#and it makes me so mad when people say in one way or another that they don't LOVE love each other

[muxshwriting]

history is written by the winners

Jake Seresin x reader

summary: sure, there's a lot of history between you two but that doesn't mean anything bad. it's only what you make it || word count: 1841 || masterlist

You’d grown up in a small rural town in Texas, surrounded by farms and cattle ranches. There was only ever one boy, the one for you. He was perfect in every way, caring and kind. It was perfect, but perfection never lasts. He joined the navy as a pilot and one day, he was just gone with a kiss to your cheek and a sweet smile.

You were lost on where your life was heading, wandering the great expanse of the future alone. Eventually, you find yourself in San Diego, enrolled in college and working at a small beachside bar, spending all your free time basking in the sunshine and soaking up the warmth. You’d finally found your rhythm when life decided to throw another player into the melody.

It had been a busy night, patrons filtering in and out, groups of naval officers inhabiting corners and ordering ring round after round. You were clearing a round of bottles near the pool table when a familiar Texan twang made you turn. And there he stood, smartly dressed in his naval uniform, laughing with his friends and telling them a story about some plane he flew.

"As I live and breathe, is that Jake Seresin?" Your voice seemed to cut through the buzz as he span to see you, face going slack in disbelief.

"Y/N?" He laughed in disbelief, rushing to hug you tightly, relishing in your touch. You almost didn't want him to let you go but he did, stepping away to look at you properly.

"Who’s this?" One of his fellow pilots asked.

"This is Y/N, we’re old-"

"We grew up together," you interrupt. "Back in Texas."

A low whistle echoed through the tension between the two of you as Jake simply laughed it off and held you closer to him. "What have you been up to? What are you doing here in San Diego?"

"I'm here for college." You answer slowly. "Life doesn't end after high school, doesn't end when people move away or leave you behind." You know it's cruel, throwing Jake's choices in his face but you'd never been able to release your hurt before. It finally made you feel free, but you couldn't stop the pangs in your heart as you saw Jake's face fall. "Tell you what," You offered a compromise. "Meet me after my shift and we can grab a couple drinks and catch up?"

Jake flashes his signature smile that makes you feel weak in the knees. "I'll be waiting for you."

True to his word, Jake is waiting at the entrance to the bar when you clock out, jacket in hand. Silently, you lead him over to your car, driving him back to your condo. When you turn the engine off, he lean over you to stop you from getting out, his face ending up inches away from yours.

"I'm sorry."

You can feel his breath on your cheek, warming your skin. Or maybe that's the blood rushing to the surface.

"I'm sorry."

He says it again, his lips brushing against the side of your face. He's intoxicating, an addiction you'll never be clean from.

"I'm sorry for leaving. Please say something."

It takes all you power not to give in and let yourself belong to Jake Seresin in that instance. "I forgive you, I always did." You whisper back. "I can't be mad at you Jakie, not when you're so happy here."

Jake pulls away and sucks all the air out of your lungs as he does. He says nothing and does nothing, which infuriates you. Part of you was expecting him to blow up at you, or do anything else.

"Do you want to come inside?"

"Share a couple drinks?"

"Like old times?"

Jake smirks. "Like old old times or…?"

Playfully, you push his slightly, opening your car door and getting out. "No Jake Seresin. We’re not there yet, get your mind out of the gutter."

A couple of beers later, your feet are tucked under you as you lean against Jake on the couch. Things were probably moving to quickly but you couldn’t find it in you to care.

"What if we tried again..." The suggestion was unexpected as he turned to face you.

"Tried again?" You ask him in disbelief.

"Yeah. I could take you out for a couple dates, see how things are."

"Us? Try dating again?" You wanted to make sure. Was he being serious?

"Yeah..." Jake trailed off, not sure if your reaction were positive or negative.

A small smile appeared on your lips as you shuffled closer. "Alright Jake Seresin, we can try this again but you better have some exquisite dates planned for us."

"Only the best for you ma'am."

You couldn't stop the smile growing on your face. "And you better keep up with the ma'am, yes Jakie?"

Jake swallowed the lump in his throat. "Yes ma'am."

The days dragged on and the pair of you were steady. It worked, like it always had. Perhaps fate had been waiting for the two of you to reunite. It seemed strange, that you could find your soulmate in the first boy you ever kissed, the boy you would always run back to. No one else was worth it, no one else made you feel that way, only him.

Jake finally convinced you to come to the bar with him and his friends on your day off, promising you wouldn’t be dragged in to work. It felt weird, walking through the door for pleasure and not to serve old folks and naval officers all night. What didn’t feel weird, was to walk through the doors hanging off Jake Seresin’s arm.

"You just had to break out the old cowboy hat, huh?"

He’s looking down at you, beneath the brim of his stupid cowboy hat and can’t hide his smile. "Only for you."

You smirk, reaching up to his head and plucking the hat from his. You waved it in the air for a moment before pushing it onto your own and silently challenging Jake with your stare. "Well?"

"You're treading dangerous waters Y/L/N."

"Fight me Seresin."

"Oh, I plan to."

[sevsbestfriend]

I usually write fics here but I just wanna rant rn.

Sometimes I got to old posts and stuff, either to get new ideas or just see what the fuck is going on with the other side of the fandom.

The people coming to James defense or crazy, like on one hand they are like 'oh he was only human, he grew as a person otherwise how would lily love him?'

We literally have cannon confirmation that the fucking prat didn't stop hexing people, he just learned to hide it better. Sirius and Remus confirmed this when they called Severus a 'special case'. I don't give a shit about them saying he attacked first, you better believe I am attacking first if I come across a guy who has stripped me naked in public when I didn't do shit to him. (Or the other guy who tried to get me killed by bloody werewolf) Like wtf are you even talking about at that point???

Also, Harry comes across a detention report of them hexing another student in their 7th year. So uhm...yeah.

Then they are like 'oh Severus hates him so his memories are biased'

Did you morons even read the books?? Pensive memories are unbiased, any manipulation is extremely apparent as we saw in Slughorns case. So NO they aren't biased that extremely uncomfortable read of SWM? it's fucking canon in its truest sense.

Also, how in the ever living hippogryph does a guy who strips people naked for fun change so much that he becomes head boy??

It's pretty simple, he doesn't. He learns to hide it better and given the fact that this person has always been given the benefit of the doubt, it is very easy for them to their nature.

Dude had a map that showed him everyone's real time location and an invisibility cloak, he could damn well harass anyone in isolated corners of the castle if he wished. Which is exactly what he did.

Also, these people love to claim how 'lily only approved of him cause he changed.'

To that I say, Who the fuck is Lily?? Mother Teresa??

How is she the ultimate decider of what is good and bad and at the same time, completely right in dating someone who stripped another student makes after a year (or 2) of the event??

Don't get me wrong, she doesn't owe Severus anything, really, but seriously this is just ridiculous. Like if I was a woman, I would be genuinely terrified of someone like that, especially when they got away with no real consequences what so ever.

James was a prick with a very good PR team for friends and teachers. That's really it, it is often said that good looking people can get away with a lot of things and James is just a prime example of that.

---_---_---_---_---_---_---_---_

Also...BRAVE?? Dude had 2 cheat items and the advantage of a Pureblood upbringing and was still too PUSSY to face Severus alone. Yeah..what a real Gryphindor that one. Scrams bravery to you doesn't it? He did this all the way till 17, so yeah he definitely was super important in the order right??

---_---_---_---_---_---_---_---_---_

Dumbledore invested quite a bit in the Marauders with his blatant favoritism and letting a werewolf in the school risking his own position as a headmaster.

And...they all turned to be bloody useless. With only James being useful because of his participation in the birth of Harry Potter.

Sirius in his madness derailed a murder investigation for a fucking decade.

Remus, I genuinely can't remember anything substantial Remus did, except for letting someone he believed was a murderer into Hogwarts and never telling Dumbledore that they were Animagus to begin with.

---_---_--_---_

Seriously, the most useful person in the war had to literally beg on his knees for the man to use him. Even fate was like, for fucks sake, just give this guy a chance already.

[bluejutdae]

Perv!Roommate Jeongin | Jeongin x you

notes: sequel of this. I hate it, but eh. Might delete it in the future..

PervRoomate!Jeongin whose jealousy is slowly making him spiral out of control. Now that he has tasted you, the thought of anyone else getting too close drives him mad. When you go back home and talk about your day, he listens carefully for any male names that come up. Your coworkers, your friends, the guy at the coffee shop who paid for your drink… they’re all threats trying to take you away from him. So he starts to “accidentally” show up in places he knows you’ll be at. “Oh, you come here too?” and “was it tonight that you planned to come see a movie here?”

PervRoomate!Jeongin who, anytime he sees you talking a little too cozy with another guy, jokes saying you’re cheating on him, that you shouldn’t flirt with others. It’s an inconvenience for you, but you can’t deny the shiver that went through you from the possessiveness of his words. He starts manipulating you when you consider making plans. He looks at you like a puppy and convinces you to tell your friends you’re busy, guilt tripping you into staying home with him, because “I just miss spending time with you, jagi. Don’t you care about me?”

PervRoomate!Jeongin who has no remorse when he gaslights you, telling you agreed to watch that movie with him. And no remorse when he lies, pretending to be sick the moment  you’re about to go out with someone. How can you abandon your roommate-slash-fuck buddy when he feels like that? The same night, after he convinces you to sleep in his bed because he feels too cold, he smiles to himself. Once words about you being unavailable spread at work and among your friends, the competition will be destroyed. 

PervRoomate!Jeongin starts to leave marks on your body, where they’re most visible. Hickeys on your neck, a bite mark on your shoulder. It’s his way of marking you, another proof that you’re his and no one else’s. He gets a twisted satisfaction from seeing the marks he left on your skin. And the display of ownership doesn’t bother you too much. It’s just something silly, right? It’s not real ownership.

PervRoomate!Jeongin who plays the victim any time you two argue, and he makes you feel guilty. “I was only looking after you. That skirt was really short. You know how many perverts are on the train, right?” He’s pushy, yes, but he only wants you to be safe, right? Sometimes, after a fight, he seems so hurt by it. “I just care about you so much, can’t you see that?” Of course you can see it. And when he kisses you, you reassure him, you kiss him, and inevitably you spend the evening together in bed. 

PervRoomate!Jeongin always fucks you harder after a fight, more possessive, and more marks litter your body the day after that. A collar of bruises on your neck, a clear sign of STAY AWAY FROM HER, clear to everyone but you. When he has you on your knees, fucking you from behind, with you back pushed against his chest, he whispers “you’re mine. All mine. No one else can have you like I do.” But you never worry, people say all sorts of things while having sex, and you’ve always loved some dirty talk.

PervRoomate!Jeongin that, now that has access to your body, your attention and your underwear drawers, wants more. “If we’re both single by the time we’re thirty, we should get married”. But if things go his way, neither of you will be single…

[suzukiblu]

Question. How would you go about writing from a mad scientists point of view? Or how would you write a point of view of a character who writes in logs or records their work aloud?

No matter the narrator, I just about always start with the character's base personality, so when you say "mad" scientist, the immediate question for me is are we talking, like, cackling lunacy or cold logic or neurotic obsession? Because I'd approach all of those personality types differently, obviously. So like, using those archtypes as examples:

The cackling lunacy would be very hard to follow and jumping all over the place and their logs/recordings would be very self-referential and full of delusions and hallucinations and just be INCREDIBLY difficult for other people to understand, but still following their own internal logic. It doesn't make sense to anyone else, but it makes sense to THEM. Their notes literally just sound the same way they talk all the time.

The cold logic would be stripped-down and short and full of cross-referencing notes and references to previous experiments or other people's work, and trying to minimize the effects of their personal opinions on the data. Their opinions show in glimpses based on WHAT experiments they're running and what data they find important and how they approach their work, but they don't express them outwardly unless they can back them up with Results(tm). Their notes code-switch to more formal and precise language than they'd typically use in daily conversation, and more clinical and neutral tones/terms, plus a lack of bothering with the kind of put-on social niceties that make talking to other people a less annoying process for them.

The neurotic obsession would be VERY stream of consciousness, weaving in and out of topics and going off on tangents and struggling to concentrate on the nitty-gritty details or things that just don't interest them like their obsession does. Literally just writing down/recording their thoughts without a filter or focus and having to catch themselves and go back to previous parts of the experiment, and possibly need to stop and course-correct or just correct MISTAKES at least two or three times a log, and possibly inadvertently contradicting themself sometimes without actually noticing. Everything is about the obsession, and everything is bent AROUND the obsession and made to fit or relate to it. Their notes just sound the exact same way as their infodumps do when no one interrupts or stops them and just lets them talk their ears off.

So yeah, those are some starting points for my best immediate advice, but I would say above all else, the personality is ALWAYS what most matters, and especially the internal logic the person taking the notes operates on. Also, the additional motive of the question of it these are PERSONAL notes, or if they're notes that the character intends to publish or edit FOR publishing, or if they're notes that another character is supposed to transcribe later? The perceived audience in the character's head is always gonna influence what they do/don't mention or do, whether intentionally or not.

Hopefully that's helpful, feel free to follow up if you've got more questions or want some clarification on anything I said!

[ducktracy]

are you anti "sour-puss" daffy? that characterization of him is the primary one in my head. like duck amuck is epitome of daffy in my mind.

CRACKS KNUCKLES SO LOUDLY THEY EXPLODE. i’m giving my “HEADS UP THIS WILL LIKELY BE EXHAUSTIVE” warning now because i love love love love love love love love any chance to talk and analyze and pontificate about the duck. TLDR: YES AND NO

SO. i don’t consider myself “anti sour-puss” so much as i would consider my stance “if Daffy has to be more egocentric and miserly than he usually is then i prefer a very specific set of circumstances for this to be the case”. i have warmed up to the Jones and Freleng duck of the ‘50s onward CONSIDERABLY in recent years—there was a point where i just refused to touch any Daffy short made after a certain point because i knew it would make me frustrated and sad and mad and that’s, respectfully, ridiculous!

it took me watching the Speedy and Daffy cartoons to realize that Daffy in THOSE shorts is what i thought Daffy was in the Jones and Freleng shorts. it dwindles a bit over time (compare how he behaves in The Hunting Trilogy to something like Ali-Baba Bunny, which is a short i still have yet to come around to for that reason—i don’t like the “MINE MINE MINE GO GO GO DOWN DOWN DOWN” duck very much and my issue was that i thought he behaved that way in every single cartoon after a certain point which is thankfully incorrect!), but there’s still some nuance. by the time we’re getting to shorts where Daffy is saying “HOW MANY TIMES DO I HAVE TO TELL YOU NOT TO STARVE ON MY PROPERTY” is when i fully throw in the towel lol

another thing that’s helped me warm up is the realization that Daffy’s personality change is not nearly as objective as it’s made out to be. he has always had an ego, he’s always been reckless, impulsive, and yes, this absolutely includes the ‘30s shorts! Chuck’s Duck is Chuck’s Duck from day one with the line “not bad for a guy that never took a lesson in his life!”.

Scalp Trouble has Daffy on an ego trip fancying himself as an army general (and there is a legitimate, honest to god small dick metaphor joke in that short because he has this huge giant sword sheath that is indiscreetly phallic in design, only to reveal a tiny little dagger), ordering people around and essentially LARPing in this role we immediately know is way too big for him. and when it comes time to battle, what does he do but spend the majority of his time cowering in a corner.

he’s always had these traits! maybe they’re a bit more primitive earlier on, some other traits are a greater priority. but Drip-Along Daffy is one of my favorite Chuck Jones shorts because it’s basically a sequel to The Great Piggy Bank Robbery. and you could argue the same with Duck Dodgers! all shorts have him fantasizing about a hero role that is clearly too big for him to fill, and he is absolutely getting the biggest kick out of assuming this role. Drip-Along is still early enough to also have this sort of innocence and unflappability (that may more accurately be described as delusion or ignorance): when Daffy gets no reception whatsoever in the bar, instead of screaming at everyone to look at him, he just marches to the next order of business and indulges in his next part of his fantasy. this NEVER would have happened had the short come out 5-10 years after when it did.

likewise, the Daffy of the ‘50s and ‘60s is still insane, it’s just a different manifestation of how that’s the case. earlier on, he’s a bit more visibly unhinged. his HOOHOOHOOing fits are a catharsis that you can just FEEL crawling up his throat and dying to get out, and in the really early shorts you can see this sort of half and half battle between cognizance and succumbing to insanity (The Daffy Doc and Porky’s Last Stand especially come to mind). it’s an insanity that relieves itself through sheer manic catharsis. as time goes on, he matures a bit, he knows how to keep better wraps on it; the manners in which he gratifies his impulses just shifts.

and also, Daffy can still very much be a sourpuss early on! Bob McKimson’s Daffy, whose interpretation is very integral in my sort of mental default of who Daffy is, can be very bitter and cynical in particular! or, again, early shorts like The Daffy Doc or Scalp Trouble where he’s more argumentative and his ego is clearly much more tender.

the seeds of what Daffy would become have all been planted, and so that’s allowed me to bristle a bit less and lower my haunches. and i am making more progress in coming around to the later shorts! i’ve been on a Chuck Jones kick recently and been watching lots of Chuck Jones Daffy shorts and enjoying them. i love Drip-Along, Duck Dodgers, Duck Amuck, Deduce You Say, Robin Hood Daffy—i’ve even come around to Rabbit Seasoning which is kind of NUTS to me because there was awhile where i was acting like Bugs and Daffy shorts killed my firstborn. “pronoun trouble” is an inside joke with my friend and dear lord i laugh every time at Daffy’s reactions to Elmer falling for Bugs’ drag act, and the ENDING!!!! omg. i love it. i’ve come around to Beanstalk Bunny as well! it’s a great short!! in getting to know the duck better and understanding how nuanced his development is, i’ve gone a bit softer which is good.

i was just chatting about this recently—i think most of the thorns in my side come from the Daffy and Bugs pair-ups. what i like best and get most out of each character, i get none of when they’re together. i’d rather see Bugs behaving and doing something else, and the same for Daffy. i’m not opposed to a sourpuss Daffy so much as i really don’t like seeing him suffer. i feel like the Bugs and Daffy shorts “punch down” a bit more on him, and i still haven’t found a way to really properly articulate this… i’ll just copy and paste what i was saying the other day here:

Daffy earlier on has all the traits above we talked about, but the difference is that he isn’t really shamed for them outright? of course we’re meant to laugh at his cowardice as he says “go… back… in again….” to the giant towering rat gangster he screamed at to confront him, we’re of course supposed to laugh at the asininity and selfishness of him dodging the draft and taking the Little Man From the Draft Board down with him by locking him in a safe and suffocating him. Daffy isn’t exactly meant to be a role model (but that still doesn’t stop me from finding his bombasm and exuberance and zest for life extremely empowering!), but there’s less narrative pushback against it. seeing Daffy be Daffy and have every action be interrupted by another character rolling their eyes going “oh brother” is where i have a problem, it just sucks the air out of the room for me. especially when Daffy is made to feel ashamed or beaten down for this as well. that’s why i enjoy shorts like Beanstalk Bunny or Drip-Along so much, ending with stuff like “it’s a living!” or being contented in his new position that is often very degrading and a direct consequence of his impulsiveness. a huge part of Daffy’s charm for me is his resilience (even if that equates to ignorance at times), if he wants something he will go to absolutely asinine lengths to get it! and i love that! his drive is so admirable! and i just feel like after awhile that resilience is lost. the issue isn’t that Daffy is a loser, as he’s lost quite a bit before that—moreso, he doesn’t have that good humor about being a loser anymore

I’M ALMOST DONE I PROMISE. but my tags in that video post, as i said in them, i watched The Million Hare the other day which is a short i very much dislike. and it’s not really out of anger or “UUUURGH NOT MY DAFFY”, but moreso it just makes me SO. DAMN. DEPRESSED.

this is the most soul sucking image i’ve ever seen. i get genuinely sad that the cartoons have devolved to starting with “characters watching TV because they’re too bored to do anything, and Bugs just joins him”. no part of this is the resilient, impulsive, manic, pleasure seeking duck that carried us through the past few decades. and this certainly doesn’t represent the wily, impish, inciting rabbit of the past few decades either! Bugs has a greater excuse since i know there’s the pattern of his domestication and Jones’ rule of Bugs minding his own business before being provoked, etc. but man. this image just represents all of my problems with the later shorts and dynamics. the characters are hollow and so are the stories and the directors are checked out or moving onto greater things, and i think all of that just coagulates and manifests in the characters.

I HAVE SO MUCH MORE I CAN SAY but i’m finally realizing i’ve gone on way way way too long and don’t even know if i answered the question all that well LOL. don’t even get me started on “modern”interpretations of Daffy… [starts ranting about how TLTS killed my family for the 80th time as i’m gently lured into the nursing home].

BUT! to answer your question! i’m not really opposed to a more cynical and conceited duck because those traits have always been there, just in varying degrees of intensity. my ideal duck is definitely one locked in the ‘40s—Frank Tashlin and Bob Clampett’s Daffy have always been my favorite, but i’ve sort of adopted a coagulation of Art Davis, Bob McKimson, Norm McCabe and Friz Freleng’s duck as my mental default. i am extremely protective and loving and fanatical of Daffy, i love him more than any cartoon character and i resonate with him more than any cartoon character! i bet he too would also spend an hour typing up a diatribe on his character evolution and how he’s been sorely misrepresented. maybe. Daffy is one of the most varied characters of all time, and it’s really hard to pin him down for this reason. i like a duck that best has a bit of a balance between his traits, and i get more chafed when he’s made more narrow and transparent and just “flanderized” (for lack of a better word) to one or two tropes that then speak louder than his character. i prefer shorts that are more sympathetic and celebratory of Daffy rather than admiring how funny he is as a loser. which, he is funny! but IUNNO. i like a more upbeat and resilient and charming duck, and he can be all of these things later on, but it unfortunately does get fleeting

[miraculouslbcnreactions]

Y'know, if Lila was just a one-off character for Volpina and we never saw her again, a few tweaks in that episodes writing could have made it a good lesson about not letting your temper get the best of you, even in a situation where your anger is justified

This is in reference to the post where I discussed how terrible Volpina's lesson is and I agree with the proposed change. If Marinette has to be in the wrong here, that's the only way to make it kind of work. In fact, this is what I thought the episode was trying to do on my first watch. When the next season started with Lila gone, I thought, "Okay, so that episode was supposed to be about being the better person and having a more measured response when you've been wronged. I don't think it did that lesson super well, but I can see what they were going for and we'll give them some grace. Definitely one that I wouldn't just give to a kid, though. Way too high a risk of them internalizing a very wrong message."

I only gave the writers that grace because I assumed that Ladybug had truly humiliated Lila out of Paris off screen (remember, we only see Ladybug out Lila to Adrien even though Lila was lying to everyone) and that is a pretty extreme punishment for a teenager making a dumb choice. Even then, saying that Ladybug was in the wrong feels a little too victim blame-y for my tastes. Lila was the one telling the lies and using Ladybug's name for clout on a city-wide scale or possibly even a national/international scale depending on the Ladyblog's viewership. By telling those lies, Lila was harming Alya's credibility and presenting herself as a sort of authority on Ladybug, a position that she was going to use to her advantage as we saw with her manipulating Adrien. She was also putting herself at risk if Gabriel or other villains believed the lies and saw her as a way to get to Ladybug.

That means that the lies Lila told aren't exactly minor, victimless crimes like the lies Marinette and Adrien tell to hide their identities. Lilia's lies needed to be outed on the same scale that they were broadcast and there's no kind way to do that. It's going to have a brutal edge no matter how pretty the words are.

There are times when it's right to be "the better person" and let a thing go, but it's hard to view this as one of them because this was not a nuanced situation. There was no reasonable option other than issuing a public retraction and Ladybug didn't even go that far! She had a single, private confrontation with Lila and then let the matter rest. A better version of this episode might see Alya and Marinette giving a really mean retraction on the Ladyblog that they then feel bad about because they should have been more professional, but that's about it as far as possible improvements go.

If we look at what the episode actually gave us, it feels like another Gamer situation. An episode that blames Marinette for impure motivations while ignoring anyone else's faults, creating a nonsense moral that just makes me mad. Ladybug-is-wrong-for-confronting-the-liar-for-impure-reasons is certainly a take. It's just not one that I'm ever going to agree with. To give a recent, real-world example, do people really feel that James Somerton was the wronged party because his many, many lies and instances of plagiarism were outed in a brutal public takedown? (Context part 1 & part 2, though part 2 is the one to watch if you only want to see why letting lies from respected sources go unchecked can be so messy.)

To be clear, I don't think that Lila's lies were Somerton bad in Volpina, but they were starting to go down that road and they arguably reached Somerton levels by season five. Fakes identities, almost getting Marinette expelled, using her lies to get social power from Gabriel, the list goes on, which is yet another reason to hate Volpina. Its nonsense moral is a big part of why Lila could do all of that. Ladybug should have outed Lila! Society suffered and will continue to suffer because she didn't. That's why you have to stop misinformation as soon as you possibly can, but that wasn't actually the moral of Volpina. The moral was that Ladybug was in the wrong for being mean to the liar. Maybe if she'd been nicer, then Lila wouldn't be so evil now which is a very gross moral! Volpina really does feel even more victim blame-y now that Lila is the new big bad.

That's a good segue to circle back and finish off my original topic: I gave the writers grace for Volpina until Lila returned and established that she'd never been publicly outed. At that point, Volpina lost any chance at me giving it charity. The lesson was worse than I thought and I was fully justified in hating it. It's one of the ones I use when I explain why I wouldn't want a child getting into Miraculous because the problem with Volpina's moral is pretty straightforward.

[tategaminu]

Some predictions for S7

It seems some people are concerned about Rayla and Callum being separated for half the season when I honestly don't think that will be the case. They have never been separated more than two episodes, you could say "well it could happen now!" but I doubt they would do that in the same season we will fully see them together for the first time.

Now some proof or my own guesses to favour this:

In this screenshot Rayla isn't with Callum, she could be out of frame but I don't think so.

I'm guessing he went ahead since maybe Rayla's wings weren't working anymore (they said they didnt't last forever if I remember correctly)

Look how sad he looks, he has no gf to cheer him up over Katolis' destruction.

Now, we see Rayla and Ronaldo standing up in front of the Banterlodge, why are they here? I think Callum told them to meet there since it's a place both him and Rayla know.

Why is she in attack mode?

Looking at the trees it seems Ezran, Aanya and the animals seem to be around the banterlodge. Maybe Rayla sees the katolians coming or Ezran asking Corvus and Soren to arrest Raul and she gets defensive ofc, tho it doesn't seem to be an overly agressive stance.

We have confirmation that Callum and Ezran will have a conflict and Ezran is gonna be mad about Runaan, so maybe Callum defends Runaan here and confesses that he is the one who fred him, making the brothers fight. An upset Callum then leaves with Rancher and Rayla.

My guesses are, Callum and Rayla separate in episode 1 and reunite in late episode 2 or early episode 3 (they tend to "meet" in the second episode lol) maybe ep 2 ends with them meeting and the cliffhanger of Ezran finding out about Ronald.

Callum, Rayla and Richard arrive at the Silvergroove (perhaps is on episode 3 to parallel season 3) we get the Ruthari reunion and Rayla's trial in the same episode, a confirmed to be a very emotional episode.

The place Rayla is having her trial on seems to be the lottus pond thing, we only see her, The Keeper (I didn't know moonshadows could have beards okay dude) and the ghosts of the deceased assassins. I'm guessing she will have to be forgiven by them to be accepted back on The Silvergroove and she will need a lot of emotional support, I don't see why Callum wouldn't be there since he was there when she found out about her ghosting so he being there when she gets unghosted makes all the sense.

Callum, Stella and the other ones are out of frame probably watching this, unless this is another place where they aren't allowed.

I wouldn't be suprised if Rayla doesn't want to go with the trial at all but we get a little callback to this with Callum saying something similar, maybe even more agressive this time.

Now onto the next clue, this oopsie leaked scene by the animation company:

Stella jugglinga adoraburrs! look how cute!

I'm fully convinced this is a rayllum scene, it screams romance with the flowers and singing baitlings "oh it could be ruthari!" yeah? maybe? but let's look at the clues shall we:

Stella is there, Stella is always with Rayla

Callum and Rayla love adoraburrs

Sneezles is there, Sneezles is always with Callum

There are two lovebirds and Rayllum tends to attract animals (very disney princess/prince if you ask me)

The baitlings are singing, screams Rayllum corniness (kiss the girl!)

Rayla and Callum have something going on with boats

Maybe Callum and Rayla decided to take the rest of the baitlings with them to the Silvergroove (for some reason)

Maybe this scene isn't before the mid season at all and it's at the end! but for now I choose to believe it's kind of the calm before the storm scene. Maybe Rayla and Callum are celebrating her unghosting, before Aaravos starts fcking shit up and they have to leave and go back to Ezran. I don't think this will happen in the way to The Silvergroove because 1) third wheeling Runaan would be uncomfortable and I don't think Callum would prepare this at all in the way unless he wanted to annoy him hard idk 2) Rayla and Callum didn't need to cross water to arrive at TS the first time.

I'm choosing also not to believe this is at the end because them leaving The Silvergroove mid season for them to come back at the end wouldn't make much sense to me unless they are getting married right in this scene mostly because I don't think Rayla and Callum will choose to live in there, at least for now, and this will be the end of the arc not the series so yeah, they could be visiting tho and this could be a chilling ending scene.

In a summary, I don't think rayllum will be separated for a lot of episodes and Callum is totally going to The Shitlvergroove maybe they will get separated again when she gets kidnapped

listen you can't separate them for much unless it's against their will

[n0tamused]

"Deeds, not words"

A/n: Finally finished this and tbh I am very proud of how it came out even if I see that I could have done better in certain areas. I prefer the first one better, but tbh I love them both. I have scrambled together a little story to go along with this, although I do have to warn that the details of Jien and Proxy's story, how it really unfolds, is still subject to change. This drabble here is just me exploring ideas of how Proxy can start seeping more and more poison into Jien's life, but we'll see. To anyone that does read it, thank you <3 Mwah.

Contents: Syaoran, a technician of the team of Armed Archeologists, is accompanying Jien to Scalegorge Waterscape at the invite of a High Elder. What waits for them there is no warm welcome.

There is an odd tension in the air, so ill it made him sick. Scalegorge Waterscape had towering walls of water all around, and it felt as if they were ready to swallow him at any moment, the sky above being the only solace. The air was still with the smell of salt, and there was a quiet sound. Like the one a dog made before it growled. 

Miss YueXia didn’t budge, and Syaoran judged it was because she was from these parts. Perhaps she felt at home even, but whether that was good or bad didn’t have space in their conversation with the Elder before them. And now he could sense that feeling of anger from Jien, he only wished he could see her face from where he stood, a step behind her. Did she look angry? Or was it that cold expression she once served the team after that messed up expedition?

“We have welcomed you into our fold and treated you as our own. Yet our eyes have reported your face sneaking about in the night around the Luofu, sowing suspicions and spreading gossip. Is this your way to show gratitude, YueXia?”

The Elder looked at Jien with cold suspicious eyes. 

“High Elder, while I appreciate your invitation to meet me I fail to see how or why I would do such things, especially since I have not been on the Luofu in almost a year” she replied, cold and even tone, yet there was an unmistakable tinge of some need below it all - a need to make things right. A flicker of a flame. 

“Moreover, I have never wished you or the people of Luofu any ill will and I have always advocated for the safety of the civilians as much as a Cloud Knight. Did you bring me here to confront me for something another has done?”

“Another?” the Elder bristled, arrogance rolling off of him like a cloak. “I have seen it myself, this ‘another’ was you. I saw your face in the darkness. And you dare lie to my face? The Disciples of Sanctus Medicus have been on the prowl and you with them. I knew the IPC wishes to get their clutches on the Vidyadhara, but I refused to believe you would aid in such a goal”

That is not true, Syaoran wanted to say, feeling his face twist in displeasure. Jien was against the Abundance, against the Disciples, the whole team knew, but even if she wasn’t - her team was. Syaoran knew Kaiya had a burning hatred for the Abundance and his wife was from the Xianzhou Yaoqing. He’d be the first to jump against any idea of Jien bringing any harm to Xianzhou Luofu, but everyone knew she’d sooner go mad than think of such schemes. 

“Do you know how many you’ve hurt with your doings? And you wish to say my eyes are deceiving me as well?” 

Jien’s eyes fell dark and darker still, her jaw stiff as she ground her teeth together, listening to the Elder talk without interrupting him.

“I meant no insult when I previously said you were mistaken in your assertion, but now you are accusing me and my team of inexcusable crimes and I will not tolerate such” Her tail brushed against the cold stone, pale and gnawed away by sea and time. “High Elder, I can assure you I had no chance to do such things, even if I had the plan to ever harm you and the people, which I remind you again - I never did and never will do. I was half a cosmos away. Do you propose I have, perhaps, cloned myself? I pray you don't jest, High Elder, and listen to what I have to say. Who you saw was not me, I swear on my life..” Jien put her hand over her heart to show her sincerity as the seams of her silence began to tighten and break. 

The Elder Syaoran couldn’t remember the name of frowned deeply at her words, distrust swimming in his eyes, body taut as a bow string. “And you propose I believe you over the reports of countless others?” 

“I cannot force you to put those reports aside and trust my word alone, but I hope the eyewitnesses of my team, as well as camera surveillance and date records of my passage through the cosmos can be proof enough to you and so many others that are holding the belief that I or any of my team have committed these crimes. I am more than willing to bring them all over here, to you, as soon as morning comes if that would let your mind let go of these beliefs” Jien sighed and shook her head a moment later. “Although, I do fail to see - if these crimes are so severe, I would have expected someone else to come and question me about them..” there was a mild insult interlaced between her words and tone, so skillfully that not even the Elder before her could point it out without sounding mad.

He only exhales a long breath through his nose. “You will be questioned by the Ten-lords Commission” he said, tone resolute. Syaoran could see Jien move her hands behind her back, her fingers forming into a fist. Somthing told Syaoran that the High Elder came to this decision on the spot.. “The evidence is overwhelming and not in your favor. But I will give you until morning to bring your evidence to us, and we’ll take it from there”

[elialys]

THE NEWSREADER | 2.03 | Helen x Dale - Not like everyone else

[yuridovewing]

i understand the frustration with “i made this gay pairing cis x trans so they can still have biological babies” with no thought to other methods and how ppl assume thats the case when it comes to mothpool aus where mothwing is also the mother of the three, but also…. idk i kinda dont give a shit if someone wants to do that and i dont really think its inherently transphobic as long as its handled with care and respect.

what really concerns me about this debate is how some people are adamant that you cannot portray trans people having biological children in media or youre being disrespectful. and im gonna say as a nonbinary person who doesnt want children for themself- thats kinda fucking weird? like i understand that for some people, theyre trans themselves and theyre speaking from a place of dysphoria, and i absolutely get that, which is why i think the topic should be handled with nuance and diversity in trans characters, but like…. guys. pregnant trans men exist irl. trans women get people pregnant irl. trans ppl’s ability and right to parent and have biological children are being debated irl. we get denied the opportunity to adopt as well.

in a climate like this, are we SURE we want the stance on rewrites and headcanons in the silly cat books to be “if you portray trans characters having children, especially with a gay couple, youre a transphobic freak no matter what!” does it really matter? especially if its being done by a trans person handling the topic with nuance who has a lot of trans characters with varying perspectives?

obviously yes, remember that thats not the only way certain gay couples can have kids, remember that not every trans person is fully comfortable with it and keep that in mind, remember that surrogacy and adoption are also perfectly valid ways to give fan babies- but remember that there are OPTIONS. not that you need to condemn the idea of transgender parents in the first place unless they fit the very specific criteria of “proper transgender representation” and anything that dares deviate from that is proof the op is a transphobic monster (bonus points if theyre a trans creator bc i mostly see trans people getting shit for this and it kinda pisses me off. although idm if cis people do it either as long as theyre handling it with respect)

[angelsdean]

ruthlessly deleting old 2021/2022 posts (not by me) from my dean studies tag like *click* un-incorporating that from my beliefs system! also the way SO many posts have me like ok uh-huh good aaand then say one completely wrong thing that loses me. it's so many posts.

[munamania]

things have not been normal. im so tired.

[glitchdollmemoria]

yknow the cool thing about having a ptsd induced bad dream is it gives me more motivation to go watch cozy movies and eat comfort food til i feel better

[theloveinc]

As someone with a visually weak lazy eye, I'm really grateful for your takes. Listen, the glasses I need to help my vision are too expensive for me right and I have other expenses I have to prioritize, and, yes, sometimes I'm going to skip some chunks if I can not engage with them/don't feel interested/I think they're not as important to the plot in order to actually put some energy in the rest of the reading, and I don't think that makes me a "bad reader" or that "I just don't know how to read", specially when reading, to me, is painful and tiring, but still something I enjoy.

I don't do it always, but anyways, I feel some type of way seeing people commenting such things.

"feel some type of way"....... u are too polite lmfao

[crystalkleure]

>“What are your favourite animals” >*Lists off almost exclusively creatures that most people are afraid of or think are gross [or both], for the given “I am offended on their behalf, they are simply vibing” reason* “...And also dogs!”

One Of Those Things Is Not Like The Others, except it actually is because I was raised by my mother and my mother fucking hates [read: is afraid of] dogs, especially the big ones. When I was a kid I asked for a pet dog once and she got me two cats instead.

[quietwingsinthesky]

hi i am an avatar fan put me in your data

i am not going to the theme park nor will i ever (fuck disney) but i do like both the movies (the first one is better. obviously) and i am an avatar fan. we exist. i can name five characters without looking it up

alsjfkgjdk see i know you exist i do i know but its always a jumpscare to remember it. anyway good on you. putting u in the No Theme Park circle.