#and i think his motivations are sympathetic if also fucked up

[randomidiocyncrazies]

.

[transmascutena]

thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder

[beemovieerotica]

struggling with how to word this, but putting it out there anyway:

i can fully understand the posts on here from a lot of americans being tired of "vote blue no matter who" posts when the #1 thing that people are constantly (and sometimes only?) addressing is how the republican party is going treat trans/queer people if elected.

it's part of an unfortunate pattern of prioritizing the effects on a demographic that includes white + upper class people, when people of color and those in the global south are actively and currently being killed or relegated to circumstances in which their survival is very unlikely

it is genuinely exhausting to witness this, and i was also on the fence about even participating in voting because i a) felt like it didn't matter and b) every time i voiced being frustrated with the current state of the country, white queer people would immediately step in with "but what about trans people!" -> (i am mixed race trans man)

and i say this with unending patience toward people who do this, because i know that it's not something they actively think about. but everyone already knows how the republican party is going to treat queer people. you are probably talking to another queer person when you bring up project 2025. the issue is that, for those of us who aren't white, or for those of us who are but who are conscious of ongoing struggles for people of color worldwide, the safety of people around the world feels more urgent than our own. that is the calculation that's being made.

you're not going to win votes for the democratic party by dismissing or minimizing these realities and by continually centering (white) queer people.

very few people on here and twitter are actually talking about issues beyond queer rights that concern people of color, or how the two administrations differ on these issues instead of constantly circling back to single-issue politics. this isn't an exhaustive list. but these are the issues that have actually altered my perspective and motivated me to the point of committing to casting a vote

the biden administration has been engaged in a years-long fight to allow new applicants to DACA (Deferred Action for Childhood Arrivals, the program that allows undocumented individuals who arrived as children to remain in the country) after the Trump administration attempted to terminate it. the program is in limbo currently because of the actions of Trump-backed judges, with those who applied before the ruling being allowed to stay, but no new applications are being processed. Trump has repeatedly toyed with the idea of just deporting the 1.8 million people, but he continues to change his mind depending on whatever the fuck goes on in his head. he cannot be relied on to be sympathetic toward people of hispanic descent or to guarantee that DREAMers will be allowed stay in the country. biden + a democratic controlled congress will allow legal challenges to the DACA moratorium to gain ground.

the biden administration is open to returning and protecting portions of culturally important indigenous land in a way that the trump administration absolutely does not give a fuck. as of may 2024, they have established seven national monuments with plans to expand the San Gabriel Monument where the Gabrielino, Kizh / Tongva, the Chumash, Kitanemuk, Serrano, and Tataviam reside. the Berryessa Snow Mountain is also on the list, as a sacred region to the Patwin.

i'm recognizing that the US's plans for clean energy have often come into conflict with tribal sovereignty, and the biden administration could absolutely do better in navigating this. but the unfortunate dichotomy is that there would be zero commitment or investment in clean energy under a trump-led government, which poses an astounding existential threat and destabilizing force to the global south beyond any human-to-human conflict. climate change has caused and will continue to cause resource shortages, greater natural disasters, and near-lethal living conditions for those in the tropics - and the actions of the highest energy consumers (US) are to blame. biden has funneled billions of dollars into climate change mitigation and clean energy generation - trump does not believe that any of it matters.

i may circle back to this and add more as it comes up, but i'm hoping that those who are skeptical / discouraged / tired of the white queer-centric discourse on tumblr and twitter can at least process some of this. please feel free to add more articles + points but i'm asking for the sake of this post to please focus on issues that affect people of color.

[munson-blurbs]

Eddie Munson x Best Friend!Reader

Summary: You've been crushing on Eddie since you joined Hellfire Club. Too bad he's crushing on Chrissy Cunningham...right?

Warnings: angst to fluff, idiots in love, super cheesy but it's Valentine's Day so idc WC: 1.6k A/N: My entry for @corroded-hellfire's This is Music! event!

Divider credit to @saradika

Eddie’s looking at her again.

You can’t blame him; he’d be crazy not to stare at Chrissy Cunningham, clad in her tiny cheerleading uniform with a bouncy blonde ponytail and sugar-sweet giggle. If you just ignore him, act like he isn’t imagining sweeping her off of her feet–

“Do you think I should send her one of those candy gram things?”

Almost instinctively, Dustin’s eyes flicker to you, but he turns back to Eddie before anyone can notice. “I don’t know if that’s a good idea,” he stammers, scrambling for an excuse. “She and Jason, like, just broke up.” 

This information doesn’t deter Eddie in the slightest. “Exactly. She’s probably heartbroken from getting dumped right before Valentine’s Day. I could be her…Freak in Shining Armor.” He grins at his spin on the unwanted nickname, pausing for a half-second before turning to you and asking, “You’re a girl. What do you think?”

The question is almost laughable. What do you think? You think he should stop pining over Chrissy and start seeing you in that same light.

With a painful swallow, you force a strained smile. “If you like her, you should go for it.”

That’s all of the motivation Eddie needs. He slams his palm on the table and proudly declares, “All right, I’m doin’ it.”

Tears bite at your lash line as he strides across the cafeteria over to where the student council has set up the candy gram booth. You feel a gentle hand on your shoulder, and you glance over to see Dustin offering you a sympathetic look.

“He’s an idiot,” he says, low enough so that his words are inaudible to other Hellfire members. “He’ll figure it out one day, but you shouldn’t sit around waiting for it to happen.”

Logic tells you that he’s right, but moving on is easier said than done. Especially when he’s one of your closest friends.

Determined to avoid any inquiring from the other guys, you do your best to assimilate into their conversation about beating this week’s campaign.

Chrissy received Eddie’s candy gram on Valentine’s Day. To his dismay, she also got one from Jason Carver. 

“Of course she went back to him,” Eddie mutters, tossing his tin lunch box on the cafeteria table with a harsh clang. He heaves a sigh and rests his head on your shoulder, gazing up at you with his big, beautiful eyes. “Am I gonna be alone forever?”

“Probably.” You muster a tense laugh and brush a tendril of his hair off of your cheek. “Maybe you can try sending out a message in a bottle and see if anyone bites.”

He harrumphs and slumps over, burying his face in his palms. “She told me she ‘appreciates my friendship.’” He shakes his head. “Fucking humiliating.”

The irony of his statement is too much to bear, and you slip away from the table with a half-hearted excuse about needing to study for the history test you have next period. 

The walk to the library feels like it takes decades, silent tears falling as soon as you find an empty table among the stacks of books. 

Chrissy wanted Jason the way Eddie wanted Chrissy, which was the same way you wanted Eddie. 

And no one wanted you. 

A few minutes pass before Jeff slides into the seat next to you. “We’re in the same history class. Figured it would make your lie more believable if I had to study, too.” He shrugs. “Plus, I wanted to check on you.”

“I’m fine.”

He doesn’t believe you, you know he doesn’t. Embarrassment is written all over your face, both at your abrupt exit from the cafeteria and your pathetic crush on Eddie. 

Jeff takes a deep breath. “Look, Eddie doesn’t know what he wants.”

“Seems pretty obvious to me that he wants Chrissy,” you say wryly, twirling a pen between your fingers. 

“No…I mean, yeah. But that’s because she’s, like, safe.”

You scoff. “Asking out the Queen of Hawkins High is safe?” 

“Sounds ridiculous, I know, but hear me out.” Jeff leans in a bit closer so he can whisper to you. “She’s not part of our group, so he doesn’t have to worry about constantly hanging out with her. Plus, she’s nice enough to not publicly destroy his ego. I’m sure she didn’t tell Jason about the candy gram, or else he would’ve announced it to the whole school by now.”

You nod in reluctant agreement. 

“And speaking of that jackass,” Jeff continues, “how many times have they broken up and gotten back together?” 

“Too many to count.” Their relationship is like one of the novelas you watch when you’re stuck at home with a fever. 

“Exactly.” Jeff exhales. “Chrissy paid a little bit of attention to Eddie because she wanted some weed for a party, and now he’s head over heels for her. Because he can be. Because her rejection stings a little, but it’s nothing compared to how being rejected by you would feel.”

Wiping at your tear-dampened cheeks, you shake your head. “I don’t think he cares about being rejected by me.”

He mumbles something under his breath but doesn’t say another word until the bell rings, and the two of you walk to class together. 

Thank God you don’t actually have a test today; you wouldn’t be able to focus long enough to answer a single question. All you think about is what Jeff had implied: that Eddie does like you but is afraid to ruin your friendship.

You brush off the idea as ridiculous. Why would Eddie choose you over the gorgeous head cheerleader?

Uneasiness builds within you until it’s impossible to ignore, and you scrawl a note in the back of your composition notebook before you can fully think it through.

Eddie–

I’m sorry that Chrissy turned you down. Trust me when I say that I know what it’s like to feel unwanted by the person you want the most. It sucks, but you’ll move on and realize that she was the one who missed out, not you.

You sign your name and add a P.S. Fuck Valentine’s Day for good measure, folding the paper in fourths and slipping it into his locker between class periods. Not quite a confession, but it’ll do.

Eddie’s waiting by your locker after the last bell rings, scraping a front tooth against his bottom lip and fiddling with something. As you get closer, you realize that something is your note.

“Who is he?” Eddie demands to know, sighing impatiently when you raise your brows in confusion. “This mystery guy who doesn’t want you. Who is he?”

“No one. It’s fine,” you say quickly, refusing to make eye contact with him as you twist open the lock. “It was just to let you know that you’re not alone in this, okay?”

He shakes his head and chuckles tersely. “Nah, not okay. I’ve gotta kick his ass.” He shuffles from foot to foot, already anticipating a fight.

“Well, you can’t.”

“And why not?” Eddie scoffs. “I know I’m scrawny, but I’m pretty damn scr–”

“Because you’d be kicking your own ass!” The words fly out of your mouth before you can stop them. Your blood runs cold and your pulse thuds in your ears when you realize what you’ve said. “I’m sorry. That was too much, especially with what happened with Chrissy today.”

You start to leave, but you’re tugged back in place by his gentle grasp on your wrist. “Follow me,” he murmurs. He makes a beeline for the Hellfire room with you right on his heels. As soon as you walk in, he closes the door. “Repeat that? Because I don’t think I heard you right.”

“You’re the guy who doesn’t want me,” you manage through the lump in your throat, “and it’s okay, because we can’t help who we like and who we don’t. I don’t want you to feel guilty or anything like that.” 

You’re rambling, and you tuck your lips into your mouth to stop yourself from talking yourself in circles.

Silence seeps into the room, the only noise is the hum from the fluorescent lights overhead. Finally, Eddie speaks again. “Do you know why I asked you to join Hellfire?”

You swivel your head back and forth in a definite no.

“Yeah, I tried to keep it that way,” he says with an awkward laugh, scratching the back of his neck. “So, um, I kinda had a massive crush on you. And I figured that we’d get to know each other here and then I’d ask you out or whatever, but I kept chickening out. So…there ya have it.” He shifts his hands as if to say ta-da.

“And now you like Chrissy.” Out with the old, in with the new.

Eddie takes a small step closer, one ring-clad hand taking yours. “Not the way I like you,” he breathes, his other thumb tracing a faint line over your jaw. “Not even close.”

You close the gap between you, tilting your head so your lips meet his. The fear that he’ll hesitate or turn his head altogether disappears as soon as he pulls you closer, deepening the kiss. His hand tucks behind your ear, and he leaves it there until you both have to break away for air.

The two of you wear matching smiles, shy but relieved. Eddie leans in to kiss you once again, only to be interrupted by the rest of the club’s musings.

“Took them long enough.”

“Seriously, I thought we were just gonna have to watch them pine over each other forever.”

“Crap, do you think they can hear us?”  

“Yeah, shit-heads, we can hear you,” Eddie calls out with a laugh, shaking his head in disbelief before turning back to you.

“Now, where were we?”

--

[morbus-mlm]

Gravity Falls Headcanons/Things I Think About Often (Prev)

⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋

- Mabel's modern artist who we heavily associate her with is Chappell Roan, especially her with the song HOT TO GO! Dipper deserves the same treatment but with Conan Gray okay. I need to see an edit of this silly guy set to Lonely Dancers.

- Pacifica lets her natural hair out once she leaves her family. It's closer to an ash blonde

- Wendy has always been a horror movie girlie, she's seen it all.

- Some of Wendy's friends made those "summoning ___ at 4 am" videos because they were bored, what else is there to do around this town anyways?

- pacifica is a youtuber, she's also a pretty sucessful pro-gamer. She is canonically very good with fps, so she decided to take it to a pro level.

- dipper creates some sort of mystery solving/ghost hunting/conspiracy analyzing show. It's a continuation on stuff he did in childhood (Dipper's Guide to the Unexplained).

- Mabel cannot be contained by a job title, she has done everything and anything creative. I feel like her main job would be something like a tattoo artist but on the side she sells sweaters on etsy, does drawing comms, animated, made music, she has her hands everywhere.

- Mabel, Paz, & Dipper will sometimes visit each other when working. I like the idea of Paz guesting on an episode of Dipper's mystery show, Mabel trying to play fps with Paz, Dipper visiting Mabel's tattoo shop and getting pierced there.

- Soos' keyboard getting decorated by the people he considers family. It starts with Mabel putting on like, five stickers on the bottom of it. Stan & Ford both carve into the sides of it. Dipper draws on it in marker. Melody writes words of affection on the sides/an inside joke between them. Abuelita is the one who etches Soos' name onto the keyboard case. Wendy writes like a cool, motivational quote on the case.

- the Hand Witch, her whole situation is looking towards the better. She and her man read as that one meme, "my witch gf" "me letting her do whatever the hell she wants"

- Wendy modifies her furbies. She is absolutely one of those people who makes long neck furbies and puts lights in their eyes/ears, she gives them hands.

- Emma-May & Fiddleford do not reconnect. Emma doesn't know about Fidd's work in the portal, but she does know about him losing his sanity. She does feel sympathetic and understanding towards his situation, but ultimately she doesn't want to force a romantic dynamic with him.

- There are parts of her that have moved on, there are parts of her that still feel anger, and sadness over what happened between them. She's happy that he's in a better state now and reconnecting with their son. Emma-May writes to Fiddleford, hoping that he has a good recovery.

- Fiddleford writes a single letter to her. He writes that he is sorry for not being their to support her, to help her raise their child. I feel like he would be very apologetic but not self-aggrandizing.

- There are parts of him that are still angry at himself, and ones that still wish to avoid dealing with such a difficult and messy situation. But he is a man who moves forward. He writes that he's grateful for Emma-May's wishes, and he wishes her well in return.

- Although their romantic bond with each other has severed, their relationship ends on a kind note.

- ford plays the fiddle, fiddleford plays the banjo.

- If Ford and Fidd were in a romantic relationship, those two would be reserved in public, but real tender in private. Those two read to me as more reserved with their romances.

- Stan after a while just tunes out their calls to each other. They will get in the fucking, "no you hang up" loop, or the "ily" loop

- they’re both pretty healthy when it comes to communication, boundaries, stuff like that. Ford drops the banjo curfew/cutoff when Guck lives at the shack/sets up his trailer next to it.

- Ford unlearns a lot of things instilled in him as a child. the ideas of him being the golden boy or something special (both in the positive and negative sense), are something he now recognizes as ideas, not reality.

- this realization really sets in for him due to a lot of reading, him catching up on modern sciences, including psychology. (it's mostly him almost losing stan)

- Stanley is trying to do the same with his own thoughts of being the screw up, the scapegoat, it's hard for him in different ways. Stanley is a person who, "would insult himself first before anyone else could get to it" without his bravado+con-man persona.

- But they both put in the work. They're good brothers, they help each other.

- both the grunkles favorite sweet after all these years is saltwater taffee, 

- I feel like Pacifica connects well with the adults in the town who aren't her parents. She doesn't exactly see any person as a parental figure, I think she just absorbs advice and experience from the people around her yk. Like her and Lazy Susan definitely have a stronger bond than Paz and her mom.

- Bill never really comes back, he just speaks like he has. In TBoB he acts like he's tough shit, but ultimately he's still in the psych ward-- like. This being has no real authority. I like to think therapy is working out for him, he has good days and bad days.

- Just based on my recollection, McGucket is a very agile man. He seems to be able to crawl up & down surfaces not built for climbing.

- I like to think that post series he takes up mountain climbing/hiking because by this point, he's less scared of supernatural beings compared to when he first came to Gravity Falls.

- McGucket dressing himself, McGucket finally being in a position where he can afford different clothing other than his slacks, him feeling present in his own body again. McGucket in green cowboy wear, (look i really like this Appalachian man, i would very much like to see him old and happy).

- Mystery trio (Stan, Ford, & Fidd) post-cannon. The twins travel the world, occasionally bringing Fidd along for the ride. Fidd is their guy in the chair, the person creating tech on the fly, their #1 man. These three men are absolutely on their way to adventure.

- the X-Men movies hold a soft spot for the Pines Family. They have all of them on DVD, usually the collectors editions. All of the Pines have a crush on Logan. The Stans both love older Logan—

- Mabel's room/home would be filled with little collectables (like tchotchkes or sonny angels)

- Stanley meets the Peanuts artists/goes to Knotsberry Farm. Stan gets a hug from Snoopy and he starts bawling.

- Shermie. I do not care if he is the elder or the younger, all I know is that he is the calmer sibling of the three. Is he well adjusted, (no, you kinda can't be if you were raised by Fillbrick), but he is the most normal.

- Stan's art is clearly influenced by the Peanuts, Ford's art influences are 80s sci-fi + realism. Shermie, his is Hanna-Barbera.

[alicentral]

This is a response to a hotd critical post about the "favouritism towards Greens in screen time ratio", and I think it's so interesting how team black also feel like they're being fucked over by the showrunners when, to me, it's blindingly obvious that it's the other way round.

Not only are the show runners villainising the greens, not the blacks, they've also gone out of their way to make the blacks seem like the badass heroes who can do no wrong, and this is the root of the problem for both team black and team green. It oversimplifies the dance and goes against the themes and message of the whole book, rendering the characters either inconsistent, one-dimensional, and worst of all, flat and boring.

Lets start off with the greens. The argument that the showrunners are "gagging on the greens" doesn't hold up when we actually think about it for more than 2 seconds.

With the source material of hotd being a fictional history book with different biases and perspectives (emphasis on different perspectives), the showrunners have cherry picked what to adapt, and have chosen to take the worst of the greens as the objective truth and erase their good moments as "green propaganda". The main example that comes to mind is aegon. Plenty of other people have talked about this in depth before, but in f&b, aegon raping a girl was a rumour spread by mushroom, a narrator with a clear black bias who wasn't even in kings landing at the time. There was no reason in adapting this rumour other than to demonise aegon, and by extension, team green. The way the scene is framed, it is clear that it was never about dyana, how the rape affected her mentally, emotionally, socially, physically. For a supposedly feminist show, dyana's rape was a throwaway scene, it never had any impact on the story further. So what was the point of the scene other than to tell the audience "look at what a monster aegon is. How can you support someone like that?" And it works.

You can see on social media, any time there's something vaguely positive about the greens, you have hoards of people comment "yeah but he's a rapist" "how can you support a rapist?", etc. It forces you to side with team black. Later in the show, the audience gets to know that aegon's dick burst "like a sausage". Why would the audience need to know this? Aegon's mutilated dick is presented as "karma" for dyana and is only meant to humiliate him. And again, after this revelation, so many people on social media were making fun of his "burnt sausage". They've made a laughingstock of aegon, and as the figurehead of team green, it's clear that we're not meant to side with team green.

Furthermore, in bastardising, and sometimes, even completely erasing the relationships between team green, the showrunners have dehumanised them and made them irredeemable villains, because, again, we were never meant to side with those who "usurped the rightful queen".

The loyalty and commitment the greens had to one another made them such compelling characters and heavily shaped their central motivations and actions. Aegon only took the crown to protect his family. Aemond, after rooks rest, never called himself a king, only lord protecter even though he knows he would've made a better king than aegon. Daeron torched the riverlands to get to his mother and sister and sacked bitterbridge as revenge for his nephew. Helaena offered up her life for her son, and chose to sacrifice maelor because she knew he wouldn't understand what was happening. Their actions may not be necessarily good (and in daeron's case, actually happen to be war crimes), and their motivations may be morally grey, but they're understandable, they're sympathetic, seeing as it was out of love and loyalty, something that 21st century society can relate to. Without these complex and compelling ties, the audience is left asking why would the greens stick together if they all seemingly can't stand each other? Why fight for aegon if he doesn't even seem to care for them? What was the point in having the crown then? As a result, the characterisations feel one-dimensional (helaena being reduced to being just an "innocent" amidst her bloodthirsty family) or inconsistent (alicent. just her entire story arc. it could've been interesting if done right, but alas, no such luck), or rushed (suddenly aemond wants to be king in his own right after defending his brother's claim at storms end).

This isn't to say that team green are perfect, far from it, but the close emotional ties and relationships could've been used to elevate the internal conflicts in the show. We could've had complex characters who aren't necessarily good, but they're family and they stick together despite their personal grievances.

And this isn't even mentioning their bonds with their dragons. Where was vhagar roaring when aemond's eye was cut out? Aegon and sunfyre had the closest bond between dragon and human and that was given to rhaenyra in the show and where is dreamfyre?

One last thing on the greens, they are presented as incompetent and not equipped to rule, which is meant to show how it would be oh so much better if rhaenyra was on the throne. Criston parading meleys' head is framed as stupid as meleys was "a beloved dragon", ignoring the fact that she murdered hundreds of smallfolk at the coronation. Alicent is presented as stupid for thinking that after rooks rest, the small council would appoint her the queen, aegon in the small council was meant to be laughed at. Of course, this begs the question, if the greens were meant to be a mess of a faction with only 3 functioning dragons and now 2 effective dragon riders, how did they hold out against the blacks for so long? It's clear that the showrunners haven't thought this through.

So yeah, i don't really understand what this person was trying to say when they say that the showrunners are "gagging on the greens" when they are demonised, humiliated and stripped of compassion. I would like to say here, nothing i've said about the greens here is new to team green fans, and so many more people have gone into more depth about this.

Lets move onto the blacks. In a conflict where no side was meant to be in the right (who has the right to rule is a beast for another day), where there were no winners, only losers, where a dynastic dispute almost tore down the entire aforementioned dynasty, the blacks are framed as the heroes, the side the audience should root for. If they come off as villainised to the audience, i don't think it was done on purpose.

Opposite to the greens, they're mistakes and flaws are glossed over. I think this is the main reason why team black falls flat as opposed to lack of screen time, which i don't really want to count.

An important example of this is blood and cheese. In f&b, blood and cheese was a horrific event which drove queen helaena mad and, importantly, was meant to murder one of aegon and helaena's sons in revenge for lucerys. A son for a son. It was always meant to be jaehaerys. By making blood and cheese all one big mistake in the show, with aemond as the real target and oops, we can't find him so jaehaerys will do, team black and rhaenyra can't be held accountable for the murder of an innocent 6 year old boy. Moreover, the fact that rhaenyra never knew or sanctioned the murder, and it was all daemon going rogue, rhaenyra is even further removed from the horrific murder of a child, because, of course, our heroine can't be responsible for anything bad, she's meant to be the one in the right!

Furthermore, condal and hess try to force the smallfolk's love of rhaenyra during the dance, contrary to the book, which serves to uphold rhaenyra's right to the throne and show how team black are the right side. During the blockade on kings landing, the smallfolk conveniently forget that she's the one causing the blockade when she sends food through (showing that she could've done that at any time). The cheering for rhaenyra and the riot makes no sense, as again, she was the one who caused the blockade in the first place.

The introduction of the prophecy also is only meant to justify any "wrong" rhaenyra and team black do. The death of the dragonseeds and the smallfolk were all in the name of a prophecy so it's ok. And this is the thing which infuriates me the most, because the prophecy could've been a fascinating aspect of team black's motivations if framed right. The idea of committing atrocities in the name of a believed divine, higher purpose could've been used to expand upon team black's character growth and internal conflict vis a vis the knights templar and the crusades. How do they feel about this? Are they even aware of what they're doing? Alas, the show itself buys into the prophecy, buys into the divine purpose and suddenly, the atrocities aren't presented as "that bad" anyways. All of that to say, the show has never intentionally villainised team black.

So we've established that as the heroes, team black can't do anything wrong, and if they do, it's for a higher purpose, so it's alright. Team black's "emotions and conflicts are made secondary" not to "disposable filler scenes of Greens", but to themselves, or rather, to rhaenyra and her right to rule. So many team black scenes were used to uplift rhaenyra to show how she is the rightful queen. The main two examples of this that stick out to me is baela rebuking jace when he rightfully questions rhaenyra's decisions and daemon's whole harrenhal arc, which serves as his redemption and so he can reaffirm his commitment to rhaenyra's right to rule. Of course it's going to be "a bore" if the main characters, the ones we're meant to be cheering haven't got anything going for them except for cheering on rhaenyra.

There's no character interaction, no character growth, no real internal conflict because from the beginning, team black has been presented as in the right and can do no wrong, so there's no room to grow, no room to develop, not because of lack of screen time. When character development almost breaks through (see: jace questioning rhaenyra), it's quickly quashed, because the audience needs to be reminded that rhaenyra is always right. There's a clear good and bad side that the show is trying to force, which doesn't work in this setting because it reinforces the idea of the divine right of kings, the idea that one person, one family is superior to all others, and that person is rhaenyra here. It undermines the idea that no one was in the right for the atrocities they committed. No one can be justified and that fundamentally, these are not good people, they're interesting characters (or could've been interesting characters), but they're not good people.

So why? Why are the blacks presented as the good side and the greens presented as evil? It all comes down to the fact that the showrunners have propagated the idea that the dance is about a woman's struggle to rule in the face of misogyny, rather than the decline of house targaryen due to their belief in targaryen exceptionalism or the consequences of the pursuit of power. Sure, feminism and misogyny is one aspect of the dance, but it's not a major driving factor. The showrunners have backed themselves into a corner here, because they trying to portray the dance through a modern feminist lens, and so they believe that they can't write women being flawed or evil, and so we get the free, liberated good side and the "misogynistic", conservative bad side.

So in conclusion, it is clear that the showrunners aren't villainising the blacks as this person believes, but the greens. In doing this, they've made a clear cut good and bad side which works to the detriment of both team black and team green. It leads team green's characterisation to be inconsistent and one-dimensional and it chokes team black from having character growth.

Listen, i don't know if team black truly have less screen time than team green, but if they do, it's not the reason why team black falls flat.

[gay-little-treat-wizard]

As someone who had anger and violence issues in high-school that's not an excuse for any of the shit Kipperlily did. Like my anger issues made me lash out but it didn't make me turn on my friends or think that I'm so much better than anyone else that I deserved to succeed as much as the people working their ass of.

Literally a guy in my class lost his mum near grad and you know what I didn't do? Get upset that he busted his ass to earn a scholarship he dedicated to her. I just felt bad for him.

Like Kipperlily is a terrible person and that's why she's interesting, so trying to polish her motivation so she’s sympathetic just makes her a more boring character. Just because someone has a mental illness, that doesn't make them a good person or sympathetic. Illnes doesn't mean you're absolved of the harm you perpetuate.

I like that she's a terrible person who kind of reminds me of someone who'd complain about affirmative action and having nothing to write in her college essays. I like getting an irredeemable female character and feel no need to justify enjoying that she's awful.

I like the #Frostkettle ship because I think it's tragic that Lucy pooled all her love into someone who turned around and stabbed her in the back. And it makes Kipperlily even more unsympathetic since someone did try to reach out and at the very least be friends with her. Acting like that relationship was in any way healthy, especially after Arkana, just feels silly.

Also the bad kids actions are not equivalent because most of the fucked up shit they do to people comes after those people actively antagonised or tried to kill them, I.e. coach daybreak actively trying to bring about the apocalypse, Biz tried to kidnap adine for weird pervert reasons, Johnny spells was an actual predator.

What did the rats do to the rat grinders? There are plenty of less sentient monsters they could have grinded like spiders. Sorry spider lovers but spiders aren't known for their intelligence or ability to build hidden cities.

I fully admit that the last point was silly but all else still stands.

[the-cat-and-the-birdie]

I just wanted to say that the way you characterize and talk about Miguel has actually really helped me with thinking about how to write for him 😭 genuinely I love the way you describe him as an actual like person and not just some sex addict or someone who's extremely distant and cold. I hope you continue writing mild Miguel because it's so refreshing compared to all the other shit I see 😭💕

THANK YOU THANK YOU SO MUCH!!!

AHHHHHHHHHHH THIS IS A MIGUEL SAFE SPACE AND LIKE- CAN I BE REAL FOR A SECOND???

MIGUEL ISN'T AN ASSHOLE YOU PEOPLE ARE JUST MEAN - A.K.A -

My Defense & Evidence of a Milder, Non-aggressive Sympathetic Miguel O'hara.

[This is a half-break down half rant about Mild Miguel, when we see Miguel's true nature, and what fandom gets wrong about him. I have my evidence.

this is shorter than my usual posts but I'm going absolute apeshit Miguel Mode by the end so sorry you have to see that.]

I think Miguel and Hobie are the two most complex characters in the film. Like - both of them equally.

It's just really easy to explain one over the other.

I feel this way because every character we see in the entire movie - Miles, Gwen, Peter, Jess, Rio, Jeff, The Spot, everyone - is forthcoming and clear about their intentions and motive throughout the movie.

When we're watching the movie the first time, we understand Miles motive, and Peter's, and Gwen. In real time. It's there and stated. Miles wants to save his dad, Peter wants to be a better mentor, Gwen just wants peace basically.

But when we're watching for the first time - we have no idea what Hobie OR Miguel is capable of until they do it.

They are the two we're surprised by. (And they're also exact opposites who somehow don't seem to be complete adversaries)

They're the only two within the film who we are left to speculate their motive, their drive, and what they'll do next.

They're the only two in the film who are truly meant to catch us off guard with their behavior.

Leading up to Hobie's big twist, there was a LOT of misdirection. I think the same is true for Miguel...but like..the fandom isn't picking up on the misdirection AT ALL.

I have a lot of ideas and thoughts about Miguel and his character and honestly I think it's the exact opposite of what the fandom sees.

But when its's Hobie, it's very easy to understand him, just read the wiki on Punk and you're good.

But I don't think anyone has look closer at Miguel yet.

I genuinely believe that the reason Miles got away was because Miguel went soft.

He was watching the videos of Gaby to remind himself why he was doing this - why he had to stand his ground, but when Miles started panicking, and begging to know how much time he had left - Miguel slipped up. He went soft.

And he told him 'two days'.

You can see it in Miguel's face when Miles is asking.

That's not the face of a man considering assault. That's not anger. He's wavering.

He didn't have to tell Miles how long he had left. But he did - why? Cause he thought 'I'd kill for two days with Gabby. A lot of people get less warning about death - Maybe he can spend those two days with his fath-'

and then Miles is like 'word?? two days to stop you?? iight im out also fuck yall' - which understandable have a nice day

But like......Miguel wouldn't have said it if he knew it would fuck him over. He didn't KNOW Miles was radicalized cause he didn't know Hobie had spoken to him. He thought that telling him might convince him. If he knew Miles was gonna run - there's no need to tell him anything.

He could've lied and said "I DON'T KNOW. But maybe let's talk about this."

But he didn't. He slipped up.

He's SOFT. Everytime he's mean, or angry - He has to think about it. Like when he looked at Hobie - and thought about it. He has to MAKE himself do it. It isn't natural to him.

Nobody else in the room was gonna answer Miles. Miles wouldn't have known. But Miguel told him two days. And because of that, that specific slip-up, Miles is trying to save his dad.

Why? Because he's SOFT. CAPITAL S SOFT.

Miguel is not a raging monster. Or aggressive. Or manipulative.

He's a guy who thinks he's holding the universe together with duct tape and a kid is in front of him begging to know how long they have left with their father and he tells them and because of that they get away and now everything he worked for is gonna emplode in his face because he had a SOFT SPOT FOR A KID AGAIN AND DID SOMETHING HE SHOULDN'T AGAIN AND TOLD HIM AND NOW PEOPLE ARE GONNA DIE AGAIN BECAUSE HE MESSED WITH THE MULTIVERSE AGAIN FUCK-

Like...yeah- he snapped. A normal person would snap. I've snapped for way less and a lot of other people have.

Granted, we don't go mauling children.

I don't know, I just feel like he's an incredibly layered character.

Because when he's ranting and screaming at Gwen like an irritated school teacher we're already like 'oh fuck you dude but also fuck you ;)'

so when he's right there doing things like this - we don't see it. The same way we don't see Hobie's stealing - because we think we have him figured out.

We don't see Miguel's tenderness.

Because we assume we know who he is - he's cold and aggressive and rude and hates Miles,

but like...is he really?

Miles is getting upset - and the whole conversation leading up to it Miguel has talked to him from a far, hands when Miles can see them. He's not trying to stand over him, or intimidate him. Miguel knows he's scary. He knows how to be scary.

He isn't trying to scare Miles. The exact opposite. He's trying to comfort him.

And when Miles starts lashing out - Miguel is genuinely surprised. That isn't the look of someone who THINKS he's about to hurt this kid.

He's telling Miles, hands up "Hey, sorry. I'm not trying to hurt you." He immediately lets go, backs up.

I just---- FUCK, PEOPLE THE MAN IS STANDING RIGHT THERE THATS MILD MIGUEL LOOK AT HIM

If you really really think Miguel is naturally aggressive, or angry, or cold -

If you write him that way -

I ask that you rewatch the leading up to Miles' escape. Look at his body language. Watch him, and look at his face. That's all I ask.

I just kjsjrghjkSIGHIDDGU I CAN'T STAND FOR THIS INJUSTICE AND EMOTIONAL ILLITERACY

HES NOT A GOOD GUY BUT LIKE....HE'S ... THE ONE YALL ARE SERVING...COMPLETELY DIFFERENT MAN.

He's SOFT. The same way he caved for Gwen after a little pushing. He caved for Miles after a little pushing. That's why he told him two days. SOFT

MILD MIGUEL, SOFT MIGUEL, WANTS TO DO THE HARD THING BUT FUCK HE CAN'T DO IT MIGUEL, HAS TO STAND COMPLETELY STILL AND UNMOVING TO NOT CAVE TO MAYDAY MIGUEL, MIGUEL WHO LOVES PEOPLE BUT KEEPS HIS DISTANCE AND SHUTS HIS MOUTH BECAUSE PEOPLE GET HURT MIGUEL MIGUEL MIGUEL

I'm going to go Miguel Mode.

If understanding Hobie was a house, the fandom is standing out on the road.

If understanding Miguel was a house, the people aren't even in the same neighborhood. We're in the next state over. Other side of the globe. Off base by like 12 zipcodes and 4 times zones

Mild Miguel. Please tell me you're seeing this.

Am I crazy for thinking that the slip up - of telling Miles two days - wasn't out of stupidity but PITY? SYMPATHY?

Because Miguel thinks getting to spend two whole days with some you'll lose is a BLESSING to him - not a curse.

Even though to ANY non-traumatized person - it would be a curse.

...... yo

Miguel stepped into Gabriellas life because he didn't want her to lose a father. He KNOWS losing a father hurts.

So when Miles is there in front of him, talking about not wanting to lose his father - Miguel KNOWS how he feels. Gabby didn't want to lose her dad either.

Miguel UNDERSTANDS. He's a FATHER -

HE KNOWS HE'S BEING THE BAD GUY HE KNOWS ITS WRONG NOT TO STEP IN THATS WHY HE STEPPED IN FOR GABRIELLA IN THE FIRST PLACE THIS ISN'T THE PERSON HE WANTS TO BE OR THOUGHT HE'D BECOME YOU PEOPLE ARE MEAN AND HORNY -

I- I can't even i'm sorry I -

I have a longer post about this in the works like breaking down all of his body language from his moments with MJ and Hobie and like teverything

but ITS NOT EVEN LIKE I THINK HE'S RIGHT I JUST CANT STAND PEOPLE BEING THIS WRONG ABOUT IT I CANT

If you see him as aggressive or cold this post isn't meant to be an attack. I am just down bad for Mild Miguel and I'm going delirious with hunger and starvation for him

#Justice4MildMiguel Maybe I'm huffing copium but also i know im fucking not he's RIGHT THERE

[And if you hate Miguel like hate hate him Moche says dishonor on you dishonor on your cow dishonor your family and your land in the name of Aia Paec Almighty]

If you made it this far....Imsorry you had to see me that way I don't know what came over me here's a picture of Hobie to help me calm down.

(aka Hobie judging the fuck outta me in my head)

I need a glass of water. Bye.

[ereawrites]

OKAY i have daydreaming (as one does) and i happened across the idea of a character who didnt have much opportunity to learn how to read. i’m just so curious how the uchiha boys would react and how they approach the subject???

madara will be a little confused. like... he grew up in the damn woods in the middle of a war. and he can still read. but he's sympathetic even if he doesn't get it, and he'll make arrangements to get them a tutor. checks in on their progress often too it's cute

obito. god bless him. he's going to try to help them learn but he's so fucking useless. he cannot spell he cannot maintain focus he cannot teach. but he makes up for it with perseverance. he's surprisingly strict about making sure they put the same effort in

shisui really wants to understand why. asks lots and lots of questions about their barriers to education. he's very kind about it though, just curious. he'll find someone to help them learn, but he'll also take trips to the library with them when his schedule allows

itachi really feels for them. it hits him pretty hard to think that someone he cares for hasn't had that chance, especially because he loves reading so much. I don't see him taking on a 'teaching' role, but he'll sit quietly with his own book and help them out if they need

sasuke is pretty tactless lmfao. wdym you can't read. it's words on a page just fucking read them. sorry but I just really don't think he understands at all. at the very least.... at least he gives them motivation to learn quick lol

[darkstarofchaos]

Spoilers for EarthSpark S2 below the cut.

The problem with Starscream isn't that he was evil. I have to lead with that because apparently if you complain about how he was handled, people are just going to assume you wanted him to be redeemed. I am not a Starscream redemptionist, nor am I a fan of "redemptions" where an evil character becomes a Good Guy. One of the biggest issues I have with Megatron redemptions is that he never actually has to address what he did to his own side, he just fucks off to join the other side/goes his own way. Suffice to say, I was not hoping for EarthSpark to "redeem" Starscream (unless it was in the more personal sense of trying to do better by his own people).

The problem with Starscream is not that he was evil. The problem is that, to make him the specific brand of evil the Powers That Be wanted, they had to completely ignore his previous characterization.

I honestly did not have a problem with most of his (admittedly few) scenes. His motivation for being Evil was disappointingly shallow, but him being grumpy-but-accepting of the new Terrans fit with his S1 characterization. The bit where Skywarp complains when he doesn't do anything to punish "Spitfire's" disrespect could easily have been spun as him trying to be a better leader after his talk with Hashtag. I liked that he isn't stingy with praise when someone accomplishes something. Even the painfully underdeveloped motivation could have been expanded into him trying to do what he thought was best for his faction. All the building blocks for a villainous-but-sympathetic Starscream were right there.

Which is why watching everything fall apart in the last 20 minutes felt like character assassination.

You cannot convince me that the Starscream who knew Hashtag for an hour and was ready to risk his life for her is the same Starscream who murdered two children without blinking. You cannot convince me that the Starscream who criticized Megatron's violent leadership would consider it a compliment when he's called more cruel than Megatron. I don't care what previous Starscreams were like, this one had an established characterization that does not work with what we see later. Not unless working with the Autobots briefly completely disillusioned him to the possibility of a lasting peace.

Also, love how the time skip allows them to just avoid any sort of fallout from having the people you were working with go back to trying to kill you. Love how there was no deeper reason to the war restarting than "they're Decepticons". Heaven forbid we get any sort of conflict with the two sides trying and failing to work together, and the falling out being a shared responsibility and not just "the Cons were actually still evil, lol". Can't have anyone grappling with how things went wrong and wishing they'd done something differently to maintain the peace. Megatron yells at Starscream to end the war like the Autobots played no part in it continuing. Which is obviously the intent, but it just feels like such a lazy copout to keep the Good Guys morally pure.

The Decepticons were being hunted down and locked up. They had no reason to think well of the Autobots or the humans, which means that if the Autobots wanted peace, it was their responsibility to reach out and prove that things could be different. Yes, the Decepticons would need to put in effort too, but they were not the ones - at least not the only ones - who needed to prove that they meant well. If the two sides worked together for a while and the Decepticons still unanimously rejected the possibility of ending the war, the Autobots share the blame for that decision.

I have plenty of other issues with how S2 is going so far (why was Nightshade the only Terran who got completely relegated to side character?), but I'll save my rant about the Chaos Terrans for later. It'll be huge, trust me.

[piratecaptainscaptainpirates]

The thing that still absolutely baffles me about that corner of the fandom that are utterly convinced Izzy is not just the main character but also a character he just never was in the show is, like...why Izzy?

Like, I actually like Izzy. I love Con O'Neill as an actor and the things this man says are so fucked up. He compells me. I like Izzy, I even enjoy his s2 arc overall (especially knowing how it ends).

But fanon Izzy over there is not my Izzy. It's just straight-up not the same guy.

So why did Izzy, of all characters, get this huge fan reaction? I literally can't think of many traits that Izzy actually has in canon that are unique to him.

Queer realization story? That's Stede's whole s1 plot.

Disabled? Izzy isn't even the only character with a wooden body part.

Initially reluctant to Stede's way of doing piracy but comes around due to the power of queer community? My man Black Pete is right there.

Even when I'm trying to be charitable, the only thing I can think of for why a portion latched onto Izzy and became so determined to create a whole new character there is because Izzy doesn't commit any of the "crimes" our actual main characters or the other characters he shares traits with do. He's White, he's comfortably masc in a way Stede and Lucius just aren't, he doesn't have a lisp like Pete. Even his queerness is honestly subtextual. So he becomes a very easy slate to fans to add traumatic backstories and sympathetic motivations that weren't in the show onto.

It's just...weird, but in a really predictable way, I think, that a portion of fandom imprinted on this guy.

[sapphicthunderhead]

TMAGP 21 Spoilers Ahead!

Right out the gate we get yet more confirmation that Sam is trying his best to do the right thing, but that his curiosity is a substantially greater motivating factor behind his actions than either his self-preservation instincts (which may be nonexistent) or his moral principles. This is positively fascinating characterization.

Also, this episode really uses setting to help establish tone in a much subtler manner than a lot of podcasts, which require the characters describe to the setting verbally (Penumbra, Sherlock & Co., Malevolent). Of course, I don’t think it’s quite on the level of setting-through-sound-design that The Silt Verses pulls off, but environmental storytelling isn’t as necessary to the plot and world-building in TMAGP as it is in TSV, so that’s not necessarily a criticism.

Celia cracks me up with her talk of “complicated immigration status.” Every scene featuring Celia is heavy on Dramatic Irony from the perspective of we who Know (have listened to TMA) and bring an element of mystery to the plot for any and all audience members, be they in the Know or not— just a little bit less for the former. Reminds me of the early days of TMA in the way. Jonny does a great job of introducing a mystery element seamlessly into all his horror fiction, and I think the two complement one another perfectly. For another example of this, see his book 13 Storeys (it is spelled that way deliberately). I highly recommend the audiobook on Audible.

(Did anyone else subconsciously assume Jack was some sort of sinister Fear receptacle before this episode? Celia seems genuinely emotionally attached to him, so I’m a little less concerned now.)

On to the statement itself: FUCKING MAGNIFICENT. I am positively infatuated with this one. So much suspense! So much information, such a beautiful bit of storytelling, and yet NO ANSWERS! I am dying for an explanation here, in the best way possible— because I also found myself perfectly content to just enjoy the events unfolding while I was listening.

I really felt that the authorial tone and style Jonny used for this character, Mr. Kennings, harkened back to one of the major inspirations for TMA: the ghost stories of M.R. James, one of my favorite horror authors (alongside Shirley Jackson). I first read his collected works after Jonny mentioned him in a Q&A, and I was hooked; I have since re-read his work a couple of times.

But it wasn’t just the style of this episode I enjoyed. The substance was also very satisfying. I find the idea of the scholars and administrators of the Institute bickering like petty children whilst using their most formal jargon, attempting to conceal their contempt for one another behind a flimsy facade of civility, incredibly amusing. I also found Kennings’ jabs at the British monarchy and his concern about soil toxicity and its effect on the laborers and foremen at the construction site allowed me to follow his perspective somewhat sympathetically— although I was horrified when he did nothing to assist the poor man whose decrepit old doppelgänger emerged from the earthen wall of the ditch to drag him underground. But I should have expected it. Kennings worked for the Magnus Institute, after all.

As an aside, this tragic event could have a couple of possible symbolic meanings. The description of the haggard elderly counterpart of the younger construction worker, who drags himself out of a wall of dirt that Mr. Kennings specifies exhibits “tell-tale indications of heavy metals in the earthen edges of it,” evokes the idea of a young man confronting what his life looks like if he continues to sacrifice his health and safety to this dangerous line of work. It could also be the reverse: the old man killing a younger version of himself who made poor choices (because he had so few choices or none at all, because he had to support himself or a family, who knows?) that would otherwise have killed him slowly and perhaps agonizingly, the toxic gas seeping out of the soil and into his lungs and blood. By the end of the statement, I was surprised that the writers had titled the statement “Breaking Ground” instead of “Poisoned” or something along those lines.

Alice trying to protect Sam from the scary little men in the computer was very amusing. Silly Alice, he serves the plot now! There’s nothing you can do to stop him, my dear! Mwahahahaha!

Lena Kelley being worried about Gwen wasn’t entirely unexpected, but does further emphasize the contrast between her and Jonah-Elias. Still unclear whether Lena is a cog in the Fear machine or is actually doing anything to protect humanity, but she clearly thinks she’s doing the latter. Can’t wait for her disillusionment arc, epiphany, and/or moment of self-awareness.

Then we have Gwen, Ink5oul, and…. What the fuck is that. What the fuck what the fuck what the fuck? That can’t be Jon. Another Archivist? Gertrude? Doesn’t sound like it. Who? What? Definitely an extension of the Eye, but the voice is unfamiliar.

Returning to the subject of Kennings’ statement: this series continues to emphasize that there are no clear delineations between Fears. Doppelgänger? Stranger. Dirt? Buried. Pollution? Extinction. All of the above? It’s just fear. That’s all that matters.

[fist-of-vengeance]

thinking about how essentially every relationship john locke formed in the early seasons of lost has completely disintegrated by the time of his death.

of course there's his relationship with jack, which starts tense but manageable and culminates in jack pointing a gun at john's head and pulling the trigger. but even his smaller, less narratively prominent relationships either implode or drift apart. he bonds with walt in season one but then walt leaves the island, which is itself a severing of their bond since it was mainly based on being the only two people who wanted to stay. still, he goes and visits walt off the island so this is probably john's most successful relationship. I dont think i need to explain how he fucked up with boone, "the sacrifice that the island demanded." charlie viewed john as a mentor and claimed to trust him more than anyone on the island, but after the events of fire and water, that trust is destroyed and charlie despises him. at the same time we get john bonding with claire and having a pseudo-paternal dynamic with her, but their closeness basically drops off the face of the earth as he gets less and less involved with the other survivors.

his arc in the series is essentially a gradual distancing from everyone around him. it starts when he abandons hunting (providing for the others) in favor of trying to get the hatch open (it's extremely clear his primary motive isn't any survival applications but getting answers to the mystery). when they do open the hatch, he spends more and more time inside, underground, cut off from other people. he spends more and more time interacting with ben, a human mystery box that he's obsessed with cracking even if it gets him killed. he follows the proverbial white rabbit deeper down the hole and leaves his connection to humanity behind. the island and its mysteries become more important to john than anything or anyone else.

then in season three we get him claiming to go undercover with the others only to unceremoniously tell sawyer that he's actually going to join them. and it doesn't feel shocking, it feels inevitable. because john has spent the entire series becoming less and less connected with the people he arrived with. in that sense he actually makes a fascinating foil to juliet, who is introduced as one of the others and yet never really fits, she's increasingly sympathetic and kind in a way the rest of them aren't, her redemption arc feels so natural that she actually starts referring to her old people as "the others" like she's been one of the crash survivors from the beginning. her and john basically have inverse arcs, which is probably accidental but very neat.

in season five john tries to convince everyone to go back to the island, and fails spectacularly. and of course he does, because he was so consumed by obsession that he stopped maintaining his relationships, and in many cases actively alienated people (this is also basically what happened with helen) and now he can't wrap his head around why they're all so hostile to him. i am forever obsessed with the scene where he confronts kate and she brutally calls him out for wanting to return to the island because he doesn't love anyone. it actually struck me on rewatch how well the two of them got along in season one, and how badly their relationship has degraded by this point. john repeatedly casts aside interpersonal relationships in favor of his obsession with destiny, so when said destiny actually involves persuading the people he once shunned, he's at a loss. this is because john treats purpose as a supplement for connection, destiny as an alternative to love.

as an aside, this aspect of john's character kinda ties into my opinion that several lost characters can be read as allegorically neurdivergent under a certain lens. i know this was absolutely not intended, but as an adhd former gifted kid who struggles socially, there is something uncomfortably familiar about a character who allows their relationships to burn around them because of a single-minded obsession, especially as a result of being promised the fickle status of "special."

tl/dr: john locke is a doomed idiot and i love him

[bored-trans-orchidsexual]

Kipperlily just kinda sucks now.

Spoilers for Fantasy High Junior Year, as of episode 16.

I, personally, have not been on the *hate kipperlily* train. I've been looking forward to her pretty much since we met her, a passive-aggressively busybody, a mean girl Riz. Is she evil? Is she just nasty? Will she eventually team up with the bad kids? Ect. And I'd like to say that now I just kinda don't care anymore, she's just... She's not fun to speculate about anymore. I have some info I think people aren't considering, so please read, and I'm also not complaining about the *writing* or Brennan's choices. This is a perfectly logical reveal, doesn't contrast anything, and I'm still excited to see the season unfold. But in terms of kipperlily lore I'm good, she's not potential anymore, she's just kinda shitty. Sorry she's a rage rez now, hope she gets better but kinda fuck her in general now.

Let me be clear, for all those *wildly* speculating about her motivations or making her into something she's not: she is just plain, jealous, full stop, when it comes to tragedy. She is not attuned to larger magical events, she does not have a point, she is fucking *wrong.* Why is she wrong? Consider the main thing she's upset about; that Riz has an adventure advantage because his dad was eaten by Kalvaxis, so he's motivated to adventure more than a normal person.

Let me remind 'yall real quick Riz *did not know* this had happened. Riz, thought his dad was just as relatively 'normal' as kipperlily's. He found out his dad was an agent *halfway through the year* and died in the service, and found out it was *Kalvaxis* that killed him, let me fucking remind you, in the finale from the dragon himself. Kipperlily, has known this for most of freshman year and hated Riz for it. This means she dug up *extremely traumatic* information on a fellow student and proceeded to project her insecurities on him, seeing him as having an advantage in life, while that kid *did not know* any of this and thought his dad, I don't know, died in a car crash or something.

She's wrong from the jump. She digs into people's personal shit for her own *satisfaction*, makes sweeping assumptions about people she doesn't even bother to talk to, and rails against the system for not being fair and rewarding her for *not* experiencing a tragedy. Love Brennan, love this story, fuck kipperlily. She is *not* a sympathetic suffering queen she has toxic insecurities and of all people *Jawbone* has been ineffective at clocking and addressing this problem. I'm all for people who need help getting it but it doesn't make her any less of a creep.

[thatneoncrisis]

Curious about your issues with the show!! I have my own ofc but always interested In more opinions

spoilers for like. all of the show el oh el

its hard for me to like. properly articulate on the fly but i think its primarily 1. a show that is genuinely trying to build a complicated structure out of the rusted metal and twigs that makes up LoL lore that gets overhauled every like, four years, so often times it feels like a character in arcane will get hard shafted out of a natural arc so they end up where they "should be" in accordance to their league counterpart.

strongest example i have off the dome is violet, where i think in act 1 of arcane shes a really intriguing and well crafted character whos sympathetic and has goals and values you can follow. and then they shunt her off to prison during the time skip and when she comes out shes like. everything she does from that point on just feels Tilted it feels like they gutted out all the parts that would have gotten me from A to Z wrt her going from scrappy kid in the lanes whos like. direct causes of terror and unhappiness in life were from enforcer. to a bitch who joins the enforcers. and its not that i dont think that turnaround is possible, i just dont think they articulated it well with such a truncated amount of episodes split between so many subplots

and then my main Thing 2. uuuh. this is more of like my own issues with this kind of story telling in general rather than an arcane specific issue that i will codify as "liberal progressives attempt to Both Sides the issue of apartheid in their magic story." the creators of the show emphasized that they wanted each character to be morally grey, differnt shades to them and the motivations contextualizing their actions. which is like, fair enough thats just good character writing but i dont think theyre particularly. great at that. especially when trying to marry it to my earlier point about how certain characters essentially have to invert to become their league analogs in some sense. also someone like ekko? not grey. hes just right? he doesnt fuck with enforcers and he doesnt fuck with the kingpin flooding the lanes with shimmer, he just wants to help the people suffering the most. stand up dude.

theres a lot of different levels to which this clashing between intent and execution falls flat for me in arcane but the one ill get into now is silco and vander. from an objective view its a classic story of two close brothers in arms driven apart by ideology/circumstance, weve seen it with professor xavier and magneto, it also reminded me of tchalla and killmonger although they dont have the childhood friends aspect going for them. but the point is its not like a unique idea. two people want to change the world for the better, one of them starts killing civilians about it, the first guy is like hey! maybe dont do that! epic fall out ensues.

and the story is cognizant of the fact that silco IS an antagonist: not just in the sense that he is opposing our protagonists goals, he sold out the children to the enforcers in the first act, he released shimmer onto zaun and keeps a stranglehold on the city with his circle of chem barons like he fucking sucks. and the whole time im watching im noting how his methods to "free zaun" are like, THE thing destroying it. the streets are rampant with nameless mutated homeless people hooked on shimmer he is directly responsible for. and i was kind of waiting for like. a shift within his circle. if that makes sense. obviously people like violet and ekko and caitlyn dont like him but they never did they dont have to be convinced, but to have someone who initially put all their trust into him as the guy to bring zaun into glory and then slowly have to reckon with the fact theyve propped up a mad man who has prioritized power in himself over the initial goal of liberating the city would have whipped ass.

and then it just didnt happen. theres this fascinating thing going on with silco where hes talking mad shit about the likes of vander, oh hes too softhearted, he will never do what it takes to truly ensure the safety and freedom of the lanes bc he cares too much about his damn babies. and then silco finds himself as caretaker of one of those babies. the show meticulously shows me how he cares for her, he softens for her, he lets her tinker in her silly cave all day and blow up cops with harley quinn bombs. so we have three main things to keep in mind with silco:

his primary stated goal is to free zaun from piltovers repressive rule.

his shimmer production is one of if not The thing actively destroying the lanes

he now has Baby, whos safety has become a growing priority for him.

this culminating in the finale where he is presented with the opportunity to hand her over to the authorities in exchange for zauns independence. now THIS could have been a really interesting internal dilemma for him. he is now faced with the exact choice that led vander to becoming "weak" in his eyes. whats one girls life in exchange for his dream finally becoming a reality. but its also an impossible thing to ask because thats his Daughter. so now hes risking scrutiny from his underlings for being wishy washy. ooh intrigue mystery. youd really need some time to steep on his agonies and what hes really willing to prioritizeat this point in his life

and then none of that happens bc hes immediately kidnapped and shot and never has to seriously consider it. he never has to SACRIFICE he always just. has everything he wants. forever. until he dies. powerful chem baron running the show with his army of teen supersoldiers.

another route i considered them being able to do is something more focused on him and sevika. she left vander to join his cause specifically bc she thought vander was weak. as his right hand, she would do anything for silco, including literally giving up her fucking arm when she saved him from the blast in act one. timeskip, now we see she has a fun new mech arm powered by silcos own shimmer, which we are shown the side effects of time and time again. i thought this was leaning into a metaphor about how her emotional dependence on him and his cause was being represented by a chemical dependence on shimmer. like its destroying her physically and mentally but she NEEDS it to work out to know it wasnt all for nothing so shell put up with whatever sketchy bullshit hes got going on, the ends justify the means. and we get like six detailed shots of shimmer being pumped directly into her body i thought for sure they were gonna be like oh this is fucking killing her, like a compound v situation

but shes like. fine. theres no side effects besides a cool scar. shes chilling.

i also thought her antagonistic dynamic with jinx was going somewhere. like if sevika noticed that silco was putting her above what needed to be done for the sake of liberating zaun, and noticing how it mirrored how vander became "weak" and getting that much more pissed about playing second fiddle to a 17 year old. like imagine you get that whole scene where sevika makes it look like shes gonna execute silco, then murders the chem baron who asked her to do it because she trusts him THAT much, then later she hears about jayce's offer to silco and sees him GENUINELY considering leaving the offer on the table JUST for jinx. sorry if i was her id snap. id go crazy id start a coup.

so basically what im saying is. lotta different options to make the characters richer and more grey as they struggle with what they really care about. but the story just kind of shuffles past them and then insists that the bonds were there the whole time you guys jinx and sevika are totally besties now shes a symbol of zaun <3

[gwenllian-in-the-abbey]

i think Helaena can be autistic but also a happy and joyful girl , autism ≠ depression. the way the portrayed the only neurodivergent character on screen as unstable, shunned depressed, and with no importance to the plot feel very ableist and weird , but then they're the ones who made the guy with a foot disability a feet fetishist 🫠

Hi OP, finally answering this because the trailer dropped and still the only Helaena shots we have are from her Jaehaerys' funeral. There is also one still photo of her. If you haven't seen it, here she is, apparently sewing the funeral shroud for her little boy:

So it seems like season 2 is going to continue on this trajectory for Helaena as a character who exists in order to suffer beautifully.

Don't get me wrong. I am glad that the show is going to wring the full emotional effect from Blood and Cheese, not just shock value. The audience will feel the real horror of a six year old child brutally murdered in his own home and the psychological torment of Helaena. It should be terrible, it should be devastating, and I hope they do not pull any punches.

What's disappointing about how the show has handled Helaena is that they didn't really put any effort into building up her character before her tragedy. It's all well and good that she likes bugs and she's touch averse, but what are her opinions? Who is she closest to? How did she react to becoming a mother so young? To what extent does she understand her visions? What does she value? She can be happy and cheerful, or she can be frustrated and angry, and hell, she can be depressed too, but I need to know why. It's telling that I can describe the basic internal motivations for each of the male children, including Luke who was a glorified plot device, but I cannot for Helaena. Aegon wants to feel loved, Jace wants to prove he's as worthy as any trueborn heir, Aemond wants what his brother has, Luke wants to be free from his family's expectations. Helaena? Fuck if I know. I guess she wants not to die horribly.

The ableism is an issue. F&B is full of women who were deemed "simple" -- Gael, Daella, Jaehaera-- without being given much else to define them, and HotD adds another (there's something, I think, to the way the "simple" Targaryens are always women and how disability kind of used as a way to remove them from the narrative and shunt them aside, often tragically). And while it's great to see an autistic person represented on screen, the show consistently has an issue with treating representation as characterization. "Autistic girl who likes bugs" is not a personality. Autistic people, (even those with horrifying prophesies I assume), do have hopes and dreams and feelings about things. The one peek we get into Helaena's life is at the in episode 8 when she roasts Aegon and even that scene is open to interpretation (and gets taken wildly out of context). Now, I can read a lot into the actor performances, but ultimately, lines that could have given a glimpse Helaena personality were cut. It's as if they're afraid that if they give her an opinion on anything she would lose that (frankly kind of infantilizing) "pure cinnamon roll too good for this world" "i would die for her" sympathy from people who are not inclined to be sympathetic for her family as a whole.

(And anon, you're right about Larys. And let me say, turning Larys' clubfoot into the punchline of an OnlyFeet joke also does not inspire confidence that they'll handle Aegon II's eventual disability with any sensitivity either, especially when Mushroom's accounts of his last few months are incredibly mean spirited. We need to start that discourse now so they get the memo).

Sadly, I don't think the show really has any intention of course correcting with Helaena in season 2. I imagine at most we'll have her try to warn Aegon and/or Aemond about Blood & Cheese but they won't understand her warning, and then this will be a vehicle to further their guilt and grief. And while we do need to see Aegon's guilt and his grief, I also want to know if Helaena blames herself, if she wishes they'd run away when they had the chance, if she thinks Aegon could have done something, if she is angry at Aemond for killing Luke, if she wants revenge. I do think, with the public funeral for Jaehaerys, they are going to show that the smallfolk are fond of Helaena, and hopefully that will be expanded upon this season and in season 3 because her death is the catalyst for the revolt that sees Rhaenyra driven from the city, and we should understand why her death has such an impact before she actually dies.