#and i said we have both

[oetscop]

btw if someone taking your order like. gives you several options to pick for smth and you just say like "whatever it comes with" you are like one of the most annoying customers on the fucking planet

[ithinkdogshouldvote]

Yuri but its toxic and they kiss about it

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[poorly-drawn-mdzs]

Not beating the allegations.

[First] Prev <–-> Next

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[luna-loveboop]

Wars and Wild as knights in Lu

They have issues.

I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.

No saluting!!

So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'

It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.

In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward

It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language

Side note but I literally love how Jojo draws the champions tunic so much-

We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(

I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity

.

So like. All of them have different perspectives

Wars

I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.

And the scarf man cmon it's so pretty they are so cute-

Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.

To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'

At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?

Who wouldn't want to keep Wild from getting more scars?

I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.

Wild

I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)

Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.

The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical

The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)

And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-

Wild's identity and memory issues exacerbate all of this

In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments

Wild has tried to be formal several times- he is not very good at it

Four's face I can't didnwidkekfjej

Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't

Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.

Anyways. Fire.

Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this

I mean like. We need these two to be friends

Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.

All this Art is by Jojo @linkeduniverse au!

:)

[somegrumpynerd]

I like the idea that Cross realised Killer was touchstarved (he didn't have the words for it but he noticed how much Killer would settle down from it) and started giving him very small basic affection. Pat on the back, hand on the shoulder, maybe a quick friendly hug, all things he probably learned through royal guard training and thinks of as normal friend/coworker stuff.

But as they both got more comfortable in the routine of it, Killer started instigating touches and he was not shy about it (like not just leaning into Cross's side during movie night, he looks like he's trying to get into Cross's jacket with him)

And that this more intense affection made Cross realise he might also be just a little bit touchstarved

Bonus:

[padfoot-lupin77]

Remus: I’m not joking guys I’m fucking serious

James and Peter: *Le gasp*

Sirius: *grins*

Remus: oh fuck the lot of you that’s not what I meant and you know it

Sirius: is it not true though? *winks*

Remus: *sighs* I suppose it is

Peter: Pay up James

James: couldn’t you guys have waited until after Christmas? I would have won the bet then

[puppetmaster13u]

Prompt 203

Another Hydra prompt! Because I am enjoying the designs I’ve made lol. And perhaps it’s a bit inspired by @radiance1 ‘s different dragon prompts too. 

So they’ve succeeded! They’ve managed to combine their powers- with a bit of shapeshifting helped along by so many ghost allies- and become a giant duck-you dragon! Well, originally they were going to do something else, but they couldn’t agree on an animal, so dragon it was! 

And how mighty they are! They’re giant, absolutely massive- dwarfing the couple of skyscrapers still in Amity. Damages via ghost attacks and general sparring made it where people really didn’t want to rebuild those types of buildings. 

But anyway, dragon! Them! They’re absolutely stunning! And did they mention powerful? Because boy oh boy, are they powerful. The GIW’s guns do practically nothing against their combined might, and barriers shatter before them! 

The uh, issue is that they erm… can’t turn back. Which is fine, they’ve all sort of outlived most of their generation- thank you possessions and ecto-contamination, it’s just a tiny bit of an adjustment. But really it’s not too bad, and someone needs to stop the GIW from trying to poke their heads into Amity. Like it’s been a solid couple of generations, it’s time to stop, thanks. 

Actually they’ve been a bit quiet. Meh, that surely isn’t a problem. Probably. Honestly they’re all going to use the opportunity to sprawl out where the school yard once was, their favorite place to sun their scales. Huh. Usually more people are around now that they think about it- or really, as Paulina points out, sharpening her fangs on one of the rocks. 

…

How long had they been sleeping, because it couldn’t have been that long. One of them was always awake, they slept in shifts after all! Yet there are things missing now as they patrol the skies, both Wes and Tucker pointing out specific buildings that the others didn’t particularly notice usually that now lay empty. 

Hm. 

Oh. That is a… strong barrier there. A really strong barrier actually. Pfft, they can take it! They’ve shredded every barrier together before- Ow. 

…

Okay this might be a bit of a problem. Shit. 

You want a general size reference? :P

[poorly-drawn-mdzs]

Swapping tips on how to be a bestie in the bath.

[darrys-laundry]

theatre etiquette is at an all time low, y’all cannot be singing and shouting things at actors. period.

they’re doing their jobs, and i did not pay the ticket price to listen to you.

[boar-cry]

after death ; life again.

what a lovely bouquet! what's the occasion?

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[wonder-worker]

A central element of the myth of [Eleanor of Aquitaine] is that of her exceptionalism. Historians and Eleanor biographers have tended to take literally Richard of Devizes’s conventional panegyric of her as ‘an incomparable woman’ [and] a woman out of her time. […] Amazement at Eleanor’s power and independence is born from a presentism that assumes generally that the Middle Ages were a backward age, and specifically that medieval women were all downtrodden and marginalized. Eleanor’s career can, from such a perspective, only be explained by assuming that she was an exception who rose by sheer force of personality above the restrictions placed upon twelfth-century women.

-Michael R. Evans, Inventing Eleanor: The Medieval and Post-Medieval Image of Eleanor of Aquitaine

"...The idea of Eleanor’s exceptionalism rests on an assumption that women of her age were powerless. On the contrary, in Western Europe before the twelfth century there were ‘no really effective barriers to the capacity of women to exercise power; they appear as military leaders, judges, castellans, controllers of property’. […] In an important article published in 1992, Jane Martindale sought to locate Eleanor in context, stripping away much of the conjecture that had grown up around her, and returning to primary sources, including her charters. Martindale also demonstrated how Eleanor was not out of the ordinary for a twelfth-century queen either in the extent of her power or in the criticisms levelled against her.

If we look at Eleanor’s predecessors as Anglo-Norman queens of England, we find many examples of women wielding political power. Matilda of Flanders (wife of William the Conqueror) acted as regent in Normandy during his frequent absences in England following the Conquest, and [the first wife of Henry I, Matilda of Scotland, played some role in governing England during her husband's absences], while during the civil war of Stephen’s reign Matilda of Boulogne led the fight for a time on behalf of her royal husband, who had been captured by the forces of the empress. And if we wish to seek a rebel woman, we need look no further than Juliana, illegitimate daughter of Henry I, who attempted to assassinate him with a crossbow, or Adèle of Champagne, the third wife of Louis VII, who ‘[a]t the moment when Henry II held Eleanor of Aquitaine in jail for her revolt … led a revolt with her brothers against her son, Philip II'.

Eleanor is, therefore, less the exception than the rule – albeit an extreme example of that rule. This can be illustrated by comparing her with a twelfth century woman who has attracted less literary and historical attention. Adela of Blois died in 1137, the year of Eleanor’s marriage to Louis VII. […] The chronicle and charter evidence reveals Adela to have ‘legitimately exercised the powers of comital lordship’ in the domains of Blois-Champagne, both in consort with her husband and alone during his absence on crusade and after his death. […] There was, however, nothing atypical about the nature of Adela’s power. In the words of her biographer Kimberley LoPrete, ‘while the extent of Adela’s powers and the political impact of her actions were exceptional for a woman of her day (and indeed for most men), the sources of her powers and the activities she engaged in were not fundamentally different from those of other women of lordly rank’. These words could equally apply to Eleanor; the extent of her power, as heiress to the richest lordship in France, wife of two kings and mother of two or three more, was remarkable, but the nature of her power was not exceptional. Other noble or royal women governed, arranged marriages and alliances, and were patrons of the church. Eleanor represents one end of a continuum, not an isolated outlier."