#and it’s very fun!!!!! it’s good it’s easier than you think!!!!

[morallygreychaoticneutral]

Astarion prefers monogamy.

Again, simply my cup of thought tea steeped from my game experience. Its not everyone's drink. No shame, no blame, it's your game. Warning for triggers and spoilers.

*added note due to misunderstandings.

Please notice I said "prefers monogamy" not "is monogamous". He may be up for added partners later on down the line. But definitely not any time before the epilogue in my world.

So, why do I think he prefers monogamy?

Take..

"Iv never had anyone. Not really. Nothing that compares to you."

And mix that with...

"I had nothing for so very long. NOTHING! Not even my own body!"

And add..

"You're you. Nobody is like that."

Plus countless other comments and actions and you get a bowl full of elf who just wants something for himself only for a change.

Centuries of being forced to give up or share everything. His possessions, his person, his own thoughts. Nothing to claim as own that no one else could take or touch at any moment. I'm sure if anything was given to him, he had to fight to keep it.

I think, he would be a bit possessive of anything he could claim as his own.

You are a gift to him. Something rare and special beyond words. I highly doubt he would be willing to share anything you are sharing with him outside of friendship. I could even see him getting fussy about strangers touching you. Moving you away or putting himself physically between you and whomever just touched you without asking.

Hells, even ascended Astarion isn't 100% game to share.

"As much as I wish to sequester you in a deep chamber of my palace and keep you all to myself...there is much to be done."

But, what about Halsin? He says he's fine with it.

Is he? Or is he people pleasing?

If he had said something along the lines of,

"Oh? He wants to share does he? Of course he does. I'm not up for such activities just yet, but you are free to have as much Halsin as you wish. "

I would have gone on that bear hunt, but he doesn't.

He askes you if you are wanting to sleep with Halsin because he has not been able to meet your sexual needs. And I interpreted that as he's vulnerable and worried he's being replaced for not putting out.

Imagine you had asked your lover to not to look to you for sex for reasons you are working out. They agree and you are just relieved as hell about it.

"You were patient. You cared."

Then they come along later down the line and say they are thinking about having sex with a friend. Where would your mind go?

I would bet hard gold he weighed the options in his head. "If I don't let them do this, they might leave me for good. But if I allow it, they wont have an immediate reason to leave. Halsin is the safest option given his experience."

And what's the best way to feel less awful about a situation we cant control? Create a counter situation where we gaslight ourselves into thinking its fine.

Wheeee!

I'm not saying Halsin's offer was bad, it was perfectly fine, it was just poorly placed in the grand scheme of things. If you and Astarion were having fun again before he suggested being an extra, then it would have been easier to believe he was really fine with it.

If they wanted Astarion to be a poly partner they needed to write it better. Shadowheart makes more sense as pro poly than he does.

So for me, Astarion is a one on one elf.

I am not against polyamory. I am not trying to take representation away. I am not shaming anybody for their choices. There is just not enough specific content to support it fully FOR ME. I was actually excited at the idea of having two partners in my fantasy world. Halsin was very clear and very specific about being on board. Astarion was not. And the choice did not feel right. Add a line somewhere for Astarion where he says "Im perfectly fine with sharing, darling. As long as it is discussed and we are in agreement of course." I will happily be on board with it.

[taigarrryen]

-> The Paper Art Post <-

Let's make some Wild Life ep.3 snails together!

First of all, I make a sketch (usually it's already the size I want the final thing to be, because I'm a very lazy person).

At the point where everything is apparent enough to have a clear vision in mind, I go to my paper scrap drawer and think of what colors and textures I want to use (although sometimes I initially start from the color palette).

Here they are! But don't get too attached, we're gonna destroy them later >:)

And while we're on it, let's talk a bit about textures!

Textures are like candy for our eyes. They are an easy way to trick your brain into thinking that something is more detailed than it actually is, hence it adds interest and makes the whole piece fun to look at.

However, this is also why it's important not to overuse them — it's easy to get lost in the details and accidentally make your piece difficult to perceive as a whole.

You can make textured paper yourself using literally anything you can come up with: paint a sheet of paper with gouache or tempera, make swirls and gradients with watercolor or inc, scribble with colored pencils, make prints with various objects (I enjoy making prints of crumpled paper tissues soaked in ink), etc etc. Packaging film or candy wrapping also can be cool.

My only advice is be careful if you use gouache: some colors can make your fingers messy even after completely drying, so that has to be kept in mind to avoid accidentally leaving a dirty fingerprint somewhere you didn't plan for it to be.

For the tools I recommend using not only scissors, but a modeling knife/scalpel and an awl as well. Modeling knife makes cutting small things much easier, and awl comes in handy when you want to transfer a detail on paper but don't want to use pencil.

For gluing stuff I use gluestick, rubber glue and double-sided tape.

Now the fun part!

You can add details with colored pencils and markers ↑

As you can see, the process is pretty simple: I cut the piece I need from the sketch and transfer it to colored paper.

When it comes to assembling pieces, you can carefully cut them so that everything fits together like a puzzle, or simply glue them on top of eachother.

Keep the scraps (unless they're objectively tiny, of course)! You never know when you'll want just that amount of just that color or texture. It's also much more practical to cut new details from the side of the sheet from which you have already cut, rather than start from different edge every time you need a piece of that color.

Don't rush to glue things down! Along the way you might want to move something a bit or put one piece under another, and with quickly gluing everything it won't be possible. I like to work in big parts, making every object or character in the picture first and then, after putting them on their places and fumbling around, gradually assemble everything like lego.

Here are two parts of the picture (Bdubs' snail + Tango&Etho's snails) and a piece of red film I want to put on the background in some places. All that's left is to assemble everything by carefully gluing it on to my sketchbook page :)

You also can elevate certain parts of your artwork to create depth and areas of interest, using puffy tape or п-shaped / [-shaped piece of paper and glue. It looks really cool, but I usually don't do that because it's inconvenient for me to store & I like to keep everything in the sketchbooks.

TA-DAAA, we're done! The best thing about this technique is that you don't have to be good at actually drawing to make something that looks interesting!

Hope this post was useful and you've got inspired to try paper art for yourself! (And if you did — send me your art in ask box or replies, I'll be very glad to see it :] )

[sarahreesbrennan]

I think this is a lovely addition and I am so glad you feel that way. I hoped some people would! I knew not everybody would.

Under a cut to spare your dash, friends, some thoughts about villainy…

I don’t know that we differ in substance, though perhaps in style. I’d say that I agree with you… but it’s complicated.

Long Live Evil poses many questions about the nature of villainy, who is assigned villainy and who gets the sympathy and understanding. It’s about the experience of being assigned villainy, but also understanding the assignment.

Rae is absolutely going through something so awful. She is very understandably angry about it. Indeed, most of the main characters of Long Live Evil have been THROUGH it. That’s part of why they’re seen as villains - though this perception also exists on an axis of gender, class, race, sexuality, disability. These things affect how they’re perceived and how they’re treated and how they act, and there is almost no way to disentangle cause and effect.

‘Under the present brutal and primitive conditions on this planet, every person you meet should be regarded as one of the walking wounded. we have never seen a man or woman not slightly deranged by either anxiety or grief. we have never seen a totally sane human being.’ - Robert Anton Wilson

This world hurts people. And then it can be very harsh to hurt people. We’re blamed for our wounds.

I agree Rae is a more interesting protagonist to me. That’s why I picked her. But there are very, very popular protagonists in fiction I find absolutely dull as ditchwater. (Not saying I find Alice dull. I love Alice.) I’m still interested in why audiences like them, and as I would like to have many readers too, I think about why things are popular a lot. I learn rules… sometimes simply that I may break them.

You might think Rae’s plight would engender sympathy: and for some it does. For many it doesn’t. And I knew that would be the case. I’ve seen it happen in real life many times.

—Someone in my close circle of friends publicly made fun of me for my ‘terrible anger issues’ at a time I was literally too sick to walk and barely able to breathe. I know that person thinks she’s a good person who was good to me.

—this is a very common thing to happen to chronically ill people. Most of my mentees, especially my younger mentees, have been abandoned by many friends who would all confidently state that this is the patient’s fault for being a bad person.

—one woman I know had her ex accurately recount all her behaviour to his new girlfriend without adding the reason why she ceased intimacy, got irritable and didn’t help around the house.

Sick people are legitimately hard to be around sometimes, and they get blamed for being so because it’s easier to blame a person than a disease. Other people don’t want to be the villain, so they make you the villain.

And the making of a villain is an interesting thing to me.

Rae being sick and Rae being perceived as evil and embracing that perception are inextricable. As a society, we are not truly sympathetic to victims. I knew it would be this way, but I still found myself shocked by the way some readers responded to her - she’s so evil that bitch got Key killed, she’s not even evil enough so she’s something pathetic that can be dismissed, she’s cringe because she uses humour as a coping mechanism, everything is her fault, it’s disgusting how much this formerly emaciated by illness woman talks about her boobs. But then, did Katniss in the Hunger Games get as much sympathy for literally starving as Peeta did for having his feelings hurt? (Note: Peeta also had many legitimate problems and I really like both characters.) And then again, isn’t feeling any kind of way about a character a compliment?

This is one of the reasons Rae is a woman. Society is set up to dismiss women’s pain, and discourage empathy with them. (And yet at the same time, we can’t demand anybody likes any specific character, regardless of gender. We can only observe patterns.)

And listen, I am not equating being a gorgeous talented famous artist with being chronically ill, but there is a phenomenon my friend who’s a psychologist has observed, which is that audiences get tired of famous women after a certain number of years (seven at most) and begin to criticise their looks or say they’re annoying or problematic.

Anne Hathaway and Jennifer Lawrence, both relatively inoffensive women, just had to basically go away for a while, until audiences were ready to go ‘wait, is Anne Hathaway talented and beautiful?’ (Yes she has been the whole time.)

The only woman who I’ve seen not have to slink into oblivion for several years when the tide of public opinion turned is, actually, Taylor Swift - there’s a piece online called ‘Darling, Villain, Victor’ which covers this very well. I like Taylor’s songs because a lot of them are narratives. And it was interesting to me to see the way she engaged with the narrative - going ‘okay yes I eat men for breakfast but also they flee from me, I’m drowning in diamonds, I’m covered in snakes, I’m wearing the evil makeup but also the eyeliner is running down my face because I am HYSTERICAL’ - and people looked stupid for saying the thing she’d already said about herself, outsized. Someone who also does this is Dolly Parton. ‘Yes I am everything you say about me. Now what?’

I did find that inspiring. I did want to claim, for my vipers and myself, the beauty and freedom of that ‘Now what?’ Anger is how we survive. We will be blamed for anger and for survival. Okay. Now what?

Another inspiration is the Interview with the Vampire quote ‘evil is a point of view.’ Not one of the Time of Iron characters think of themselves as people who enjoy cruelty for cruelty’s sake. Sure, some glory in justified vengeance, but that’s okay, right…?

To be able to see yourself as the villain in someone else’s story is, in some ways, an act of radical empathy. It’s an early thing Key says that makes him fun to me - that he’s like oh yes, I am evil. He’s very clear-eyed about the fact that, say, many of the people at the glass blowers’ guild (relatively innocent pleasant individuals) were from their point of view flat out murdered by a homicidal maniac for no reason whatsoever. Still when he tells his story, Rae is sympathetic - and it is also the tale of an abused child and a pitilessly corrupt society.

Key isn’t human. And he’s not a sociopath. Key is a god. And actually, it’s considered morally acceptable for gods to raze cities or worlds for sinning, and even to kill their children. But if a god thought he was human and evil, then what? (Was Athena traumatised by her birth?)

Yet another inspiration for me is Congreve. ‘I love her with her faults. Nay, I love her for her faults.’ I did want the vipers to not just be misunderstood darlings but to commit crimes and have serious personality problems.

Does Rae deserve more sympathy than she gets? Sure. At the same time, I really wanted her to have hubris. I refer to Greek plays a lot - where the deus ex machina was invented, art designed for the audience to be rocked and purged by emotion - and it’s this classic failing, to be arrogant and think you can avoid destiny and get this outsize punishment for it. (And people haaate women to be arrogant, and I knew they would find that annoying about her.) Rae doesn’t want Key or Emer to be hurt, but they are both people of a lower class in her employ, whose lives she knows are only saved in the original narrative by another aristocratic woman - and she deliberately sets out to use them and that does put them in harm’s way. Emer is whipped. Key is whipped twice and killed. Rae is not corporally punished in the same way servants are. But then again, when death looms, what choice does she have? Is she the one ultimately responsible for hurting them? No. But does that mean she bears no responsibility at all, when she made a bargain with them? Do we get to hurt others just because we’re hurt? When is lashing out because of trauma okay, never or always? Well…

It’s tricky to discuss personality flaws, because some characters get more sympathy while others’ faults get magnified. I’ve seen Rae discussed as more privileged than Marius - Lord Marius Valerius, second-most powerful man in the kingdom, in possession of literal superpowers, and uh - very arrogant at times himself. (And I love Marius and he has many very legitimate problems!) They are both flawed people. Very few feel villainous to themselves. Very little of what the people we love do to others feels villainous to us. I will miss Octavian so much as an antagonist, because he was such a great one - never for a moment did he consider he was being anything but heroic, and I do think at bottom he was a very ordinary guy, with an absolutely normal capacity for empathy. Yet all that power and privilege and the empty assurance of others and fame ate him right up. He didn’t ever have to look through anyone else’s eyes, and see himself the villain.

But also, can you look at the abyss, and not be changed? Rae at the start of the story would not be capable of tossing a man off the battlements of a tower into a yawning ravine full of flame with a wild, mocking laugh. But she IS that person by the end - and some of us are with her! It’s a villain origin story, emphasis on origin.

So yes it’s wish fulfilment, and yes it’s about villainy, and about having different perceptions of villainy, and which sins and flaws are forgivable in which people... We all have different perceptions. I am posing the questions, but you may have a different answer than I - if either of us find any answers at all.

Still the questions are worth asking. I do believe that.

Truly, thank you for having sympathy with my viper queen.

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[sugar-and-pearls]

Howdy ghouls, folks and dearie- ohs

My name is Hedone and I've been in this community for about three years now. I love it truly and wish never to be parted from it. But in that time I've noticed somethings. Like how it can be difficult to survive it, especially when your starting out I feel. So, to give back I made this;

This is your guide on how to make friends and survive the selfshipping community.

So with that out the way, there are some steps to survive.

Create -

In my view, self shipping is often a creative outlet as it is a comforting one. The ability to take a piece of media into my hands and shape it to my whims and will is often awe-inspiring. I'll admit it's easier to see it with other people than with ourselves.

So with this in mind - start off small, though if you want to go guns blazing you can do that too. It doesn't have to be a lot. If you feel embarrassed, don't be. If you are afraid then don't worry cus your definitely not alone there.

Often times it helps to make a promo. This way people who find you can know some quick facts; your title, your fos and any other bits of info you wish to give. Most people will want to know if you share an fo or not - whether this is in case they are uncomfortable with share or want to know if your comfortable with sharing. Whether you are or not is your choice.

'this user' boxes are a fun way to decorate and tell people about yourself. If your worried about how it looks, then make another one, there's no limit unless you make one. Some people make Cards for it. If that's intimidating, don't worry boo, this is Tumblr - you do you.

My first real post was about what it would be like my mind was like a house and what which fos would stay and which ones would come and go. I posted it three years ago and in all that time it has gotten 16 notes on it. Does that mean that I shouldn't have created it? no, no it doesn't. Because when I read it it makes me happy.

Do a gush post, make art, start 'reblog with your f/o' game, write stories, make a moodboard - start the flow on those creative juices.

interact -

I've seen a lot of people be nervous about talking to new people and I can tell you, I feel the same. Its daunting, talking to someone new and it can be awkward wading through the small talk. Most people are in the same boat as you; nervous and wishing to talk about their fos.

Instead of focusing on being popular, try and make friends instead, its much much more emotionally fulling than the first option. Find people with fos in the same source, and try and build it up from there. You'll find your weridos eventually - you just got to sieve though the rest first. You don't have to be best pals with everyone on there but be friendly.

If you recognise a character, why not send an ask? If you have a mutual in mind, why not try and talk with them? Reblog other people's art and moodboards and posts. Doing content trades is a great way to interact with people (and boo if your worried or don't think your content is very good, don't be - we're all evolving here). Also if you can or just like to draw, you can make fanarts for a selfship you like or would like to be your mutual - like I said before, everyone on here just wants to talk about their fos here, all that is needed is a small push first.

With that in mind not everyone you talk to is going to like you, or interact the same way you do. Everyone has a style to themselves and that's ok - the trick is find someone who has the same, or a similar style as you. Even though we are interacting through a screen, remember that there is another person behind that screen; ask them how they're doing, what they're up to, if anything positive happen in their life.

Also be careful about the kinds of people you want to befriend- do they give back what you give first? Do they share your joy? You're bound to find many you click with, just be patient and don't give up - you got this 👍😊👍

Make Friends From All Walks Of The Community -

You'll never know who you're fandom buddy will be - Antis, proships, all are people and all have a different flavour to one another. Its up to you to pick. I've found that to survive here you have to lay roots. No man is an island after all. If you don't agree with a someone's ship or like it doesn't cost much to just be polite. Being considerate and kind to other people's selfships goes a long way round here.

Insecurity

Its pretty easy to feel intimidated by other's success. feeling like their ships are being validated while yours aren't (trust me here - I know what I speak of) but here's what you have to remember: We're all just people daydreaming about fictional characters - No one is better than you and you f/os will always love you!

This is one of the many reasons why building a foundation of fellow weridos is important, its good to have a someone that your able to lean on and vice versa.

But main point here is that no matter what, no one can take away your fos love for you nor your love for them. And if they try, flip them the 🖕 cus we don't give a 🦆

Karma -

I see a few newbies do this where they go onto someone's blog, reblog a game but not send in an ask from that game. If you reblog an ask game off of someone, sent in an ask from that game. Every little helps and it spreads the love around.

Tumblr is not like Instagram, likes are not the currency here. Reblog other people's art and moodboards and posts. Leave a comment in the tags about the things you like or what you felt like when you saw it, send in an ask about their post.

Remember that even though we are interacting through a screen, there is another person behind that screen; Wishing for the same things as you do.

Take Breaks

It can be tiring on here, takes up a lot of energy so taking breaks can be good for you.

It's not like your fos are going to run away the second you turn your back - come away from Tumblr for a bit and reconnect with the outside, touch some grass, take a walk outside for a while. Its can be for as long as you like. I usually find that I like to take these breaks when I have things planned, so like if I'm going somewhere or have a thing planned I generally just try and stay off Tumblr for as long as I can, till I really want to.

If you feel like your abandoning your fos then why not take them with you? what would they say when your outside? How would they react? What would you say back? things like that.

Like with many of my posts, I doubt it will get much attraction. But if one person sees it and it helps them, then that's my dues paid, my contribute made. A very special thank you to @echoes-lighthouse @wisemins @hibiscus-ships @tex-treasures @missnaunet @vanilla-ending, @multyshipping for all your tips and helps with making this post.

With that said, thank you for reading this and if you never see me again

Merry Meet, Merry Part and Merry met Again.

[syndrossi]

resonant ch31 dvd commentary

This one was a doozy, as everyone on Tumblr had a front row view of. I wasn't thrilled with the draft on Thursday, but after some additional eyes and another comprehensive round of edits, I'm happy with how it turned out.

You can really see my struggles with it in the words cut, which were a minimum of 1500 (those are the ones where I extracted more than one paragraph into my scraps doc).

Favorite line(s):

The walk back to the holdfast was like a slow wakening from a dream, and yet Daemon felt desperately tired, his body aching with a fatigue so deep it seemed to scrape the very marrow of his bones.

I was quite proud of the visceral feel of this one.

Jon stood without meaning to, Jon Redfort’s hurt mingling with the rage that surged within his chest. “She hated him. She hated every reminder of him. They dyed Rhaegar’s hair until they couldn’t, and even before that, she could barely look at him. She loved me,” he said, the words choking him, the truth of it almost unbearable, Lady Stark’s love through a distorted mirror, only this time, he was Robb. “And Raymar would cry himself to sleep, convinced it was his own failing.”

The theme of Jon's role being flipped so that he is now in Robb's shoes is one we've been exploring since chapter one, where he notices the way Raymar is treated vs him. It's such a painful thing to deal with, because it both stirs memories of his own treatment by Lady Stark, and the guilt that Jon Redfort has always felt about it. Even though it's not directed at him, the secondhand experience through Raymar reopens those wounds.

Jon dealing with the part of him that is Jon Redfort is another theme we'll explore later on, particularly during the Runestone arc, but we're seeding some of his struggles now.

(Jon continually urging Rhaegar not to mourn Rhea is partly born of this, too. On some level, he believes she does not deserve his grief. And it's easier for him to ignore his own grief that way, or avoid dealing with the guilt-tangled love her feels for her.)

Favorite Details

Marriage hunt

Since the harvest ball is approaching and pretty much all of the marriage-minded misses of the court have been carrying out their pursuits offscreen/in non-canon missing scenes, it felt appropriate to sprinkle in a few hints of what's going on in the background as Daemon and the twins deal with more pressing matters.

Daemon's chair

It's hard to explain in narrative format where Jon was sitting/where Daemon always sits, but it's basically at the end/"head" of the table, while Viserys usually sits at the end of the side facing the window. It killed me a little when I realized that's where I've always written Daemon sitting in his scenes there with Viserys, and it's so obvious why: it's the closest Daemon can get to feeling like his brother's Hand. Similarly, Viserys seats him in an inverted version of that during their supper the first night in King's Landing, with Viserys at the head and Daemon to his side.

Dynamics

Jon & Viserys

This was a fun one to finally write, since we've only had brief interactions between them, from other POVs (Daemon, Otto, Rhaenys). Viserys sees Jon as a mixture of Daemon and Baelon throughout this scene, with Baelon coming out more toward the end. And we can see Viserys respond to Daemon-y Jon in a similar way that he might to Daemon, by getting defensive/frustrated.

Viserys is in a weird place with the candle business where he accepts, generally, that magic is a thing. The boys are fireproof, there is a prophecy that he thinks they will fulfill, he's read about the distant communication made possible by the dragonglass candles of Valyria, and he's seen the red candle spark to life, just as the black ones did once or twice when he was a boy.

But Jon is a child, and unlike Daemon, Viserys has a fairly good understanding of what an eight-year-old is generally like, so he approaches wild claims of high magic with a fair bit of skepticism. Over time, I expect this will change.

I enjoyed weaving in both Baelon and Daemon through the conversation, and the past bond Viserys had with his brother. Viserys absolutely cut little!Daemon's apples for him when he was old enough to carry his own knife. (As did Baelon.) And even throwing in some of Jon's impressions of Viserys and Daemon are alike and not.

And even a few small parallels between Viserys and Jon that I doubt many people will draw: an unwillingness to give up control (Jon not wanting to tell Daemon about the drag marks in the secret passage) and not trusting their brother (Jon, at the end, deciding to "protect" Rhaegar by not letting him in on his plan to go after the candle). They both are convinced of their own mandate to solve problems (the prophecy for Viserys, the candle for Jon).

Daemon & Rhaegar

Rhaegar was in a special hell with Daemon in the latter part of the chapter. He's operating at maximum Aerys damage-control mode there, reading Daemon at speeds enviable by modern CPUs so that he can figure out how to defuse the situation / "fix" him before any (unintentional) harm is done. And the parallels with Aerys's paranoia are incredibly uncomfortable, even if he understands that Daemon is suffering under an outside influence.

It's also terrifying being an eight-year-old child and being dragged along to the dragon enclosure by a father who doesn't seem to hear a word you're saying (or care, if it were Aerys), and you're pretty convinced this is some candle magic at work, but how do you stop him if he decides to take off with you on dragonback? And even if he's unwilling to force you, can you really let him go by himself, in such a vulnerable state?

Meanwhile, Rhaegar better be careful about his plan to claim that the bruise is the result of a training accident, because a blow from a wooden blade doesn't go all the way around the arm, kiddo. Imagine Daemon thinking he's trying to protect Cole after being handled roughly by him. Or just his response in general to his sons downplaying injuries that were clearly dealt by an adult.

@inkykate asked for Rhaegar's POV here for the upcoming winter promptathon, and I'm very tempted!

Quick-hitters

Lady Sera and Lady Dynessa are both from this little impromptu ficlet.

Originally, there was a plot thread where Jon and Rhaegar discussed telling Erryk and Arryk about the candle. At one point, it was in their debriefing at the start of the chapter, a request from Jon to Viserys during their breakfast scene, and even the start of a scene where they actually tell the Cargyll brothers. I cut it because there was a lot going on already and we can revisit it later.

The Rhea grief/anger outburst from Jon caught me by as much surprise as Viserys, but it was lurking beneath the surface. And I cry at a dime, so you can bet I was a mess writing it.

Can we appreciate for a moment the breathtaking gall of Viserys telling Jon he should be grateful for him repeatedly banishing Daemon because it resulted in his birth? Imagine him saying as much to Daemon himself!

The candle is candling hard.

I didn't go into the dragon dynamics with Daemon because this is already quite long, but there was some interesting stuff there for those with a keen eye, including hints at how some of the candle's (sorcerer's?) magic works.

Daemon actually did something so unthinkable (hurting Rhaegar) that Qelebrys hissed at her beloved not-Rhaegar. The heartbreak!

Lots of people keeping things to themselves. So far, for example, Daemon hasn't mentioned the bounty on him to anyone.

I have fun with Rhaegar's strengths vs Jon's, especially when it comes to dragons. Jon has a fairly significant leg-up with his warging experiences and his former quasi-bond with Rhaegal, but Rhaegar is basically a horse girl, except with dragons, so what he lacked for originally in experience, he's making up quickly. But I also like to throw in nods to Jon being able to pick things up that he's discovered very quickly, once shown/pointed out.

Finally, there were quite a few bits cut out of the chapter. I'll probably throw them in a separate post later, since this is pretty long!

[liquidorcard]

HEY Y'ALL IT'S MIKAILER WITH AN "ER" WHY IS THAT SO HARD TO GRASP!?

---

Did I get your attention, Mikaila? I hope so, let's see.

Mikaila, I don't like you. You've done shit that's soured my opinion of you. I'm acknowledging that now to get that out of the way. I'm not here to be two-faced about this or blow smoke up your ass.

But as one idiot who stayed in a toxic relationship to another-- I'm not making fun of you because I think I'm better. I know. Being in a relationship like that brings out some ugly shit. You resent and fear people will never forgive you. You don't know if you will forgive yourself. I'm not making fun of you because I think I'm better than you.

And it feels kinda good, being treated badly? In a weird way? When you're used to it? When you feel you kind of deserve it? It did for me too. My abuser did some fucked up shit to me. I don't know how to describe to you the strange feelings I'm left with now. Sometimes I think I finally hate her, sometimes, as pathetic as it makes me feel, I still miss her. It's a rot in you that never really goes away, but you learn to live with it. I understand that agony. I understand that anger of how fucking unfair it is.

You know my opinion of Lily. You're not going to trust me that I'm not saying all this just to get you two to break up to hurt her. Fair. Very fair, not going to pretend like it's not. But if Lily loves you, nothing I'm about to say should be an issue. She should want what's best for you, right?

Here's the rub Mikaila, it's been a few years now. I know you want out of your situation at home, but it doesn't seem like Lily's going to be able to help you with that at this point. I'm sure Lily's given you plenty of reasons as to why, and it's time to listen to her.

If you're heart's set on coming to Canada, your best bet is getting a job here. Or even, going to school. Art degrees (Here in Canada) aren't as expensive, provided you go to the right school. Even taking out a student loan for just one year to figure your shit out. I know you're in quite a bit of debt right now and don't want to get into more, but. You gotta do what you gotta do.

Here's the college I went to. Yes, your work is sufficient to potentially get admitted. Believe it or not, art school's get that illustration is a learned skill. Artists start from all different levels:

Look through the admissions requirements to see if you have the academic records to be admitted. If not, you could also consider upgrading through online classes aswell.

Again though, your best bet is to try to find employment. The cost of living isn't great here right now, but it isn't great anywhere. I doubt you'll be able to find cheaper rent in America.

Once you're here or wherever you end up, away from the chaos of your home, you might find it a lot easier to get your head around, establishing some better independence and becoming a citizen by yourself. It's a shitty process, but not as bad as the one you guys have in the States. We stan an immigrant here.

You need to look out for you, Mikaila. It's not selfish. It's not a matter of whether you "really deserve it or not." Nobody's going to save you. You're emotionally spent because of your parents, You're emotionally spent because of Lily. And it feels kind of nice how much Lily needs you. But you can't help her until you help yourself - and again, if we're all wrong and Lily really loves you, she shouldn't have a problem with you finding your way.

My own mother once told me I was "born sad." I've never not hated myself. I ate up any little bit of love and validation no matter how many bitter, razor pills that came with it too. That's just how it is for some of us.

But you know what Mikaila? Fuck em. Fuck all of them. Fuck everything. Fuck me, Mikaila. You've got one life. One body. One you. Whatever you think of her, someone's gotta fight for that poor bitch. Why not you fight for you?

Everyone's a stinky meat bag stripped down, Mikaila. Everyone's made a fool in the wake of the shit people like you and I have been through. Not everyone's going to be able to forgive everything, but everyone's not wholly past forgiveness.

I'm no better than you Mikaila. Nobody is. Some of us just get to know the worst sides of ourselves better than others.

I don't like some of the things you've done, girl. But I see you. I get it. Tell us all to eat shit. Fix your life. Don't rely on Lily to make you feel whole or to save you. To make you feel worthy. No person can do that. She could be the reincarnation of Mary Mother of God herself, and you couldn't expect that from her. Be your own advocate. If your relationship isn't toxic, it can survive you becoming a more whole you.

This asshole is rooting for you. Give me an excuse to undoomer "Mikailer." My girl needs a win.

[infiniteeight8]

Omegaverse Omega Tony in heat?

This isn’t particularly porny, although there is reference to sex, but I just got to thinking about heats and omegas having to plan for them and unusual heats and Stephen being a doctor and this happened. As compensation, at least it’s long? LOL.

Under the cut for a wee bit of smut.

-

Tony’s heats have been extremely irregular since Afghanistan. The specialist said that it was possible, but not guaranteed, that they could return to normal if he avoided stress and took care of himself. 

Needless to say, Tony has gotten used to his heats showing up out of nowhere.

For the last few years, he’s had to do less contingency planning, because he had Pepper. She knew the situation and was prepared to help him with his heat on very short notice. He must have gotten a little too out of practice, though, because Tony wakes up one morning in the early stages of pre-heat and realizes abruptly that he doesn’t know who is going to help him with it.

Suppressants, either regular or emergency, are ineffective against the type of hormonal dysregulation Tony has. He needs a heat partner. The absolutely last resort is the emergency heat clinic attached to the hospital, but Tony spent far too many heats there right after Afghanistan. Damn near anything is better than that.

So he lies on his bed and runs through the list of alphas he knows who might help:

Pepper, of course, but that would be complicated. Still, she’d probably do it to save him from going to the clinic.

Steve Rogers. Not in a million years. The clinic is a better option.

Carol Danvers. Off planet.

Peter Parker. No.

Stephen Strange.

Tony thinks on it for a minute, but he actually can’t think of a reason not to ask Stephen. They’re friendly, although not especially close, and Stephen’s a doctor. If anyone could understand Tony’s situation and make an informed decision about whether or not he wanted to help, it was probably him. 

“FRIDAY,” Tony says aloud. “Get Stephen on the line for me, would you?”

“Of course, Boss.”

The phone rings for a long time before Stephen picks up. Long enough that Tony starts to worry. But eventually the line clicks open. “Strange.”

Still sprawled on his back, Tony stares up at the ceiling as he speaks. “Hey, Stephen. I’ve got an important favor to ask, but for the love of God, do not agree if it makes you uncomfortable, okay?”

“Okay,” Stephen says slowly. 

Tony blows out a short breath. This is not a fun way to proposition someone. “I’ve got some kind of heat dysregulation disorder. I forget the technical name.” He’d forgotten it very much on purpose. “I woke up in pre-heat. Would you be willing to help out?”

There’s a long pause. “Are you combative?” Stephen asks.

His hands, Tony realizes. Maybe magic could make up the difference, but it wouldn’t be worth risking finding out in the middle of a disordered heat. Fortunately, it’s not an issue. “Nah, I don’t run that way,” Tony says. “Penetrative sex is non-optional, though. Multiple rounds.”

“That’s fine, then,” Stephen says, and suddenly his tone is relaxed and casual. Tony is instantly more comfortable, and then grateful picked Stephen. “When do you need me?”

“If you need to make arrangements, I probably have a couple of hours, but to be honest, the sooner you’re here, the easier it’ll be.”

“Supplies?”

“Already taken care of,” Tony assures him. He’d arranged for his usual package as soon as he woke up. 

“I’ll be there as soon as I find a Master to keep an eye on the Sanctum,” Stephen promises.

His word is good, and not even thirty minutes later Tony is wrapped up in warm sheets with Stephen, bodies pressed close, Tony’s head resting on Stephen’s shoulder so that he can get some good lungfuls of Stephen’s scent.

Stephen is a remarkably solid, comfortable alpha. Tony hadn’t really thought about what Stephen would be like during a heat—given his options, that hadn’t been a deciding factor—but he finds himself pleasantly surprised. The rumble of Stephen’s voice, the sweet, gentle touches, the way he holds Tony without feeling like he’s restraining him, it all makes Tony’s omega instincts purr in pleasure.

And the sex… well, Tony has always been a proponent of skill over size (he’s made plenty of partners beg for his omega cock), and Stephen is a perfect example. His cock is like the rest of him, long and slender, and when he slides it inside Tony it makes Tony’s eyes roll back. 

“There you go,” Stephen murmurs, rolling his hips in smooth, easy thrusts. “Is that what you needed?”

Tony just moans, wrapping his legs tighter around Stephen. Heat sex, unlike regular sex, always tends to send him non-verbal.

It doesn’t seem to matter to Stephen, though. “That’s it, you just relax and let me take care of everything.” He sounds pleased, as if having to do all the work is exactly what he wants. 

Maybe it is, because Stephen sets about fucking Tony with a thoroughness that Tony’s not sure he’s ever experienced before. He feels pliant, almost liquid, pleasure rolling through him in overlapping waves. His first orgasm is just another swell above the rest, and Stephen doesn’t pause for a moment, fucking Tony into a second before wringing the last climax out of him with his knot. 

They’re knotted face to face, laying on their sides, one of Tony’s legs slung over Stephen’s hips, and Tony nuzzles idly at Stephen’s scent glands. “You are very good at that,” Tony says, flicking his tongue out for a bit of a lick. Stephen taste good, too.

“Good,” Stephen says. “I don’t like doing things poorly.”

Tony chuckles. “Did you study? Ask your partners for performance reviews?”

“I absolutely did,” Stephen says, and he sounds amused, but not like he’s joking. “How else was I supposed to get better? It was surprisingly hard to convince my partners to tell me where I needed improvement, but it paid off.”

“Hmmmm. Remind me to proposition you again when my heat is over.”

“I’ll do that,” Stephen says, stroking a handly slowly up and down Tony’s back.

Tony smiles and lets himself drift, the ebb between waves of heat made warm and comfortable and easy by the alpha.

[planet4546b]

along w last rb this is my monthly plea to start iding the art you post if you’re an artist. once you get in the habit of it it doesn’t take that long (often it takes me longer to add tags than to write the id), you know what in the piece is important and should be emphasized in an id, and it genuinely helps you look at your art in a different way. there’s guides to get you started and it’s really easier than you think add ids to your art my final message….goodbye..

[wickmitz]

How do you think about Frepper? I'm neutral about this ship, but the fans Frepper attitude towards confuses me, Ivy and Freckle have only been dating for a week and know each other superficially, but everyone already thinks that by the end of the comic they will get married, I think differently, I think that in the end they will break up with each other because they are too different personalities, I literally can't imagine that both of them will be happy with each other in marriage, Ivy is assertive and active, on the other hand Freckle is passive and just agrees with Ivy, this is not a guarantee of a healthy relationship where a partner completely dominates the other, plus to all that, I will not forget how their relationship started, Ivy just decided that they were dating, and without asking Freckle's permission, she just KISSED him, again without his permission, Frepper fans think that it's cute, but when I saw it, I thought "what the hell did I just see?", in general, it's strange for me that Frepper fans are okay with such things, of course later Freckle shows attraction to Ivy, showing that he likes her in some way too, but I still won't forget how their relationship started and how Freckle used to try to escape from Ivy when she squeezed his hand tightly and forced him to her …

I'm not against Frepper, but I don't understand his fans who don't see these issues and who treat other points of view on their relationship (like mine) as … um, as nonconformity? Fans from reddit are just obsessed with Frepper, I don't know about other networks but that's how it is on reddit, I think there are people who have my opinion but are afraid to say it because of fans, of course, I met Frepper fans there who normally accept such an opinion, but still there is a feeling that such a opinion cannot be told

Simply put, Ivy and Freckle are a couple that will eventually break up with each other unless there's an event between them in the comic that changes my opinion of this couple, but that's how I feel about Freckle for now. I didn't plan to express my opinion, but it happened that way, I hope you don't mind it

first and foremost, i don’t mind seeing someone express their opinion in my inbox! you and anyone else are free to do so, even if i may disagree. this blog’s entire existence was made for me to share my opinions ( and love! ) for lackadaisy, as well as engaging with other fans, because what else is the point of a fandom blog? and as far as i’m aware, this is unpopular opinion central! most of my thoughts aren’t exactly the ones with the most voice behind them i’ve found, so i welcome all manner of different views. every fan is entitled to their own perspectives and opinions, and should be allowed to share them as they please! but with that disclaimer out of the way, i’m more than willing to discuss frepper in its entirety.

for me, there’s little confusion i carry where it concerns this ship’s popularity amongst the fandom. freckle and ivy, if we are to strip them down to their bare essentials, are a rather stereotypically ‘cute’ relationship : people enjoy opposites ( see zibwick or vikdecai for example ) and there’s an endearing quality found in puppy love dynamics. seeing ivy wear the pants and drag a shy freckle around by his ankle makes for quality content in a way! think the ‘excuse me, but he asked for no pickles!’ meme … ivy and freckle very much fit that sort of mold, and it helps that most fans are too scared to ship them with other characters in the cast too, due to what they perceive to be a lack of options. thus, frepper is an extremely ‘safe’ ship! you cannot get in trouble for enjoying something that is not only canon, but is relatively adorable ; and so i don’t believe a lot of the fans are actually thinking too deeply about the likely endgame of it all. most don’t! it’s fun to ship, and that’s all they really need i think. it’s also very easy to dismiss ivy’s forwardness as a quirk of being a young girl who’s of her temperament, recklessly boycrazy although still carrying sweet intent. this behavior is easier to hand wave when neither ivy or freckle are experienced at the dating scene as well … freckle due to his extremely religious upbringing and hermit nature, and ivy because of viktor’s constant meddling, which would hold her back more than you’d think. with that said, i don’t think any of this is excessively complicated. some shippers are rather simple minded and do not care for details and characterization all too deeply. enjoying dynamics is, at its core, supposed to be fun -- which makes simple ships like frepper prime targets for a very vocal and tight knit fanbase. there are other things i could speculate about why these two may hit so pleasantly for others, like how there’s an underlying queer theme to it ( what with ivy being the pursuer and freckle the shy, blushing flower ) or that it’s tropey enough to hit the right spots for others … though it all boils back to mere speculation. perhaps they still have time to escape this gangster lifestyle and live happily ever after? and that appeals to the lackadaisy fans who still want some sort of happy ending? it’s all a combination of frepper being easy, i think, and containing two young cats who still haven’t done anything particularly ‘unforgivable’ yet action wise. this is a ship you can root for without an ounce of worry in your heart, and so on and so forth.

but although i understand why others are so vocal about them, i don’t exactly agree with fanon’s views either! while i heavily enjoy frepper, i enjoy them as they are, and that includes their looming flaws and inevitable tragedy. they are bound to break each other’s hearts a lot on their current path ; even if they were entirely perfect for one another, this lifestyle isn’t kind to anyone, meaning if they don’t separate, they could always be forced apart via bullets and such anyway. they are young and woefully inexperienced in a manner of things, the last thing they need is the stress of a rumrunner life driving their every action, you know? i know people see them getting out together, and that is likely on the table! i do see that in many ways, but i’m also of the opinion that ivy and freckle will diverge onto different paths at some point and temporarily call it quits. from where the comic currently stands and given my view on ivy’s arc, i see her growing disillusioned with where she is and the honor and fun she saw within it as a royal spectator will fade ; she will become wary, fearful, and her resilience will die … meanwhile freckle will embrace it, similar to his cousin, fully understanding what it is and what he’s getting into ( like rocky, again ) but being unable to leave his refuge. i know lots of people think freckle will leave the lackadaisy first, but given his old concepts and former title as one of mitzi’s ‘trouble boys’, i think he will become lost in the sauce for a myriad of reasons. frankly i enjoy that twist on their relationship! since i believe ivy’s character development will revolve around maturing, changing as time stretches forward, because her character is ever growing, what with her entire schtick being the fact she’s everything a 1920s girl was during those times. she embodies that unladylike youth and manipulative sweetness, so i’d imagine a lot of her path is falling from such naive thrill seeking and stumbling upon a harsh reality. she will mature, and the very thing that should make their relationship stronger will be what divides them indefinitely. everything they have is founded on this bloody, varnished soaked ground after all … they are young adults who are experiencing what closeness feels like outside of family or platonic friends for the first time, so naturally they will overindulge in their own amateur games ; find respite in the boogie and kiss like couples do on the silver screen, laugh about it, talk about everything and nothing at all … relish in each other’s warmth and stupidly loyal protection. i’m sure frepper will grow closer before any falling out, because as it stands, it’s one of the few things they have in such a scary situation that feels comforting and kind. they will impact each other in the fundamental ways first relationships do and, to move towards your biggest gripe, do things they’ll regret or allow things to happen to them that they’re not entirely okay with.

ivy is very forceful with freckle initially, albeit in her typical saturated way ; and i can see why that would be hard to parse! especially when freckle spends a majority of their first scenes together squirming away and hiding, trying to duck her affections and bolt for it. there is a lot of boundary crossing between them! but not in a necessarily malicious way … like most things with frepper, this circles back to their mutual inexperience and how, in a lot of ways, this is their first ‘serious’ romantic relationship ever. and it’s rather common for such firsts to involve gray areas, since neither party is entirely sure of what their own boundaries are just yet! while freckle did appear frightened by ivy at first, it’s important to note that tracy’s mentioned him having a flight response whenever girls flirt with him … he is prone to run away instinctively, which if you consider his extremely religious upbringing, isn’t exactly a surprise. nina would no doubt look down upon freckle engaging with girls his age due to what most girls his age are currently doing in the roaring 20s they’re living in. sneaking out and engaging in illegal activities, dancing in a way that would disgust most of the more traditional and older generation, casually engaging in any manner of sexual activity before marriage, etc etc. and this isn’t even listing freckle’s cagey nature due to an incident we know was bad enough to send rocky packing for years, and fundamentally changed freckle himself at such a young and impressionable age. he is … very troubled! and rather scared of himself and the world around him … at this stage in life, freckle is perpetually unable to make any progress towards anything he may want, and so i have little problem myself with ivy mostly taking the lead. when left to his own devices and allowed to choose outside of influence, freckle did in fact sneak out of his mother’s house to go to the lackadaisy, surely well aware that ivy’s intention had been romantically inclined. so, to me, he has always liked her ; perhaps found her cute, in a shallow way, saw her eccentric behavior as endearing and frightening in equal measure, and while he’s still wading into this whirlwind pool unsteady and shaken, he -- wouldn’t mind it if ivy pushed a little more, or moved him around to her ( and what she perceives to be, their ) liking. perhaps this dynamic is familiar enough to him that it becomes comforting, since rocky was very much the same way in their adolescence. tugging freckle around and pulling his tail for whatever rocky wanted them to do, with little care for whatever his baby cousin desired at the time, ignoring his protests and chasing him ; nobody’s at fault here either, kids are extremely self absorbed and this is a flaw they’ll usually mature past, and while ivy and freckle are adults during the comic, i don’t think ivy’s outgrown this linear view on things just yet. she is extremely entitled! she is used to being the apple of everyone’s eye at the speakeasy due to her jazz baby status as atlas may’s goddaughter, and this gangster connection excites and awes the ladies she attends classes with at her university too. ivy pepper is used to getting her way and this has only fueled her determined attitude, her ‘pull it up by the bootstraps’ mindset, and in many ways, this is something of a flaw for her. it’s not bad to be confident and headstrong, although when you add that into a dangerous mix of rumrunning and gunslinging, it may become a problem rather quickly. but i digress! point is, ivy and freckle are hardly at fault for the awkward way they handled the start of their relationship, when it’s so new and fresh to them both.

neither of them have boundaries at this moment, as they either have no clue what those are or simply haven’t realized they should set them. so, in turn, there are things that the other may do that could cause their partner discomfort … and it’s mostly done out of obliviousness and good intentions and your classic dose of intense affection. doesn’t mean it isn’t messed up to a degree, but i think it’s rather realistic, and is a hard truth that comes with many first relationships of that sort. sometimes you don’t know how to say ‘no,’ or you agree and regret agreeing later, or perhaps you simply don’t understand there’s certain things you aren’t ready for or genuinely just don’t like. again, it’s a very muddied area, and the two of them are vaguely navigating what is mostly foreign to them. they’re bound to mess up! so i ivy some slack here, and applaud tracy on the realistic writing more than anything usually. young love also happens to be a great device to use for inexperienced characters finding themselves, through the good and bad of their relationship, and frepper is all about that. maybe freckle will inevitably bring up how he feels like he would’ve preferred it had ivy asked him out properly, or gave him time to court her in a traditional fashion … and she will be surprised ( and a little wounded ) by this, since she had never considered it before … too used to her way of things to realize there’s another path they could take. i think this aspect of the relationship is important, and i can understand wishing that more frepper shippers would view it as such, or comment on it's morally gray nature without just calling it ‘cute’ and leaving it at that.

tldr : they will most certainly break up at some point, maybe even multiple times! tracy has said before that they both have some serious maturing to do if their relationship is to be long lasting, and i doubt that maturing will happen to them both at once … since they have different things to work on emotionally. but they will probably strongarm some major personal development within each other, as well as love one another with a fierceless abandon that most kids do. i could see them getting married, i could see them not, but i agree that if they were to be wed happily, they’d have significant hurdles to overcome. but personally, frepper is something i adore mostly due to the impact they’re bound to cause each other, and even if they are to separate and find someone new and more fitting, they’ll always remember one another -- perhaps fondly, and sadly, and with some anger. a time they’d like to forget, but a person they’d like to remember … which is my cup of tea overall! they much more interest me as they presently are anyway, where i can fiddle around with their budding romance and friendship bonding. and as lackadaisy grows in popularity, i do hope there’s more frepper fans who see their complexity and flaws and explore them with all of it in mind.

anyway! i hope this was coherent, and that it was obvious that i agreed with you for the most part. i haven’t really talked about frepper before with anyone so many of these thoughts sort of burst out of me! and i feel like i have more to elaborate upon, but for the sake of simplicity i kept this short. oh well! surely this is enjoyable and informative regardless.

[toytulini]

me, stupidly and weirdly resistant to listening to audio books vs reading a physical book for no real reason: man i wish there was a way to like, read a book while i crochet like i do with tv shows and movies and podcasts

[squishosaur]

lonely girl sleepover ✌️

[elftwink]

one of the most infuriating things that happens in discussions about trans people is like, when a transphobe talks about how its just SOOOO easy to access gender affirming care, it's so easy to get on hrt or get referred for surgery etc... some of you dense motherfuckers respond to this by saying "no!!! it's not easy!!!! its so hard!!!" & listen. i KNOW that it IS HARD for many of us. and in many places it's getting harder. but tell me this: isn't the goal, eventually, to make it easy? not just easier than right now, but genuinely easy for a transgender person to access the care they need on whatever timeline they want, no matter how fast or slow? so if you spend all your time right now combating transphobia by insisting that transition is difficult and taxing and traumatizing, what are you going to do if and when it's none of those things? if there is no endless suffering and million hoops?

when someone says "it's too easy to transition" in order to justify their own transphobia, and you say "no it's not", you're also saying "if it were, your feelings would be justified". which is already kind of a terrible implication without taking into consideration that what most of these people mean by "too easy" is "possible". they mean that you can transition and they don't want you to. point blank. when you say it's difficult, they think "good. it should be harder". it will never be difficult enough to not be easy to them.

i am literally so sick & tired of all of us throwing each other under the bus in order to advocate for a future that is fucking miserable and awful. when someone tells you their nightmare scenario is transgender people being happy, you should not be responding to that by reassuring them that actually, transgender people are miserable and always have been and always will. when someone complains about how easy transition is you should say "good". we are never getting out of this fucking crab bucket if we're not only pulling each other down but also telling other people that pushing us back in would be fine if we were a little closer to the top.

[thebarkpaladin]

anti-border collie nutcases are out in full force tonight, I see

[dxxtruction]

///

[everysongineverykey]

the legends of localization book has reawakened my love for the nuances of translation and now i REALLY wanna take all the undertale dialogue and narration and translate it into french. for funsies

[sysig]

Escort mission (Patreon)