she just kinda nods and smiles and it seems like a genuine acknowledgment of...something. It's unclear what, but she doesn't seem like she's overly proud. It's like she's nodding to someone who just played a good game against her, but lost and she wants them to know they played well. It's bizarre the look here and fascinating.

And even more bizarre because Elphaba seems to acknowledge it as well and seems like she understands and almost smiles in response. But I think this also illustrates the disconnect in them for what their rivalry is.

So looking at Elphaba now, her approach to her rivalry began with her embarrassing Glinda, as mentioned before, and continued with her embarrassing Glinda. Most of what she is doing is trying to intentionally embarrass Glinda, which as I said before, isn't really wrong because Glinda is as far as we ever see, the one who is in the wrong and who starts the whole thing by embarrassing Elphaba. But as I said before, embarrassing Elphaba isn't the point of what Glinda is doing, she's trying make herself look better and is just using Elphaba, but literally how would Elphaba know this and why would it matter?

We see that Elphaba has been targeted and mocked her entire life, and that is basically what Glinda is doing to her now. But its also different with Glinda. Because before its always like, groups of people banding against her, with Glinda its personal. She certainly has her minions and all, and basically the entire school hates Elphaba just because they love Glinda, but Glinda isn't really using them. She's still doing everything herself and seems to actually go out of her way to go against Elphaba herself.

That, as far as we know, is different than any bullying Elphaba has experienced before, and what also makes it different is that Elphaba has an advantage of having something Glinda wants and something that prevents her from being pushed aside. Elphaba is basically going to be at this school however long Madame Morrible wants her there, and Madame Morrible also hates Glinda, so Elphaba can't be pushed away and she also has this one thing to hold over Glinda, because she's the one getting the attention that Glinda actually wants. And she's also potentially the only one that might help Glinda get it.

In a really weird way, this rivalry with Glinda might be the closest thing to a friendship that Elphaba has had from someone that isn't her sister or her nanny. Because its both of them personally going after each other and they both also have advantages over each other. And its clear that Glinda could be using her peers to target Elphaba but isn't. And Elphaba also makes it clear that she can ignore people she doesn't like, and yet she doesn't ignore Glinda. Because both of these freaks enjoy poking each other nonstop forever too much. There is something that draws them together (homosexuality) even when they supposedly can't stand to be around one another. Glinda is performing, but Elphaba is having the time of her life sparring with someone in a way she probably never has before.

Which takes us to the hat.

Elphaba approaches Glinda because, according to Nessarose, Glinda did something nice for her. We don't know specifically what Elphaba was going to say to Glinda, but it seems like its something she isn't comfortable with. Maybe she was trying to figure out what Glinda's motivations were. Maybe she was just going to thank Glinda for what she did. Either way, we don't know because Glinda interrupts her by giving her the hat and really talking up that damned hat too. Not only giving her the hat, but specifically inviting Elphaba to go out with them. Elphaba has probably never gotten anything like that before.

Elphaba, who has had the time of her life being antagonistic with Glinda up until this point, now thinks that Glinda is doing nice things for her and for her sister, for seemingly no reason. So she returns the favor and makes Madame Morrible accept Glinda as a student and tell her that night. That night, because this was going to be best night for Nessarose, maybe for Elphaba too now, so let Glinda have something too. Maybe this rivalry was turning into something else and maybe Elphaba was glad for it.

Only, Glinda wasn't being nice.

Glinda getting Boq to ask out Nessarose wasn't to be nice to Nessarose. She wanted Boq to leave her alone. And she didn't give Elphaba the hat and invite her out to be nice, she wanted to embarrass her after receiving validation for the idea from Pfannee and Shenshen.

What you need to know about Glinda here, is that she does not think about other people. She will throw a fit at Dr. Dillamond mispronouncing her name because he physically can't say it right and then repeatedly call Boq by the wrong name. She doesn't know if Nessarose wants to go to the dance or if Elphaba wants her to stop mocking her. She doesn't even consider these things when deciding to do something for her own benefit. She is doing as Glinda must do to perform as she needs for her audience (the entire world).

Which is how we end up here, at the emotional climax of the night. When she discovers that Elphaba did one very nice thing for her after she did something specifically to humiliate Elphaba, its not just guilt for this one moment, right? Its guilt for every little thing that she's done that she just assumed wasn't actually affecting someone else. Her mocking Elphaba and doing all these things wasn't actually about Elphaba, after all, it was about Glinda looking well. Because she didn't even really think about Elphaba, or how she might be interpreting what their dynamic is or that she might actually have been hurt by the things Glinda does. It was all a performance to Glinda.

But is was something else to Elphaba entirely.

And so we look at all the times, like the artichoke moment or their introduction, where Elphaba didn't seem all that upset and maybe Glinda realizes that wasn't always the case. She just wants people to think she wasn't. She was performing too, just not in the same way Glinda was. She was enduring the disapproval of others because she was maintaining this dynamic with Glinda, whereas Glinda was getting approval from others for enduring Elphaba. They were playing different games entirely and Glinda didn't know until Madame Morrible gave her the wand. It wasn't just the cruelness of the hat that she realized, it was the cruelness of single thing she's ever done to Elphaba.

And looking from Glinda's perspective, it makes sense if you see that she's forced to reckon with the fact that she's a terrible person and doesn't like herself, but look at what the situation is from Elphaba's. To Elphaba, Glinda is the first person that saw that she'd hurt Elphaba and then reached out to comfort her and try to help fix it instead of laughing or getting upset or doing nothing. Like I said before, the dynamic she has with Glinda before this is maybe the closest thing she has had to a friend, which is fucked up. But also part of me wonders, based on how they're seemingly drawn together when they could just ignore each other and based on Elphaba's reaction to Glinda's sort of nod after the artichoke comment, AND based on how quick Elphaba was to approach Madame Morrible, part of me wonders if Elphaba was just hoping for a moment when their antagonism would end the whole time. And that's why she's so willing to accept that once Glinda does something that Galinda is not supposed to do and makes a fool of herself to support Elphaba in front of all of the people she's supposed to be putting on a show for.

Which I think, makes Glinda joining Elphaba in the dance that much more important. Because, and I love this for the movie, she's not getting praised for doing so. Shenshen and Pfannee tell her to stop. The initial reaction she gets once people realize she isn't mocking Elphaba is scorn. For like, this one little moment they're on the same page. Glinda is getting disapproval for being with Elphaba here. And it ends in them being accepted by the party, but that almost seems to be unimportant. They hug before they realize that everyone else has joined in, and once they realize it, they leave the party together pretty much immediately. Their relationship has been a show in public for so long and so what happens next when they stop performing happens in privacy, just for them.

[mandarinmoons]

omg i love ur account soo bad, i would rlly like to read about Spencer being jealous of Derek, for the reader to comfort him and try to help with his insecurities, lowk sad ik but pleaseee 🙇🏻‍♀️

Spencer sighed as he watched Derek from afar, talking to a group of women. Each of the girls seemed to be entranced with what the man in front of them was talking about, one of them playing with her hair while the other one kept biting her lip which turned into a not so subtle smirk over time.

Spencer hadn’t had the best luck with women, he had a few take interest in him over time, but it never grew into something serious. He blamed himself for not being the archetype of a man girls would usually want from what he saw and no matter how hard he would try to be more appealing, it just wasn’t him and he wouldn’t be able to keep up the facade for too long.

“What’s on your mind, boy wonder?”

Spencer blinked his eyes as you walked over to him and brought him out of his thoughts. Spencer wondered if he should tell you what’s on his mind or would it be something he would eventually get over after some time. It was hard to hide anything from you though, the sparkle in your eyes made Spencer crack and he’d always tell you whatever it was he was thinking of, you had never judged him for it as well, so he had his answer.

“Y/N, be honest, is there anything about me that’s… unattractive?”

“What do you mean? I don’t think there’s anything wrong with you.”

“Really?”

You nodded as you took a seat next to Spencer, your hand reaching out and thumb running across the back of his hand. Spencer wasn’t one for physical touch, but whenever you showed it it put him at ease.

“Where is all of this coming from?”

“I look at Morgan at times, the way he talks to women, how he presents himself, the way he is basically and I don’t know I just… wish I could be that way.”

“I’ve always liked the way that you are. Men similar to Derek put me off at first, it makes me feel like they have other intentions, but when we first met only minutes in and you were talking about the differences between plant and human cells and I thought that it was really fascinating.”

Spencer chuckled as he remembered the day you both had met. He was scared that he had messed up his first interaction with you and that you would stay clear of him whenever you would come across in the bullpen, but you did the exact opposite. You’d always take time out of your day to go talk to Spencer, even if it was the most random subject someone could think of, but you never regretted it and kept coming back for more.

“There are people out there that adore people like you Spencer and I’m proud to say that I’m one of them. Plus, I think you’re cuter than Derek.”

Pressing a kiss to Spencer’s cheek, his eyes went wide as you waved goodbye and he watched you return to your desk, a slight bounce in your step as you strode across the room.

Spencer chuckled as his eyes met the floor, somehow your words set him at ease during times he needed it the most. He didn’t know what he had done to deserve someone like you in his life, but whatever it was he was sure he’d do it a thousand times again to have even one more conversation like this.

You can find my masterlist here!

Let me know your thoughts in the comments and like & reblog to support <3

[nickmarini]

Hey! First of all, I just wanna say that I absolutely adored your performance as Ayden/The Dawnfather during Downfall. He’s always been one of my favourite deities in the Exandrian Pantheon and your take on him was incredible to watch.

I especially loved how complicated he was in that he felt wise but naive, loving but stern, and genuine but also confused. It was all really fascinating and I’ve loved digging into it, as well as everything else about these characters, relationships, and this arc overall.

Given all of that, I wanted to ask how much, if any, of Matt’s performances as the NPC version of Pelor or just any campaign information or interactions regarding him influenced how you approached your characterisation of him over the course of downfall (as Ayden, and as the fully realised Dawnfather, and whatever in-between there was)?

I think the Pelor that we have seen so far throughout the campaigns is quite a contrast to what we see in Downfall, but I can also so clearly believe that they are the same being, just in different circumstances, so I was also wondering how you view the “present day” Pelor in regards to what he experienced/did in Downfall?

Thanks so much, so kind of you. I absolutely watched as much as I could of the Dawnfather's appearances in CR. There is a lot to look at and certainly a lot presented about him. Downfall is our first real glimpse of him on Exandria (I think Calamity appearance is open to interpretation as The Lord of the Nine Hells is influencing the vision) I wanted to show a different side of the Dawnfather but also his journey to something more familiar. We mostly know him on the other side of the Divine Gate. I think that distance is a hard one to breach for a god used to showing up consistently each and every day. He is a doer and a protector, his domains are hands on, and to be forced to leave the world he tended is a tough pill to swallow.

One of my favorite quotes is, "Don't let your shield become a cage." This was sort of a guiding light to me for the Dawnfather and something I think he struggles with. It's part of why I wanted Ayden to have a shield and part of why I think its so hard for him to leave Exandria. He has to reconcile his desire to defend Exandria with the consequences of his presence on it, I think part of his perceived distance as the "present day" Dawnfather stems from the pain of this decision and his certainty that something must be done, alongside the painful truth that he can no longer be the one to do it.

[cece693]

Brooding Edward (Edward Cullen x M! Vampire Reader)

I got a comment some time ago asking for more Edward Cullen fics, so I came to deliver :) Hope you guys enjoy it.

Summary: You don't know when your dislike of Edward turned into adoration, but you did know that you didn't like how close he was getting with the human, Isabella Swan.

tags: scheming Edward, jealous reader, hater to lover, making out, Bella used as a pawn in Edward's plan, mentions of Bella x Edward

Forks was a dreary town, always dripping with rain and cloaked in mist, a far cry from the places I’d roamed over the centuries. I’d arrived here on a whim, seeking nothing more than a quiet place to blend in, disappear among the mundane, and watch as the world turned on without me. But I wasn’t completely alone here. There were others of my kind, tucked away in the dense forests.

The first time I laid eyes on Edward Cullen, I knew immediately what he was—beautiful, yes, but also cold and distant, a façade of perfection wrapped around a soul that seemed perpetually weighed down. We didn’t speak much at first, just acknowledged each other as predators passing in the same territory.

But the more I saw him, the more I realized how irritatingly complex he was.

He wasn’t like the others—his siblings, his parents—who seemed content with the life they had carved out here, blending in with humans, attending school like everything was perfectly normal. Edward. had this air of constant torment, like he was wrestling with demons none of us could see. It grated on me. The self-imposed suffering. The way he would sit in class, staring out the window like the weight of existence itself was crushing him.

I couldn’t stand it.

“Edward’s always been like that.” Alice once told me when I asked why her brother seemed more brooding than the rest of them. She smiled, almost fondly, as if his moodiness was something endearing, but I couldn’t wrap my head around it.

“You mean miserable?”

“He’s complicated.” she explained, and for some reason, that word irritated me even more.

Complicated. Right.

The more I was around him, the more I was drawn to observe his every movement, his every interaction. And it only made my disdain grow. Edward had this way of pulling people in without even trying—his impossibly good looks, the air of mystery that seemed to cling to him like fog, his quiet intelligence. Everyone wanted to know him, to understand him. But he kept everyone at arm’s length.

He was a contradiction—mysterious yet aloof, compassionate yet disconnected. And I couldn’t stop watching him.

It became a sick habit of mine, this strange fascination, though I told myself it was just that. I would catch glimpses of him in the halls at school, his expression always distant, as if he were somewhere else entirely. He rarely laughed or even smiled—everything seemed so goddamn serious to him. His siblings would joke around, ease into their lives here, but Edward? He remained on the outskirts, as though he couldn’t let himself relax, couldn’t let go of whatever it was that tormented him.

There was something maddening about it.

It wasn’t until Isabella Swan came into the picture that everything shifted.

She was new, fragile, and completely unaware of the supernatural undercurrent running through Forks. But Edward saw her. And it wasn’t just passing interest. I noticed it from the beginning—the way his gaze would linger on her in class, how his jaw would tense when she got too close to any of the other students, or how he disappeared for days after their first encounter, struggling to keep himself in check.

I remember the first time I heard them talking, watching from a distance, seated in the cafeteria among the other Cullens. Edward’s voice was soft but strained, his gaze locked on hers like she was the most precious thing in the world. The intensity in his eyes, the way his entire being seemed to revolve around this human—it was unsettling.

"She’s different." he told me once when I couldn’t stop myself from asking why he was so fascinated with her.

"Different?" I echoed, unable to keep the disbelief out of my voice. "She’s human, Edward. She’ll die in a blink of an eye. What happens then?" He said nothing, just stared off into the distance, as if the very idea caused him more pain than I could understand.

It was then that the slow burn of jealousy began to fester inside me, though I couldn’t name it at first. The fact that Edward, who seemed indifferent to everything, had suddenly fixated on this girl—this fragile, breakable human—made something inside me twist. I was used to seeing him as distant, untouchable, yet here he was letting his guard down for someone like her.

I wanted Edward’s gaze on me. His intensity. His focus. The realization hit me harder than I expected, and it wasn’t long before that jealousy bubbled over into anger.

One night, the tension reached a boiling point. Edward had just returned from dropping Bella off, his face drawn, like always, but with something else in his eyes that I couldn’t ignore. Satisfaction. The kind of satisfaction that came from spending time with her. The kind of satisfaction I wanted him to feel when he was with me.

“Isabella this, Isabella that.” I sneered, my voice cutting through the stillness of the forest. Edward stopped in his tracks, his expression hardening as he turned to face me.

“What’s your problem?” His tone was cold, guarded.

I stepped forward, closing the distance between us, my chest tight with the jealousy and frustration I’d been holding in for too long. “My problem is that you’re throwing everything away for her. And for what? She’s nothing special, Edward.”

His jaw clenched, his golden eyes flashing dangerously. “You don’t know her. You don’t understand.”

“Understand?” I laughed bitterly. “What’s there to understand? She’s human. You’re a vampire. End of story.”

“It’s not that simple,” Edward hissed, stepping closer, his presence looming. “It’s never been that simple.”

I stared him down, anger boiling over into something sharper. “You think I don’t see what’s happening here? You’re losing yourself in her. You’re forgetting who you are, what you are. She’s going to be your downfall.”

He glared at me, and I could see the storm brewing behind his eyes. His hand shot out, grabbing the front of my shirt, pulling me roughly against him. “You’re wrong.”

Before I could snap back, Edward’s lips collided with mine like a strike of lightning, fierce and demanding, with none of the hesitation I’d come to expect from him. The initial shock froze me for only a second, but then the fire that had been building inside me for so long erupted, and I grabbed him by the collar of his shirt, yanking him closer, forcing the kiss deeper.

His body pressed hard against mine, the coldness of his skin a sharp contrast to the heat pulsing through me. This wasn’t like anything I’d imagined—there was no softness, no careful exploration—just raw, primal need. His lips left mine briefly, trailing down the line of my jaw, his breath cool against my skin as he whispered, “You think I’m hers?” His voice was low and dangerous. “I was never hers.”

I gripped his shoulders, shoving him back slightly, forcing his eyes to meet mine. “What the hell are you talking about?”

He smirked, that infuriating, knowing smirk that sent another wave of frustration and heat crashing through me. His eyes darkened, the gold-flecked with something more primal, more dangerous. “My relationship with Bella means nothing to me.”

I tried to shove him away again, but he held firm, his grip on me unyielding, his body pressing me back against the rough bark of the tree. “Bullshit,” I growled, but the anger in my voice was already fading, replaced by something I didn’t want to admit. “You’ve been obsessed with her—”

“Lies.” he interrupted, his lips hovering over mine, so close I could kiss him again if I leaned forward. “I needed her to push you, to make you feel what you’ve been ignoring for months.”

My mind reeled. “You’re saying this was all some kind of game?”

His smirk widened, but it wasn’t cruel—it was victorious. “Not a game. A plan.” His fingers trailed lightly over my collarbone, sending sparks through me, and I hated how easily he could get under my skin, how quickly he could break down the walls I’d built. “I’ve been waiting for you to realize it, to stop fighting me.”

“Fighting you? You never said a damn thing.”

“I didn’t need to. I knew you’d come to me eventually.”

The kiss that followed was harder, more desperate, and I couldn’t stop myself from pulling him closer, the fire that had been smoldering between us now raging out of control. His hands roamed over my body, each touch stoking the flames higher. I couldn’t think, his presence overwhelming every sense, every thought.

“I'm yours,” he growled against my lips, his voice rough and possessive. His hands slid under my shirt, cold fingers tracing over my skin, leaving a trail of fire in their wake. “Not hers.”

The words hit me like a punch, and I grabbed his face, pulling him back just enough to meet his gaze. “Say it again.”

His eyes bored into mine, that same victorious glint dancing in their depths. “I’m not hers. I’m yours.”

[majosullivan]

Annabel, Duke and Pluto: Similarities Between Conflicting Parties

We're now well into Nevermore Season Two, and having been in the mood to word vomit about this topic for far too long now, it’s finally time that I went into some thoughts I’ve been having about Annabel, Duke and Pluto.

As Lenore’s love interest and closest companions respectively, there was always going to be a lot of interest in the dynamic between Annabel and the boys, and with Annabel’s involvement with putting Duke behind the wall and especially Duke and Pluto’s murder attempt, the dynamic between these three is going to be fascinating to see develop onwards. Any further interactions between them are going to be tense and any further conflict between them is going to be personal, and with Duke currently being in possession of Chekhov’s gun in letter form, a possible need for them to cooperate with each other might be coming up sooner than any of them could ever expect.

I bring all of this up because, with the information we have presently, Annabel might be able to add two more people to what might as well a growing collection of ‘I fear only a few people have truly ever understood me and i fucking hate the guys’, with Annabel sharing noticeable similarities with Duke and Pluto, as well as both potential and actual key factors in their respective deaths.

Duke and Annabel

Oh Duke and Annabel...from a comedic shove out of the way during the maze, to both of them being involved with a plan to kill the other in their first week at Nevermore. These two are so much fun to delve into, and their building similarities is going to make the inevitable need for them to work together so much sweeter. Before we get into the big one, here’s a few that I wanted to give a quick mention to:

Association with blue

In classic Romeo and Juliet fashion, Lenore and Annabel have clear colours associated with them and their family, with Annabel being commonly associated with blue, with some additional cold colours mixed in. Keeping this detail in mind, it was very interesting to see that two of the main colours in Duke’s spectre design were purple, a colour we’ve mainly seen him in through his dressing gown, and blue. Particularly with Duke’s spectre being revealed during the Cellar arc, having Duke and Annabel be connected with a shared colour can both highlight their equal importance to Lenore, as well as emphasise the split that resulted from the reveal that Annabel was the one that suggested Duke be the one that the acolytes trapped behind the wall.

Performers

Performance holds particularly significance to both of them, although in very different manners.

Duke made a career out of performing while he was alive, appearing to be a successful one to boot. While his status as a performer was only confirmed in episode 72, Duke’s passion for the stage was easy to see early on, from his dramatics, his mannerisms and his attempt to encourage Pluto in episode 17 to name a few examples. Since we only have one flashback for Duke at this moment, it is difficult to speculate the possible extent his profession affected his personal life while he was alive, but considering how he died…might be something we want to put a pin in for a later time.

While Annabel doesn’t share the same attachment to the literal stage, performance is something that runs deep throughout her life and her time at Nevermore. To use her own wording ‘everything in life is an act’.

Annabel spent her whole life presenting herself as the perfect high society lady, having to consistently conceal any feelings that would be seen as improper in fear that she would be considered mad. This survival tactic continued to be a necessary tool to Annabel even after her death, with the academy being structured in such a manner to encourage conflict, deceit and violence among the students. Funny how Annabel has had to perform throughout her life and even needed to perform an encore after she’s six feet under, while the literal performer has had more opportunities to exist authentically.

Relationship with Lenore

Especially after the events of the Cellar arc, Lenore’s respective relationships with Annabel and Duke and what they have represented for Lenore’s desire to escape with the misfits and Annabel are ripe for picking when it comes to analysis. Keeping the focus on Annabel and Duke, they obviously both care deeply for Lenore, but it’s interesting to see their unknowingly shared sentiments when it comes to her:

-Both sharing the belief that Lenore is able to make anything possible (special note goes to my lovely friend likeastars for this point)

-Both encouraging Lenore not to place unnecessary guilt on herself

-Their reactions to Montresor's comment about Lenore's 'hysteria'

-Then of course, we have...

Betrayal

With those similarities sorted though, time to get into the big one: both Annabel’s and Duke’s deaths were the result of a betrayal.

In order for her manifest, Annabel was informed that she was murdered, being, as all Nevermore theorists know by heart at this point, ‘betrayed by the one who loved you above all else else’. Considering this description was given to her by the deans, and we as an audience are privy to the knowledge that the deans were making an active attempt to separate Lenore and Annabel by making Annabel manifest the way she did, it would be fair to take this wording for a hint of salt. For example, there's the possibility that the one who murdered Annabel and the one who betrayed her are two different people. However, considering that this description did make Annabel manifest, I believe the reliability of this description is acceptable for the time being.

In episode 83, we see that Duke died in a sabotaged water torture cell, with Duke desperately attempting to call for help when he discovered the top of the cell wouldn't move, only for his assistant to cover up Duke’s distress as a part of the act before turning around to smirk at Duke as the curtain went down.

This similarity between their deaths is intriguing by itself, but as BlacknedSoul pointed out in one of their wonderful posts, how they have reacted to these betrayals and how it has currently affected their relationships in Nevermore is really fascinating to compare.

Specific discussion around who shot Annabel is going to be saved for a later section in this post, but while the identity of Annabel’s murderer and what exactly happened are important for further understanding Annabel’s headspace while in the academy, the main factor at hand remains unchanged: Annabel was betrayed. A betrayal that led to her death. Annabel felt close enough to this person, trusted this person enough, that their actions were a betrayal to her, and with our current knowledge about Annabel while she was alive, the number of people that could possibly fit this description is already incredibly low as it is.

As we have clearly seen throughout season one, this betrayal has had a significant impact on Annabel’s willingness to trust anyone outside of Lenore, claiming that everyone would turn against them if they learnt about their scheme when Lenore questions why she couldn’t let Duke and Pluto in on their plans during episode 28. Though a level of caution is more than understandable given their current situation, Annabel’s mistrust appears to go beyond this. That betrayal is not a possibility but a certainty. While she has made some progress, with her desiring to have a genuine friendship with Prospero and everything that has currently happened in the Wild Hunt arc, Annabel’s fear of the possible consequences of letting anyone in on her and Lenore’s plan cannot be more clearly emphasised than it is in episode 98.

Lenore attempts to tell Duke the truth about her and Annabel as a final resort to prevent Duke and Pluto from killing Annabel, and Annabel looks on at her in absolute terror. Her life is currently being threatened, she is possibly moments away from falling to her death, and yet all her fear is focused on Lenore's attempt to confess.

She immediately does what she can to stop Lenore in her tracks, yelling out that ‘I won’t let you get away from this!’ before attempting to drag Duke over the railings with her. I don't think this can be emphasised enough, Annabel would literally prefer to fall to her death than have Lenore tell Duke to truth. She is so positive that there would be irrecoverable negative consequences to the misfits learning the truth that death would be a preferable option to her.

We don’t know the extent of Duke’s relationship with his assistant at the moment, nor his exact motivations for having Duke killed. Hell, we don’t even know their name. However, it appears Duke at the very least had a level of trust in him, considering that our unnamed man was in the position of Duke’s assistant in the first place. As per the role of an assistant, he would be entrusted with preparations for all of Duke's acts, acts that would put Duke's life at risk if something were to go wrong. Duke had entrusted his safety in his assistant’s hands, and what does his assistant do? He takes advantage of his position, and gets him killed.

Despite what happened to him, it doesn’t appear that his death has negatively impacted his ability to trust others in the same manner it has for Annabel. We can see through his relationships with Lenore, Pluto and the rest of the misfits that he’s still quite open to forming connections and trusting relationships with others, far more than Annabel originally showed. Even after what happened between him and Lenore in episodes 98 and 99, something that occurred after he remembered how he died and could cause him to have more caution going forward, he still has complete faith in Lenore's abilities and is the first person to take part in the blood oath after Lenore. While he is comparingly more open to others than Annabel, that doesn’t mean that Duke is completely free of caution or is immediately welcoming when it comes to others. There are some small examples that illustrate this, such as him underestimating and being willing to ditch Pluto in the maze before Pluto showed he was much more capable than Lenore and Duke originally gave him credit for, as well as him being hesitant about Berenice and Eulalie first joining them when they went to look for a hideout. The main example here though this how he cautions Lenore about how she interacts with certain people in the academy. We see this most when referring to Annabel and Ada.

Through Duke's cautioning, episode 38 provide us with this important scene:

Duke appeared to end up the victim of a manipulator. He put his trust in the wrong person and it ended up getting him killed. While he might not remember the details of his death at the time of this scene, one of the last things he would want is for someone important to him to go through such an experience.

When Lenore's and Annabel's connection is revealed to the misfits, there is no way these experiences of betrayal aren't at least touched on, and with the topics discussed in the next section of these post, deep experiences of broken trusts are not going to stop there.

Pluto and Annabel

When it comes to Annabel and Pluto, while we have some fun surface level similarities, such as them both being English while coming from very different backgrounds and regions of England, there are two main similarities I want to dig into: the complexities in their relationships with their fathers and the current absence of their mothers.

Relationship With Their Fathers

We haven’t seen too much from both their fathers, with Ira, Annabel’s father, appearing in three episodes and Pluto’s father only appearing in one. Nevertheless, they have left us a good amount to chew on in very different ways.

When it comes to Annabel and her father, I don’t doubt that the two dearly love each other, with one of Annabel’s first concerns after Lenore presents her plan to elope and run away to her being what would become of her father, and Ira being shown to take great pride in his daughter. However, we can quickly see problems in their relationship start to present themselves when Ira reacts to Annabel’s panic attack. We’ve seen that Ira is someone that places great importance in appearances and maintaining advantageous relationships. Some prime example of this can be seen with him arranging a suitable husband for Annabel in case no one can beat her by the end of her third social season and the reasoning behind Annabel meeting with Lenore in the first placing being that Ira wished to know Lenore’s father better. With this starting to be established even before Ira made his first appearance, it should be of little surprise that Ira is quick to dismiss Annabel's panic attack, something that mind you, was brought on when Annabel learnt that someone she seemingly spent time with on a daily basis for six months died in a terrible house fire.

No matter what love Ira does have for Annabel, this concern surrounding appearances and what he believes is best for Annabel ultimately dismisses and neglects Annabel’s emotional needs. There can be discussions around how much of his reaction here is motivated by his concerns about preserving his image, in comparison with possible concerns about the consequences Annabel could face if someone else caught her in such a state, but the way Ira switches to calling Annabel by her name back to calling her ‘dearest’ once Annabel has ‘calmed’ herself is very telling.

When it comes to Pluto and his father…honestly I think I can just gesture in the direction of episode 83 and any point I could make about how fucked that relationship is will be well enough illustrated.

To further discuss though, there is the popular idea that Pluto’s father could have been a decent/good parent before WWI, with the aftermath sending him into a downward spiral and alcoholism, lining up with details provided to us about the narrator in ‘The Black Cat’, the short story Pluto is inspired from. I think this is very likely, especially when considering all the problems soldiers faced after returning from WWI. While this undoubtedly adds more possible tragic to Pluto and his father’s relationship, until we get confirmation of this idea, any further discussion on their relationship will be limited.

The real thing that gets me about their relationships with their fathers isn’t just the complicated nature of them, it’s how they can be tied to their deaths. Although we don’t have the complete details on Pluto’s and Annabel’s death as of yet, we do have enough to make some informed guesses, and it just so happens that with these informed guesses, their fathers are either inescapably tied to their deaths in the best case scenario, or are the ones who murdered them in the worst.

We currently have three main suspects for the person who shot Annabel: Lenore, Annabel’s childhood friend and Ira. Discussion and analysis of each of these suspects really deserves a dedicated post of its own, so I am going to keep this as brief as I can.

Despite the evidence mounted against her, I have a lot of doubts about it being Lenore. There are a number of details that don’t appear to completely fit if that was the case, with the prime one being that we know the deans were actively trying to separate Annabel and Lenore when they told Annabel how she died, and those memories greatly suggest Lenore was the one who shot Annabel. While those scenes in episode 91 would otherwise be a slam dunk, knowing about the Deans' manipulation highly suggest that either Lenore wasn't the one that shot Annabel, or the events that occurred are much more complicated than those panels would lead us to believe.

Next, we have Annabel’s childhood friend. While the details episode 42 provided about him definitely stood out enough for me to put a pin in him for the time being, the fact that we haven’t to met him yet and there currently being no further reference of him since episode 42, it’s harder to make a solid case about him being the one that shot Annabel. There’s also important consideration needed to whether Annabel would be close enough with/have enough trust in him that his actions would be considered a betrayal. Given the way she described him, it doesn’t seem likely at the moment.

Finally, we have Ira. Given what we know about him, there is a strong case to be made against him. He could both believably fit the description of ‘the one that loved you above all else’, as well as have his actions be seen as a betrayal in Annabel’s eyes. Furthermore, with what we discussed about him before, it wouldn't be hard to put together a motivation for him. If/when White Raven’s plan was exposed, it isn't too hard to believe that he would shoot both of them in a desperate attempt to cover everything up and preserve his image. I could see him believing it as a kinder fate for Annabel than if she survived. Rather than being seen as a mad woman, institutionalised for trying to run off with a other woman, she could be seen as a poor victim, manipulated by a violent criminal and losing her life because of their wicked schemes (totally not covering up for the shame he would face if the public were to discover the truth, why would you even think that?). Even if Ira doesn’t end up as the one to pull the trigger, there is no way that he wasn’t at least involved in the events that led up to Annabel’s death. He can been seen chaperoning Annabel and 'Leo''s walk through the rose garden, he is friends with Lenore's father and him and Annabel were staying with the damn Vandernachts during the social season. There is no way that he wasn't involved with the discovery of White Raven's plan.

Pluto’s death is much easier to break down in comparison to Annabel. We know that Pluto felt relieved in his final moments and that, judging by how his spectre first manifested, he likely died by hanging.

Taking these factors in combination with the plot of ‘The Black Cat’ and what we currently know about Pluto’s home environment, there are two main theories on how Pluto died. Either Pluto committed suicide or his father murdered him. I don’t believe I have anything specific to further support one theory over the other, but I think I'm currently leaning towards his father killing him at the moment. Like with Ira though, given the…well everything about Pluto’s father, even if he didn’t murder him, there is no doubt in my mind that he was at least involved with what happened to Pluto.

Current Absence of Their Mothers

Currently, Annabel's and Pluto's mothers have yet to appear in the series. Now, you can fairly point this out as being a bit of a stretch. After all, the only characters so far to have both their parents shown to us are the Vandernacht siblings. Why should the absence of their mothers pose particular interest compared to the absence of Prospero's father for example? I have two reasons for this.

The first reason concerns how the absence of their mothers could have impacted the relationships Annabel and Pluto have with their fathers. While this hasn't been confirmed, the absence of their mothers clearly implies one thing: neither of them are in the picture anymore. If this is the case, that leaves us with the big question of 'why?'. I would place a bet on them both being dead, but we obviously don't have anything that could confirm or deny this at the moment. However, how and when their mothers left the picture would undoubtedly effect how the two's relationships with their fathers would have developed. For example, I would imagine there would be noticeable differences in Pluto and his father's relationship depending on if his mother died before, during or after WWI.

The second reason is that there are certain details about Annabel and Pluto, both in the webtoon and the work they were inspired from, that suggest that their mothers will have a decent amount of importance in their backstories.

Annabel's Mother

The current status of Annabel’s mother has to be one of the things I'm most intrigued about when it comes to the casts' backstories. While there isn’t a particular character from Annabel’s poem that we could draw from to speculate on her personality, the themes surrounding Annabel's story, and especially two key aspects of Annabel’s character, could both inform what Annabel’s mother was like and the impact she could have had on Annabel.

The first aspect I'm referring to is Annabel’s view on becoming a matriarch. As stated in episode 42, Annabel considered getting married and becoming a lady of the house death, that card games would be one of the only things that could stave off the building madness as she’s forced to go through the motions expected from such a role, with particular emphasis on needlepoint, needlepoint, the goddamned needlepoint. This stance naturally feels like something that could have been impacted by how Annabel saw her mother and how her mother acted, especially with Annabel having such a distinct distain for needlepoint. For example, it’s possible that Annabel’s mother was similar to what we've seen of Lucille, Lenore’s mother. Being lifeless around the house, constantly doing needlepoint to pass the time.

The second aspect I'm referring to is Annabel’s fear of going mad. We first delve into Annabel's fear during episode 66, where we received these important scenes:

We currently don’t know when this fear started to surface, however, in combination with her mother's absence and the knowledge that Annabel has been experiencing panic attacks since she was younger, there's the possibility that this fear is at least partially rooted in how her mother was treated, if she was seen as 'hysteric', and/or treatment and teaching from her mother when Annabel was experiencing a panic attack.

Until we learn anything about Annabel's mother, all we can really do is speculate, but with everything we current know about Annabel, there is the potential for some compelling and tragic reveals.

Pluto's Mother

With Pluto’s mother, she is particularly interesting since she actually has a character from Pluto’s story that she could be drawn from: the narrator’s wife.

In ‘The Black Cat’, the narrator states that he married early, expressing the following about his wife throughout the short story:

‘my wife, who at heart was not a little tinctured with superstition, made frequent allusion to the ancient popular notion, which regarded all black cats as witches in disguise. Not that she was ever serious upon this point’

‘my wife, who, as I have already said, possessed, in a high degree, that humanity of feeling which had once been my distinguishing trait, and the source of many of my simplest and purest pleasures’

‘[from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself], my uncomplaining wife, alas! was the most usual and the most patient of sufferers’

When the narrator attempts to kill the second black cat with an axe, his wife stops him, with the narrator killing her instead. The narrator then hides her body behind a brick wall in their cellar.

Now, do I think Pluto’s mother met the same fate as the narrator’s wife in the Black Cat? No. It currently seems very unlikely that she would have met the exact same fate for the following reasons:

1) The narrator’s wife dies after the first cat loses his eye and is killed, and from the limited amount we’ve seen, Pluto’s mother already appears to be out of the picture when Pluto loses his eye.

2) Aspects from this part of Pluto’s story have been used during the cellar arc. In ‘The Black Cat’, the narrator uses a crow bar to dislodge bricks from the wall in order to hide his wife’s body, and we see Pluto also use a crow bar while trying to dislodge the bricks that are keeping Duke trapped. Furthermore, when the police came to the house in search of the narrator’s missing wife, the second cat alerts both to the body’s location, with the police tearing down the wall to reveal that the second cat had been walled in with the body. This event can be linked to how Pluto was the one that helped Duke finally manifest, allowing him to escape the wall.

3) If Pluto’s mother was murdered by his father, who then hid her body behind a wall, I think this information would have been revealed to us during the Cellar arc. Unless Pluto never found out about it (which holy shit, I don’t think I would want him to find out if that ends up to be the case), you would think such a specific event like ‘a group of people trapping one of your closest friends behind a wall and leaving them to die’ would spark up some memories about what would hypothetically be one of the most traumatic experiences of your life.

Placing her current status to the side for now, the fact that Pluto's mother has a character she could be drawn definitely, at least in my eyes, increases the chances that she is going some make some appearance in the future. Furthermore, if we were to use descriptions of the narrator's wife to speculate what Pluto's mother was like, it lines up quite well with what we've seen from Pluto, with special mention being able to be given to his name.

During episode 103, when Eulalie asks Pluto about knowing the myths surrounding Charon, he replies with 'My name is "Pluto"'. It was interesting to see mentioned, since while we know on a meta level that Pluto gets his name from the short story he's inspired from, 'Pluto' is far from a name you would expect from an English man born to a working class family some time in the 1900s.

Both his name and knowledge on mythology could suggest that mythology was an interest of one or both of his parents, and with the narrator's wife being 'at heart was not a little tinctured with superstition', I could totally see Pluto getting his name from his mother.

What could this mean going forward?

So, with all of this covered, how could it potentially be used in the story going forward?

It's hard to say when Annabel will be interacting with either of the boys next, but with her swearing that they will regret trying to kill her, it isn't going to be pretty if Lenore isn't around. Most significantly though, we have the inevitable reveal to the misfits that Lenore and Annabel knew each other while they were alive and have been working together.

With a literal letter that details Lenore's and Annabel's relationship being in play, no matter if Lenore does or does not 'die' during this arc, there is no way that letter isn't getting read by someone, whether it is by Duke or by a completely different party.

Taking into account what we have discussed and current tension between Annabel's group and the misfits, there is no way this reveal is going to go smoothly for anyone, since just to quickly review, we have:

Annabel - has shown that she is willing to die if it means preventing her and Lenore's secret from being revealed.

Duke - died because his assistant betrayed him.

Pluto - got blinded in one of his eyes by someone he should have been able to trust.

Throw in the rest of the misfits and we have a time bomb of emotions waiting to explode, with many of them having experiences that could more than understandably make them react more poorly than they might have if they knew sooner.

If Lenore wishes to achieve the best possible outcome from this reveal, then I can only hope she realise that, especially after both Duke and Annabel nearly dying, keeping these secrets is only going to make things worse in the long run. The longer she hides her relationship with Annabel, the worse the misfits' reactions could potentially be, and if she doesn't explain to Annabel why she believes telling the misfits the truth is necessary, Annabel has shown she is willing to go to extreme lengths to protect their secret.

Even if the reveal goes as smooth as it could, actually working together is going to be a massive work in progress. We know that they have common ground that they could connect with, but when and how they would actually see that...only time will tell.

[softantlers]

you know, what's really interesting about the scene where lottie runs into mari & tells her "you could let it be different" is that i think we may have collectively assumed that lottie knows the spikes are in the pit. but... the pit's barrier had never been broken? obviously, lottie didn't fall in & it's not like travis told her exactly what he did... so does she really know the pit has spikes?

i am very curious about pushing back on our assumption about lottie knowing the extent of the trap because i am realizing that it's interesting to consider that all she probably knows for sure is that: a) this is where the pit is, the one we found mari in; 2) travis covered it & i walked across it.

the fact that she's playing riddler with mari in ep10 when they bump into each other & that courtney mentions in the collider interview that lottie's trying to give her a fighting chance without upsetting the wilderness is so fucking fascinating to me (source). because if you take it that lottie might genuinely believe she's trying to give mari a fighting chance in the sense that she's simply trying to prevent her from falling into a normal pit and getting trapped there... oh, that's something different.

consider this: lottie makes a small plea of resistance by giving mari information (though ambiguous) about the pit & within seconds, mari dies in the most profound way imaginable. if you were as delusional and crashed out as lottie in season 3, what would you take away from that interaction? she, like everyone else, must be surprised by the reality of the pit. if you were lottie... god, wouldn't you think the wilderness had just punished you for your transgression? you reached out and an unimaginable violence bore down on your friend immediately... how could you think anything else? another death at your feet.

personally, i don't particularly believe that lottie is omnipotent, so it's also compelling to me to think of how badly the confirmation of the reality of the pit hurts when she looks at mari's body. up until then, she knew travis had laid a trap for her, probably suspected it was terrible. but i don't think it's possible she knew how fucking horrific that trap was until now. it has to hurt.

so here is lottie with a sort of message that "this is what you fucking get when you play games with me" from the wilderness & also the knowledge that (literally back-to-back throughout the hunt) travis and akilah both hate her and wish her dead. again, i'm not saying lottie was a wonderful person in the wilderness or that she didn't absolutely hurt other people this season. but goddamn, those are a lot of messages to hold, one after the other, in the middle of a psychotic break.

[thatdammchickennugget]

I LOVE JAMES AS A FIREFIGHTER pls keep writing for him pls!!! maybe something cute where we see him show little kids around the firetruck 😚😚

-🦊

pairing -firefighter!james potter x fem!reader

summary - you meet james at the firestation's open house

warnings - none, just fluffy cute james

a/n - james with kids has me like this 🫠💕

wordcount - 1.9k

masterlist

The day of the open house arrives with a crisp, clear sky, the kind of early autumn day that’s just cool enough to wear a cozy sweater without needing a jacket. You feel a little jittery as you get ready, like you’re going on a date even though it’s not really a date… right? You try to keep your outfit casual—just a pair of jeans and a soft sweater—but you spend a little extra time fixing your hair, hoping you don’t look like you tried too hard.

When you arrive at the fire station, the open house is already in full swing. There are families milling about, kids running around with plastic fire helmets on their heads, and the smell of grilled burgers and hot dogs wafting through the air. You spot a few fire trucks lined up in a neat row, their red paint gleaming under the midday sun, and you can see a couple of firefighters showing off their equipment to a curious group of onlookers.

You scan the crowd, searching for James, and finally spot him near one of the trucks, surrounded by a gaggle of kids. He’s crouched down, holding up a helmet, and the kids are all gathered around him, wide-eyed and fascinated. The sight makes you pause, your heart doing that annoying little flutter again as you watch him.

James looks so at ease, completely in his element. He’s got this natural, easygoing smile on his face, and he’s explaining something about the fire truck with a kind of patient enthusiasm that’s impossible not to admire. One of the kids, a little boy who can’t be more than five or six, is tugging on James’ sleeve, asking if he can try on the helmet. Without missing a beat, James grins and carefully places it on the boy’s head, adjusting the strap so it fits snugly.

“There you go, buddy,” he says, his voice warm and playful. “Looks like we’ve got a new firefighter in town.”

The boy’s face lights up, and he beams up at James, who gives him a gentle, encouraging pat on the back. The other kids start clamoring, wanting their turn, and James laughs, patiently helping each of them try on the helmet one by one. It’s such a simple thing, but the way he does it—so genuine, so gentle—makes your heart melt. You can’t help but smile, feeling a little bit like you’re seeing a different side of him, one that makes him even more endearing than before.

You make your way over, your steps slowing as you get closer, not wanting to interrupt. James is still crouched down, listening intently as a little girl chatters on about how she wants to be a firefighter when she grows up. He nods seriously, like he’s considering every word she says, and when she finishes, he gives her a thumbs-up. “I think you’d make a great firefighter,” he tells her, and the girl practically glows with pride.

As you stand there, watching him interact with the kids, you realize just how much he cares about what he does. It’s not just a job for him—it’s who he is. You’re pretty sure your heart has never felt so warm, and you have to resist the urge to just go up and hug him, right there in front of everyone.

Finally, James looks up, his eyes scanning the crowd, and when he spots you, his whole face brightens. “Hey!” he calls, waving you over. “I was starting to wonder if you were going to make it.”

“I wouldn’t miss this,” you say, grinning as you close the distance between you. “Looks like you’re a hit with the kids.”

James chuckles, a little sheepishly, and stands up, brushing off his knees. “Yeah, but they’re a tough crowd,” he jokes, but there’s a hint of pride in his voice. “I think I might’ve convinced a few of them to join the force in about twenty years.”

You laugh, glancing at the kids who are still hovering nearby, watching James like he’s the coolest person in the world. “I don’t blame them. You’re pretty convincing.”

James raises an eyebrow, a teasing smile tugging at the corner of his mouth. “Oh, yeah? Does that mean I’ve convinced you, too?”

You roll your eyes playfully, but there’s no hiding the warmth in your smile. “I’ll think about it,” you say, and James grins, like he’s just won something.

Before he can say anything else, one of the kids tugs on his sleeve again, holding up the helmet. “Can I keep this?” the little boy asks, looking up at James with hopeful eyes.

James kneels down, his tone gentle but firm. “I can’t let you keep it, buddy, but you can wear it as long as you want while you’re here, okay?” The boy pouts for a second, but then nods, and James gives him a quick, reassuring smile. “And hey, if you stick around, you might get to see me climb the ladder later.”

The kid’s eyes go wide with excitement, and he runs off to tell his friends, and you can’t help but chuckle. “You’re really good with them,” you say softly, your voice almost drowned out by the bustling activity around you.

James stands up again, brushing a hand through his hair, and there’s a slight flush to his cheeks, like your compliment caught him off guard. “Thanks,” he says, and there’s a hint of bashfulness in his voice that makes him seem even more adorable. “I guess I just… remember what it was like, you know? I thought firefighters were the coolest thing in the world when I was their age. I still do, I guess.”

The way he says it, with that simple, earnest smile, makes your heart feel like it’s swelling in your chest. “Well, you’re definitely the coolest firefighter I know,” you say, the words slipping out before you can stop them, and you quickly add, “I mean, not that I know many…”

James laughs, a low, warm sound that makes your cheeks heat up. “I thought I was the hottest?” 

Your cheeks burn, and you can’t help but let out a surprised laugh. “Did I say that?” you reply, trying to sound indignant but failing as your grin widens. “I don’t remember saying that.”

James tilts his head, pretending to think it over, and then gives you a playful, exaggerated shrug. “Must’ve been my imagination, then,” he says teasingly. “Or maybe it was wishful thinking.”

You bite your lip to keep from smiling too hard, shaking your head. “You’re impossible.”

“And you love it,” he quips back, quick as ever, and it leaves you momentarily speechless. It’s so casual, but there’s an underlying note of sincerity, like maybe he’s testing the waters, seeing if you’ll challenge him on it. You want to say something—something witty, something clever—but all you can do is stare at him, feeling that warm, fluttery feeling spread through your chest.

Luckily, you’re saved by the sound of a loud whistle, and you both turn to see one of the other firefighters standing near a raised platform, calling everyone’s attention. “Alright, folks, gather around! We’re about to start the ladder demonstration, so if you want to see how these trucks work, now’s your chance!”

The kids around you start to cheer, and James gives you a sheepish, apologetic smile. “Looks like it’s showtime,” he says. “Guess I’ll have to charm you later.”

“Oh, will you?” you tease, raising an eyebrow, but you can’t hide how much you’re enjoying this banter. “I’m holding you to that.”

James flashes that lopsided grin, and it’s like he’s glowing, the autumn sun catching the edges of his hair and making him look effortlessly golden. “Deal,” he says, and then with a quick, warm squeeze of your shoulder, he’s jogging off toward the fire truck, leaving you with your heart racing and your cheeks still warm.

You move to join the crowd that’s gathering around the truck, positioning yourself where you can see James clearly. As he climbs onto the platform, he picks up a mic and starts explaining what’s going to happen, his voice confident and steady. You can see the kids’ eyes widen as the ladder begins to extend, reaching up toward the sky, and even though you know this is all part of his job, you can’t help but feel a little awe-struck watching him up there.

James handles the demonstration like a pro, narrating each step with a mix of technical details and lighthearted jokes that keep the kids—and the adults—engaged. He’s explaining the safety features, talking about how the ladder can reach high-rise buildings, and even points out the controls that allow them to maneuver it with precision. The ladder stretches up, higher and higher, and he climbs it with a practiced ease, pausing halfway to wave down at the crowd, which earns him a chorus of excited cheers.

When he finally descends, the kids swarm around him, bombarding him with questions about the truck, the equipment, and what it’s like to drive such a massive vehicle. James answers each one with that same patient enthusiasm, like he has all the time in the world. It’s clear he loves this part of the job, and you find yourself smiling again, unable to stop the warm, proud feeling that’s bubbling up inside you.

After the demonstration wraps up, James makes his way back to you, looking a little flushed but exhilarated, like he’s been riding the high of entertaining a room full of curious kids. “So, what did you think?” he asks, a bit breathless. “Think you could handle life as a firefighter?”

“I don’t know,” you say, pretending to be deep in thought. “That ladder looked pretty high. I’m not sure I’m cut out for heights.”

James chuckles, leaning in a bit closer, his voice dropping just enough to make your heart skip a beat. “Well, if you ever decide to give it a try, I’ll be right there to catch you.”

You glance up at him, caught off-guard by the sudden tenderness in his words. “I might just take you up on that,” you say softly, and there’s a flicker of something—hope, maybe?—in his eyes when you do.

The moment lingers, stretching out just a little too long, until a loud burst of laughter from nearby jolts you both back to reality. James steps back, clearing his throat and rubbing the back of his neck, and you feel a little giddy, like you’re trying to balance on a tightrope and not fall off.

“So, uh,” he starts, a little awkwardly, like he’s not sure how to recapture the easy banter from before, “there’s still more to see, if you’re interested. We’ve got equipment demos, a tour of the station… and there’s a dunk tank over there.” He points to where one of the other firefighters is sitting - his dark hair pulled back into a bun and piercing eyes - laughing as someone tries to hit the target and send him splashing into the water. “I’m signed up for a round later, if you feel like seeing me sopping wet.”

“Oh, really?” you ask, your smile turning sly. “I’d be lying if I said I wasn’t tempted.”

James grins, his eyes sparkling with amusement. “Good. I’ll need someone to cheer me on—or, you know, try and knock me into the water.”

“Maybe I’ll do both,” you say, and he laughs, shaking his head like he can’t believe he’s met someone who can keep up with him like this.

“I’m looking forward to it,” he says, and as he heads off to help with the next part of the open house, you watch him go, your heart feeling light and buoyant.

Masterlist

Requesting Guidelines

[createserenity]

Aziraphale and Crowley's relationship dynamic fascinates me and what fascinates me even more is how people perceive them, partly because I seem to have a much more optimistic view of their dynamic than a lot of what I read suggests they do.

With that in mind I started trying to unpick how I see their dynamic and why and what I ended up with was a series of rambles on various aspects, including confidence, trust, silliness and what they ask of each other. This one is about what they ask of each other and why their relationship isn't some weird one-sided thing where Crowley gives Aziraphale everything he could possibly want or ask for.

I see a lot of posts and things suggesting Crowley always rolls over and does anything Aziraphale asks of him. I don’t know to what extent most people really believe this or if it’s just a fun joke (and I’m not saying that’s bad, I think it’s a fun joke too, I love reading all that stuff and it makes me laugh). The point I wanted to make here though is that I don’t think it’s true and also why I don’t think it’s true.

Everything from here on out is my opinion, but I won’t keep stating that in order to make it more easily readable, just take it as a given. If your opinion is different that’s absolutely fine, I love that we can all see this stuff in different ways depending on our experiences and personalities, it’s why the fandom is so fun. (It’s also why my opinion on so many things in season two ricochets wildly from one theory to another).

So back to Crowley and Aziraphale – I don’t think Aziraphale walks all over Crowley, or certainly not to the extent that people sometimes think he does. Also Crowley doesn’t and wouldn’t allow himself to be walked all over anyway. Why is this even relevant? Because I’ve seen people say that in the final 15 minutes Aziraphale finally asked Crowley to do something that pushed him over the edge and that Aziraphale was shocked when Crowley didn’t roll over and do it because Crowley always does what Aziraphale asks. This isn’t at all true for a start, but also this view tends to include a second assumption, which is that their relationship is one-sided and Aziraphale never does anything for Crowley, that he dismisses him and takes him for granted, which also is not true in a lot of ways. I think it’s a fundamental misinterpretation of their relationship dynamic.  

First of all why can Crowley’s actions be interpreted as just rolling over and doing whatever Aziraphale wants? Well, the answer to that is three-fold – firstly Crowley is a genuinely unselfish in many ways, he does things for people because that’s the way he is, it doesn’t make him a pushover, it just makes him nice. Secondly he loves Aziraphale deeply. Whether he knows it or not doesn’t matter, he cares for Aziraphale and wants him to be happy. This isn’t the same as being a complete doormat, it’s simply compromising with the person you are in a relationship with and occasionally prioritising them over yourself. Both these things come together in the third thing, which is that Crowley’s love language is acts of service – he enjoys doing nice things for Aziraphale, he enjoys rescuing him, or going along with him and letting him have his own way, so why not do it? The point is he’s never railroaded into it by Aziraphale, it’s always a deliberate choice. He is literally saying, I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

How does Aziraphale see this behaviour?

Well that’s a tricky one, because in many ways Aziraphale is the more complex character, not least because he changes the most over the course of their history together. Is there a slight element of him taking Crowley for granted in some of their interactions, especially in season two? Possibly, but mostly I don’t think that’s it at all. When someone gives you things because their love language is acts of service you develop a (mostly sub-conscious) confidence in that relationship dynamic and if you also have confidence in yourself (which Aziraphale absolutely does – I’ll write more on this another time) then when you want something you ask for things. You ask not because you learn to expect, but because you think you’re worthy of asking and you think that your relationship is strong enough to stand up to the ask. I ask my husband for things all the time, sometimes they’re things I know he’ll give me – these are easy asks (I don’t just mean physical objects, I also mean acts of service such as helping me with something), sometimes though I’ll ask for things knowing he probably won’t give me that thing or without having a clue what his answer will be – these are harder asks, the sort you don’t do early on in relationships because they might break it either in one go or over time. Sometimes a hard ask results in me getting what I want, sometimes it results in a bit of back and forth before I get what I want, sometimes I get a no and I’m temporarily annoyed or upset, sometimes I get a no and I accept it because I knew it was the most likely outcome.

The point is that I ask, and so does Aziraphale. You ask because you have confidence that you are worthy of the ask and also that your relationship is strong enough to bear the request, even if the answer is no. Can a no still be annoying or upsetting? Yes absolutely. Can a no still be wrong on the part of the other person? Also yes. The point is that sometimes the no isn’t wrong and it doesn’t necessarily break the relationship. By the time season two comes along Aziraphale is confident enough in his relationship with Crowley to feel it can bear the weight of him asking.

So what happens when he asks? Does Crowley roll over?

Well no, he doesn’t. One big example of this is right at the beginning of the series, in episode one. Here Aziraphale makes a massive ask of Crowley and he knows it’s a big ask. Even before he tells Crowley what the problem is he’s aware of the possibility of a no. “Is it something I can help you with?” Crowley sayss, and Aziraphale merely shrugs. It’s not because Nina is there, she’s gone by that point. It’s also not because he doesn’t have faith in Crowley’s ability to help him, he always has faith in Crowley’s abilities (this is a whole other thing on trust). What he’s doubting is whether Crowley will help him. It’s why they’re meeting in the café, not the bookshop. He wants to break this one to Crowley a bit at a time – there’s a problem and I need help. I want your help, it’s why I called you, but you aren’t going to like it and I’m not even sure whether you will help so I’m establishing that I need help first, rather than showing you Gabriel immediately, so that you aren’t completely surprised when I present the whole problem to you.

Once they go to the bookshop and Crowley is confronted with Gabriel he offers the help he feels able to give by saying that he’ll drive Gabriel somewhere and dump him. He’s stating his willingness to help (which is important later), but for now he’ll only help in one specific way. What he isn’t willing to do is any more than that, not even for Aziraphale.

Help me take care of Gabriel. Help me sort this mess out, Aziraphale says, and what does Crowley say? No. Absolutely not. You’re on your own with this one. Even after Aziraphale practically begs him for help, complete with puppy dog eyes and the magic word, “I’d love you to help me,” Crowley still says no. That is not the reply of someone who lets themselves be walked all over or who rolls over every time the angel they’re in love with flutters their eyelashes.

Okay so what about the fact that he returns? Well, the stakes have been raised: for a start Aziraphale is now directly in danger, which alters the balance in favour of helping him, and remember he was already willing to help, he said as much, but he was previously only willing to help in one way. Now that’s changed. Doing things you wouldn’t normally do for someone you love when the stakes are raised is a perfectly normal rection in a relationship and does not indicate an unhealthy dynamic. Crowley has now realised that getting rid of Gabriel is no longer an option - his preferred plan (dumping Gabriel somewhere) will no longer work, so the only choice is now Aziraphale’s plan of keeping him in the bookshop and taking care of him.

This is why he returns.

A quick note on the call

Just backtracking a bit here – when Aziraphale calls Crowley to ask him for help Crowley agrees to be over in two minutes. It’s instant, no questions asked and at first glance looks like Aziraphale calls and Crowley comes running just because. But nope. Later we are very clearly told that Crowley knows something is wrong the moment he picks up the phone and Aziraphale starts speaking, “This was your ‘Something’s Wrong’ voice.” Crowley already knows there’s a problem and what do you do when your closest friend calls you and tells you about a problem? You try to help. Whether that’s advice, comfort, physically going around to help out or whatever the situation calls for. Of course Crowley says he’ll be there in two minutes, he doesn’t exactly have anything else on and his friend has just indirectly told him something is wrong. He’d be a pretty shitty person/entity if he didn’t agree to drop round and try to help.

So what about the 'I was wrong' dance?

This whole interaction, that many people say indicates how under the thumb he is actually shows us the exact opposite. What’s the first thing Crowley says when Aziraphale asks him to do the dance? “I don’t do the dance.” This tells us a hell of a lot about their relationship dynamic up to this point – for a start Aziraphale has clearly done the dance before, at Crowley’s request, and he lists off the occasions. The dance is silly and slightly demeaning and Aziraphale has done it several times for Crowley, whilst Crowley has never done it, yet somehow we read this whole scene as Crowley being the whipped one? Um. No. Also heavily implied in Crowley’s, “I don’t do the dance” statement is, You’ve asked me to do this before, I’ve always said no because I don’t want to. You’ve always accepted my no before and I want (expect!) you to accept it this time.

But this time Aziraphale doesn’t accept the no. Just like Crowley wouldn’t go along with his plan earlier, Aziraphale now won’t go along with Crowley’s no. Clearly he has done so in the past, but this time their dynamics are different. They’ve been much more open about their friendship for the past four years, they’ve both accepted that they are at least close friends, if not more. They’ve saved the world together and saved each other. They both acknowledge they “carved (this existence) out for ourselves” and that brings strength to their relationship. Now that Aziraphale has more confidence in what they are to each other, he takes that confidence and tests the limits of what Crowley will do for him, to push them more towards equality. Why should he always be the one to do the dance? Crowley responds by acquiescing not because he would just roll over and do anything for Aziraphale but because he recognises three things. Firstly that Aziraphale is pushing and that this is new and that this means something to him in the context of their relationship, secondly because he reluctantly accepts Aziraphale’s point that it isn’t really fair that he never does it, and finally because the request for him to do the dance isn’t about him refusing to help (Aziraphale was never certain he would), it’s about the fact that he’s broken Aziraphale’s trust by refusing to help (which is a slightly and very subtly different thing). To illustrate this, right before Crowley does the dance, just after he says “fine,” he gets this very brief, soft look on his face – this is him acknowledging to himself that Aziraphale deserves this dance, that he loves the angel and that he’s doing this because of both those things – he could have continued to insist on a no, he clearly has before, but this time he chooses not to.

I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

All right, what about the car thing?

What about it? Lending your car to the person you love is very normal. Ok so the car means more to Crowley than a normal car does to us, but the point still stands. Aziraphale is making a reasonable request here. Does he expect a yes? Absolutely, because he also knows it’s a reasonable request given where their relationship is. Does he flirt to get his own way? Hell, yes. Does Crowley know exactly what Aziraphale is playing at? Also a hell yes. And Crowley totally plays up to it, he’s not as opposed to it as he claims. He’s playing up his “no” and his grumpiness for effect, to encourage Aziraphale’s silly flirtiness. Look at the difference between this no and the no he gave Aziraphale earlier. There’s no anger here, there’s no real sense that he thinks Aziraphale is asking too much, he’s playing a role in their relationship and they’ve both played this game before. Look at that little slap of the hand, which Aziraphale responds to equally playfully. The game even continues after Muriel turns up at the shop, when it’s already quite clear that Crowley is going to let Aziraphale use the car (he’s already taking the plants out). Even in the back-room Crowley still teasingly grumbles about trains whilst Aziraphale smiles flirtily, and Crowley playfully withholds the car keys when Muriel interrupts them. They both know Aziraphale is going to end up with them, there’s no point to him not directly handing them over in spite of the interruption, it’s just an excuse to tease Aziraphale back. I mean, look at him – he spends the rest of the conversation wiggling his hips, grinning smugly and confidently handling the Muriel problem by talking about love. Aziraphale’s very overt reaction tells you all you need to know about the dynamic of this one.

Two can play at this flirting game, angel.

But he follows him around like a little puppy!

Well, yes and no. Sure he follows him around whilst he goes around asking all the shopkeepers to the meeting, but he does that because it’s fun for him. He’s curious, Aziraphale is acting oddly, doing something he’s never done before and Crowley wants to know what it is. He’s always found him fascinating – what silly and ridiculous thing is the angel up to now?

Also wanting to hang out with the person you are in love with isn’t at all strange or a sign you are in some sort of weird relationship where only one of you calls the shots. It’s normal. Crowley knows Aziraphale has a tendency to be silly or do unexpected things and he wants to watch him do them and also flirt with him whilst he’s doing them. Looking grumpy and reacting to Aziraphale’s silliness with disbelief is how Crowley flirts-without-flirting. Both of them know, understand and like that dynamic, and he has that role not because he’s unhealthy levels enthralled with everything Aziraphale does but because of the levels of trust they have spent millennia establishing.

What Crowley doesn’t do is wait around for Aziraphale. Look at the scene where Aziraphale daydreams about Job. In that scene he’s aware Aziraphale has something else to show him (the record clue), but he doesn’t stick around whilst Aziraphale ignores him. He could have sat down somewhere in the shop and waited – he’s got an eternity, waiting an hour or so is no big deal, but waiting around like that would suggest he really is a doormat, just waiting for the next time Aziraphale shows him any attention. He doesn’t do that, instead he goes off and does… well, something. There’s a lot of speculation over what it is, but whether he goes off to read Pride and Prejudice or just wanders off to find something more interesting to look at than the back of Aziraphale’s head, he’s clearly saying here that he has a life outside of whatever Aziraphale wants to do.

Also side note - you know what else he doesn’t do for Aziraphale? Adjust his driving style. Aziraphale clearly hates it, it makes him nervous and he even asks Crowley to change several times whilst they’re in the car together, but Crowley never does. This is how I am angel, accept it or don’t, but this is the line and I’m not changing this for you. Related to this is his refusal to accept Aziraphale altering the Bentley. Aziraphale tries to persuade him, “But it’s pretty,” and Crowley really isn’t having it. It’s another hard line and he’s not going to let Aziraphale cross it.

Anything else?

There’s a few other examples that I’ve seen listed in the, “Crowley does whatever Aziraphale says/wants” evidence piles. Things like Aziraphale assuming he’s going to get the drinks in the pub. Well, someone has to get them, and it makes perfect sense that they both assume it’s Crowley here because he’s the one more comfortable with pubs. Having a role that you take on within certain situations in a relationship is healthy and normal, imagine how exhausting it would be to debate who is going to do every little thing all of the time.

In the first series the coat cleaning is another example often cited, but this is something Crowley is perfectly happy to do. Aziraphale is flirting, which is delightful, and he’s not being asked to do anything difficult or dangerous. I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you, which is totally different from, you always ask, I always give, and you always take.

What about Aziraphale. When does he give?

All the damn time. We just don’t notice it as much because Crowley asks different things of him. His love language is acts of service towards others, but he doesn’t really ask or require them in return. Sometimes he gets them from Aziraphale anyway (Holy water anyone?) Also notably in the Globe Theatre when he’s clearly the one pushing the Arrangement, and Aziraphale more or less agrees to do his work for him (“That doesn’t sound like hard work”) even before he’s asked, before they’ve gone through their little dance of Crowley pushing and Aziraphale supposedly-reluctantly agreeing.

The other things Aziraphale gives Crowley are much more nuanced, and much less measurable to us as the audience, but he gives them constantly, or more or less constantly, throughout their relationship. He gives him acceptance (although he occasionally partially withdraws it, such as in the bandstand scene), his silliness (which is more important than it first appears), a safe space (not just the bookshop, but also a safe space for Crowley to air his real views without fear of consequence, which is important irrespective of whether or not he persuades Aziraphale to agree with him), his physicality (by 1826 he’s really in Crowley’s space so much of the time) and most importantly he gives Crowley himself. Crowley constantly pushes Aziraphale to grow as a person, it’s one of the original reasons he entertains developing a friendship with him. What he asks of Aziraphale is for Aziraphale to think – really think – about what he believes. And Aziraphale does so, but only for Crowley. Humans have constantly questioned religious beliefs throughout history, they’ve written books, made speeches and even had wars over religious doctrine and the problems, inconsistencies and absurdities within it. Crowley is saying nothing to Aziraphale that he won’t already have indirectly heard from humans and dismissed or ignored. But when Crowley says it, he thinks and he changes. That’s what Crowley asks of Aziraphale and it’s what Aziraphale gives him.

What was the point of all this waffle?

Well, honestly there isn’t much of one. Only that their relationship is much more balanced than some suggest and I think I just wanted to spell that out. It also has an implication for the final 15 minutes. There’s no way Aziraphale goes into that with some sort of fake confidence that he can persuade Crowley to follow him to heaven simply because Crowley always follows him – Crowley doesn’t, he has very clear limits that he enforces with Aziraphale and Aziraphale knows this. He might feel confident for other reasons (such as thinking Crowley will be happy to be an angel again) or something else entirely different might be happening (so many theories!) but I’m pretty sure it’s nothing to do with thinking Crowley always does what he asks, because he very clearly doesn’t.

It's also why Crowley waits around afterwards to watch Aziraphale leave. It’s a way indirectly of saying one final time, I love you and I enjoy making you happy… but this is something I cannot give to you.

[neptuneiris]

Wild Hearts | (One Shot)

'you, it's always been you'

pairing: prince!aemond × lowborn!reader

summary: you and he can't be together, yet the two of you have fallen for each other. but the Gods are not merciful and you both have to let go. but by comparison, your charming prince doesn't think the same way you do.

word count: 8.6k

next part • main masterlist

this is the new idea that I was talking about hehe🤭

i hope you like it a lot and first of all, i want you to know that there will be part two and nothing else. so enjoy this, dig it and let me know your opinion that is the most excited i am to read❤

enjoy and thank you so much for your support beautiful people!

warnings: angst, sex content, arranged married, minor mentions of cuts and blood, smut but not so elaborate.

The Gods can be cruel.

And for some time they have been cruel, especially to you.

You are a lady, yes, but not of a great house enough to be worth anything really big and significant. All your father can offer the Realm is a few soldiers, horses and you.

You are the only daughter of an arranged marriage trying to find their place among the Court. And when you are born a woman, your duty is to marry a suitable man, please him and give birth to as many children as possible.

That was your purpose in coming to King's Landing after Queen Alicent approved your stay at the Red Keep and you became a lady-in-waiting to the highborn ladys who also remain at Court.

But no one, not even you, could have prevented that those plans would no longer be a priority for you the moment you met Prince Aemond Targaryen.

You knew of the one-eyed prince's reputation, as well as his brutality in combat, his cold behavior and also of his recognition as the rider of the largest dragon in the world. But most of all, you knew that his disinterested and sometimes mean personality... was due to how he lost his eye at such a young age.

But that was what he wanted to show all the people of the Court and its visitors.

After such humiliating years of trying to prove himself while at the same time listening to whispers and rumors about him and the pity he caused people for losing his eye, Aemond had no interest in pleasing the Court, so he was just mean, disinterested and cold.

But with you it was all different.

Perhaps it was being alone for so long that he finally got tired of himself and let you in and see his other side, his true side that very few were privileged to see. After all, you were just a lowborn lady who had lived her whole life with the same duty as him: to please the Realm and fill its needs.

But even he never imagined that you and he would understand each other so well.

The gleam of his violet eye, charged with an unusual intensity and determination, the effect he made you feel when you looked back at him and saw his patch covering his left socket and the way he spoke and behaved with you, triggered a wave of unknown emotions and expectations in you.

Your first casual encounter with the prince began in the library, where you exchanged literary tastes. You revealed your fascination for the history of the Andals, as well as shared with him how interesting you found the stories of his family, the Targaryens.

And he shared with you his admiration for history and philosophy as well.

Your casual encounters with him continued in the library and before long, those encounters extended to walks in the gardens. Those walks became a mostly secret habit, where you not only shared equal opinions about books and history, but where you both got to know each other a little more.

And despite the growing friendship and the bonds that intertwined with every conversation and interaction, the weight of undeniable reality persisted.

However, neither of you stopped.

On some trips he had to make, on every return he would always bring some gift for you, whether it was a piece of jewelry or a new book that you don't have access to, to leave secretly in you chamber. Or he would even surprise you with a rare flower that is not seen in the Crowlands, handing it to you so delicately while you tried to keep the blush on your cheeks from being so obvious.

You too tried to look casual when you went to the training yard just to watch him train discreetly, admiring his skills and in every fight smiling proudly every time he made his opponents surrender to him.

And in the midst of everything and everyone, his violet eye always met yours.

At banquets and celebrations it was also the same. The two of you couldn't engage in conversation as such, at least not alone, so all night long, you could only exchange glances and act like complete strangers.

But in the occasional places where the two of you meet and no one else is around, you can act completely free.

He shared with you the story of how he claimed Vhagar, told you more about the history of his ancestors, even taught you some High Valyrian words, while you, who in comparison to him do not possess anything as great and exciting as he does, share with him your thoughts, dreams and tastes.

You both became friends. You became the friend he didn't know he needed and you definitely didn't expect someone like him, especially him, to enjoy your company so much.

And during those years, you couldn't blame the Gods for falling completely in love with the prince.

That was your total freedom and decision, even though you knew how impossible the situation was and that the two of you could probably never be together.

Your house is not worth enough to allow a union between you and a prince of the Realm. It was also useless to suggest it, because the answer would be no, both from the Queen and from your parents, who would have been totally pleased.

But Aemond is destined for more, you know that. And that more is definitely not you and not even close.

And despite this, you couldn't help but imagine as a fleeting dream the moment when he and you unite and become one. A dream that will never happen in which you finally become his wife and you can call him yours, just as he can also call you his, in body and soul.

But that dream is finally shattered when they announce the official betrothal between him and Lady Floris Baratheon.

It was something that was eventually going to happen, you knew it was going to happen, but still, the news takes you by surprise and your heart breaks into pieces, while everyone around you rejoices at the news and approves.

The days following the betrothal announcement become dark and sad for you. You retreat most of your time in your chamber, not having the mood to go out and face the Court, much less him.

And when you had to face the daylight, your steps became stealthy and sparse, trying to keep your distance as much as possible and avoiding any possible encounter with him or anyone else from the royal family.

Aemond of course realized the distance you took and respected it. Not because he knew exactly what happened, but because he thought you had other important matters that did not allow you to share your time with him.

It wasn't until an audience at the Court where the Queen and the Hand of the King attend to the needs of the people, that Aemond finally caught a glimpse of you. But you didn't return his gaze even for a moment. And it is only then that he tries to understand the reason for your distancing, but your eyes avoid any eye contact with him.

You spend several days living in the same way, until one silent morning, Aemond finds you in the library all alone. He knows this is not your favorite time to read, nor is it his, so to say you are avoiding him is clear at that moment.

He opens one of the doors gently and closes it audibly enough to get your attention. He sees perfectly how your whole body tenses and nerves are reflected in your gaze, as well as discontent.

That especially catches his attention and with more purpose he wanders deeper into the library, watching you completely intently and in search of an explanation, wanting to know what he has done to make his presence before you now uncomfortable and annoying to you.

"My prince," you say politely enough, bowing your head to him, but already wanting to leave.

You certainly did not expect him to appear and now you only try to hide from him as much as you can so that he avoids looking at the disappointment on your face.

"My Lady," he says, still with bewilderment in his gaze, taking a couple of steps towards you, "It is good to finally see you after so many weeks without your presence."

You force a small smile, lowering your gaze.

"It's good to see you too, my prince."

His closeness begins to unsettle you, feeling each step he takes towards you as an echo of emotions you'd rather keep hidden. And this is exactly why you desperately seek a way out, a convincing excuse to get away from him.

"If you'll excuse me, my prince, I must retire," you decide to say without further ado, hoping that it will work, "I wish you a good day."

But you only manage to move two steps forward when he quickly blocks your path.

"Wait."

Instantly you watch him intently and in awe, feeling your heart begin to beat too fast, as he looks at you confused and hopeful.

"You've been... absent lately," he says, his words laden with a mixture of confusion and longing.

You swallow hard, averting your gaze from his for a moment. You don't even want to look him in the eye but that would be rude and not appropriate behavior in front of a prince. So you have no choice.

"Yes," you say in a mumble, trying to find an excuse quickly, "I-I've had to take care of some important matters with my family. Also, my responsibilities at Court have kept me occupied with the ladies and other engagements, which has left me less free time, my prince."

And despite your explanation, really not at all convincing, Aemond can't help but feel annoyed.

"And will you stop saying that?" he inquires in a low tone and you watch him in confusion.

"What do you mean, my prince?"

"Exactly that, my title," he points out deliberately, "There's no one else here, it's just you and me. I don't understand what all the formality is about."

You press your lips together, again averting your gaze from him, as you as well as he, feel that tension between the two of you, a tension completely unfamiliar and one you have never felt before in each other's presence.

You had never felt uncomfortable in his presence and you had never wanted to get away from him before.

"I apologize. It was not my intention to offend you," you observe him with a serious expression, "If you'll excuse me, I have to leave now to attend to an engagement."

Again you try to walk past him and head for the library doors, but Aemond prevents it once again, blocking your path and pushing you back with his determined and clearly annoyed gaze.

"You are avoiding me," he sentences, firm with his words, showing his inconformity, surprising you, "Nothing is the same between both of us anymore and your explanations don't justify it," he says, with annoyance in his voice and a determination, "Did something happen that I don't know about?"

He asks, watching you with a restrained fury, mostly to see how you try to escape from him, while you press your lips together, trying not to let your look show your pain, disappointment and resignation.

But his gaze clings to yours with an intensity charged with longing, wanting to know, while the silence is uncomfortable and you feel again that tension between the two of you. Until finally you decide to break the silence to not quite answer her question, still evading it.

"This is inappropriate. We shouldn't be alone."

You say without looking him in the eye and that only increases the anger inside him more, watching you without understanding.

"Why the shyness all of a sudden?"

You bite your lips, feeling the discontent all over your insides as you say your next words.

"You are betrothed. People might think badly of you and me if they see us here alone."

"Oh, please Y/N," he tells you incredulously, annoyed, "You're acting ridiculous."

"Aemond-

"Why this sudden concern for appearances?" he questions, his tone infused with irritation and annoyance, "Everyone knows we're close, we always have been, and now it's inappropriate?" he inquire, not understanding.

You let out a short breath, closing your eyes for a moment, really not wanting this to be any harder than it probably will be.

"You don't understand," you murmur sadly, biting your lips, "You are betrothed now," you observe him with the resistance to cry in your gaze, "Now there are limits we cannot cross. And it would be best if this were no longer to go on," you say with a lump in your throat, "Your gifts and our meetings must stop, for the good of your future marriage and out of respect for your f-future... wife."

The weight of your words are felt in your tone, with sadness invading you as you utter them, as well as the ending of this... friendship.

Again the heavy silence hangs between the two of you, laden with a sadness and helplessness that neither of you can control. And although Aemond doesn't fully understand your reasons for distancing yourself from him, he knows there is something else that he still can't quite figure it out.

"Y/N, if you're upset because I didn't tell you about the plans my mother and grandsire had for me-

"No, no, I assure you it's not that," you hasten to say, hiding your sadness and disappointment, "It would eventually happen, wouldn't it?" you shrug, trying to smile genuinely towards him, but you can't, "You must do your duty and I will too, sooner or later," you say, lowering your gaze.

Aemond is speechless for a moment, watching you and nothing else, still feeling the guilt inside, while you struggle to contain your true emotions and shout to him in that moment that you love him, let him know once and for all, though it won't change anything.

"Y/N..." he murmurs, his barely audible voice full of bewilderment and a hint of pain, "Still I didn't want to-

"No, no... it's not your fault," you say again quickly, struggling to keep your composure, "Truly, it's all right. I should leave now."

He lets out a sigh, lowering his gaze for a second to look at you in concert with longing and concern.

"Can we please talk about this? I don't want things to end up like this between us."

"Don't worry," you try to smile genuinely at him, but rather a grimace appears on your lips, "I'm sure we can meet in the hallways and talk at the feast."

You tell him in a confident and assured tone, but even you know that won't be true.

"Oh and... hum... congratulations on your upcoming nuptials," you say with a lump in your throat and a forced smile on your lips.

To you, the falsity of your congratulations echoes in the air, a subtle echo of disappointment and resignation flooding your heart. Aemond tries to say something with the right words, but you don't give him the time as you finally move forward and no one stops you, each step echoing with the heaviness of what could have been and was not.

But just when you think you've managed to get far enough away, a hand gently lands on your arm, once again stopping you.

"Wait, please."

Aemond's voice sounds full of urgency and longing, making your breath catch for a second. And when you turn to look at him with the clear resignation and sadness in your gaze, his look reveals a mixture of torment and determination, frustration as well.

"I did not wish for this, Y/N," he confesses truthfully, his voice soft and emotionally charged. "It is not my desire to marry Lord Borros' daughter. That is not what I wish for myself."

Your eyes fill with tears as you hear his words, surprise in your gaze. And he stares directly into your eyes with despair, as if his thoughts are trying to be conveyed through his gaze.

And even though you have nothing to say regarding that, he continues with a confession that takes your breath away.

"Y/N..." he whispers, his expression heavy with longing. "If I had a choice, if the decision were mine, I would not hesitate in....

His words hang in the air, causing confusion in you for a moment, but as you watch him closely, his gaze speaks for him.

He watches you with attention, longing and hope, adoringly seeing the way your beautiful purple dress highlights your figure and beauty, with those precious and discreet jewels adorning your neck and fingers... his woman.

He shows you his affection and expresses it simply by observing you that he doesn't need to say anything else aloud. The meaning of her words is dispersed between the two of you, revealing a shared desire and a deep connection.

As you, upon understanding, surprise and hope collide within you, leaving you breathless at the implicit, yet clear revelation. Emotions intertwine in a whirlwind of feelings as the weight of his words sink deep within you. Your heart only beats faster, unable to believe what you are hearing, as time seems to have stopped, unable to speak.

And only then there, you can feel joy in knowing that your feelings are reciprocated, but the pain of knowing that it is now too late, simply ruins everything and fills you with pain.

"Why are you saying it until now?" you whisper with your voice broken and your gaze lowered.

"Y/N, please-

You don't let him say anything else, as with a lump in your throat and tears streaming down your cheeks, a sight Aemond doesn't like to see, you turn away from him more quickly and walk out of the library, leaving him alone with the weight of these confessions and unspoken words.

Also with a heart full of regret.

The news of your courtship came weeks after the last time you spoke to Aemond in the library.

You definitely did not expect to hear that at all, as you felt like you had been unexpectedly punched hard in your stomach and a sharp pain settled in your chest as your father spoke complacently about how he received two advantageous offers for the asking of your hand, Lord Ronan Redwyne and Lord Alan Beesbury.

Despite your father's efforts to express the importance and political benefits of such possible unions, to you it was as if the air itself had become heavier and stifling.

Only on this occasion the Gods had been good to you, as both men are the same age as you, so the fear of having to marry a man who multiplies your age and was surely going to be bad to you evaporates.

But still, you feel trapped and obligated.

Of course, your parents are quick to push you to start having conversations with both men to see which of the two is the most suitable for you.

Lord Alan, with his refined presence and gentle smile, known to be a skilled knight, is kind and very gentlemanly. You always see his attempt to make you feel comfortable with his presence, also in the topics of conversation that arise between the two, telling you about his home, his family, some stories and sharing some wishes with you.

You appreciate that, as you can tell he's doing his best, but even so, your mind reels at the thought of him being the possible candidate to take your hand, which adds another layer of complexity to your situation.

The same goes for Lord Ronan.

Despite his kindness, chivalry and the attractiveness of his face, you find no peace in the situation. You don't even care that they are both advantageous for a future marriage, all you want is freedom, to wait a little longer until you heal.

But at least you are being given the choice, a privilege not many women get from their parents when it comes time to marry and simply sell them as a trophy to the first advantageous man.

"It's a beautiful day, don't you think, my Lady?" says Ronan, breaking the silence between the two as you stroll through the Red Keep gardens.

"Yes, it is," you reply with a forced smile, lowering your gaze, keeping your pace slow.

He watches you intently.

"I just want you to know that I am eager to get to know you better, my Lady," he tells you gently and formally, "And any questions you have about me, you can tell me. Also any thoughts you have, I will be pleased to hear them."

You nod politely, feeling a little uncomfortable about the situation, unable to help yourself. And though you truly appreciate Ronan's kindness, your heart still yearns for something that now eludes you.

As you continue the walk, you strive to find something in Ronan, anything, just as you do whenever you are in Lord Alan's company, but you always fail. And even though neither of them is a bad man, you know that they too are caught up in choosing a future wife that is not entirely of their choosing.

"I thank you for your kindness, my Lord."

You say in a sincere voice, looking him in the eyes for the first time since you had started the walk,

"And also for your interest. Not many men are interested in the thoughts of women these days."

Ronan places a kind and understanding little smile on his lips, nodding in your direction.

"There is nothing to be thankful for, my Lady. And I know it's only a short time since we've begun to know each other, but I enjoy your company."

You nod again, keeping your gaze straight ahead, unable to help but feel how you still feel overwhelmed by the weight of courtship and the fact that you will soon marry him or Lord Alan.

And at the same time, reality dawns on you with undeniable clarity: Ronan and Alan are good men, but neither is him.

While both may be honorable companions, your heart still yearns for someone you can't have, feeling utterly sad and resigned, because it's not fair, not to the two of them either.

But how can you make those feelings go away fast?

And just when things couldn't be more unexpected for you, as you turn down one of the bush paths along with Ronan, you both find yourselves face to face with Aemond accompanied by Lady Floris at his side, who were walking in the opposite direction.

And the air is enveloped with immediate tension.

You knew that eventually the news of your courtship with two possible candidates to give your hand in marriage would reach Aemond's ears, but when your eyes involuntarily meet his, you see only dissatisfaction and restrained fury.

This triggers a whirlwind of emotions within you, trying to disguise your surprise and discomfort, also nerves, as well as you try to focus on your companion, trying to move on and appear unaffected by this.

"Lady Y/N," Lady Floris greets politely with a smile, breaking the silence, "Lord Ronan," she address him, "How lovely to see you both this morning."

"Lady Floris," you reply, trying to remain calm, then look almost fearfully at Aemond, "Prince Aemond," you tilt your head slightly, biting the inside of your cheek.

"My Lady," he answers you in a soft tone.

Ronan at your side also greets Lady Floris in a respectful manner, then turns to Aemond.

"My prince."

"Lord Ronan," says Aemond, in a dismissive tone, observing you attentively and at the same time in seriousness.

Aemond's tone does not go unnoticed by you, with an intensity on his face that does not go unnoticed either, as you struggle to remain calm in the face of the uncomfortable situation.

It is clear that Ronan's presence at your side does not please him at all.

As Lady Floris at his side, she attempts to carry on a polite conversation, oblivious to the tension that has taken over the moment.

"I would like to offer my best wishes to you both on your courtship," Lady Floris begins to say kindly, "Fortunately the prince and I are in the same place as you and understand what it can be to have expectations high in families if you decide to join your houses."

You feel more the knot in your stomach and the discomfort all over your body, not daring to say anything regarding that, while Aemond remains just as silent as you.

And fortunately Ronan is the one who appreciates Floris' gesture, while Aemond keeps his eye on you with an expressionless but penetrating gaze, also watching Ronan from time to time.

"Thank you, my Lady," Ronan replies courteously, "Your words are most kind and we wish you both well in your future marriage."

"Of course. We hope to see you both at our upcoming wedding," Floris adds with a kind and visibly excited smile, while you again feel your heart give a painful jump.

And since you say nothing, nor does Aemond, Ronan hastens to speak.

"Of course, my Lady. We will see you there."

With pain in your eyes, your gaze involuntarily drifts to Aemond for a brief moment, where he is already watching you. And in that fleeting moment, the looks in both of your eyes convey more than words can express.

With a polite bow, the four of you take your leave and each pair continues on their own way.

You try to focus on your steps along with Ronan's, but the echo of tension and unspoken feelings leave an unpleasant sensation throughout your body. And that's when you hope that soon, both you and he will find peace in your respective futures.

But it didn't look like that was going to happen anytime soon. Neither did acceptance.

Aemond continued the rest of his walk with Floris in the gardens with his mind still focused on the encounter with you and that boy clearly unworthy of you. He didn't even pay attention to what Floris was talking about, he had not the slightest interest and obliged, he had to complete his walk with her contributing very little to the conversation.

Even he himself could not avoid the feeling of suffocation and frustration that invaded him. Seeing Y/N, his Y/N, next to that poor boy, one of his possible candidates to take her hand in marriage, provoked a mixture of indescribable emotions inside him and he made a great effort to keep his composure.

He feels furious and emotionally on the verge of exploding, like a mad man, with impotence filling him with rage.

Why should she marry a man who was not him? Why should he be forced to witness her courtship with another man? Why couldn't he have realized that she also loves him the same way he loves her and reacted sooner?

He felt that he was really going to go crazy, so as soon as he bids farewell to Floris and leaves her in the company of the other ladies of the Court, he heads for the training yard.

Big mistake.

As soon as his presence arrives at this place of the Red Keep, the figure of Lord Ronan pulls him out of his thoughts and draws his full attention.

At least he has the decency to hold a sword.

He thinks to himself, watching as he finds himself engrossed in his own training, accompanied by other knights, practicing his sword moves. He also thinks about focusing on his own training, but finds it a better idea to meet the candidate of his dear friend Y/N, wanting to know what truly awaits her.

After all, Lord Ronan is not the only candidate, Lord Alan also frequents the training yard and will eventually see him as well. So with a determined step, he approaches him.

"Lord Ronan," he says in a cool but controlled tone as he approaches, heading towards the weapons table.

"Prince Aemond," Ronan replies, stopping his training and turning to him, "It is good to see you here as well, my prince."

His gaze assesses Ronan closely, noting his every gesture and movement. And despite the anger still flowing through his veins, he remains calm, not revealing too much of his thoughts.

"I guess you don't train enough at home. House Redwyne is best known for making sweet wine from the grapes that grow on your island," he comments neutrally, watching Ronan's position with meticulous attention.

"Ah... no, my prince," Ronan says politely, "I have had training lessons with the sword, among other weapons, since I was a young boy. So have other members of my family and I assure you we are well trained," he replies, adjusting the position of his sword, "After all, a knight must remain prepared at all times."

"Hm," he says seriously, "And that is what you have accomplished with so many years of training?"

Ronan remains calm in the face of the prince's critical gaze, though Aemond's insinuation resonates with a defiant tone.

"P-pardon me?"

"With those moves is that how you're going to ensure protection for your future wife?" he inquires with a dismissive tone, challenging Ronan with his words.

Tension begins to be felt in the air, the verbal confrontation slipping between the two men. And though Ronan maintains his composure, not wanting his words to affect him, the disdain in the prince's words does not go unnoticed.

"Appearances can be deceiving, my prince," Ronan said calmly, controlling each word to convey determination, "And my duty as protector of my future wife is not limited to combat alone. I suppose there are more important aspects."

Aemond tilts his head, watching him in confusion.

"And what aspects are those, my Lord?" he asks, clearly disinterested.

"Loyalty, anticipation and sacrifice," he replied determinedly. "Protection goes beyond sword skills; it involves being willing to give your all for the person you are sworn to protect."

Ronan's words echoed in the air, filling the space between them with a seriousness that could not be ignored. And Aemond, his brow furrowed, lets out a sigh and watches him more seriously than before.

"Do you hear yourself, my lord? Speaking like the ladies of the Court who read and listen to love ballads," he snaps, watching him in disapproval, "Loyalty, anticipation and sacrifice are not going to protect your future wife from a life-threatening attack," he says and then turns away, taking his sword and a shield from the table.

Ronan swallows hard.

"You need not worry, my prince. Still I assure you that I am well prepared for combat."

"Oh yeah?" he looks at him expectantly, turning to him with his weapons in hands, "Then prove it."

Ronan looks a little confused.

"My prince-

"Come on," he interrupts him, egging him on with defiance, discontent and agitation in his tone and look, "If you're as skillful as you proclaim, then prove it."

The atmosphere grows more tense, as Aemond waits for Ronan to accept his challenge and prove his worth beyond words. Both men hold each other's gazes firmly, with the tension increasing by the second, but neither takes a step back.

The confrontation becomes tangible. Glares charged with a subtle but unmistakable rivalry. And without further words, the air filled with the anticipation of the physical training ahead, as the two head to the center of the training yard, each preparing in their own way.

Aemond tightens his grip on his sword and without hesitation, lunges towards Ronan with fierce determination, causing the poor knight to have little anticipation to protect himself from his sword, but managing to dodge it and answer him in kind.

At first it appears to be casual training, yet Aemond wants to get a reaction out of him.

And between every clash of swords and every move full of speed and precision, at every failure of Ronan, Aemond taunts and shouts questions and insults at him in a defiant voice while demanding superior performance.

And at every failure and every taunt, Ronan's determination grows, also inevitably to the prince's provocations.

"Is that all you can do!?"

Aemond exclaims arrogantly to him, wiping the sweat from his brow, trying to unsettle him.

Ronan growls and focuses on his movements, responding with brutality and force, trying to answer every blow he threw at him, which to Aemond, couldn't be more pathetic and weak movements.

"This is what you plan to defend yourself with? This is what you have learned?" he inquires, mockingly, "What a shame."

Ronan lowers his sword a little, watching him in bewilderment and panting in exhaustion.

"My prince-

He tries to say but Aemond won't let him.

"No," he tells him seriously, "Be a fucking man and fight me back."

Aemond raises his sword again and slams it against his, causing him to lose his balance, while Ronan as best he can defends himself from their attacks, while the combat begins to attract the attention of the other knights and some people of the Court.

And only when Aemond sees that they have just started and he can no longer stand and does not even have more strength in his arms, the confrontation went from a simple duel to a battle without mercy.

And he in a fit of anger and frustration, leads to hit him with his foot in the chest with excessive force, making him gasp in pain and throwing him to the ground, and then walk quickly towards him, with purpose, raising his sword, so Ronan quickly tries to get up, raising his sword, blocking his attack.

Then Aemond's sword dangerously grazes Ronan's shoulder, knocking him back to the ground with a blow to his side.

"My prince-

"You yield!?" he exclaims to him in his madness, bringing the point of his sword to his throat.

"Yes! I yield!"

"Just like that!? So easy!?"

"Prince Aemond!"

He hears someone shout in the distance but he focuses entirely on Ronan below him.

"I yield!"

"He's bleeding!"

"My prince!" comes Criston Cole immediately.

And only at that moment does Aemond stop, breathing shakily, his gaze with barely contained fury. And only at that moment he also notices that Ronan has a wound on his shoulder with which he had brushed his sword earlier, not realizing at the time that he had wounded him.

Ronan presses his free hand to the wound, trying to stop the bleeding, watching him in horror and clearly calling for help.

Aemond squeezes his sword again so hard that it marks his white knuckles, watching everyone around him for a moment, then with a hard stare, turning to him again, angling his body so that only he can hear him.

"You are not worthy of her," he whispers in a low voice, his words laden with disdain and resentment.

And without caring about the stares or even her opponent's injury, he leaves the shield on the ground and with his sword in hand heads towards the interior of the Red Keep's castle.

Aemond knew that eventually what happened at the training yard would reach your ears. He also expected a confrontation about it, but he didn't imagine he would face your fury late at night.

His guards are required to stand guard in different hallways, so taking advantage of the fact that there are none in the hallway by his doors, you quickly make your way there to enter his chamber as fast as your body will allow.

He looks up from his book in his lap, sitting near the fireplace, watching you attentively at once, but before he can say anything, you turn to him with your lips pressed together and annoyance in your eyes.

"Have you lost your mind?" you inquire in a serious and demanding tone, looking for explanations.

And just like you, Aemond isn't having your attitude either. He's annoyed to see how you haven't taken any time at all to come to the defense of that stupid, poor, defenseless boy.

Putting his book aside, he stands up, imposing his presence on you. Despite having to raise your face to face him directly, you don't let his posture intimidate you.

"I see that that... Ronan matters too much to you, my Lady," he says in a dismissive tone, "It took you no time at all to fall for his sure sweet words and promises of love. After all, you and he are very much alike."

You inhale deeply before responding, seeking calm despite his attitude and the tone of his words.

"Ronan and I are getting to know each other, nothing more. Just as you are getting to know Floris Baratheon. But I'm not doing anything against you, yours is for sure, she's going to be your wife. But you can't go hurting and almost killing the men who can be my future husband."

He looks away from yours for a moment, irritated.

"I don't know what you expected, honestly," he tells you seriously and indifferently, "That's what happens in combat when we fight with weapons, Y/N, men get hurt. And if Ronan is weak and wasn't taught well, that's not my problem."

You stand your ground, incredulous to hear his words.

"That doesn't justify what you did. Everyone witnessed how the combat began and it was you who unfairly exploded against him, hurting him," you reproach him with determination. "His wound was deep. He needed eight stitches!"

Aemond, sick of this, averts his gaze from yours and turns his back on you, heading towards his table to pour himself a glass of wine under your confused and incredulous gaze.

"I don't understand why you're so worried, he'll be fine. After all, you still have another possible candidate for your hand, I hear," he says in a tone devoid of emotion, laden with bitterness, "Though I doubt he's much stronger than Ronan."

His voice sounds harsh, his words laden with a bitter resentment that he can barely hide, jealous.

"So this is how things will be?"

You ask him earnestly and sadly, fighting back tears that threaten to escape at any moment.

"You'll go around hurting my suitors until there are none left and I have no chance of marrying anyone else but not you either?"

Tension hangs in the air as you wait for his response, feeling the weight of your words and the clash of emotions between the two of you.

And he remains silent, staring out the window with a hard stare, as if not looking for an answer through the glass, turning his back to you and not daring to look at you at that moment.

Finally the first tear rolls down your cheek and Aemond listens as you gently sniffle your nose, then turns to you, his face showing a mixture of emotions, from hardness to the flash of regret and longing.

And he lets out a defeated sigh.

"That's not what this is about, Y/N," he murmurs in a softer tone, his expression revealing his inner struggle, "They're not worthy of you. Your father is choosing wrong."

And that's when you explode with anger and frustration, unable to contain yourself any longer.

"I just don't understand why you care so much, Aemond!" you exclaim without understanding, "You shouldn't see them as a threat because they are not. You have nothing to do here!"

You face him, as your tears fall silently, with a defiant look and your posture firm, though full of sadness, anguish and confusion, inside and outside. And he too responds to you in kind.

"Of course I do!" he turns to you angrily, exclaiming in his fury, "This does concern me because those fucking men and your father are going to take you away from me! And they have no right!"

And again your emotions boil over, fury and pain getting the best of you.

"Do you even listen to yourself? How irrational you are being?" you inquire, not understanding, "You didn't even do anything in the beginning, you are the prince, the one who had the power to do something about it and you never even once asked for my hand!" you shout at him, your voice full of reproach, sadness and disappointment.

Furious, Aemond turns around and in a burst of anger, throws his hand towards the table, causing the wine jar and the cups to fall to the floor with a deafening clatter. The sudden sound makes you jump and recoil, startled by the noise and force of the act.

He turns his back and heads for the back of his chair, leaning hard against it as he tries to contain his fury. With her breathing rapid and agitated he struggles to regain his composure, his body tensing and closing his eye tightly.

The air becomes tense and the silence uncomfortable, as Aemond fights against himself and you just allow yourself to cry silently.

When he speaks again, with a tinge of bitterness in his gaze, still not turning to look at you and his voice soft but laden with resignation, still holding back his fury.

"I wanted to," he confesses to you, his vulnerability visible, "But my mother and grandsire would never have approved, you know that."

His statement leaves you speechless, with a mixture of sadness and disappointment that he didn't even try, not once and yet...he has the nerve to do this to you.

You remain silent and the disappointment and bitterness reflect even more on your face as the tears run their course, to finally gather your courage and speak.

"Then... let me go," you whisper, it being more of a painful plea than a command.

Silence expands in the room, marking every second with the heaviness of unresolved emotions. And you, overwhelmed with disappointment and pain, understand that you have nothing more to do here and turn to leave.

You don't even care if one of the guards sees you coming out of his chamber, you don't even care if rumors arise seeing you here late at night and everything gets too complicated, you just need to get out of here soon.

And with tears still running down your cheeks and being completely heartbroken, you grab the doorknob. But just as you are about to turn it, his firm and determined hand lands on your waist and turns you towards him, stopping you.

The action takes you by surprise and you look at him without understanding, he doesn't give you time to say anything either as he places one hand on your cheek and the other keeps it firmly on your waist, bringing his body close to yours.

And still without reacting, he moves closer, his warm breath brushing against your face.

"I can't," he murmurs, his voice cracking with anguish, laden with longing and regret, "I can't," he repeats in a whisper, gently caressing your cheek, "I'm sorry."

And just then, without a thought for anyone else and without a care in the world, his lips trap yours in a passionate, desperate kiss.

Paralyzed, surprise takes you completely and you can only feel how every movement of his lips is a mixture of apology and desire, asking you to kiss him back.

His arms wrap firmly around you, clinging to you as if he's going to lose you at any moment. And unable to resist a second longer, with his soft lips and warm mouth on top of yours, he makes the world fade away around you in that instant and you kiss him back.

You place your arms around his neck and cling to him completely, moving your lips in sync with his, as he presses your body against his and lets out a gasp at the wonderful feeling of having you this way with him.

And you feel as if you are floating, this being exactly what you had dreamed and prayed for so much, wishing and praying to the Gods that this is not also one of your cruel dreams.

But this is real. It is finally happening.

So you allow yourself to lose yourself completely in it, not thinking about the consequences and not caring about anything else, as Aemond walks you around without stopping kissing you for a single moment, until his feet touch the edge of his bed.

"I love you. I love you so much, my sweet girl."

He whispers into your lips, watching you with all that love and desire in his gaze, noticing your swollen and parted lips, watching him back with the same intensity and completely surprised to hear his words.

And without saying anything back, with the actions speaking for themselves, you kiss him again, feeling that urge to cry, but of happiness.

Aemond falls down sitting on the edge of his bed and you take a seat on his lap, placing your knees on either side of his hips, clinging to his neck and kissing him slow, deep, making you feel everything.

"I love you too," you murmur against his lips, watching him with nothing but affection and desire.

He kisses you again desperately, feeling something warm in his chest at your words, holding your waist with one of his hands and the other beginning to lift the edges of your skirt, making his way to touch your bare thigh.

You gasp into his lips, feeling his warm hand and the cool metal of his rings, only to tilt your head as he begins to leave soft, wet kisses down your neck, trying to find your sensitive spot to make you shiver.

"You're so beautiful," he murmurs, leaving a kiss on your collarbone, lifting his gaze to you.

"A-aemond," you gasp, feeling the hardness beneath you.

You reach up with one of your hands and remove his eye patch, wanting to see everything about him, instantly reflecting the faint light of his blue sapphire, looking so beautiful and dazzling.

You smile softly at the sight of him, then leave a soft kiss on his cheek, beginning to leave a small trail down his face to kiss him on the lips, as his hand on your thigh makes gentle, firm strokes on your skin.

Slowly, he lifts his hand from your waist to the laces of your dress, watching you attentively afterwards and needing first of all your permission. And you help him untie the knots yourself.

Your front of the dress loosens and revealing your white gown underneath, Aemond lifts one of his hands and gently traces your skin between the valley of your breasts, making you shudder and shiver, then stops at the straps, watching you again.

"May I?"

With the blush on your cheeks and the nerves in your lower abdomen, really wanting to do this, you nod.

"Yes."

His hand slowly slides the strap down your shoulder and arm, then exposes your breasts to him, making you feel more nervous, but you feel completely safe to be doing this with him.

Truly everything that happens next, giving him your mainhead and letting his calloused hands explore all over your naked body, is by choice and you think to yourself that if there is one man you would willingly trust with this, it's him.

And just as the tip of his hot, hard, heavy cock makes its way between your walls, he knows exactly how to comfort you and make you feel comfortable. Instantly blood stains his sheets, but he doesn't care at all.

And when he begins to move inside you, slowly and very carefully, waiting for you to get used to it, he wipes away every tear that escapes your eyes and comforts you with his hands and kisses, making sure that at all times you are well.

"You feel so fucking good, so warm and tight, my love."

And despite his obscene words, his actions are anything but, his movements careful and careful not to hurt you, asking you how you feel.

He kisses you sweetly and caresses your breasts, he makes sure to pleasure you too, as he understands that this is not just about him and the act is not just about fucking, but him making love to you.

He growls into your lips and you gasp as he begins to move with more purpose inside you, feeling the sweat all over your body and forehead, clinging to his shoulders and gently digging your nails into his skin also lightly illuminated by sweat.

"Do you have any idea how long I imagine this?" he whispers against your lips, moving his hips and pounding that sweet spot inside you, making you moan beneath him.

But he quiets your moans with his lips, not wanting anyone out there to hear you, it would be too risky.

"Aemond," you say his name in a moan, biting your lips.

"What's wrong, my sweet girl? Does it hurt?" he says to start moving more gently.

"N-no. It just... feels so good," you manage to say over the sensual movement of his hips that make you see stars behind your eyes.

The act doesn't last long and very soon Aemond makes you reach your highest point, making you experience a sensation you had no idea about all over your body and he also spills all his seed inside you, grunting and moaning from the pleasure as he feels your walls squeezing him deliciously.

And then, both of you sweaty and trying to catch your breath, you embrace and take a moment in his bed.

You feel a tingle between your legs that is more than gratifying and Aemond, for the first time in a long time, feels at peace and completely at ease, especially having you in his arms at this moment.

There was no time for regrets and worries, it was all done. So the two of you dive into that little world where only the two of you exist.

But even though you didn't want to think about it, you think about the future, with uncertainty beginning to invade you, as you inhale Aemond's scent, hiding your face between his neck and chest, embracing him as he encloses you in his arms and gently caresses your bare shoulder with his thumb, listening to his soft breathing above you.

You let out a sigh, close your eyes and wish you could stay like this forever, starting to feel your eyes water and that huge worry in your chest for what you just did.

When Aemond speaks.

"In the morrow I will talk to your father and ask for your hand."

He says in a soft voice and everything in you comes to a complete standstill, listening to him attentively.

"I'm sure he won't be able to resist my proposal. No one will be able to stop us when they know I have claimed your mainhead, not even my mother and grandsire. And then... we will have our Valyrian wedding and there will be no turning back," he murmurs and then places a soft smile on his lips, "You will be mine, as much as you already are now."

You feel him leave a soft kiss in your hair and you smile softly, moving closer towards him, if possible.

"Sounds like an excellent plan, my love," you whisper, grateful.

And finally you can be at peace now.

[daisy-the-spider]

Pie in the sky, wouldn’t it be neat if we had a UTMV fighting game?

You could choose from casts of characters from all the big AU canons as well as smaller one-offs (og Error vs Underverse Error for example, each with slightly different move sets based on characterization and lore). There could even be a customizer so you can put in your own oc and pick from a library of move sets, specials, and finishers.

Each pairing could have a little interaction at the start of each match like in SF3 Third Strike. Just a 3-second animation that tells us how they feel about each other. Star sanses and papyri shake hands or wave, chill sanses/swaps grin coldly at murderers (or fist bump other chill sanses), dream twins share an uncomfortable stare, Geno blanches at the sight of a FatalError.

There could be specials specific to characters, complete with little drawbacks. Like if ink activates a special, it eats up all his ink and he goes numb and uncommandable (played by a dumb cpu) for a bit until it refills. Or a bigger tougher fell sans has a more potent special than a weaker/younger one, but it has a bigger penalty or you can only do it once—so you better not miss.

Finishers would be the coolest part, recreating the most exciting moments or deepest cuts in their lore. Cross creates an X-event by getting possessed by X-Gaster. Nightmare goes god mode or calls in the whole bad sans squad. Fresh’s parasite body-hops into the opponent and lets the old body fall to pieces. A pacifist convinces the opponent to knock it off with all the violence. If a character has a best pal who would never make it in a fighting game, they pop up in the finisher by dropping a piano on the opponent or something.

I’ve never played a real fighting game in my damn life, but I think they’re fascinating and I can’t get this idea out of my head. The best part of this fandom for me is the insane unbridled depth and variety, and this could be such a cool way to celebrate it. Could be a fun thing to make fake sprites/screens/stats of someday.

(If someone’s already thought of this, please please please link it to me.)

[seraph5]

Now that I've listened to Re: Dracula I feel like I've been weirdly spoiled for a lot of other Draculas. Like don't get me wrong there's a lot of Dracula's out there to like but there was something really beguiling about:

a) Mina and Lucy's quite modern musings about their place in the world, the beginnings of wonderings about what they might like or could like as people not just as what society demands

b) Mina and Lucy's relationship. I just adore that they are surprisingly different characters and interact in a very realistic interesting way that you don't see a lot in media that depicts this time period. I also love how intelligent Mina is.

c) The absolute intensity of the bond and duty our heroes find themselves drawn into when put in this horrific situation. It really surprised and struck me the way that all these people with not extremely deep connections in a lot of cases closed ranks together in a silent fight to protect not just themselves but to break the cycle of evil. They, all of them, really showed a tremendous amount of care and kindness towards each other in this insane mission. Obviously it would have been nice if the boys had been less dumb about including Mina in things but their follies in that area were clearly a result of the time they lived in and not a fundamental personal lack of respect for mina.

d) I know everyone does not see this interpretation but I like that there is a quasi-homoeric undertone to Dracula and Johnathan's whole thing. Of course Johnathan is there under duress and I'm certainly not saying that there is something consensual or reciprocal going on but Dracula being so possessive of him especially with the brides gives an interesting undertone to some of the earlier parts of the book. There is a real sort of fascination Dracula seems to have for him as a conduit for information about his next conquest and he really tries to connect with him through the guise of society.

I haven't really ever seen all these points illustrated very strongly in other retellings or if it's there it doesn't communicate that feeling that makes these missed points so special. Worse it seems like a lot of the time they make really weird choices like merging characters or swapping characters or cutting characters for brevity or excitement. Which on one hand I kind of understand but when given the space the characters all have their own interesting points and perspectives and are interesting to experience.

I'd love to see a retelling that balanced all these things a little more and cut less. Maybe even have it be a mini series rather than a movie.